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#talking about my own writing
alicedrawslesmis · 1 year
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so fucking dramatic
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inkskinned · 10 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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ryllen · 3 months
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and some extra unused stuff while they are in affectionate mood
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finelythreadedsky · 5 months
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it always makes me smile when scholars in academic writing refer to the hypothetical reader with she/her. "let the reader experience the battle as if it was unfolding right before her eyes". "a reader accepting her own historicity". "gives the reader the impression that she is following the events". "when a student is asked to write an essay on the aeneid she will normally be encouraged to read some modern criticism". like yeah i see you. i know you did that for me.
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poorly-drawn-mdzs · 1 month
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Reasons to play In Stars and Time: Canon Pronoun Warfare.
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hotpotghosts · 14 days
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laufire · 2 months
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jason's lazarus pit was golden jason's lazarus pit was golden jasonslazaruspitwasgolden jason's lazarus pit was golden JASON'S LAZARUS PIT WAS GOLDEN
AND PIT MADNESS IS *NOTHING*
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dykecubes · 5 months
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Tazercraft mental link but make it a lil bit weird, they’ll have a conversation mostly in their heads but partially out loud which from an outside perspective is just fragments of words and half sentences, they go dead silent for hours at a time only for them to suddenly start shouting out loud, very clearly mid-argument, Pac says something but it comes out of Mike’s mouth, Mike starts speaking with his mouth and finishes speaking with Pac’s, sometimes their thoughts become so tangled that they’re unsure who a thought belongs to so they both express it at the same time like horror movie twins, do you see my vision
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scificrows · 9 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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afewproblems · 8 months
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Season 2 Halloween AU Part Four
Part One, Part Two, Part Three
A very big thank you to @strangersteddierthings for chatting with me today and being such a great sounding board for the next update!
Synopsis: What if Eddie had been at Tina's Halloween Party in Season Two? Featuring Steve!Whump, Stancy Breakup, and Eddie just trying to keep up with all these new revelations about who King-Steve actually is...
***
"So…I have to ask," Eddie blurts out, cutting through the awkward silence that has fallen between them, "how were you gonna pick up your car before you ran into me?"
"I don't think it counts as running into you, if you were waiting for me Munson," Steve side steps the question expertly, flashing him a strange smirk that seems out of place. It falls after a second and twists into something pained.
"I was hoping Nance would take me," Steve says eventually, his voice soft, "which was pretty stupid in hindsight, 'specially cuz she was counting on me to drive her this morning, which--"
Steve cuts himself, snapping his mouth shut with a harsh click of teeth, he shakes his head and lifts his hand to run roughly through his hair.
"Doesn't matter anymore".
Eddie holds his breath, feeling the conversation begin to shift. It's as though he's stepped onto a tightrope and any wrong move could potentially send him over the edge.
He settles for nodding once, turning the key in the ignition.
Steve sighs and lets himself fall back into his seat, "I know you know already, the whole fucking school does, Billy saw to that," Steve gestures to his face, "say what you really want to ask". 
Eddie's fingers tighten around the wheel as he turns them out of the parking lot, fighting the immediate urge to say, 'why did Miss Priss throw it all away?' 
"You think I believe the rumours that come out of that shithole?" Eddie lies, keeping his eyes on the road this time.
He can feel Steve's unimpressed stare as they continue down mainstreet.
"Right, so you had no clue I was in detention?"
Eddie chews the inside of his cheek to fight the sly grin that begins to creep over his face, "Alright smart ass".
He hazards another glance at Steve as they begin to hit the residential area, he looks so different from the night before.
His limbs are loose, tension free, if it weren't for the heavy bags under Steve's eyes and the nervous tap of his fingers on the passenger door, Eddie would think he was finally relaxed.
"I knew a fight definitely happened, it's Hargrove," Eddie says slowly, carefully weighing his words, "but I typically prefer to hear the whole sordid story from the source before I pass any judgements, ya know?" 
Steve doesn't say anything as they continue driving through residential  the houses getting progressively bigger as they go.
