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fawnforevergone · 9 months

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The Ultimate List of Dante References in Hozier's "Unreal Unearth" !!

Hello and welcome to my new-and-updated ultimate compilation of all 'Inferno' references I found in Hozier's new album! If I think of anything else, or if anyone else suggests something, I will be sure to add it, but, for now, enjoy this ridiculously long (you've been warned) list I made!

Since I didn't wanna make a post for every individual song and spam you all, the songs are separated by their respective circles! I hope that organises stuff a bit more :]

Usual disclaimer: I could be wrong about some stuff! I've read 'Inferno' and try to stick to the objective references, but sometimes I let subjective interpretation bleed through. If anyone has any corrections for anything, just lmk!! Okay, cool <3

DESCENT:

"De Selby (Part 1)"

We start the album not in the circles, but instead at the Gates of Hell. One of the main themes of Inferno is darkness, and these first two songs are embodiments of that.

The lyrics mention the idea of this being a "new empty space", suggesting that Hozier is being introduced to the feeling of Inferno through the relationship he's singing about, and, so, we begin the descent.

"The likes of a darkness so deep that God at the start couldn't bear." God is obviously a large theme of Inferno and is, biblically, the creator of light, hence the absence of it in Inferno. In fact, the first three stanzas all reference the heavy darkness of the threshold and its estrangement from God.

The Irish/Gaeilge lyrics roughly translate to: "Although you're bright and light, you arrive to me like night fall. You and I, together. You and I, metamorphized. Although you're bright and light, you arrive to me like night fall. The art of transformation is a dark art." The imagery of light and dark mixing together mimics the idea of walking from the brightness of Earth into the darkness of Inferno.

This entire album appears to be the recounting of a relationship and how it feels like walking through Inferno. Here we see the beginning of this relationship, of Hozier losing himself to the threshold.

"De Selby (Part 2)"

Part one appeared to be the step through the gates, whereas part two seems to be Hozier being enveloped by the threshold. In 'Inferno', Dante says the entrance to Hell is a darkness that no stars could shine in. We hear this shift from Earth to Unearth through the production alone; the weightlessness of part one falling into the heavy grunge of part two.

"Your heart, love, has such darkness, I feel it in the corners of the room." The theme of dark continues, as it will through the entire album, but, this time, Hozier feels it radiating from within his lover rather than the space around them. Though, him saying his lover carries darkness is not an insult. This extra depth to his lover is something more to know, something more to love. This idea actually differs from Dante, who sees the darkness as deceitful.

"I want to be so far from sight and mind." Inferno is a lawless place. He would be far from sight due to the darkness, and far from mind due to the insanity that persists within the circles.

"Let all time slow, let all light go." This lyric shows me that he has been submerged in the threshold. Again, the lack of light, but also the slowing of time. Punishment after death is eternal, something that time has no grasp on. Hozier is willing to let these aspects take a hold of him.

"I'd still know you not being shown you, I'd only need the workin' of my hands." Christianity is a heavy theme of Inferno, and this lyric plays on the proverb 'Idle hands are the devil's workshop', a proverb Hozier also hinted at in his song "No Plan" (from 'Wasteland, Baby!') - "My heart is thrilled by the still of your hand."

Now, though, Hozier's hands aren't idle, instead the opposite, his hands are working as God intended. Drawing us back to that idea we were given at the end of part one, we get the feeling that Hozier is bringing something light/Godly to Inferno, and he and his lover are fusing the ideas of Heaven/Earth and Hell.

FIRST (LIMBO):

"First Time"

We now enter circle number one, 'Limbo'. Limbo is an uneventful circle for those not worthy of punishment but also not fit for Heaven. It is mainly for those who do not believe in God, the unbaptised.

Firstly, to get to circles, Dante and his guide, Virgil, must be chaperoned by the Greek Psychopomp Charon down the river Acheron, and we see that in Hozier's first couple stanzas.

"And the soul - if that's what you'd call it, uneasy ally of the body - felt nameless as a river, undiscovered underground." This appears to be Hozier mentioning the river Acheron, one of the five rivers of the Underworld that surround Hades, and, in 'Inferno', are used to transport the souls of the dead to their respective circles.

"The first time that you kissed me, I drank dry the river Lethe." The river Lethe is another one of the five rivers, and is one that causes anyone who drinks from it to forget everything they know. Hozier is simply saying that kissing this person wiped his mind clean, similar to the end of "De Selby (Part 1)" where he mentions partaking in a transformation.

"Some part of me died / Some part of me came alive the first time that you called me 'Baby'." Relating to the previous quote, souls that drink from the river Lethe usually do so before being reincarnated, so they forget their past life. Hozier seems to experiment with the idea of being reborn by his partner's love for him - an idea prevalent throughout his entire discography.

"To share the space with simple living things, infinitely suffering, but fighting off - like all creation - the absence of itself." This lyric tells us that we should not ignore the privilege of living just out of the fear of dying. This lyric is reminiscent of "All Things End" and the circle of Heresy. Since Limbo is home to those who don't believe in God, the theme of Heresy is a very fitting one.

SECOND (LUST):

"When I was young, I used to guess 'Are there limits to any emptiness?'" The punishment for those in Limbo is to exist eternally with the curse of a hollow, empty feeling meant to represent the lack of God in their lives. This punishment seems referenced in this lyric.

[ i ended up thinking about this song more so if you want even more "first time" content, here ya go: "first time dante references." ]

"Francesca"

Into circle number two, 'Lust', we have the story of Francesca Da Rimini, a woman Dante spoke to during his visit to circle two. Francesca fell in love with her husband's brother, Paolo, and when her husband discovered the affair he murdered them both.

Hozier seems to be singing from the perspective of Francesca/Paolo but throughout the album we see Hozier liken his lover to aspects of Inferno - darkness in "De Selby (Part 2)" or Lucifer in "Unknown / Nth" - so the story of Francesca and Paolo is fitting as another metaphor here.

"Do you think I'd give up? That this might've shook the love from me?" Even in Hell, Paolo and Francesca physically cling onto another. They do not let their death affect their love.

"My life was a storm since I was born. How could I fear any hurricane?" The punishment in Lust is an eternal storm meant to replicate the throws of passionate love - a storm also depicted in the production of the end of this song. Hozier/Francesca/Paolo says that it's impossible for them to care about this punishment when life was already as treacherous as it was.

The whole chorus emphasises the imagery of Francesca and Paolo not being able to let go of each other.

"When the heart would cease, ours never knew peace. What good what it be on the far side of things?" Francesca and Paolo lived their love secretly and anxiously, so what good would peace be in the afterlife when they've already become accustomed to difficulty?

"Heaven is not fit to house a love like you and I." In the opening songs of the album, Hozier describes his lover as darkness, akin to something God cannot bear. Due to the depth of his lover, the mix of light and dark they've made, he believes Heaven would crumble beneath the weight of their relationship. That something as corrupt as Inferno is the only place suitable for them to live.

"I, Carrion (Icarian)"

Still in circle two, Hozier plays on Dante's own metaphor. In Canto 17, Dante refers to his own dread of descending Inferno to the same dread that the 'ill-fated Icarus' must've felt on his fall from the sky.

Hozier twists this, instead comparing his love to the hope Icarus must've felt as he flew towards the sun. He said, during a live show, this song is based on the idea hat Icarus never realised he fell, and woke up dead, too clouded by joy to realise what had happened.

"If the wind turns, if i hit a squall, allow the ground to find its brutal way to me." Again, we mention the storm of circle two. Lust is also said to have treacherous terrain - sharp rocks and jagged stone - that seems to be hinted at in the second half of this lyric.

"While you're as heavy as the world that you hold your hands beneath." This imagery seems reminiscent of the Greek Titan, Atlas, who holds up the Earth on his back. Dante talks about seeing Titans and Biblical Giants at the transition point of circle eight to circle nine, 'Fraud' to 'Treachery', which makes this lyric a sad hint to where Hozier will end up finding his lover; Taking the place of Lucifer in the deepest part of Inferno.

THIRD (GLUTTONY):

"Eat Your Young"

We enter the third circle of Inferno, 'Gluttony'. There are no specific references to Inferno, but the concept of gluttony is apparent. Hozier does what he frequently does throughout this album; He refuses to see the sin as "right or wrong" as Dante so stubbornly implies.

Hozier often divulges in a grey area, a spectrum or sale of severity, when it comes to the sin. Hozier's perspective seems more nuanced than Dante's, seeing sin as layered rather than objectively bad. In this specific song, he displays the different sources of hunger in humans, and where the line should be drawn.

"I'm starvin', darlin', let me put my lips to something, let me wrap my teeth around the world." We start, and reference back to in verse two, a sexual hunger, a harmless passion between two people. This is an innocent side of the sin, not deserving of the punishment of Lust which is to be ripped apart by Cerberus (the three-headed dog from Greek mythology) for all eternity.

However, Hozier moves onto the hunger of politics.

"Pull up the ladder when the flood comes." The government refusing to help the people when the sea levels rise.

"Throw enough rope until the legs have swung." When you don't have a ladder, you use a rope. This lyric plays on the notion of when governments give the impression they are helping, but are only making things worse - a take on the saying 'Give someone enough rope and they'll hang themselves', since what else are they meant to do with it?

"Skinnin' the children for a war drum, puttin' food on the table selling bombs and guns." The hunger for power manifests in war.

"It's quicker and easier to eat your young." Here, Hozier uses the common saying in a more literal sense, saying that if these politicians are hungry enough to destroy the world, they may as well physically eat their young, since it'll have the same effect.

