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#permanent injury in media
eveningspirit · 3 months
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Chicago PD, I dare you. I dare you to give me Adam Ruzek with permanent injury resulting from being shot, point blank, in the chest.
I dare you to give me Adam Ruzek struggling to deal with his new reality.
I dare you to give me Adam Ruzek being angry and snapping at people.
I dare you to give me Adam Ruzek arguing with Kim, because no, she doesn't get it; her situation was different.
I dare you to give me Kim Burgess being upset, because damn it, she's been taking care of him since day one and he's ungrateful.
I dare you to give me Adam Ruzek working the desk -- with TRUDY freakin' PLATT, no less.
I dare you to give me Adam Ruzek going through however many stages of grief over his lost career.
I dare you to give me Trudy freakin' Platt tearing him a new one for being a whiny baby.
I dare you to give me Kim Burgess defending Adam.
I dare you to give me Adam learning to cope with his new reality.
I dare you to give me Makayla being a loving, upset, scared, joyful, annoying, beautiful, loving child she is. Give me Makayla loving her Dad no matter what.
I dare you to give me Adam Ruzek being grateful for still being alive.
Give me Adam and Kevin being friends. Maybe Kevin being awkward, or maybe not. Just. Reacting to Adam being different now.
Give me Kim supporting Adam in his new reality.
Give me Adam accepting his new reality.
Give me Adam having a setback.
Give me Adam making progress again.
And having another setback, because that's how life is.
Give me Adam and Kim and Makayla being together and having a great life, despite Adam's injury, despite it affecting his functioning in smaller and larger ways.
Give me a character surviving a serious injury, and getting through its aftermath (you have that Chicago Med show for crying out loud; guest appearances anyone?), without resorting to a "magical healing" device.
Can you do that Chi PD?
Can you?
I dare you.
And, if you don't, well... I'm not saying I'll write that fanfic, but I will certainly WANT TO write that fanfic. ;)
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prince-geo · 6 months
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literally pleased with almost all of the new atla trailer except as per usual, Zuko's scar, idk why studios are so scared to commit to the intensity of the thing, its supposed to be shocking and obvious and textured and the first thing you see... that's the point, Zuko is supposed to struggle with feeling like it defines and brands him before finally coming to the point in his journey where he defines it.
Hollywood/big studios are known to hesitate or straight up avoid properly and honestly and unapologetically showing people with disfigurements/disabilities/facial differences etc. with the realism they deserve. Which is a shame in general for representation and humanization but ESPECIALLY in this case as its minimization actively harms it's narrative purpose as well
I promise making the scar more intense (shrivel up the ear a bit, make it intrude in his hairline, make his eye in a permanent squint due to nerve damage, for god sake REMOVE THE EYEBROW IT WAS BURNED OFF) will not make Zuko "ugly", (the actor is incapable of looking ugly and also the implication that scars make people too unappealing? yikes) but will actually do the character and his journey justice, not to mention really show Ozai's brutality, another essential narrative tool. Especially when he's bald like hello??? It should be even more stark and intense when he doesn't have hair to distract from it and cover his ear!!!
When transitioning from 2D to live action, of course some visuals are up for interpretation but that usually involved ADDING detail because the constraints of having to stay on modeling frame to frame is gone, not minimizing, removing or airbrushing. Doing Zuko's scar right to me is absolutely essential and I'm disappointed they seem just as as scared to go there as I thought they might. It doesn't have to be gory, if you've ever seen burn victims in real life or in pictures or even cosplayers/artists who are skilled in realistic burn makeup you'd know its possible to balance realism with humanity. It's possible especially with their resources to avoid the "scary Halloween makeup" route while not holding back on the brutality of the original injury.
Budget is definitely not an issue, or "scaring the kids" considering this remake is likely aiming to go a lil darker in tone than the cartoon (which was already super dark with its target audience of nickelodeon 7 year olds so no excuses) Audiences SHOULD be unsettled and upset when they see him but not because he's hard/disturbing to look at but because we are human and do not want to imagine someone doing that to a child.
It's a deliberate choice out of the all too common fear/hesitation to allow someone who is destined to eventually become a protagonist and is meant to be sympathized with to be "too ugly" while this hesitation is very rarely applied to straight up villains (again we come back to media's historic villainization of facial deformity). It's a trend that's always ticked me off in fanart too. The boy's face was melted, for gods sake. Zuko was always portrayed as an attractive boy in the cartoon (fire nation girls fawn over him) even with the intensity of his scar which is something I've always admired! People exist with scars similar to Zuko's in real life, and should not only be permitted to be represented as good guys and/or as attractive when their scars are toned down to be "palatable"
Like I said there's more that I loved than didn't love about the trailer, that can be a whole essay on it's own but I needed to get this very specific vent off my chest because it missed the mark so hard and stands out like a sore thumb in comparison to all the other visuals that hit the nail on the head to me
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giuliettagaltieri · 3 months
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Chase for Prestige
Pairing: Presidential Candidate!Coriolanus Snow x Strategist!Reader
Chapter Synopsis: The Performer
Warning: elitism, morally gray reader, greed, mentions of drugging, self induced injury, violence, death
Word Count: 3738
3 of 6
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After graduating from the University, you and Coriolanus set your plan in motion.  With your minds working together, and Dr. Gaul and the Plinths behind him, it was not that difficult to do.
Coriolanus was a perfect man to become a President.
He has the intellect for it, the support, the charisma, and the right name.
It was not a wonder how in just a couple of years, young Coriolanus Snow was able to climb high in politics.  A fresh graduate, already contending with veterans.
With the media on his side, he showed them that what Panem needs is something fresh.  Someone new to govern them.
President Ravenstil is an old man, he has suffered too much.  And it seems he was only waiting for the young Snow to fully come to age and take the seat that was rightfully his.
When Coriolanus announced that he is filing candidacy for President, you were with him.
Thanatos Swansworth’s daughter.
The Districts felt an old fear creeping up their bones, similar to what they felt over two decades ago.
But Coriolanus Snow was not the only candidate.
There was also Hilarius Heavensbee.
Not the greatest politician but he did have the money and influence.
“Heavensbee visited the grave of Felix Ravenstill.”  You say from the couch in Coriolanus’ office.  “Claimed to avenge his good friend when he becomes President.”
Coriolanus puts his pen down as he listens to you read from the newspaper.
This is not good.  This will garner the attention of the Capitol.  And with President Ravenstill stepping down, it seems only fitting to have someone who will avenge Felix as a replacement.
“I regret telling you that.”  You sigh as you make your way to the refreshments table to pour yourself a cup of tea.  “Focus on your speech for tonight.”  
He bristles.  “How could I when my enemy has the upperhand.  He offers kindness and empathy.  What do I have to offer?  The name of my father and games?”  Coriolanus snaps at you.