"Did you," Steve pauses and breathes out slowly before shaking his head and lifting his face to meet Eddie's gaze, "is that offer for something stronger still open?" 
Eddie smiles, "I think that can be arranged". 
***
Eddie pulls over beside Tina Cline's house, wincing as the right front tire rolls over the curb and bounces the van as it lands on the street once more, startling a snort out of Steve. 
"Yeah, yeah, laugh it up Harrington," Eddie huffs as Steve shoots him a grin.
"Didn't say a word," Steve hums, unbuckling himself from the seat. Eddie watches as he opens the door and hops out. For a moment Eddie worries Steve will pull the same disappearing act from last night but he simply stops beside his car door and motions for Eddie to roll down his window. 
Eddie cracks his door open instead, "window's broken, what?" 
Steve rolls his eyes, "whatever Munson, you know the way? It's north on 5th and--"
"Then two more rights, yeah man," Eddie says with a laugh in his voice, "I dropped you off remember?" 
"Fuck off," Steve huffs out, he's grinning though.
Steve swings the Beemer’s door open and slides in. He turns on the ignition and flinches at the loud burst of music from the stereo, the volume obviously set from the mood of the previous night. 
'I want to know what love is, I want you to show me--'
Steve slams his hand against the console, cutting off the song with a harsh crack. 
The van is parked just behind the Beemer so Eddie can't see Steve's face, but his head drops down onto the wheel for just the briefest moment before he slowly lifts it, turns on his signal and pulls away from the curb. 
***
Steve beats him to the house.
He's getting out of the car, which is parked on the long driveway as Eddie pulls up to the street. 
Eddie hops out of the van, hiking his backpack higher up on his shoulders, not bothering to lock it. Who would even want his shitty van among the BMWs and Mercedes parked down this street --hell, Eddie could have sworn he saw a Jag three houses down.
Eddie stops short of the lawn. The Harrington house is so different in the light of day, the strange emptiness that seemed to ooze out of the dark windows the night before has disappeared, leaving an ordinary house in its wake. 
"Well?" Steve calls out as he pulls a pair of keys from his back pocket and spins them once on his finger, "you coming or what Munson?" 
Eddie rolls his eyes and jogs to catch up to Steve who turns on his heel to stride up the walk. He stuffs the key into the deadbolt and swings one of the double doors inwards before shucking off his sneakers.
No shoes? Fucking rich people man.
Steve must notice Eddie's expression because he blushes and shrugs, "I know, I know, but my parents will be home for Thanksgiving this year so…may as well…"
He gestures around the sterile foyer with a tight smile, as though it explains everything. 
If anything, Eddie has more questions. 
Steve cuts off the thought by clearing his throat, "we should smoke outside, last thing I need is for you to burn a hole in the couch or something".
Eddie steps over the threshold and has to stop himself from whistling, were the ceilings always this high in this place?
He lifts his foot to unlace his left chuck, snorting at the strange little table in the middle of the foyer. A giant vase sits atop it filled with a mixture of what have to be silk flowers --no way they were real. He pulls the shoe off and tosses it to the side before lifting his right foot. 
Eddie never had the greatest balance so he hops back and forth with his right foot in the air before hopping as close as he can to the wall of the foyer and leaning back against it.
He finally gets the knot in his laces undone and throws the sneaker to the floor, dropping his right foot to the hardwood.
Eddie looks up to find Steve staring with a bemused expression on his face, he ignores the wide hazel eyes and removes the backpack from his shoulders -which can't have been helping the balance issue. 
Eddie unzips the top and yanks out the trusty metal lunchbox, sliding a wicked grin into place.
"You said something about outside?"
***
By the time they've settled, facing one another on a couple of pool loungers, the sun has begun to dip low, painting the patio and empty pool a warm glowing copper. It catches Steve's hair, which shines like gold in the dying sunlight, like some Autumnal Fae King--
Eddie wants to slap himself, suddenly thankful for the November wind that cuts through the backyard, forcing him to chillout.
He picks up the grinder from his lunchbox, unscrewing the cap to open it.