FOURTH (GREED):

"Damage Gets Done"

This song takes place in circle four, 'Greed'! The title of the song alone is already very meaningful. In circle four, the main punishment is that the inhabitants are split into two groups and are forever forced to charged into each other and fight. Dante describes them are being so injured and damaged that they have become 'unrecognisable'.

The song is about greed within the changing of the world. It's about growing up and losing the naivety and innocence you once had, no longer able to ignore the burden of politics and money. Hozier and Brandi sing about the excitement of being young and in love, but, with the rise of inflation, it's hard to exist like that anymore - You need greed to survive.

"Wish I had known it was just our turn being blamed for a world we had no power in." This seems to be a reference to two things. One, the idea that governments blame the people for their own poverty, and Two, the idea of arriving in circle four by no fault of your own. It's not their fault they wanted more money with the world being how it is, but, nevertheless, they're being punished for it.

"I haven't felt it since then. I don't know when the feeling ended, but I know being reckless and young is not how the damage gets done." They talk about the enjoyment of the love they're singing about fading, and how they miss that, but they know that, again, this is not their fault. They know they didn't change, the world did, and they won't take responsibility for their 'sin' when all they did was adapt.

As aforementioned, the inhabitants of the fourth circle suffer extreme injuries, so Hozier saying "I know being reckless and young is not how the damage gets done" is him saying "I know that we are not at fault for being served the punishment of Greed."

FIFTH (WRATH / ANGER):

"Who We Are"

We enter the fifth circle, 'Wrath', where the inhabitants spend their time fighting to stay at the surface of the river Styx, another one of the five rivers of the underworld.

"Falling from you drop by drop." / "To hold me like water." These lyrics obviously give the idea of water, representing the river Styx.

"Or, Christ, hold me like a knife." This lyric comes in quite loudly, Hozier's voice strengthening with it. The subtle blasphemy of "Christ" and the violent imagery of "knife" comes across as a sort of anger. Being held "like a knife" is representative of how those is Wrath must feel - like they are something particularly dangerous, but still desperate to be held.

"We're born at night, so much of our lives is just carving through the dark to get so far." Again, this theme of darkness that is so frequently displayed in Inferno is mentioned again. After this song comes "Son Of Nyx", which Hozier said was the transition into the darker half of the album, and Nyx is the Goddess of the Night. Being "born at night" would make Hozier the son of the night, the son of Nyx. This gives the impression that, if the album is following on chronologically, this is the point where the relationship portrayed in the album begins to fray as Hozier starts to be consumed by the darkness.

"And the hardest part is who we are." Those in the circle of Wrath possess a 'savage self-frustration' that Hozier seems to represent throughout this whole song - A fierce annoyance with the way he and his lover let things go: "We sacrificed, we gave our time to something undefined", "Chasing someone else's dream", Etc.

SIXTH (HERESY):

"Son Of Nyx"

We have no lyrics for this song (though you can hear him faintly saying some things, one of which is him saying "who we are...") but we know it takes place in circle six, 'Heresy'. Heresy is a belief or opinion that is contradictory to religious doctrine, especially Christianity. As aforementioned, Hozier said this track is a transition song meant to replicate a descent into the darker half of the album.

Nyx is a Greek Goddess and is often known as the personification of night. She had many children all representing different things but the title would essentially mean 'The Son Of Night', and, as dissected in the previous song, we can see that Hozier sees himself as reborn into the darkness.

Once again, darkness is a large theme of Inferno, but Hozier saying in circle six that he is the Son of Night is particularly meaningful due to the association of light with God. He has been reborn as something that could not be further from God, something that opposes the idea of God, something of a Heretic.

Nyx was feared and respected by all, including Zeus, and, though I believe there is no reference to her in Inferno, she was described as residing in the dark recesses of the Underworld, which is heavily incorporated into Inferno.

"All Things End"

This song does not have many overt references to circle six but definitely incorporates the idea of heresy. As mentioned, heresy is an idea that contradicts (especially, but not always) Christianity. In this song, Hozier talks about the ephemeral nature of all things, particularly romance.

"When people say that something is forever, either way it ends." Whether it be death or a break-up, God doesn't plan for you to be able to spend eternity with your lover.

"Movin' on in time and taking more from everything that ends." Hozier, however, argues that things still have meaning beyond their end. That, even after moving on, we will remember and learn from the things we have lost.

"Just knowin' that everything will end should not change our plans." Throws back to the idea of the second verse of "First Time". If you avoided something just because it was going to end eventually, you would never achieve anything. That's like refusing to finish a movie just because you don't want to get to the credits.

When this concept of ignoring the end comes to death, we ultimately cross the concept of God. There are many rules people follow in religion, avoiding certain things because they are against 'God's Will'. Although this practice can be kept in moderation, it can quickly become self-imprisoning.

Not living your present life out of fear for an unproven afterlife can be limiting, especially if you dictate who you love due to what supernatural punishment may or may not follow. Hozier sings that we should not let God's plan interfere with what we need from life, allowing ourselves to indulge in love even if it will end - ultimately, Heresy.

SEVENTH (VIOLENCE):

"To Someone From A Warm Climate (Uiscefhuaraithe)"

This song places in circle seven, 'Violence'. Violence is split into three subcategories, or 'rings'; Violence against others, violence against self, and violence against God. I believe this song gives an overview of all three.

With this song, we recognise that the title says "To someone..." and Hozier said this song was a gift to someone who was from a geographical warm climate, but there is also a lot of heat in circle seven.

"A joy, hard learned in winter, was the warming of the bed." Throughout this song, Hozier describes himself as cold, and his lover as warm. The idea of warming the bed is a concept Hozier mentioned in his song "Nobody" (From 'Wasteland, Baby!') where he sings that, if he had a choice between the warm bed of his lover or performing on stage, he'd go home to the bed. Since this song comes after "All Things End" (the break-up song), this call back to "Nobody" could be instead referencing a permanent distance, rather than a temporary one (like the temporary distance in "Nobody").

"And, darlin', all my dreaming has only been put to shame." This could have two meanings. One, Hozier waking from a dream about his lover to find them not here. Or, two, Hozier's expectations of his lover falling short as their relationship has finally fallen through. These expectations could be a form of violence against self, the second ring, as he set himself up for heartbreak.

"And I wish that I could say that the river of my arms have found the ocean. I wish I could say the cold lake water of my heart- Christ, it's boilin' over." As mentioned, Hozier is cold, his lover is warm. His wishes he could find something to to fill the loss of his relationship, but he still feels the heat from his lover in every part of him.

"It's boilin' over." References the river of boiling blood in the first ring, violence against others, Hozier could be talking about the way his partner loved him, how that was almost an act of violence with how hard it is to now let go.

"Butchered Tongue"

This song has less references to 'Inferno', and is more of a commentary on the act of violence itself. Hozier sings of places and cultures lost to the violence of man, and he mourns this deeply.

"To say 'Appalacicola' or 'Hushpukena', like 'Gweebara'. A promise softly sung of somewhere else." This grieving for a time when native land wasn't colonised and culture wasn't violently erased is prevalent throughout the song.

In the second verse, he sings very strongly of the brutal acts inflicted upon Irish rebels by the British forces in the Wexford Rebellion of 1789. As we know, Hozier is from Ireland, and he incorporates both the Irish language and history into this album, and recounting such violent acts for this song feeds into the grieving of what has been lost: "Between what is lost forever and what can still be known."

In the context of 'Inferno', it feels as though Hozier is listing the sort of actions that would land someone within the circle of Violence whilst also appreciating the efforts those above ground take to preserve erased culture. Altogether, the song is a very moving commentary on modern violence.

EIGHTH (FRAUD):

"Anything But"

The eighth circle is 'Fraud', split into ten subcategories that are positioned around the circle in trench-like ditches, known as 'Bolgia'.

"I wanna be loud, so loud, I'm talking seismic," follows up with, "I want to be as soft as a single rock in a rain stick." Who he wants to be fluctuates between moderation and severity. He is changing, unreliable, possibly referring to bolgia one, Panders and Seducers. Seducers tend to 'lead astray', as Hozier's unreliable narration does.

The punishment of bolgia one is to be marched backwards and forwards rapidly whilst being whipped, very much evoking the imagery of a stampede: "If I were a stampede, you wouldn't get a kick." This alludes to the fact that if Hozier were sent to hell for the various sins he commits for his lover, he wouldn't resent them for it at all.

"If I was a riptide, I wouldn't take you out." The second bolgia of Fraud is for Flatterers, 'the act of giving excessive compliments, sometimes for romantic courtship'. Obviously, the song is filled with these compliments.

"I hear He touches your hand and then you fly away together. If I had his job, you'd live forever." The imagery of "fly away" gives the idea of ascending, perhaps to Heaven, as hinted at again by the idea of the longevity of living. Bolgia three is for Simoniacs, those who would sell church roles, offices, or sacred things. This seems to fit with Hozier saying that if he had a divine role, he wouldn't follow protocol, he would allow his lover immortality.

Simoniacs were sinners because they were disobeying God's trust, because the selling of divine roles would lead to corruption in the Church. Hozier is using this hyperbolically, saying that if someone were to sell him the role of God, he would most definitely be a corrupt power.

"I'd lower the world in a flood, or better yet I'd cause a drought." In bolgia four we have Sorcerers. Although Dante used this term in a more logical sense for fraudulent sorcerers - false prophets, fortune tellers, those who lied about the plans of God - Hozier uses the term in a supernatural sense. Sorcerers were punished for trying to interrupt God's prerogative, whereas Hozier is blatantly saying he would summon another flood, usurping God's plan overtly.