But you don’t respond to him as you check the teapot for remaining hot tea.
“What are you doing?”  He grumbles, eyeing you with frowned brows.  To his surprise, you plunge your hand inside.  “Y/N!”
Your hiss as Coriolanus yanks your arm away, making the teapot drop and shatter on the hardwood floor.  “What has gotten into you!”  You have never heard him so angry.  Not even when they stripped him off his name and status and sent him to District 12.
He rushes you to the powder room and places your hand under the faucet.  His teeth were grinding against each other as he observed your skin for any permanent damage.
“What were you thinking?”  His voice is low and barely contained.  He was behind you, trapping you between him and the lavatory.  Every rumble of his chest sends a shiver to your spine.
You smile as you gently move your fingers.  No serious damage.  Your skin still stings though.
“Giving you a chance to be kind and empathic.”  You laugh, one cut short by how he squeezes at your hip warningly.  “You’ll have to cut my steak for me later, Mr. President.”  The frown in his brows deepen as he hears the smile in your voice.  “I will make you do everything for me, Coriolanus Snow.” 
He did not like what you did.
Not when you grimace at the slightest touch to your hand.
The Plinths held the dinner party for Coriolanus, a celebration before his District Tour.
Many influential people are present in the party and for those who could not come, the party is being televised, all throughout Panem.
You are by his side the entire time, your good hand holding on to his arm, whispering information to his ears for every person that comes to shake his hand.
It was fascinating to watch how easy it was to inflate their ego.  They genuinely thought that Coriolanus Snow had the time to know their name and worry how their orchids were thriving this year.  No, it was all you.
You with your sweet smile and alluring voice.
Many expressed their worry for your injured hand but you always manage to turn it back to Coriolanus.  Telling them you had a little accident with your tea this morning, that it could have been worse had it not been for Coriolanus Snow.
They were so touched by his concern for you.  They start to see him in a new light.  He was not only good to Sejanus Plinth, but he was also doting on you.
Coriolanus Snow is a firm politician but he is also capable of warmth.
Many of them sneakily tried to ask about your relationship, but you were smart enough to deflect their questions.  Not confirming them but also not denying, just enough to keep their attention on you.
And it was finally time for the speech.
Coriolanus made people shed tears that night, fueled the narcissism of the Capitol citizens, but also gave a smidge of hope to the people of the Districts, it is not much but they do learn to start trusting this young Snow.
You are at your table, sharp eyes glinting at Coriolanus, sipping your champagne as you watch your handiwork.  You were careful enough to wear a gentle smile, for the cameras, lest the public mistake you for plotting something malevolent.
For the grand finale, he walks over to your table, his eyes on you the entire time as roars of applause ring heavily in the air.  He gently holds your elbow, careful not to hurt your hand and places a featherlight kiss on your wrist and closes his eyes, making the public believe that you are his anchor, grounding him.
Your lips part at his display of affection.  It almost seemed real.  You place your good hand on your chest as you smile up at him, your eyes turning glassy from all the emotions you are supposed to be feeling.
The ruse does not end there.
Just as you asked, he cut your steak for you, excusing himself from the conversation with the president to focus on the task.
You kick him under the table, it was sweet but this is the president he is talking to, and to put it to a pause just for your meal-
“What a sweet boy you are.”  The President’s wife coos and the President nods in agreement.
“It is hard to come by a good woman, especially for men like us.”  The President tells Coriolanus who chuckles.
“Indeed, sir.  That is why I have no intention of letting this one go.”  Coriolanus nods at you, making everyone around the table laugh.
“Don’t worry, I don’t plan on leaving anytime soon.”  You place a hand on his forearm.  “You are stuck with me.”
The President laughs harder at that.
It seems like Coriolanus knows what he is doing.  It made him look committed.
The Capitol is sad to see you off in your District Tour.
Hilarius Heavensbee, calls it foolishness in an interview once.  So many can go wrong on the tour.  You can be ambushed in the middle of speeches, poisoned in the homes you stay in, and even road accidents are a possibility.
You indulge a reporter as you are about to depart with Coriolanus, you smile at the camera as you hold on to his arm.  “Hilarius Heavensbee is right to be afraid, but a coward to hide in the walls of the Capitol.”
The ratings for Coriolanus rose dramatically after your comment, and the man cannot be more proud of you.
Or so he thought.
District 4 was fairly a peaceful place.  The land was beautiful due to it being situated on a large body of water, one that you do not see much from the Capitol.  The stench was something else but with the position of being President on the line, Coriolanus managed to tolerate it.
The mayor was wary for some reason.
He was sweating intensely.  His eyes darted all around, jumping at the slightest of sounds.  It did not sit well with either of you but you smiled for the cameras still.
He was nearly rushing you and Coriolanus to a fairly sized yacht.  
The ship you saw your father buy on an impulse once could collide with this one and your father’s ship will not even feel the slightest tremor.  It was exceptionally gigantic, especially to a four-year-old girl.  Your father bought it for your family should the Capitol fall in the war.  You never got to see that ship again when he got his head blown up with a sniper.
When you manage to get to a considerable distance from the port, the mayor was able to breathe more calmly.
“Is something the matter?”  Coriolanus smiled kindly, but you hear the sharpness in his voice.
The man stills his movement, his breath coming to a stop too as he looks at you like a deer caught in headlights.  He opens his mouth and closes them quickly.  He looks like he is about to burst into tears.
“You-you see, Mister Snow, sir…”  He stammers.
“Yes?”  Coriolanus raises a brow.
The mayor heaves a rather large sigh. 
“We m-might have received word that a…a group of people might have been uhm, they might cause…a smidge of trouble.”  He scratches at his head, trying to make it sound light and funny but he is obviously failing, soaked with sweat now.  “But there is nothing you should worry about.  We are taking care of it.”
You wanted to punch the man.
“And you thought it might be wise to bring us here in the middle of the ocean when someone declared a threat against us?”  You ask coldly.
“We thought, this way…w-we can select who could be around you, Miss Swansworth.”  He grimaces at your tone.
Coriolanus looks around the deck.  The reporters are stationed on one side, waiting to cover the party that will be thrown at dusk.  Peacekeepers are also deployed in the area.
You pull Coriolanus close by his tie, the mayor looking away with his cheeks flushing.  It seemed too intimate for him to see.
“We cannot have rebel attacks in the news.  It would prove everything Heavensbee said to be true.  Everybody would laugh at us!”  You say through gritted teeth.
Coriolanus clicks his tongue, hating how true your words are.  He places a warm hand on your back and leans down until his lips brushes against your ear, tickling you.  
The reporters are going haywire at the romantic gesture being offered to them.