"You good with a joint this evening my good King?" 
He pours a handful of a new strain Rick let him try the other day into the grinder and starts twisting. It's not something he would typically share with anyone other than Jeff, but Steve seemed like he could use something a little more special tonight.
Eddie looks up after a beat of silence, "yo, Major Tom, you with me?" 
Steve's face is pinched, tilted towards the empty pool, "please don't call me that," he says quietly.
"Major Tom?"
Steve raises his eyes to meet Eddie's gaze, his mouth cuts a hard line across his face, the typical easy grin it usually houses is gone. 
"King-Steve," he runs a hand through his hair, letting the fingers linger to grip and pull, "I just, that's not who I am anymore, I don't--"
Steve swallows harshly, "that's all anyone could talk about this morning".
He drops his voice and octave, "oh, King Steve is so pussy whipped he let his girl fuck Jonathan Byers before she dumped him".
"Is that what Hargrove said?" Eddie asks quietly as he pours out a portion of weed onto a paper.
Steve shakes his head, "that was Tommy, but that wasn't why I hit him". 
Eddie nods, and lifts the joint to his mouth to run his tongue along the edge of the paper. Steve watches him from the lounger, his eyes follow the movement before he blinks and continues.
"Tommy and I had been best friends since we were five, he uh, he knows a lot about me," Steve lifts his hand to his mouth and chews the nail of his thumb briefly before dropping it back into his lap.
"Stuff I don't tell anyone, stuff he knows will hurt". 
Eddie nods, twisting the joint closed, he can kind of understand that, although the only person in his life that knew him like that was Wayne.  
And Wayne would never hurt him. 
Did Steve really not have anyone else like that in his life, someone he could tell anything to that wouldn't look at him weird or judge him. Someone safe.
"Anyway, Hargrove started in on me after that, but he's been fucking with me for awhile so," Steve shrugs again, "he saw his big opportunity here".
"Hargrove's been messing with you?" Eddie asks sharply as he pours more weed onto another paper. He lifts it and runs his tongue along the edge of the paper before twisting it into shape. When he looks up, Steve's ears have gone slightly pink and he's sitting strangely, slightly hunched and twisted.
"Yeah," Steve says after a moment, he clears his throat and straightens his back, "yeah, it's just been at practice so far, and I thought it was just because he wanted to one up me for my spot but," he shakes his head, "it's getting worse". 
"You know, I have a bit of a reputation around school," Eddie says slowly, carefully, watching as Steve freezes and looks at Eddie with wide eyes.
"The Hellfire club is more than just the game we're playing, it's also kind of a sanctuary for kids that don't have anyone to lean on, we look after each other," Eddie continues, ignoring the way Steve relaxes slightly, "you wouldn't need to play or anything but if you need somewhere to sit at lunch now…" 
Steve looks at Eddie for a long time, his expression blank, guarded, "really? Just like that?" 
"Yeah man, besides I get to use my 'Mean and Scary Guy' persona on these fuckers so it's a win-win for me".
Steve grins, raising one skeptical eyebrow, "mean and scary?"
Eddie bristles a little bit at the questioning tone in Steve's voice and can't quite swallow the urge to snarl, "yeah I mean you looked plenty scared of the town freak yesterday". 
Steve winces and immediately starts to shake his head, inching forward in his seat so he's even closer to Eddie, their knees are almost touching.
"That's not, I wasn't," he stops and takes a deep breath, "I was upset about Nancy and it was so dark outside, the trees--"
"You afraid of the dark Harrington?" Eddie cuts him off, the lingering irritation still simmers in his voice as he coos. 
Steve just looks at him, there's something strange about the haunted expression on his face that makes the hair on the back of Eddie's arms stand on end. 
"Things happen in the dark, in the woods," Steve says softly, his eyes drift to the empty pool again. 
Eddie opens his mouth to ask Steve what the hell he means by that, when a voice shouts across the yard.
"Steve? STEVE?!" 
The sound of someone running through the grass has them both of their feet, the joints forgotten on the pool loungers. 