"I'm talking seismic." The bridge that leads to bolgia seven was collapsed by the great earthquake and, as we know, seismic activity leads to earthquakes.

"Worry the cliff side top as a wave crashing over." There happens to be a cliff near the entrance of circle eight that a large waterfall plunges over.

"Abstract (Psychopomp)"

This song appears to be the crossover point from circle eight to circle nine that I mentioned when discussing "I, Carrion (Icarian)". Before we get to that, the title itself is significant.

A psychopomp is a chaperon of death; Someone like the Grim Reaper, or Charon from "First Time", or Dante's guide through Inferno, Virgil. Here, Hozier is describing the act of hitting an animal with your car as taking on the role of a psychopomp, whilst also relating this idea to the act of letting a relationship die, leading it from life to death.

In the crossover point from eight to nine, Dante and Virgil stand and look at the large well that leads down to circle nine, 'Treachery'. The Titians and Giants burst out of the well, to big to fit, but their feet stand stubbornly in Treachery. I believe that, at this point in the album, Hozier stands here, too. He's visited all eight circles, and has one last place to go before he leaves Inferno, and ultimately his lover, behind. This song is him realising he has to let his relationship end, he has to act as a psychopomp for his love.

"Sometimes it returns like rain that you've slept through." Circle nine, 'Treachery', is a frozen over lake, aka a memory of water, similar to the residue of rain. With viewing this song as the predecessor to "Unknown / Nth", we can take this as a hint of what's to come.

"The Earth from a distance." Since Inferno is arranged in rings (like a circular staircase), Dante could feasibly look up and still see where he started his journey. The same way Hozier could look up and see where his relationship began, "De Selby (Part 1)", The Gates.

"Streetlights in the dark blue." We have the mix of light and dark again, as mentioned in the opening track, referencing back to Hozier and his partner falling in love.

"Darling, there's a part of me I'm afraid will always be trapped within an abstract of my life." Of course, Hozier is talking about the memory of the animal hit with the car here, but the way this relates to circle nine is beautiful. As we'll properly dissect with "Unknown / Nth", sat within the most central point of circle nine, the deepest part of Inferno, is Lucifer, the fallen angel. Lucifer was thrown down to Hell from Heaven, and found himself trapped in Treachery, his body too big to escape. Dante says that the more he struggles, the more stuck he becomes.

That moment he was struck down to hell is a moment he finds himself forever stuck in, just as Hozier is saying here. In the next song, Hozier relates his lover to Lucifer, but these lyrics are a gorgeous mirroring of Lucifer's experience, and another hint at the final circle we will now head to.

NINTH (TREACHERY):

"Unknown / Nth"

Okay, buckle in.

The ninth circle, 'Treachery', is also one split into subcategories, yet Hozier appears to be singing about the centre. The frozen over lake of Treachery gets more frozen the closer you get to the centre. The inhabitants start half-submerged in ice to fully plastered in it. Throughout Inferno, and the deeper we descend, a soft breeze becomes a strong wind, that, as we reach the centre, we find is caused by the violent flapping of Lucifer's wings. Here he sits, stuck and chewing on Judas, another one of God's biggest betrayers.

After "Abstract (Psychopomp)" Hozier is now exploring the final stage of his relationship. The circles of Hell had mirrored the love he once had, and Treachery is where it shall be buried. He also represents his lover as Lucifer, though not maliciously. In interviews, Hozier spoke about the song being about a heavy betrayal he suffered from someone he truly loved, and likening this to God and Lucifer is just heartbreaking.

"You know the distance never made a difference to me." The song is about knowing someone in their entirety, discovering their best and worst parts. Hozier uses Inferno to talk about the tiresome journey of finally knowing someone. He says he would've made the trip all the same, that he would've walked this far for his lover no matter what.

"I swam a lake of fire, I'd have walked across the floor of any sea." This mirrors the previous lyric, but also references specific parts of Inferno. The are many fires in Inferno, particularly in circle seven, 'Violence'. The sea floor lyric reminds me of the lake of Treachery. Though a surface, not a floor, the lake would still be below any seabed, since Inferno is geographically below the Earth.

"Funny how true colours shine in darkness and in secrecy." You guys are probably sick of hearing me say it but... Darkness is a big theme in Dante's Inferno. It is meant to represent the deceiving nature of humans when light is not being shone. Secrecy is a running thread through 'Inferno', too, as Dante finds many people he thought had done no wrong residing there. Hozier is simply saying how (sarcastically) funny it is that he only truly knows his lover in the remains of their relationship; How he only knows them after seeing them in their cruellest form.

"Where you were held frozen like an angel to me." There are many angel lyrics, but this one specifically references the ice of Treachery. The fallen angel is indicative of Hozier's experience: Seeing someone he regarded highly, even heavenly, falling from that pedestal and turning into something that couldn't be further from God's work.

"You called me angel for the first time, my heart leapt from me. You smile, now, I can see its pieces still stuck in your teeth, and, what's left of it, I listen to it tick. Every tedious beat going unknown as any angel to me." Hozier references his ex-lover chewing on his heart the way Lucifer chews on Judas. He listens to it somehow still ticking, however slowly, and at the end of the song we hear something akin to a heartbeat. The beats are "going unknown as any angel to me" since he can no longer recognise his own heartbeat after it has been mangled by another, and, since he mistook someone alike Lucifer to an angel, the idea of angels must be "unknown" to him.

"Do you know I could break beneath the weight of the goodness, love, I still carry for you? That I'd walk so far just to take the injury of finally knowing you?" We again have this imagery of walking far, referencing the journey of Inferno, and, even though he's aching with the realisation of who his lover truly is, he can't help but be grateful that he does now know them, no matter how painful that may be. That he would do this all again if it meant he at least got to the answer of who they are.

His weak heartbeat follows him through to final track as we begin the Ascent.

ASCENT:

"First Light"

The title is very meaningful for the Ascent. The song references both Dante and Virgil's ascent and the creation of light by God himself. Dante and Virgil leave Inferno through a tunnel that Lucifer left in the Earth as he was thrown down to Hell, and they emerge on the other side of the hemisphere. This song signifies Hozier stepping away from the relationship as he also makes that journey out.

"One bright morning changes all things." Dante is disorientated when he exits Inferno. He'd become so accustomed to the darkness that he asks Virgil, 'How is it that the sun progressed so rapidly from evening to day?' Hozier seems to recognise here that his relationship is no longer fit for him, that the darkness has become too encompassing, just as Dante realises on his ascent.

"The sky set to burst, the gold and the rust, the colour erupts...the sun coming up." Not only does this give the imagery of the birth of light, but it also represents Dante's view on his exit: 'Until...I saw the lovely things the sky above us bears. Now we came out, and once more saw the stars.'

"Like I lived my whole life before the first light." Hozier says that the darkness from his lover was so overbearing that it was hard to believe he'd ever felt light before - that light could not have exists with a darkness this heavy alongside it. It is a call back to "De Selby (Part 1)" - "A darkness so deep that God at the start couldn't bear."

"One bright morning comes. Darkness always finds you either way, it creeps into the corners as the moment fades." He speaks of bringing light to a moment between them, but has it quickly smothered by the darkness inherent in his partner. Another call back, this time to "De Selby (Part 2)" - "And your heart, love, has such darkness, I feel it in the corners of the room."

"After this I'm never going to be the same, and I am never going back again." This lyric is heart-breaking. Hozier states that Inferno has changed him, but he has no wishes to re-enter it. At the beginning of this album, he was begging for the likes of Inferno - "De Selby (Part 2)": "Let all time slow, let all light go." - and now he is desperate to get away from it. In "Francesca", he said, "At the end, I'd tell them, 'Put me back in it.'", yet, now, he's at the end, he's ascended, and he has no desire to go back at all.

He is letting go of his lover because he recognises that this pain was not worth it, that this love was not worth the punishment he received, so he leaves.

---

That was Hozier's Inferno !! I hope this was helpful to some people since it was very fun to make (I'm exhausted) and it's very enlightening to see how these lyrics relate to Inferno (I'm heart-broken) !! Okay, wooooo !! Enjoy !!!

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ngaikuuomelette · 5 months

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its been so long since the last time i post art, im gonna be really busy with university but i still want to draw cotl fanart (╥﹏╥)

here r some of the sketches and me ranting about some ideas and my cotl ocs

the bishops as followers were hard to design and i might redraw some of these ε-(´・｀)

grumpy Nari and his sons ദ്ദി≽^•⩊•^≼

rough relationship with his ex-vessel ( •͈૦•͈ )

my ocs are based on the animals that can be found in Vietnam, their names also based on ingredients in traditional Asian medicines (cuz im suck at naming my ocs) (*꒦ິ꒳꒦ີ)

Linh Chi is a chameleon

Cam Thảo is a Pseudoryx Nghetinhensis or Sao la

Kim Ngân is a carp

Atiso is a striped rabbit

i wanna make them siblings to parallel the bishops, they do fight sometimes but they still love each other (｡•́︿•̀｡)

long story short, the Lamb saved Atiso's siblings so they vowed to forever be in debt to Lamb and would do whatever the Lamb asks them to (｡o_o｡)""

Cam and Chi really likes to stick their noses in the affairs of the ex-gods ( • ᴗ - ) ✧

I would really love to draw some comics about them in the future, i have plenty ideas for cotl fanart too .·°՞(≧□≦)՞°·.

and if i made any spelling mistakes, please dont correct me because i have no respect for English ദ്ദി ˉ͈̀꒳ˉ͈́ )✧

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allilcat · 1 month

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Ive been noticing an increase amount of Dreamtwt refugees, and let me preface with saying: Welcome!!! Genuinely, we lovingly welcome you to this happy lil community.

