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glasskey · 7 months

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Nick & June's Mix tape Vol. 2

With season 2 comes volume 2 of our Nick and June mix and it’s an interesting one. Nick and June fall in love, await the arrival of their new bub, fight off numerous enemies and we learn that true love requires absolute sacrifice.

Rebel Handmaid Commander

Watching Nick and June fight at the Boston Globe is absolutely mesmerising. These two have been locked up and forced to behave for so long, now they have the freedom to actually argue (amongst other things…. cough cough) it’s like shaking the can and ripping off the lid. This scene is supercharged from the word go. The sex scene here is raw, real and by ordinary standards, it’s seriously graphic. These two are finally taking a deep breath of one another, instead of whispering sweet nothings and secreting themselves away in clandestine corners. June bites Nick, it’s antagonistic, a sign that they’re not going to be playing nice today. She’s still slightly pissed off and she wants no part of the lawn boy bit, so he’d better bring his A game. Well okay then.

There’s an incredible sense of relief at watching June being able to argue with Nick, the Handmaids hood and its accessories are ashes, and at last after years of being made to be quiet, she’s allowed to actually yell at a man for being an idiot. She’s also not this delicate precious thing in the tower anymore, and Blaine’s finally got the opportunity to have a few choice words of his own. Essentially both of them have grievances and they’re not pulling any punches. It’s clear from June’s new nickname that she’s already earning herself quite a reputation amongst The Eyes as a bit of a trouble maker. As the mother of his child, Nick’s understandably feeling a little antsy about her sticking her neck out so readily for the noose. Given Gilead’s somewhat unforgiving laws, Blaine seems to be a touch vexed that he’s spending a lot of time playing “stubborn or stupid” when it comes to June. But it’s exactly this relentless recklessness that enables her to be the kind of leader, he already sense’s she will become.

June’s rightfully annoyed that, while yes she has been extricated from the Waterford’s clutches, Nick doesn’t seem to have much of an idea as to what’s next. At this point Nicks still finding his feet with Mayday, no doubt he’s always known where to find them when he needs to, but up until now he’s never needed to. In Gilead you need to think two moves ahead and June’s allegation of Nick wanting “to play the hero” is a crack at just how unprepared he is. There’s a definite dig here at his status in the Waterford household as the resident whipping boy who’s suddenly decided that he wants to level up. As with June transitioning from “not being that kind of person” to our Rebel Handmaid Commander it all takes time. Heroes aren’t born, they’re forged through struggle and battle and Blaine’s not even close to being fully formed yet. It’s not until the end of Season 2, when he finally holds his daughter, that we see him begin this journey and it’s only the end of Season 5 that he truly earns a place by her side as a warrior.

Blaine’s definitely not thinking straight, he’s a freshly minted baby daddy who’s freaked out and gone against all of his instincts of self-preservation, to help June make a break for the border. June’s no better, she’s all heart, no head here too. Her love for Hannah completely outweighing any reasonable argument that Nick may have for the remotest chance of success. Ultimately his options are limited to letting her go with a gun or without one. Make no mistake, she was always going to get those keys.

Corinthians

In season 2 we see Blaine cite Corinthians 13:4, a psalm espousing the pure nature of love in front of Fred, Serena and his newly arranged wife, as he looks at June. “Love is patient” according to Corinthians 13:4, in Gilead it has to be, marriage is transactional and love is an inconvenient obstacle to a servant’s higher purpose.

If you were ever under any illusions that Nick was a “free” man, the whole Eden debacle should clarify things for you nicely. A free man doesn’t have to marry a child bride while the woman he loves and the mother of his child watches. That’s just not a thing. Nicks selection of this psalm is a message to June that’s designed to serve as an assurance amongst all the recent emotional rubble, but he’s also hoping to God that some of its actual meaning will penetrate Fred and Serena’s thick skulls. Unfortunately it’s to no avail, to the Waterford’s Corinthians is simply just pretty words and no message.

When Nick reads Corinthians, Serena understands exactly who it’s for and promptly sends June to her room…….like that’s actually going to make a difference. Serena’s maneuverings in this arranged marriage and Eden’s ensuing death are an eerie reflection of her forced conception of Holly and the ultimate theft of Nick and June’s dream for a family through the appropriation of their child.

