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#tell me if things dont work for you!
steddiealltheway · 8 months
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(Part Two aka the final part to this)
As soon as Steve parks outside of Eddie's trailer, he races to Eddie's car door and opens it for him.
Eddie shoots him a bewildered look as he makes his way out of his car. "I can open my door, you know."
"But a proper date opens the door for you."
Eddie snorts. "So this is already starting?"
Steve shrugs as he follows Eddie to his front door. "I need all the time I can get to prove you wrong. Plus, I need to see this charm you insisted you have."
Eddie opens the door and dramatically guides Steve inside, quickly closing the door behind them. He stuffs his hands in his pants and avoids eye contact with Steve, staring off as if contemplating something. Eddie shakes his head and looks back at Steve. "Welcome to my home," he says holding his arms wide.
Steve glances around and nods. "It's cozy. I like it."
"No need to lie to me, Harrington."
"I'm not," Steve insists and laughs humorlessly. "I mean, you should see my house. It's huge but extremely uncomfortable. My parents hired a decorator and insisted that we couldn't make a single change. It's just so..."
"Nice to look at but not nice to live in?" Eddie asks, finishing his sentence again.
Steve nods quickly. "Exactly that."
Eddie gives him a small smile and leans back against his kitchen counter. That same distracted look crosses over his face.
Steve can't help but walk closer to him and say, "Eddie?"
Eddie snaps out of it and asks, "Why are you here, Harrington?"
"To prove you wrong and help Dustin," Steve answers easily, leaving out the part about how he needs to know where this will go.
Eddie hums in response and pauses before asking, "So, you're not going to use this against me."
Steve sighs. "Maybe I would've in high school, but no. I won't tell anyone how much I'm going to 'woo' you." Steve throws up air quotes around the word woo which makes Eddie smile a bit.
"Then can I tell you a secret?"
Steve nods.
Eddie pushes off the counter and steps toward him. "I've never been on a date before."
Steve stares at him for a second. "And Dustin still asked you for help?"
Eddie scoffs and walks past him. "No need to rub it in."
Steve runs a hand through his hair and follows after him. "Sorry, that was stupid to say." He grabs Eddie's hand gently and waits for him to turn to him. "I'm sorry," he says sincerely, "Not cool."
Eddie just gives him an unimpressed look.
"It's just hard to share Dustin. I'm used to him only going to me for help. I don't know. It probably sounds dumb."
"It doesn't," Eddie says, squeezing his hand.
Steve glances down at their hands, having forgotten that he had even grabbed Eddie's in the first place. He runs his thumb over the back of Eddie's and says, "Let's do this trial run."
Eddie pulls his hand away and runs it over his face. "Steve, I don't know how to go on a date."
"Which is exactly why we're doing this and whatever else you have planned for Dustin and Suzie after the movie date. Plus, I still have to prove you wrong." Eddie pulls his hair in front of his face nervously. Steve reasons, "Plus, this can be practice for any future dates."
"A date with Steve Harrington," Eddie says with a laugh.
Steve shrugs. "Why not?"
Eddie eyes him and breathes out, "Okay."
"Okay?"
"We can do this trial run, but just because I'm new to this doesn't mean you'll have an easier time winning me over."
Steve smiles and saunters up to him. "Are you sure about that?"
Eddie's eyes flicker down to his lips and back to his eyes, immediately making Steve's heartbeat stutter. He doesn't expect Eddie to card a hand through his hair smoothly, tilting his head back and making Steve's knees buckle a little. Eddie smirks. "Careful, you're not the only one who needs to prove themselves."
He backs away quickly and moves to his kitchen, rummaging around before coming up with a bag of popcorn which he pops in the microwave. Steve clears his throat, trying to gather himself before asking, "How have you never been on a date before?"
Eddie raises an eyebrow at him.
"I mean, you have all the... charm stuff down."
Eddie smiles. "So, you're already admitting to my charm."
Steve just puts his hands on his hips unimpressed.
Eddie's smile falters before he answers, "Okay, I mean I've hooked up with people at the Hideout, but no one's stuck around to actually go on a date with me."
Steve nods but replies, "That's hard to believe."