That being said, Tumblr is confusing, between the big etiquette book and the interface that hasn’t changed since 2008 there is a lot to learn. So this is my little attempt to a welcome guide tailored to our lil dream community! Feel free to add your own recommendations and stuff.

Tumblr is a Blogging site, a goog ol relic from ye olden days, your ‘profile’ is your blog, and you can put anything you like on there! However, please do change your avatar and background, we have a massive bot issue here and we tend to auto block someone with a standard avatar.

The main tags for the dream team are as follows: - just their entire usernames, but, those do get hooped up in controversy from time to time. -Dreamblr for the content creator dream

-Dreblr, for C!Dream

-404blr for CC George

-pandasblr for CC Sapnap

-Dtblr for the Dream team

PLEASE REFRAIN FROM USING: #Dream, that’s for people actually posting about their dreams, and #myct as it is mostly used for general MYCT stuff, we prefer to stick to our own spaces.

‘how do I find people?’ you go to any of these tags, find someone you vibe with and click ‘follow’. The algorithm here sucks, and we don’t advice the ‘for you’ page.

On that note, the ‘like’ button is useless, use reblog instead! If you like someone’s hot take, art or stupid shit post, REBLOG. Its how we keep our fandom alive and active here :D

When you reblog you usually keep your comments in the tags, one only really uses the comment section when they DON’T want to reblog. (usually because of le discourse).

Send people asks! People love to chit chat, you can do it anonymously! Tell that one artist youd love to have their brain for lunch! Engage with everyone! We love discussion and open communication here. (prob since there is no real word limit to posts)

Tumblr has developed a nice ‘block liberally, no need to make a fus’ culture. You can block someone for any reason, and it really isn’t a big deal.

On the Tumblr is more relaxed note, we tend to be more relaxed on CC boundaries, since most CC’s do not use twitter. If you don’t like people breaking CC boundaries, even in places where they cant see it, follow the advice above and blockkkkk!!!

Please spell out words! Don’t censor triggering words at it can fuck with people’s filter settings, by censoring these words you put people in more risk.

Now for some technical advice: Most tumblrina’s turn on ‘hide likes and follower count’ . Any blog can have 4 people following it or 4000, we like to keep it mysterious.

Also turn of ‘best content first’- once again, the algorithm is not to be trusted.

Furthermore, you can really personalize your Tumblr experience and please do! Under ‘account’ you can find many options to filter the content you see, make use of it, for your mental health sake.

#Dreamblr #404blr #pandasblr #dreamwastaken #sapnap #georgenotfound #dtblr

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chiscribbs · 7 months

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Updated Future Donnie Concept Art!!!

So, I've been hesitant to try my hand at designing an Apocalyptic Future version of Donnie for a while, for a number of reasons - mainly that I just didn't have a clear idea of him in my brain yet and the thought of attempting to update his already pretty perfect design was highly daunting - but I finally caved and decided to take a crack at it. A couple months and several revisions later, I'm actually genuinely happy with the result. I'd still consider this "concept art" more so than a final design, elements of it could definitely be improved, but I really do like the concept as a whole - I think it could work!

The main goals I had in mind while working on this were: A. Must fit the character/look like something Donnie would canonically wear and still be easily recognizable. B. Must work in the Rise world & style (i.e. not be overly detailed or have too complex a silhouette.) C. Must fit in with the other (canonical) Future Rise designs.

I was also thinking about what problems Donnie might be trying to solve, which is what inspired the belt (more info on that below). All-in-all, although there might still be a few kinks to work out, I think I managed to come up with a pretty solid base design for my favorite Warring Warrior Scientist (Jr.)

Some additional character tidbits under the cut.

Also, I can't draw mechanisms to save my life, so just pretend those vague ninpo-gun-things make sense lol

Donnie has a mechanical prosthetic leg. How'd he lose that leg? Up to interpretation - my working theory is that it was a minefield accident that occurred when he was trying to blow some Krang dogs to Timbuktu. Naturally, since it's Donnie and they are in the midst of an alien apocalypse, he designed the leg to do a whole lot more than just help him stand without falling down. It's a multifunctional tool that contains a plethora of secret uses - including, but certainly not limited to, sawing off ugly Krang faces. It's essentially his new tech bo.

Bonus leg tidbit: Casey Jr. saw him deploy the saw blade in battle once when he was little, he then proceeded to beg for a saw-leg of his own to fight the Krang with. Donnie, realizing that amputating a perfectly healthy child's leg is probably not that most morally acceptable option, instead made him his own "sawing stick"(AKA, his motorized hockey stick)...which the others then made him wait until Casey's 10th birthday to give him.

The belt that Donnie's wearing here is a prototype of his latest invention. Its intended purpose: to deflect the Krang's mystic-blocking attacks, allowing them to use their ninpo in close combat. It took a lot of risk-taking to collect the necessary information to create such a device, and he experienced a number of way-too-close calls (one of which may or may not have resulted in that large gash across his plastron), but he finally managed to crack the code and pinpoint the frequency of the Krang's sound waves. He's testing it out right now to make sure that it works and is safe to use, but once it's out of beta, he plans to mass-produce them for every mystic-wielder in the Resistance to use in battle. He believes it could turn the tides of the war...unfortunately, the device never makes it out of beta, as he dies before its completion.

Donnie's gloves are fashioned after the ones his dad used to wear in his Lou Jitsu days (with some modifications, for comfort and to make working with screens a little easier and less annoying.) The material they're made out of is far more durable, of course, since he's working with them near-constantly and under varying conditions. But maybe he designed them to look like this as a way of keeping his dad's memory close, similar to Leo's sword hilt?

Ironically, Donnie uses his ninpo probably the most consistently out of all the brothers (even though Mikey uses his to the greatest extent, hence his rapid aging). He's constantly using it to check on the base's security status and multitask while working on other projects. Because his ninpo takes a good deal of brain power to operate, it puts a significant amount of strain on his nervous system and this causes frequent complications. Seizures, spasms, and blackouts become a semi-regular occurrence - especially in the latter part of his life. Donnie does his best to manage them, but the workload makes it almost impossible to do so properly. Mikey is able to help with these attacks when they happen, but Donnie - not wanting his brother to overuse his powers any more than he is already - usually opts to just ride it out and save the mystic healing for people who need it. The exception to this rule being when he's in the middle of an extremely important procedure and can't stop long enough to let the attack pass naturally, then he has no choice but to accept Mikey's aid.

This is probably needless to say at this point, but much like Leo and his other brothers, he is a giant. Equal in height to Leo (if not slightly taller, even without the goggles.) The doodle in the top-left corner of the sketch page where he's next to April is meant to be them sitting, so don't take it as anywhere near an accurate representation of their height comparison. It is not, he dwarfs her by several feet, lol.

#rottmnt #donatello hamato #rottmnt donnie #rise donnie #future donnie #rise of the tmnt #rise of the teenage mutant ninja turtles #rottmnt future timeline #tw: amputation #Sort of. You don't see anything but if half a leg freaks you out best not to look.#fanart #concept art #character design #chiscribbs #Heavily referenced Krang because Idk how to draw them yet WOOTWOOT

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wixenburr · 5 days

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Saw some ppl talking about Reverse Robins and i had thoughts

Talking abt u guys @eldritchdreamss @brucewaynehater101

Why kill Tim when you could kill baby Jason? What I want is for all of them to keep their own backstories and personalities (Developed in line with the story of course) So ofc i had to write a 1,000 word brainrot abt it.

(Also i'll only be going over the main 4 batbros for now i will add more later but these guys are the ones im most passionate about so here we go)

Damian

Let Damian come in, desperate to be of use and be worthy of his father, only for a softer, less jaded bruce (since jason hasnt died yet) to help him open up his heart and let him act as a kid. With no competition for so long, I imagine he and Bruce get along very well while he works with him. Yeah, they need to work on the no killing deal and Damian's... i guess impulse control? But i think it would be easier with very intensely focused reparenting; no distractions of other kids you know? No favoring or anything.

I see Damian growing up as a stoic, jaded adult. He's had a rough life. Maybe he sticks with the vigilante business. but I really love headcanons where he gets out of it, and focuses on something calmer, like his art. (I do appreciate and love the veterinarian Damian AUs, but im going for FULL calmness, you know? And doctor/vet work is Not calm lol)

So yeah, maybe he grows a real passion for heroism, maybe he doesn't? Maybe he goes on to be an artist and that's just what he does. Bro is ready to settle down as a scarred, veteran trophy husband and i adore him for that.

(Sorry lol i just love Damian and i love the idea of him growing out of both of his parent's legacies. Let him live his own life!!! He fights so so hard for at least 15 years. ALL 15 years of his life. He deserves to have some peace.)

Tim

Tim i think would need a much different story to join the Batfam. He still starts out as a stalker who follows batman and. . . . . . . Redimar (meaning Redemption iykyk (I just spend 17min researching names rip)) at night, takes photos, etc... Since Damian doesn't die, maybe he finds Tim? and like, tim is like 11 and Damian is 17 or 18. He's started going out as Redimar less and less, not that B really minds? In fact hes probably happy for his son so...

But then Damian finds Tim, and now he has to keep going out because he can't let this kid get himself killed like this. He would hold himself accountable since hes the only reason Tim keeps going out so much- also i imagine Tim follows Redimar more than Batman.

