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#that’s why we love her
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Raillerie du sort — Mademoiselle de Robespierre
I found this (very long) anecdote regarding Charlotte Robespierre published on May 20 1849 in number 776 of the paper L’Écho de la Loire. Considering it gets so much right about Charlotte (her having a portrait of her older brother, her adress, her pseudonym, just her behaviour in general), I’m actually inclined to give it some credability.
Doctor H… Fr… gave us one evening the following story:
Around the middle of the summer of 1833, one rainy morning, I strode along one of the saddest streets that can be found in Paris — the Rue de la Fontaine-Saint-Marcel. I was in a hurry to without melancholy escape from this dark district of harsh poverty, and to sadden my mind as little as possible, I carefully kept my eyes lowered so as not to see these mud colored houses, at the windows of which never fail to appear a few heads of women with yellow faces wrapped in linens whose color keps hidden under the oily filth of uncleanliness. The ugliness, the rags of misery cause me at first a repugnance freed from any movement of charity; it is only after this first impression, that my thought probes, under the hideous livery, the depth of the evil, and brings forward the emotion of the heart.
I am a doctor, and to the dryness of the soul of my profession is added the barbarous selfishness of the artist. The ugly makes me mean. I sourly affect myself with the annoying faces of men or objects. If I pass by some old woman chanting a stupid song in a false voice, I find myself wishing that a tile would fall on her head. If chance takes me to a narrow, dark, characterless street with dirty, plain facades, I hope that a fire will destroy the houses and bury the architects and owners who built them under their rubble.
Like I said, I was following the rue de la Fontaine Saint-Marcel when behind me discordant cries arose; I turned around and saw a man stopping a carriage whose driver was talking very loudly and gesticulating a lot, at the same time as a group of a dozen people formed in the middle of the street. I approached the group, and my eyes, slipping between the heads of two ragpickers, were fixed on an old lady in a faint whom an athletic woman supported with her arms and knees; another woman squeezed some of the black water from the stream in her hand and threw it in the face of the old woman.
— I said beware! exclaimed the coachman; why didn't she withdraw?
— Perhaps she is deaf! said the colossal woman.
— Then why didn’t she say so? This coachman’s joke did not have great success.
— My good people, I said, let me approach, I beg you, I'm a doctor. They moved away, I entered the center of the circle.
— Coachman, I said, after looking at the patient, your carriage shall help me transport this lady to her home.
—Bah ! he replied, these old people never leave their lodgings. And as he insisted on slipping away, he took advantage of a moment when his horse was no longer restrained, to artistically lash the end of its ears with a whiplash; the intelligent animal did not have to be told twice and left, to the great detriment.
The coachman had spoken the truth. A fruiterer, standing in front of her lethal, pointed out to me, with a hand green and knotty like the bark of an oak tree, a house less puny in appearance than those which neighbored it. This is where Mademoiselle Delaroche lives, she said.
Mademoiselle Delaroche was very thin. A ragpicker took her in his arms, reached the house, climbed two flights of stairs, and deposited his burden in a small apartment which a servant came to open to us.
I found that Mademoiselle Delaroche was in no serious ailment, and after prescribing some minor medication, I recommended that, despite the slightness of the accident, they should not neglect to call a doctor.
— Mademoiselle, Delaroche since settling in this district, has never called a doctor, said the servant. I don't know where to find any in the neighborhood. If monsieur wanted to come back…
I live, like I said, on the rue du Faubourg Poissonnière; rue de la Fontaine-Saint Marcel was far from my house; moreover, it was very disagreeable to me; nevertheless I promised to return in the evening and went out. At nightfall I kept my word. The woman who had opened the door for us in the morning received me again. She made me sit down in a very hard old armchair, saying to me in a low voice:
— Mademoiselle Delaroche is finishing her prayers. She is there, in this cabinet; her accident had no unfortunate consequences.
While Mademoiselle Delaroche was praying to God, my eyes fell mechanically first on the shabby furniture of the room, then they stopped on an object which excited my curiosity. On one side of a rococo mirror hung a bad engraving representing an Ecce Homo; on the other side hung a painting covered with a black cape. Placed as a pendant to the image of Christ at the height of his sublime suffering, this frame was to have an emblematic meaning of great pain. It gave to the old woman's little room a character of gloomy mystery, and was to be the ever-precise memory of some great family event. This demoiselle Delaroche must be, I thought, of a robust character, since she feels in her isolation the need to always have before her eyes an object which brings her thoughts back to the pain which is the culminating point of her life.
I had my eye fixed on the covered portrait, when Mademoiselle Delaroche opened the door of the neighboring room. My attentive attitude seemed to make her reflect. She stopped after taking a step towards me, and although darkness was already creeping into the room, I saw her eyes come alive under her gray eyebrows.
I rose and greeted her with the thought that I probably had before my eyes the heroine of some bloody family drama.
