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#please save this film
ryanwiseman · 2 years
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Watching the trailer to that Mario movie, I watched it without realizing Bowser was being voiced by Jack Black. I am so fucking impressed that he pulls off a Bowser role so well to where you couldn’t even tell it’s Jack Black voicing him. But what the fuck, why do we have Chris Pratt as Mario if he’s going to do such a poor job at voice acting????? Jack Black sounds like the kid in class that spent since birth prepping for the class presentation. Chris Pratt sounds like he prepped during the class he’s presenting.
If we can get a studio to redo the entire Sonic character design, we can get this one to drop Chris Pratt. We deserve a Mario film without a F- performance from Chris Pratt
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poorly-drawn-mdzs · 4 months
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💙❤️Happy Holidays!❤️💙
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brightmoontrigon · 1 month
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deer of 9 colors 🌙🌈
hello friends! my recovery from meningioma surgery has been coming along, albeit with both its ups (partial improvement in my eyesight, feeling strong enough to get around mostly at my normal level) and downs (diabetes insipidus, sinus congestion, weird episodes of joint pain, and having some ongoing visual field impairment). still, I'm very thankful for the good things. I'm trying to make a little art again and wanted to invoke this auspicious creature for some luck and benevolence <3
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ducktracy · 4 days
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reminder that if you're not watching Crayon Shin-chan then you are living a hollow and empty life. this is not edited. this ripped straight from the movie (Movie 8: Jungle That Invites the Storm, highly recommend for fellow Masaaki Yuasa lovers)
if you need further convincing: these monkeys run an animation sweatshop
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#i've made this disclaimer on another post but will again since i've seen a lot more of the movies now#the movies are VERY good and very enjoyable but unfortunately the first handful are bogged down by transphobic/homophobic/okama stereotypes#they kind of vary in their severity. Movie 5 i think is the biggest catalyst because it features the stereotyped characters the most#prominently. Movie 3 doesnt really have caricatures per se but saves a very backhanded reveal for the end#Movies 1 and 4 are a bit more tolerable if my memory is correct. Movie 2 i think is kind of comparable to Movie 5 with its caricatures#in that the characters have similar roles in both movies#i admittedly can't remember what caricatures there were in Movie 6 or 7. 7 i think barely had anything#RAMBLE RAMBLE BASICALLY: these jokes are within the first 7 movies or so 5 being the zenith then reducing down and down. by movie 8 it's sa#e#i give these disclaimers because these movies are all very enjoyable and i would not recommend them if i didnt think there wasnt any merit#o them. they are all very much worth watching. Movie 5 still has a lot of very enjoyable stuff in it (there's a showdown in a supermarket!!#but i just want to make sure that is clear and established since transparency is good to have and i dont want anyone's viewing experience t#be ruined because they weren't given the proper warning#if it's any consolation it's my understanding that even the directors hated doing the jokes#iirc Keiichi Hara really didn't like doing the jokes and i think had a talk with the mangaka Yoshito Usui and was like 'uh dude this is#gonna age horribly can we maybe not'#ironically Hara's first film is Movie 5. which is again the biggest offender#BUT! that is my spiel. my understanding is that it's contained to those 6 or 7 first movies and i think is strictly just a movie thing#so please do give these films a watch but just be mindful at the same time#if anyone needs recommendations my favorites have been movies 4 and 9 but i genuinely really enjoyed every one that i have seen#i've seen the first 11 and a half movies (need to finish 12) and movie 22. the worst i've felt about one is 'oh that was pretty good!'#each film has its own merit and is very very very much worth watching#22 was the first Shin-chan anything i watched and all my Shin-chan expert friends say 4 is a good introductory piece#in case that influences anything/makes it easier to break in#so. thus concludes my spiel#csc#vid
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watchandyoullsee · 10 months
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Ariel Takes the Wheel
Scene 1: Ariel "Just Forgot"
King Triton (1989): "I just don't know what we're going to do with you, young lady."
Ariel (1989): "Daddy, I'm sorry, I just forgot, I--"
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King Triton (2023): "It's irresponsible. Your sisters are only here for one phase of the Coral Moon. Can you imagine any one of them missing the gathering?"
Ariel (2023): "No, you're right. I'm sorry." (Excuse the watermark; I don't know where else to find images.) Of course, Flounder comes to her defense in the LA just like the 1989 version, saying it wasn't her fault, but Ariel realizes her mistake and takes full responsibility.