Cue a classic Tim Joining The Batfam plotline. They get to know each other better, get a grasp on Tim's situation, Damian finally introduces Tim to Bruce... (Probably something like Dami: "Father, this is my new brother. Timothy, say hello to Father," Tim: "Hello, Father," Dami: "Perfect." Bruce: "*falls off the batchair*)

Anyway, so, Tim ends up kinda just merging with the Waynes. They start training him, its all good and nice, and Tim makes his own little hero team unlike Damian, which is actually pretty interesting here; its Tim who made the first young hero team. Damian only ever had Jon (Superboy 1 in this!!) and he finds Young Just Us and becomes a great leader and its all fine and dandy.

Tim and Damian get along well. Damian is the sage older brother whos kinda distant, but only because he has such high emotional walls (but secretly a softy). He is very much like Bruce- nope, nevermind, hes definitely worse than Bruce in this AU, since Bruce is depicted as being much more agreeable before Jason's death, you know? So yeah, Damian is the emotionally constipated bitch in the fam and we love him for that. But hey!! Tim does manage to get through his walls! And Bruce does sometimes too!! (Tho i imagine Bruce and Damian's relationship to be very.. idk let me try to expalain. Dami: "Father." Bruce: "Son :)" Dami: "Tt." Bruce: *nods* "Hrn." Dami: "Hmph." Bruce: "Hm.") DO U PICK UP WHAT IM PUTTING DOWN--- lmfao. They hardly need words.

Tim ends up growing up very very capable. Once his parents die, he gets a little jaded, but hes still Tim. He and Damian become kind of an... ice prince duo? If you get what I mean. But Tim is the one whos actually the ice prince, Damian is secretly a HUGE softie. He is Delicate and Tim protects him lmfao.

Jason

Jason comes along like he does in canon. Has the same backstory. Tries to steal the Batmobile's wheels. Tim is sleeping over at Damian's flat for the night, so its just Bruce. They bond. Shit happens. Jason joins the fam.

I don't imagine them not getting along, but they don't immediately hit it off either. Jason is wary of all of them for a time, but he ends up warming up to Damian pretty fast after realizing what a softie he is. He pokes fun at Damian and Damian just freaking takes it lmao. Hes an adult he cannot be disturbed. Bro has seen too much and he finds Jason adorable. (Dami: "You were never this cute, Timothy." <- he is lying. Tim: *offended* "What the fu- flip!?" Jason: "Lmao Tim just say fuck." Dami: *deadpan stare* Tim: "JASON NO DONT SAY THE FUCK WORD-") ahem.

anywho and then Jason dies rip skill issue ratio.

The whole batfam is heartbroken. Genuinely shattered. Jason was a light in their lives. Not that they were WITHOUT any light, but Jason was the epitome of a sunshine child.

It's been too long since Damian has killed someone. Bro's god oodles and oodles of trauma. He can't bring himself to kill the Joker.

but Tim can.

It's a whole dramatic thing; Damian feels awful that he made his- now only- little brother kill. Bruce is hella upset but feels responsible for not seeing how badly both of his kids were handling the death of their brother. Tim goes a little off the deep end.

Things turn out.... okay. sort of. but not really. Tim changes his hero name to Red Cardinal. He feels pretty lost. Maybe he stumbles into Ra's al Ghul or smthn idk maybe smthn happens there perhaps. Maybe Damian has to put on Redimar again and rescue him? But its less of a rescue and more of a "Stop joining the dark side Tim jesus christ-" (and it does work).

They go home. Tim gets a boyfriend or two. Damian falls into his art. Bruce is throwing himself into work. They're all kind of a mess, but they keep moving.

and then

Dick

(lmao that sounded wrong)

ahem; and then the circus comes to town. The batfam- well, Tim, Damian, and Bruce- all decide to get together to do something fun. Take the opportunities given, yk? So they go to the circus together.

Wham bam rip the falling Flying Graysons.

They see Dick, breaking apart, and they know they have to do something. Bruce is the first to move. Then Tim. Damian is the last.

It's pretty quick getting Dick home, since Bruce is already a foster parent cuz of Tim yk. So Dick doesn't have to suffer in Juvie at all really. But that doesn't change the fact that he is ANGRY.

Dick is SO angry. he wants to kill the person who murdered his parents. He knows what he saw.

The fam of course do their best to investigate. Mostly Tim, who feels unworthy of being around an innocent little kid after his whole.... villain era, i suppose lol. (ofc Dick thinks Tim doesnt like him lol misunderstanding arc GO)

The whole "Dick accepts that justice is better than murder kinda maybe FOR NOW" storyline happens, and Dick becomes the conniving, bright, little Robin we all know and love. (Thinking of the Young Justice Cartoon Robin (but not the characters- just Dick's character) aaaand

Womp womp GUESS WHOS BACK

Jason's Back

but i'll leave that for later.

#my writing #personal #batfam #reverse robins #batman #damian wayne #jason todd #tim drake #bruce wayne #dick grayson #batbros #batkids #batfam fanfic

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tervaneula · 1 month

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u said leoichi drabble prompt request. consider. one injured and the other protecting them and then the injured one has to calm them down bc 'they're okay, really, promise, rest now'

OKAY SO this fused with a ghost of an idea I've had for a while and it ended up being a bit more serious than the prompt called for and a lot longer than just a drabble. (It's ~1120 words.) CW: blood and injury

Also I made a silly header thing I don't know what to do with, so I'm putting it here since this fic doesn't come with art of its own :'3

“Yui, I’m okay–”

The rabbit turns his head to look at him, furious.

“I heard your shell crack, Leonardo, and I'm not an idiot! Now stay down and let me handle this!”

He falls quiet for a moment before redirecting his glare towards their adversary and then adds a muted, “Please.”

There's no compromising with Yuichi in this state, apparently, and Leonardo stays right where he got crushed between metal claws and the concrete, splayed on the ground next to those very same claws which had gotten swiftly cut from the wrist for their transgressions.

He does roll onto his side to get his body weight off his shell, and yeah, alright, one or more of the old cracks that never healed properly must have split open again. It's tough to breathe and his back feels… His kimono is sticking to his shell and his back feels wet now that he's paying attention, and that. That is not good.

Just his luck to run into a massive mecha wreaking havoc on an otherwise lovely day, huh. He wasn't even supposed to be on patrol and thus is embarrassingly swordless.

Good thing that his date and their resident samurai always carries his.

The slider watches as Yuichi does quick work of the metal hunk's wiring behind its knees, his frighteningly sharp katana slicing through the cables like butter. The mech falls with a ground-shaking rumble, unable to rise again, arm flailing as it tries to catch the rabbit. It's no use, Yuichi is much smaller and faster – and as soon as he reaches the mech's head, it's already rolling. The construct immediately loses power and Yuichi wrenches the windowed hatch in its chest open. Turns out there's no pilot, just a program-operated dashboard, and he makes sure that none of the controls are functional after he's done with them.

Leonardo thinks he could watch Yuichi trash villains all day long, he's practically mesmerised by the strength hidden in that soft frame despite his shell throbbing unpleasantly in tandem with his heartbeat. He sighs, lovestruck.

As his final move, Yuichi thrusts his katana into the heart of the mecha and Leonardo sees a spray of ink-black oil splash all over Yuichi's face and the front of his kimono. It makes him laugh and he realises his mistake too late, his lungs struggling to draw breath again as he finally gets hit with the pain, his body trying to stop him from moving; from causing any more damage. Shit, shit, shit.

He had hoped he wouldn’t need to bother any of his brothers today since he was supposed to spend the whole day with Yuichi but he knows to pick his battles, now. He opens the comm link embedded in his prosthetic, contacting someone who he knows will pick up.

“Che~ello!” comes the cheerful answer in just a few seconds, and Leonardo can't help but smile.

“Mikeyyy, hermano, I'm in a bit of a pickle,” he wheezes, feeling the shift in his little brother's energy as soon as he hears the strain in his voice.

“Leo? Are you okay?”

“Not really, no,” Leonardo grunts. “Got into a scuffle with some big haywire robot– don’t worry, that’s taken care of. I suspect Donnie will want to scrap it for parts. Um. My shell’s– my shell’s cracked though.”

Leonardo can vividly imagine the colour draining from Michelangelo's face and it would be funny if he wasn't acutely aware of a broken shell coming with the very real possibility of his innards turning into outnards.

“I'm calling Draxy. Stay put, I'll get Lee to pick you up.”

“Right,” Leonardo sighs, the line going out just when Yuichi is finally done with the mech and rushing to his side, face haphazardly wiped from oil. His gaze is sharp as he kneels next to him, sweaty and out of breath, and Leonardo thinks he looks like a knight. Or maybe like a samurai of the old, in this case.

“There’s my hero,” he coos before Yuichi can get a word out and the rabbit’s brow furrows.

“Don’t start,” he snaps but his tone softens almost immediately, “I saw you calling someone. It’s bad, isn’t it? It… it looks really bad.”

“Yeeeah, this kimono is definitely ruined,” Leonardo laments, “unless you know how to, gh, get blood out of corduroy? No? Or the obi?”

Yuichi stares.

“A– a shame, really, I did like this one a lot–”

“Leonardo!” Yuichi interrupts him and grabs his bicep, looking two seconds away from crying. Leonardo frowns. He knows he’s getting a little delirious but he was sincerely trying his best to lift his mate’s mood.

“Leon, please, you’re rambling. Is someone coming? Can I do anything?”

“‘m not rambling,” Leonardo grumbles, hissing when he fills his lungs again. “Leo’s coming to get us, Draxy– Draxum will treat the shell. And no, better keep the obi in place until we get to the medbay.”

Yuichi’s shoulders slump and he sighs, most likely relieved that he’s not going to have to figure out how to deal with a cracked shell. Leonardo does not like the lingering worry in Yuichi’s gaze one bit, though, and he offers him a grin. It’s a little shaky but whatever.

