#someone just mentioned that series 1 is on hulu in the US

[cyclone-rachel]

2022 Omniverse Rewatch + Episode Ranking

Part 1: Intro and Arc 1

What I’m doing: rewatching each episode of Omniverse, in honor of the 10th anniversary of the show, giving my thoughts/reactions, and re-evaluating/ranking them accordingly as I watch them. Basically going to be rewatching each episode and ranking them higher or lower than the last one, both per-season and in comparison to the rest of the show, as opposed to what I did the first time I liveblogged and ranked all the episodes, where I ranked each season best to worst, then put all the episodes with the same number in order from favorite to least favorite. I’ll also be comparing my original rankings from when I did this in 2016.

Who is inspiring me to do this: A combination of people!

Loreweaver Universe, who has done the same ranking system especially with Steven Universe.

Matt @yo-its-matt and Rob/Kuro the Artist, probably the biggest Ben 10 fans I know of, I appreciate all of their content, they make great stuff

The From the Spirit World podcast and their multiple episodes on ranking the Avatar the Last Airbender/Legend of Korra episodes.

Why I’m doing this: again, 10th anniversary of the show, I know I’ve liveblogged it all but I wanted to give each episode a re-evaluation, and I just like watching it. Also I’ve watched some episodes more than others, but I wanted to see some of the ones I’ve only watched once or twice in addition to my faves.

When I’m doing all of this: because there are exactly 8 weeks between August 1st, the premiere of The More Things Change part 1, and September 22, the official premiere of the show, and there are 8 story arcs in the show, I will be covering exactly 1 arc a week between today and September 22nd so as to encompass both premieres.

Other stuff: will also be watching these in production order, and also watching them on Hulu, where they are unfortunately in airing order. Will be ignoring that. Also this is just me having fun and my own opinions/biases, so take that as you will.

assorted thoughts/observations (not completely in episode order, just as I thought of them), part 1:

so why is Gravattack’s name spelled “Gravitonn” at first

“Incursean” and “Milleous” are spelled wrong in the captions

Ben mentions “dunk tanks”, which come up later

Episode 3, which includes Rook mentioning Alien X, flows much better into episode 4, where he uses him

Contemelia ship looks the same as in the final episode, but darker

I do really like that Ben is trying to figure out the Nemetrix aliens thing

1x05 is the first time in this series that someone says “curse you, Ben Tennyson”

1x05 also has a Nemetrix time-out noise reminiscent of the OS Omnitrix time-out noise I think

Rene’s Azmuth voice is a bit higher-pitched than I remember. Maybe it gets lower later on?

maaaan. I wonder what Malware could have done with Corrodium if he found it/what effect it would have on him

Corey’s Malware voice in Trouble Helix is kind of a blend of his Megatron and his Ratchet

Trouble Helix: Helix turns red because Albedo was messing with it, Malware connects to it

Showdown part 2: Malware connects to it again and the Helix turns red as he I guess sends himself into the planet and blows it up

I still remember every word of Malware’s speech (off the top of my head: “Evil? No… VISIONARY! I feel power building inside me. I see a world that only I can create! It was Azmuth who thought me flawed. He gave me the name Malware. But I am not the flawed one. It is all the rest that are inferior! They bend and stretch, mimic and manipulate only what others have created. I do not upgrade others’ creations, they upgrade me! And I will upgrade myself with Azmuth’s greatest creation.”)

still wish Malware being “visionary” had been elaborated on, although that may be related to the “him wanting to become a living planet/wipe out all life on Galvan Prime and Galvan B and start over” thing

like did he want to create Galvanic Mechamorphs from himself, absorbing the power of the Helix? Would that be the only way he could create Mechamorphs?

Albedo: “destroy the moon with us on it”, *Malware voice* “Excellent suggestion.”

Coriolanus Labs, huh? it doesn’t go anywhere obviously but I like the name

this is def. Corey Burton as this police chief, his Seebik voice is very similar to this

I forgot Ester was only half-Kraaho

also forgot Ben mentions Computron, is that a real thing or a fictional thing in this universe

Rad Dudesman can be seen in the beginning of Have I Got a Deal for You

amazing how Hokestar’s name resembles both “huckster” and “hoax-ster”

Screegit episode is Omniverse’s Fool’s Gold but only better because there’s no alien poop involved

this music sounds like what happens when you use the weed SCP in that Containment Breach game

can’t believe there’s a sumo slammers Mario Kart equivalent

wait so is Psychobos an actual doctor. does he write actual textbooks?

okay, so the fight was staged from when they were in Max’s shop onwards, although it does feel very real

yeah you can definitely see it’s a soda can

love that transition from the nemetrix to malware’s hand

so how the hell did malware get from earth back to psychobos’s planet

Malware clearly isn’t there to make friends, also his voice does sound different

you know what, “Crude, corrupted, incomplete” does pretty much describe Malware himself exactly in addition to describing the partial Omnitrix blueprint he got.

it’s interesting that he calls Ben “Azmuth’s pet”

 so Psychobos was waiting for 5 years for Khyber to take Ben down?

also why did there just happen to be an error in the omnitrix in this episode

and you’re not gonna mention where you got the sword, Khyber?

interesting that it’s “Revonnan” here, and not “Revonnahgander”

weird that we see Malware in his third form there, unless that’s supposed to be while Khyber is collecting that DNA and thus after Malefactor

so is Phil running from the Rooters there, or about to join them?

 what does Khyber mean, “bargaining power with my associates”?

also interesting that Khyber calls them his partners

 I think the real problem is that Ben just never looks at the omnitrix dial anymore to see what he’s actually transforming into

so it implies that Khyber wanted to turn Zed into Gray Matter’s natural predator? except he didn’t have it yet? although I guess really any predator could take him down

Khyber has a halberd, I love it

Also in general, I love that Gwen and/or Kevin appear at least once a season (whether it’s in a season premiere, like in Arcs 1 and 2, a season finale, like also 2, 3, 4, AU Gwens in both halves of 5, 6 obviously, and I think the first half of 8, or some other episode in between, like every arc after 2)

Also I still kind of wish we would’ve gotten like, how Psychobos and Malware met, or how Psychobos knew Khyber well enough to hire him to get the DNA samples for the Nemetrix, especially the former because we know that Psychobos has something against Azmuth, and Malware is a creation of Azmuth, and how would that have affected their teaming up for the first time? Although it was probably an ego-booster for Psychobos, to have someone who was made by someone you perceive as your nemesis agree with you on how much said nemesis sucks. And it must have been validating for Malware too, to see someone agree with him.

Arc 1 rankings:

Of Predators and Prey part 1

Trouble Helix

Of Predators and Prey part 2

So Long and Thanks for All the Smoothies

It Was Them

The More Things Change part 2

The More Things Change part 1

Hot Stretch

A Jolt from the Past

Have I Got a Deal for You

Basic thoughts: I think this season is pretty good! I was surprised by how much I liked So Long and Thanks for All the Smoothies and It Was Them, I thought both of those episodes were very good and featured Ben being smart, and in the latter episode he’s proactive about searching for Khyber and figuring out that mystery. The former is just a really fun episode, a lot of recurring villains show up for the first time in Omniverse, and of course you get that ending, which sets up several episodes to come. I was also surprised by my ultimately ranking the series premiere’s part 2 above part 1, I think that was because it did feature more of a plot than part 1 and lacked the first episode’s kind of “beginning-of-a-series awkwardness”. Also Psyphon was actually a good villain here. The main plot is still my favorite, even if I chose part 1 of the season finale over Trouble Helix because I didn’t particularly care for the Ben and Gwen bickering in Trouble Helix and the season finale works really well when you watch it for the first time and rewatch to pick up what you may have missed in hindsight after seeing part 2. Bottom 3 are still the same as the original time I did this, I just didn’t vibe with them.

Original rankings:

Trouble Helix

Of Predators and Prey, part 1

Of Predators and Prey, part 2

The More Things Change part 1

So Long and Thanks for All the Smoothies

The More Things Change part 2

It Was Them

Hot Stretch

A Jolt From the Past

Have I Got a Deal For You

#rachel talks about stuff #ben 10 #ben 10 omniverse

[classicaltrashical]

Okay I'm not pro-bakugou, but I'm not an asshole that's going to sh*t on you for liking him, but here are some reasons on why I really dont understand people shipping BakuDeku or liking Bakugou Katsuki in general. Not hating on you just stating some canon facts. By the way I tried to censor myself but I just stopped because I got so frustrated with the amount of abuse that Bakugou got away with in just the first few chapters of the manga.

1. Bakugou is abusive towards Izuku both physically and emotionally.

1. The first freaking page of the manga starts out with Bakugou punching Izuku (while probably using his quirk).

2. Page 12 of the first chapter Bakugou slams his hands onto Izuku's desk and uses his explosion to the point it blasts Izuku out of his desk.

- Also note Izuku's body language he is trying to be as small as possible because he already is acclimated to this treatment. He is also seen trying to be as small as possible.

3. Page 15 Bakugou destroys Izuku's notebook (destruction of property).

4. Page 16 Bakugou burns Izuku's shoulder. From the looks of this and Bakugou's attitude towards Izuku this appears to in some way be a common occurrence. Because obviously this is NOT the first time he burned Izuku.

5. Page 17 Bakugou tells Izuku and I quote from the VIZ My Hero Academia Volume 1 10th Printing September 2019 "You wanna be a hero so bad? I've got a timesaving idea for you. If you think you'll have a quirk in your next life... go take a swan dive off the roof!!" After this Bakugou makes small explosions on his palm in a threatening way and Izuku left in the classroom shaking in fear. Even his friends tell him that he went too far.

6. Of course you have the name Deku. Which when used in the context that Bakugou does in the anime means Defenseless Izuku and also uses it as the abbreviation of Dekunobou which roughly translates to "good for nothing."

7. In the flashback of Izuku and Bakugou after getting praised by their principal(?) Bakugou basically grabs Izuku by the collar of his uniform and shoved up against the wall all because Bakugou was jealous and mad that he was not the first and only student to go to U.A. from their middle school and mad because he thought Izuku was hiding his quirk all this time.

2. Izuku is still traumatized.

1. I've hinted at this above, but I don't think I would allow someone with a quirk that makes them sweat a nitroglycerin-like substance to put their smoldering hand on me. Seriously just that scene makes it clear that Bakugou has used his quirk to either frighten Izuku or to injure Izuku.

2. When going in for the entrance exam on page 2 of the third chapter Izuku is shown to turn away from Bakugou and appears to be even more nervous then before.

3. Izuku also thinks to himself about how he has to "stop flinching instinctively." Guys he flinches away from just hearing and/or seeing Bakugou. If you think this can become a healthy and stable relationship......??? Also a few pages after when everyone is gathering around their assigned testing locations someone says "he flinches at the slightest touch" after Iida grabs his shoulder.

- If you think that is freaking natural someone watching that unfold already freaking knows it's not f u c k i n g natural for some to be terrified of another person grabbing their shoulder when they even see the person performing the act. Startled perhaps, but not the way Izuku flinched. Once again in this scene (and like most throughout the first volume) Izuku tries to make himself smaller than he already is by tucking his chin towards his chest and looking away from Iida (who by the way is trying to meet Izuku's eye.) Izuku is so used to being physically abused by his peers that he flinches on contact.

4. Before entering the 1-A classroom for the first time Izuku prays that neither Bakugou or Iida would be in the same class and depicts Bakugou in a pretty demonic way.

5. After the meeting with the principal(?) Izuku instinctively raises his arms to try and block any explosions near his face.

6. After Izuku uses OFA through one finger in Aizawa's assessment test Bakugou is furious and when Izuku sees his barreling towards him he screams in fear. And guys this must be the first time someone has actually STOPPED Bakugou from tormenting Izuku because the look on Bakugou's face is pure shock. Meaning in the years (probably near a fucking decade) nobody has stopped anyone from bullying Izuku. Like that says it all, doesn't matter if you're pro-Bakugou or not Bakugou traumatized Izuku because his abuse and torment went from when they were just little kids after finding out Izuku was quirkless to right after the Sludge Monster.

Do I need to continue into Volume 2 with the whole Bakugou versus Izuku fight? But I will say this...

Izuku has started to heal.

As the manga and anime continue Izuku stops flinching everytime someone calls his name or touches him. He stops raising his arms to block a blow that won't come. He stops trying to sink in on himself. I think the best comparison of this is when Izuku first "raises" his hand in the first chapter to the one during Ectoplasm's math lesson where he stands up confidently and gives an answer.

But healing doesn't erase the past. Healing mentally doesn't erase physical scars (once again it is pretty obvious that Bakugou used his quirk on Izuku.)

Not to mention Bakugou has yet to confront what he did to Izuku. Hell he hasn't even changed much. The only change he did was not always call people somewhat derogatory names instead of their actual name. Don't give me that shit of "well he was kidnapped and felt guilty over All Might's retirement." That's just making a fucking excuse about why he should be forgiven. Was he held against his will for almost a fucking decade? No it was a handful of days and who got him out? Shockingly, but sadly not shockingly the one he decided to torment for years. Don't give me that shit about how apparently being a kid gets you out of trouble. Sure some of it was when he was a kid, but want to know something people age. Hell by the time he told Izuku to kill himself he would have been 14 and most likely almost 15. Which means he should have fucking known better! The only actual excuse I will allow to somewhat slide is the fact that as mentioned AIZAWA SHOTA WAS PROBABLY THE FIRST ADULT TO STOP BAKUGOU FROM HARMING IZUKU! Meaning every fucking adult that saw the way Bakugou acted didn't do jack shit which meant he was raised in a toxic system for years being told what he was doing wasn't something worth being punished for. But still Bakugou should have known better.

The fact that Izuku idolizes Bakugou shows how toxic even this "friendship" is. He is literally idolizing his abuser. And yeah Bakugou is an abuser sure he can be called a bully and a tormentor but he is an abuser. "A person who treats another person or animal with cruelty or violence, especially regularly or repeatedly"- the fucking Oxford definition of abuser. I mean repeatedly throughout the series Izuku talks about how he has come to view Bakugou as an image of victory.

You want a character to be dating his past abuser? You really want that? I don't give a shit if you write a "they have a talk about their past" before they start dating in your story.

The fact that Bakugou's abuse and the trauma it did to Izuku hasn't been talked about yet in canon is also something that angers me a bit (hopefully Horikoshi has something planned for this). Because it's obvious from their fight during finals and their fight after the provisional license exam that they need to at least talk about it. And then get them both into fucking therapy because yikes they both need it.

And I do not fully agree with Bakugou being forced out of the Hero Course (as some people do), but at least some temporary removal. Mainly put him on probation for a while. Because I believe there are rules in Hero Society that prohibit even middle schoolers from using their quirks against someone(? Right these exist?)

Also if you think for one fucking second that Bakugou did not abuse Izuku and having them in a relationship is not toxic go read the manga and watch the anime both from the beginning because you are missing some cues.

I know that this is was supposed to be about why I don't see how people can ship this and it turned into a rant. I never really care about what other people ship but just think about this. I wrote this mainly because I have seen some people around saying that anti-bakugous overexaggerate and say that Bakugou want not an abuser when ah clearly he is. Like I could go onnnnnnnnn about how much damage Bakugou did to Izuku. We aren't exaggerating you just need to go back to the beginning and see how shitty Bakugou treated Izuku.

If you want to make an argument about how Bakugou is a good guy and how he has learned and changed and it's all good now come @ me I have volumes 1-23 and the other manga chapters on stand by and my Hulu is up and ready.

Not actually looking for an argument but I could have made this post longer but it's now almost 8am I haven't slept a wink and I'm tired.

#bakugou katsuki #bnha #boku no hero academia #my hero academia #Bakugou is a bully #Bakugou is an abuser #midoriya izuku #not hating just stating canon facts #anti bakudeku #anti bakugou #anti Bakugou Katsuki

[femalechibiblogger]

5 Underrated Cartoons That Were Cancelled Too Soon

1. Clone High

Clone High is set in a high school in the fictional town of Exclamation, USA, that is secretly being run as an elaborate military experiment orchestrated by a government office called the Secret Board of Shadowy Figures. The school is entirely populated by the clones of famous historical figures that have been created and raised with the intent of having their various strengths and abilities harnessed by the United States military. The principal of the high school, Cinnamon J. Scudworth, has his own plans for the clones, and secretly tries to undermine the wishes of the Board (Scudworth wants to use the clones to create a clone-themed amusement park, dubbed "Cloney Island", a decidedly less evil intention than that of the Board). He is assisted by his robot butler/vice principal/dehumidifier, Mr. Butlertron (a parody of Mr. Belvedere), who is programmed to call everyone "Wesley" and speak in two distinct intonations.