"Dustin?" 
A kid, he can't be more than twelve or thirteen, skids into the porchlight that has replaced the last copper rays of evening light, the sun fully set by now. The kid's blue eyes are wide underneath a mop of curly hair and hat, he's breathing hard.
"I need your help".
Tag List: @eriquin @luvinthefreaks @cinnamon-mushroomabomination @goodolefashionedloverboi @ellietheasexylibrarian @bambibiest @sadboislovebeans @howincrediblysapphicofyou @coleys-a-nerd @whycantiuseunderscore @airconditioning123 @xxfiction-is-my-realityxx @corrodedbisexual @starman-jpg @ilovecupcakesandtea @yoriposts @clumsiluni @pelinelin @phantomcat94 @lololol-1234 @anaibis @airconditioning123 @steveshairspray @hellfireone @sunswathe @eddielives1986 @tentativeghost @robin-not-batman @estrellami-1 @manda-panda-monium @tinyplanet95 @perseus-notjackson
Part Five
and for some peeps that I think may be interested! @steddierthings @steddie-there @steves-strapcollection @outpastthebrakers @henderdads @stevesbipanic
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ghost-bxrd · 3 months
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Hi, I know we don’t talk about it nearly enough but when Jason dies in Owl Song and Tim takes over as Robin, don’t think about Bruce making that awkward little half bird call he learned from Dick to call Jason back to him and Tim just looking at him a bit confused and Bruce doesn’t understand why Jason isn’t coming to him and then— oh, right. Because Robin isn’t Jason anymore :))))))))
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catcze · 7 months
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HII ITS THE ANON WHO SAID WRIO IS LIKE FLYNN RIDER LMAOO I SUPPORT ALL BRAINROT RELATING TO THIEF WRIO 🤭🤭 i think him and a sheltered royal reader would be very like. reader falls first wrio falls harder LMAO— u got me thinking about it now what can I do 💔
HI BABYY WELCOME BACK ♡♡
Thanks for supporting my brainrot LMAOOO it literally started bc of u HAHAA /pos
Now let me get u thinking about it more 👀👀👀👀👀👀
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In a Fantasy AU vaguely inspired by tangled (I say vaguely bc it's got some elements, but not all of them yk?) Wriothesley is a master thief, who always snags whatever he sets his mind on. You, on the other hand, are the only child of the king and queen, and the sole heir to the throne. You're kept strictly within the castle and forbidden from leaving since you had been kidnapped once as a child, and your parents fear that happening to you again. You used to despise it, being locked up, but over the years you've grown to accept it (not necessarily like it, you've just stopped trying to escape the castle every so often.)
Now, Wriothesley plans to steal your crown, the heir's crown to the kingdom, as his biggest heist yet. So he sneaks past the guards one night, gets into the palace and even manages to sneak up to your room. He's so close— so close!— to getting his hands on the heir's crown, but there's one thing that he overlooks. Because no one in the kingdom has seen you, and information on you is so limited, there's no way for him to have known that you possess a dendro vision. So taking him by surprise, you manage to knock him out and tie him up in vines and flowers. When he wakes up, you manage to broker a deal with him: He wants your crown, right? Well, you have no use for the thing. Not really. To you, it's just a reminder that you're destined to be trapped and lonely for the rest of your life. So you'll give it to him— on the condition that he takes you to see the lantern rite festival in the nearby kingdom of Liyue.
And though its far, though his pride stings at being caught by some recluse of a royal, what choice does he really have? Refuse, and be caught by the guards? Not a chance. So he agrees to your terms and sneaks you out of the tower and leads you into town, where you see the world for the first time.
From there, it's a whole journey navigating from Fontaine to Liyue with you— but you get there just in the nick of time for the lantern rite to start. He brings you around, lets you sample food with glittering eyes, lets you buy fabrics and nicknacks, and pays with his own money. Wriothesley even manages to rent out a quaint pagoda with a balcony, where you can watch the festivities and the lanterns glow across the harbour. There, he basks along the railing with you, eating skewers and fried rice, letting the music and cheer put him at ease. As he talks to you, listens to you ramble on and on about how beautiful the place is and how you'd love to come back one day, Wriothesley finds that he no longer cares about getting his hands on that crown. All he cares about now is the flush on his face and the realization that somewhere, across the way from Fontaine to Liyue, you had managed to steal his heart.