Eddie shakes his head. "Let's just say that it's easier for you than it is for me."
It feels like Steve's had this conversation before with... Robin? But why would it feel so familiar? He glances back at Eddie who has a bit of fear in his eyes.
The microwave beeps and suddenly it hits Steve.
He watches as Eddie grabs the bag, cursing slightly when the steam hits him. For some reason the revelation makes Steve feel a bit more nervous as the chance of something happening increases dramatically.
"Hey," Steve says, "It's okay if you're... you know."
Eddie's head snaps up.
Steve holds his hands up. "I promise I won't tell a soul."
Eddie relaxes a bit, but he stays behind the counter as he asks, "And you still want to do this trial run knowing that...?"
"Yeah," Steve says a little bit too enthusiastically, "Now I can be sure that your judgment of my skills is accurate."
This makes Eddie laugh loudly, and Steve immediately smiles. "You know, I think I'm finally starting to see why Dustin likes you so much."
"And why the ladies love me so much?"
"Don't push it, Harrington," Eddie says, pointing a finger at him before grabbing a bowl to put the popcorn in. He grabs the bowl and gestures for Steve to follow him to the couch. "So, you're the expert here, what do you recommend?"
"Like movie options?" Steve asks as he makes himself comfortable.
"Movie options, seating arrangements, where to put the popcorn..." Eddie trails off.
Steve tucks his feet under himself and shrugs. "Depends. If we were Dustin and Suzie I would say to watch something cheesy or something science fiction that they both enjoy. Dustin should definitely watch to see if her hand is free to hold at any point, but that's about it for them."
"And how would it change for us- or me?"
Steve smiles and scoots in closer, throwing an arm over the back of the couch. "If it's here then definitely get as comfortable and close as you want. As for a movie, it depends. Do you actually want to watch the movie or do you want background noise?"
Eddie rolls his eyes. "Classy."
Steve laughs. "No, no, I don't mean like hooking up. I mean if you just want to talk and get to know each other maybe make out a little, you want to pick a movie that you've both seen and won't be upset missing." He glances toward a stack of tapes near them and points at one. "Like Back to the Future, great movie to comment on and talk during, but I wouldn't be upset about missing parts. But I'm guessing you're like Dustin and Star Wars would be a no-go for missing scenes. At least, I was that way when watching."
"You've seen Star Wars? Which one?"
"The one with the little teddy bears."
Eddie hums in response.
"So, what are you thinking for a movie?" Steve asks.
"Back to the Future would be nice, but maybe we do like thirty minutes so we can get to my part of the date without you falling asleep on me," Eddie suggests.
"You already have an idea?"
Eddie shrugs and looks away. "It's kind of always been a date idea in the back of my mind."
"Secret romantic," Steve teases, hand dropping down from the couch to Eddie's shoulder, squeezing lightly.
Eddie tenses up a little, so Steve asks, "Is this okay?"
"Yeah, I'm just not used to it," Eddie answers honestly.
Steve nods and pulls away, moving to put the tape in the VHS player before coming back to the couch. He sits a little further away from Eddie and says, "We can keep our distance if that's more comfortable with you."
Eddie just nods and looks ahead at the screen, tilting the bowl of popcorn toward Steve who takes a handful. He tries to find something to say, but he's struck by sudden nervousness and wonders if Eddie's right about him cruising based on his looks because usually by this point whatever girl he's with is giggling and practically climbing into his lap to get closer to him.
But then Eddie relaxes a bit and throws his arm around the back of the couch which fills Steve with relief. "So, how did you get so close to Dustin? He goes on and on about you, but he never has told me that story."
Steve shrugs, trying not to give away how much the question freaks him out. He tries to keep the answer as close to the truth as he can. "He's friends with Nancy's younger brother so he's kind of always been around I guess. One day, I was bringing flowers to Nancy to apologize for doing something stupid, but Dustin found me instead. He told me that Nancy wasn't home and that he needed a ride and help with something, and the rest is history."
Eddie narrows his eyes at him. "I feel like there's more to the story."
Steve shrugs again and shoves a handful of popcorn in his mouth.