“We will proceed as planned.”  He whispers lowly.  “For now, let’s retreat to someplace more private.”  Coriolanus straightens up and looks at the mayor testingly.  “Mister mayor, could you provide us a quieter deck?  Miss Swansworth would love to rest before the party begins.”
The smile you gave the mayor did not reach your eyes.
“Of course!  Right this way, please.”  He guides you inside the yacht and Coriolanus had his hand on the small of your back, keeping you close.  Peacekeepers stationed themselves inside and outside the doors.  A silencer now attached at the tips of their guns.  The mayor opens the door leading to a smaller deck, an empty one, one you’d love to explore.
“You can rest here, Miss Swansworth.”  He smiles nervously at you, his feet sweating at how you look at the place with indifference.  “Mister Snow, I would send refreshments for you and the Miss.”  He walks over to the door.  “Excuse me.”  He almost runs away from you.
“How rude.”  You say plainly.  “Acting as if I will bite his head off if he breathed wrong.”
Coriolanus leaves your side to rest on a plush sofa.  “You wouldn’t?”  He busies himself with a pile of magazines that featured successful men of the Capitol.  He is somewhere in there too.
You scoff, walking over to the empty deck.
“Stay where I can see you.”  He reminds in a manner that is intended for children.
Rolling your eyes, you venture further into the deck, the sun is setting beautifully, it would be a shame to stay indoors.
You close your eyes at the soft breeze, listening to the gentle lap of the waves and the seagulls flying above.
“My my, what a stubborn girl.”  Coriolanus sighs as he comes to stand next to you.
“You are not my father.”  You quip, brow raising at him. 
He only smiles darkly at you.  “No, but I expect the same obedience from you.”
Coriolanus chuckles when you huff, your lips forming a delicate pout.
In the calmness of the descending twilight, you both share a comfortable silence. 
Behind the beauties that publicity offered you during the tour, one thing that you appreciated is the places you got to visit.
Coriolanus was not the best company but he is slowly becoming more and more tolerable.  At times you even begin to have trouble trying to guess if his actions are part of your ruse or not.
A mistake.
You inhale sharply, turning away from the tangerine glare, your back to him.
Coriolanus Snow watches you as you walk away from him.
“Problem?”
He leans on the rails, his arms crossing.
You sigh as you grip your wrist behind your back and rocked on your feet, still not looking at him.  You appear rather insecure and it bothered him greatly.  Y/N Swansworth can be a shy girl but never insecure.  Not even once.
“Yes.”
Coriolanus strides over but you take another step back.  He narrows his eyes at you warningly.  “Tell me.”
You purse your lips, doe eyes glancing at him before looking away.  “I should not.”
Patiently, he waited for you to continue talking.
You started walking further and further until you were farthest from him.
“Are you asking for a chase, sweetheart?”  He says playfully.  Coriolanus found it comical to watch your eyes widen.
“No.”  You are quick to rid your face of vulnerability.   “I would like a moment alone.”  You spoke distantly.
Coriolanus knew better than to force you to do something that you quite obviously do not want to do.
He straightens up and gives you a charming smile, similar to the ones he gave to the cameras, you hated it.
“I will leave you to yourself then.”
You bite your tongue as you watch him head to the direction of the door.  You wanted to stop him.  To get him to stay…with you.  But your longing eyes, hidden by the dimming nightfall, can only look at him.
A soft thud from behind you steals both of your attention.  Coriolanus pauses his steps by the door.
“Y/N?”  He calls.  “Come here.”
With the lack of light, you struggle to see clearly what is happening, but with the mercy of whatever gods are looking down at you, you manage to see a silhouette of a person on top of the rails.
He was startled to see you, his movements freezing.  But that moment of shock did not last long as he seethed at you, his hand fished something from his pocket and you did not wait around to see what it was as you ran to Coriolanus as fast as you could.
But the man was not having any of that.
You yelp as a heavy mass slams against your back, knocking you to the ground.  It takes everything in you not to scream when your foot lands badly, now twisted in a weird angle.  Tears spring in your eyes as a burning pain rips from your head as your hair is being held in harsh fingers.  A cold sting against your neck had you squeezing your eyes but a muted bang stills every movement.
You look up to see Coriolanus still pointing a gun not very far above you, his eyes wide and afraid.  The fillet knife clatters on the deck and you groan as the man collapses on top of you.
Loud footsteps echo around the deck and you are yanked by your arms but as your feet make contact with the floor, you cry out in pain.  
You sniffle as you collapse on your bum, pretty dress splayed around you as you try to be brave, swallowing your sobs as you shiver from the fright.  Rough hands grab at your tear stained cheeks, turning you from side to side.
“It’s alright, I got you.”  He murmurs as the peacekeepers fill the area, the body being dragged away and taken care of.  You clutch at Coriolanus’ arms as you sobbed openly at his chest.  “You’re safe.”  It was the only promise he made that you found yourself believing.
The mayor was hysterical.  The doors and blinds shut, separating you from the people in the main deck.  He is kneeling in front of you and Coriolanus, sobbing like a newborn child deprived of his mother.
“We cannot let the people know about this.”  You spoke sternly, the ice on your foot had a biting cold, not making you feel any better.  “This never happened.”
Coriolanus’ leg is bouncing without a pause, his eyes livid as he refuses to let you get as far away as a meter from him.
The peacekeepers offered a drink to the Mayor before he leaves, which you think might have been tampered with as he was unnervingly happy afterwards, perhaps a bit loopy.  He joins the party with a glass of wine that a peacekeeper thrusted to his hand.
“You’d have to follow him.”  You spoke gently, trying not to wake his anger again.
“How many times would you have me tell you?”  He asks, agitated.  “I will not be leaving your side-”
“You have come this far, Corio.”  You spoke quietly, eyes looking anywhere but him.  “Surely you don’t intend to make a mistake now.”
This gets him to reconsider.  You turn to him with your most convincing smile. 
“Nobody is foolish enough to attempt another attack after that.”  You do not know that of course but you will say anything just to get him out there.  “We are doing so well, Coriolanus.  Do not ruin this for us.”  You plead.
Coriolanus looks away from you, contemplating.
“We were supposed to do this together.”  He sighs, eyes downcast.  It is a look you have seen often in his youth.  “And I let you get hurt.  On my watch.”
You smile, a real one this time.
In that moment, the peacekeepers and the people outside seemed to have disappeared as you were certain that it was just you and Coriolanus existing at that moment.
“I will never forget what you did for me.”  You caress his face.  He killed a man for you. 
“You still got hurt.”  He frowns, jerking away from your touch. 
Coriolanus Snow is sulking.
Laughing softly, you place a kiss on his jaw as you give him a knowing look.  He keeps his face straight but he looks at you from the edge of his skeptical eyes.
“Don’t play games with me.”  He warns you but you only giggle.