— Monsieur, she said in a dry, biting, though weak, voice, you know who I am, don't you?
— I was told you were Mademoiselle Delaroche.
— Monsieur, you saw after the little accident this morning that my health had not been impaired, and I assure you that I no longer need a doctor. You have rendered me some care for which it is right that you should be paid.
Saying these words, she went and opened the writing desk and took out a five-franc pincer.
- Monsieur, she continued, I am not rich, please be satisfied with this and do not even ask me medical questions, because I feel good. I will not insist on the reasons which determined you to take advantage of the service you have rendered me to return this evening. She handed me the coin.
— Mademoiselle, I replied spitefully, the thanks you give me sound very much like reproaches. I don't accept them any more than your money. The reasons which have induced me to render to you the minimal aid I swear to you are simple reasons of humanity. I live in another end of Paris, and I have decided to come to this suburb, to this house, to a person whom I do not know, and towards whom I can only be attracted by this commiseration that one carries towards his fellows.
I bowed and walked towards the door, convinced that this woman was one of those touchy beings like Rousseau, who believe themselves to be persecuted as much by their services as by their opposites. I had my finger on the door knob, eager to leave this gloomy dwelling and not caring the least in the world about the secret which had a moment before so keenly excited my curiosity, when Mademoiselle who had followed me said to me:
— I was no doubt mistaken, monsieur; Alas! misfortune makes one suspicious and unjust; and I have been so often the object of the most hateful curiosity, that I must distrust anyone who crosses this poor threshold. Would you forgive me for the harsh words I addressed to you?
She spoke these words with a sincere expression of pain that touched me. At the same time, the thought of ​​the covered portrait reappeared in my mind, and it was with a little selfishness and with the hope that Mademoiselle Delaroche would raise this mystery that I said to her:
— I am a doctor, Mademoiselle, I observe the ills of the body, but those of the mind I understand too. I have many moments of injustice, although I do not complain about the fate that has been fixed for me, and I must forgive others for the faults that I am the first to commit without having as excuses the causes that you have without a doubt.
— You have just assured me, she resumed, that you did not know who I was; I believe in your honor and your sincerity! My God, after all, I should be used to this scrutiny I am being subjected to, and I am sorry now for expressing my displeasure to you. If you knew my real name this morning, what harm would there really have been? One more person whose gaze would have sought on my wrinkled forehead to read things that are not there, what would that matter? I some times tell myself that I have too little time to live to worry about other people's attention; but most often the name I bear brings me the presence of hateful thoughts.
— I don't know your name, mademoiselle, as I didn't know this morning, if the one by which you were designated to me is not yours. I respect the reasons that made you adopt it, and despite what you have told me, I swear to you that I will not take any steps to become them.
— Would you be sure, she said with a certain delicacy of emphasis and a good-naturedness which contrasted with her first mood, would you be sure tomorrow of keeping your word? I see very well that I have told you too much for me to remain a mystery to you; besides, we will be strangers to each other, no relation can be established between us, and I would as much like to tell you myself before leaving you that I am Robespierre's sister.
Surprise silenced me. This name confusedly awakened so many ideas in me that I could not formulate the most banal phrase.
— You see, monsieur, said Mademoiselle Robespierre sadly, if I weren't used to it, the shock you feel would be very painful to me. My poor brother, grandiose enigma of which contemporaries, no more than relatives and posterity, have been able to discover the true meaning, you produce on those who meet his name the same rejection: that of stupefaction!
I took a few steps back into the apartment.
— I have never thought too much about your brother's frightful work, I said to her.
— If you haven't thought about it, she resumed, you must have adopted the idea one has settled on for this work. But the idea is horrible.
— In any case, Mademoiselle, your brother's enemies are not yours.
— I have endeavored to live with God; but, in spite of the greatest efforts, I could not believe myself detached from the cause of Maximilien, a cause, I repeat to you, which is more obscure for me than it is for you. I have tried, I have often succeeded in withdrawing myself into a corner, far from the public attention which the terrible name that I bear always keeps awake; it is for me above all that this word is important. Hide your life; but I have never been able, despite my fervor in God, not to feel the fibers of family and affection stir in me, when a word collected in passing or a few pages of a book show me how way the figure of Maximilian rose above posterity. In vain I closed my ears to the noise outside, I succeeded no more than in closing my soul to all the echoes of the past. But Alas! Isolation, even as severe as a poor old spinster can create for herself, was no defense against the role I so dreaded and which always fell on me.
While speaking, Mademoiselle Robespierre threw herself onto a chair beside the window. I approached, seeing with pleasure that her savagery had dissipated and that her mind was embarking, by a return familiar to old people, on a path that led her to a distant time, a time that she, despite what she’d just said, preoccupied herself with all living moments.