"Like the whole bat with nails that Dustin didn't even look twice at. The story between you two doesn't make sense."
Steve swallows his mouthful and moves closer to Eddie. "What if I told you that it's a story I'll have to come back to another time?"
Eddie twists toward him and tilts his head. "Do you really think that's going to make me less curious? And I see what you're doing trying to distract me with your charm."
Steve tucks a strand of hair behind Eddie's ear and asks, "Well, is it working?"
Eddie just shakes his head and says, "You wish, pretty boy." Nonetheless, he turns back to the movie leaving Steve to privately panic over the way the nickname makes him feel.
And maybe he wants to torture himself or something because next thing he knows, he's asking, "Well, how would you have distracted me?"
Eddie's head slowly turns to him, eyebrows raised. "Do you really want to know?"
Steve blames morbid curiosity as the reason he nods in response.
Eddie sets the bowl of popcorn down - and the implications of that scare Steve shitless - and he moves until their knees are touching. He gets a thoughtful look on his face as he recalls their conversation. "So, I was saying something about how the story between you didn't make sense. And instead of agreeing with it, I would've said something like. You know what doesn't make sense? How someone so gorgeous ended up here with me."
Steve flushes red but simultaneously snorts in response, "That's a horrible line."
"Yet, you're the one who is blushing."
Steve raises his eyebrows and says, "Well, if I got a do-over and time to think like you, then maybe I would've done something like this." Steve leans in and puts a hand on his chest, slouching down so he has to look up through his lashes to say, "Maybe that's a story for another time because right now... I have other ideas about what we could be doing."
Eddie stares down at him, hand slipping off the couch to trail up his back and into his hair. "And here I thought that you had said more intimate didn't mean sex."
Steve smiles and hopes Eddie can't feel his heart pounding in his chest. "It's true, but I also told you that some movies are great background noise to make out during."
Eddie's eyes flicker down to his lips, and Steve can feel his eyes start to flutter shut.
But then, Eddie abruptly pulls back and says, "Okay, yeah, you got me. I understand the Harrington charm."
Steve only smiles slightly, feeling the disappointment settle in his chest at losing the chance to kiss the boy.
"So, I think date part one is covered. Onto my part?" Eddie asks, already standing up and rushing to stop the film.
"Yeah, sure," Steve says.
Eddie glances at him and pauses before beckoning him to follow him. Steve gets up immediately and follows Eddie to where he assumes his room is and suddenly gets a wave of panic.
Eddie glances back and must catch the look. "Relax, I'm just grabbing you some warmer clothes."
Steve nods but stays in the doorway, glancing around at Eddie's room. Something about it feels so Eddie that he can't help but smile at it.
"Here," Eddie says, thrusting a yellow sweater into his hands, "I haven't worn it in forever but it should keep you warm."
"Thanks," Steve says, stripping off his jacket to throw on the sweater before putting the jacket back on. "But why do I need more clothes?"
Eddie smiles. "You'll see." He grabs the blanket off his bed and walks past Steve to the front door. He opens it and says, "After you."
Steve gives him a look of confusion before heading out the front door. Eddie follows behind him and closes the door before grabbing Steve's hand and leading him around the trailer to a ladder which he immediately starts climbing.
Steve tries to advert his eyes from the view Eddie's giving him before he follows him up the ladder, grabbing Eddie's hand once he makes it to the top in an attempt to steady himself. He's never been the biggest fan of heights, but he doesn't want to admit that to Eddie who guides him to the middle of the roof. He lets go of his hand to lay out a blanket and immediately lays down on it, patting the empty spot next to him.
Steve lays down and lets out a deep breath as he sees their view of the night sky, glittering with stars.
"Pretty amazing, right?"
All Steve can do is nod. He doesn't know if he's ever really taken the time to stare at the sky and appreciate its beauty.
"I like to go up here to clear my mind sometimes. But I've always thought it would be nice to share with someone else. But maybe Dustin and Suzie can just lay out in his yard instead because I think it would be life or death before I let one of them up here. Dustin would break a leg or something."
Steve chuckles and glances at Eddie only to find him staring at him as if trying to gauge his reaction. "Thank you for taking me up here," he says sincerely, going as far as reaching into the space between them and intertwining their fingers.
