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#the boy is people
risestarkiss · 5 months
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"This Whole Situation"
Rise Ramblings #1
So as you guys know, one occurring phrase in the show between the boys and April is “This whole situation.” Although vague, and used in many other contexts, sometimes the family uses the phrase to refer to their mutations.  
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However, once finishing the series it’s hard to miss that Donnie never says the phrase. Now, I could be wrong (and If I am, just comment and let me know!) but I have a theory as to why Donnie doesn’t say it… Donnie never says “this whole situation” because in his mind, there IS no situation.
The Evidence:
I started noticing something interesting about Donnie’s state of mind about himself.
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He never really expresses that he’s different from other people, he’s just…him. Obviously, he knows that he’s a mutant, but it’s not something at the front of his mind. I associate it to if someone has a certain attribute, that person is just that, a person first. I believe it’s the same for Donnie. He’s a person, that just so happens to be a mutant turtle, and I live for it.
What made me solidify my theory was the use of disguises in Rise, specifically the use of disguises in April’s school.
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All of the boys have visited April’s school, and all of them decided to wear disguises, except Donnie.
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He just shows up in his regular clothing. One could argue that the hoodie is his disguise, but then why did the rest of the boys wear actual (silly) disguises while our boy Donnie is just like, “Hoodie? Check.” And not only that, but for the whole episode, all eyes are on him, and he just. Doesn’t. Care. It’s glorious!
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Later, in the episode Donnie vs. Witch Town, we see that Donnie showing up all willy-nilly pell-mell at April’s school was not a one-time thing. It’s literally been happening for years!
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Therefore, I believe that canonically Donnie doesn’t care about “this whole situation.” And if someone does, as far as he’s concerned that’s their problem, not his.
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Part Two: On His Own Terms
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ibtisams · 5 months
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A report just came out from a Palestinian hostage saying he was strapped with bombs and sent into a Hamas tunnel, with Israel prepared to blow the tunnel up with his body if fighters were found inside and yet people are still making the “Hamas uses human shields” arguments that have been confirmed to be a myth with no supporting evidence
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abracadaze · 2 years
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i feel so bad for nikola tesla like imagine spending years beefing with a guy who has conned the public into believing he's some sort of supergenius when in reality it's his overworked employees developing all of his world-changing inventions and you end up dying broke and starving and alone and then 100 years later another guy cons the public into believing he's some sort of supergenius when in reality it's his overworked employees developing all of his world-changing inventions and he's doing it all IN YOUR NAME. he must be rolling in his grave like a fucking rotisserie chicken
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casmick-consequences · 7 months
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literally the king of oneliners
[part 2]
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feelingtheaster99 · 4 months
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It is completely in character for Percy to say he has some dumb questions, then ask incredibly valid questions that no one has brought up till now
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lautums · 30 days
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I A HOMO. 2 REÁL IS 2 REÁL !
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lilislegacy · 1 month
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i love this scene lol. because sometimes i wonder if percy isn’t actually as amazing as i make him out to be in my head, but then i remember scenes like this. leo was SO annoyed with him for being not only super powerful and heroic and handsome, but also a great person too. like he was genuinely upset 😂
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to2llynottoby · 8 months
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Funniest thing about the Old Testament is how it consistently disparages bronze-age hero type characters crafted by its historical peers and lifts up that saddest patheticest wet little meow meows youve ever seen
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contactlessdrivethru · 4 months
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there is something unique and deeply special about monkey d luffy as a protagonist. he’s overwhelmingly ADORED by the fandom. he’s consistently the most or at least top 3 most popular characters in the whole series. peoples takes about him are gushingly positive. and that’s… really uncommon.
a LOT of fandoms i’ve witnessed or been in have a tendency to favor characters other than the main character. especially in anime. the main characters are often written as a blank slate for readers/watchers to project onto, but that makes them not as interesting and so they don’t get the fan attention.
but luffy is so far from that. and he’s ALWAYS been this way. we love him so much. he’s the heart of the story and the heart of the fandom in every single way. and i think that speaks to how well-written he is as a character. he’s fun and charming and complex and interesting and he makes us laugh and cry and cheer and hope and love. he’s able to inspire so much joy in people, both in his world but also in this one. and i think that’s really special. i feel so grateful to have found this story that means so much to me, and i’m so grateful that luffy exists.
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machinerot · 4 months
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ace-and-ranty · 10 months
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Nimona, the Comic: If you pay a little bit of attention, and you know a little about the creator, you’ll see this is a clear trans metaphor :)
Nimona, the Movie: (CLAMBERING OUT OF THE DOWN WITH CIS BUS) THIS IS A TRANS METAPHOR. ATTENTION, EVERYBODY, THIS IS A TRANS METAPHOR!
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amu-says-hav-says · 9 months
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I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 
I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 
Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY
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roydeezed · 5 months
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One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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prettypierbi · 1 month
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Reblog if you like what you see,then we can have fun later 😘💦 💋
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egophiliac · 6 months
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LET THE BOY HAVE AN EDUCATION
officially at the point where we're starting to see where it's all headed and I am just going NYEEHEEHEE in delight at it all. ahhh...next week can't come soon enough...
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minnnieminmin · 6 months
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Chris Pratt using his normal voice as Garfield meanwhile Robert Pattinson over here using his most fucked up gremlin voice to play a bird that you wouldn't even know it was him until you saw the credits
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