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#posts that are comprehensible only to me
queenangst · 18 days
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katsa walked so yor forger could run
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selamat-linting · 1 year
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"King For A Day" (Pierce The Veil ft. Kellin Quinn), Dog Day Afternoon (1975)
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lesbianalanwake · 1 year
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YOU HAVE ALWAYS BEEN HERE
Control - The Haunting of Hill House - Prey - Severance - Star Trek: Deep Space Nine - The Shining - Moon - Alan Wake
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pastadoughie · 4 months
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using a different brush doesnt make your art better, you can make good art with any brush, "but having a good one makes it easier!" no. making good art is a matter of skill and if your art looks dramatically worse with a different brush then thats because you are unskilled with stylizing it, experimentation is good but the idea that you need a specific brush setting to make your art good is an idea manufactered by people trying to market you their fuckin 20 dollar brush packs you wont use "i know you hate your art and think it looks bad, but dont worry! if you just buy this brush it will look better!" <- this is feeding off of your artistic insecurities to financially exploit you.
people ask me what brush i use somewhat often and it honestley makes me rlly sad. i understand it comes from a place of admiration, liking my style and how i draw and wanting to replicate and understand it on a deeper level. but its a question that ultimately flattens my years of skill and experience and work to a couple of settings on a random software made in 2015. my art looks good because i am good at art. and not because i use a 4px round brush with no antialiasing (the default pencil tool on MSpaint WIN10) its frankly insulting
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gothamcity-official · 6 months
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Ninjas are Breaking the F**king Gargoyles
There are ninjas going around the city trying to fight Robin and Red Robin, with the rest of Colony getting in their way. But they are DESTROYING THE GARGOYLES and I swear to the gods I'm gonna kill one if they come near my wind3 1utksm m
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squiddlysq · 1 month
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Finished System Collapse the other day & Murderbot has never been more relatable
First image based on this post by @murderbot-moodboard
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eldest-of-katts · 8 days
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okay because people have shown up in my dms talking smack I'm going to make one blanket statement on the 1000 year loli chilchuck thing.
yes, there has been a problem with young girls being put in suggestive positions in anime with the "uhmmm she's actually a bajillion years old" excuse. yes, other characters don't treat chilchuck like an adult. yes, he is short with big eyes.
However, chilchuck consistently acts like a grown man. he- in both the manga and the anime- straight up just is an adult. He looks like an adult when he is any other race during the swaps in the manga. When the other characters get turned into half-foots they look similar to chilchuck. He is explicitly stated to have more dungeon and general life experience than laios, and he acts like it.
The 1000 year loli trope explicitly functions as an excuse to prey on people who are inexperienced and unable to advocate for themselves. Chilchuck is a parent, is a union organizer, has explicit boundaries that he enforces rigidly, and he is treated as an adult man by everyone who doesn't have a fantasy racism-focused character arc/issue.
I can see how if you haven't read the manga and seen that he has an established life that he later reveals (and haven't paid attention to him in the anime lol) you could get a mistaken impression about him. Marcielle does too in the source material! It's part of her character at the start of her arc that she has issues with longevity!
The thing that irks me a little about this interpretation is that it leans into the child-coded discourse that was prominent a while ago (she's short!!!!! but has boob???? ILLEGAL!!1!) and it does a disservice to the themes of infantilization as a policy maneuver hurting the working class.
I saw chilchuck and his labor advocacy for half-foots both as a metaphor for racism (obvious take ik) and for ageism.
The working gen z as a cohort are being infantilized and pushed out of job markets due to infantilization, similar to half-foots in the show. gen z is being maliciously portrayed as too young to vote, enter office, know themselves, know their rights, and take advantage of their resources. Simultaneously, child labor protections and protections against workplace abuse are being rolled back in the US. In Japan, young people are being worked to the bone for nothing and are becoming disenfranchised as a generation while simultaneously expected to be the labor faction that supports the postwar generations in their old age.
Chilchuck's being treated poorly I saw as a clever commentary on the ways infantilization allows for protections to be stripped away under the guise that "oh it's just a job for teenagers- they don't need more than minimum wage" or "let the kids rescue the economy! they're always complaining about that job market!" while simultaneously stripping away rights under the guise of protection- "We can't have that on the internet! think of the children!" "to protect these young people we must raise the age of medical consent for hormones/reproductive health decisions!"