The main protagonists of Clone High are the clones of Abraham Lincoln (referred to as "Abe"), Joan of Arc, and Mahatma Gandhi. Much of the plot of the show revolves around the attempts of Abe to woo the vain and promiscuous clone of Cleopatra, while being oblivious to the fact that his friend Joan of Arc is attracted to him. Meanwhile, John F. Kennedy's clone (referred to as "JFK"), a macho, narcissistic womanizer, is also attempting to win over Cleopatra and has a long-standing rivalry with Abe. Gandhi acts in many of the episodes as the comic relief. Also on a few occasions, the characters that we see learn most of "Life's Lessons" the hard way.

Why it was cancelled: An article in Maxim Magazine depicting Mahatma Gandhi being beaten up by a muscular man sparked outrage in India. Clone High was caught in a crossfire when citizens in the country conducted internet searches on the Maxim article but also found out about the show's Gandhi character on MTV's website. This sparked an outrage in India over the show's depiction of Gandhi. On January 30, 2003, the 55th anniversary of Mahatma Gandhi's assassination, approximately 150 protesters (including members of parliament) gathered in New Delhi and vowed to fast in response to Clone High. Tom Freston, the head of Viacom (owner of MTV), was visiting the network's India branch and was "trapped in the building", according to Miller. In 2014, he recalled that protestors "basically threatened that they'd revoke MTV's broadcasting license in India if they didn't take the show off the air". MTV offered a quick apology, stating that "Clone High was created and intended for an American audience", and "we recognize and respect that various cultures may view this programming differently, and we regret any offense taken by the content in the show". Miller would later recall that executives at MTV enjoyed the show, and asked for the duo to pitch a second season without Gandhi. Lord and Miller's two potential versions of a second season included one that made no mention of Gandhi's absence, and another that revealed that the character was, in fact, a clone of actor Gary Coleman all along, and the show continued as normal. "We pitched that, and it went up to the top at Viacom again and it got a big no," he remembered.

2. The Awesomes

The show follows a group of superheroes who step in and replace the members of a legendary but disbanding superhero team. Under new leadership, The Awesomes attempt to put themselves back together in the face of intense media and government skepticism.

Why it was cancelled: On December 17, 2015, Hulu canceled The Awesomes after three seasons and did not renew it for a fourth season due to low ratings. The Awesomes was the first time Michael Tavera composed music for an adult animated series.

3. Invader Zim

Zim dreams of greatness. Unfortunately, though, he's hopelessly inept as a space invader. Desperate to be rid of the annoying Zim, his planet's leaders send him on a mission to infiltrate Earth, providing him with leftover, cobbled-together equipment. To their consternation, Zim succeeds in setting up a base on Earth and infiltrating human culture, posing as a human child as he plots the planet's downfall. Only Zim's archnemesis, Dib, recognizes that Zim is an alien, and of course, nobody believes Dib's claims.

Why it was cancelled: On the subject of why Invader Zim was cancelled, creator of the show Jhonen Vasquez said, "I could go on and on with variations of the most fantastic reasons for why the show was cancelled, but in the end, even I couldn't give you the whole and accurate truth for why the show got pulled," he wrote in a lengthy post on his website in 2010, nearly eight years after the show wrapped. "The most likely culprits are simply ratings and the sheer expense of the show, which was monstrously expensive at the time, especially when compared to more modern, flash-based savings fests."Nearly nine years later in 2019, Vasquez was interviewed by Syfy and said:

I never point to any one particular thing [as the reason for why Invader Zim was cancelled. The show could've come out at any point in history and I don't think it would ever really be appropriate... I think there's always horrible things happening in the world and genuine comedy comes from horrible things. At the time, it just happened to be things like Columbine and 9/11 and then people freak out because they don't want to offend anyone's sensibilities. It's a justified response to a certain extent; there's people who have been affected and they don't want to be reminded of this awful stuff… I just think that it did not jive well with Nickelodeon's image.

In an interview with Syfy in 2018, Richard Horvitz, the voice of Zim, was questioned about why the show got cancelled; he responded:

There's been a lot of rumors that have abounded for years about why Invader Zim was canceled. People think it's the Bloody GIR episode, because there's a quick subliminal shot of GIR all bloodied, but that’s not it at all. Nickelodeon knew about that shot and they didn't seem to mind. But what [the cancellation really was] is this plain simple fact: We had horrible ratings. There were two things that were going on in 2001. Our ratings were not doing well, our demographic at the time was not The Fairly OddParents demographic, which is what we premiered with, and we premiered to really, really good critical acclaim. But ratings-wise, the only real barometer [was the] target audience, 6 to 10 year olds, and I think that it was a little too much for that [demographic], and the parents also might have thought it was a little graphic for them. Our ratings never really got off the ground. One other thing that people often forget, is that the show premiered in March of 2001. By September of 2001, we had the horrible downing of the twin towers. Given the mood of the country at the time, I don't think people wanted to see shows that were about any kind of destruction or anything that had to do with someone trying to conquer the Earth.

4. The Oblongs

A clever comic parable of society's ills, "The Oblongs" depicts the warped world of a bizarre yet loving family of have-nots who live in a toxic valley and can't seem to beat the caste system of the beautiful people living high on the hill. The animated series is based on characters created by author Angus Oblong ("Creepy Susie and 13 Other Tragic Tales for Troubled Children").

Why it was cancelled: Could not find a specific answer. The WB network just decided to cancel it even though it had good ratings. 

5. Wander Over Yonder

The series follows Wander, a nomadic and overly-optimistic intergalactic traveller and his best friend and steed, Sylvia the Zbornak, as they travel from planet to planet helping people to have fun and live free, despite the continuing encroachment of Lord Hater, one of the most powerful villains in the galaxy, and his army of Watchdogs.

The show's first season is episodic; there are very few strong ties between episodes, and they can be viewed independently of each other. In the second season, however, a more sequential story is introduced; as Lord Dominator begins to conquer the galaxy, the show's tone becomes more serious and the focus moves from stopping the rather incompetent Lord Hater to stopping the extremely competent Lord Dominator. As a result, the episodes are more closely linked and there are several developments in the overarching plot.

Why it was cancelled: The creators of the show were not given a specific reason, even though they had plans for a third season.

#cartoon #animation #cancelled #clone high #the awesomes #invader zim #the oblongs #wander over yonder #top 5 list #Top List

[aion-rsa]

From Bridgerton to Hamilton: A History of Color-Conscious Casting in Period Drama

https://ift.tt/2IQI6Ak

Note: This Bridgerton article contains no book or series plot spoilers.

Bridgerton is a unique mix of Shonda Rhimes’ dedication to Black representation on American television and the British period drama tradition. White critics may dismiss this trend as unnecessary “pandering” to Black and POC viewers, but the number of productions designed around reforming all white-casting has increased over the past 10 years—and has only added to the success of the genre. The number one reason driving demand for diverse period dramas is from Black and POC fans of the genre. The impact of seeing an actor that looks like you can’t be measured in ratings or clicks online. Despite facing years of content and fandom overtly or covertly claiming that the universal themes in period dramas are not “for us”; the tide is starting to turn as fans use social media and the power of ratings to ask for more representation. 

A quick overview of recent Regency England-set productions leaves much to be desired. Although the 2018 Amazon Prime/ITV miniseries and the 2005 movie adaptations of Vanity Fair left in West Indian and Jewish heiress Miss Schwarz, she is one of many supporting characters. PBS/ITV’s Sanditon, on the one hand, improved representation by prominently featuring Georgiana Lambe. However, her story was a huge disappointment to Black and POC fans who expected her plotline to end happily or at least have her conflicts resolved. 

There have been three paths traditionally towards increasing diversity in period dramas: 1) blind casting (also called racebending), where Black and POC actors play traditionally white characters adding original Black characters to existing fictional works, and 2) Own Voices, where Black and POC writers share their own stories. These two are not mutually exclusive, but, in the world of British period drama, the former is more frequently used, as the bedrock of the genre is adapting existing novels and plays by white authors.

The theoretical framework for inclusive casting begins in the world of staging period drama at the theater. In Shakespeare’s day, men played women’s roles as women were not allowed to appear on stage. The genre evolved in later centuries to allow women to appear on stage, but the tradition of having actors who didn’t match the original descriptions remained. This is even true of his history plays where real women royalty were characters. Ira Aldridge in the 1840s was the first Black actor in Britain to play traditionally white roles on stage. Later on, in the 19th century, several stage adaptations of Jane Austen’s works had all-women casts. 

Fast forward to 2015, when Lin-Manuel Miranda in Hamilton redefined what it meant to cast inclusively in modern period dramas by using actors descended from slavery and colonialism to play the Founding Fathers. Every aspect of the musical was designed to reframe the existing narrative of early American history. The costume design also reflected the identities of the actor by featuring braids, locs, and textured hairstyles over 18th century white hairstyles. Rap lyrics conveyed to the audience the names, dates, and other descriptions of the Revolutionary War. The old adage that someone must “look the part” to play a biographical role was thrown out the window.

Hamilton proved that many of the old excuses used to sideline diverse period dramas no longer held to be true. Millions of white people listened to the cast album, brought tickets, or streamed the movie on Disney+. UK theater patrons flocked to the West End cast of Hamilton, as well, before the pandemic. Memes, parodies, and more on social media proved that white audiences can conceptualize historical figures as fictional characters while also knowing the real figures looked and acted quite differently. Fans of the show pushed Ron Chernow’s biography back onto the bestseller lists as they wanted to read what really happened. 

The first clear impact the show had on the genre of British period drama comes from a mystery. Daisy Coulam, Grantchester’s head screenwriter, cited reading an interview with Miranda as the inspiration behind the exit plotline for James Norton’s character Sidney Chambers. UK crime dramas  For those unfamiliar with the series, Grantchester is a mystery procedural based on a series of books about a 1950s crime-solving Anglican vicar by James Runcie. Norton’s exit plotline in Season 4 generated an original to the show character named Violet who was the daughter of a visiting African-American preacher. Violet was an original character who forced the audience to consider that the US civil rights movement indeed reached their treasured vision of the lily-white British countryside. Coulam already laid the groundwork for Violet in earlier seasons by abandoning large sections of the original novel timeline and but keeping the case of the week focused on addressing 1950’s social issues. Fans heavily criticized Coulam’s writing for style and pacing, but her imagination clearly indicates that Hamilton’s proven formula for disrupting established historical aesthetics can just as easily be applied to fictional depictions of the UK’s past as blind casting a biography-based series or depicting real figures of Black British history. 

Other period dramas released in recent years share traces of Hamilton’s impact but in a more thematic and less direct different way. Some shows turned real Black British figures into fictional characters. Lina (Stephanie Levi-John) and Oviedo (Aaron Cobham) on The Spanish Princess are composites of Catherine of Aragon’s servants and several famous Black Tudors. Catherine “Kitty” Despard (Kerri McClean) in Poldark Season 5 was a forgotten Black British figure added in to expand the world outlined in the novels. Victoria featured Ira Aldridge (Ashley Zhangazha) mentioned earlier, plus spotlighted the Queen’s adopted daughter Sarah-Forbes Bonetta and Cuffay (C.J. Beckford) as the leader of the proto-socialist Chartists. Lucille Anderson (Leonie Elliott) on Call the Midwife was not mentioned in the original memoirs, but she was added to represent the Caribbean nurses from the Windrush Generation of UK immigrants.  

Racebent casting also increased. Dev Patel’s role as the title character in the movie The Personal History of David Copperfield proved that Dickens adaptations could indeed include POC casts without changing the fundamental plot and message. PBS/BBC’s Les Miserables miniseries also extended the Broadway tradition of casting Black actors in traditionally white coded classic literature characters. Hulu’s The Great featured Sacha Dhawan and several Black actors as Russian nobility, politicians, and courtiers. 

All of these series, however, carefully attempted to stay grounded in recreating the original source material or invested in faithfully replicating the era they were set in. Bridgerton radically expands upon Hamilton’s formula by divorcing inclusive casting from any desire to accurately recreate historical events, eras, or figures. Romance, fantasy, and social/familial drama are universal themes that don’t depend on having a white-dominant vision of society. Quinn’s original novel series sparingly referred to historical events during the Regency Era. Her focus was on creating a world where the most important events were balls and weddings. More Dukes and other holders of inherited titles exist in her vision of the Ton (the most elite members of Regency society) than in reality. Historians would likely dispute her characterization of the elite social season as well. Characters’ internal dialogue is in modern English peppered with regional accents and slang. They rarely lampshade or criticize the way of society beyond their romantic desires and family obligations. Readers see the physical intimacy on the page Austen never mentioned. This literary environment is ripe for inclusive casting on screen. 

The most critical flip in characterization is Simon, Duke of Hastings (Regé-Jean Page). His character is the romantic hero of the first book in the series The Duke and I and is the character that set fan expectations high for future novels. Simon having visibly African features and yet being an object of desire is incredibly subversive in a genre where white beauty standards dominate hetero and homosexual fiction.

Lady Danbury (Adjoa Andoh), Simon’s godmother, is an elder stateswoman and a twist on the battle-ax aunt trope popular in period dramas. She isn’t as caustic and insulting as some other famous widows and spinsters but she commands authority and a mansion filled with people to perform all the hard labor. Lady Danbury is even implied to be slightly higher in status than her white counterparts with children of marrying age Lady Violet Bridgerton (Ruth Gemmell) and Lady Portia Featherington (Polly Walker).

Queen Charlotte (Golda Rosheuve) being played by a biracial woman is actually a subtle Easter Egg to existing history debates. Many have debated if her portraits were airbrushed to disguise African features. A few years ago, a documentary established her African ancestry is via the Portuguese royals. All of her scenes involve petting her Pomeranian, demanding to know the latest gossip, and manipulating the gentry into doing her bidding. 

The miniseries doesn’t end the racial diversity with those at the highest social rank or even at the lower orders of domestic servants. Marina Thompson (Ruby Barker) is a cousin of the Featheringtons and represents the “poor relation” character popular in stories based on the British gentry. A Black modiste (dressmaker) trained in French fashion makes all of the dresses the characters wear. Will Mondrich (Martins Imhangbe) is a boxer, likely a reference to former slave turned bare-knuckle boxer Bill Richmond. Alongside the characters with plot lines viewers follow, there is a conscious effort to hire Black and POC extras to fill in crowd scenes at balls, park scenes, and other public events. The viewer sees people who look like themselves in every class level of society and can feel like they too can become part of their world. 

Read more

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How Bridgerton Can Avoid Outlander’s Mistakes

By Amanda-Rae Prescott

Books

Bridgerton: Cast Announced for Shonda Rhimes Netflix Series

By Alec Bojalad

Attire is a critical part of upholding the fantasy and cultural diversity Bridgerton and also in communicating to the audience the series isn’t your aunt’s neutral tone Austen adaptation. Marina and Lady Danbury would never be caught dead in a plain white muslin frock. All of the popular Regency hairstyles for women have been modified and reworked for natural textured hair, braids, and locs. Some of the Black male extras even have modern African hairstyles left in tact. The only Black characters who wear the traditional white wigs are older men or servants in full formal uniform. Queen Charlotte’s Black courtiers and servants wear a mixture of extravagant 1770s and 1780s attire and Regency court wear to create a physical separation between them and the rest of the ensemble cast. These style decisions are right out of the playbook of Still Star-Crossed, Shondaland’s first foray into period drama. Although that series took place in 1300’s Italy, the priority was on blending fantasy and Black fashion aesthetics over catering to white costume enthusiasts and reenactors.

In the world of Bridgerton, slavery and colonialism are directly or indirectly referenced exceedingly sparingly. One reference is to Lord Dunmore’s army of emancipated and runaway slaves during the Revolutionary War proclamation. (Hercules Mulligan’s Black troops referenced in “Stay Alive” is the Patriot equivalent of Dunmore’s forces). These sparing hints make it clear to the viewers that class, family, and personal family drama is the root cause of joy and pain in this series.  

Since Bridgerton is completely ignoring the physical descriptions of the characters in many cases, the set design carries the bulk of the attention to historical detail. The series hired Dr. Hannah Greig as a historical advisor to ensure these details were as close to 1813 as possible. Greig has previously acted as a consultant to the Sanditon, Poldark, and The Duchess cast and crew is likely where the Easter Eggs in character references come from. Lavish mansions and castles and the more humble spaces ground the fantastical plot details in historical reality. Several previous period dramas have recreated the Vauxhall Pleasure Gardens, but these scenes in the miniseries are elevated to the next level thanks to Netflix’s budget.

