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#reading narnia
petaltexturedskies · 4 months
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C.S. Lewis, from “The Lion, the Witch and the Wardrobe”
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wyrd-author · 1 year
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The Chronicles of Narnia omnibus containing all seven books in one! Originally a paperback, rebound into hardcover with hand dyed green goatskin leather and gold design depicting Aslan on the front cover. Now available in my shop at the link in my bio.
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nonsensology · 2 months
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This was supposed to just be a rough sketch, but then I started getting really invested in it.
I hadn't initially intended to include so many picture book characters, but the nostalgia was overwhelming. Does anyone remember the animated short films produced by Weston Woods? My local library used to have a bunch of them on the Scholastic VHS tapes from the late 90s. (I know some shorts were released on the Children's Circle VHS tapes back in the 80s (🎶 Come on along! Come on along! Join the caravan!), and some were packaged in Sammy's Story Shop in 2008.)
Characters:
Max, from Where the Wild Things Are, written and illustrated by Maurice Sendak
Peter, from The Snowy Day, written and illustrated by Ezra Jack Keats
Brother Bear and Sister Bear, from The Berenstain Bears series, written and illustrated by Stan and Jan Berenstain
Pooh and Piglet, from the Winnie-the-Pooh books, by A. A. Milne, illustrated by E. H. Shepard
Owen, from Owen, written and illustrated by Kevin Henkes.
Mouse, from If You Give a Mouse a Cookie, by Laura Joffe Numeroff, illustrated by Felicia Bond
Louis, from The Trumpet of the Swan, by E. B. White
Mr. Toad, from The Wind in the Willows, by Kenneth Grahame, based on the illustrations by E. H. Shepard
Mr. Tumnus, from The Chronicles of Narnia series, by C. S. Lewis
Pippi and Mr. Nilsson, from the Pippi Longstocking books, by Astrid Lindgren
Willy Wonka, from Charlie and the Chocolate Factory, by Roald Dahl, based on the illustrations by Quentin Blake
Matilda, from Matilda, by Roald Dahl, based on the illustrations by Quentin Blake (with an homage to the Mara Wilson movie)
Peter Pan and Tinker Bell, from Peter Pan, by J. M. Barrie
Merlin and Archimedes, from The Sword in the Stone, by T. H. White, based on the illustrations by Dennis Nolan
Pinocchio, from Pinocchio, by Carlo Collodi, based on the illustrations by Enrico Mazzanti
Alice, White Rabbit, and Cheshire Cat, from Alice's Adventures in Wonderland, by Lewis Carroll, illustrated by John Tenniel
Rupert Bear, from the Rupert stories, created by Mary Tourtel and continued by Alfred Bestall, John Harrold, Stuart Trotter, and others.
Arthur Read, from the Arthur series, written and illustrated by Marc Brown
Tin Woodman and Scarecrow, from the Land of Oz series, by L. Frank Baum, based on the illustrations by W. W. Denslow and John R. Neill
The Cat in the Hat, from The Cat in the Hat, written and illustrated by Dr. Seuss
a frog on a flying lily pad, from Tuesday, written and illustrated by David Wiesner
Charlotte, from Charlotte's Web, by E. B. White
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why-and-or-bother · 16 days
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Please check out my latest book
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"Three years ago, seven year old Louise Goodman suffered a terrible loss. A loss that cracked her whole life right down the center. And on one terrible night- the worst night of her life- a bridge was created between her world and the world which resided within her bedroom walls. A world with fantastic creatures, as well as humans who had been lost before finding themselves in the impossible Space Between. On her worst nights, a magical Door would open in her bedroom, and she would cross into her own secret world to escape for a few hours. Three years later, the now ten year old Lou is finding that her paradise is turning cruel. The Space Between is being plagued by creatures called curses; horrible, monstrous things which terrorize the citizens of the hidden world. And several of the human residents have started to go missing; seemingly abducted by these curses. What are the curses? What is happening to the people who go missing? What is the illusive Mayor of the Space Between doing to help? And more importantly: What will Lou herself do in order to find answers and help the people and creatures of the Space Between her walls?"
This book has been out since August, but I would really like if one or two people actually read it. Taking inspiration from stories such as Coraline and Narnia, as well as my own life, this story is very personal and cathartic to me in a lot of ways, and I am pretty proud of it. Recommended for tweens and up.