Kui's work with this series spoke to me on many levels, and specifically, the infantilization issue touched me in a way that few other pieces of media have. The struggle to be taken seriously in a stem field as someone young, as someone female, and as someone who had a high-pitched voice to the point I did years of voice training to be taken seriously, chilchuck's character resonated. I (kinda) understand your instinct to think "SHORT! CHILD! RALLY THE MASSES AND KILL THE PEDOS!!1!" but in this case, it's misdirected- mostly because the author was trying to use this misdirection to prove something to you, the reader.
Kui consistently makes cutting commentary on modern issues, the show's take on food neutrality as its headliner, but also the author's takes on cultural issues and the environment (with a focus on our place in the food web as animals). I feel that reducing chilchuck's very conscious position as a tradesman and an activist discounted due to his apparent age down to "1000 year loli ewwww let's send this random tumblr user suicide bait" just displays a lack of critical analysis of the show and a level of disrespect towards Kui and the work as a whole.
TL:DR- stop sending me kys messages I'm fucking that old man
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klavierpanda · 10 months
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Bro...aroaces are literally the most represented everywhere. And you're still complaining. Go ask aroallos and aceallos about being recognised lol
The post wasn't even about representation, it's about the fact that even in aspec spaces there is a tendency to leave out the aro part of aroace and just viewing those people as asexual where being aro is an afterthought. Do you not see how that is also harmful for both aroallos and alloaces?
In the case of aroallos it's the fact that they're forgotten about because they aren't asexual and therefore their identity isn't even at the forefront of most people's minds when discussing aspec stuff. Their aroness is erased because it is not accompanied by asexuality.
In the case of alloaces there is the underlying assumption that romantic attraction isn't felt because there is still the assumption that aroace and asexual are the same thing. The fact they do feel romantic attraction is erased by the fact they're asexual.
The underlying issue here is that there isn't a great understanding of how different attractions interact with each other and the different labels we have to describe different experiences, even within the aspec community.
I made the post because an irl aspec group that I'm in were talking about the aroace character in the new series of Heartstopper and almost all of them referred to him as asexual. I have not watched Heartstopper (romance stuff doesn't interest me) but I was informed that there's actually a stronger focus on romantic attraction, i.e. the aro part in his aroace identity. As well as a consistent feeling that my aroness was erased when I identified as aroace and is ultimately one of the reasons I dropped the ace part of the label.
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mishy-mashy · 1 month
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I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.
Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.
(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)
Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."
He remembers Jirou and thinks, The braying howls of the weak...
He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.
AFO saw Yoichi in Mineta.
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These scenes are near-identical to each other.
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Mineta and Yoichi (at that time) are both much smaller than the normal person at their age
They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice
Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)
The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.
Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.
AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.
Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks
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AFO even stole Hawks' Quirk during this time.
He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.
He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.
And this let Mineta play his part, and remind AFO of Yoichi.
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"A putrid, festering Quirk Factor."
That sounds like Yoichi, AFO.
".. such garbage."
Hey hey hey, what did Yoichi throw at him when they were kids?
A discarded can. Garbage.
This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].
Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.
Even though this time, Mineta [Yoichi] offered to take that place of suffering.
Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.
Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.
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Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.
Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.
Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.
Reiterating something from OP's post that I reblogged this from;
"The reminder of his brother made him uncomfortable, so he hurried away."
AFO didn't want to hurt Yoichi again.
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skitskatdacat63 · 5 months
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Tradition vs Modernity vs Comradery
+ context & lore:
In the first drawing, Fernando is wearing a capote de paseo, which is what bullfighters wear before the match begins, as seen below:
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In the second, Seb is shouting the very familiar "Olé" which is shouted by the crowd to praise the matador. He's a little brat, so of course he's yelling it for himself, but he did get many 💐
The third(which was a random sketch I had that I didn't think I'd finish tonight, so ignore if its messy) has very important context to me. Before going to the final act and killing the bull, matadors dedicate their montera(hat)(and symbolically: their kill) to a a specific person in the audience(or just the public as a whole.) Seb and Fernando are finally in the same color! Seb is bowing!!! And Fernando is honoring Seb!!!! Also ignore that I drew Seb's post-retirement hair. Though, maybe this drawing is supposed to represent Fernando making a dedication to his now-gone rival 😔(Seb: stop telling people im dead!)
Now, some more lore :D
So I talked about this in my last matador post but I'll expand more. I think it's very funny to characterize Fernando in this au as this fun-hating traditionalist. Because you have to understand; he's only this way when it comes to Seb. Because you absolutely KNOW he was doing silly, unserious shit back when he was younger. But absolutely god forbid Seb do anything silly.