“Heeey, bunbun. Listen. This is nothing I haven’t been through before. I’ll be fine.”

Yuichi gives him an honest-to-God kicked-puppy look and Leonardo thinks it’s the most adorable thing he’s ever seen in his life. He almost tells him so but Yuichi cups his cheek and his forced grin melts away into surprised silence.

“I hate seeing you hurt,” Yuichi murmurs, leaning down to press his forehead against Leonardo’s. The slider’s eyes flutter shut and he lifts his hand to hold onto Yuichi’s wrist.

“I’m sorry,” he whispers. “I mean it. I should’ve been more careful.”

Yuichi huffs and leans away to gently bump their foreheads together.

“It wasn’t your fault.”

“Maybe, but ’m still sorry. Didn’t want to worry you.”

“You’re an idiot,” Yuichi says, exasperated. “You should know that at this point, I’ll always worry.”

Leonardo grins and this time it’s genuine. Breathing in his partner’s scent is like a balm to him, even if it’s tinged with the bitterness of motor oil, even if his body currently thinks that breathing is overrated. Even if he just got called an idiot by none other than said partner.

“Raincheck on the date?” he mumbles, and finally he gets a chuckle out of the rabbit. Yuichi straightens his back and flicks him on the nose.

“Like you even needed to ask. Idiot.”

Before Leonardo can express his displeasure of being called an idiot for a second time there’s the familiar electric hum of a portal opening behind him, and someone whistles.

“Sheesh, old man. That kimono is definitely ruined.”

#NOT PROOFREAD I had to stop myself because every time I tried to check this over I kept writing MORE and that's just not sustainable #sdfghhsfghjafsfd #anyway these peepaws gay #rottmnt #rottmnt fanart #rottmnt fanfiction #leoichi #peepaw leo #peepaw yuichi #other characters mentioned + a cameo from #rise leo #future leonardo #future leo #samurai rabbit #usagi chronicles #yuichi usagi #usagi yuichi #tervdraws #tervdrabbles

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choccy-milky · 6 months

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hey! They already asked you but I don't know if you forgot hehe, what are the mbti of Clora and Sebastian? 😸

OK, I FINALLY HAVE AN ANSWER!! took me a hot minute to figure out sebs, but after reading all the pages and comparing, i do think entp fits him the best. also i saw this picture on pinterest about a relationship between isfj and entp and its so true, esp the "do not listen to each other's advice, still get each other out of trouble" LMFAO. also the 'protecting isfj at all costs' 🥺🥺🥺im soft. (ALSO DONT COME AT ME I KNOW I SPELLED KNOWLEDGEABLE WRONG IM TOO LAZY TO FIX IT😭) OKAY!! and its been a while so i'll be using this ask to reply to a buncha others🙏🙏

my fanfic does follow the plot of the game, but with sebastian added to every sidequest/story mission. and then from around the third (niamh's) trial, it starts to branch more into (mostly all) original stuff!^^

yes actually LMAO, clora's lawley-slap wasn't even planned. but as i was writing it i started to get so offended on her behalf i was like GIRL, SLAP THIS BITCH🤬 so she did😇😇 id say its normal, yeah! even tho i stick to my outlines, a lot of what happens just kinda happens without my prior planning as i begin to write bahaha, especially dialogue scenes.

aw, im glad u like my blog so much and that it can help u even in the smallest of ways 😭thank u!!💖💖

BAHAHA AWW TYY IM GLAD U LIKE IT SO MUCH!! i saw u re-reading it recently on wattpad and ur comments always have me dying. also im just gonna address your other ask here in this one, but as u know seb has now met mr.clemons, and you 10000% nailed the dynamic between seb and clora's dad LMFAOO, they will absolutely bond over disagreeing with how careless she is and wanting to protect her/stressing over her LOOL. ty again for all ur messages, i love seeing how much u love my art/fic😭💖

OMG u are so right i need to draw this

also god idk....following the sebinis example, i guess they'd be...sebora?? reminds me of sephora LMAO. ive also had someone call them "alliteration shipping" which i think is so cute BAHAHA. HONESTLY PPL CAN JUST SAY WHATEVER THEY WANT, i aint picky.

oh god its been too long since ive read the books (tho i do really wanna re-read them esp in the winter) but my fav movie is half blood prince, just because i love all the ron/hermione moments and the highschool drama BAHAHA. what do u mean harry potter isnt a romcom??? ok and last but DEFS not least

THE UNHINGED ENERGY OF THIS ASK CRACKED ME UP SO MUCH WHEN U SENT IT BAHAHAH, couldnt even fit the whole thing in my screenshot. IM GLAD U LIKED/HATED THE CHAP, and also your pfp just makes everything you say funnier, i love it LMAOOO. ty🙏🙏

#ask #ALSO SEB AND CLORA BEING DEFENDER AND DEBATOR IS AN ALLITERATION it was meant to be......#i go from drawing filthy smut to a wholesome mbti pic of the two of them awww #the duality of man

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borninwinter81 · 4 months

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Library tour - Pratchett and Gaiman focused with some honourable mentions

Of course I've constantly had full bookshelves since I was a child, but I'd always wanted a room I could properly call a library. The house my husband and I now live in has 3 bedrooms, so as we're child free we've each taken one of the spare rooms to do with as we wish.

The majority of the furniture you see is thrifted (aside from the bookcases) and it was self decorated with a lot of cut corners-for example I decided instead of proper flooring it would be cheaper just to pull up the carpet and varnish the actual boards.

I spend more time in here than I do in our living room 😁

Gaiman stuff. Sandman alongside some Alan Moore, Preacher, Hellblazer, my signed copy of The Crow and one volume of Sin City. Two copies each of Ocean (one illustrated), and American Gods (original and authors preferred text). And of course one of my copies of Good Omens. Plus you can see the novelisation of Pan's Labyrinth sitting next to Neverwhere. Del Toro is another favourite fantasist of mine.

Pratchett stuff. Complete Discworld of course, and I'm slowly increasing my non Discworld Pratchett collection, my second copy of GO, the Paul Kidby illustrated edition (makes sense to have one living with the Gaiman books and the other with Pratchett). Soul Music and Hogfather are both signed, I met Pterry when I was 14 on the Hogfather signing tour.

The crocheted toy was actually from a pattern for a mimic I made (pattern by Complicated Knots on YouTube), but it's luggage-y enough that I put it with the Discworld books, Rob Wilkins' biography of Pterry, and a Librarian to look after everything, make sure the books don't get rowdy and take care of the L-space. I've had him since I was 18.

Specifically Good Omens stuff: a pair of felt plushies a friend made for me after S1 was released (@diedarlingsuk on Instagram), a pair of drawings I bought from a very talented 15 year old artist at a tiny comic con also after S1, (I'd credit her but I've no idea of her name or if she has an online presence), the script book, the TV companion, and an art book by the wonderful @mistysblueboxstuff, who I'm sure most of the fandom know and love. This contains all her GO art from S1 and S2.

Honourable mention stuff - I put above that I love Del Toro, so I've got to share the Angel of Death from Hellboy 2 as its one of my favourite things in this room. And its an angel, so that's kinda linked.

Made for me by another friend from clay on a doll's body and the wings on wire frames (@sids_workshop on Instagram).

Finally the Complete William Blake illuminated works, a guidebook to a Blake exhibition I went to, and Gustav Dore illustrated copies of Dante, Milton, Coleridge, Tennyson and Poe. I am a huge poetry nerd, and I think many GO fans would find a lot to interest them in some of these, particularly Blake and Milton.

I could go on, there's tons of other stuff I'd like to include but this post is fairly massive already and I wanted to try and stick to my theme.

#neil gaiman #terry pratchett #gnu terry pratchett #good omens #go2 #good omens 2 #crowley #aziraphale #ineffable husbands #guillermo del toro #books and reading #home library #books & libraries #the luggage #discworld #The Librarian #book omens #good omens book #the sandman

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shaampoo · 10 days

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OMG!?!??! I WANT TO TALK ABOUT THIS SONG (and AU), RIGHT NOW!!!

(By Lydia the bard

TINKERBELL VILLAIN SONG - Fall Little Wendy Bird Fall | Song by Lydia the Bard and Tony | Animatic

The title^)

youtube

First of all the cover art is AMAZING, Tink is SO pretty, the sparkle and lines on the wings, her grin, HER HAIR, HER EARS, HER DRESS,

Also, "Fall Little Wendy Bird Fall" is a great title

Now the video itself and its lyrics, i really REALLY want to just compliment every single frame of this video, its so beautiful, so well done, its like it was blessed by The Muses of greek mythology,

Okay so the lyrics at 0:45

"You dont seem to quite understand what is at stake,

This messed up little family that i had to make"

Not only is this line so beautiful with the way her voice sounds, its pretty much a nod to the fact Tink and her friends kidnapped peter pan and the lost kids to keep her and her friends alive

(0:55) \/

"If i could let them all go home please know that i would

But it'd do more harm than good"

Just Tink expressing her guilt that she and her friends kidnapped the lost boys so that they could keep existing, but like, JWHSEAJKHWED, she ofc doesn't want her or her friends to die, and since people are slowly not believing in fairies anymore, they're slowly going extinct, ALSO, Fawn and Silvermist are DEAD, so yeah, that messes with someones head

AAAALSOOOO, i LOVE their silhouettes, the height and weight differences instead of them all having the same height and weight like in the movies, plus, i LOVE that despite not looking like how they do in the movies, you can probably still tell who is who,

ALSO

Even if it wasnt intentional, i like how in kinda faraway shots, Tink has a more cuter roundish look, while in closer shots shes more edgy and more intimidating(? if that's the right word), kinda showing how others view her (kinda?) as a cute fairy, maybe underestimated, but yknow, close up, shes plotting to kill a child

(1:15)

I love how Tink is gesturing in this scene, cause 1. It conveys to the audience what she wants from the lost boys and 2. Canonically, when fairies talk, people usually just hear jingling of bells, so shes gesturing because shes also conveying what she wants to the lost boys

1:23

"Swear its nothing personal, its a necessary evil"

I just love this line because it is a necessary evil, she needs the lost boys and peter pan in neverland to believe in fairies so that they exist, and Wendy is pretty much a threat, since she makes the lost boys want to grow up with families,

Also, the lost boys look so cute in here, i cant remember their names tho, one is holding a slingshot, aiming at wendy, one is holding rocks , and one has a stick , so Tink just told these children to assassinate Wendy, or at least attack her.