Read more

TV

Noughts + Crosses: Why You Should Watch This Afrofuturist Alternate History Romance

By Amanda-Rae Prescott

TV

World on Fire Returns People of Color to the Dunkirk Narrative

By Amanda-Rae Prescott

The success of Bridgerton applying color-conscious casting to a fantasy/romance series has implications far beyond potential future seasons. Studios especially those in the UK have been hesitant to utilize recent historical romance books for screen adaptations. Modern historical fiction by Black and POC authors (called Own Voices fiction)  which is crucial in the fight for increased representation. Novelists such as Beverly Jenkins, Courtney Milan, and Alyssa Cole have written romances set in the Regency and other eras of American and British History that can easily be transformed into movies and miniseries. Some of these novels recreate existing history while others lean into escapist fantasy. The ultimate goal in period drama representation is for Black and POC creatives to tell their own stories covering all the ranges of emotion, not just historical trauma.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

Critics can keep attacking period dramas for being “too woke” (a term that was stolen from anti-racism activists) for remembering that white people aren’t the only inhabitants of the British Isles and America, but series like Bridgerton are here to stay. Black and POC viewers and readers of period drama and romance fiction always existed, and viewership will only grow if more inclusive period romance projects are greenlit in the future.  

The post From Bridgerton to Hamilton: A History of Color-Conscious Casting in Period Drama appeared first on Den of Geek.

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[ranma-rewatch]

Episode 13: A Tear in a Girl-Delinquent's Eye? The End of the Martial Arts Rhythmic Gymnastics Challenge!

Welcome back! It’s once again that time for me to watch some more Ranma 1/2, in doing so looking at it with fresh eyes and a different perspective from when I was younger. We’re already up to episode 13, and with it the end of Kodachi Kuno’s introductory arc. I’m guessing this is going to be almost a full episode of fighting, but how good that fighting will be, I don’t recall. But by next paragraph, I’ll have rewatched the episode, and I can talk about it just a bit better. See you then!

That certainly was almost a single fight for the entire episode. Now, unlike the full episode fight against Ryoga, my summary is going to be a lot shorter. There’s a lot fewer moving parts here, and I feel like going blow by bow would be boring.

In general, the idea of the fight is that the combatants lose if they go outside the ring, and they get a foul (though the exact penalty isn’t made clear) if they hit each other directly without using tools or weapons. Besides that, there are no rules. Kodachi and Ranma both have new items thrown to them when they need it, but Kodachi is obviously the one who stretches the rules the most. Most of the fight is her pulling new insane things out of nowhere that Ranma has to work around.

When it comes to actual plot stuff, the first big thing is when Kodachi mouths off again about how much she loves Ranma and can’t wait to date him and stuff. Ranma gets annoyed, and Kodachi interprets this as Ranma loving, well, Ranma too. Kuno jumps into the ring at that (By which I mean Tatewaki Kuno. I know they both have that last name, but when I say ‘Kuno’, assume I just mean him), and demands to know if this is true. Instead of denying it or playing into the idea, Ranma takes a third option and says something that’s technically true, that he and Ranma are one in body and mind, because of destiny.

Of course, the two rich folks immediately interpret that in some serious ways, though exactly what they think that means isn’t spelled out. Do they think Ranma and Ranma bang or something? Anyway, a little after that, Genma shows up looking like a panda in the stands, carrying a kettle of hot water. Whether that’s for him when he decides he’s done being a panda or for Ranma to use after the fight, I don’t know.

The problem is, by this point, Ranma and Kodachi have entered the stage in the fight where they’re using their ribbons to grab stuff from outside the ring and hurl it as each other. Kodachi takes the kettle, and notices immediately how scared Ranma and P-chan are. Oh, yeah, Ryoga is still chained to Ranma, and he does what he can to try and make Ranma lose every so often.

Kodachi uses a pretty clever trick of slicing the kettle in mid-air to soak Ranma and Ryoga, and they change back in mid-air. Luckily for them, Akane saw that coming, and enters back into the gym carrying a fire hose, with water cold enough to turn them back into their cursed forms. It also means Ranma has to swim for dear life to stop from getting knocked out of the ring, but it works.

A bit later on, the show cuts to a group of teenage girls somewhere dark, and we get a nice little break from the fight as they chat amongst themselves. But when it gets back to the fight, Ranma is able to finally knock Kodachi flying, far outside the ring’s boundaries. But all she has to do is whistle, and the ring gets up and moves across the gym so she still lands inside it. Ranma quickly puts together what’s going on, and destroys the floor of the ring, exposing the girls we saw before, who run away.

Now there’s no place to stand except the four corners and the ropes, but Ranma is fine with that, pointing out that he has an advantage in aerial fights. Too bad that he forgot Ryoga is still attached to him, and his rival goes extra far in trying to shake him off. The chain is broken, but Ranma doesn’t have any tools left to fight with. So instead of getting a foul by just getting Kodachi, he kicks the post she’s standing on, sending her sprawling to the ground for a win.

After the match, she tearfully agrees to abandon her ‘present’ love for Ranma Saotome, and everything seems to have worked out great. At least, that is until later, when Ranma and Ryoga are taking a hot bath together. Ranma complains about Ryoga’s attempts to sabotage the fight, which he defends with a reminder that he wants Akane himself. Then he uses cold water to be P-chan just as Akane calls for him, leading to another case of Ranma running into Akane’s room and getting assumed a pervert as he chases Ryoga.

After that, Ranma gets back to back flowers from each Kuno sibling. He sees Tatewaki uncursed, and Kodachi cursed, so each gives the bouquet to deliver to the Ranma that they love. Leaving Ranma holding a bunch of flowers and having to contend with the fact that he now has two Kuno’s to worry about, long-term. Kodachi defends her continued pursuit of Ranma by saying she abandoned her ‘present’ love and developed a new one.

So, what is there to say about that episode? Well, a lot, actually. It didn’t necessarily blow me away, but I do think it was a stronger fight than the last time a whole episode was centered on a battle, since this one doesn't have nearly as many cutaways to unnecessary plot points. There was a short scene of just listening to the announcer describe the fight while we just saw outside the school, which felt a bit chief, but on the other hand I really liked the little bit we got with the gymnasts under the mat. Those minor characters got more definition than they necessarily needed, and it made the coming cheat more fun than the others.

This is also kind of a big first for the series. Namely, it’s the first time Ranma has fought someone who practices a strange, ultra-specific kind of martial art and did so while following all of that school’s rules. Sure, Tatewaki Kuno fights with a wooden sword, but those were all basically street matches, as was Ranma’s fight with Ryoga. But this is an official match, and Ranma obeys all the rules wherein and still wins.

That is something that will be incredibly common from here on out, in manga-adapted stories and anime-original stories. I’ve yet to see it mentioned in-series, and I can’t recall it doing so later on, but it’s generally accepted as canon by fans that this is for a reason. Ranma and Akane’s school, Anything Goes Martial Arts, isn’t called that for no reason. They are supposed to fight other styles, learn from them, and take what’s useful to use themselves. It’s a great way to add more moves to the protagonists’ repertoire, and get them into fights with silly fighters.

This specific fight was...okay. Actually, I feel like I’m a bit of a grump for saying that, it was good. There were some neat moves, lots of back and forth with stuff, it was enjoyable to see. It wasn’t anywhere near what I think this series can do at its best, but it was a good way to end this mini-arc. I do feel like Kodachi, as a character, doesn’t get the same level of badassery even her brother does from the story, and that feels kind of lame. It seems like, in general, Ranma 1/2 saves all the cool stuff for the guys.

To continue what I was talking about with Kodachi last week, I do think it’s really interesting how different she is in each language. It’s a strange case of part-translation and part-acting, but the english version of the character definitely hits different, and not in a good way. It’s actually making me reevaluate her a little, just because the version in the original Japanese is so much better. It feels a lot less like “she’s crazy!” and more “she’s a highly driven and amoral rich girl!”

This was a good episode. I am once again pleasantly surprised by this arc, and it’s raising my hopes that further stories will be better than I recall. As for where to put it in my rankings exactly, I actually think I’ll put it one step above the last single episode of just fighting, and right below that emotional episode about Akane’s feelings for Dr. Tofu. What can I say? I like the feels. That puts the current ranking at:

Episode 7: Enter Ryoga, the Eternal ‘Lost Boy’

Episode 12: A Woman's Love is War! The Martial Arts Rhythmic Gymnastics Challenge!

Episode 9: True Confessions! A Girl's Hair is Her Life!

Episode 2: School is No Place for Horsing Around

Episode 6: Akane's Lost Love... These Things Happen, You Know

Episode 13: A Tear in a Girl-Delinquent's Eye? The End of the Martial Arts Rhythmic Gymnastics Challenge!

Episode 8: School is a Battlefield! Ranma vs. Ryoga

Episode 11: Ranma Meets Love Head-On! Enter the Delinquent Juvenile Gymnast!

Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another

Episode 5: Love Me to the Bone! The Compound Fracture of Akane's Heart

Episode 1: Here’s Ranma

Episode 3: A Sudden Storm of Love

Episode 10: P-P-P-Chan! He's Good For Nothin'

Now, if you’re watching this series on Hulu like I am, you might think the next episode is the first part of the Martial Arts Figure Skating arc. And while, wow, I sure wish it was, that is actually wrong. I don’t know why, but some of the arcs are in the wrong order on Hulu, but I’m watching the series in the actual order. Which means, instead of watching one of my favorite arcs in the series, the next episode is actually “Pelvic Fortune-Telling? Ranma is the No. One Bride in Japan”. My hopes...are not high. See you all...then...I suppose...

#episode 13 #A Tear in a Girl-Delinquent's Eye? The End of the Martial Arts Rhythmic Gymnastics Challenge! #ranma 1/2 #ranma saotome #akane tendo #kodachi kuno #tatewaki kuno #ryoga hibiki #anime analysis #anime rewatch

[adrunkgiraffe]

I have been through this journey before, so I get to be actually frustrated about it.

IUnder a read more because im not subjecting y’all to this. Also: I should caveat I haven’t watched the episode cause I’m waiting till its on Netflix but I have watched way too many other episodes of Supernatural so I have a right to say these things. 

TL;DR: I mean you all knew Cas’ confession was fucking bullshit and that SPN is...hm. But I’d like to actually express my genuine frustration, for a moment? I’m going to say things you already know, but I have too much knowledge of this show and too much stupid meta in my brain about a series I haven’t genuinely enjoyed for at least 5 years which makes this not just blandly bad but disgustingly insulting to me not even as a gay just as like. A writer?

Or, even shorter: Cas’ confession is just a Charlie Bradbury Speedrun 

So. As some of you may know if, for some reason, you followed me back in 2013 (and till...okay fine 2015), I used to be, uh. Really into SPN. Really, I was into Destiel. Like, as in, I slogged through seasons 1-3 to get to Cas and am also really vulnerable to the Sunk Cost Fallacy and projecting onto characters. (I was in 8th grade in 2013, okay? Get off my back)

Also, because I monopolised use of the TV, I kind of...also got my parents into it? In a “this is silly but fun” kind of way.

Over time, critiques of the show from viewers, learning what queerbaiting is at all, fatigue with how long it was going, and also fatigue from how characters I enjoyed, like Rufus, or Crowley, or Ellen, or Jo, or Kevin, or Charlie, or Cas a few times, kept getting killed off. As time went on, it didn’t escape my notice that, aside from Cas, all of these characters fit one or more of the following criteria:

They were a woman

They were a person of color

Were Queer or Queer-coded in some way (listen Crowley was bad rep but at least Mark Sheppard actually kissed a man on screen)

I also just...generally got tired of the way the show treats women and sidelines people of color. 

The final straw really came with Charlie’s death. It got us all excited, because she hadn’t been back in a bit! And it was interesting to see how reuniting with her dark side from Oz had changed her! (yeah remember the fucking Wizard of Oz storyline? The writers sure don’t!) And maybe she’d get developed! Because at this point, Charlie and the fairly good writing of her character was a major upside for the series! Charlie was cool, fun, gay, and morally complex in a way...none of the female characters had been before her, in large part because by definition, her relationship with the boys would always be platonic.

And then. Offscreen. She is violently murdered. For no damn good reason. Like, literally, her being brought back in this episode after fucking off to europe after having returned from fucking off to Oz seems to have filled two purposes in total. 

The codex is solved (but Sam doesn’t know till next episode)

Charlie is dead, which means Dean can be angry, specifically at Sam, and kill more people because he’s the big bad this season. 

That’s it. Two things. Twooooo whole reasons to do this episode. Whoopee. 

But you didn’t come here for this, you came here for me to rip this reveal to shreds. Don’t worry, I’ll get there. What I want in your minds is that Supernatural already had a really good anddynamic queer character. And then they killed her off to make Dean angry. No, it doesn’t matter that they brought her back in season 13 or whatever. They made that decision. 

After the rage this incited, I started realizing general flaws in the writing (I had probably already noticed them but now I was angry enough to complain.) Every conflict is born of Sam and Dean not communicating/taking on burdens and Dean being angry at Cas for reasons that ranged from good to ridiculous, but in a way that always went way too fucking long, (which...yes, does make the “you do it for love” gifs fucking hilarious). It didn’t help that seasons 11 and 12 were next, which meant Demon Dean and GOD’S FUCKING SISTER, plus the decision to resurrect Mary, which, while I do like her later scenes, as a season 12 finale it...well I’ll be honest it kinda sucked. It undercut the majority of the Winchester’s’ arcs and their slow and painful journey out of their father’s toxic vengeance quest and knowing Mary as a person when it’s too late to know her was one of the last semi-compelling grounders of the narrative. 

By this point it was a hate-watch for my parents and I.

So then, I’m at college, and I’m not watching anymore cause I don’t have the motivation or access to Hulu to continue, and SPN is bad. I watch the Scooby Doo crossover when it comes out and my friend and I make fun of it, and we also continue making jokes about Dean and Cas and queerbaiting because we’re queer, but I don’t keep up. My Dad does though, so when I return, I watch some with the fam and lads. It’s even more tiring without context. 

So flash forward to Quarantine, my sister, the only one with taste, has left, and we have run out of netflix to watch. So we return to the well, and seasons 13-14 are. I’m gonna say it. Bad. Really fucking bad. The cycle of bad communication continues, season 14 has like seven antagonists and the way it’s structured makes it so I literally cannot remember the timeline of a season I watched 3 months ago. Oh also, they have a queer coded cannibal snake monster for...well I guess Jack’s snake bud was cool but like. Huh wow it’s almost like these writers don’t handle queers well. 

Our one saving grace is Cas, but he’s barely in any episodes, though I did note that his deal with the empty, being happy completely for one moment killing him, that struck me as “this has potential and I know they’re gonna half-ass it somehow.” Also Jack and Mary, but then oh...plot….The most compelling it gets is literally the finale.

But then, 3 days later, the first half of season 15 comes out on Netflix and it’s...actually kind of acceptable. The new character they give Jack’s actor is fun to watch him play until they make him evil. Exploring just how toxic Chuck can be gave the series direction again. The alternate future was genuinely scarring, and Eileen’s return was genuinely moving. Most of all, though, Cas got the opportunity to tell Dean no, that Dean was being unfair to him, had always been unfair to him, and he was sick of it. I had no illusions, I knew Destiel was never gonna happen, and Cas was gonna die, but giving him that bit of agency, letting Cas grow and be self-sufficient, and be angry with Dean not for existential reasons but interpersonal ones, was such a good sign for me, and Dean grew too! Dean fucking apologized for being horrible and Jensen Ackles had a...yknow what, ill give it to him, he had a good acting moment. 

But the thing. About. The “I love you.” 

Let’s take it in parts.

What was good: I’m gonna admit it, lads, “Wanting what I can’t have” - AS A LINE - is good, and, structurally, there is something to the Empty Deal that could have been an interesting aspect of Cas’ arc when it comes to self actualization and being on even footing with Dean. The problem is, this is Supernatural, and that arc only comes up when I bring it up because character study, even in bad media, is fun for me. 

What was bad:

I mean. Like. All of it? All of it. 

Okay. Fine. I’ll be specific. 

Cas dies immediately when - possibly because- he is revealed as having feelings for Dean. They kill him as they queer him, that’s a Bury Your Gays Speedrun right there.

Like the least they could have done is have him mention it to someone in another scene or something to establish some romantic feelings on the part of canon a full episode beforehand. That would have been the literal bare minimum. 