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Scene 2: Blaming Sebastian
Ariel never blames anyone but herself in the 2023 version. She knows it's wrong to make the deal with Ursula in both versions, but the Live Action Ariel does not do it just for herself, but for both worlds -- after all, humans and merpeople may be different, but that doesn't make them enemies. Shipwrecks are alarmingly frequent, taking the lives of humans and damaging the seafloor below. Were the relations between the two peoples mended, perhaps their respective worlds could mend as well.
Thus, the stakes are higher. Had Triton been willing to listen while she had her voice (and it is understandable why he wasn't), she would never have had to give it up to be heard. 2023 Ariel not only rebels against her father because he made her upset (and she's obsessed with a human prince), but because she is doing what she believes is right for herself and her people. Since she heard Eric express a similar desire to bridge the gap between their kingdoms and the rest of the world (a desire she has never heard expressed by anyone else), it is only natural that she forms an immediate attachment to him. His beautiful face is not a motivating factor, but a nice bonus, and proof that humans are not all monsters.
Scene 3: Ariel "Didn't Mean To"
Ariel (1989): "Daddy, I'm sorry, I-I didn't mean to! I didn't know!"
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Ariel (2023): "I'm sorry, Father, this was all my fault."
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The point of this comparison is to highlight how important it was that Ariel took the wheel of the ship at the end. These are two very different characters, and thus their character arcs are different. Ariel in 1989 was curious, naïve, stubborn, rebellious in the typical adolescent fashion, and innocent as an infant. Her arc wasn't the noblest for a princess, as notwithstanding her mistakes and lack of character growth, she managed to receive all that she desired in the end. She didn't need to kill Ursula because Eric was there to do it for her, just as Scuttle was there to stall the wedding and retrieve her voice, and Sebastian was there all the way along to get her closer to Eric. Animated Ariel did not take responsibility for her actions. How could she, when she didn't know any better? Every movement she made was in her own self-interest (though I think by the end she really did love Eric as a person and not just a pretty face). Still, we love her because she is the picture of wide-eyed, adventurous youth, and there is much room for her yet to grow up, even after she's married. Because of her carefree innocence, it's nigh impossible to hate her.
Live Action Ariel is also carefree to a point, but the weight of her title and responsibilities shines through in her character. She is ignorant about the Above World (by no means from lack of effort), but clearly educated as a princess should be regarding her own. She is less stubborn in her naivety and more secure in her sense of right and wrong. There is an important distinction to be made between knowing what is right and remaining steadfast in that knowledge, versus remaining immovable in one's obliviousness.
So why was it important that Ariel took the wheel in the climax? Because she had taken the wheel all along. Had she been trapped in a vortex like in the cartoon, a damsel in distress, it would have been a disservice to her particular character arc -- that of a girl who took responsibility for her actions at every turn. "Those sacrifices you made were a choice that you can't undo," she sings in 'For the First Time.' This thread of action->consequence->action would have been left dangling, unresolved if she had suddenly lost all power.
Does this in any way diminish Eric's character? Not at all. He was willing to sacrifice his life to be with Ariel through the storm. He did everything in his power to save her. He still threw the spear, which undoubtedly saved her life in that moment (and, might I say, was a display of incredible competence to have an aim underwater like that). In that way, he repays her in kind, after she'd rescued him from drowning.
As an aside, she mimics his exact movement when he had steered the ship earlier in the film. Had she not observed what he did in that storm, she might not have known what to do in the final battle.
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Ariel still needed help -- she still needed the support and aid of her animal companions, Eric, the castle staff, and her father. BUT she also took plenty of action to satisfy her arc, avenged her father's death, and she gave credit where it was due:
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Ariel (2023): "You gave your life for me."
King Triton (2023): "And you fought to get my life back."
Ariel (2023): "I didn't fight alone, Father. Eric was with me."
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I hope this post makes it a little clearer why robbing Ariel of her ability to act in the climax of the film would have been a poor choice, specifically in the Live Action. And, by the way, you can still prefer one or the other, or neither. While I don't dislike the cartoon, I obviously prefer the more mature and responsible Ariel.