Eddie's hand squeezes his as he turns to look up at the stars, looking so at peace with the world that Steve can't help but stare at him.
Eddie glances at him. "Look at the stars, Steve. You're wasting your time staring at me."
"The stars are here every night though, so maybe I want to spend all the time I can looking at you."
Eddie turns to him with a conflicted look on his face. "Is this your Harrington charm?"
Steve shakes his head. "It's just the truth." He sighs and looks up at the sky. "Do you ever wish you could start over knowing everything you know now?"
"Yes," Eddie answers immediately, thumb running over the back of Steve's hand. "What would you change?"
Steve considers the question for a moment before turning to Eddie and saying, "Everything."
Eddie looks back at him and asks, "Would you change this?"
Steve's eyes search Eddie's, wondering how he wants him to answer the question, but he answers honestly, "I wouldn't have been such a dick earlier, and I would've changed this from a trial date to a real date."
Eddie whispers, "There's nothing stopping it from changing now."
Steve shifts onto his side and looks down at him. "Are you sure you want a date with King Steve of all people?"
Eddie shakes his head. "I don't think that's you. So why don't you prove me wrong?" he asks, running a hand through Steve's hair before resting it on the back of his head.
Steve lets Eddie take the lead to slowly drag him in, pausing when they're close enough to be breathing each other's air. "Are you sure you want this?" Eddie asks.
"More than you could possibly know," Steve replies before closing the gap between them and gently brushing their lips together before breaking the kiss to look Eddie in the eyes and make sure he's okay.
Eddie just pulls him back in and kisses him as if he's pouring everything he's feeling into the kiss which Steve returns just as passionately, unable to deny the truth that no kiss has ever made him feel this way before.
He cradles Eddie's face as they deepen the kiss and Eddie tries to pull him in impossibly closer, both hands making a mess of his hair until Steve pulls away, breathing hard before moving in to kiss him again as sweetly as he can before he rests their foreheads together.
They both try to catch their breath, and neither dares break the silence between them.
Eventually, Steve gives Eddie a gentle kiss on the forehead and rolls away onto his back, finding Eddie's hand and intertwining their fingers again.
They both stare up at the stars, not looking at each other until Eddie finally breaks the silence to ask, "Steve, where do we go from here?"
Steve turns to him and squeezes his hand. "I don't know," he confesses. "But what if we didn't think about it now? What if we just see what happens?" Steve asks, not wanting to think of the reality of their situation.
Eddie nods. "I like that idea."
So, they both turn back to the stars, wishing that their paths will be able to cross again.
Little do they know that their wishes will be granted soon.
(Super quick happy ending in the tags)
Tag List <3 (Sorry this took longer than planned):
@estrellami-1 @resident-gay-bitch @7-starboi @steves-yellow-cardigin @anaibis @saramelaniemoon @big-ol-regret @piemaker-from-gallifrey @queerriotgrrrl @sharingisntkaren @zoeweee @goodolefashionedloverboi @l0st-strawberry @dragonmama76 @pluto-pepsi @its-a-me-a-morgan @tiny-enthusiast @aol19 @pansexualhousecat @paintsplatteredandimperfect @thesuninyaface @messrs-weasley @gemini-local @paperbackribs
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b4kuch1n · 1 year
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same teacher, different lessons
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#sonic the hedgehog#dr. ivo eggman robotnik#miles tails prower#sonic frontiers#SPOILERS. THERE ARE SPOILERS IN THIS COMIC BY THE WAY.#SONIC FRONTIERS SPOILERS#smiles gently I can not believe I let sonic the fuckign hedgehog ruin my life#(I can I totally can)#hi <3 if you follow me because I drew this sonic comic. don't!#don't do it! follow me bc I'm funny and hot and devastatingly smart don't follow me bc I draw sonic stuff. bc it won;t happen again#I mean it. not bc I dont like or want to do sonic stuff. but bc I am literally in the middle of a job rn#one that I want to invest 100% of my time and brain in#this comic is actually an effort to win my brain back so I can do my job lol#because I finished miss penny snapcube's streams of this game and it force fed me emotions#I just! I just thought sonic would come tell eggman abt sage!! idk seems like something he'd do!!!#and also the whole thing abt letting the characters move on and have a future and change and develop#vs Killing My Baby Little Guy Daughter For Like Ten Minutes#thematically interesting! also for some reasons I had. a pretty easy time drawing this#I was mouthbreathing galloping like a horse to finishing this. Because I Need To Work#I didnt expect to have a good time with these designs tho idk why. probably bc I most suck shit at drawing animals#but to be fair yet again sonic and tails are little guys. theyre animal but theyre also like dudes. also sonic's design is kinda perfect#as far as character design goes he's really pretty goo- wait I made a continuity error hol on#okay. okay I fixed it. no problem. no matter 's all good now#okay. I go sleep now. today has been very noisy. but this actually got me through it okay#thank you sonic the hedgehog. that was pretty cool of u#have a good night guys! absolute freedom is probably really really sad#long post