“I will be seeing you in a while.”  You say as you fix the ice better on your swollen foot.
Coriolanus wanted nothing else but to pull you back to him but he decides against it and he gets on his feet.  He gives you one last look before heading to the party.
Peacekeepers were quietly deployed around the yacht to prevent the public from noticing anything unusual.  The party was already packed with them by the time Coriolanus joined in.
You watch a live feed of the party from a channel that broadcasts all over Panem.
They are all expressing their disappointment in your failure to attend the party.
Coriolanus charmed them by saying that you had fallen asleep while the two of you watched the sunset, he told them you were too precious to be awakened from your slumber.
The people of the Capitol will believe you of course, but your enemies will plant seeds of doubt from this error.
You cannot let that happen.
The mayor was laughing at something Coriolanus said, others present at the table laughing along with him.  They did not know that the Capitol politician knew how to jest.
Coriolanus laughed along with them, though his eyes often wander to the closed doors that separated you from him.
“Missing Miss Swansworth?”  The mayor wriggles his eyebrows at him.  Perhaps the peacekeepers added a little too much on the drink.  He is starting to get too friendly than Coriolanus would have tolerated.
He chuckles lightly.  “I am.”
Everybody in the table looks at him dreamily, their hands in their chests.
“I have the perfect distraction.”  The mayor exclaims.  “You must try this, Mister Snow.”  The mayor pushes a plate of Lobster Thermidor to him.  Coriolanus knew better than to try anything that is not approved by the food taster you hired. 
He smiles and pats his toned abdomen.  “Oh, no.  Thank you, but I have satiated my appetite.”
The mayor frowns at him.  “But these are the best lobsters in District 4!”
Coriolanus nods at him.  “And they are exquisite, Mister Mayor!”
With such flattery, the mayor blushes, smiling bashfully at the others who praised him.
As the night progressed, Coriolanus kept glancing at his watch, dreading the speed of time.  Time was moving so slowly, he wondered if this was a form of punishment.
“I cannot believe you started the party without me.”
Coriolanus never looked up as swiftly.
There you stood, in a long evening dress he had not seen before, smiling brighter than any stars overhead.  You are standing on your feet, posture perfect, with no trace of injury.
He was in disbelief and he wanted nothing more than to tell you to get back inside.  His brows pinch when you glide with perfect steps, face as angelic as ever.
Coriolanus was quick to get to his feet and pull the chair next to him for you to sit on.
“Thank you.”  You smile at him.
The media was quick to cover your arrival.
“You’re not supposed to be on your feet.”  He seethes.  His smile barely kept together and you can see his teeth gritting.
In a closer look, he can see how your eyes are a bit glassy, lips quivering, and your temple moist with sweat.  You lean closer to him and beam.
“The show must go on.”
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Hunt for Glory
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cy-cyborg · 6 months
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Disability Tropes: The Miracle Cure
The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.
But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?
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[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]
Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.
The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.
Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?
I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.
You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.
Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.
If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.
Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.
This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.
I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.
There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".
An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).
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[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]
Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.
Ok but Cy, you mentioned there are ways to use this trope well, what are they?
So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.
Don't have your only disabled character take the cure
If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.
Don't make it a total cure
In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.
Do something interesting with it
I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.
If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people
Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.
So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?
Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.
The Dragon Prince:
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[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]
The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.
While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.
The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.
Full Metal Alchemist: Brotherhood
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[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]
The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.
However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.
The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.
When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.
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samkerrworshipper · 6 months
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twos a company, threes a crowd pt.2 | alexia putellas x reader x lucy bronze
lucy and r decide to try and dom alexia but it doesn’t turn out to well….
part 1 - just more smuttttt for my horny girlies
warnings: smut smut smut 18+ minors dni.
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You bit down hard on the inside of your cheek. There was something so incredibly wonderful about plotting against Alexia. Lucy, Alexia and you had fallen into some kind of rhythm with your lives, it was this perfectly orchestrated symphony that none of you were ready to label or even try to define. You just knew that it worked and that the sex was out of this world and that was all that really mattered. You were all young, and having fun was all that really mattered to you, you were all caught up in the cohesiveness between the three of you for anything else to matter.
Lucy had in a lot of ways moved into yours and Ale’s shared house. You’d never extended the invitation but she also knew it wasn’t necessary, and whilst the older woman might have acted like she had no idea how she’d wormed herself into you and Ale’s lives there was evidence of her everywhere in your house. Whether it was the coffee mug of hers that now permanently resided on the kitchen island, the sets of her clothes that now lived beside yours and Alexia’s in the wardrobe, her weird snacks that now inhabited the pantry or the hook at your door that Alexia had installed beside your own to hold Lucy’s keys that were on the hook more often than not.
She’d become a part of your lives, and you wouldn’t have it any other way. The feeling of waking up with the two women beside you, even just the complete peace that seemed to overcome your house in the mornings as the three of you moved around making breakfast in the kitchen. It was all perfect, just pure incomparable happiness.
Navigating back to the sex though, it was incredible. Alexia had kept you above satisfied, she was exceptional, but having two women who knew exactly how to make you boneless and hot in all of the right places was celestial.
There was one thing that you and Lucy had been working on for the past few weeks though and the whole plan had you giddy. In the few weeks that Lucy had wormed her way into your house and lives she had been clearly getting a little bit agitated by the power that Alexia held in your bedroom. She loved the sex as well, but she wasn’t as used to being bossed around. In all honesty, she didn’t really mind, the pleasure that Alexia and you gave her was completely indomitable. But it was the challenge of one upping Alexia that had her plotting and somewhere along the way she’d managed to brainwash you into helping.
You were innocent, a true sub, especially for Alexia. She had you wrapped around her little finger, and you didn’t mind. You loved the way that she bossed you around and made you quiver just with her voice. Lucy had observed that, in the lead up and one Sunday afternoon, whilst Alexia had been out doing some media work and the two of you had been staying in watching a film and eating pizza she’d gotten to you. It had started with a rough, deep order and had ended with her edging you six times on her lap until you’d been at your wits end and ready to do anything to get your high. Somehow, in your orgasm obsessed haze you’d agreed to throw La Reina off of her throne.
It was a plan that had been a few weeks in the making. You’d been anxious about it to say the least, and Alexia had picked up on it. You’d pawned it off as being some injury concerns, you’d managed to obtain a small hamstring injury that had seen you doted over and not leaving bed without the assistance of Alexia or Lucy for three days.
Lucy was patient, she played the long game and the simple figment of her mind that knew that eventually she would get her moment was good enough to keep her plotting. She kept you informed, not enough that if Alexia managed to catch a whiff she’d get much out of you, but enough to keep you up to speed.