1:35

I love how the kids explain that Tink make them do it, and Peter Pan just glares at Tink, and i love that I'm pretty sure that Peter isn't mad/doesnt blame the lost boys

As seen in this scene where Pete is smiling and stuff at the Lost Boys and/or at Wendy

1:55

I love how Tink refers to Wendy as a "Nasty little spark" because, a spark can turn into a fire, damaging a lot of stuff and people, pretty much saying that Wendy has to be snuffed out before she causes a fire,

"Setting fires inside my house is just not allowed"

Pretty much referring to the fact that Wendy, the spark, is creating a fire, aka, making the lost boys want to grow up and go back to the real world, making them not believe in fairies anymore, thus, making her and her friends die, which is, not allowed.

Also. the fear in Tink's eyes is so fear, her expression is on point, the mix of concern and fear is just, so beautiful, also i love her pointed ears

2:17

First of all, this screenshot does not do justice to the actual design of the mermaid (siren?), cause they are AMAZING, BEAUTIFUL, GORGEUS.

Also, the fact that Tink is persuasive enough to convince someone to kill Wendy in such a short amount of time is impressive, and the fact that the mermaids agreed so quickly is also impressive,

When it failed, the absolute horror and shock on Tink's face? Shes horrified that another plan of hers failed, and shes scared that her friends might die, like, wow

The despair on her face is just so...asdjwoaijdoiwajd

3:38

The fact that Peter Pan (i cant even give him a nickname cause Pete sounds different and P.P. is just wrong and Pan is just A Thing), first at the gust of wind that blows away the pixie dust (which keeps the ship afloat) he covered his eyes, maybe cause the dust or his hair in his eyes, then he looks at Tink in anger and shock and probably some confusion, then looks at Wendy, in concern and fear,

Theory: Pan knows that, since Tink doesnt want the lost boys to leave, and he knows that gust of wind was from the fairies, and Tink's dislike and hatred to WEndy, that Wendy was probably the only one not going to be saved, which is why he only looks at her and tries to save her (that or he's a SIMPPPPPPP /j)

3:50

The fact that you can see Wendy screaming??? Chills,

And the black screen right after, signalling Wendy's death is just amazing

Anyways, overall, what im saying is

THIS SONG IS AMAZING GO CHECK IT OUT, GO CHECK OUT THIS PERSONS CHANNEL, THEY HAVE GOOD VILLAIN SONGS, THEY EVEN HAVE ENCANTO!!!!

#Lydia the Bard #Villain Song #Villain Songs #Fall Little Wendy Bird Fall #song analysis #Though i did little analyzing but idk #GREAT SONG #TInkerbell #?#Youtube

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s0lar-ch3ri · 4 months

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what if i wanted to make another insane promo post?

yeah, ik, its promo time again. BUT this time around i do wanna add in the post both my cousin and niece

one thing i did get wrong, heartz is my niece, starz is my cousin! this will basically be going over what each of these 2 do (...and im also adding in a bonus competitor/promoed person, well actually 2 because I GOT A CHANNEL YIPPEE)

each channel will be seperated up so yeah lets go!

first channel:

Starzzz.andgalaxy (my actual cousin, lol) is a great yter who absolutely deserves to be celebrating more then just 170 subs! since shes actually here with me, i can let her say a lil something on the matter:

"hello! I would love to reach 200 subscribers at least, I think my hard work should not be for nothing!" <- her typing

shes very very fun (and also with this i hope all the god damn hate comments shut lol) and does very cool things such as:

Roblox videos

(comment is from me lol, we'll get there soon) For right now these are just rating videos of her avatar, but I find them very fun (plus since I play roblox if needed I can help with filming lol)! Not much to say on it cause it's not a common kind of post, so onto the next form, which is:

2. Art

As you can see, she does very cool art, this one in particular is a tutorial on how to draw bodies. Is it the best? No, but the fact she's trying makes it great! (this is also where I've seen a couple hate comments come up, so yeah, I'm trying to be mature enough to not commit violence for her upon them) She does admit this video isn't her best work, but she does A LOT of very very cool drawings! Go check them out and her channel of course! There is one thing she also posts about which I love most of all...

3. Paper Dragons!!

(the first image is her first dragon, second is her most recent i think) I don't get how these things are "paper furries", but I do know THEY ARE SICK AS FUCK. I got to see one in person and they're very cool, all with different stories! I honestly wanna ask for one but right now, I'm gonna stick with watching them.

Channel link can be found here:

(this section was finished on january first of 2024, so at the point of this being posted she wont be over here, but i had her here so yeah :D i love my cousin)

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Second channel:

Heartzzz.❤️ is my niece, and she does similar content, but still does good content! A couple of videos of Starz and Heartz are them promoting each other, so yeah. While she is on vacation and can't be here to give her reasons to subscribe to you, I certainly can!

Memes

One thing I forgot to mention my cousin doing (well, actually my cousin's section is just kinda old because it's from when she last came over, but she's back to help me again, yay!) is making memes like this. Sometimes they do involve a paper dragon, but I think they're pretty funny and/or relatable (also dragons very cool)!

2. Edits (and Undertale related things)

I'm putting these 2 in the same category just because of the example image above. While my cousin has recently started doing edits, Heartz is the only 1 of the 2 to make anything Undertale related. While the Undertale stuff comes once every blue moon it seems, that doesn't make it any less enjoyable.

I actually found in her description a run down on what she does post, so here:

Link to her channel can be found right here:

(okay ik this section was really short, again, she posts similar things to my cousin, and i didnt wanna repeat, so yeah, if you want more reason, here's what the cousin herself says: "[Heartz] is really nice, she's a good artist, and she's creative"; time i finished this section was 1/15/2024 lol)

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third channel:

Boli and gang (or as their original user is + the profile picture says, Boli the bear) is the channel belonging to 2 kids I babysit! They're pretty new to making content, but they have a promising start already! Currently, their content consists of...

Animations

One of them has really been getting into animation, posting things like ball loops and such on their account. They're very interesting to watch personally!

2. Cool places

I'm not sure if this is going to be a common theme, but there is around 3-4 videos of places like this one. I have to admit, this has to be the prettiest of them all.

3. Art (+FNAF/Five Nights at Freddy's Content)

This is another one grouped together, but because this is the first drawing related one I've seen. They're very big FNAF fans, of course leading to things like this. Is it the best? No, but they tried very hard of course, and maybe you could leave some tips for them to improve with!

(they also post memes and funny videos, but I'd rather not do repetition; FINISHED THIS ALSO ON THE 15TH LETS GOOOOOOO)

Link to their channel can be found here:

Oh, one final reason, their profile picture is super cool! Can you guess who made it? This actually provides me with the perfect transition into...

--------------------------------------------------------------------------------------------------------

fourth/final channel:

ITS ME!!! FINALLY I CAN STOP DOING PROPER ASS TYPING

yeah, i have a youtube now, and there's like nothing on it minus a couple videos. all of them are made back in like 2021-2022? cant really remember, but i posted them for younger me's sake. i have like a couple more to get through, but afterwards im probs gonna do a bigger variety of content! art videos, jrwi edits, animations, rambles, essays, you name it! (might even stream again on twitch if that seems what the people like lol)

you may want actual reasons to subscribe, but i currently dont have any. i can only make promises of better future content, but right now i can admit theyre shit. i dont post often, its only oc related rn, all very vague, nothing that interests most people on my blog (cause i know a lot of you are here for jrwi content, huh?). this channel, the choice to subscribe is fully up to you, im not gonna sell myself to it, im simply just saying its real.

Link to the channel is found here:

if you at all took the time to read through my part, i appreciate it, but please do actually check out the other 3. after all, you can always find me here, but you cant find the others anywhere else!

(FINISHED THE REST OF THE POST ON 1/15/24 LETS GOOOOOOOOO)

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raven-at-the-writing-desk · 7 months

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"I Laugh in the Face of Danger."

The meeting of two grumpy cats (Rollo and Leona) 😳 Not me inserting a Puss in Boots 2: The Last Wish reference, thereby just throwing more cats into the concoction...

My mentor Leona bias also rears its head…

A Big Savanaclaw Welcome to Rollo!

It was a grave mistake on Rollo’s part to waltz into Savanaclaw in his normal attire. The weather is warm, causing sweat to pool and stick to his clothes during the trek to the dorm building. But no, he won't so much as roll up his sleeves or unbutton his collar--that would be an affront to Noble Bell College's uniform!!

It doesn't help his mood that the students jeer as he passes, making comments about how he "won't last five minutes" in their territory. I think you'll find that it is yourselves who won't last five minutes in my presence, Rollo bitterly remarks--though only to himself. He'd have his revenge on them soon enough.