— I knew, she went on, when I was young and my brother was powerful, that the approval of others was a dangerous pleasure; but what harm is the imprecation of our neighbor? If the heart succumbs to flattery, it cannot resist the disdain of our fellow men either, and I believe that, in default of strength, habit cannot suffice. Having a taste for obscurity, not being able to bear a big name, and having been hounded by public curiosity, this has been my ordeal.
— I thought, mademoiselle, that your existence was only known to a few people.
— For a long time, monsieur, I have been dogged by the reprobation which attaches itself to the name I bear. This name detached me from everything. From the first years, what torments, miseries, deprivations this name caused me! I steeled myself against public judgment. I lived for a long time supported I don't know how and I don't know by who. Misfortune ends up making you indifferent to everything, and this indifference goes so far that we only accept with apathy any improvement that happens to us, like any worsening that your bad fortune brings you. The day when they came to tell me that Bonaparte had granted me a pension of 8600 francs gave me no more happiness than the day when it was reduced to me under the Restoration, and when it was suspended altogether. Another thing, I admit, bothered me, it was my name. I decided to leave it; and, changing my residence, I came to settle in the Faubourg Saint-Marceau, and live under the name of Mademoiselle Delaroche, in a house in the Rue Gracieuse. But this alias soon ceased to veil my real name, and I had to secretly flee from the intelligent curiosity which again surrounded me. Since I came to this sad retreat, rue de la Fontaine-Saint-Marcel, I have been a little calmer; I see only two old ladies whom a community of tastes have engaged to see me regularly. They know me by my false name: and although our intimacy dates back a long time, it would doubtless not resist disclosure. When I saw you, only a moment ago, your eyes so ardently fixed on the portrait of my brother, I felt my past uneasiness revive.
— Why, I continued, did you cover it with a cape?
The ending in the next number.
Unfortunately, it would appear like the following number hasn’t been digitalised, at least not by the BNF… Therefore, I can’t give you the rest of the anecdote. :(
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skreej · 8 months
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brittany broski: ily guys sm thank you for letting me be silly as my job 🫶🫶🫶
one second later….
brittany broski: me being annoying af at hozier concert *jamming out and living it up*
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coruscantrhapsody · 2 years
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We don’t talk enough about how, right before the events of The Phantom Menace, Padmé was covered in liquid glitter from a glow stick that broke while at the concert she and her handmaidens snuck out to go to
Just iconic
Like Padmé is constantly getting herself caught up in insane shenanigans and we should respect that
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The tragedy of being William Afton’s daughter in FNAF..
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bluerosefox · 13 days
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Another Sibling Danny and Jason idea!!
"Are you Jason Peter Todd?!" demanded a deep and commanding tone from the strange glowing being in front of them.
All the Bats stiffened and tensed, no doubt gearing up for a fight against the being that somehow knew Red Hood's full name.
Jason, Red Hood, decided to put on a brave front despite no doubt cursing in his head and wondering how the heck did this thing know his full freaking name.
"Whose asking." he snarled out, his hands twitching for his gun when the huge glowing knight with purple flames coming out of his helmet and cape, who was riding on a nightmare looking horse while they all had been in the cave going over tonight's patrol.
The Knight didn't seemed bothered by his response nor did he even seem to care or flinch when Batman made his own demand on 'Why was he there and who was he' or when Damian unsheathed his sword and pointed it towards him. Instead the strange glowing Knight reached to it side and pulled out... A glowing scroll? Huh. (Also he completely unnerved everyone in the room when the Knight didn't even react when Batman had tossed a Baterang when he reached for his side)
The Knight opened the scroll and spoke clearly with purpose.
"Jason Peter Todd,
You are hereby invited as a special guest of honor to the crowning of our future King of the Infinite Realms.
Daniel Phantom, once Daniel Jackson Fenton, and once Daniel Austen Todd.
Prince of the Infinite Realms, the Keeper of Balance, The Peacekeeping Halfa, the Defeater of the Tyrant King Pariah Dark, The Great One, Youngest of the Ancients, Ancient of Space, The Bridge between Life and Death.
You, the half-brother of our King, have been given the highest of honors for your past actions and will be given housing and food in the Realms and Phantom's Keep, for the week long event. Personal servants and attendants will be at your disposable and a seamstress will be on hand to tailor make your attire for the Coronation.
Signed: Clockwork. Ancient of Time. Watcher of the Infinite Timeline. Kronos. Mentor and Adviser.
PS: I shall have Fright Knight ("Me" the Knight bluntly said for a second) leave this scroll along with a personal one for you from Daniel to read over and once you make up your mind sign the bottom of the scroll.
I do hope in time you will pick the right choice Jason Todd, we of the Infinite Realms would like to reward you for your actions. After all, if you hadn't gotten young Daniel away from your father that night all those years ago, we would never had gained our Prince nor be free from our once Tyrant King.
Ah, one more thing.
The Infinite Realms will always favor you Jason."