She knew that there was a part of you that yearned to get a little bit of power over your dom, that whether or not you wanted to admit it there was a bratty side of you hiding somewhere underneath and she was fairly certain that under the goody two shoes facade there was something lurking beneath.
So she plotted silently, in the dead of night, at training, every waking moment alone in her brain she spent trying to find the last puzzle piece to her plan, the perfect moment to take action.
It had come up when the three of you had received the news of a two week break that you had.
The three of you had decided to take the opportunity of the two week break and get away, making the collective decision to take a well earned trip to Greece. It was a dream, the three of you spending all of your spare time by the pool and drinking bottomless cocktails. It was also what Lucy considered as a vulnerability, an opportunity. During the season, all of you were so busy, you hardly had enough time to have normal sex, it was a luxury. So when you did you took what you could get, but right now, Lucy had what she considered a lot of leeway, and she was very ready to use it, especially to put her plan into play, and use Alexia’s innocent good girl as the main pawn in her plan.
It had started with letting you know her plan. It was the fifth day in your holiday and all of you were blissed out, the sun, sex and alcohol making you all much happier than you had been when you’d been working tirelessly in Barcelona.
She’d waited for that stage, waited patiently for Alexia to lull herself into calm, happiness, she was taking advantage of it and you were too amused by it to care very much.
You’d fallen into a routine, waking up with sleepy morning sex whilst the sun seeped up from the horizon, then you’d all have some wake up shower sex and make a decision on where you’d go for breakfast. After that you’d go for a morning walk, eat and then return to the holiday house to change into your bikinis and then you’d either head out to the pool or down to the beach. After a dip and some quality tanning time the three of you would trail back into town typically, feeding yourselves lunch before the two older women took an afternoon nap and you typically sat down and took some time to yourself, whether it was reading a book or catching up on the phone with some friends. Once they woke up the three of you would all get ready for an early dinner and then go out, before coming back to the house and fucking until you were all happily spent and tired from your day.
One thing Lucy had come to realise was that Alexia on holiday and Alexia at home were two completely different people. Alexia at home was a wild insomniac, she hardly slept and when she did it was light and fairly restless. However Alexia on holiday was a lot less stressed and a lot more content, she slept soundly and very deeply and Lucy took complete advantage of it.
So on night four, under the blanket of stars Lucy had whispered in your ear her plan for the following morning and you’d just let yourself feel giddy at the simple idea of what Lucy set out to do.
You’d woken up to Lucy rubbing circles along your back and murmuring good morning in your ear and it had been your sign to get into action. The both of you had discreetly slipped out from Alexia and the covers, Lucy retrieving her tools and you readying the room as quietly as possible for her plans.
She really was using you in relation to getting to Alexia, knowing that you being a brat would lessen the blow for her when Alexia clocked onto what was happening, you didn’t really mind. It wasn’t often that you misbehaved, you were Alexia’s angel, always a good girl but often you’d contemplate acting up just to earn yourself a little bit more attention from her. You’d never tapped into it, never let yourself out of fear that Alexia wouldn’t enjoy it, but with Lucy egging you on it was too good not too.
Once Lucy collected the supplies, that was when the plan truly fell into place. She passed you a variation of silk ties, pressing them into your palm as you anxiously smiled at her and then Alexia’s sleeping form, the woman was still deeply sleeping and you couldn’t help but watch her. She looked so peaceful when she slept, it was the rare moment everyday that you knew she was truly relaxed for, that all of the anxiety and pressure that was normally on her was completely gone. A part pf you felt bad for disturbing her, a part of you also had been thinking about this for weeks and now that you had the opportunity you knew that you and Lucy couldn’t waste it.
So you clambered as gracefully as you could onto the bed, and nudged Alexia onto her back, an action that had you taking a deep breath as she stirred slightly but didn’t awaken, thankfully. Once she’d settled back into the sheets you’d reached carefully for one of her hands, quickly tying one of the silk pieces around it and then tugging her lifeless arm up to one of the bed posts.
You repeated the same process with her other four extremities, Lucy watching you with a deep smirk on her face from her position sitting in a chair that she’d tugged out from the dining room, sitting directly in front of the bed so she had a full view of the show.
She watched keenly as you finished with Alexia’s extremities, the woman still completely unconscious, something that was equally unsurprising and surprising at the same time. That was phase one of the plan done, and arguably the easiest and one that would have lesser consequences. Once you’d double checked each of the bonds to make sure they were secure you’d reached onto the sheets and retrieved your other supplies that Lucy had handed you, supplies that you were certain would awaken the Catalan.
You took a deep breath, building up the courage in your chest as you passed the object between your hands.You and Alexia were in similar states of undress, in that neither of you were dressed whatsoever, your bodies on complete show to Lucia as she surveyed you. You could feel her eyes on you, raking up and down your naked form as you fiddled anxiously with the object.
“Can I?”
Your voice quivered, this was uncharted territory for you.
“Bebita, you don’t have to ask, Ale’s not in charge today and she’s given us full permission to be awoken by you like this, I promise you that I’ll keep you safe from her.”
Lucy’s final words were said with a snort that had you frowning deeply. You knew there was going to be repercussions for this, it was unavoidable that this whole scheme was going to end with you and Lucia in the sexual doghouse, but the risk was worth the reward.
You anxiously looked down at the purple silicone bullet vibrator that was balancing in between your index and your thumb.
“Y/n, don’t make me tell you again.”
Lucy’s voice was sterner, and your subbed out brain couldn’t do much more than listen to her. You pressed down on the on button, watching as the vibrator whirred to life in your palm and began to pulsate in your palm. Without a second glance at Lucy you reached down to the apex point between your thighs, pressing it directly to your clit and immediately moaning at the sensation.
It didn’t take long for you to do as Lucy had requested, get yourself hot, bothered and dripping. Once you did it was time for phase 3 of the plan, the part that involved the awakening of Alexia.
You began by very carefully straddling your legs over each side of her hips, hovering above Alexia, your juices dripping down onto her as you worked up the courage to do as Lucy had asked of you. Before you could second guess it, you reached down to Alexia’s own apex and before you could even begin to think about how this was going to end for you, you pressed it down onto her waiting clit and sunk yourself down on her abs, beginning to work yourself up and down the tanned skin.
It took a total of two seconds passed by before Alexia’s eyes popped open, a look of complete pleasure and terror washing over her as she took in her surroundings. It took a total of 5 seconds before she realised exactly who was hovering over her. 7 to discover what was Occuring to be causing her such pleasure and 8 to realise that she was completely restrained by the bonds on her arms and legs and your hips that were straddling her body to the bed.
Alexia looked like a mix between dumbfounded and gobsmacked, this was not what she’d been picturing the night beforehand when she’d been drifting off to sleep with you pressed up against her and her arms wrapped around Lucy.
