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#tell me whats going on
selamat-linting · 2 months
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okay i definitely need someone to tell me the messy glorious details on this.
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lesbianpegbar · 7 months
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also when did he travel back in time. when did that happen. he has the stab wound from the end of season 1. but theres literally no time when he wouldve been by himself to time travel post-stabbing. when did he do that. when. when. i need to shake him i need his brain to rattle around i need to know what hes seen
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keets-writing-corner · 3 months
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Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??
As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue
the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD
He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.
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like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...
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The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"
and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it
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does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING
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like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow
For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat
Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation
Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with
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Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)
But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time
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Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell
Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch
idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room
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hansoeii · 6 months
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It's about who.
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muppetfreak · 4 months
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Mr. Riordan, it is truly a pleasure getting to experience your second draft.
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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moonilit · 1 year
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He got some fact checking to do
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forecast0ctopus · 25 days
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concussion does not negate bitchiness…..this must be known
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inktho · 1 month
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🎯 critical hit
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loumands · 1 year
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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
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miilkybnn · 6 months
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y’all know that one audition tape Neil did? Yeah, so anyways make it Soap
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nookisms · 8 months
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The Riddler: Riddle me thi- Is that a fucking kid.
Dick Grayson, a non-native English speaker: What does fucking mean?
The Riddler: Fuck- I mean shit- I mean it's a grown up word, ask your dad about it
[A Few Years Later]
The Riddler: Riddle me th- Is that another fucking kid
Jason Todd, raised in Crime Alley his entire life: Who the hell you calling a fucking kid? I'll beat your ass motherfucker, you and me right now.
The Riddler: Wow you are. Something.
[A Few Years After That]
The Riddler: Riddle me- Where the fuck are you getting these children?
Tim Drake, raised in high society but also not raised at all: That's a naughty word sir.
The Riddler: At least you're polite
[A Few More Years Later]
The Riddler: Riddle m- WHY THE FUCK DOES THIS ONE HAVE A SWORD!?
Damian Wayne, above silly things like Vulgar Language: I Was Expecting A Battle Of Wits, But You Appear To Be Unarmed.
The Riddler: WHY DOES HE TALK LIKE THAT???
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dumplingsjinson · 8 months
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List of “things they say that makes my heart melt and my knees weak” prompts 
“I can kiss you forever,” Character B murmurs. “Yeah?” Character A says, laughing a little, only to stop when Character B leans in and presses a kiss against their cheek. “Yeah,” Character B says, “Yeah, I can. You think I’m lying?” (As I said, forever ingrained in my brain. I cannot fucking believe this isn’t just fictional shit characters in books/fics say-) 
“You make me so happy.”
“I’m just… Happy for your existence, y’know?”
“You’re going to have to teach me so many things because I’m not familiar with any of this.” “Okay. So… What do you want me to teach you? Where should we start?”
“Here, put your hand under my shirt. It’s more comfortable that way,” Character B says as they lift their shirt slightly, encouraging Character A to slip their hand underneath and letting their warm palm rest against their bare skin. 
“You’re so cute.”
“You’re so adorable.”
“You’re so comfy and cozy.”
“You’re so warm and cuddly.”
“You smell so good,” Character B whispers as they continue to litter kisses down Character A’s jaw and neck, revelling in the noises Character A lets involuntarily slip out of their mouth. 
“Mm, I think you’re the one who wants more cuddles,” Character B murmurs, pulling Character A back into their arms. “Nah, I think you’re the one who wants that. I mean, look at you,” Character A teases, settling comfortably in their arms. 
“Why don’t you try kissing my neck? If you don’t then I’m gonna kiss yours.” “You’re acting like you weren’t just kissing my neck for the thousandth time already just then.”
Character B saying “Stay for tonight?” throughout the whole thing and asking “Are you sure you don’t want to stay?” as Character A gets out of bed still in a daze, ready to leave (but not really wanting to leave but they’ve already told their parents they will be home by the end of the night), while Character B looks up at them imploringly while they’re tying their shoelaces.
“Sorry, I’m just really new to this,” Character A mumbles, burying their face in Character B’s chest out of embarrassment. “Mm, that’s fine. We can take things slow. There’s no rush,” Character B reassures in a hushed murmur, carding their fingers through Character A’s hair.
“I’m not familiar with this,” Character A whines as Character B continues to hug them to their chest. “Yeah? Well, you’re going to have to get familiar because I’m going to be doing this a lot,” Character B teases.
“So… What’s the next date going to be?” Character B murmurs, nuzzling their face on Character A’s neck.
“Tell me if this is too much, okay?”
“You seem a little warm in that, you sure you don’t want to take that off?” and then after Character A says no a few times because they’re wearing only a singlet under that shirt, they say, “You can always wear my shirt instead if that’s the case.” 
“You know, you can hold my hand in public if you wanted to,” Character A murmurs into Character B’s chest. “Well… I did want to hold your hand but I wasn’t sure if you were comfortable with it,” Character B answers, holding Character A a little tighter to them. “Next time, though,” Character B tacks on affectionately. 
Saying ��Let’s go back home” rather than “Let’s go back to my place” (to me it feels like they’re implying “This is your home too and you can come back any time you’d like”, even though that’s probably not what they’re saying but I’m gonna interpret it that way because I am: Delusional as fuck!) 
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ccorinthian · 2 years
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fuck you ageism fuck you life ending at 30 fuck you makeup industry forcing us to feel bad about a natural process fuck you hustle culture fuck you instagram fuck you youtube fuck you glorification and deification of youth fuck you who make people feel bad for not having "achieved anything" in their 20s fuck you people who peaked in high school and try to drag everybody down by insisting it's all downhill after 19
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verflares · 1 month
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(pre-calam) filling the compendium :-)
+ closeup and the aftermath
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inkskinned · 7 months
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hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.
if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.
additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.
i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."
"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.
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