Eden’s death is a metaphor for the destruction of paradise, her recitation of Corinthians 13:4 just prior to her death brings into sharp relief Gilead’s ruthless annihilation of beauty. Eden’s refusal to apologise for, lie about or relinquish Isaac, speaks loudly of the absolute unselfish sacrifice of true love. Nick may not give a fuck about himself but he loves June entirely and refuses to see her dead, however painful, he resolves to give her up.

Serena has observed the progression of Nick and June’s relationship and decided enough is enough, it’s now reached threat level 9 and needs to be stopped before it hits critical mass. Corinthians 13:4 speaks of love as something that is earned, treasured, abides through trials of great suffering, heals and humbles. If Serena had any inkling of what this meant, she’d know it was already way too late.

He's the one who got them out.

There’s selfless, and then there’s this next level shit that Nick pulled in season 2 when he smuggles out a bunch of handmaids letters and then credits Luke with getting them out. Okay so maybe not completely incorrect after all Luke and Moira did flood the internet with them. But seriously the statement “got them out” implies some type of serious effort or danger like let’s say a trip across the border with them, rather than a simple post on Insta or Twitter with a few choice hash tags.

At the very least Nick should get a bit of credit here right? RIGHT? The fact that he DOESN’T take any is absolutely intentional. Nick returned from Canada asking for nothing and giving June everything. It cost him a huge part of himself and the fact that he gave it away so readily was designed to illustrate his pure self-sacrifice for her. This is the moment, right here that’s designed to show that Blaine loves her, like LOVES her, and officially doesn’t care what it costs him.

The very act of passing these letters to Luke and then crediting Luke with them, is a veiled metaphor for the passing of messages back and forth between June and her family. While ridiculously selfless it’s necessary for Blaine to credit Luke in order to complete the actual construct of the metaphor.

Blaine is June’s conduit, her messenger, guardian, guide, lover, but with the words “I met your husband” he reminds her and acknowledges that in the ordinary world he will have to relinquish these roles. There are three words contained in this scene that perfectly capture Blaine’s sentiment and they’re heartbreaking in their simplicity: “I should go” he says and as he leaves he tells her he loves her for the last time that season.

Blaine looks crushed and limps away visibly wounded, June is so overjoyed by his news about Luke and Moira, it’s as if she is blind to his pain. For both of them there is the realisation that not only CAN she leave but she inevitably WILL. It’s not long after we see him arrange for June to leave and for the next three seasons he keeps his distance. This is a crucial moment for Blaine, the letters home and meeting Luke face to face form the basis of his attempted growing separation from her as he tries to do “the right thing”. The only problem is, the more that Blaine sacrifices for her, the more her love for him grows.

I wish I could hold her

No exaggeration, this fucking wrecked me. There are a few moments on THT that choke me up spontaneously and this is one of them. It’s absolutely gutting to see a usually stoic Blaine suddenly dissolve into a puddle of vulnerability, heartache and tenderness.

Blaine doesn’t often talk about their baby, he doesn’t dare, it’s altogether too much to hope for that they might one day be a family. Here he can’t contain himself, “Our babies so beautiful” he says, his joy over the birth of his new daughter and his love for the mother of his child, spilling out of him. “I wish I could hold her” he says with the heartbreaking revelation that Nick has been stripped of any claim to his own daughter, including the ability to hold her for the first time. Tears well in June’s eyes, her usual sassy cynicism completely melting away in a single heartbeat.

With the birth of Holly comes the first time we hear Blaine actually mention the possibility of leaving Gilead, for the first time he has something that might make him try. The two of them fantasise about an idyllic escape from the Hell of Gilead. The golden glowing leafy window makes it hard to believe they’re not already standing on a sandy beach beneath lush green trees.

The Waterford’s window contains a gingko biloba, the most ancient of all trees, a symbol of their lasting love and growing family tree. This is one of those incredible THT moments that will stay with you throughout the seasons, where two parents bond over the birth of their child and dream of a better life together…..in Hawaii. I’m not crying, you’re crying…

Before I get into our 3rd Nick and June Mix tape, I’ve got a second Lawrence and June Mix. In the future Nick and Lawrence will be getting a separate Mix tape, and Nick, June and Tuello will all be getting their own playlists. See you then.

