Tumgik
#shallow people
sadghostgirl14 · 7 months
Text
“Wow. You’re so beautiful now”
Bitch I was always beautiful! 😂
You just weren’t looking on the inside
2 notes · View notes
Text
Amid a world of noisy, shallow actors it is noble to stand aside and say, 'I will simply be'.
18 notes · View notes
pinkieloveheartpastel · 9 months
Text
“Fat people and average-looking people just don’t fit as fae creatures. Only people with small features and skinny bodies do. That’s just how fantasy works.”
SSSSSSSSSSSSSSKKKKKKKKKKKKKKKIIIIIIIIIIIIIIIIIIIIIILLLLLLLLLLLLLLLLLLLLLL IIIIIIIIIIIIIISSSSSSSSSSSSSSSUUUUUUUUUUUUUUUUUUUEEEEEEEEEEEEEEEEEEEEE
SKILL ISSUE!!!! WEAK!!!!! PATHETIC!!! COWARD!!!!
Not to mention fae creatures, and mythical creatures in general, can look like anyone and anything. If you think that fantasy has rules and is exclusionary in any way, you don’t know what fantasy is, and you’re not welcomed to the club! Also you’re fatphobic and pathetic!
All bodies and features are welcomed!!!!
1 note · View note
realhankmccoy · 11 months
Text
Nordic Chad is a great example of how mini Trump crept his way across the internet in many forms and established himself within the skull.
the first quote is from Carl Sagan, who you could learn a great deal about science from, and who framed the universe as greater than thou for many reasons you will never understand, being a shallow person who complies with the stick figure caricatures of ‘weaklings’ and ‘losers’ that rightists with no drawing skills draw up.
the second is just the fast route for shallow people to be more racist and confident and less scientific — turning scientific exploration into navel-gazing narcissism… science gets turned into I, Me, Me, I…
most people are shallow, tho, so this meme easily cucks them into conservatives who will never know 1/100th of what Sagan knew about the cosmos. Nor will they ever know even a fraction of as much technical information as those currently interested in science do // in other words, they are stunted and childlike, unable to mature. Their fondness for kiddie memes is evidence of that:
Tumblr media
1 note · View note
thirddoctor · 7 months
Text
when people say they can't get obsessed with female characters because there aren't enough good ones, I simply don't believe them because there are literally hundreds of fics about the guy in The Force Awakens whose only role is to cringe while Kylo Ren trashes a terminal with his lightsaber. at that point you're basically making up a whole guy.
1K notes · View notes
centaurianthropology · 11 months
Text
One thing that I think a lot of Disco Elysium meta misses (likely because a lot of it is very clearly written by young Americans writing from an intensely American-centric cultural perspective without even really realizing it) is that one of the singular and central themes of the game is massive-scale generational trauma in a home that is economically collapsing as its resources and people are being drained by an occupation.  People have noted that no one tries to help Harry, despite the fact his mental illness is incredibly obvious to everyone around him.  He tells Kim that he completely lost his memory, and Kim politely asks him to focus on the work.  He tells Gottlieb that he had a heart attack, and Gottlieb tells him that if he’s still alive it couldn’t have been that bad.  That he’ll drop dead sooner or later, but then so does everyone.
And that’s the most important thing: so does everyone.  Look at Martinaise.  Look at the world in which Harry lives.  It is not our own, but it is adjacent to ours.  More specifically, it is clearly adjacent to the states of the Eastern Bloc: overtaken and occupied by a faraway government that clearly doesn’t care about Revachol or its people.  And that is obvious in every tired face, every defeated citizen, everyone trying to eke out a little happiness or meaning in spite of the overwhelming trauma and damage around them.  The buildings are still half-destroyed.  The bullet holes are still in the walls.  The revolution was decades before, but it still feels to the people there like a fresh wound.  The number of men of Harry’s generation who are not alcoholic or otherwise deeply fucked up are very few.  Some, like Kim, hide it better, but the deeper you dig into his history, the more you realize how damaged Kim is.  He’s more than a little trigger happy, and hates that about himself, but he is a product of his environment: Kim’s entire life is seeing people he cared about shot and killed, so his instinct now is to shoot first himself, to protect those few people left who still matter to him.