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stuckasmain · 3 months
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Forever thinking about that one article where it essentially went
Franks mother knows Dave-> they’re married and wear ugly Christmas sweaters
This has altered my brain forever and is the only correct take, actually. I’ve stopped joking - it’s so real. I don’t know I just think it’d be really nice for Dave to have a support system and family gatherings etc. their 2001 is a bit more advanced than ours who knows maybe it’s legal marriage too 🤷‍♀️
Idk it just makes the chat with his mother all the more sweet and sad to view it through this lense? I like the “quiet like an old married couple” taken literally. It’s actually such an interesting topic to explore? At least charecter study wise - something can be done with it
Something of my own is that, Dave bought the worlds ugliest Christmas tie and likes to wear it to parties just to drive Frank insane. He’d just hear “YOU LOVE IT YOU SAY?” Across the room and see this;
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Dave is social and I’m tired of pretending he’s not. He’s got issues but he’s not a shut In (see essays).
He should be allowed to be annoying, as a treat💕
I’m annoying in the tags don’t look.
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news4dzhozhar · 26 days
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aiqingdemeimiao · 5 months
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good boy's director, producers, and marion bailey did an interview on the life in film podcast, talking about the film, casting, funding, etc. it's about an hour long, so i just transcribed the ben bits (but the whole thing was quite interesting)
you can (legally!) watch good boy here (use a uk vpn if you're outside the uk)
HOST: How did you guys connect? And how did you guys all come together to make this?
TOM: Ummm well, what, oh I can't remember, did we have Ben when we started working together, Elettra?
ELETTRA: Yeah, we just about…
TOM: Yeah, so I knew Ben a long time ago, Ben Whishaw, who's umm the lead in it opposite Marion, and um we sort of left drama school at around the same time. We knew each other a long time, but we hadn't seen each other for a while, so after one of the lockdowns um we went for a big long walk on, um, on the Thames and um on the southbank. And, um, I was telling him about my writing stuff and, um, my mum had just died and so I was telling him about that. And, um, and then out of the blue he just, sort of, just was like "I think you should direct something". And he sort of gave voice to, um, and he was like "I think you'd be really good at it". And he sort of gave voice to something that I'd been feeling but hadn't acknowledged out loud to anyone before that. I'd really been wanting to direct for a while, I think. And, um, it was the kick I needed to go home and write the script and, um. So then I went home and wrote it and then a few months later sent it to him. And he loved it, and said he wanted to do it, which was, you know, gob-smacking and exciting.
TOM: And then so, obviously, I needed a producer, ummm, and then, like Elettra explained, a few mutual friends were introduced and that's how it all began really. And then, um, Elettra built the production team, herself, and then got Max and Kay onboard. And meanwhile Ben and I were talking. We both came up with lists of, ummm, the best person to play his mum in it, who would be, and the top of both of our lists was Marion Bailey. And so I couldn't believe it when, uhhh, the, her agent came back to say that, uh, the day after I sent it, to say that she wanted to be involved. And Ben and me were so thrilled. Ummm yeah, so yeah, that was it.
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(re: the acting)
TOM: I think that they, uh, neither Ben nor, Ben isn't playing me and Marion isn't playing my mum. There's, they, our DNA is definitely in there but, uhhh, the characters are very different and their circumstances are very different to, um…
HOST: I hope so! Hahahaha
TOM: But what, um, what they both did was sort of hon-honour, I dunno, somehow honour the, umm, the energy of us and the DNA of our, of our relationship is definitely in there, um, which was, yeah. So I, yeah, I couldn't ask for a better on-screen version of me - oh my god - than Ben Whishaw, that's ridiculous. And equally, to have, my mum would be thrilled, Marion. Hahaha
HOST: The performances are just. I mean, sometimes you can't, I don't, maybe this is just me, but sometimes when I watch short films I don't expect to have this level of performance. Sometimes you're like, I was like, you know the scene with Ben when he loses it in the front seat of the van? And, ummm, you're watching that, you're just thinking "wow!" Like, I don't know. Like, in my mind, I'm like, "he could just phone this in". And he wouldn't, cuz he's Ben Whishaw, but you're watching and you're like "this is a BAFTA-level performance right there. And, um, is it mad? Is it, when you're there and you're directing this, and you're looking through the monitor like "yes! Yes, this is it!"