Jason felt like he couldn't breath as Fright Knight? Rolled up the scroll, pulled a letter from his side, and held out the two items for him to take.
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ohvun · 3 months
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D E V I L C H I L D >:D
I just think it'd be cool if her demonia fleur was a lil more grotesque yk?
Got super inspired seeing this post by rly cool @wigglesdtuff about a year ago and finally finished it!!:D
I ended up using a picture of a figurine to get the wings to work better bc I was s t r u g g e l i n g ;-;
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pjs-everyday · 4 months
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"ah! loid, we have guests waiting in the other room!" >>> "so?" 😇
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spadillelicious · 1 month
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Various LDR wips and doodles I might finish at some point! :D ✨✨✨
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fumifooms · 18 days
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Falin who cares too much and too little - analysis
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Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is pretty much essential prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.
Falin cares too little :
A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.
We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.
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Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.
She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.
Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.
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What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.
And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.
People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.
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One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?
So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?
And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.
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So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.
So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.
Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.
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And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.
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She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.
And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.
We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.
Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.
She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.
So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.
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She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.
And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.
It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"
So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."
And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.
And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…
So.
Not feeling as much as she should. And……. Is this not Faligon pushed to the max?
You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.
Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.
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There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.
Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.
And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.
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Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.
Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.
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But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.
In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.
No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.
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I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.
Falin cares too much
She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.
So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.
In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.
Post-canon, she needs to leave to find herself, away from them.
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Herself. What if she wants to just be with herself for a while.
And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.
Notes & nuance
I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.
I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…
Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.
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Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.
And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."
Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."
And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.
AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.
Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.
But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.
Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…
Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).
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A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.
It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.
I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.
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I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.
Conclusion
Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.
Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.
She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)
Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.
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I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it
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That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.
Here’s my spotify playlist for her if you’d like
Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.
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#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t#get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me#As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it#I’m doomed. I’m getting lost in the sauce.#dungeon meshi#delicious in dungeon#falin touden#analysis#character analysis#meta#autistic reading#aroace reading as well. Sort of. It’s mentioned#The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to#As always this is just my interpretation blablabla#Spoilers#dungeon meshi manga spoilers#She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor#Laios touden#he’s here too bc they are an unit#If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo#Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down#Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out#I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity#Will 90% for sure edit stuff in if i find more to say.#Fumi rambles#Crazy style#I give a TLDR at the end if you’d prefer. It doesn’t have the like evidence/explanations alongside but it makes the main points i think
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ministarfruit · 4 months
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day 10: love is devotion ♡
(femslashfeb prompt list)
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jakeperalta · 2 months
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I am deeply obsessed with the manuscript as the closing track of the anthology. returning to that first big life altering heartbreak, the one that inspired some of the most acclaimed and beloved work of her career, but it's a distant past now and it's almost as though it happened to someone else. and then, in the wake of all the intense loss and turbulence that the past two hours have documented, she knows what the agony was for. because just like all that now remains of that past relationship is the art that came out of it — including all too well, a song that was changed for her over the years into something beautiful and joyful — one day all that will remain of this period will be this manuscript, this album and all its feelings that eventually won't even be hers anymore but will belong to her past self and to its future listeners.
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nightlocked-in · 2 months
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“peeta is bisexual” you guys are losing the vision. peeta isn’t even straight. katniss INVENTED sexuality for him. whatever katniss identifies as, he’s like “yeah, i’ll take that one” no questions asked
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sketchy-tour · 1 month
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Found a lil bit of energy to doodle! Watched the new episode of TADC and now have grown VERY attached to Gangle she is definitely my favorite of the cast!
Take these very low effort and messy doodles I did of her after watching the new ep!
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rmtzcoconut · 15 days
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Slight redesign
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sentientcave · 2 months
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Retirement Party
Price has retired from Military life, and he's not handling the change well. But on the one year anniversary of him hanging it up, his boys bring him something special to help keep him busy. You.
Chapter Two - An Understanding
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Contains: No Y/N, Kidnapping, Forcible relocation, Generally creepy behaviour, Alcohol mention, Smoking mention (Tobacco), I guess this might count as human trafficking?, Dubcon everything because Reader is terrified (non-sexual), plus-sized reader, fem/afab reader, There is something fucking wrong with these guys for real, More reader details given, but we're still pretty vague about it. Even though it is hard for me. No promises for future chapters though.
~3.8k - MDNI - Dark fic! Please mind the content warning above
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The captain looks at you for a long moment, dark blue eyes wide with surprise as he takes you in. You have to admit that he’s handsome, dark brown hair and well-groomed facial hair (muttonchops, no less) flecked with silver, and a nice nose that skews to the large side. It gives him a friendly, approachable demeanour, despite the weight of his stare. His heavy attention shifts from you to the other three, and his expression turns serious. “Lads,” he says, his voice a rumble that you can feel through your own body. “Please tell me this isn’t what it looks like.”