$9.99 for paperback or $3.99 on kindle
Please reblog 🙏
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losticaruss · 10 months
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chronicles of narnia: prince caspian will forever be a tragedy to me, especially in the way the movie presents it. it opens with peter, desperate to return to the respect he deserves (or thinks he deserves), a fully grown man trapped in this child's, this stranger's body, still adjusting to the life he'd long since forgotten. he gets into a fight because it's natural to him. don't they realize who is he is? not selfishly (a little bit selfishly) he expects people, his siblings, the crowd, to be with him in battle. it's another battle to him, and edmund, lovely edmund, young edmund, edmund who was 12 and on the verge of death, edmund who loves his siblings the most one could ever love your own blood, is in the fray with him, and they fall back into the rhythm they were used to back home- back in narnia, and lucy and susan are screaming at them to stop, and edmund and peter see the soldiers coming home from war, and all they wants is to go back with them, and they understand how these soldiers feel, shell-shocked and distant and they want to fall into line with them, but they're kids and they're fighting other kids, they're not undisciplined, they're unadjusted. nothing changed but so did everything.
and they hop on the train and none of the pevensies want to talk about what happened and they end back in narnia and they're finally back in narnia they're home on the beaches of their home and it's a joy so grand that there's nothing they can do but go back to being kids- again, and they find cair paraval, and everything's gone- and the chessboard that edmund loved, the chessboard he played on when he first beat peter, is gone, there's nothing left of it, and they fall through the ruins like ghosts. here's the dining hall, the ballroom. remember this, lu? it used to be your bed. do you remember when you were so homesick you begged me to stay with you until you fell asleep? do you remember the way the garden bloomed in the spring? and they fall naturally in step into the dais, empty, not even the familiar sound of their shoes clacking against the polished floor. everything's gone now, of course it is. they knew how time worked in narnia, but it didn't happen to them. how could it move on without them? and they make their way into the lower floors, peter naturally falls into the trait of the leader, hes the first to forget the world they came from, but edmund, clever edmund, desperate edmund, brings a torch. he doesn't say how he packed it in his bag every day, how he packed it and prayed that they'd return. and everything is still there, in that room. nothing prepares you for seeing statues of your face- not your face, but what will be your face, what used to be your face- cracked and covered in moss. their crowns are there. everything is there. peters sword returns to his side, and it's the first time he looks complete since they left narnia. and they adventure- how much had changed? the trees are so much taller. how long now had they been gone? it was natural for narnia to have moved on, but they were meant to move on with them. peter tries to bring his siblings through his usual shortcuts, through an overpass, far from the well-trod paths that had cropped up since theyd been gone. he can't have been abandoned by his home, not so soon.
but he was. and there's a kid here, claiming to be the new ruler of narnia. who is he? he looks so young, and susan is looking at him and he's... looking back? and the civilians are looking at this stranger, this kid, like he's supposed to know what to do. had he even fought a battle? he rubs his beard- and is blocked by the bare skin of his chin (of course it's not there. he forgot.) and peter wants to be the bigger person, he's the high king, that's how it should be. but there are all these emotions he hadn't felt before- he thought, not in narnia at least. and he doesn't want to be the bigger person, he finds. stop looking at him like he should know what to do! he stands up to take over- his people forgot about him. he left and they forgot. and he sizes up this child as he speaks- high king peter of narnia, he says. the magnificent. and there it is, he thinks. the familiar look, shock, awe and- confusion? that's a new one- but not incorrect, as he realizes his situation.
he wants to be recognized how he used to be. the pevensies have returned to what they were, the warrior, the archer, the diplomat, the healer. and this new one, the one who wanted to be all four at once so desperately it made ed look wise. and finally- finally he gets his chance to shine, where he belongs, on the field, against The Enemy. of course, not how he'd like it, not in broad daylight, sword and armor gleaming, but it was the smart move. and he's filled with these emotions- not dread, or worry (maybe a little worry), but excitement, and everything is pounding in his head and the adrenaline- he forgot how good it feels- and he leads the army, his army. he's the warrior, the high king, and for a night, the people remember, they remember the golden age. and ed is brilliant, and peter can't help but grin with glee as he sees him pull of a maneuver that pete knows took months of training.
and then the hoards come and they're losing- they can't be losing, this was his chance! he's right, he's the king this was his chance to show them. and he cries for a retreat but it's too late- he was a fool, he watches his army, the army who trusted him, he watched them be slaughtered against the gates that had sealed their fate. he watched the blood spray and stain the metal, oozing between the stone bricks and he just stares. and it's all he can do and he wants- what does he want? to say he's sorry? to save them?
no- no, nothing like that. he should be in there with them. he should be gutted like the rest of them (a hero's death, not this cowards life). he went in too fast, too proud, he knows that. but to have these innocents follow him in willingly, blindly, and he's the one to make it out? it's unforgivable.