It's very ironic because there literally is a part in the third act of a bull fight where it's basically encouraged to be a bit silly. This is a tad morbid, but basically right before they deliver the killing blow, some show their mastery over the bull by doing some superfluous action(ex. kissing the bull, kneeling in front of the bull.) There's some guy who literally would lean on the bull and mime taking a call. But anyways, Seb would def do this. I've not been able to draw it exactly how I want, but he would bend down and do his little bull horn symbol and mime charging at the bull. (Fernando, trying to make up reasons to hate Seb: oh my god, look at this blatant disrespect, look how he is disrespecting the bull, I cannot believe how rude this boy is!)
Also there's something to be said about how the matador shows mastery over the bull by kissing it or bowing to it...and Seb is technically the bull in this au and Fernando is the matador. There's just this unfortunate level of weird power inbalance that still lingers even though their rivalry is over and can't be affected anymore. There was no succinct answer about who truly was better because Seb was forced out of it. So there's always gonna be this level of "is he just pitying me? Is he just mocking me? Is he just patronizing me?" on Seb's part whenever Fernando praises him or makes dedications to him. And Fernando's always going to be haunted by the fact that there's no answer to who is truly better because he'll never know if Seb had reached his full potential or not. Anyways, they also have nasty sex while wearing their costumes and do weird bull/matador roleplay :)
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paziffic · 7 months
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Etho is so neurodivergent coded
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sukugo · 8 months
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i have to ask because i adore you and i want to know about your new blorbos- who are they and what are they and why are they always soaked in blood
JDHSJFHJFDDJFFSDFDF, oh man where do i start cassie.
they're from the anime/manga jujutsu kaisen, and they are:
gojo satoru. love of my fucking life. my fucking everything my boy my man, i am so so in LOVE with this man i cant even begin to tell u. he consumes my every waking thought, my life is dedicated to seeing him get fucked. (he's the guy in my header humping his all into the other's arm)
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and (ryoumen) sukuna. beautiful sexy evil man.
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(can u tell who's my fave)
so in this world, we have jujutsu sorcerers, who are people with special powers that they use to defeat/exorcise curses, which are basically evil spirits born of negative human emotions
gojo is the strongest jujutsu sorcerer alive. he is insanely strong, not a single person can go against him. his powers make it so that u literally physically cannot touch him. he controls "infinity" and can warp space, and he also has pretty special eyes that let him perceive things at a much deeper level than a regular person. those two things combined make him quite literally untouchable. and insanely powerful.
as for sukuna, he used to be a human who lived thousands of years ago, who used to be the strongest sorcerer of his time, and is considered to be the strongest sorcerer in history. he is the King of Curses, no one could ever defeat him, or destroy his soul, which he divided into his 20 preserved fingers so it would survive through time, even after dying.
so itadori yuuji
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this lil baby boy (literally the babiest sweetest boy to exist btw) (he's actually the main character haha)
due to some stuff, he ends up eating one of sukuna's mummified fingers and sukuna reincarnates inside him. yuuji becomes a vessel for sukuna, who lives inside yuuji's mind now and sometimes takes over his body (reason why they look the same)
and now, yuuji is sentenced to be executed bc he holds the most evil sorcerer in history inside him, but gojo goes nope! wait a minute, let's not do that. and manages to convince the people in charge to postpone yuuji's execution, saying that they'll get yuuji to find and eat all of sukuna's fingers and then execute him, getting rid of sukuna all in one go.
ok so that's the context (that's actually what the anime's about haha), but as to gojo and sukuna.
THEY ARE IN LOVE
well, they're there. sdkkhfkjdkfdf
ok no, so like they do their things right. gojo is a teacher (tho we never actually see him do any teaching lmao) and sukuna lives inside yuuji and causes trouble sometimes. they don't really ever interact in the story (they literally meet and have a lil confrontation, decide to kill each other and never talk again djshjfdasdadfd) (until they actually have their Fight, more on that later)
BUT!!!!!!!! they may not interact, but they are completely tied together narratively.
as u can see, they're both the strongest from their respective times, so they have a lot of links when it comes to their characters themselves and what they are referred to in the story. specifically that, in being the strongest, they exist in a plane above everyone else, literally untouchable.
now, in the story, this position of strongest is coupled with solitude, being the strongest meaning u're alone and no one else understands you bc of this
and SO they have their fight. bc plot reasons right. this is obv what it was all gonna lead to. fight of the two strongest.
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and the fight, consequently, revolves around that idea of solitude, and understanding each other.
which like. ok. yeah we saw that coming. ofc. no big deal.