“Weeeel. It might be,” Johnny says apprehensively. “But I did my research, sir. She’ll be perfect for ye, ye’ll see.”
“She’s a good girl,” Ghost adds. “Sweet as can be. Won’t be any trouble for you.”
“Already moved her in and everything.” Gaz gestures around the room, looking rather too proud of their work.
The captain nods slowly, taking in the new additions to the space. “So you did. And did this pretty little thing agree to having her life upended, or did you lads just decide for her?” His arms shift around you, and you feel almost protected, oddly enough, even though by the size of him, he’s just as dangerous as the others. Probably even more dangerous, the way they defer to him, standing in a line like cadets, eager for his approval.
“Not… Not exactly,” Gaz admits. “I mean, we didn’t ask. But this’ll be better for her. She was living in a real rat hole before. Tiny little apartment in a shite neighbourhood. Was only a matter of time before something bad happened. We’re just looking out for her.”
Johnny shuffles his feet. “Dealt with a few neds while I was doin’ reconnaissance, even. Poor lass coulda been in real trouble if I hadna been there. Bawbag employers would ask her to stay past the last bus to watch the bairns an’ no’ even offer her a ride or ta pay fer a cab.”
“It wasn’t that far a walk,” you protest, glaring at Johnny. As if it’s any of his business. “And they did offer to drive me, I just wasn’t— It doesn’t matter! You had no right—”
The captain shushes you, and your words wither on your tongue, your cheeks turning hot under his stern blue gaze. He cups your jaw and turns your head to face him again, the rough pad of his thumb stroking your cheek gently. “Sweetheart, you and I will talk in a moment. Soap’s right about that not bein’ safe, and you know it.”
Your stomach flutters nervously. He gives you a little smile, and his crow’s feet deepen, the lines fanning out further. There’s a moment where you’re tempted to smile back, but his legs shift under you, and you wince sympathetically instead. “Sorry, I should get off of you,” you say quickly. “I’m heavy.”
“I won’t stop you if you’d like to sit somewhere else,” he says, that cheeky smile deepening more. "But you’re not heavy, and I'd like it if you stayed put."
"Told ye he'd like her," Johnny whispers, loud enough that it shatters the isolated pocket of reality that, for a moment, housed only you and the captain. "Hasna even introduced himself an' he's flirtin' like mad."
"Soap!" Gaz hisses back. "Shut up."
Ghost scruffs them both. "Let's finish getting dinner on. Give 'em a minute to talk."
Johnny grins at you and gives you two thumbs up as he circles around to the kitchen, as if you’d actually been a willing participant in all of this.
"I'm John, by the way," the captain says, calling your attention back to him. He drops his hand and settles it on your knee, his fingers curling around the joint. "You alright, doll?"
A loaded question. "Well. Not really."
"You're keepin' it together real nicely, all considered. Wouldn't blame you if you were hissin' and scratching."
"I'm not much of a fighter," you admit. "And even if I was, I don't think it would do me much good."
John chuckles, squeezing your knee lightly. He's gentle, but there's power in those hands, the kind that comes from years of hard work. There's scars all over it, from his the tips of his calloused fingers up to the leather band of his watch, etched in evidence of violence. If there are scars further up his arms, their hidden by the buffalo plaid flannel. "No, it probably wouldn't."
"Are you going to let me go home?" you ask.
He sighs. "The thing is, doll, the boys have put me in an awkward spot here. If I let you go on home, you're going to get them in trouble, and I don't want to see that happen."
"I promise, I won't say anything, I just--"
He shushes you again, and you shut your mouth, biting your lip. "Let me finish, sweetheart. You're being so good right now because you're scared. But that's not gonna last, is it? And worse, it sounds like you don't really have much to go back to."
"I'll find a new job. I always do."
"With another family who doesn't appreciate the work you put in? That doesn't make you feel safe?" His fingertips toy with the edge of your skirt absently, but his eyes are on your face, studying your reaction with rapt attention. This is how a rabbit must feel, pinned under the stare of a grizzly bear, frozen in place and hoping that no claws come down on top of it. "I can read between the lines, doll. That man you were workin' for made you feel so uncomfortable that you'd rather walk through a bad neighbourhood at night than get into a car with him alone."
You can't dispute it, although you're surprised he can glean so much information from half an outburst. "It wasn't like that-- He wasn't that bad."
John hums. "You're tellin' me you've had worse?"
A dozen jobs with a dozen managers or coworkers that took your silence as permission to stand too close, or put their hands on you flash across your mind. Mr. Kinsey was just the latest of many. You know that the thought is displayed on your face, from the way his eyebrows pinch together just slightly, not angrily, but concerned. You try to deflect with a little laugh. "Oh, well. I suppose I have. But hasn't everyone?"