Harry is not unique in his trauma.  He is a distillation of an entire culture of people who tried to rise up and make something beautiful, and were instead routed and occupied.  He is trapped between the occupation and the people on the ground, along with all the rest of the RCM.  Their authority comes from the occupying government, but it is implied that they were formed out of the remnants of the citizens militia which sprung up from Revachol itself as a way to try to mitigate some of the horrors being committed on its streets.  The Moralintern sure as hell wasn’t going to get their hands dirty, so they happily conscripted (and therefore could better control) this group, who are only recognized in certain places, and whose authority mostly amounts to giving out fines.  The RCM is corrupt, but it is corrupt in the same way its culture is.  Bribes are considered standard with them, not a moral failing, but a necessity, so long as those bribes are correctly logged as ‘donations’.  It’s how the RCM stays afloat, and the rest of Revachol completely understands that.  Everyone would take a bribe if it meant they kept eating.  Everyone would take a little under-the-table money if it meant keeping a roof over their heads.  The officersof the RCM certainly don’t make enough to see a doctor.  They have an in-house lazarus, and if he can’t fix them they just die.  Mental health care?  What mental health care?  Harry doesn’t get it for the same reason no one else does: it doesn’t really seem to exist.  There are no counselors, no psychologists, no psychiatrists.  How would they even start?  If the world is what is broken, if everyone is suffering a similar catastrophic amount, it makes sense that Harry’s trauma would simply get rolled up with all the rest.  Kim asks him to get on with the job because Harry’s suffering is not remarkable in Revachol.  He is one of an entire generation who have an astronomical number of orphans from the revolution, and so many younger people are left more or less orphans as their parents drink themselves into oblivion like Cuno’s father.  So Harry’s truly unique attribute is embodying all that trauma, having it all inside of him, filling him to bursting.
To really engage with the themes of the game, engaging first and foremost with the reality of Revachol is imperative.  Imposing our own reality onto Revachol, particularly if coming from an American perspective (which tend to have the habit of both viewing the world through an American lens and not realizing they’re doing it because they’ve never experienced a different lens), will always feel shallow to me because of this.
All that is to say, I would love to hear some more explicitly European meta about this game, and especially Eastern European meta.  If anyone can point me to some good, juicy essays from that perspective, I would be grateful!
2K notes · View notes
secretmellowblog · 11 months
Text
I love how Les Mis (the original novel) is so fundamentally hopeful about the power of rebellion and activism. So many adaptations/retellings of Les Mis imply its message is kinda shallow and defeatist— something about how rebellion never changes anything/always puts you back right where you began, so it’s wiser to never stand against the government. But that’s not the novel at all.
The original novel, which Hugo wrote as a barely-veiled call to action against the government of Napoleon III, is so convinced of the value of resistance against tyranny. The message is not that resistance is doomed to fail— it is that resistance to an unjust government is imperative, and it will be a moral victory even if the resistance is crushed.
The June rebellion in Les mis May have been repressed, and it may have failed in its goal of overthrowing the monarchy— but later rebellions did eventually succeed. France doesn’t have a monarchy anymore. A democracy is now in place, the way the rebels of 1832 would’ve wanted. There’s an undercurrent of hope throughout Les Mis— it’s not a story about how rebellion/resistance is futile, it’s a story about how it’s necessary, and about how positive social change is not only possible but also inevitable.
2K notes · View notes
bruciemilf · 7 months
Text
Somebody tell me if this is a bad take, or if my love for Bruce is causing my objective brain to glitch, but-- something about advertising Batman, a hero who's very popular for being good with children, for being NURTURING with children, a bad father kinda defeats the whole purpose of what he's supposed to represent.
Batman is a protector; He protects people the world (and especially law enforcement) does not care about. That's literally the point of him.
Something about marketing " you can be incredibly violent to people you care about! And Its fine, because you care about them even if you abuse them, and that's what matters!" towards people, but especially men and young boys, is REALLY fucked up to me.