When Cas starts praising Dean, for some reason both the writing and Misha’s acting take a bit of a downswing (from...where it already was). Cas, whose most powerful moment this season was acknowledging that Dean’s anger at him is cruel and unfair, flatly praises him for doing everything out of love and it reads with a misunderstanding of both Dean as a character and Cas’ understanding of Dean. Dean is angry! VERY ANGRY! And it’s a problem he needs to work on and rarely does. 

Talking out of my ass, a better speech would have been about how Dean is angry because of his love for Sam, family, and the people around him, how, for better or for worse, he can’t help but be angry on behalf of others, and that his journey of moving that tendency towards the better is what made Cas care so much. Guys this alteration to the metaphor took 2 minutes to write tops I am an Art History student and these are TV WRITERS WITH YEARS OF EXPERIENCE CAN YOU TELL THEYRE NOT TRYING YET? 

A better speech would, of course, have come out of a better series. My point: this part was half-assed. Poorly written. Wow it’s almost like the series is also poorly written. 

 Also, Misha is the better actor of the three(***OF THE THREE), but his choices in that scene are jarringly out of character which. Makes the bad writing worse. It doesn’t help that they cut to the same fucking shot of Dean 3 times. The chemistry in that scene makes it feel so fucking hackneyed. Because it is. 

This combines lead me to the point: (wait there was a point to this?)

As someone who does not have the luxury of watching this capsized ship fall into boiling seas from a distance, it is less insulting to me that they did this so last minute and then sent Cas to the Void than it is how they did it. They had ingredients for something that could have been compelling enough to me as a former fan of the show to think that they had put effort into it, that they had decided months, perhaps even years ago to do this, and had crafted a storyline around it. That this was an intentional decision they cared about. It wasn’t. It was barely even pandering, because it’s almost insultingly blatant. 

SPN kinda proved to me that it didn’t care about queers when Charlie was killed off. It proved it to me again when Cas, not only died in confessing his love for Dean but did it in the weakest result of what could have been a surprisingly strong story.

#destiel #i don't fucking care im tagging it #bury your gays #queerbaiting #homophobia #also: i should say there are a lot of moments where i refer to aspects of the writing as good #this either means i was 14 when I watched it #or #it's something that i find compelling #that #IN ANOTHER SHOW #OR IN A HYPOTHETICAL WHERE THE WRITING ISNT LADEN WITH HOMOPHOBIA #could be fun to explore #like there are these structural motifs #and themes #which could have made the show good #could have made that confession...passable #but they didn't even write it well by supernatural standards #is my point #My other point is i get to actually be mad about this because I actually watched and put emotional energy towards this show #i shouldnt have but i did #so now I get to write about it #and if you reply we been knew to this post #youre correct #but also #wow do you maybe think I was already aware of that?

[ladywhaiyvern]

Musings of An Otaku #3: Otaku vs. Weebo?

As someone who has been into Japanese animation since 1997 and other aspects of Japanese culture longer before that with Americanized Super Sentai. I stumbled upon a little glorious movie playing on the Sci-Fi Channel’s Saturday Morning Anime block- “Tenchi in Love: the Movie,” due to my boredom of watching the same rerun of “Power Rangers” at the time. I fell in love with the detailed artwork of the characters, the intricate backgrounds, the music composed and the overall story. I had not seen anything like it in an American produced cartoon series or cartoon movie. I was around when Anime was basically non-existent on store shelves. Not a single manga issue could be found in a library or local book store. VHS titles were sold in very selective stores with 1 or 2 episodes per tape. And forget about wanting to change the language track. You either had to find the dubbed video tape or the subbed video tape. No easy button switching back then! And for television- no station openly aired Anime (outside of the Sci-fi channel). Some movies such as “Ninja Scroll” aired on pay-per-view movie channels late at night. No Toonami existed. 

Anime was obscure in America. Hell, I remember going to my local video store and asking if they had anymore titles of “Dirty Pair Flash” (as I had found the first vhs volume there). The look the store clerk gave me was priceless. Thought I was probably talking about a porno or something! Shit, I was into Anime and was made fun of by my fellow students in Middle School and High School because it was different. Now it’s main-stream and all over the place. One can walk into big box stores and find manga titles in the book section, dvd/blu-rays openly on the sales floor, merch like shirts and toys. Now you have dedicated sections on streaming services like Netflix and Hulu and not to mention streaming services from Chrunchyroll, Funimation and HiDive that focus on nothing but Anime. But what does all this reminiscing have to do with my title?! Simple.

During the birth of the Japanese Anime boom here in the United States, us select fans had gathered together and decided to call ourselves a name. Granted, the origins of this name were very negative in the Japanese culture. As “otaku” was viewed as a socially inept individual. A subculture of Japanese society that was viewed as being derogatory. A fan of any subgenre of entertainment (not just Anime). However, we adapted this word and started using it. We took away that negative stereotype. We started using it to represent a group of people who not only enjoyed Japanese Animation, but other forms of Japanese entertainment as well. It was an umbrella term for “fan.” It wasn’t meant as someone who lived and breathed anime and manga. They weren’t obsessed over it. They were just fans who enjoyed the art form. Now, I know in the early 2000’s- many Japanese still looked at the term as being negative and probably thought of us as being crazy for wanting to adapt such a term. But we were proud to be called otaku. We were not embarrassed by it at all. Even now, I know it has lost some of its derogatory meaning across the ocean but will still never be 100% accepted. Recent series of both anime and manga poke fun at the otaku subculture in a humorous way instead of negative. It is something that is no longer just pushed under a rug or tossed into a corner and forgotten about as it had in the past. Kinda like how some mental disorders are done here in the States today. That is something I do not wish to touch with a 10 ft pole though...so moving on.

Now, where the hell did this term “weebo” come from? Why the hell has it become such a thing? WHY?! JUST WHY?! According to the Urban Dictionary it is an overly obsessed individual who lives and breathes anime and manga (usually mainstream titles only). They do not branch off into the older titles or even bat an eye at the obscure titles (which I absolutely love). They only “love” what is currently airing. I am using the term “love” lightly. More like they only enjoy it as the current fad. Next mainstream series comes along and they move onto it like a leech. Sooooooooooo from my understanding they are wanna-be’s. They want to be an otaku but don’t want to deep dive into the full anime subculture. They only use Japanese terms and phrases picked up from mainstream shows. And use them periodically out of context. They show no interest in other aspects of the Japanese culture or learning how to correctly speak the language. They think it's the “cool” thing to do. OMG, look at me- I can speak a couple of words of Japanese thanks to this show that everyone else is watching. Look at me, look at me! They scream fake. I’m sure you know a couple. I know I do and they annoy the hell outta me. You try to have an intelligent conversation with them and it all circles around back to the one mainstream series that they are currently obsessed with. This is seriously the main reason I did not get along with some of my former coworkers. Oh well, let them be them and I will continue to enjoy the wide range wonders of all genre anime and manga (especially older titles). 

Now as an otaku of not only anime and manga but video games, Super Sentai, Asain Horror, Japanese music and the list goes on and on and on and on; as well as someone who has taken the basic Japanese language classes; and as someone who enjoys learning about different cultures (especially Asian history and culture) due to my cultural anthropologist background- this term offends the hell outta me. Why?! It’s just a word. Maybe I finally understand why some people find the word “moist” offensive as this is along those same lines. I still don’t understand why. It is a fun word to say. Moist! Mooooooooist! Moissssssssst! It’s like do not give yourself a label. Do not think this “weebo” thing is a cool thing to do. It is not. You're a fake, a fraud. Many of us otaku from the older generation can see right through it. Don’t obsess over something if you do not intend to appreciate and understand the full cultural context that it offers. Japanese animation and manga is something that should be appreciated as an art form because in reality that is what it boils down to. It is an art form. It should be enjoyed by all. But to only enjoy something because it is the cool thing to do and you want to impress people, no. Not cool. That is just a slap in the face to those that enjoy it as a whole. 

These are my musings, take them or leave them! Enjoy them or don’t! Have fun, don’t be a weebo!

#anime #rants #manga #otaku #musings #random thoughts

[nicemom93]

In The Wreckage

Eight days. It’s been eight days since the horror of Season 4 dropped on us unexpectedly, messing up all of our plans to watch together, with personalized marshmallows (thanks, @jjmazzy) and Veronica-themed food. And while we all knew that we were going to lose someone, I don’t think anyone was ready for what we got, or how poorly it would be done. 

What I also never expected was a season that made me:

1. Wish that we’d never clamored for more Veronica Mars after MKAT;

2. Wonder if I could actually still enjoy old VM canon, since what S4 did to Veronica and her story was so awful.

I came across a Hulu forum (again, thanks, @jjmazzy ) and wrote more than I’ve been able to write in the last 8 days, explaining my unhappiness and my hope that Rob Thomas is not allowed to bring any more Veronica Mars canon to life, but it may have been too long and the damn thing won’t post. So, I’m sharing here, under the cut, to at least get this off my chest. 

Although it is inevitable that this show would have ended for good in 2007 without the steadfast support of its fans, I respect that a showrunner gets to run his show. He doesn’t have to cater to what has become disparagingly termed ‘fan service’. There are a couple of problems with that in the case of the Veronica Mars revival however. 

After the unprecedented fan response to bringing Veronica and company back for a movie, the fandom continued to keep the attention on the desire for more canon content. Rob Thomas and Kristen Bell did an admirable job continuing to mention their own wishes just often enough to keep the fans’ interest piqued. Then, last summer, a month before the formal revival announcement, the teasing began…we’re close, so close, so very close…and the fandom responded as expected, shouting our desire for more VM content from every forum available. I cannot believe that this deliberate tease and the fandom response did not help make the deal with Hulu. “Look at our built-in audience! This is a sure-fire money-maker.” For the next 11 months, we were then spoon fed the pieces and parts of the story that anyone with a brain would know was going to keep the interest high. Kristen Bell even finally declared herself ‘Team Logan’ after years of frustratingly stating that do-nothing Piz was better for her beloved character than the boyfriend who always had her back and knew exactly what she needed. What a great day that was – seeing her finally admit what the rest of us have thought all along. We should have known it was a scam to keep us on the hook, but, boy, did it work. Hulu has probably never gotten as much free advertising from a fandom as it did for Veronica Mars.

But the show we got in S4, and what is being proposed for S5, are not what we were sold. In S4, Veronica became a shell of who she has been in the past. That might be understandable given all of the trauma in her life, but when last we saw her, she was working toward understanding what she wanted out of her life and was learning to make better choices. What in the world happened to her between the end of MKAT and S4? Nothing is mentioned, but for a character to have such a significant change in outlook and behavior between chapters of a story, there really should have been some explanation. There is no question that Veronica's always been...troubled and kinda difficult, but that was earned by the circumstances of her life, and the people who cared about her still managed to ground her to a certain extent, no matter how hard she was on them.

In S4, she's hateful to everyone who has loved her, except for her dad, who she mostly ignores. Her disdain over Wallace's life choices was hard to stomach. Her treatment of Weevil was so self-righteous and horrible that I truly hated her in that last interaction...you know, the one before he saved her ass in spite of how awful she was. And her treatment of Logan was appalling. She spent most of the original series looking down on teenaged Logan because he wasn't as focused and driven and put together as she thought he should be (newsflash - she wasn't all that either), but here she's looking down on him because he’s gotten too focused, driven, and put together. I get why she had trouble with the fact that she's still a mess and he's not any longer, but the way she taunted and undermined him did not make her a character I would like to see again. Now, a Veronica who understands her own dynamic, and is trying to improve herself, that would be interesting, but there is nothing in how S4 concluded that would cause her to make this change. She now has a reason to be a shell of her former self, with no hope for anything good to ever come from her life.

Since S4 aired, we’ve heard from Rob Thomas and Kristen Bell telling us this was the only way to keep the show going. They’ve even had poor Jason Dohring out trying to sell that message, in spite of the completely disrespectful way he was treated after helping keep fan interest in this show over the long term. Not just because of the abs, although that’s the typical argument from those who want to see a fifth season of Veronica beaten down once again. No, it’s because Logan Echolls has had the best arc of character development on this entire show, and on most other television shows as well. It is difficult to fathom why no one wanted to continue to take advantage of that.   

However, this showrunner doesn’t think a married woman detective can be interesting. Rob Thomas has stated in interviews that he thinks Logan and Veronica in a perfect relationship would be boring. Umm, have you watched your own show, sir? That marriage is never going to be perfect. Watching them negotiate their new dynamic would be interesting to watch, but apparently not interesting, or maybe it's just not possible, for Mr. Thomas to write. He’s also stated that he needed Veronica to be the underdog again—that’s where she is best. I don’t disagree, but I’m not sure how more trauma piled on her translates to underdog. She’s always going to be the underdog because she takes up for the underdog. At least she used to. Her relationship status doesn’t change that. 

Mr. Thomas’s consistent message following the show’s drop has been that he wants this to be a pure mystery show, and take out the teenage soap element. He could have done that easily by not regressing Veronica back to the maturity level of a teenager. That was the only obvious aspect of teen soap that I saw in S4 and he chose to wrote her like that. He also chose to throw in the completely unnecessary love triangle tease, a ridiculous soapy twist for a character who has never been a cheater, at a fundamental core level because of what she has seen, and who has been in a reasonably stable and loving relationship for five years. We’re also told that the horrific trauma she endures at the close of the finale is what will finally get her to heal. There is no valid writing that would make that true. Over the last fifteen years, Rob Thomas has piled trauma after trauma on this character, and none of them have caused her to heal. Here, in spite of her fears, she again chooses a life with the love of her life, establishing that she does still have some hope for a better life, even when she knows so much can go wrong, and she is rewarded for this growth by being dealt the worst blow possible. What about that set-up sounds like a reason to finally choose to heal?

Our final sight of Veronica is of her again running away from what’s left of her life, including any type of support system. Mr. Thomas indicates he sees the future of this show only as Veronica traveling and solving mysteries on her own on the road. He wants a pure mystery show, although he admits, very accurately, that he doesn't do mystery that well. He also accurately assesses that humor/banter is where he excels, but where in the story of a lonely, bitter widow with no one in her life are we to find that humor? V's repartee with Keith and Logan especially are where that is easiest to find, and Logan’s dead and Keith will maybe be on the other end of a phone call. Why would we wish this dark and hopeless world on a character that we’ve loved for years in spite of her flaws (and her creator’s). As a longtime, very immersed fan, I wish I could travel back in time and let the fandom know what it’s like at the end of this time stream. If I believe in Marvel Time Travel, that still leaves us in a shattered world that we unwittingly asked for, but maybe I could at least save other versions of me and my fandom friends from the heartbreak of a Veronica Mars revival. Canon ended just fine with MKAT. I can only hope that the Hulu Powers That Be don’t continue to allow Mr. Thomas to continue to inflict his vision of more trauma porn on Veronica Mars. 

#veronica mars #season 4 spoilers

[comeallyelost]

The Handmaid’s Tale 3x08 Thoughts

I think I'm getting a clearer picture of where this season is headed, but the way they are going about it is not at all ideal. 

Four sections to this post:

June

Aunt Lydia

General Episode Notes

The Racism Problem

1. On June’s Sanity

The plot is barely moving forward, but we're seeing more of June's descent into madness/ desperation and her loss of humanity as a result of losing her closest allies. (I'm gonna loop in Serena and Nick here because for a while at least, I think June believed Serena was in her camp post pinky-finger). 

So based on the looks of things, Nick's absence and ambiguity HAS to be intentional since it's having a direct effect on June's ability to cope with the horrors of Gilead.

This episode most definitely was used to paint June as the villain and Natalie/OfMatthew as the victim. They turned it around on us, implying that anyone can go mad here, even our protagonist whom we've been rooting for this entire time. And like, I don't really want to draw too many parallels here, because the development has been a better on THT and there is a much more tangled web of *things* going on, but I'm getting similar "mad queen" Dany vibes that were happening on Game of Thrones.

But honestly, what irks me most about this whole season is how we all came in expecting a season about the resistance. About Mayday, about June fighting back. June STAYED in Gilead for a reason. For Hannah. Or so we thought. Where is that narrative? We've gotten nothing so far. 

I would argue that it does makes sense for June's character to go darker, to go to extremes she would have never considered before. Especially without someone to anchor her down. Nick was her rock and he's gone. Not just physically, but in her mind she feels like she lost the person she thought he was. HOWEVER, just because these elements were removed, it serves no point for her to stray in this direction and lose sight of her daughter, of the fight against Gilead.  The handmaids this episode played out like a Mean Girls skit and poor Janine is this series' punching dummy and I'm getting tired of that.