EXCEPT, to make reference to their relationship and that idea of understanding each other, the term that is used is, and i kid u not, love.
there's a very specific phrase that is used multiple times between them. which is actually used originally with a character who shows romantic feelings towards sukuna.
she challenges sukuna to a fight and sukuna promises to marry her if she wins. her goal in this fight is to share in sukuna's solitude and show him love (read R→L)
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but she says this to sukuna and this. this is his reaction.
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SUKUNA KNOWS LOVE ALREADY
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to which she gets super pissed bc that's not!!! love!!!!!!!
sukuna defeats/kills her. and u know when the next time that exact fucking phrase is used? when sukuna and gojo finally meet again and set up the date to have their Fight, where sukuna remembers her words
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which tells us that.
sukuna was.
thinking about gojo when she said that.
*screams into hands*
BUT IT DOESN'T STOP THERE. this phrase is then repeated. multiple times.
1. right after gojo punches the fuck out of sukuna:
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2. said in reference to gojo, when he realizes there's a chance of him losing:
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3. gojo reminiscing about their fight:
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so, as u can see, they were going to teach each other love. their fight is. canonically. about teaching each other love. what the FUCK.
but ENOUGH love talk (or else i'm at risk of going crazy insane)
LET'S TALK ABOUT HOW THEY'RE LOADED WITH SEXUAL TENSION
this was in their first meeting where they fought (for quite literally 10 seconds)
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like... why he do dat.... .......... . ....
next day sukuna goes "hey im gonna kill u first <3" and gojo just goes "teehee omg really? *hair twirl* <3"
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they also decide to have their final battle on dec 24 which is like a super romantic date in japan (explicitly said so by another character)
and their FIGHT. it is LITERALLY just them flirting and touching each other
LOOK AT THIS SHIT!!!!!!!!!!!!!!!!
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i fucking lost it. i still haven't recovered. that is the hottest thing i've ever seen in my life. gojo wants that dick so fucking bad
not to mention thigh grabs and hand touchies
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and the entirety of the fight is just them having fun 😭😭 they're supposed "enemies" on opposite sides and the fate of the world is at stake here, but they actually don't give a fuck about that.
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they're literally smiling and having a great fucking time. this fight for them is just play. their fight is just for them to have fun as the strongest and to connect with each other. they're enemies but they don't hate each other or anything, they only search for that sense of fulfillment in each other OTL
AND ABOUT THAT, oh my GOD
sukuna wins. he defeats gojo. and at the end, this. is what sukuna says to gojo at the end of the fight:
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FUCKING. I'LL NEVER FORGET YOU. SCREAAAAM THAT'S ROMANCEEEEEE.
and the soft smile? the fucking petals falling all over them? oh GOD they're trying to kill me
but that's on sukuna's side, what about for gojo? well
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HE GENUINELY TRIED TO REACH SUKUNA, GAVE IT HIS ALL TO CONNECT WITH HIM. TO TEACH HIM LOVE AGFKDHSKFHFKJFHDF (BUT HE FAILED HE COULDN'T GIVE SUKUNA WHAT SUKUNA GAVE HIM 😭😭😭😭😭😭😭)
HHRRRRGJFHSJDFHDSJFSDFA KJHDKFJSFKASLDKS ADKJKFHEWRKJEKRKTRELRW
and if i start crying OTL
but alas *deep breaths*
even without all that they're just very fucking sexy. two insane powerful men going at it? come on. how could u NOT want them together. they both hold the same title of the strongest, might as fucking well fuck nasty about it.
and oh god, when i tell u gojo is a fucking brat and he's so strong and untouchable, but then sukuna is capable of putting him down which is. insanely sexy. and i need it. i need gojo obliterated. and i know sukuna won't let me down (AND HE DID NOT. HE OBLITERATED THAT MAN) can he now obliterate his holes too
agdkhfhdkhdhs, anyways.... yeah.. that is the situation.........