Alexia just laid, absolutely stock still, sleep still in her eyes as she took in her surroundings. She struggled in the restraints for a total of 2 seconds before acknowledging that it was pointless, whoever had tied her up had done their job well and she knew from experience. She took in your form, observing you as you worked your way up and down her abs, your head propped backwards as the moans rolled from your mouth, the feeling of Alexia’s tense muscles brushing up against your entrance and sensitive little nub.
“Bebita.”
Alexia’s words were controlled, extremely controlled for a woman who currently had a vibrator pressed directly against her pussy with absolutely no way of moving away.
“Y/n, look at me.”
Her words sent a shiver down your spine, her voice as clear as crystals. You forced yourself to look down at her, a big frown looking up at you with both of her eyebrows raised up to her hairline.
“Bebita, I’m giving you the opportunity to be a good girl. I know that Lucia is using you to take advantage of me, and trust me she is going to be punished for it, but if you stop now and untie me, and stop whatever little stunt this is then I won’t punish you, you’re my good girl, you know it and so do I, don’t let Lucia manipulate you.”
You looked back at Lucy. She’d conditioned you in the past few weeks, told you that Alexia would do this, would try and use the good girl card, knowing just how much you craved her praise, Lucy knew that you wouldn’t slip up, or she trusted that her training had been enough to at least get you past this point.
“Mm sorry Ale, but I can’t.”
You continued to rock back and down on Alexia, the woman completely unable to do anything to stop you from approaching your orgasm, something that Alexia was so protective of.
“I swear to dios that if you cum baby then you won’t for a month. You don’t want that, remember the two weeks I spent edging you, you broke everyday, it was torture, don’t make me do that to you again, not when I’m giving you the opportunity to give up this stupid ploy.”
Alexia’s words were bitten out through gritted teeth, she was trying to stop herself from succumbing to the pleasure that she was inevitably feeling, trying to keep a brave face, trying to take proper control of you before her body betrayed her mind.
“She’s not going to break, Reina, I’ve got her well trained.”
Lucy stood up from her seat for the first time, allowing Alexia to get a proper view of the older woman, who was grinning down at her like the Cheshire cat.
“Don’t even get me started on you Lucia, trying to manipulate our little angel.”
Lucy just smirked at Alexia, reaching down in between her legs and taking the vibrator from your hands, pressing down on Alexia by herself.
“She’s no angel, hell she was practically jumping at the opportunity to get a one up on you, you should have seen the glint in her eyes when she was tying you up, and now you get to watch the glint in her eyes as she comes undone all over you without your permission or help.”
Alexia’s jaw locked and you could tell that any pleasure she was feeling was being completely washed out as she watched you becoming a complete mess on her stomach, slowly melting all over her.
“Bebita, don’t you dare cum, lo juro por dios, if you cum then I will edge your ass and spank it raw everyday for the next month, that’s a promise.”
Lucy just smiled at you, reaching her free hand down to the gap between your thighs and pressing down hard on your sensitive little nub, forcing you to see stars as you teetered on the edge of release that you knew Alexia was going to kill you for going over.
“It’s okay sweetheart, go ahead, cum for me sweetheart, don’t listen to Reina.”
You smiled at Alexia, sugar sweet before looking back at Lucy and nodding, waiting for another wave of pleasure to wash over you before Lucy roughly pinched your clit, sending you directly over the edge.
You spasmed into Lucy’s arms, feeling Alexia’s body tense aggressively below you, the older woman clearly extremely displeased by you. As you came down from your high you got a flash of Alexia’s deep frown, you were in the shit as soon as you untied her, but why end your fun prematurely?
You reached down to Alexia’s lips, pressing a quick kiss to her lips, not lingering for long enough for her to have the opportunity to deepen it or even try to bite you, just a form of kindness that you rewarded her with.
“Untie me, right now.”
Her jaw was set as stone, the unhappiness and disdain clear across her facial expression.
“I don’t think we’re done yet, I think that I’m going to go and fuck our good girl over the kitchen bench, we’ll leave the door open though, so you can hear what’s happening.”
Lucy was pushing, toeing the blurred line that was Alexia’s restraint. There was a certain point of joke Alexia could get to. There were limits though. Number one on that list being your orgasm, without her permission. It was a safely guarded thing that Alexia was possessive of and having Lucy walk in and purposely take advantage of that was getting on her last nerve.
“Lucia Roberta, don’t push me.”
Lucy just smirked at Alexia, picking you up off of her hips and having you straddle Lucy’s own hips as she lifted you. You immediately secured both of your arms around her neck, holding on tightly to the Lioness.
“M’ sorry Ale.”
You gave her a sad smile, you felt a little bit bad, but only a smidge enough for the look in her eye to make you feel a tad bit guilty.
“Baby, listen to me, Lucia’s already in a lot of trouble, but if you stop here, if you prove to me that you can be a good girl, I’ll lessen the punishment for you, prove to me that you can still be my perfect angel.”
Your lip wobbled in between your teeth, you wanted to give into Alexia. But you were already getting punished, and you figured so was Lucy, anything you were getting she’d receive the same, so at least you were going through it together.
“Can’t do that Ale, I'm Luce's good girl today.”
Alexia was possessive, more than anything else and you claiming you were Lucy’s girl set off bursts of anger across her body. She was happy to share you with Lucy, but flat out being ignored and taking her power off of her was taking it a step too far.
Lucy secured to vibrator to Ale’s thigh, smirking at the Catalan as she carried you out of the room and into the kitchen. Lucy’s heart swelled with pride at your defiance, her heart thrumming with pride at your continuing resistance to Alexia.
Lucy rewarded you, roughly bending you over the kitchen counter and hardly giving you enough time to think before she stuck two fingers into your pussy, beginning a relentless, pistoning pace. It had you very quickly becoming a moaning mess on the kitchen counter, your breasts pressed against the marble slab and your nipples hardening against the surface. It was pure ecstasy, Lucy focusing all of her energy on making you feel good, and getting you as loud as possible to ensure Alexia could hear.
“Luce, please, another finger.”
You were a panting, muffled, moaning mess, the pleasure of Lucy’s fingers pumping in and out and curling against your sweet spot being so incredibly pleasurable.
Lucy obliged your request quickly, adding a third finger to your entrance and slowly working it in, it was a stretch but your hole very quickly accommodated to the extra digit, your hips rocking back against Lucy to push her deeper on every pump. It was pure celestial ecstasy and the feeling of your nipples rubbing against the cold only added to the sensations that your body was feeling, the irresistible pleasure completely fogging over your brain.
“Luce, mm, fuck going to cum, going to cum all over your fingers, please let me cum.”
Lucy only began to roughen her pace, completely unrelenting in her rapidity. There was something so enjoyable about knowing how much you were ticking Alexia off, how wrong this was in so many ways.