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bakudekublogblog · 15 days
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talking to normal people about mha is always so enlightening because someone told me they didn't like season six and i was like???? THE BIBLE??????? YOU DONT LIKE THE BIBLE??? BAKUGOU KATSUKI RISING?? THE APOLOGY??? THE CHASING AFTER HIM TO FIGHT SHIGARAKI, THE REVEAL KATSUKI HAS BEEN WORRIED ABOUT IZUKU, IZUKU'S FERAL RAGE WHEN KATSUKI IS STABBED, KATSUKI BEING THE ONE TO FIND IZUKU AND THEN THE ONE TO BRING HIM HOME??? YOU DONT ENJOY THE SACRED TEXTS?? and then i'm like oh right not everyone is a fujoshi high on that sweet, sweet bkdk yaoi
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coolnonsenseworld · 5 months
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Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰
linktr.ee/Mezzy
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jemmo · 4 months
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Making sense of love for love's sake: the game
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
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courfee · 4 months
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yes i used that dean scene as a reference, sue me
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robynrocksforbrains · 9 months
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
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sandinmybed · 6 months
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can i be fr for a minute?? sending abuse to people online for holding different views than you is not activism and in fact actively hurts your cause. most people are not extreme in their viewpoints, you can give them a new perspective if you're willing to spend some time explaining shit. if someone is saying something you disagree with and you rush in there to condescend to them and call them disgusting and subhuman and dont even TRY to explain calmly why their views are harmful, they're going to shut you out instantly and double down on their views.
most people are simply genuinely ignorant to the issues they're talking about - they just pick their views up from the news and the world around them and express opinions because that's what every person does. if you run in there and tell them they're scum for it, what then? if someone does that to you, are you going to think "maybe i should do some research" or are you going to think "this person is an asshole, im blocking them." a lot of you think you're activists and then refuse to do any kind of actual WORK to support your cause.
#this is not about the isr*el thing even tho thats obviously a huge issue rn#its just a pattern ive observed online#im not saying you have to be kind to people who oppress you dont twist my words#but if youre trying to support any cause and you think calling people names is going to help#youre a fucking idiot lol#people call themelves activists and pro-X cause because they called their opposition dirty c*nts online#how the hell is that meant to help anyone? theyre just going to retreat into their propaganda chambers because you proved what the leaders#of those spaces have been telling them#you can obvs block people if you dont want to deal w them but thats a neutral action. sending abuse harms ur cause.#text#like educating ignorant people is hard work! yeah! its also the entire fucking point of activisim#and if you think its too much effort then just stop pretending you give a shit tbh#like my parents managed to change our neighbour's very xenophobic stance on migrants with a calm conversation#some people will listen and some wont and shes not exactly going out to protests for migrants rights but shes not hostile anymore#and a lot of yall think that isnt good enough but let me tell you it IS good because these things take time!#unlearning things is MUCH harder than learning them in the first place and a lot of people grew up in environments that taught them#very discriminatory and conservative views and its actually not their fault. and its hard to educate yourself differently on something you#have no idea is not true. where do you start w that?