and then he's given another chance. a fight- a duel, to the death. he leaves the arena a victor, or he dies a martyr, and everyone forgets his sins of the night of the ambush. and he fights the best he can, he loses his helmet, he's injured and he can hear death whistling it's grim tune, and he almost doesn't pick up his sword, and he sees edmund, lovely edmund, young edmund, with hope in his eyes- with faith in his eyes, and peter knows, he certainly doesn't deserve the life he's been longing for, but he picks up his sword because his little brother, his little brother who almost died, whom he loves with all his heart and so much more. and he accepts it. he realizes he won't get it back, his golden age, but he can fight for edmund, for narnia. and he fights. he fights and he fights and he fights.
and when it's over he breaths the sweet narnian air, and he clasps the hand of caspian, another brother, not a blood one, nor a narnian one, but one of a deeper connection, deeper than any love, and he sees susan smiling. the pevensies and caspian are celebrated like kings, and the pevensies help caspian, still a child, overwhelmed with all this love, they guide him through it, preparing for the many days in the future when parades and celebrations fill the streets, and the people adore their rulers- their king.
it's their last time, he tells the others. once they leave, him and susan can't return. there's more on the other side, the other world, another way to return to narnia, to Aslan, and he doesn't share the fear in his heart. another way, but not this way. not through his home, where he's surrounded by it, drenched in it. not the same not the same, never the same again. they could stay, of course, says a foolish side of him. but not, they couldn't, it's stupid to say so. his mother- had he forgotten his mother so soon? she would go mad with loss. his golden age, it's come and past, and narnia moved on without him, and he steps through to the train station, not to his home, (no. he can never go home again.) and susan follows him, and she grasps his hand, a look shared between the two of them that she understands. and peter, one last chance to be the bigger person, he sees her loss and he squeezes her hand back. edmund and lucy they think they understand, and they grasp their elder siblings hands, and it's comforting, but peter and susan know, they know they won't understand, not until it's their turn, they won't know how empty it is, how lonely it is in this world.
so yeah. it's a tragedy
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bookcub · 3 months
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publication: the lion, the witch and the wardrobe, prince caspian, the voyage of the dawn treader, silver chair, the horse and his boy, the magician's nephew, the last battle
chronological: the magician's nephew, the lion, the witch, and the wardrobe, the horse and his boy, prince caspian, the voyage of the dawn treader, silver chair, the last battle
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saintofaugust · 1 year
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thinking abt edmund pevensie.. who gets cranky when tired, who has a fondness for food especially sweets, who ate dirt he thought was chocolate.. thinking abt 10 yr old edmund pevensie who wanted to build roads in narnia.. thinking abt 11 year old edmund pevensie who fiercely defends his older sister, abt early twenties edmund pevensie who at all costs will protect his older sister.. thinking abt edmund pevensie who is a rock climber, who had once beat susan in archery, who had swiftly beheaded someone in battle.. thinking abt edmund pevensie who enjoys reading detective novels, who is interested in trains & railways.. thinking abt edmund pevensie who is his older brothers right hand man, who is his younger sisters most loyal ally,
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queenlucythevaliant · 5 months
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harder than you think
i. When the Narnians stole Edmund away from beneath the Witch's blade, they told him he was safe. This wasn't a lie, but it wasn't the whole truth either.
ii. They brought him to the Stone Table. It was night. Edmund doubted very much that he would find safety there, for he still recoiled at the name of Aslan. He slept fitfully and woke the next morning before the sun was up.
iii. A sliver of gold just beyond the tent flap captured his attention, there in the dark. Unaccountably, Edmund felt the urge to rise and go towards it.
iv. And there was Aslan, who was supposed to be fearsome, supposed to be dangerous, supposed to be powerful, and he was he was he was. Dimly, Edmund felt himself hitting the ground.
v. But then Aslan said, “Come, Son of Adam. Let us walk a while, and reason together.”
vi. And as they walked together, in the cool dewy grass of early morning, the Lion told Edmund everything that he had ever done.
vii. They were standing in front of the Table when the conversation turned. Aslan spoke a riddle of a house blasted into rubble which he would piece back together overnight. He spoke of flesh being pierced, blood being shed, and of rejected stones being used for new foundations. He spoke about water welling up forever, washing you clean of everything you ever did wrong, all the blood that you ever thought of shedding, everything you ever tried to steal, and a river that carries you home when you can't walk anymore and spits you out brand new when it reaches the sea.
viii. Edmund's head swam. Silently, he yearned for the wisdom to understand what he was being told; or, failing that, at least to remember it for as long as it took him to puzzle it out.
ix. And then, the Witch. Then, the battle. The thrones. A year passed, and winter came. In its time, it melted back to glorious spring.
x. “Edmund,” said Lucy one day. “There's something we need to tell you.” She and Susan were cloaked in springtime gossamer, like fairy queens in poems he only half remembered. They sat on the window seat in his study, holding hands white-knuckled: his two beloved sisters.