“Cum sweetheart, cum for me, my good girl.”
It was Lucy’s praise that sent you tumbling over the edge, your hips bucking wildly against the marble counter, a movement that you were sure would leave bruises along your hips bones, although by the end of today you were fairly certain they wouldn’t be the only bruises on your body.
“You two are in so much trouble.”
It was the low and grumbly voice of Alexia that had your head immediately picking up from the kitchen counter, your pleasure cloud no longer glazing over your brain.
Alexia was standing, a metre in front of the kitchen counter, arms crossed across her chest grumpily as she watched you and Lucy.
Lucy looked absolutely terrified, like she’d just seen a ghost.
“How the fuck did you get out?”
Alexia smirked at Lucy’s exclamation, pulling up her right wrist which was looking fairly inflamed.
“I dislocated my right wrist, fairly easy if you know how to do it right, then I untied the rest.”
Alexia was smirking like a full psychopath, a shit eating grin spread all over her face as she watched the two of you realise just how fucked you were now.
“I’m sorry Ale, I’m sorry, Lucy told me I had to, that, that she’d tie me up if I didn’t help with you.”
It had come to your realisation that there were two paths you could go down right now, and that was Lucy’s or Alexia’s. Seemingly, you were middle ground, and Alexia had the higher ground, so jumping ship earlier was only going to do you better.
Alexia smiled at you, Alexia also knew that you were fair game and whoever had their innocent baby girl on their side was always going to win.
“There’s my good girl. Don’t get me wrong, you're still in trouble, two orgasms, that’s completely against the rules, but I’ll deal with you another day. I think it’s about time that Lucia reaps the consequences of manipulating our sweet little girl.”
This was what Alexia lived for, Lucy and I knew it. I came out from under Lucy, walking towards Alexia like a kicked puppy and walking into her open arms.
Lucy stayed at the kitchen counter, frowning deeply at your betrayal.
“Come here Lucia, don’t prolong the inevitable.”
Within a few seconds Lucy was joining you in Alexia’s embrace, the both of you allowing the Catalan older woman to lead you into the bedroom for whatever punishment she had planned for the two of you for the rest of the day.
“Now, considering the two of you planned on leaving me tied up in here all day, your going to do the same, except I’m going to put your vibrators in and for every single orgasm that you two have today it will equal a day that you both spend being edged, understood?”
Alexia’s voice was painfully stern, as she led the two of you to the bed she’d previously occupied, for a much worse fate than she’d had.
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semidecentpoet · 2 months
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What gets me ab western mainstream news coverage of the genocide in Palestine—besides the obvious lack of morality—is that it’s, frankly, shit journalism.
(For context, I’m a journalism major with a focus in print reporting. This is literally what I’m going to school for.)
(Forgive me if this is slightly disorganized. Harder to write when I’m pissed.)
My instructors tell me ab the importance of active voice over passive voice all. The. Time. There’s a difference, for example, between “More than 30,000 Palestinians have been killed” and “Israel has killed more than 30,000 Palestinians.”
More recently, I’ve had instructors tell me to be more skeptical of official sources (e.g. police), fact-check their claims and get alternative sources whenever possible.
But, from what I’ve seen, a lot of outlets seem to just take Israel’s word as fact without searching for further evidence. For example, when Israel made that claim—with no real evidence—ab the 40 beheaded babies and it was everywhere. And then they said they can’t confirm shit, and now these outlets have to backpedal.
And of course, on top of the blatant misuse of language (beyond just active vs passive voice) and the false/unsupported reporting, there’s the lack of reporting.
I don’t see western mainstream outlets quoting the assholes who call Palestinians “human animals.”
I don’t see them pointing out the sickening abundance of social media posts of Israelis celebrating the genocide, of IDF posing in front of the rubble of what once was Gaza or with the undergarments of the Palestinian women and girls they raped.
I don’t see them setting their headlines ablaze with the countless historic holy sites Israel has destroyed, mosques and churches alike that were some of the oldest in the world. (But when Notre Dame was on fire—)
I don’t even see the context of the more than 75 years of Israel’s bullshit leading up to now.
Where is the coverage of the entire families Israel have wiped out? Where is the coverage of how Israel treats its hostages? Where is the coverage of the Palestinian people’s injuries, physical and mental, and the reason for the lack of proper medical aid?
Countless children in Gaza have to undergo amputations in unsanitary environments without anesthesia. Where’s the coverage?
Who is asking Biden the important questions? Like, if you’re trying so hard for a ceasefire, why has the United States vetoed United Nations resolutions for an immediate ceasefire three times since Oct. 7? Why a temporary ceasefire instead of a permanent one?
How ab Israel’s attack on Rafah during the Super Bowl?? Rafah the designated safe zone?? While airing a $7 million ad?? During what is arguably the most famous and most-watched sports event in the U.S., which has given billions of dollars in support of Israel’s genocide?? How are these outlets not blowing up????? This is a U.S.-funded slaughter during a national event???? Is this not newsworthy enough for you??????????????
Maybe they include some of these things in their articles. But when and if they do, is it a full-fledged story or just a brief?
Is it toward the top of the page or buried lower? (Journalists typically use the inverted pyramid style, which means the most important information in a story is at the top.)
I understand that, as journalists, we have to be objective. But this is not objective reporting. It is clearly biased in favor of Israel. If it were any other country, any other people under siege, this would all look a lot different.
On the topic of objectivity, I’ve heard a few arguments along the lines of, “We can’t pick a side.” But is there truly more than one side to this crisis?
One instructor of mine has said that “both sides” is a false dichotomy, meaning there are rarely ever exactly two sides to any given issue. Sometimes that means there are more than two sides, and sometimes that means there is really only one.
Coincidently, an example he gave of only one side was the Holocaust in Nazi Germany. Even though there are assholes who say otherwise, it was real. It happened. It was wrong. There’s no other way to look at it.
Ik that journalists bending objectivity and imposing morality in reporting is a relatively recent and controversial debate within the media industry.
But.
If we do some actual goddamn reporting—take the numbers and the quotes and the experiences caught on video and add them all together—we start to paint a pretty clear picture of who is the victim here. And who is responsible for the atrocities.
Just bc our government supports Israel does not mean Israel perspective is on equal footing with, much less more important than, Palestine’s.
When Palestine’s death toll is roughly 30 times that of Israel’s, there’s only one side.
This is some pretty shit journalism.
I’d look forward to hearing from other journalists/student journalists what they think ab coverage of the genocide.
Personally, I’m a little heartbroken that some of these outlets I’ve looked up to and dreamed ab being a part of someday have been so lacking in their coverage—to say the least. Especially since journalism is so important and is supposed to be a major means of holding people in power accountable for their actions.
Life’s bitter irony, I suppose.
