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#sometimes in the bad way
always-coffee · 6 months
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The Kind That Might Drown a Man
I have a piece of art that I love. It’s a siren, clearing drowning a man. It was painted by an artist who I considered a friend, who I spoke to nearly every day for three years. He used a rather artsy photo I had taken as a reference photo, with permission. (If we are mutuals, you may ask to see it.)
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I was elated when he wanted to use my photo, to make art out of a piece of art (photos are art) I was proud of. I said yes, immediately. He was going to do a series of mythological characters, and I'd be the perfect siren.
When he showed me a photo of the finished piece and also when he posted it, I was happy. Then, he sent the original painting to me as a gift. I was over the moon. It felt cool. I felt cool. Seen, valued. It did something to combat an old wound of mine.
In the past, artists—people who I thought were friends, but who were only ever actually interested in getting into my pants (nooooope)—had asked to paint me. Reference photos were even sent. But the interest quickly fizzled when they realized that what was on offer was only friendship. It wasn't good enough, so those connections faded like sun-seared fog. No one is required to make art of someone, but when something flattering turns out to be wildly disappointing it is, at best, weird. At worst, it’s dehumanizing.
But back to the point: my friend made gorgeous art out of a photo I dearly loved of myself. It felt good, and I felt special. Fast-forward to years later, and I have severed that friendship. It turns out that, despite all the conversation and all the camaraderie and even the co-working we did together, he was a liar.
There were things he casually and purposefully lied about for no discernible reason. And when I discovered the truth, it gutted me. It felt worse than a romantic breakup in a lot of ways. I don’t like being lied to. At all. Tell me the awful truth, and I’ll deal with it. But purposefully, repeatedly, and knowingly abuse my trust? Absolutely unforgiveable.
I’ve spoken elsewhere on the internet about the details of the lies—the utter pointlessness of them. (Imagine, for instance, lying about who redid the landscaping in your backyard.) It was during the pandemic where we began talking in earnest, having entered each other’s orbit through a mutual friend in the art world. He seemed safe. We shared good news with each other, vented about the insanity of the world, swapped cute animal photos and funny memes. But the context of it all was impossibly and completely different than what I was told. The curated image I was given was a lie. Things were deliberately kept from me, information was twisted and distorted—and the kicker was that he lied to other people about me.
Again, for no reason. We’d done professional work together, and it was very public! And very fun at the time. But he apparently claimed we weren’t friends. The moment things started to feel wrong between us was easy to brush aside. Easy to explain away. Easy to understand. He was stressed, job hunting. I was dealing with myriad stresses of my own. No relationship is unmarred by life’s more than occasional weirdness. It’s easy to shrug things off. To ascribe to something banal, innocent.
Then, the truth came out. And honestly, I’m still sifting through the ramifications. The ways the deceit stuns me, even now, not just in the moment. How it felt peculiar to suddenly and wildly not know someone.
In the moment, I took the piece down. I put it away. I didn’t want to look at it. I couldn’t. It was too big of a reminder. It felt like mockery. Because what was it all about? What was the point of any of it? (These are questions that will never have answers.) I was—and still am—angry. Angry at the broken trust. The carelessness of it all. The cruelty too, so unnecessary in its articulations.
But what do I do with the art? Initially, I thought I’d burn it dramatically like Sylvia Plath and the letters. Or chuck it in the trash, as symbolic gesture of getting rid of it all, of closure. (Because there is none of that here, and that is fine. I do not want it. Nothing said could fix or mend or ease.) Getting rid of it, however, feels wrong.
It’s still beautiful. It’s still art. It’s still me.
But for now, it won’t hang where I can see it. It will not be a reminder of heartbreak and betrayal. It will not sit a monument to a lost friend, who was such a small, sad creature in the end. Because to act with such malice—and there was malice in the threads of it—is not the act of a kind or good heart. And I do not have space in my life for anything other than warmth and genuineness.
Someday—I don’t know when—I’ll put it out of the dark and either hang it up or give it away. Someday, maybe someone I love will want it, and I will want to give it to them. A moment of captured beauty, the kind that might drown a man—offered with love.
I’m glad I didn’t burn it, even as I am glad to have burnt that bridge.
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secondbeatsongs · 1 year
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for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal
before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"
and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"
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broh3m3 · 4 months
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"I-It's a matter of life or death!"
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birdmenmanga · 4 months
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I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.
Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.
The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"
I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too
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verflares · 1 month
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i thought i felt your shape, but i was wrong. really all i felt was falsely strong, i held on tight and closed my eyes. it was dumb, i had no sense of your size. it was dumb to hold so tight.
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different POV of this comic
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kosmogrl · 8 months
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I find comfort in knowing that at the end of a bad day at least I'll always have the moon to look at. and sometimes that's the only good thing I have at the end of the day, but at least it's something.
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onebizarrekai · 6 months
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totally regular, non-bad boys in secret life (sessions 1-3)
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dunmeshistash · 1 month
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How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!
Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post
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This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)
The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback
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She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"
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It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help
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Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.
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I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.
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The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."
And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.
After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.
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Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon
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She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.
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Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible
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Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her
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Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.
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There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.
My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).
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No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.
And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...
This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...
I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.
Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.
Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.
I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.
Part 2
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He's the only one I've seen outside of fnaf fans who gets it
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thinkin' about Bardaby and his illusion smoke...