xi. “It's about Aslan,” Susan said. “And the White Witch, and how he made her renounce her claim on your blood. The night before Beruna, he went back to the Stone Table.”
xii. “He let her kill him,” Lucy cut in. “Instead of you. And then, because he hadn't done anything wrong, the Emperor's Deeper Magic brought him back to life.”
xiii. “We've been arguing all year about how much to tell you,” said Susan wryly. Then, a little gentler, “We don't want to hurt you, but we feel you ought to be told what he did for you.”
xiv. And Edmund, who had never forgotten what Aslan told him on that cool, dewy morning before the sun came up, shut his eyes and whispered, “I know.”
xv. I know, he said. I know that he died. I know that he did it for me. I know he lived again because I saw him the next day, and the next, and the next. I think I know what it means - or at least, I know the shape of it.
xvi. “Oh,” said Lucy. “We should have realized that he would have told you himself.”
xvii. “Yes. But please, tell me the story all the same.”
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partywithponies · 11 months
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artist-issues · 8 months
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I can't believe how many people my age or younger I run into who haven't read The Chronicles of Narnia. If that describes you, you're missing out on something so deep and simple and beautiful and true that I literally can't stress this enough: please go read it. Read at least one book. They're worth their weight in gold.
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lackadaisycal-art · 7 months
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And crucially how did you feel about it when you were a kid! (Sort of 10ish)
Feel free to go into it in more detail as well, I'm very interested
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petaltexturedskies · 4 months
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I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C. S. Lewis.
C.S. Lewis, from “The Lion, the Witch and the Wardrobe”
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cuppatealove · 23 days
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Reading The Lion, The Witch & The Wardrobe with my son on Easter Tuesday and he was so shocked and confused and bereft when Aslan died. Then we had to stop for a very gloomy lunch before we could read the next chapter, and it hit me that he was getting a better understanding than anything we could have taught him about what the disciples went through on Easter Saturday. I mean, we had just been talking about it three days earlier, but of course when you know there's a happy ending coming, you don't really feel it. And Aslan was finally here, after all this hope and expectation, and he was meant to make everything all right again 😭 He'd even already made the connection to Jesus when the witch's gang were kicking and hitting and jeering at Aslan, but he never in his wildest dreams thought he would become alive again! The joy and wonder and absolute glee he felt in the next chapter — he figured it out just before it happened because he cottoned onto the homage — preached the whole thing more eloquently than I could ever have hoped. And oof, if I didn't feel it all with him, too, as if for the first time ❤️ Well played, Mr Lewis, well played.
Also yesterday I caught him saying "I say!" so a positive experience all round 😃
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thebluehoursofmorning · 8 months
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Y'know I find it incredibly ironic that in my Chronicles of Narnia fic series, an interesting inversion in fate (and character development) finds the most rebellious among the most devoted to restoring Aslan’s kingdom, while the most faithful fell the furthest. Edmund turns back at the tree and becomes a king of Narnia alongside Caspian, helping guide it into a new golden age and earning the title of the Once and Future King, while Lucy literally becomes an eldritch goddess and is implied to have straight up killed Aslan at some point. Edmund gets his redemption arc and then some, becoming one of the greatest kings in Narnian history, securing the legacy of Aslan, while Lucy, the most faithful, falls further than even Lucifer and ends up usurping God himself, not because she desires power, but because she sees the way that Aslan uses it as unjust.
And yet...both of them are doing this for the same reason. To be a champion of the downtrodden. To correct injustice. To secure themselves and their own kingdoms so that it can never be stolen from them again.
Gotta love some foils/parallels!
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clonerightsagenda · 23 days
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One of my professional nemeses is a guy who does not know I exist who consistently posts god awful takes on Inside Higher Ed but today he posted one bitching about the decline of Western culture being taught in schools and how "It’s no secret that today’s kids have much less exposure to those Greek, Roman and Norse myths, legends and sagas" which is a bold take in the age of Percy Jackson, but he then went on to cite Lord of the Rings and Chronicles of Narnia as newer cultural touchstones that "reflect more modern sensibilities, values and concerns, including themes of diversity and inclusion and environmental awareness. They’re crafted with contemporary language and settings, even when set in fantastical worlds, making them more immediately accessible to today’s children than the sometimes archaic language and unfamiliar settings of ancient myths" which ???? Yes Lord of the Rings, infamously written with accessible language.
This is the same guy who wrote a post about how we no longer produce the same caliber of intellectuals as... and then listed off 15 people, all white, 1 woman, and two Georges, so I honestly think he may have been cryogenically frozen for a few decades and they thawed him out to write terrible thinkpieces.
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