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aroaceleovaldez · 15 days
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actually in hindsight why did Rick repeatedly have Piper solve all the ghost problems on the Argo II when. Hazel was right there. A daughter of Pluto. who by all logic should be able to control ghosts even a little bit. like, we know she has at least some of those types of powers. she just never gets to actually practically use them. ever. and then when there are zombies Hazel once again. does not get to use her powers about it. what.
#pjo#riordanverse#hazel levesque#does hazel EVER use necromancy powers? besides *maybe* a little bit when working for gaea to raise giants?#though that was pretty explicitly mostly geokinesis#where is hazel's necromancy cmon#but like. ''oh no people are getting possessed. i know! PIPER! FIX THE PROBLEM WITH YOUR CHARMSPEAK''#''rather than oh i dont know HAZEL. THE PERSON WITH GHOST POWERS DIRECTLY NEXT TO ME.''#heck Hazel is very familiar with people being possessed. her mother was for. awhile.#why not just have hazel go ''hm yup. that's possession if i've ever seen it. hold on i've got this'' and then she uses pluto powers#you cant even use the excuse ''oh but she wouldn't know how to-''#she's been hanging out with her brother Nico ''Ghost King'' di Angelo for what. eight? ten months? something like that?#and one of her major things is that she's pretty good at picking things up quickly and has highly honed her powers#you're telling me nico never told her ''btw just in case: if you ever need to exorcise a ghost from someone just idk smack 'em''#like why is the exorcising ghosts piper's job#and why with the zombie apocalypse was it like ''oh no we can't do anything until apollo comes over to help us or whatever''#''if only we had a CENTURION WITH NECROMANCY POWERS. like a CHILD OF PLUTO OR SOMETHING''#''WHOSE BROTHER VERY FAMOUSLY GOT A ZOMBIE AS A BIRTHDAY GIFT''#and its like. yes hazel does ultimately play a significant role in stopping the zombie problem#but functionally COMPLETELY UNRELATED TO HER POWERS?
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wis-art · 8 months
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Women, so pretty, so shaped, i am so lesbian,,,
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joyflameball · 3 months
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What yougotta understand is that when you're interacting with blogs from a fictional universe, such as the English Willy saga, ya DON'T GIVE THE GAME AWAY. Don't just TELL THEM all the plot. Don't tell them exactly what's happening!! Don't tell them the important names!! Send asks and such but actually think through, how would a normal person respond to all this? How would a normal Tumblrina respond? The answer is YOU PROBABLY WOULD NOT FIND FUCKING EVERYTHING OUT IMMEDIATELY. The answer would probably be memes and clowning on things! If you wanna allude to things that will happen in the plot, ALLUDE to them. If you know that someone's gonna burn to death, say you hope the stress doesn't cause them to burn out. Please, my Tumblrinas, learn the art of subtlety in writing. You are not the main character in fictional universe blogs. It's okay.
#cassie rambles#english willy#this post was prompted by me getting annoyed ppl in the comments of the english willy posts were just straight-up giving everything away#PEOPLE. LEARN THE ART OF ''WAITING'' AND ''SUBTLETY'' AND ''YOU'RE NOT THE MAIN CHARACTER HERE''#like just straight up saying ''yeah that probably means elizabeth! that's probably a murderer's corpse in there!''#girl these reveals take TIME#the reason the "lisbef'' thing and the ice cream thing work is because we know the plot to fnaf! we know what he's talking about!#we don't need it to be said explicitly! that's what show dont tell is!#and it sucks the wind out of the sails if you just say ''oh yeah that's a reference to elizabeth afton''#it's like if the op brought up fires and someone immediately said ''oh fazbear frights is gonna burn down btw''#like NO. THAT'S NOT WHAT GOOD WRITING IS. THAT'S NOT HOW YOU DO REFERENCES TO THE SOURCE MATERIAL.#the reason saying like ''aw i hope mike doesnt get cold in there i hope he brought smth to stay warm :('' works is because it isn't blatant#i mean if you know hte plot to fnaf 3 it is but if you don't it doesn't break immersion by just telling us the plot#all of this is said lightheartedly#anyway.#LIKE NO YOU IDIOTS!!!! DON'T JUST BRING OUT CIRCUS BABY BLATANTLY!!!!!!!!!!!!#YOU'RE TRYING TO RUSH THE STORY!!!!!!!!!!!!! LET IT BUILD UP AND THE PAYOFF WILL BE BETTER!!!!!!!!!!!!!!!#STOP TRYING TO BE THE MAIN CHARACTER!!!!!!!!!!! YOU ARE A SIDE HARACTER HERE ADN THAT IS OKAY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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deoidesign · 24 days
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Hi, I kind of have a question, Adam said that can't walk in the sun when doesn't drink blood, but what exactly happens? Do vampires just burn immediately, begin to be more sensitive to sunburn or is it another kind of thing?