Side note: Another facet of June’s spiral is the lack of flashbacks. Her ties to Luke, Hannah, Moira, and her life from before are fading. Nick keeping her sane and helping her survive in present Gilead was one side, but her ties to her humanity are also very much embedded in the person she was before. She may not be the same June, but it’s those memories that keep her fighting, that keep her going. And I don’t think we’ve seen a flashback since like...the beginning of ep 5 if I’m not mistaken.

It's been EIGHT episodes gdi. What do we have left? Five? I sincerely hope they're not wasted. But my hope is dwindling. Watching this week's ep I honestly felt like I was watching an entirely different show from the one I was so obsessed with last year.

2. On Aunt Lydia’s backstory

Yay! Woohoo we finally get a backstory for someone new. Except it’s Aunt Lydia, and I don’t think I ever found her compelling enough to merit a backstory. 

What I mean is, I always found her to be as pious as they come in Gilead and she serves the regime wholeheartedly. Her character was always finding a way to help others in some twisted radical christian logic and I was right!

What I do keep seeing people post about that I disagree with is that she “turned” on the young mom because she was rejected by a man. Her motivations are more complex than that. She mentions “moral weakness” enough that I think her compulsion to help others in the way she thought she was helping Noelle was to rid them of it. She thought herself above it, or at least she carried herself as someone who overcame moral weakness and thought it her calling to help others in overcoming it as well. 

So when she found herself displaying it towards the principal, I think something snapped in her. His rejection in the middle of their (intense) make-out session served as a wakeup call to her imo. And she blamed Noelle for making her “morally weak”.

So what we can draw from this flashback I’d say, is that Aunt Lydia’s whole schtick is helping others overcome their moral weakness as she puts it. She truly believes she is doing God’s work. She was totally okay with taking Noelle’s kid away from her. And so the brutalities she’s committed as an Aunt are not seen by her as such. She fits right in. A perfect fit for the role.

3. Thoughts I had while watching the Ep: - the chanting scene in the school gym felt like a nightmare/dream sequence - June’s posse is super clique-y which I kind of like if only they used their powers for the good of the resistance and not to terrorize OfMatthew/Natalie - June tattling on OfMatthew/Natalie was super petty. Can she please focus on the bigger picture? - Hannah and the Mackenzie’s are GONE. What now? I really really thought we were gonna see Hannah get out this season. - Janine is literally the only sane one and yet probably the one who has suffered most - Commander Lawrence's "Do not presume to speak to me about my wife" last episode versus. "I'll bet that felt good" this week - I didn’t quite understand OfMatthew’s behavior. I know she was terrified, and I know June outing her for her sinful thoughts rattled her, but her being on edge enough to beat Janine, kill a guardian, and take his gun? What broke her? - I also hated how that scene was filmed. It felt like a shooter video game sequence

4. On the racism problem:

THT's "colorblind" approach from the inception of the series was already problematic. Margaret Atwood's version of Gilead was based directly on the inequalities she saw in (her) present day. I completely get rejecting the notion of an all-white cast and their logic that a fertility crisis would take priority over racism, but hell, if there is one thing that is inherently american, it's RACISM. A fertility crisis wouldn't ERASE racism altogether. And that's how Hulu's version made it seem. 

Also, another element of Atwood's Gilead and the fertility issue was the underlying eugenics of it all which is not present whatsoever in the series. If we're exploring a fascist, oppressive regime, eugenics is definitely playing some sort of role. Casting a diverse group of women as handmaids and marthas was not a bad move. But simply having the POC ones making the background more "colorful" won't cut it. I think there could still have been a diverse cast with some sort of oppressive racial hierarchy in place within Gilead. The LGBTQ community is targeted, the women are entirely powerless and assigned roles within certain constructs, but they won't even mention race? It's like an unspoken elephant in the room they've decided to ignore. Which then makes all the actions against POC in the series that much more unsettling.

I'm questioning whether this racism is intentional then? Or just a consequence of the ingrained, learned racism we've all grown up with. Either way, it's a complete disaster. Diversity is not just seeing POCs onscreen. It's GIVING THEM A VOICE. It's letting them tell their version of things. Serena as the embodiment of white feminism, I thought, was intentional at first. June's ability to get away with SO MUCH and suffer hardly any consequences in this awful regime, I'm thinking now, is another example of white privilege in this society. And it can be. It would actually be a great tool IF IT WERE ACTUALLY ADDRESSED IN THE SERIES. But instead we just see POCs suffer, get no back stories, no voices, and just see June, Serena, and the other white handmaids carrying the series.

This episode we did get Aunt Lydia saying one of the households didn't want a handmaid of color. So there we had a teeny tiny glimpse into the fact that there is some underlying racism going on somewhere. But again, like all of the other snippets we've seen this season, it leads to nothing. It's not explored or examined or ever addressed again.

I was skeptical of OfMatthew's (Natalie) role as June's partner from the get go. No one here is doing anything except trying to survive. There are imo few actual villains in Gilead except those who constructed it for their own gain. Every single handmaid, martha, ~insert oppressed role in here~ is playing a role in order to survive. 

I've mentioned before that one of the elements I love (or maybe loved in past tense at this point) about this show is how it highlights humanity's capacity to endure suffering or see others endure suffering. When do you snap? Who falls in line and who resists? What are the triggers? What moral standards do you uphold when society as you knew it to be has been erased?  

So taking all that into consideration, OfMatthew/Natalie was never a villain for me. Annoying? Maybe in her intro. But she's popped out 3 kids. She's about to give birth to a 4th and is legit terrified for her daughter. Her snitching on June was shitty, but she was just trying to survive like everyone else. The fact that it cost the life of another martha (who was a POC) and June faced no repercussions was even shittier on the writers’ part.

This show has me going in circles honestly. Questioning whether these decisions were intentional or not. I don't know which one is worse. If it was intentional, the lack of actually addressing the racism in Gilead makes it pretty shitty on the part of the showrunners. If it was unintentional, then they really need to reexamine the writers room and staff more POCs. Like wtf.

#the handmaid's tale #tht #handmaids tale #june x nick #june osborne #nick blaine #racism #tht spoilers #3x08 #nick x june #handmaids on hulu #hulu #aunt lydia #ofmatthew #reviews

[onepunchmiss]

OPM s2e10 Live Blog

“Justice Under Siege”

ALRIGHT so despite the fact that it is the 1 week anniversary of my death, OPM has forcefully wrenched me from the underworld to come continue with the season. So here I am and I’ve already posted my guess for what this episode will entail so lets see how well I handle it! (see: how much I scream) As always, I’m watching as someone who is up to date on both the Manga and webcomic

ASDFGHJKL I OPENED OPM ON HULU AND IT IMMEDIATELY PICKED UP WHERE I LEFT OFF AT REWATCHING THE ZOMBIEMAN BIT HOW DARE I WAS NOT READY

lets try that again ok

AHA YES OMG we’re starting with this!! I was totally expecting to pick up exactly where we left off, with Destrochloridium at the HA but OK throw me for a loop! Mix it up! “ORA ORA ORA ORA” I love Saitamas VA, I’ve said it before and I’ll say it again I laffff oh my god it keeps going in the background as Kind talks I can’t

This is the scariest Saitama face I have ever witnessed wtf??? Why does it look so creepy?? Also, they added quite a bit to this scene huh? I guess They have to amp up the jokes since shit is getting pretty serious otherwise at this point in the series. OH SHIT THE DING ‘NO OTHER WORDS CAME TO MIND” OK Excellently done that got me I cackled fffffffffffffffff

OH MY GOD KING THAT SICK BURN?!?! I dont remember that I guess they’re really making it a point to be like ‘HEY LOOK THIS IS GONNA BE USED!!! IT EXISTS!!!’ but like I dont care cause it was worth it for the joke hhhhhhhhhhhJUST

Yanno, I just realised I think I know where every sing scene in the whole opening comes from down to the omake. Also just realised we are definitely getting Genos/Bang/Bomb vs Centipede cause that joint attack Bang and Bomb use is in the opening. Huh why did that only just now click anD OH MY GOD BB GENOS IM DYING NO

Ok now we’re where we left off and oh dear god I HATE that squish noise please stop no OK Gyoro’s weird Eye twitch was a cool touch. Oh wait Narinki is the highest ranking executive now? I thought he was just the top donor of funds or something? eh anyway- lol wow Gyoro puts on a convincing sob story voice this is so funny?? Cause its Complete BS and I wonder what my reaction would be if I didn’t already know that AHH OK BUT THAT ‘HEHIHIHIHIHI’ LAUGH THO OMG SO GOOD

WHEW ok but seriously just the MENTION of assembling all the heroes is raising my blood pressure asdfghjkl if I may have one thing in life PLEASE LET IT BE A THIRD SEASON PLEASE IM BE G G IN G

AHH YESSS!!!! YYYEEESSSS!!!!! DARKSHINE MY DUDE MAN BRO GUY YESSSS!!!!!!! I LOVE!!!!!!! I JUST!!!!!! HAVE A SOFT SPOT FOR THE OTHERWISE NORMAL GUYS WITH OBSCENE MUSCLES LIKE DARKSHINE AND TTM!!!! AHHHHHH!!!!!!!

ASDFGHHJKL Did Destrochloridium just shout Itadakimasu?? HULU y u no translate that??? DOI as he gets smooshed pfffffftttttttttttt omg the sound pls ohmigod everyone knows steel is no match for a hardened body i just fukken HEKK I love this show so much pls he sounds so concerned that destro DIDNT know that

“Better step up” OH MY GOD YES DO THE THING

OK WAIT This is actually badass and not just a joke?? Darkshine, er, Blackluster(??) stop u r 2 good I cant handle it rn

oooohhhhHH OH OH OH OH PLS SHOW EVERYONE I WANT PLS THE MONSTER ASSOCIATION!!! PLS!! SHOW ME WIFE?? CADRES?? PLZ?? yo total side note but I LOVE Murata’s monster designs?? Every time I reread opm I just oogle at a new one I never noticed before they’re all so unique and good. Also At least 3 of them in this sequence look like pokemon i swear- lol the silence no applause, if that was a joke in the manga i totally missed it uuuuwaAAAAAAAAAAA SCREAMING SCREAMING I AM SCREAM CADRE YES YES ASDFGHJKL ARE YALL READY TO SEE T H  A T FACE FOR THE REST OF THE SERIES THUS FAR???? HUH????

ew oh wait I actually feel bad for Awakened Cockroach, and he twitches after getting eaten oh noooooonono ew oh no dude im sorry no AAAAAAAAA WIFE HELLO oh their voices are so sad when they’re terrified for their lives I dont like it :[ ITS OK UR SAFE 4 NOW ILY PLZ BE CAREFUL AND STAY AWAY FROM PRETTY MEN 

YES THIS EPISODE IS GIVING ME EVERYTHING IVE  WANTED SO FAR THANK YOU SO MUCH HHHHHHHHHHHHHHHHHH LOOOOOOOK AAT THEMMMMMM

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAMY TRASH SON I HAVE MISSED YOU OH NO MY EYES THERES WATER IN MY EYES HELP ILY

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAMYCYBORG SON MY HEART I WEAK GENOS BB PLS BE CAREFUL ILY TOO hey heres a WACKY  and TOTALLY LoOnEy IdEa, what if,,,,,,,,,,,,,,WHAT-IFF,,,,,,,,,,, everyone was HAPPY???? Crazy I knowww I just want the best for my sons and babies and children boys wives daughters loves and husband, is it so much to ask???

Oh my god he looks so Sad here please no Genos everything will be ok please don’t be reckless do not be reckless listen to Dr. Kuseno you fool 

[SCREAMING] ASDFGGHJKL LOOKIT HIM EATING OH MY GOD MY BOY MY DELINQUENT SON GET BETTER SOON oh my god i started out fine this episode but its KILLING ME there are TOO MANY PEOPLE AT ONCE i CANNOT BREATH

CHILD EMPEROR MY SON I LOVE YOU TOO BOFOI UR AN ASS oh my god please can you even TRY to be a good mentor for the kid???? Thats it Zombieman adopt him pls remove shitty Bofoi influence replace with Best dad man influence. ANYWAY ok that was a tangent huh oops sorry. Ok but look at him. Child Emperor is genuinely adorable and a sweetheart poor kid don’t lose your faith in adults.

Uh, the episode is running late still not to Garou yet either?? hmmmmmmmmm again I’m getting nervous are they gonna rush it?? lol the saitama throwaway OH OH FINALLY OMG MY HEART ISNT READY MY FAVORITE GAROU IN THE WHOLE SERIES OH MY GOD

im… im screaming… i love these two so much it hurts it does really. I was not prepared for how adorable it was possible to make Tareo either can I hug?? I must hugg?? And Garou’s voice is so calming and he’s being so sweet? I was really expecting to sound more… i dont know, whiney? Every time he shows up on the screen I love him more and more ffs

This is such a good shot. Desktop wallpaper material right here.

Oh my god, this moment. And the music is just yanking my heart strings stop.

Oh yeah, they interrupt right. I like these heroes and all, but none of them are particular faves the fact that I think SO MANY OTHER FAVES were are RIGHT before them this ep just kinda overshadows their existence for me. I think this is the ONLY time in the series where Garou goes up against heroes and i cheer for him 110%, don’t even feel a little bad about who he’s beating the shit out of, and that’s kinda messed up of me but thats how impartial I am towards all these guys?

Back to Garou and I love him. hhhhh.

He smak the table

He laughs. Oh no his laugh. OPM forcefully dislocated me from the underworld to watch this episode and has thusly YEETED ME TO HEAVEN THAT LAUGH. I really need Garou to be happy.

Do you see this man? Do you see him? I do and I’m crying thank you

Omg I got really caught up it watching them talk but the sparkles around death gatling whe Tareo was looking at them snapped me out of it. oi I cant handle this. Garou I want you to know that you have successfully turned the bad guy into the one everyone wants to win. You did it boy you did

WOAHMYGOD THIS IS BEAUTIFUL

OH MY GOD AND THE MUSIC IM SCREAMING

GAROU

YOU

ARE  

AMAZING SON

like I know how this goes but I’m so anxious anyway the hhhhhhhhhhhhh the fight choreography is a little clunky but I don’t care OH ok cool Glasses actually kept his little spotlight nice but Garou GAROU PLS B CAREFUL OK except WHAT THE FUCK IS HIS MOUTH DOING THAT LOOKS SO STUPID WHAT THE HELL?? HOLY SHIT IM GETTING DIZZY STOP wh- wh- wait no. NO IM NOT DONE WITH YOU YET COME BACK PLEASE I NEED MORE WAIT NO UHG this is my reaction at the end of every episode when will I learn?????????????? never. The answer is never.

NO POST CREDITS STINGER and AS MUCH AS I LOVE GENOS’S FACE I already knew he would be in the episode next week. Yall I am so lost as to where the final episode will land. WTF.

This ep was a roller coaster oh my god. Non stop plot not that the tournament is done, and we saw like EVERY CHARACTER my feeble heart could not keep up. The ONLY thing that bothered me was part of the fight sequence at the end, like it was half drawn beautifully half animated so stiff and blocky ??? Threw me for a loop. But next week is only gonna get more intense??? I’m gonna guess we’ll get through the Elder Centipede fight??? But then what does that mean for the last episode??? I am full of SO MANY QUESTIONS??? I really don’t want the season to end yet, 12 eps is not enough. There’s only 2 more. Just. I’m not ready to let go of my bbs it feels like I only JUST got them… Well! Before I devolve into more of a blubbering mess, thanks yall so much for reading!!! As always, see yall next week!

#opmiss mumbling #i cant believe the season is ending so soon #just as shit is kicking tf up #s2e10 #opm #one punch man #live blogging #garou #saitama #genos #child emperor #metal bat #badd #black sperm #wind and flame

[darthspideys]

My thoughts on Phase 4

I AM SO EXCITED FOR PHASE 4 let me just start with that. Just generally, without knowing much about the movies or trailers or anything I am pumped. It looks so cool and there are going to be so many more heroes in the universe and that makes me so happy. I know some people want more focus on like the characters from previous phases but I love that they're staring out with new stuff because its the end of the infinity saga and they want to showcase that before immediately going into sequels and threequels. 