"Soap had a bad lieutenant once and locked the man in his own car when he was just a private. Just because you have a bad boss doesn't mean you have to take it." He looks at you so seriously as he speaks, his fingers dancing distracting circles against the top of your knee, rough fingertips catching on the nylons just slightly. The heat from the arm curled around your waist bleeds through the fabric of your dress, his hand twitching slightly, like all he wants to do is take a handful of soft flesh. “You should speak up when you’re not comfortable, doll. You just need some practice standin’ up for yourself, don’t you?”
If a statement could have teeth, this one would, and you’re not sure if agreeing or disagreeing will have him closing his jaws around you. He’s probably right, you do need to do a better job of standing up for yourself. But you’re certain that he doesn’t want you to start by standing up to him, or his three attack dogs either. “I’ll work on it,” you say meekly. You test his commitment to the statement by gently picking his hand off of your knee, although there’s nowhere to really put it either.
“We’ll work on it,” he agrees, lacing your fingers together. When he rests your now-entwined hands, it’s a little further up your thigh. “You want a drink, darlin’?”
“Oh, um, no thank you.” You wouldn’t mind another tea, but you don’t think that’s what you’re being offered.
The scrutiny he puts you under is intense, like he’s determined to figure out what every microscopic shift in your expression might mean. “You sure, doll? You gotta ask if you want somethin’, or you won’t get it.”
“I would like a tea. But I can make it, I don’t want to be trouble.”
“Nonsense. Lads?” he tips his head back slightly.
“On it, sir,” Gaz replies cheerfully.
Ghost leans over the back of the couch to hand John a tumbler. Whiskey or scotch, by the sharp smell that hits you. John pulls his hand away from yours to accept the glass. “Thank you, Simon,” he says pleasantly. "Good lad."
“S’your party, sir. An’ you’re busy, ain’t you?” Ghost rests his hands on the back of the couch and studies the pair of you, dark eyes gleaming with pride. The man has the demeanour of a cat that’s brought in a helpless little bunny to his master, while it’s still alive and struggling.
“Gettin’ to know our pretty guest.” John smiles at you over the rim of his glass as he takes a sip. “She’s a sweet girl.”
“Isn’t she just?”
“Could I, um, sit over there?” you ask, glancing at the chair. Somehow John had managed to distract you from the idea of moving for a while, but you were still eager to get a little space from him, especially with Ghost looming over both of you.
“Of course, sweetheart,” John’s arm loosens, and you quickly get up and move to the chair.
You almost feel cold, without the heat that radiates off of his body. His attention feels weightier now too, or maybe it’s just that his body isn’t shielding the stares from Johnny, Gaz and Ghost, and you’re subjected to all four of them watching you, like you’re either fascinating or delicious (or both). You cross your arms over your chest and shrink into yourself as much as possible, eyes wide.
"Here's yer tea, hen. And may I just say, ye've go' a fantastic rack from this angle." Johnny hands you the mug and sits on the arm of the chair, leaning over you. "Weel. Ye've go' a nice rack from any angle. Nice arse too. Captain's lucky I like him so much, or I'd've gone for you myself."
You breathe in steam, wrinkling your nose slightly. It doesn't smell quite right. "Did you put something in this?"
"Aye. Finger of whiskey. Ye look all stiff and peaky still. Need a pick me up, don't ya?"
You look at him reproachfully. He sighs and plucks the tea from your hands and takes a big sip. "There's nothin' else in there, if that's what yer askin', ye suspicious wee daftie. A little whiskey ne'er hurt no one." He hands the mug back to you, smile crooked, doing his best to be charming, but he's too intense, too fervent, to be anything but unsettling.
“Got Johnny checkin’ everythin’ for poison, do you?” Ghost asks, chuckling. “Can’t say I blame you.” He nudges John with the back of his hand. “She’s smart, worth keepin’ an eye on that. Know’s ‘ow to ‘old ‘er tongue, but she’s listenin’ and payin’ attention.”
“Of course she is! Wouldna choose a lass withoot a brain in her head. Wouldna be worth the captain’s time. Weel, maybe worth a wee bit of time.” He winks down at you. “But no’ wife material, ye ken. Chose her because she’s delightful, no’ just ‘cause she’s bonnie.”
The few times you’d spoken to Johnny before you’d thought that he was so nice. Laughing and joking with you in the pick up line while you waited for the children you were respectively responsible, greeting his niece and nephew with big smiles. And Finn and Rory were always so excited to see him, you’d chalked him up as harmless. Clearly you hadn’t been paying enough attention then, too focused on the Kinsey kids and your job, maybe. You hadn’t noticed that he was appraising you like a piece of livestock, judging your value like you’d been put up to auction.
The whisky-fortified tea is a bit on the strong side, but you take a few sips anyway. Getting drunk would be unwise, but you’re so tense that your whole body is starting to ache, and that’s not doing you any good either.
“Dinner’s ready,” Gaz announces, untying his kiss the cook apron and setting it on the counter. “Hope you’re hungry. Soap made a cake earlier too.”