#june osborne #max minghella #hulu streaming #june x nick #nick x june #nick blaine #the handmaids tale hulu #osblaine #elisabeth moss #bruce miller #THTplaylists&mixtapes #endgame #romantic #tv series #hulu series #s2 #the handmaid's tale #handmaid's tale #handmaid's on hulu

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glasskey · 7 months

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Nick & June's Mix tape Vol. 1

Today I’m going to be sharing some of my favorite Nick and June tracks that have us all hitting rewind over and over and over and over……..after all, who doesn’t love a good mix tape?

Oranges & Tuna

This is the first time we meet Nick but given June’s familiarity, it’s not the first time she has. In Atwood’s text, Nick sounds like a bit of alright and the POV camera shot when June comes down the stairs IS a touch pervy.

Nick’s working with his sleeves rolled up, sweating and judging by the wanton looks it seems June’s in no particular rush to go shopping. She also seems to know quite a bit about him already, including the fact that he’s single. In her head, June’s already inviting Nick down to the oyster house bar for a drink, a subtle reference to a well-known aphrodisiac. It takes all of 10 seconds for Nick to start flirting with her, by telling June a gag about not being a pescatarian. It’s a fact which June purposefully ignores, in order to return his flirtation, and that’s it, that’s all it takes…..Nick’s fucked.

Throughout the next few episodes we see that Nick can neither believe nor resist June’s audacity. Nick knows he should say something when he sees her legs uncovered but he says nothing and simply stares. The sound of the lid closing on the box in front of him is like a trap snapping shut.

He can’t resist standing waaaaay too close and stroking her hand when he brings her ice, the heat is palpable. Nick now knows he’s in serious trouble and June is left reeling. Throughout season 1 these two are constantly measuring and testing each-others boundaries, but honestly from the second Nick told his tuna fish gag, he may as well have waved a white flag.

You shouldn’t wear anything for me

Sweet mother of Mercy. Apparently the sight of June’s naked body has turned Nick Blaine into the master of the double entendre overnight. Season 1 sees Nick pulling the jokes out left and right, first with the tuna fish gag and now this. Nick can hardly keep a straight face as he delivers it and June barely stifles a chuckle. This casual comment is not only a statement about June never changing her appearance to please him, but also one about how desirable he finds her, naked and unmanicured.

This is also the first time we see these two perform their infamous hand brushing and it’s literally breathtaking for the both of them. It’s a moment steeped in danger, electricity and passion, as you sense them both recalling their previous night together. Glowing lights seem to follow these two around like a spell, and as they intertwine their fingers a luminous orb appears between their hands.

I’d like to say that June ever stood a chance at resisting the foxy driver’s charms but I’d be lying. He’s hot AF, lives less than 200 feet away and flirts with her shamelessly, this was all a done deal long ago. In Atwood’s text, these two can barely keep their hands off each other and Nick is described as absolutely fascinated with her. Not surprisingly then, this scene is closely followed by a knee trembling, face melting kiss that sends June straight from “it can never happen again, sorry Nick” to a dazed mess spelling saucy words during her scrabble game.

Is This It?

Nick thinks that breaking up with June is going to be simple, in fact he seems to think he won’t need to explain himself at all. June is having none of it, this is her one small ray of light in an otherwise dismal existence so Nick had better have a good reason.

He does, he’s already seen one handmaid die and he’s starting to get seriously attached to the new one. Seeing June on the wall just because he couldn’t keep his hands to himself is more than he could bear. This is Nick doing Nick: keep your head down, step aside, stay out of trouble and keep your mouth shut.

June rightfully calls him on his shit, accusing him of being a coward who wants only to be Fred’s whipping boy for the rest of his life. How could he want to live such a small life? It’s a gut punch that leaves Blaine looking suitably ashamed.

Their individual attitudes to “ending up on the wall” speak volumes about who these two are at heart. To June death is everywhere, living in terror isn’t living and the reward is worth the risk. Nick is a survivor, sacrifice for duty and self-preservation is second nature, a small life is better than no life at all. Unfortunately for Nick, his aspirations for a life half lived died the moment he met June Osborne. Before I get into Nick and June volume 2, I’ve got volume 1 of the Lawrence and June mix up next. Back soon.

#max minghella #nick x june #nick blaine #june x nick #hulu streaming #elisabeth moss #osblaine #june osborne #THTplaylists&mixtapes #bruce miller #endgame #s1 #hulu series #romantic #handmaid's on hulu #the handmaid's tale #handmaid's tale #hulu tv #tv series

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