im just gonna end this by saying
SUKUGO MY LOVES
#f.ask#jjk#sukugo#i fr laughed so much at 'why are they always soaked in blood' sajhdkashfkjasflaf bc yeah yeah they are#and it's bc the fight's the only proper interaction they've had that was longer than a few seconds jhashdksafjk 😭😭😭#they're actually not new blorbos haha. i've had them for over three years since the anime first came out and i got obsessed#then i got into other stuff as u know. but right now my obsession has reawakened :D#but yes they're my otp yeah they're a fucking rarepair#jk tho. honestly honestly they arent a rarepair. not anymore#it just feel like it here on tumblr dfksdjfkdsj 😭😔#they used to be tho. it was so bad back then that i was literally the one who had to create the ship tag ajfhjasgfajhkahf#which like..i mean yeah. bc before it was ONLY their first meeting 10 sec confrontation and that 5 sec 'ill kill u' 'im honored'#that was IT for 3 years. their actual fight is recent#and it fucking killed me bc it was SO SO SO GAY. my starved lil heart was given so MUCH#IN CONCLUSION#i just want sukuna to fuck gojo that is all thank u for coming to my ted talk sukugo my beloveds <3#i feel like ive rambled too much hdasgdisfhkjafdkjdasds SO SORRY for making u read all that 🙈🙈🙈#i hope all this makes sense#and that it makes my posts a bit more comprehensible hahaha#giving u the biggest KISS <333333#and idk if u're interested in it but if u are then i'd def def recommend jujutsu kaisen!! it's really good its super fun!!!#full of Pain and Suffering too but like. shhh. it's super cool.
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selamat-linting · 1 year
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pachinko character rating (only including films i've watched)
-francis lionel delbuchi : kicked puppy
-sonny wortzik : kicked puppy with rabies
-serpico : repeatedly kicked dog
-tony montana : not a dog nor a puppy, but definitely has rabies
-michael corleone : a secret fourth thing, he is both the dog and the collar binding one another in eternal misery
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topflights · 1 year
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jay white is a very specific genre of person
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shorthaltsjester · 10 months
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begging twitter to stop showing me tweets of people with no reading comprehension misrepresenting things I said but since i was going to make this more in-depth post Anyway .
when i say imogen is better read as a metaphor for generational trauma than she is a metaphor for queerness or chronic pain, i’m not talking about legitimate traits she has as a character. obviously she is queer. obviously she experiences some form of chronic pain (though i would argue her magic better suits chronic illness not pain because she states that it’s Not always painful, but it does always influence how she lives her life).
when i talk about how well she’s understood as a metaphor, i’m talking about when i’m looking at her as a part of a story, as an arc that i am witnessing rather than in the more typical fandom way of this is a fictional person who interacts with exandria as real people do. and that is a fun way to interact with characters, i enjoy it a lot! but when i say imogen (to me, as i for some reason have to clarify on my own blog which implies that these are my own opinions and not absolute fact that needs to be accepted by people on the internet with different experience and opinions than me) is best read as a metaphor for generational trauma, it isn’t a dismissal of her queerness or her illness, it’s just me thinking looking at her from that angle is more compelling.
imogen has been one of my favourite characters and least favourite characters in campaign 3 because i tend to analyse her through a lens of generational trauma and she ends up looking extremely familiar to me as someone with a family that carries their’s heavily which is as comforting as it is frustrating.
for me the main thing that looking at imogen through a queer lens of literary analysis fails to account for is harm. on the one hand - the harm that imogen experiences, not because of how people treat her for who she is, but that exists simply as a factor of her being ruidusborn. on the other hand a the harm that imogen causes. not to say that she is some malicious villain waiting for her chance to harm others, but that there are things about being ruidusborn that very much do incline her towards violence in a way that she might not otherwise be - i think about the conversation after she went nuclear and chet brought up people being scared of her connecting that to her father keeping distance. the only harm that queerness provides comes from society, and that isn’t the case in exandria. even metaphorically, the thing that society fears in ruidusborn people (while it has certainly been exacerbated by centuries of superstition and practices like we saw in zephrah) is a tangible threat. imogen’s magic when not controlled can wipe out a city block, but queerness poses no threat.
that’s why i’m not compelled by imogen’s backstory as a queer metaphor. not because i’m some imodna anti (i very emphatically am not but this fandom kinda makes me wish i was sometimes) or because i think exandria’s lack of homophobia/transphobia means that characters can’t be viewed through a queer lens or that critical role doesn’t contain some of the most compelling queer metaphor i’ve encountered. imogen just isn’t one of those characters, not because she isn’t queer, or because i think her story shouldn’t resonate with queer people, just because i find the generational trauma angle more consistent.
it’s similar with the chronic illness angle, which i will refer to as illness but you’re welcome to emphasise pain, we all have different vocabularies for the experiences we face. but just to give context i’m running off laura’s comparison of imogen’s powers to her own sensory issues and anxiety which while often Lead to pain, fall more into chronic illness in imogen’s context to me. and i do think there’s substantial comparison for imogen’s story as a metaphor for chronic illness, but i think that was much more true earlier in the campaign than it is looking at her from the current context. her beginning motivation being her search for knowledge about her powers really resonated with me as similar to someone experiencing symptoms of chronic illness but who could neither figure out how to treat them or what they were caused by.