John raises an eyebrow. “You can bake?” he asks, surprised.
“Aye, picked it up while I was gettin’ rehabbed for the big fuck-off hole in my head,” he replies airily. “Was goin’ mental putterin’ around Kirsty’s waitin’ for the bairns to get out of school, so Ah picked it up. Isnae so hard. Just chemistry, aye?”
“He did make a big mess,” Gaz says. “Had to wash about fifty dishes before I could get started on dinner.”
“Everyone’s a fuckin’ critic,” Johnny complains. “See if I bake ye a cake for yer birthday, Garrick. Ye’ll be sorry then.”
“Oh no, how will I survive?” Gaz clutches his chest like he’s deeply wounded by the statement, laughing. “I have two mums, I’m still pretty much guaranteed a cake.”
“Always braggin’ abou’ that. Thinks he’s more evolved than the rest of us just because his da’s a woman.” He hovers next to you as you get up, and sticks close as you walk over to the table. You don’t choose a seat, in case there’s an order to things you’re not aware of.
“Pretty sure the whole point is that he dun’t ‘ave a dad,” Ghost says. “Now sit down, mutt. Yer not sittin’ next to the bird. You’re botherin’ ‘er.” He points at a chair, and Johnny sighs and slinks into it.
“Here, sweetheart,” John says, putting his big hand on your back to guide you the last few steps and directing you to a seat. He slides the chair in for you too, masquerading as a gentleman, and sits next to you.
Gaz settles in on your other side, all smiles. “Feeling better?”
They keep asking you how you are, as if the answer is going to change. Like all you need to adjust to the reality of being kidnapped and relocated to some stranger’s house in the country is a little time. Like you’re going to be just fine, if you just get a few more minutes to adjust. “Not really.”
"Ah, don't worry, doll. Captain's gonna be real good to you. You'll get there soon enough. Probably'll feel better once you've had a proper meal."
At least they don't try to make you talk much at the table. They fall into easy conversation between them, and let you eat roasted chicken and potatoes and carrots with some kind of sweet and mildly spicy glaze. Ghost pulls the mask down to eat, so you're able to watch when he goes slightly pink from what barely qualifies as spice. Gaz gives you a little side-long glance, and you almost laugh. There's some solidarity to be had, even in a situation like this one, something funny about how a little more spice could probably straight up kill the other three men at the table. Maybe that would be the key to you freedom: Murdering John by feeding him something full of chilies.
Admittedly, you do feel begrudgingly more charitable towards them after eating. You could maybe blame it on the tea too, which, against your better judgment, you do end up finishing.
John stops you from helping clean up when you stand automatically and try to stack Gaz's empty plate with your own. "No, sweetheart. C’mere." He guides you to the door and out into the chilly evening air. You wish that Ghost had let you put on a sweater over your summery dress, but he had been so keen to show you off, and you’d been too scared to insist. You curl your arms around yourself for warmth, and keep quiet, watching as John trims and lights a cigar, looking out into the darkness beyond the porch.
Fear has morphed from pressing terror to something that gnaws at you from the pit of your stomach. You could try to run for it, but you’d probably roll your ankle wearing the stupid red heels, and you have no real idea where you are, or how far you are from someone who could help you. Outrunning John would be a feat anyway. He’s older than you, but he’s in better shape, nearly perfect shape, broad and strong, that long military career not yet forgotten.
There’s a bench by the door, so you sit down to take the heels off. You’re not used to wearing them, it’s so rare that you have anywhere to go that calls for spicier footwear than your comfortable, worn in trainers.
“Here.” John slides his flannel shirt off and drapes it over your shoulders, and kneels down in front of you, cigar clamped in his mouth, pulling your heels off for you. Smoke curls around you for a moment, thin and blue in the scant light, before a breeze carries it away. He leans on his one leg and studies you, but he doesn’t stand. “You’re beautiful, you know that?”
You put your arms through the sleeves of the flannel, humming noncommittally. You know you’re pretty enough, by most standards, but you feel like his interest— And the interest of the other three— is disproportionate, too intense.
“I’d like you to stay a while, doll,” he continues. “I won’t force you, I’m not that kind of man, but I’d have a hard time letting you go back to living paycheck to paycheck in a bad nieghbourhood, workin’ for creeps that don’t know how to keep their hands to themselves. You deserve better than that.” It’s as though he doesn’t even hear his own words though, or imagines himself better, because he absently runs his hands over your calf, squeezing the tense muscle gently.
“I have to work,” you protest, biting back a moan. You didn’t need to encourage him, even if you weren’t quite brave enough (or willing) to stop him. “I have student loans, and I send money to my lola in Vigan. I can’t afford to just disappear off the face of the earth.”
He nods thoughtfully. “How much?”
"Three hundred pounds a month to Lola. I know it might not seem like a lot, but it goes a lot further there."