Rollo is miraculously able to suppress the urge to chide them then and there, not wishing to make a public scene. As soon as he steps inside of the dorm building though, he's quickly confronted with a new challenger: Leona Kingscholar.

He was expecting a dorm leader to present themselves with some level of decorum. Those expectations are quickly shattered when he enters to find Leona lounging in bed, Ruggie picking up clothing scattered on the floor, and Jack trying (and failing) to convince his dorm leader to get up.

Ruggie and Jack notice Rollo right away, their ears perking and eyes sharpening as soon as they pick up on his footsteps. Leona doesn't even spare a glance until he casually rolls over onto his side. At last, the lion beastman draws himself up and purrs, "Well, well, well. Look what we have here, our exalted guest from the City of Flowers."

"Were I truly an 'exalted' guest in your eyes, you would have taken more care to mediate your slovenly presentation," Rollo replied, a slight edge to his voice. His patience, worn. “… A pleasure.”

“For fresh meat, you’re quick to nitpick and nag,” Leona snorts. “Maybe you aren’t aware, but around here, I’m the king and my orders are absolute.”

“Then surely a king would behave with more grace and tact. Unfortunately, I sense very little in you.” Already, there is tension in the air, which Ruggie is quick to pick up on.

"Hey, hey, let's all chillax! You guys only just met, and you're about to have a fight? Let's at least wait until we have lunch first!" the hyena suggests. "Right, Jack-kun?" ("R-Right, Ruggie-senpai!" the first year obediently agrees with his upperclassman, then moves in to help tear the two apart.)

Leona and Rollo take their meals separately, not bothering to speak much to the other. As Rollo munches on a croissant, he frowns judgmentally at how Leona tears into meat like some wild animal.

The more he observes of the place, the more it is affirmed that Rollo doesn’t care for Savanaclaw in general—the students are rowdy and classless, and the heat unbearable. Worse yet, he can’t tear his eyes away from their hideous uniform. That can hardly be called a shirt, he laments. You can see so much of the skin that should be covered by fabric!

To Rollo’s horror, Ruggie dares to seat himself in front of him, wearing an impish smile as he kicks up his feet. “What’s up, Rollo-kun?” Ruggie asks with a snicker.

“Don’t you ‘what’s up’ me, you charlatan. You know perfectly well what is ‘up’ here,” Rollo quips back. He prepares to pick up his food and relocate to a different spot, but finds his way blocked off by Jack of all people. Ever the loyal guard dog, he's been wary of Rollo ever since Ruggie told the big story of what went down in the City of Flowers. I'll make sure he doesn't try anything funny again! Jack swears to himself.

Cornered by the duo, Rollo is forced to sit back down. “… Are you thugs trying to intimidate me? Shake me down for all my pocket money?” he demands of them. “It won’t work. You’ll find that I am quite sufficient in the art of self-defense.”

Jack looks to Ruggie for guidance--it's him who knows the most about Rollo of the trio. He leans close to Rollo and, with a grin, says, "Aww, why the mopey face? C'mon, we're not that bad to hang out with. Leona-san just made a bad first impression~ Don't think too badly of him, he's a great guy behind it all."

Rollo casts a doubtful look at Leona, who glares back at him. "I fail to see your perspective."

"You should join us for a match of Magift after lunch then. You'll see how he rules the court and the pack." ("As though I would play around with you scoundrels," Rollo bitterly retorts. "We are not children running haphazardly on a playground.")

"Wooow, Jack," Ruggie lazily huffs. "Looks like we don't have much of a team player here, huh? You know what to do." ("Right, Ruggie-senpai!")

"Excuse me? Just what are you... W-Wait one moment!! GAAAAARGHHHHH!!" Rollo soon finds himself hoisted up and over Jack's shoulder, ferried off to Savanaclaw's Magift stadium.

"Leona-saaan! Everything's in place," Ruggie calls to his dorm leader. Leona wipes his mouth with the back of his hand and smirks. "... Good going, Ruggie. We've got him right where we want him. Now let's see what this herbivore's really made of."

Rollo doesn't realize it, but Leona's been carefully observing him ever since he stepped foot in Savanaclaw. Everything, from the controlled way he looks and talks, implies to Leona that Rollo's putting on a mask--and he fully intends to rip that mask off, revealing his true face.

("Eh, but I already told you everything there is to tell," Ruggie had complained. "Why are we even doing this?" "You're still being paid, aren't you? If I were you, I'd shut your trap before I take back that bonus," Leona replied.)

They're out on the field now. Rollo finds himself surrounded by mob students, each of them looking like they want to tear right into him. When Leona saunters over, disc in hand, they all clear a path for him. "You know how to play?" he asks, to which Rollo scowls.

"I refuse to entertain this charade." With that, Rollo turns on his heel and begins to walk away. He half expects the dorm leader to send his pack after him, but instead he just hears Leona going, "... Suit yourself then. Think fast."

The disc comes whizzing at him, hard and fast, followed by a strong blow of Leona’s wind magic. Rollo doesn't have time to think, it's going to collide with him if he doesn’t—

Against his better judgment, Rollo’s body springs into action. The ring upon his right hand gleams with a dazzling light, magically repelling the disc flying at him and expelling the magical winds. The disc anticlimactically clatters to the ground, and shame floods Rollo—how could he have reacted like that, let magic guide his body?

The lion beastman wears the most self-satisfied smirk Rollo has ever witnessed. “Heh. I knew you had it in you, herbivore. You’re stronger than you look.” He motions, and the Savanaclaw students move in on his command. “Don’t go easy on him.”

“S-Sir! Isn’t this too much?!” Jack objects—the only one of the pack to do so. Rollo would have praised his moral compass had Jack not already played a part in the act. Villains, all of them.

“Jack,” Leona drawls, “I’m shocked to hear that from you. You saw what the man did just now. That’s a high-level defensive spell he cast on a whim. It’d be in poor taste to ‘play nice’ with him—it’d belittle his competence as a mage.”

When he puts it like that, Jack has no choice but to step down and concede with his dorm leader’s logic. Rollo’s absolutely appalled and flabbergasted at Leona’s charisma and skillful twisting of the truth. Perhaps he underestimated him after all—it’s now clear to Rollo that Leona is very, very dangerous.

“Well? What are you waiting for?” Leona asks, this time of Rollo. “Pick it up. Pick. It. Up.”

He does, and he makes a run for it.

So begins a ruthless game of cat and mouse on broomsticks, the entire dorm against Rollo. He detests every second of it, doing his best to survive with as little magic as possible amongst the beasts hounding him. Alas, he has to expend some to get out of a few close calls—namely with Leona blasting him.

Rollo comes close to exploding on the spot when he catches some of the Savanaclaw students tearing off their shirts or lifting them to mop up the sweat on their foreheads, giving him (unwanted) glimpses of their toned bodies. “Disgusting…! Deplorable…! Shameless…!” He mutters such accusations all the darn day.

Leona at last calls his goons off and they scatter like the last vestiges of sunlight as the night closes in. It’s just the two of them upon a moonlit stage, staring the other down with suspicious eyes.

Rollo falls, out of breath and head spiraling from exhaustion. Dread courses through his veins when Leona’s shadow falls over him. The lion doesn’t attack or taunt, only smirks. “… You did well. For an herbivore, that is.”

Leona chucks a water bottle at him and collapses beside Rollo, chugging a bottle of his own. Rollo steadily sits up, but dares not drink the water offered to him. He clenches it tightly in his hand. “I’m not in need of your approval, Leona-kun.”

“No one said I was giving it to you.”

They sit in silence for a few moments more, Leona’s gaze fixed on the stars and Rollo staring at Leona. Confused, without answers. “… Why did you accost me?” he demands to know.

“Wanted to confirm a hunch. If we’re going to be forced to host a guest, might as well get something out of it. Cats have their curiosity, you know.” Leona swigs the last of his water and crunches he bottle that remains. “… I heard about you from Ruggie.” A harsh laugh. “Real dumb shit you tried to pull there.”

“Thank you for the reminder,” Rollo snaps.

Leona’s lip curls. He’s not offended—no, he’s mildly amused. “I know your type. You think you’re above it all, that you can prove everyone wrong. Got lofty ambitions. Then the world kicks you down and you have to claw your way back up to where you once were.”

The accusation catches him off-guard, and Rollo immediately takes becomes defensive. “Wh-What… What could you possibly know about me?!” You don’t know what I’ve been through, how much I’ve suffered! How much he suffered…!

“… I don’t,” Leona confesses nonchalantly, “but I know we’ve both got a bone to pick with the lizard, and that’s enough.“ He could offer more advice, more consolation. Be better. Change. Don’t be like me. But he doesn’t.

It’s then that the realization hits Rollo—this man, this villain, sitting beside him, must have experiences akin to his own. A quiet understanding. Rollo’s expression complicates, and he can’t bring himself to meet Leona’s eyes again. In the darkness, they’re bright and piercing, seeking souls to swallow.

"… Life's not fair, is it?" Leona simpers.

"... No. No, it's not."

Rollo lifts his head to the stars, wondering if his brother is watching over him from on above. He allows his eyes to drift shut, and he slowly drinks in the night, savoring its taste.

Rollo’s about to say something else to Leona—a question, a comment, a prayer? But when he looks back, Leona has already dozed off. Rollo sighs and shakes his head. “Honestly… you Night Raven College students are as incorrigible as they come.”

#twst #twisted wonderland #Leona Kingscholar #twst headcanons #twisted wonderland headcanons #Rollo Flamme #Jack Howl #Ruggie Bucchi #Savanaclaw #disney twisted wonderland #Rollo at the Writing Desk #spoilers

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