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inkskinned · 1 year
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you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.
you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.
instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.
you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.
your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.
because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.
so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.
all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.
#spilled ink#woke up at 530 to write this lmafo#me in a cold sweat:#how do i be normal#edit in the tags:#hey so i've seen y'all talk about like ... wondering if ur ''allowed'' to relate#like if this is about X specific diagnosis#and when i first posted it i really almost labelled it ''please don't assume this is about a specific condition''#because as an artist i am often walking this line of discussing a symptom or discussing my conditions etc#and sometimes yes ! i do want to talk about an experience that is specific to who i am and my condition#but sometimes the effort of the post is about the EXPERIENCE rather than the diagnosis#because yes i am not neurotypical and as a result that influences my work but it is ALSO true that there are many reasons#why someone might experience this particular vague horrible feeling that you are... almost being CHASED by what you ''really'' are.#that you're outrunning your symptoms... that you're not really normal you're just sort of a mockery of a person#.... that's a really isolating and horrible way to feel no matter why you are feeling it. and the nature of this PARTICULAR post is that#it is inherently talking ABOUT that sense of isolation & of feeling not-deserving & of minimizing your own experiences to make urself#palatable for society in a way that others find easy-to-deal-with....#this post is about a certain experience such that my impression is there's a higher likelihood that those who relate#would have more difficulty thinking they ''deserve'' to relate - that it doesn't REALLY belong to them#bc often we are the kind of people who are SO used to being alienated and set aside and ''different'' that we AUTOMATICALLY assume#that things are not ''for'' us... they never have been why would it start now#we are the kinds of people to be ... ''too normal for X diagnosis but too symptomatic to be normal''#[or as this post points out... so good at ''coping''/masking/hiding it that we essentially conform to whatever shape we're poured into]#but i have witnessed others already say in the tags ''thought this was about me but it's about X so it can't be''#and im like ... of course it was about you.#art is not a resource that is diminished by greater appreciation .#you reflect in whatever mirror fits your frame. not just the ones in your bedroom. not just the ones i specifically give you.#there will be - and often are - times that i will talk about my specific conditions... but if you're reading this#regardless of why you're here... we are here together. holding hands through space and time. and i love you for carrying it#and i know you're exhausted. i am too. but i understand. and i see you.
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brother-emperors · 8 months
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CAESAR AUGUSTUS AND MARCUS LICINIUS CRASSUS
this is about the spolia opima that crassus was robbed of lmao. like, yeah okay octavian could've asked him not to claim it, but nevertheless. a kind of theft happened there.
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Fact and Fiction: Crassus, Augustus, and the Spolia Opima, Catherine McPherson
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luck-of-the-drawings · 3 months
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my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.