so, in time and time again I really wanted blood to be something of a medicinal need for vampires. it's not a 1:1 metaphor of course, please don't try to think of it that way, but it's how I conceptualize it.
He needs blood to go in the sun, to heal, to "be something of a human again" and it also grants him the ability to time travel, shapeshift, compel others...
Without blood, he can't do these things. So, to be honest, without blood vampires would just... die. They can't exist without it. being in the sun uses blood, its dangerous. it wears you down. it makes you weaker. it can kill you!
I realize this ends up making my vampires feel weak, but... it's a metaphor for chronic illness. They have limited energy and if they do not take the time and the 'medications' they need to recover, they'll become weak or die. They have to manage their limited energy.
there's extreme privilege for vampires who have steady access to blood, like Adam does. His access to blood lets him time travel, transform, go in the sun constantly, etc. Vampires without as much access have to become nocturnal, they get stuck in one place, they have to be careful because even a small cut can cost precious resources...
A desperate vampire might end up hurting someone for what they need. a vampire with people who are willing to help them can get by, or even thrive. a vampire with none of these will die.
I know it's not the most satisfying answer, but it is my answer! My experiences being chronically ill are very much at play here.
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autismswagsummit · 11 months
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Honestly the blog being much quieter after the main round ended is sort of. more peaceful in a sense? like people are still regularly leaving (probably out of a feeling of "the big tournament isn't for another year why am I still following you" lol) but it doesn't really matter to me because the attention on me being lowered definitely relieves some of the stress. I just get to mess around and do whatever I want here now and the followers that stuck around don't seem to mind much lol
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bogkeep · 8 months
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it was always a strange dichotomy. every middle school classmate i had told me i'd be a millionaire when i grew up, a Famouse Artisté. it's easy enough to imagine as a teen, i suppose: skill equals fame equals money. i was doubtful about this prophecy, not because i wasn't confident in my ability to draw, but because it was hard to imagine a world where i'd be paid for it.
it was an ice breaker game at summer camp. horrible one, really - everyone in a group were given a character profile. now we had to imagine that it was the zombie apocalypse, and the helicopter to safety was two seats short and we had argue why we deserved a spot. the character i got was an asshole doctor of some kind. i don't remember if i argued my way into the helicopter or not, but i do remember the feeling that's been hanging over me my entire life - if the apocalypse happens right now, i have nothing to contribute.
there's something really painful about it. i have cultivated a skill for my whole life, i can make art and tell stories that are entirely unique to me, there is no way to get someone else to create in the exact same way i can, and yet - i've contributed more to capitalist society by sitting in an empty hotel reception for eight hours a day.
which made me develop anxiety, to boot.
i illustrated two children's books. they're some of my best work. the contract i signed was industry standard and the indie author who had hired me was incredibly kind... but even after stock sold out i had earnt little more than some pocket change.
in high school we had an outing to dig our own snow caves that we would spend the night in. in teams, thankfully. i have so little physical strength to speak of, most i could do to help was clear away the snow rubble and toss it outside. i know, i know, my classmates reassured me it was an important job to do, i was an invaluable member of the group, sure - but it's that feeling, you know?
what would my task be in the communist solarpunk commune?
a person cannot be useless. it's a human being. they just exist, no ifs and buts about it. one can only be useless in the eyes of an ableist, capitalist society that sees no value in being alive beyond production and profit.