Before I get into specific series and movies I want to talk about a couple of general things:

Disney + : I don’t like that “phase 4″ also includes the series(s). don’t get me wrong, I love them like series(s) were my favorite announcements of the night but like it’s weird that they're technically counted in the phase. It makes me feel like if you don’t watch the series you're going to be missing a plot point from a movie which would irk because its a lot easier to buy a movie ticket once or twice a year than to pay for a streaming service every month (though I’ll give Disney this 6.99 isn’t a bad price that's only like a dollar more than Hulu with commercials) . 

The logos: Look I know logos aren’t everything but like some of those were... how you say garbage? terrible? a crime? Like some of them were spiderman far from home advertizements bad in terms of graphic design (I’m sure we’re going to see a lot of people using the ‘graphic design is my passion’ meme and it's totally appropriate). Not all of them we’re bad though, like The Eternals one was soo good, I liked how the background was kind of like a starry night, and the Shang Chi one good and the Doctor Strange one was okay. The Hawkeye logo was *chefs kiss* perfect, I love how they took the Fractions Hawkeye logo and updated it a bit because wow yes. The Loki logo was so bad I can’t even look at it, the fan made ones were so much better, loki I’m sorry you deserved better than some clip art that I think makes a word.... and the wandavision one was just werid but then again everything about them is werid so

The casts: MARVEL HAS THE BEST CASTS EVER that’s it im saying it, no I do not take constructive criticism. Say what you will about the movie but like the amount of talent that has been and will be in the mcu is astounding I mean we had RDJ and Chris Evans, who are amazing and Brie Larson (who by the way has a freaking oscar) and now we’re going to have Salma Hayek, Richard Madden, Kumal Nanjani, Natalie Portman is back, MAHERSHA ALI IS BLADE LIKE WOW (I think he has an oscar too correct me if I’m wrong), Awkafina is gonna be in chang chi (I love her sm), and so many others just the amount of talent is astounding. 

The diversity: SO MANY WOMEN. AHHH JAne foster as female thor??? Our first LGBTQ character (confirmed at least) is going to be a bi black woman??? AMazing??? Another headlining black superhero with blade?? 

Moving on to the actual movies and shows. I’m putting a read more because idk if I’m going to talk about every individual announcement but I might so-

My favorite announcement by far had to be the Hawkeye series, because KATE BISHOP BABEY. She is my favorite marvel comics character and soon to be mcu character :) and now she’s going to get the love she deserves and more people will know about her which makes me so happy. Also it’s interesting that they didn’t announce her casting, so I have hope that maybe they will cast someone asian since that’s always been my headcanon for her even though she’s white in the comics. I’m trying not to use a lot of screaming in caps sentences but just know when I think about Kate being on my screen I AM SCREAMING. When I first saw the post about the series I cried because I was so so happy. And fingers crossed this series is taking cues from the fractions hawkeye comics because that really encapsulated Clint’s character in a way the mcu... hasnt (I really hate mcu clint but that’s a story for another time) so I hope that while they introduce Kate they also fix mcu’s clint and make him actually likable.  (if you couldn't tell I really really don’t like MCU clint.) or at the very least not screw up Kate like they did mcu clint. 

Next up THE SAMBUCKY SERIES. (I know it has a real title but like thats long and I can’t spell soildier to save my life sooo yeah I’m gonna call it the sambucky series in tags and stuff). I know not alot of people are talking about this because we already knew that it was happening, so it’s like yeah we already saw that but seeing Mackie and Stan up on stage together just made it feel so real and it made me so excited. And then Mackie was holidng the shield and I was like ahhhhhhhhhh hes freaking captain America!!! I could write a million essays about why its so important that hes cap and why it means to much to me and a lot of people but,,, another post for another time. But anyway these characters and the actors who play them have so much good chemistry that I can’t wait to really see it. One thing I’m not so excited about... the logo. There was a totally different logo when Disney + originally announced it and I liked that one so much better, this one is just... clunky?? idk but it’s not having that big an impact on my life lol its more of an annoyance then anything. 

I feel like now I should mention an actual movie.. 

THE ETERNALS. I’m going to admit I don’t know that much about the characters or the team (which I will soon fix when I do my wiki deep dive to find out everything) but if your judging just by the cast, this movie is going to be great. I mean the amount of talent in this movie is outstanding and I really have high hopes for what it could be. 

Doctor Strange: The multiverse of madness intrigues me more than I thought it would. Like for starters the name is pretty ominous, and the fact that we’re getting an actual confirmation/movie about the multiverse (far from home really let me down in that regard) is really exciting. Also it’s supposed to be the first “scary” mcu movie, I don’t know how scary they can get with a PG-13 rating (which I’m going to guess there going to try to keep because there’s a big chunk of the fanbase that’s young) but that really made me interesting. ALSO WANDA MAXIMOFF IS GOING TO BE IN IT, so that makes me so excited for it because although I’m not the biggest fan of Wanda's character (which I blame J*ss Wh*don for completely and her lack of characterization in the rest of the mcu and the complete nerfing of her powers.... another post for another time.) I’ve always wanted to see her and Steven use magic togther and I’ve seen a few panels where Wanda, Strange and Loki form a little magic squad which I WOULD VERY MUCH LOVE to see put on screen (minus Loki I’m guessing), also maybe this movie will fix a little bit of her characterization? One thing that makes me nervous about this though is the teaser that it “directly connects” to the wandavision series, if I’m not able to get Disney plus and watch the show I don’t want to have missed out on plot points for the movie but I guess we’ll see. 

since I mentioned it already, lets talk WandaVision. The logo as a mentioned earlier is so very bad, but- yeah idk it’s just very bad. Also the name is really werid? like wandavision with no space? It’s like they went to tumblr, found thier ship name and was like ‘that sounds like a great name for a show’ (that is their ship name right?). I was not planning on watching this show at all UNTIL I found out that FREAKING GROWN UP MONICA RAMBEAU is going to be in it. I didn’t think they would ever bring her up again in the mcu so I’m so happy that she is going to be in this show and I hadn’t even heard any rumors about this so it was a really fun suprise. Am I sure that they are only putting her in the show so that people will watch the trainwreck that is wanda and visions relationship? Yes. But will I fall into the trap because of Monica? YES. But I think this show could be good if your willing to get past the obvious weridness of human girl is in love with basically a robot, a human looking robot sure if your being generous and maybe not fully a robot (a synthoid?) but it’s still werird because he's not human.  I’m curious to see what timeline they use for this, because vision is still dead at the end of endgame. I guess they could use the 2 years between civil war and infinity war but that’s just not a lot of time for a complete story (and if this show “directly connects” the doctor strange 2 then that means that movie takes place pre-thanos as well which would be werid) 

That all being said, I am really excited to see Wanda’s character done by someone who isn’t J*ss Wh*don or the R*ssos because they screwed her up so bad and she was such a badass and powerful character in the comics (my personal theory is that all of these men saw that and went ‘a powerful woman? more powerful then men? we can’t have that around here’ like what was done with Carol in endgame). 

BLADE. We don’t know much about this movie and I don’t know much about the character but I AM PUMPED even though we don’t have a release date for it yet. I just think Mahersha Ali is so talented and I love Black lead heros so yeah. 

THOR: LOVE AND THUNDER am I a little sad they didn't use Thor Four: More thor as our queen Gina Linetti suggested? Yes. But I love this title and it’s just crackhead enough to be acceptable. I’m so happy that this movie is being made, because  1) someone has to make up for the first two thor movies somehow, 2) someone has to fix the mess the R*ssos made of thors character and 3) Thor Ragnarok made me actually like thor as a character, so I want to see more of that Thor. ALSO JANE FOSTER AKA NATALIE PORTMAN IS BACK??? AND SHES GONNA BE FREAKING FEMALE THOR YES YES YES (that picture of her holding the hammer? wow. powerful. showstopping. amazing) I can hear all the dudebros screaming about how much they hate it but 1) who cares what they think? and 2) its completely comics accurate which is thier usual lame excuse for misogyny so they can suck it. ALSO VAL IS THE QUEEN OF ASGARD AND TESSA SAYS SHES GONNA FIND HER QUEEN so we’re gonna get REAL CANON BI VAL (aka out first lgbtq mcu character who is also a woman of color which is so amazing and important!!!!) ANYWAYS THOR IS GOING TO BE AMAZING, its the movie I’m most pumped for AND THE LOGO IS AMAZING and thank you takia watiti for coming to save us. 

Black Widow... hmmm... I’m not as excited for this because one it’s not that much of a surprise since we’ve even seen set photos for it and because Scarlett Johanssen, I just don’t like her. I like Nat as a character even though Scarlett has the acting range of a celerity among many other issues but yeah. I’ll still go see the movie because girl power, and the more female led movies are successful the more they’ll make and more it’ll make the stupid dudebros and misogynists in training at my school mad. Also Rachel Wietz is talented and I liked David Harbour in Stranger things (or you know the 5 total episodes I’ve watched) 

Shang Chi looks like it’s gonna be good, and idk what the ten rings is but uhh I like it. And I love that we’re getting the actual modern and hopefully they’ll do a little flashback or callback to iron man 3. ALSO AWKAFINA 

What if? I love what if comics just because it’s a cool concept and it’s nice to see what if but this feels kind of pointless almost??? Idk I just don’t know why its here (also I originally thought this was going to be on hulu so I’m bitter about that). But I’m interested to see what kind of animation style they’ll go with (which honestly is a huge factor in whether or not I’ll watch it), and depending on what stories they do, if I watch it I’ll probably just end up skipping around and only looking at certain ones. 

Spiderman 3, Captain Marvel 2, Black Panther 2: I’m super pumped for all of these!!! I mean especially after that cliffhanger at the end of spidey (which I’m still shook about). I cannot wait to see my girl carol again, and hopefully her movie will explain what’s going on with the “kree sleeper cells” that skrull maria hill talked about in ffh along with what the heck talos and his wife were doing on earth while fury is in space? (also a cute little reuinion scene between fury and carol?) (also also what the heck has carol been doing since captain marvel and before endgame) (also also also plz give me carol rhodey and intoduce jessica drew thanks) okay so maybe I’m asking a lot of this movie but yknow..and I’m always up to see more Okoye because she is iconic and I love her. 

Fantastic 4, Look I know there's been a bajillion fantastic four movies and they were all bad ( I personally liked the one With Micheal B Jordan, Miles Teller and Kate Mara)  but I have faith in marvel studios. I mean they did take a basically unknown hero and turn him into one of the most beloved heroes and launched that single movie into a cash cow 23 movie freaking franchise (I’m talking tony stark and the tony stark cinematic universe by the way)  so I think they can pull off the biggest miracle of all time and make a good fantastic four movie. 

Mutants... I don’t really know what they mean by this? Like do they mean X men? Or a new movie called mutants? Or mutants themselves will be peppered into the mcu? I think that it shoud be one of the last two options. Just because even if the x men don’t show up for another 2-3 years its still kinda soon to just reboot the whole thing? (also I don’t think that Jean Gray should be recasted because Sophie Turner slayed that role despite the writing being terrible), even the fantastic 4 movie the lastest one will be 6-7 years old by the time marvel reboots it so- also the x men have just been so overdone by fox in bad ways that I feel like if theyre going to use mutants which they should they should do a new team and pull out some lesser known characters and or just put mutant heros in the mcu which I would love to see. 

annnnd an hour later.. here we are. If you made it to the end, thank you because I had a lot to say. 

#phase 4 #marvel #marvel sdcc #sdcc #mcu #mcu phase 4 #thor #thor love and thunder #love and thunder #shang chi #mutants #fantastic 4 #black widow #spiderman 3 #captain marvel 3 #black panther 2 #what if? #blade #wandavision #sambucky #sam wilson #bucky barnes #hawkeye #kate bishop #clint barton #gabby says

[weekendwarriorblog]

30 Minute Experiment: Work #30ME

So I’ve already gone through a couple Pink Floyd titles and one from The Cult, so I might as well start working my way through The Godfathers’ Birth School Work Death in terms of topics for this 30 Minute Experiment. (For anyone just joining, the idea is that I pick a topic and write about it for 30 minutes straight, without interruptions. When the time is up, I post. No edits, no re-reads, probably many regrets.)  Okay, let’s do this...

It will surprise absolutely no one that I’m a bit of a workaholic and I’ve been one for most of my life. I think my first job must have been when I was 14 or 15 or so when I got a bicycle and started delivering newspaper, a job that I quite liked because it was a quiet suburban neighborhood in Westport where not a lot happened. (I do remember one day being flashed by an older woman who came to the door wearing absolutely nothing not realizing I was on the other side leaving her newspaper.)

One of the weird things going on in this pandemic is that after losing a writing gig I had just started, it gets harder and harder to push myself to do the much-needed work I have to do, whether it’s doing these #30Mes or writing my weekly Weekend Warrior column or cleaning or working on some of my long dormant screenplays or even writing to my imprisoned penpal (who I just got a letter from so I need to get back to him fairly soon.)

At a certain point, everything seems like work, even if it’s just scheduling time to hang out on Zoom with friends or family, which is something I did far less of in the days pre-pandemic (Can we maybe start a new numbering system so that 2020 is Year One and every year that follows would be 1 Post-Pandemic for 2021, etc? It feels suitable.)

But this whole time and even over the past four years I’ve been spending a lot of time trying to find some form of steady work, and sadly, things were so unstable pre-pandemic that it’s only gotten harder as more of my movie-writing colleagues are losing jobs and there are far more opportunities. I mean, anyone who reads my Weekend Warrior every week (or EVER!) will know that there are still movies being released, even if not all of them are getting any kind of theatrical release. Some of them are even quite good. 

I was talking to one of my colleagues last night about the work situation and how everything just came to a stop in March when most of us had things planned or in the works, which unfortunately revolved mostly around movies. 

But the current situation has become a great equalizer in terms of people needing to cover a lot more smaller indie movies, TV series and streaming stuff if they want to keep their jobs. I’m pretty sure that the job market is going to look very different in a few months as the country starts slowly reopening, and I think the people who don’t want to do the actual work like going to see movies and having varied tastes, won’t survive. They’ll just give up and go take one of those regular 9 to 5 desk jobs that are out there.

Believe me, I’ve been ready to make that transition for a couple years as I lost a lot of freelance outlets, some being closed, others just going in a different direction. It’s tough out there, and it’s really hard for me to take any sort of dog-eat-dog mentality when it comes to work, because I don’t like seeing my friends struggling. That hurts me almost as much as my own struggle (which I’m happy to say has taken an interesting and slightly positive turn this week).

Sure, I’m definitely ready to be done with this and to get back to work, even though it’s been some time since I’ve had any steady work hours -- probably the Tracking Board where I was doing a 9 to 5 shift five days a week -- and I’m going to have to get back into some of the good working habits. I already try to go to sleep at a reasonable hour and don’t stay up past midnight playing video games (or Android games) or doing some of the other distractions that would keep anyone else from getting work done.

I mean, if you read today’s Weekend Warrior, you’ll see that I spent a lot of time watching and writing about a bunch of movies just so that people will have some idea that there is good movie entertainment still coming their way which hopefully they’ll look into it. I don’t want to too far down the tangential wormhole of the movie biz right -- I’ll have plenty of time to talk about that over the next few months -- but the pandemic equalizer that I mentioned hasn’t really helped the smaller indie movies as I’d hoped since people still would rather throw on Netflix or Hulu or HBO and binge watch some show or another. 

I have a LOT of stuff that I’ve been meaning to watch but my desire to keep my brain in gear and stay motivated in terms of my writing has led to things like this experiment, which I’ve done a pretty good job keeping up with. If I really look at this to see how it helps me in terms of earning a living, I think I can say fairly that it’s a daily job that forces me to think and write quickly, which is something that’s important for most of the better writing jobs out there. And it only takes 30 minutes a day, so it’s not like it’s taking me away from any of the time-wasting activities I’d love to do instead.

Sure, I’m definitely trying to use this time productively even if the “work” I’m doing doesn’t do much to help me financially, although I will say that doing this stuff helps me both mentally and emotionally, which is half the battle when you’re dealing with a job and people you have to work with. I learned that the hard way at a few of my recent jobs post-CS, but I’m not going to get into all of that. I believe very strongly that sometimes you just have to do something to maintain your own mental health even when it’s not the best decision on the grand scheme of things.

I do miss having some of the structure of a job in my life even though I feel my calendar is just filling up with other things, even if it’s just doing things to help support my friend’s own mental and emotional health by taking part in their activities. Believe me, as much as the monotony of the day-to-day may have been getting to me a few weeks back, I feel like I’ve moved past that, and now I’m so focused and disciplined about getting things done, who knows? Maybe I’ll even have a few screenplays done by the time I’m allowed to go to a movie theater or press screening again.