753 notes · View notes
palin-tropos · 1 year
Text
za/um weirdly baiting kimharry sucks because through reverse psychology it makes people think kimharry is this noncanon shallow fanservice element of the game and it’s really not
it’s not “shipping” it’s the main relationship of the game through which you explore the world of elysium. they are a duet, a dialectic. they’re explicitly queer and obviously are into each other
there is nothing wrong with admitting the story (which is about much more than “gay shipping”. it’s also sometimes about other queer people and queer-coded people, ta-dah! and sometimes it’s about the trauma of failed heterosexual masculinity) is told through the interactions between two men who have obvious crushes on each other. that’s not some kind of indulgence, I played the fucking game, it’s about queer people
you know that little spiel the smoker gives about the homo-sexual underground, he upfront discusses the politicization of queerness. disco elysium is political and queerness is political and queerness is in the game
so yeah “forbidden fruity kisses” fucking sucks because it’s trivializing themes that actually do matter and framing queer content as a silly fandom thing
EDIT: well this got a lot of notes so basically I wanna remind people that the scandal primarily isn't about the gayness or not gayness of any update content or how it's handled it's about people's art being stolen from them!
this vent post happened because I was mad that fans were overcorrecting and almost acting like the art theft is somehow gay shipping fandom's fault or that rejecting the queer romantic analysis of the story is returning it to its purer, unsullied form
but you should probably actually be focusing your mad on the fact that the art, the entire game, was stolen
3K notes · View notes
uncanny-tranny · 8 months
Text
Shoutout to all the other adults who have acne or any other condition of the skin that you are expected to outgrow or "just deal with."
Adulthood isn't this magical time where everything just disappears, and the reality is that these skin conditions are largely genetic. It isn't your fault (nor your skin's fault) that you are an adult with different skin than other people. In fact, it's neutral (and even, dare I say, good!).
1K notes · View notes
Text
Tumblr media Tumblr media
hng. them <3
bonus!
Tumblr media
335 notes · View notes
utilitycaster · 6 months
Text
Travis: Chetney is a shallower character who should probably be dead by now, which is obviously why I wrote a massive timeline lore document mid-campaign; here is the list of significant character creation questions I have been continuously pondering
455 notes · View notes
kenovir · 2 months
Text
Tumblr media Tumblr media Tumblr media
some of leon's canon lines are insane bc i feel like i over analyze him a lot and then i see this shit and no longer feel insane
153 notes · View notes
punkeropercyjackson · 2 months
Text
It's canon that Jason Todd can only be attracted to people who're willing to stand up to him and hates the idea of sex without love and i feel someone needs to tell the DC fandom that
152 notes · View notes
fictionadventurer · 5 months
Text
Yes, President Snow tried to make the people of Panem focus on Katniss and Peeta's love story to keep them from focusing on the rebellion. But that doesn't mean the love story doesn't matter. The irony at the heart of the Hunger Games trilogy is that the Capitol thought the love story was pointless, but it was actually the entire point all along.
President Snow tried to frame Katniss and Peeta's act of love--trying to die for each other--as something irrational. No sensible person would do anything so stupid and rebellious! They only did it because love puts you out of your right mind! Emotions make you irrational and unpredictable, a danger to yourself and others! Falling in love turns you into a fool--only following the rational ideas of the Capitol will keep you and your families safe from the irrational effects of love.
Unfortunately for him, the audience begins to see that the foolishness of love is wiser than the Capitol's wisdom. A society where emotions can flourish, where people can act selflessly, where children are cared for, enemies are honored (or at least treated as people), and other people are worth dying for, might require more trust, might require you to risk yourself, but it makes for a much more beautiful world than the rational oppression of life under the Capitol's rule.
Snow thought that a love story would prove to the people how important their society was. He thought it could distract from revolution, because he couldn't see the deeper truth.
In a society built upon the principle of kill-or-be-killed, love is the revolution.
352 notes · View notes
boyquiet · 5 months
Text
i think that we need to get over the narrative that you can’t have gay villains because that’s a harmful stereotype because there’s a huge difference between “this character is gay and a bad person” and “this character was written specifically to equate being gay and being evil/depraved/degenerate”. it’s just such a narrow minded view of fiction that leads to people afraid to write queer characters as anything less than morally perfect and then to a bunch of palatable but bland and boring queer characters that are arguably worse representation than a gay villain because they are not allowed to do anything wrong. while it is important to write all types of gay characters a work isn’t instantly “problematic” because the villain is queer and the hero isn’t. I think this is also related to the idea of subtext vs text in gay media and how I see a lot of people get mad bc the homoerotic subtext isn’t made canon without considering the context of it at all—sometimes creators make artistic decisions for reasons other than that they didn’t want the gay people to kiss because they’re homophobic. well written queer subtext can be better than a canon gay couple with no personality or relevance and a queer villain can be a better queer character than a gay hero because the characters in-universe morality isn’t inherently tied to how much care they are written with and the quality of “queer representation” isn’t determined by the amount of times they kiss on screen.
233 notes · View notes