sometimes i receive messages from internet strangers to tell me something i said - often several years ago - was helpful to them. maybe it was a throwaway comment on a forum. maybe it was replying to a question they could've googled the answer to. maybe it was an encouraging reply to someone's artwork. turns out it mattered to someone. huh.
of course you can learn new skills. i have learnt plenty over the years! i have also learnt that there are limitations to what i can do. that some of the obstacles i face are not in fact obstacles everyone faces. it's not that i can't break tasks into smaller steps, it's more that half of those steps are going to be "rinse your hands because you Touched a Thing and now you're going to have to touch Another Thing." i wonder if that's adding to my cognitive load or something.
i was never raised to be a man, so by all accounts i do not understand why i'm so haunted by the spectre of toxic masculinity - what would i do if i was a medieval peasant and a war broke out? what if i was in a pre-historic hunter gatherer society and i was expected to hunt? what if i was a humble farm boy discovering the sword of the chosen one and the world depended on my non-existing courage to face certain death?
look, it's stupid. these are not scenarios i will find myself in. besides, pre-historic humans depended on community and taking care of each other. that's how we survive.
i'm not useless and i decided to make peace with being useless anyway.
we're surrounded by digital clocks. we can't really escape them. do we need watchmakers? would they save me a spot in the zombie apocalypse helicopter? no, don't answer that. i'm just happy i found something that requires a light touch and an observant eye.
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idolomantises · 1 year
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there's something so comforting about artists you admire talking about their own struggles and insecurities
#txt#was watching supereyepatchwolf's video on chainsaw man again and listening to fujimoto express regret about things he didnt learn#and how he's clearly envious of his peers is so... comforting?#i think about my own strengths and flaws and often times i get so frustrated with my shortcomings#im not good at drawing feet; my backgrounds are purposefully simplistic and lack a lot of detail; sometimes my designs have a tendency to#overlap or feel very 'safe' in terms of what i really want to do#its why; despite my love for clowning on media and animated works. i never want to feel like its from a place of malice#the joy of art is always seeing those little mistakes and nuances. its also noticing the achievements other creators have made that you#still lack#even for a certain hell-based show i love to poke fun at for its many. many issues. its undeniable how incredibly passionate the work is.#and i do respect anyone who is willing to get their flawed media out there (myself included)#i see stuff about people calling me their inspo or how flattered they are when i compliment their work and its like. gee. i hold myself at#such a high bar and even still im always surprise when people tell me how much my work moved and changed them#i really love writing just little fun things that i just dont really see anyone else touching and its kind of fun how despite my own#personal grievances with my own flaws and mistakes#people really do find things that they love within them.#anyways I know this is getting long but I’ve just been getting sentimental abt the creation of art#sometimes people make fun of me for love of drawing women and lesbians and bugs and so on#and while I will never let me deter me from my process. sometimes it does get to me#but then I remember that I love doing this and could ever see myself holding back#and knowing despite how other people feel. I have so many followers who resonate with my weird ass shit#that it’s all worth it. ya know?
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drbtinglecannon · 2 years
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The implications of Darius being to the Hagsquad what Willow is to the Hexsquad is making my brain spin
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Does this mean Darius was "the late bloomer that became extremely powerful"?
Or was "bullied but found a supportive peer group & eventually gained confidence"?
Or was "the muscle of the group, both with & without magic"?
"The first to realize the protagonist & love interest's feelings for each other"?
"The one that caused the slightly older dorky boy of the group (Hunter to Willow, Alador to Darius) to blush constantly"?
"SUPER passionate about their preferred magic that's naturally very talented with it"?
How about "the voice of reason but also actually Super Unhinged & always ready to kick ass"?
Or maybe they both have very similar 'end of friendship' stories with a certain A. Blight.
IT'S SO! AHHHH. Like Willow is the PERFECT choice to be the one he mirrors for the group but also ALL THE WAYS HE COULD BE HER MIRROR ARE SO INTERESTING TO THINK ABOUT. IS HE ANY OF THESE? ALL OF THEM? A MIX?
We know both are complete badasses among their peers (Willow is arguably the strongest of the group, and Darius is arguably the strongest Coven Head) but now I have so many ideas for how they could mirror each other further.
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