"And the student loans?"
"Sixteen thousand. Not that much, I worked through my degree, and I inherited a bit of money from my parents. But I still have to--"
"I'll pay for both. You'll stay until you find a good job, and a safer apartment." He says it like it's a final edict, no room for argument.
You pull your leg out of his grip, tucking both further back under the bench. "No, John, I don't want to owe you either--"
"You won't. My boys kidnapped you and disrupted your whole life. I'd pay a lot more if it keeps you from going to the police over it. Least I can do is make sure you're better off when you do leave here, hm?"
You bite your lip. Starting over with a clean slate is tempting, but you're not sure you can trust John. He seems so earnest, blue eyes clear and guileless, but he can't be much better than the other three. Unless he was just holding their leashes tight as their captain, and had to let them loose when he retired.
"Can I think about it?" you ask.
"Of course." He puts his hand on your knee to steady himself as he leans across to ash the cigar in the ashtray that sits on a little table next to the bench. "But I think you'll say yes. You're a smart girl, hm?"
You're tempted to say no, just to test weather or not he's being honest about not forcing you to stay, but there's a niggling worry in the back of your mind that the veneer of civility will evaporate if you push him on it. He's nice enough now. And maybe that niceness isn't a show, maybe he has no darker side, maybe it's all just paranoia on your part. Perhaps the worst thing about him is his predilection to protect his "boys", even though all three are clearly insane.
Military is like that, isn’t it? The whole brotherhood thing? Maybe fighting for your life beside someone changes how you see them forever.
“How long did you all serve together?” you ask. “Johnny mentioned that he was SAS before— I asked about the scar once.” You tap the side of your head, the same spot where Johnny has a nasty bullet scar.
“Long time. Hand-picked Gaz and Soap for my taskforce about ten years back. Simon and I served together longer. He’s a captain now, even if the lads still call him LT. They’re both lieutenants, and Gaz’ll be a captain himself before long. Probably would’ve been already if he’d transferred out of the 141.” He gets up with a grunt and settles onto the bench beside you. “Don’t think Simon’s long for it. He’s only still in because he wants to keep an eye on Soap. Man’s a bloody romantic. Live together or die together.”
“I didn’t realize that they were together at all.”
“The way Soap’s been droolin’ all over you, I’m not surprised.” He puffs on his cigar thoughtfully. “But Simon’s just like that, as far as I can tell. The world’s divided into three categories. Enemies, his people, and everyone else. Enemies ‘n’ everyone else can’t touch what’s his, but he’s never given a damn about Soap sleepin’ with Gaz, or me.”
“I’m not his people.”
John looks at you and shakes his head. “Course you are, doll. You’re one of our people now. They might’ve gotten a bit overzealous, bringing you here the way they did, but those lads would do anything you asked of ‘em now.”
A bit overzealous. You laugh, but the sound comes out bitter.
"Relax, doll. I know you're determined to hate them, but they're good lads. Their hearts are in the right place." He pets a big hand over your head and rests it on the back of your neck, warmth seeping into your bones, relieving some of the ache from all the tension of the day. John has a way of soothing that terrified little animal in your chest that would otherwise threaten to kick it’s way free from your ribs and flee into the dark trees. “Lookin’ out for me, in their own way. Lookin’ out for you too. If your situation was a better one, they wouldn’t’ve plucked you out of it like that.”
There’s hope in his eyes when you look up at him, hope that you’ll forgive and forget, that you’ll come around to some kind of understanding in time. His thumb brushes a sensitive spot behind your ear, sending an awful, irrefutable thrill through you.
You’re worried that he might be right.
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My favourite John Price to write is the sneakiest, most charming, manipulative bastard on the planet. I definitely take a lot of inspiration from 391780 's portrayal of him. The Rear Window and Neighborly have been forefront in my mind while working on this (Largely because I think my John would have taken a similar approach if the lads hadn't jumped the gun. The Rear Window is dark, so be warned! Early writes delicious dark fics, but that may not be everyone's cup of tea, so mind the tags.)
Image Credits: Banner
Dividers: 1 - 2 - 3 by @/Cafekitsune
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nightblightowl · 3 months
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Just some Lilith thoughts:
I do not believe for one second that Lilith is as cool and composed and effortlessly poised as some of the fandom make her out to be. Now this is just personal opinion (and I know we don't actually know much about her) Look at the man she married. Look at the child she raised. I don't think she'd be quite as CHEERY/overly optimistic as Charlie or as goofy as Lucifer. But there is no way that woman is 100% serious all of the time. She's gotta have a sense of humour. I want her to seem as graceful/regal as she appears... and I also want her to be kind of a dork. She gets flustered too, she makes faces, maybe she snorts when she laughs, maybe she makes really really bad jokes... I just like the idea that all of the Morningstars are a lil' silly in their own way. Look at them.🥺
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