I can only imagine how much harder this is for my friends and family who have gotten used to going to an office five days a week and have built their entire lives around that structure. Of my immediate family, only my sister and her husband and kids were doing anything in that vein, since both my brother and I have always been homebodies for the most part.

Right now, I’m not sure if I could even deal with going on the subway every day to go to a job, but thankfully, more businesses are figuring out how to stay running while allowing employees to work from home. At least as a writer, I don’t necessarily have to be anywhere, although as I’ve said before, I still prefer to see movies on the big screen... preferably without my own name watermarked across it. (This is done to avoid piracy, obviously, since it can be traced right back to me.)

Although I’m slowly inching towards a point in life where most people are ready to retire, I think I’ll be good to keep working in some capacity or other for at least the next ten years. The down time in between jobs these past few years has made it far easier for me to be thrifty so it’s no like I’m trying to support a ridiculous comic book habit anymore and have less need for consumerism. 

I can’t remember if I discussed during the “money” topic but I do feel better when i know i have money just in case I want to do something fun when that’s allowed again. There have been too many times in recent years where I’ve had to decline an invite to go somewhere just because I was worried about how even spending $20 might affect my ability to eat for that week. (Yes, things got that bad!)

I guess we’ll see where things go in the next few months, but I don’t think you’ll meet another person who is more than ready to go to work for 40 to 60 hours a week once again, since I’ve also gotten better at scheduling my time. I mean, it’s still not great but when it comes to working, especially as a writer, I feel that I’m always getting better at facing new challenges, and I do hope some will still come my way.

I have about five minutes left to go in today’s #30ME, and I’m not sure if I have that much more to say about “work” right at this moment, but I do want to say that if you got far into today’s ramble, I hope you’ll drop me a line with some suggestions and opinions. It doesn’t mean I will change what I’m doing since as I’ve said, these are more for me than anyone else, but it would be nice if someone is reading them and maybe it changes their opinion of me (hopefully in a favorable way). 

That’s it for me today but I’ll be back tomorrow..maybe talking about the “Birth” or “Death” part of that Godfathers song. 

#30ME #30MinuteExperiment #Work

[mysticsparklewings]

Daises on Strawberry Hill‪

Well, this looks a bit different from my usual content, doesn't it? Full disclosure that this art was made primarily as art inspired by one of my favorite books of all time (seriously, I have three different editions of this thing)--Looking for Alaska by John Green--as an excuse to talk about the new Hulu series of the same name that's based on the book. Because if you know me at all, you know I am notoriously hard on book-to-screen adaptions, particularly those based on books I love as if they were family members. And originally, this description was going to include a pretty blow-by-blow, lengthy review of my thoughts on the series. However, it's been quite a while since I first started trying to type out said review, and frankly, I've decided instead to, after I talk about the art, to just give some general, spoiler-free thoughts; the most important opinions I have on the series and leave it at that. I am still planning on completing and putting my full-length, in-depth thoughts out, but that'll be at some other time. Perhaps I'll put them in a journal/blog post instead of adding to the description here. Whatever happens, I'll update this description so that those who are interested in my deep-dive can find it when the time comes. That said, let's talk about the artwork now :) LfA isn't a fantasy or sci-fi book, so it doesn't have any cool dramatic scenes or neato devices/objects that have a lot of significance to the plot that would be fun to draw, which is why I never made any fan art or inspired-by-art for it before. But I really wanted an excuse to talk about the series, and so I pondered what symbols or imagery the series might have that I could make into art, even if none of it was terribly relevant to the plot or exciting on its own. This led me to the cheap wine that's mentioned a few times throughout the book: Strawberry Hill. Drawing just a bottle of wine seemed kind of boring and not very specific to the book/series, so I ended up adding in some white daisies since white flowers and daises specifically do have some significance to the plot. (In a way, they're a bit of a crux to it, at least for a key epiphany moment.) Originally, I was going to make this piece traditionally, and I did start with a traditional sketch of the wine bottle and one daisy to use as a template for more to follow. However, I pretty quickly got the idea for doing something more line-art heavy on a black background, as the cover for the book is black and the sort of chalkboard/blacklight look I was picturing in my head seemed fitting for the tone of the story, and despite my best efforts I couldn't think of a way/combination of media to accomplish what I wanted traditionally without also giving myself a major headache and making the project take infinitely longer than I wanted it to. So while I stalled in production, I ended up on my tablet for something else and figure I'd scan in my sketches and maybe make a line art to print off and manipulate into what I wanted traditionally later. But then, just as I started working on that, I figured, "You know what, if I'm going to go through all of the trouble to ink/line this digitally and I wanted it to be more line-focused anyway, I might as well take a crack at just doing the full artwork digitally. I'll get the lines done either way, and if it doesn't work out then at least I can say I tried, I know some of what not to do, and I end up with a digital mock-up for the final version." Fortunately, things ended up working out much better than I expected. I purposefully wasn't too fussy about the lines, partly because I just didn't have the patience at the time to be super precise about it, and also because for this specific project I kind of liked the idea of a more doodle-ish look (even though it's not super doodle-y in the final product). This also made things move a lot faster, which was nice and pretty satisfying. I started with the wine bottle from my sketch, including trying a new liquid drawing technique I half picked up from an art Youtuber I just recently started following that makes drawing liquid in a style similar to this look like a lot of fun. I knew I wanted the bottle to be mostly transparent/just lines, so the goal here was more about getting the wine bottle shape/structure familiar enough than it was about anything else. The label took a bit more though since in my mind, ever since I read the book, I had a pretty specific image of a pinkish bottle with a yellowish liquid and this cream-colored label with dark brown/sepia text, and I had not previously considered the label into that whole primarily line-focused image in my mind.  So in the end, I decided the label would be solid so I could get the proper imagery across and the text and stuff could still be seen properly. Additionally, you'll notice I couldn't help myself being a little on-the-nose and sticking a tiny strawberry and mountain/hill on the label for good measure and to fill some space without having to look up wine bottle references just to stare at the labels for a ridiculous amount of time.   The daises were also infinitely easier to do digitally since I could just copy, paste, and rotate first the petals to make one flower, and then copy, paste, rotate that one flower a few more times, instead of having to draw individual petals and flowers every time. This also gave me a little more freedom in that I could re-size the flowers pretty easily to make it more visually interesting than just a bunch of flowers that were all the same size. All that ended up being less line-focused than I originally intended, but I acknowledged that happening as I worked, and I'm not upset about the shift in focus. I think what I ended up with still has about the same visual impact I was hoping for, and that's all I really wanted anyway. And as sort of the icing on the cake, I ended up adding in that wisp/smoke trail in the background because of 1. It seemed kind of empty and unfinished with just the flowers and wine bottle and 2. When I tried adding a green vine to fix that issue, it just wasn't working for me. That's when I realized I could have a stronger reference to the book by putting something similar to smoke in the background since the original cover of the book has a smoke plume front-and-center. It took a few tries and some tweaking to get something I was happy with on that front, but I am so glad I stuck with the idea. It just adds something I can't quite place that the piece really needed before. The content is pretty different for me--I don't drink and I don't really endorse the idea--and the style is a little beyond my usual realms, but I do really like how it turned out. I feel like it's done well enough that you can appreciate the symbols and references if you know the book, but it also works as just a kitsch art piece if you're completely unfamiliar with the source material too. I don't think it's super accurate to when a bottle of the stuff shows up in the Hulu series, but it was on screen so briefly and my mind was focusing on other aspects while I was watching, so I didn't get a super good look at it.  But I still think it'll suffice well enough despite that. I'm happy with how it turned out, and that's all that really matters, right? Now, then, as for the thoughts I have on the Hulu series that I think need to be shared sooner rather than later. I'll start by going on record to say, as someone that is notoriously hard on book-to-screen adaptions, that I did actually like the LfA series pretty good. I'd say it's about a 7 out of 10, which an exceptionally good score coming from me. It's not my most favorite show of all time, but it's notably better than "just okay," which is historically the highest praise I've ever been able to give a book-to-screen adaption. It had its faults and things I would've done differently if it were up to me, but fortunately, it did an infinitely better job than I was expecting. My main issues, as with all book-to-screen adaptions, come in the form of some of the changes that were made between the book and the screen. Fortunately, this time around the problems I do have are not egregious offenders. Most changes that were made still make sense within the story and while the overall message isn't quite the same as the book, it didn't totally squander what the book was trying to say. All of which are problems that most book-to-screen adaptions suffer from horribly. And while I won't talk too much at length about this (that's for the long-form review later ) I think this has a lot to do with the series being roughly 7-8 hours of content, as opposed to the either extremely rushed 2-hours-or-less a movie would've been, or the more-time-than-we-know-what-to-do-with 13+ hours of...certain book-to-screen adaptions that failed miserably at their job. (*cough* 13 Reasons Why *cough*) As I said, it's not perfect, but I do think as far as allotted time and time-management that they hit something of a sweet spot so that they'd have enough time to give the plot the room it needs to breathe without having so much time that they have to start making stuff up to fill it all. The other thing I'd like to point out is that, honestly, they did what 13 Reasons Why wanted to do way better than that series could ever hope to. They told the story of teenagers experiencing darker themes and elements of life so much more tactfully, and, in my opinion, more realistically. And they didn't wait for a controversy to spike and then do something about it--they didn't bank on the publicity of a controversy. Right from episode one, every episode starts with a warning that this series is meant for an adult audience (because of its themes) and viewer discretion is advised. And at the end of every episode, as the series does featuring smoking and drinking on more than one occasion, they provide resources to visit if you or someone you know has a problem with either of those things. I don't know if the people at Hulu saw what happened to Netflix with 13 RW and learned from their mistakes or if they just knew better, but either way, I'm so glad it was handled so much better, regardless of why or how it happened. As far as recommendations, if you're a John Green and/or Looking for Alaska book fan, I'd say it's definitely worth the watch. For outside viewers...I think you have to really be into the YA drama scene to appreciate it. Just be prepared for some more adult content than you might typically find in a YA movie. It's all done pretty tastefully and the majority isn't there senselessly; most of it serves some kind of purpose to the story, which is why it doesn't bother me (a very prude-ish person) all that much. I think that's everything I feel like needs to be said right now about the series until I can get the long-form review finished. (It's maybe 1/3 of the way done currently...and already getting on the long side )   I have to admit, this does make me more hopeful for the future of book-to-screen adaptions, at least those that end up being handled the way this one was. In fact, I'm actually really hoping that if Turtles All the Way Down, John Green's newest book, ever sees a screen adaption that it's handled in a series form and is done at least as well as LfA was. Time will tell, I suppose. In fact, I believe any day now, Let it Snow, a book that John Green wrote 1/3 of is supposed to have its movie adaption dropped on Netflix. I'm not super confident in Netflix's handling of adaptions for reasons mentioned earlier, but maybe just maybe it'll be okay? ____ Artwork © me, MysticSparkleWings I do not own Looking for Alaska and/or associated content ____ Where to find me & my artwork: My Website | Commission Info + Prices | Ko-Fi | dA Print Shop | RedBubble |   Twitter | Tumblr | Instagram

#lookingforalaska #johngreen #hulu #hulu series #lfa #lfa hulu #book #book adaptation #fan art #art #digital art #photoshop #photoshopcc

[anexplanationofunfortunateevents]

to help yourself understand the Mueller investigation, read this novel

“This novel” being, of course, a stack of court documents filed in the course of the investigation.

Hear me out.

This isn’t to trivialize or sensationalize an ongoing existential threat to western democracy. Precisely because it is not a fucking game, I think it’s really important for people to get new ways into this story. Because it still seems alarmingly common for even generally well-informed people to throw up their hands and say “well, the right says ‘no collusion!’ and liberals say ‘he’s a Russian agent!’ but the partisans all seem really worked up, I guess the truth is somewhere in between/it must not be as big a deal as they think.”

Maybe sometimes that’s motivated reasoning or sheer ignorance. But it’s also possible that “this Rusher thing with Trump and Russia” is unusually resistant to understanding as a conventional news story. We want our news to be solid, with “hard facts.” Maybe this is more like gas. Like gas, it always takes up as much space as it’s allowed. On slow news days it can expand to envelop everything else; unrelated dramatic events can compress it down to almost nothing. And you can’t get a grip on gas.

This whole bizarre situation is genuinely unprecedented in American history, which is perhaps why special prosecutor Robert Mueller has been doing something unusual in issuing a series of speaking indictments. Remember, a bill of indictment is basically a list of the crimes that a prosecutor has convinced a grand jury that someone has probably committed. Prosecutors are smart to keep these minimal, because every fact they allege in their indictment, they damn well have to be ready to prove. A speaking indictment means that the prosecutor is saying more than they have to say. In a case like this – which deals with a lot of sensitive information, and implicates people who haven’t yet been charged or even interviewed – that’s even trickier, because there’s a lot it has to avoid.

Generally, when a person makes their own job harder, they’re doing it for a reason. And I think at least part of the reason here is that the special prosecutor’s office is trying to tell the American public a story. Our minds can comprehend dramatic plot lines more easily than the seedy, fact-heavy, choppily-paced web of a real criminal conspiracy. There’s a narrative logic to the pre-election events described in the most notable speaking indictments in the order we’ve seen them, moving relentlessly closer in time, space, and relationship to Donald Trump on Election Day, 2016.

So if you’re frustrated or baffled by what you catch of this story in the news or on your Facebook feed, it’s not because you, personally, can’t understand it. You might just need a new angle of approach. If you are a movie person, I can recommend the documentary Active Measures (Hulu, iTunes). If you’re more of a reader, these documents, in this order, can be read like an epistolary novel – specifically, a pulpy, beach read-y spy thriller.

Part I: United States of America v. Paul J. Manafort, Jr. and Richard W. Gates III

Part II: United States of America v. Internet Research Agency, et al

Part III: United States of America v. Paul J. Manafort, Jr. and Konstantin Kilimnik

Part IV: United States of America v. Viktor Borisovich Netyksho, et al

Part V: United States of America v. Michael Cohen (a)(b)

Part VI: United States of America v. Roger Jason Stone, Jr.

TO BE CONTINUED [probably]…

I’m serious. Download the pdfs onto your e-reader – remember to make a note of the order! – brew yourself some tea, and turn off pop-up notifications for a while. (Don’t get too hung up on figuring out who “Organization 1″ or “Person 2″ are - sometimes it’ll be obvious, but don’t worry if it’s not. You can just treat the big tables like illustrations: look and see what they’re about, but you don’t need to read every line to get the gist. You can also skip the last page or so if you start hitting headers like “statutory allegations” or “substitute assets.” There’s no post-credits stingers.)

These aren’t all the documents that have been filed in court by the special counsel, let alone in related cases, and I doubt even the courts have heard the whole story yet. Most of the documents related to former National Security Advisor Michael Flynn are still redacted. Maria Butina was charged by a different prosecutor’s office just as she was about to make a run for it, but her infiltration of the National Rifle Association could quite possibly be Chekhov’s gun. And it doesn’t even mention the UK spinoff! But I think they’re the ones that are, intentionally, useful to someone who wants to understand.

Still skeptical? Recap/analysis below.

Part I: United States of America v. Paul J. Manafort, Jr. and Richard W. Gates III

The first indictment of Trump campaign manager Paul Manafort took its focus far away from, and several years before, the main story, deep into a 2010 election in Ukraine which ominously foreshadowed the 2016 election.  Manafort, an old friend of Stone, a Trump Tower resident, and the employer of his co-defendant Rick Gates and of future Sanders consultant Tad Devine, ran the campaign of a buffoonish businessman who was in hock to the Russian government. Their strategy relied heavily on exacerbating ethnic tensions within Ukraine and seeding skepticism about international alliances, as well as a vicious smear campaign of his opponent, an accomplished public servant who would have been the nation’s first woman president. Manafort’s candidate took office, was exactly as bad as his opponents believed he would be, and had his opponent imprisoned and tortured – but was eventually forced to release her and flee the country for Russia.

Part II: United States of America v. Internet Research Agency, et al

The Internet Research Agency indicted Russian nationals who worked on the propaganda campaign, spending over a million dollars a month to manipulate American public opinion from a nondescript office building in St. Petersburg. The action starts in 2014 and picks up in 2016, but still takes place a continent away. It deliberately stays away from the hacking and dumping of Democratic party emails, and pointedly does not accuse any Americans of committing crimes.