but then imogen got more information, specifically about her mother, and her priority became not understanding her powers but understanding her current state as a person - how had she become the person she is, inclusive of her powers but very much emphasising her lack of a mother who became more and more present in the unweaving web of ruidusborn lore. that’s when i was less compelled by the chronic illness reading and more compelled by viewing her as a metaphor for generational trauma. had that not been enough on its own, imogen’s visit to relvin and her recent thoughts on her mother would be enough to convince me.
the part that makes me hesitant about this post is that generational trauma is so intensely linked to the contexts under which it is created and perpetuated. so i can’t really point to specific scenes as evidence of specific things that prove generational trauma is the most compelling and i don’t really want to unload that much of my own experience to clarify my thoughts on a character. but vaguely, i will say that imogen’s relationship with her parents is obviously the clearest source for my reading her as a metaphor for generational trauma. the fact that relvin, the only person in her family without the thing that draws society’s ire, is also the person that she has the most willing anger at is also indicative of this to me. in general, imogen’s rage that so easily transitions into sadness and vice versa comes out a lot in conversations about parents. most recently, i think about ashton’s lovely speech about found family and his distrust about parents and how as they were speaking, laura seemed to be playing imogen as sadly in thought versus months ago when fearnes parents showed up with striking similarities to liliana and imogen’s words of wisdom were let’s hurt them all.
and like. to me that angersadnessvengeancegrief is particularly evocative of the feelings that arise when you are in a family with generational trauma, especially when you are aware of it. because imogen can and has followed the logical steps that have led her and her family to where they are. early on when recounting her relationship with her dad she seemed wistful but understanding of the distance between them. in nearly every encountered with a parental figure imogen seems to be some level of distrusting for the most part, but she’s still holding out hope that her mother will see the good side. and further, there’s the complication of how dire her losing her powers seems to be, and how inextricable her powers are from every aspect of her life. she’s also southern and from a blue collar family. this means nothing except it also means a whole lot.
this is messy and not well organised but if you want a good essay you’re gonna have to pay me money for it but tldr: i say things i believe on my This Is My Opinion Blog and i don’t think i need to explain my thoughts to strangers on the internet but this was already half written in my drafts and if people are gonna shit on my opinions please at least do it in good faith and shit on my actual opinions not the ones you’ve decided i have.
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dairyfreenugget · 16 days
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I could count the amount of original stories of mine that don't have horror elements on one hand and idk what that says about me
#thylacines can talk#actually i do know it says mmmmm making horror monster ocs is fun#outside of my fandom ocs my ocs and original stories arre dominated by horror elements and religious themes oopsie daisy#i might eventually post about them but the hk brainrot is going strong#but a friend of mine got a commission for me of my doomer human x monster yaoi so you'll see my Main Babygirls soon 🥰#hand in unlovable hand they're fucked and weird and it's an unhealthy relationship and it'll never work as everything is stacked against#them yet each other is all they have and if being together means their death then so be it. Peter should have probably ran. Should have left#would be better off for the majorth of the story had he never met it yet the two are so alike. it's the first thing that's ever unnderstood#him. it's the first 'person' that's ever truly cared for him. And even if it has flaws and his life was ruined by things beyond his#comprehension and he risks his life he's not willing to let go of the only person whos truly seen him and loved him. Who is willing to tear#its world apart and die for him. There are no happy endings here. They were doomed from the start. But at least they have each other.#also tfw your life and 'family' sucks so much that a literal monster who manipulated you and used your body to carry out ruthless murders is#nicer to you than your goddamn brother and friends. like damn dude.#I honestly think if Slaughter was born a human their relationship would be great for both of them they truly fit together like two puzzle#pieces. two outcasts who have so much in common and find comfort in one another. but because of the circumstances of Slaughter's nature and#what it was forced to be this is not a healthy situation or a relationship. Peter comes out better at the end and would be as good as dead#if not for meeting Slaughter so there's a silver lining in all of this but goddamn dude. the bullshit it took to get there.#The fact that his life was so bad literally getting possessed by a monster and almost being murdered numerous times and an insane amount of#trauma and bbeing a target for monsters for the rest of your life literally IMPROVED IT my guy truly cant catch a fucking break 😭😭
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