TOM: Well actually I was lying down on the… Um, yeah, it was, um, an enormous privilege to watch these two work, Marion and Ben, particularly how they worked together. And, um, no spoilers, we won't say what happens, but there is an emotional peak in the story, umm, or an emotional break through and it happens, um, a lot of it happens in, whilst driving around in a camper van. And for a lot of the shoot, I was lying down behind the, um, behind the front seats with this tiny little monitor whilst, um, it played out in the front seats in front of me. Um, and when it got to this emotional peak moment, which actually happened before I was expecting it to because Ben and Marion did a beautiful thing where they ran into the next scene but before I was expecting it and so it really hit me emotionally. And I, the, ummm, the synergy between the two of them and the, ummm, the emotional honesty coming from those front seats was, was, ummm, extraordinary and so raw and so real. And I, you know I've been around, you know like I said, I've been an actor for twenty years on stage and screen, and I've been around some amazing acting. I've seen some incredible acting up close, but it's really rare when… for the acting to be that good, you know. I've never been that close to such extraordinary acting. Sometimes actors, umm, like, change the molecular structure of a room when they open their mouth and a bit of magic sort of pours out. And that happened in this, umm, film with both Ben and Marion. Particularly in that scene. Um, so yeah, I was watching it going, uhh, I wasn't watching it from the outside, going "awww yeah, this gonna make the film!". I was just very moved and I was very in it with them, and all the.. the very… sharing and the emotional honesty of it, if that makes sense.
ELETTRA: I think after the first… before the first take of that scene, the crew was quite bubbly and, you know, we having a really good energy on set. And then Marion and Ben delivered that scene. They called cut, and there was absolute silence. Absolute silence. And we were all just… (whispering) "are we allowed to talk?", you know. It was, it was really, it's never happened to me before. It was really surreal, the first time that the entire crew just felt so drawn in to, you know…
TOM: Something happened. There was some magic. But what was so shocking to me was that then Ben and Marion were able to repeat it again and again and again. And they weren't doing it technically, they were doing it for real. And I was watching them and, yeah, that ability to just reset and go again, is just, mind-blowing to me. It's way beyond my, um, expertise as an actor, haha.
MARION: It was wonderful to work with Ben, a real joy. And um, it's lovely to see you say those things because that's always what you're hoping will happen. But yes, it takes a whole team, it takes a whole combination of elements to make that little bit of magic happen. Ummm. And a very nice thing, when the crew do appreciate the acting. Because normally they're doing their jobs, they're not really…
ELETTRA: It takes a lot of magic to get a crew to shut up, so…
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(re: their sole financial backer pulling out 2 weeks before shooting)
TOM: I remember bumping into Ben- I remember bumping into Ben Whishaw at a party, and we'd just heard that all the money had gone, and he was like, "are we still on for April?". And I was like, "okay, don't panic… uhhhhh, we have zero money". And he was so cool. He was like… he went silent for a second, and I said, "are you panicking?" and he was like, "not one bit, not at all". And he said, "this, this happens, it will all be good." And I was like "ohhh… okay…" hahaha, um yeah. So…
MAX: [???] as well, because this film very much had its leads in order, and we all kinda fell in love with what it was going to be. And so the idea that, for example, Ben's availability only fit that weekend that we shot, if we weren't gonna do that then… Tom's story only fits the golden hour of Somerset, really, and you're only going to get that twice a year, ya know, in the spring and late summer. And so, ummm, there were some real conversations about "is this going to happen?" which none of us wanted to face because we were so in love with the project.
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oreolesbian · 3 months
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beginning to think the academy doesn’t understand what makes a good film score
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vanycat · 1 year
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I wondered why you never encounter any wild animals during all the uncharted games and then realized it's probably because Nathan is always chased by people going around with rifles and explosives. So when he starts to search for lost treasures with Elena alone he'll encounter more and more wild animals that want to kill him x°D
This still fits their weird idea of romantic <3
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skillzissue · 4 months
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SOBS INTO MY HANDS 😭😭😭😭
Dadnardo FOR REAL 😭🙏
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thewhizzyhead · 10 months
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if one day at a time was bought by a different broadcasting studio after its netflix cancellation, and if zoey's extraordinary playlist was able to get its Christmas special through a different channel after its NBC cancellation, then grease: rise of the pink ladies can potentially be saved by being bought by another studio especially when considering its recent tiktok virality in the past month come on guys walk with me here like maybe I'm delusional but I'm also fucking desperate
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hauntedhowling · 2 months
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Werewolves tell me ur least favorite werewolf in media and why
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rohadefunctblog · 2 years
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Eomer and Gimli have an unusual score to settle.
Or maybe they’re just diehard fanboys. 
Part 1 of a little comic i’m doing about that scene in rotk where eomer and gimli discuss their love for different hair colors. Part 2 should be up in a couple weeks!
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imsotallsettos · 2 months
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i’ve been too unormal lately
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zhivchik · 1 year
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