Part III: United States of America v. Paul J. Manafort, Jr. and Konstantin Kilimnik

An installment with a foot in both worlds indicted Manafort and a Ukraine-based co-conspirator, while also showing Manafort’s corruption of a respected American law firm. This part shows us how Trump’s campaign manager – both his dirty politics and his illicit money – moved from Ukraine to the United States, set in the same time frame as Part II.

Part IV: United States of America v. Viktor Borisovich Netyksho, et al

Then another indictment did name the Russian military intelligence officers who stole Democrats’ emails in the spring of 2016, and traced their cooperation with “Organization 1,” which released those emails. This moves the story closer in time to the election, and shows the stolen data moving west from Moscow to Julian Assange’s hideout in London before being dumped on the American public.

Part V: United States of America v. Michael Cohen (a)(b)

The next installment targeted Trump’s personal lawyer Michael Cohen, a New Yorker like Trump. Cohen pleaded guilty to hiding what appears to have been early 2016 real estate negotiations for a property in Moscow, and of committing apparently unrelated crimes to affect the election illicitly by covering up the candidate’s affairs in the weeks before the election. The Southern District of New York – filing at the same time and in clear cooperation with the special prosecutor, but not working directly for him – overtly said it could prove Trump’s complicity in crimes. Trump is tagged “Individual 1.”

Part VI: United States of America v. Roger Jason Stone, Jr.

Currently in the barrel is Roger Stone, a longtime supporter of Trump’s political career and an old business partner of Manafort. Stone has a colorful backstory of extensive wrongdoing, but his indictment is laser-focused on conversations he had with a known Russian intelligence cutout in the summer and fall of 2016, and the crimes and lies he tried to use to hide those conversations. This indictment mentions the Trump campaign by name, and it includes a lot of specific conduct by individuals who are not named but are nonetheless readily identifiable. The document is succinct, clinical, clear as a bell. But it leaves one omission which leaped out screaming at just about everyone who read the whole document.

[A] senior Trump Campaign official was directed to contact STONE about any additional releases and what other damaging information Organization 1 had regarding the Clinton Campaign.  

If you’ve taken high school English, you already know the million ruble question. “Was directed”? Who gave that direction? The indictment doesn’t say.

If you’re trying to avoid drawing conclusions the way a newscaster might, you would probably think it was not another senior campaign officer – otherwise, why not refer to them as “Senior Campaign Officer 2”? – but still someone important enough to boss around a senior campaign officer. Maybe if the candidate had adult family members who were not given official positions on the campaign, they would be suspects – though only because they could reasonably be assumed to be speaking for the most likely culprit. The simplest explanation for They-Who-Must-Not-Be-Pseudonymed is the most dramatic one. The candidate is not a senior campaign officer. The candidate is the candidate.

We don’t have all the facts yet. The only thing we can be sure of is that the special prosecutor has, quite deliberately, not yet shown this particular card.

But if you’ve taken high school English, you have a pretty good idea about the answer.

Okay, the genre snob reviewers might say it’s a little heavy-handed. Personally, I’ve always felt that subtlety is overrated.

#donald trump #trump russia #paul manafort #rick gates #konstantin kilimnik #internet research agency #michael cohen #roger stone #mueller investigation

[douxreviews]

Quantum Leap - Season One Review

"Oh, boy."

Quantum Leap began as a mid-season replacement in early 1989, ran for five seasons (1989-1993), and made a television star out of Scott Bakula. While it was running, it was one of my two favorite shows (the other was Star Trek: The Next Generation). There wasn't much good science fiction on television back then. Actually, there wasn't much sci-fi on television at all, unlike today's sci-fi-rich television environment.

What happens

A brilliant scientist named Sam Beckett (Scott Bakula) invents time travel. Pressured to produce results or lose funding, he tries it on himself — and wakes up in 1956 in someone else's body. With the help of his Quantum Leap Project partner Al (Dean Stockwell) who visits Sam in the form of a neurological hologram, Sam discovers that he must correct whatever it was that "went wrong" in the original timeline before he can leap out again. It is theorized by Ziggy, the artificial intelligence back at the Project, that if Sam can't make the appropriate correction in each leap, he'll be stuck in that person's body forever.

What works

There is so much to love about Quantum Leap. Fortunately, the two best things about the show are the main characters, Sam and Al, and the actors who played them. I've always thought that Sam Beckett is a dream role for an actor, and Scott Bakula was more than up to the challenge of playing a new character in a new situation every week. Okay, not exactly a new character, but he still had to play Sam's interpretation of that character, which added some acting layers while still preserving the integrity of Sam himself as a character.

Yes, Sam Beckett is just too perfect. A genius with six doctorates, his massive intellect made him capable of stepping into nearly anyone's life. What helped make Sam less perfect was that the Quantum Leap process made "swiss cheese" out of his memory. His partial amnesia also helped disconnect him from his old life, making it easier to immerse himself in the lives of the people he leaped into, an excellent plot device.

And then there is Al, who is also brilliant and multi-talented, and whatever Sam can't do while living someone else's life, like fly a plane or speak Italian, Al can step in and help. Al is also the king of double entendres and references to scoring with women, and under other circumstances, I would have found such a character repulsive. But Dean Stockwell is just so lovable in this part. He made it easy to see the humanity and goodness inside Al, right from the start. And Bakula and Stockwell played so well off each other. Even though Sam and Al were totally different people, they were believable as close friends.

The basic premise of the series is great, too; it's a fascinating framework for a time travel series. The only real limitation is that Sam couldn't travel to the future or to a time earlier than 1953. Setting episodes in the fifties, sixties or seventies made Quantum Leap all about the nostalgia, though. Gender roles, period music, historical events woven into the story like the east coast blackout and the streaking fad in the early seventies, you name it.

And then there were the clothes. I have little interest in fashion, but I love the costumes on this show. Scott Bakula looked so comfortable and natural, so right in those period outfits. Sometimes they were yummy; occasionally they were hilarious. What I enjoyed just as much was Al showing up in bizarre futuristic outfits in outrageous colors, which fortunately never became fashionable in real life. Like Bakula with the period clothes, Dean Stockwell simply made that wardrobe work. Al is a colorful character, and his wardrobe matches his personality.

What doesn't work

There isn't much I don't like about Quantum Leap. Maybe it would have been interesting if they hadn't been limited to Sam's lifespan, and the United States (and yes, brief spoiler, they do get around that occasionally in future episodes). And yes, it tends toward the procedural, since most of the episodes are Leaps of the Week, but hey, it was the nineties.

One thing did leap :) out at me during this rewatch — the show's tendency to lecture. In this abbreviated first season, we got "The Color of Truth," the first time that Sam leaped into the body of someone who wasn't a white guy like himself. Instead of just being a person of color with an important life experience that Sam had to figure out and change, "The Color of Truth" is a sixty-minute lecture on the evils of racial segregation in 1955 Alabama. Not that there's anything wrong with the topic: it was a huge and important part of the recent past, and the episode was both well-intentioned and well done. But preachiness can be a turnoff, and this wasn't the only time it happened.

Another thing I didn't like was that every episode ended in a cliffhanger as Sam leaped into his next challenge, in what always appeared to be dire circumstances. Yes, I get it, cliffhangers help bring the audience back. But I would have been a lot happier if they had simply ended each episode with Sam leaping out, who knows where.

The music replacement controversy

When Quantum Leap was initially released on DVD way back when, Universal decided not to buy the rights to a number of the songs featured on the series simply because it was prohibitively expensive. Changing the music changed the series, though, and many fans were livid about it. The worst offenders were the season two episodes "M.I.A." and "Good Morning, Peoria." (I'll talk more about why fans were upset in my review of season two.)

After some research, I can report that Amazon and Netflix fixed this serious problem; the original music is intact. (I'm writing this review in December 2016, and I live in the U.S.) Unfortunately, Netflix decided to stop carrying Quantum Leap as of January 1, 2017, when I hadn't quite finished my rewatch, so I had to move to Hulu. And unfortunately, Hulu does not feature the original music. I have no idea what is going on with the music in the DVD sets. If you plan to buy Quantum Leap on DVD, you might want to find out about the music replacement situation before purchasing, if it matters to you.

Important episodes

1.1/1.2 "Genesis (September 13, 1956)": This is a decent two-part pilot. The brave test pilots and their long suffering wives waiting at home kept reminding me of the 1983 movie The Right Stuff, which might have been their intention. (In fact, many Quantum Leap episodes remind me of specific movies.) Maybe it shouldn't have been a two-parter, though, because honestly, while Sam's "wife" was doing the laundry, I got a little bored.

This pilot does mention the possibility that Sam's leaping is being directed by God. You'd think God would have the power to fix things Herself without having to use Sam, but okay. Maybe God employs other people like Sam, too.

1.6 "Double Identity (November 8, 1965)": Best episode of the season, and an obvious tribute to The Godfather. The wedding scene where Sam had to sing and Al gave Sam the Italian lyrics to "Volare" was funny, and kept getting funnier as Sam channeled his inner lounge lizard and really got into it. In fact, it went on so long that you'd think it would stop being funny, but it didn't.

(This might be a good time to mention that Scott Bakula has a beautiful, professional singing voice that they often featured in the series.)

Later, during a life and death situation and wearing hair clips and shaving cream, Sam had to converse in Al-prompted Italian. Bakula spoke the lines Sam didn't understand as if he were reciting poetry. And the ending with the thousand watt hair dryer in Buffalo causing the east coast blackout of 1965 was practically perfect.

1.9 "Play It Again, Seymour (April 14, 1953)": A very Sam Spade sort of episode with bits of Casablanca, with Sam in the body of a private eye who looked like Bogart investigating the murder of his partner. Of course, there was a dame — his partner's slinky wife, Alison (Claudia Christian, one of my favorites from Babylon 5). There was also a poorly written novel called Dead Men Don't Die, a dropper named Klapper, and every hardboiled detective cliche you can imagine.

Much of "Play It Again, Seymour" was filmed in the Bradbury Building, a Los Angeles landmark that was also used as a major location in my favorite science fiction movie, Blade Runner. When I was living in L.A., I went to see the building in person. It's gorgeous.

Sam was born in August 1953, and this final leap of the season was set in April 1953. I can only assume the leap range was defined by Sam's conception, not his birth?

Bits and pieces:

-- In season one, Sam leaps into and must become: a test pilot, a professor of literature, a boxer, a veterinarian, a chauffeur, a drag-racing teenager, and a private eye.

-- There are many references to three characters we don't get to meet in this first season: Ziggy, the artificial intelligence that gives Al projections on what Sam is supposed to change; Gooshie, a little guy with bad breath who also works on the Project; and Al's current girlfriend Tina. (Okay, oops, I'm wrong. According to IMDb, Tina is the woman with the flashing earrings that Al picked up in his car.)

-- The person that Sam replaces turns up in the imaging chamber, and Sam only knows how others see him by looking in a mirror. The synchronized mirror scenes are okay, although the motions were never choreographed well enough for me to suspend belief. Maybe those scenes should have been done more simply.

-- In the pilot, Sam wanted desperately to contact his late father but couldn't remember his own last name. Later in the season, in a lovely scene, Sam did speak with his father on the phone but of course, didn't tell him who he was.

-- It is established in season one that animals can see Al, that Al had been raised in an orphanage, had participated in protests during the civil rights movement, and has been married five times.

-- Famous people: Sam gives teen Buddy Holly the lyrics to "Peggy Sue," and shows a tiny Michael Jackson how to moon walk.

-- Notable actors: Teri Hatcher as Sam's first love in "Star-Crossed," Mark Margolis from Breaking Bad in "Double Identity," and Claudia Christian in "Play it Again, Seymour."

-- The saga sell is fun and so are the opening credits and theme music. But come on. A little "caca"? That's childish. I'm glad they didn't retain that.

-- Scott Bakula has a streak of white in his hair. It's not artificial; he has said during interviews that he's had it since childhood.

-- We're told that you cannot fix your own life. Why?

Season one is all "leap of the week" episodes, but it's a short first season and there's nothing wrong with that. By the end, we still don't know much about Sam, Al, or the Quantum Leap Project, so there's a lot of story left to tell.

On to season two!

Billie Doux loves good television and spends way too much time writing about it.

#Quantum Leap #Sam Beckett #Al Calavicci #Scott Bakula #Dean Stockwell #Quantum Leap Reviews #Doux Reviews #TV Reviews #something from the archive

[occupy-my-meanwhile]

Shane.

Okay, I got to say this because if I don’t then I’m going to be annoyed with myself for putting out a different thought/idea that others may have. 

Let’s talk about Shane Dawson...

So, here’s the tea.

I love Shane. I’ve been with him since 2009. I’ve seen his highs and his lows and I support him. As you all probably know, his DocuSeries have been getting a lot of heat and a lot of talk. 

I just need to put out my opinion. 

1) Let’s begin...

 Again, I love Shane and the episodes are so fucking good. The Quality is incredible and you don’t even notice the time pass. They’re such fucking good content and I am always there. 

2) The Videos

 The vids have improved rapidly but with an acceleration of content comes a delay in frequency. Is this a bad thing? No. It’s him and fucking Andrew. Two guys making a documentary. Imagine Making a Murder if it was made by two people. I love their effort and it’s so appreciated. 

3) But that being said... 

When you post a deadline. Stick to it dude. I get it. You’re busy, you’re overworked and you can’t do it with just two people. Set responsible deadlines. Set accurate targets to meet. 

If you tell us, there’s going to be a video on Thursday? I’m going to be waiting for that shit. Mentally, I’m going to think ‘yes, I have something to look forward to!’ If you can’t meet that deadline, you let me and the fans down. I get it. Shit happens. I GET IT. But come on man. Set a responsible deadline. 

4) College. 

Let’s look at this in a college perspective right now. You have an assignment , you’re set a deadline by a Teacher and you’re expected to meet that deadline. Can you get an extension for personal reasons/health? Yes. 

But what you don’t do, is you don’t fail to meet that deadline. You work towards it and even if you do it the night before. You get it done. You submit it on time. 

5) YouTube. 

YouTube isn’t Netflix. It isn’t Hulu or any other kind of streaming service that hosts TV programs. Shane is making TV type content and again, it’s so fucking good. 

But what we expect with YouTube is daily/weekly/frequent content. That’s why I think some people are getting pissed. You see other YouTuber’s posting regularly. No, they’re not posting as much content, but they’re posting. 

Honestly, I would sit here and watch a five minute vlog of Shane playing with the dogs, talking to the squad and editing and I’d be happy with that. It doesn’t need to be edited. It doesn’t need to be anything special. It’s something to keep us going until the new part. That’s why I enjoy Ryland/Morgan/Garrett’s content inbetween. 

6) Netflix/Streaming Service

Would Shane be better on Netflix? Fuck no. Here’s why. Executives, Producers, Directors, people to please. Shane works, on his own with Andrew and that works. The more people involved the more voices and the more diluted Shane’s content becomes. 

7) What should he do?

Be honest. If you know you need a week, a month or however much time to put together an episode or a series? Take it Shane. Take the time to put in the energy and commitment for the project. I’ll wait. I have Ryland/Morgan/Garrett to keep me going. As long as you’re okay mentally/physically, you’re working and you’re doing something you love. Then keep going. I feel like all the hate you get for not delivering is getting to you and it’s getting to me. You work hard and we can see that.

But please, to avoid the hate, take time to put the work in. 

I don’t know anything from this part on so just go with me...

If you know it’s going to take a full week to record footage for a 5/6/7 part series. Take it. Film it. Saying nothing. Don’t get people hyped, don’t get people excited. DO NOT SET A DEADLINE. Do not give something for people to test you on. 

Next, get into editing. Do what you guys do and do not stop until you’re ready to post at least 3/4′s of the series. Then when you have 3 or 4 episodes ready to post. Drop a release date. 

Let’s say two weeks before you’re going to finish the series so that by the time you post, you’re also finishing the series while people are enjoying the part 1 you edited like a month ago. 

You can still get the feedback and you can still work towards your target. 

That’s it. I support Shane. I’ll doubt he’ll see this but if he does I hope it helps. 

**As a sort of additional thing here, I mentioned earlier about looking forward to a part when he announces it, because with this series and a few others, he failed to meet those targets, I un-followed Shane on every social media except YouTube so I’m not getting my hopes up. I’ll re-follow when the series ends but I’m so sick and tired of thinking ‘Great, I have something to get me through Wednesday!’ then I come back from my job to get nothing... Like, dude. You have one of the best jobs out there and as someone who works for pay that isn’t worth it, these videos are just a shinning jewel in the shit of life.** 

#shane dawson #shane #jake paul #shane and friends