#jrwi fanart#jrwi show#jrwi suckening#jrwi suckening spoilers#deacon keller#arthur bennett#OOUGUGHHAAOGUguguhh i feel so cringe whenever i ship two characters. like theyre not even REAL#why cant i be more 'hyperfixated' on getting bitched or something. CHRIST. anwyay i want em to hold hands or smth. yknow. freak stuff.#SO DEACON KELLER!! HE OVERHEARD ARTHUR TALKIN ABT THIS PLACE GETTING ATTACKED.. WE SAW HIM APPROACHING#AND THEN THE WHOLE FEAST PORTION OF THE PARTY HAPPENED N HE GOT STUCK#BUT HE KNEEEWW HE OVERHEARD ARTHUR SOMEHOW!! i just think thats neat. hes dedicated to protecting his people. hes respectable!!#GOD he doesnt even have that much screen time but i LOVE HIMMM n his silly lil shadow steed named Sunshine.. like cmon.... ugh.....#hes sweet n hes funny and he CAARES about the things hes in charge of on some levels. he certainly does his best to look after his own.#god idk what else to write here other than how much hes been on my MMMIND lately. the doctors are still running diagnostiscs#i just think hes so neat... also i think its funny that hes afraid o snakes. OH YKNOW lemme just talk abt my damn art. first o all this too#SSSOOO LONG. WEEKS EVEN.IVE BEEN WORKIN ON IT SINCE EP 5 WAS ON PATREON.it was sposed to be justa buncha doodles but then it Evolved#idk man...cowboys are just so cool...especially w VAMP POWERS..fastest shot in the west for a REASON BABY...n with the red smoke#n the glowing eyes..CMOn thats so cool i hadta get my visions into reality. the eyes were inspired by the music video for RATTLESNAKE (kglw#that where the IM THE SERPENT lines come from.lyrics from tha song.ooh yeah i love kglw so much...i also have other hidden messages here#i like to hide things...ALSO ALSO. I HAD SO MUCH TROUBLE W SO MUCH O THIS. the two bits with arthur n deacon biting eachother. AGONY#POSES ARE SO HHARRDDD SAME WITH THAT doodle o arthur slammin deacons head into the ground. WEEKS to get that pose RIGHT. I BLED SO MUCH#OHH AND GUNS???COWBOYHATS?? HIS GAY LIL JACKET? W THE DANGLIES?? AGOONYYY IT TOOK SO LONG TO PERFECT IT..especialy guns. OUUUHH#i also dont draw mustaches enough... which sucks bc im weak for a good mustache... BUT i think im doing pretty well on that.#it was hard but yknow what!! i think i did good! i rly like how this all turned out!! EXCEPT FOR THA FUCKIN RIBBON BOW THING I FORGOT TODRA#IN THE TOP RIGHT... THAT I JSUT NOTICED...its fine its fine i dont care that much. this is good enough to FEAST upon so im content n happy.#anyway i gotta leave ina few hours to start TRAINING for my NEW JOB!! CHEER FOR ME!! TRUCK IS A BLACKJACK DEALER NOW!! IEAAAHHH BABYYYY!!!!#thanku for reading my weird lil scrolls i bury beneath my posts. if u leave tags i WILL absorb them. and feel joy.
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anneapocalypse · 4 days
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Tired of the false dichotomy between "you should create for yourself without desiring any form of connection" and "feedback is everything and without it there's no reason to create." Neither of these things are wholly true, and it's frustrating to me that people have taken "create for yourself" to mean "you shouldn't want feedback or enjoy it, you should create in a vacuum with no hope of human connection" and are lashing back against what they think it's saying rather than what it's actually saying. I love comments and feedback and connecting with my readers as much as anyone and would never discount the value of that experience and I try to be the kind of engaged reader I would want to have because I know how much it means. I especially know how much it means to a niche creator because I've been that creator myself and I so treasure the readers who took a chance, gave my stuff a try, and stopped to say something supportive about it.
But that's also exactly the thing: the things I want to write are often things that do not in any way guarantee me an audience, but they're what I enjoy, and creating for myself is what gets me through those long first drafts where I know there is no guarantee of an audience because the reality is I'm choosing to write this thing and nobody owes me a readership. Internal motivation matters because there are parts of the creative process where internal motivation is all you have. I've seen people give up or nearly give up on projects that probably would have found an audience, if a niche one, because they convinced themselves that nobody would care and then couldn't motivate themselves to care. Or they decided that a small audience wasn't good enough; they need their work to be Popular or it was worth nothing.
And if someone doesn't want to invest themselves in creating something that might have a small audience, well, that's their choice. But creativity is inherently an act of risk, and a lot of amazing art would never be made if the creator wasn't willing to risk silence, rejection, loneliness. Yeah, those things suck. I'm not saying they don't, that's why it's a risk. But art isn't always about safety. Sometimes it's about creating because you simply have to get this thing out of your head, and you hope someone will connect with it, but you don't know until you try. So everything can't be external motivation. It just can't be. It's too limiting, it's too stifling. I can't live that way, personally.
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