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francy-sketches · 2 months
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Whenever people talk about lack of media literacy they always bring up people who think a character doing bad things=the author endorsing said bad things which are very annoying but I feel like we're ignoring the opposite, equally annoying side of the discourse who think if you criticize the inclusion/depiction of dark/sensitive topics in any way it’s bc you’re a dumb baby who can’t separate fiction from reality. and it's like no I know I’m not supposed to clap and cheer at violence against women I’m criticizing how much of it there is. Idiot
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littlecrittereli · 2 months
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Grocery run!
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just a silly doodle of how I think they would dress casually.... why is it the most on-model I've ever drawn them.... why do my doodles always turn out this way.... please send help....
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vurelly · 8 months
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sometimes i do not want to consume a media and justify my liking it by making it known that im aware of it's faults and loving it despite, sometimes i just want to love things wholly and unapologetically because it made me feel something and even if it was a little fucked up it did nothing to reduce the amount of love i held for it
im aware it's not perfect, but let me love it like it is, if only because it makes me happy
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luna-lovegreat · 21 days
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So one thing I like about Time is that he will talk about his life and journeys
He talks about it! He'll tell the boys stories and answer questions. (...when asked)
Obviously he tells his family- Malon knows everything
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But he has also never held back from telling the boys stories or answering questions
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I'm still always cackling over him telling them about gerudo town- he is way too proud to brag about being a mischievous gremlin
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"I proved to be a greater thief than all of ganons tribe"- oh yeah. He's definitely the good influence. (That's sarcasm, Wars is the one good example for the younger ones.)
He just. He looks so smug to tell them about his experiences with the Gerudo- I love how often we see him just talking to them and answering questions about his life.
Even if it's clearly painful memories- he has still always told them
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*sobs*
Obviously Time talks to Twilight the most about stuff- and everyone knows that (to where Sky went to him for questions about Time)
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But the thing that get me the most is Wind.
Wind asked about... everything! Wind asked about his first journey and his life- and Time told him
The sheer transition from
"I was wondering... about your original journey"
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To
"You told me about your original journey. Everything you said... the sages you described, the old traditions, the old stories- all of it! ...)
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And this literally drives me insane because Time told him- Time told him everything! He told him about the sages, traditions- Time literally openly talked to Wind about his first Journey because he asked.
The Hero of Time's story had always been a tragedy- I mean... yikes. Trauma much? But I think people overlook this part of him- that he's older. All the hurt and scars are still there, but he has learned to talk about it to deal with it. And I think I know why- (Read)
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Malon Malon Malon Malon!!! Jojo showed this set up for their marriage- Time was and is traumatized. But he and Malon worked to talk through things. I mean. Can you imagine keeping secrets from Malon? I don't want to. I feel like she would throw a cow at me. Anyways.
It takes a lot to work through trauma and learn to talk through it. Malon claimed him tho, so I don't think he had a choice. But seriously- she helped him work through things as family. Which led to a successful marriage for both of them, and got Time to where he can talk about these things with the boys :D
But
Time is a troll, so although he will share his insane life stories.... he will also say he fought the moon with no more context, and tell his wife that they have a descendant but not freaking tell her which one it is.
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He's so insane I love it <3
Just don't forget this part of him... don't forget that rather it's sad or goofy or whatever- he will talk about his life. If someone simply asks
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:)
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Art and comic by Jojo @linkeduniverse au! :DDD
@adrift-in-thyme
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ew-selfish-art · 1 year
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Demon Twin AU 
Tim Drake comes across a LOA manuscript detailing the sacrifice of a Demon Heir that’s dated around the time Damian is born and brings it to the cave. There’s no other mention of what went down, but it looks like Damian was a twin and the twin was thrown into the Lazaras Pits- Tim kind of forgets about it but shows it to Damian cause he figures that the guy deserves to know, and leaves it out for Bruce to see (basically the same thing as telling him). It doesn’t really change much but there is an obscured name in the corner so they can presume that the kid’s name would have been something starting with D A N. 
Well here’s the thing: Names carry power. Damian reaches out to John Constantine to ensure that the child is actually dead, because presumably John can do that. John wants to give the kid some closure, so he does what is supposed to be a super chill seance to an infant. He pricks Robin’s finger, chants a little and the air... turns violent.
Uh oh. Dan appears, unshackled from his prison in the Infinite Realms now that John has called upon them by someone with Familial blood. He cackles madly about the fact that it’ll be a good time to bring about the apocalypse again, promising to spare the bird for now, since he would have to get answers later. 
The alarms are blaring, the whole JL is hands on deck to try and stop Dan as he attacks across the globe. They’re saving as many civilian lives as possible but its getting very HAIRY in less than 2 hrs. Robin is out in the chaos, trying to track him down with John and Zatanna trying to recapture him and banish him back to the realms. 
Phantom touches down just as the three of them reach Dan- Danny has some choice words for his older alternate timeline self, including “This is why you have no friends.” and “Seriously, you didn’t even stop to say hi to my timeline’s Jazz this time.” and “Soup time for 1,000 years and then we can talk remediation.” 
After a short but brutal fight, Danny floats over to Damian, John and Z. After making sure they’re all right he’s like “Maybe you can never do that again? Also tell me how and why you did that so I can banish that spell?” And Damian explains that it was meant to ensure that the infant twin he never knew had passed peacefully and clearly that was not the case. Danny blinks a few times, uh, a twin?
Damian goes through the shit, John explains that it was a familial summoning meant to be an advanced seance (hence the lack of safe guards to keep the entity in) and Z confirms that there was nothing special to it beyond that. 
Danny then explains, that uh, “I guess my parents weren’t kidding when they told me I was adopted. Hi? I’m your brother. Uh, I go by Danny though. Dan was me in a different timeline and he’s normally under super strict lockdown.” 
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