Free Palestine.
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Buck & Eddie: An EXPLANATION (NOT AN EXCUSE) for the basketball incident
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After rewatching different scenes included in 7x4, the basketball scene where Buck appears to ‘intentionally’ bump into Eddie which caused Eddie to be injured pissed me off.  It frustrated me so much that I wanted to figure out why the scene was included in the episode because they were playing a friendly game of basketball and there shouldn't have been any injuries.
Even though I’m not well versed in sports, I do know enough about them to understand tackling someone usually happens in U.S. football not basketball, so the full body contact wasn’t necessary if Buck just wanted to block Eddie’s shot (get it… Buck was trying to block Tommy’s shot with Eddie, it’s a double entendre 🤪😜).  The point is, I figured there had to be more to Buck’s behavior than him just being ‘jealous’ of someone he met like once a couple of weeks prior.  Also, I wanted to know why Buck didn’t immediately apologize to Eddie and I think I may have found the answer.
Full Disclosure: I do NOT condone violence of any kind in any instance because it’s unacceptable behavior no matter how it’s viewed!  It’s never the answer to a dispute and use of words can usually resolve a matter when there's a disagreement.  In this scene BUCK DID NOT DO THAT AND I HATED IT!  Therefore, his actions on the basketball court were unfathomable and it doesn’t matter if they were INTENTIONAL or not since he bumped into Eddie so hard that Eddie fell and injured his ankle.  He could have broken it or received a permanent injury from it, so IT WAS NOT OK!
Before I delve into my interpretation, please understand I don’t think Buck was fully aware and I hope he wasn’t intentionally trying to hurt Eddie.  However, I do think his actions were 70% subconscious and 30% conscious because he had to know on some level, that his actions were over the top especially since he told Maddie he didn’t like how he felt left out from Eddie spending time with Tommy after only two weeks.
THIS POST DOES NOT INTEND TO PROVIDE AN EXCUSE FOR BUCK’S BEHAVIORS, IT’S SIMPLY A POSSIBLE EXPLANATION FOR THEM.
Please note: these are my interpretations and observations of episode 7x4; therefore if someone doesn’t agree, it’s ok because two people can have different opinions and they can coexist.  One person’s opinion about a scene or an episode doesn’t have to be like someone else’s and it doesn’t make one person’s opinion right and the other’s wrong or vice versa.  Everyone consumes and interprets media differently and just because one person sees something one way and they liked it, it doesn’t make it so for someone else since everyone has different backgrounds and experiences.  Please try to use GRACE when reading other’s thoughts on a matter.
Now back to the regularly scheduled program…
Don’t read below the cut if discussions and interpretations of the shooting, Eddie’s breakdown or the basketball scene are triggering.
Before you start reading, please note, THIS IS NOT ABOUT OS!  HE’S THE ACTOR WHO PLAYS BUCK SO DON’T GET THIS POST TWISTED.  BUCK IS A FICTIONAL CHARACTER AND OS IS A REAL PERSON.  NO ONE KNOWS OS PERSONALLY EXCEPT FOR THE PEOPLE HE ALLOWS IN HIS LIFE.
Another Reminder: before you read this please REMEMBER this episode was told from BUCK’S POV!
After carefully analyzing the basketball scene, I remembered something about Buck’s past.  Everyone who knows the character is fully aware that he doesn’t want to be left behind or abandoned again.  That's why it's important to note that in season 7, Maddie’s getting married to Chimney, Bobby and Athena almost died on the cruise and Hen and Karen are adopting a baby.  Everyone in their found family is moving on with their lives and IMO, when Buck realized Eddie had moved on too, he couldn’t handle it because Eddie’s supposed to ALWAYS be there. They have each other's backs and have had them since 2x1. But it seems like Buck forgot one thing, he pushed Eddie away in 6x15 with that BS line about Natalia seeing him and outside of work, they weren't spending time together anymore.
In 7x4, Eddie found a new friend (who wanted him but I’ll elaborate on that in another post) and he was having a great time going to fights in Las Vegas, spending time working on his cars and going to karaoke, basically he was doing the damn thing but Buck couldn’t handle it since Eddie and Chris are his FAMILY!  They’re the two people in his found family that are his but he’s either too scared to say something or I don’t even know what but the point is, he expects them to be there whenever he’s lonely and wants to cook some lasagna or something.  But this time they weren’t since Eddie moved on and Buck didn't know what to do about it (Hint: all he had to do was open his mouth and talk🙄). 
After I remembered the aftermath of the shooting and Eddie’s breakdown, I realized, in Buck’s mind, he thinks the only time he gets to be with Eddie in the way he wants to be with him (AS HIS HUSBAND) is when Eddie’s hurt (related post linked here) which is FALSE AND UNFOUNDED but in Buck’s mind, he doesn’t know that.  If this is his rationale, then he needs to go back to therapy because it’s not true.  Eddie added Buck to his will and named him to be Chris’ legal guardian but it appears he still hasn’t fully dealt with his abandonment issues yet and until he does, it's likely he won't be able to move past them.
Before Eddie found a friend with similar interests (which I thought was great) Buck got to be Eddie’s everything and he was Chris' other dad. He's never been a guest in their home and he's slept on their couch numerous times (related post linked here).
That was then and this is now since things changed in season 7 because it appears Buck started to believe his position in Eddie’s and Chris’ lives was in danger and that’s why he reacted the way that he did in 7x4.  He thinks the only time Eddie and Chris need him is when Eddie’s hurt and to prove my point, I’ve included two examples below.
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In 4x14 (full video of the shooting linked here), after Eddie had been shot and he was in the hospital, Buck was at 4995 S. Bedford St. taking care of their son Chris while Eddie’s then girlfriend, Ana was sitting by Eddie’s hospital bed even though he was in a coma. 
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Buck had full control of the house and he was fully responsible (with Carla’s assistance whenever he had to go to work) of taking care of Chris, making sure he went to school all while they waited for Eddie to wake up.  Make no mistake, Buck was sitting in Eddie’s chair at the dining room table.  He’s Chris’ other dad and has been for years.
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In 5x14 (video linked here), Buck was literally living with Eddie and Chris after Eddie’s breakdown. He was taking care of the house and their son whenever Eddie went to therapy. He made sure Chris did his homework and he was waiting for his HUSBAND (EDDIE) to come home so he could cheer him up👀.
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Chris called him in a panic and Buck rushed over to help.  Now, even though Buck had a girlfriend (whom he used to help him get information on how to help Eddie with Equine Therapy), he was literally staying with them to make sure Eddie and Chris both got what they needed.
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Bonus points: Buck called Bobby (his found dad) to stay with Eddie so he wouldn’t wake up alone while he left to take Chris to school.
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In 7x4, Buck tried everything he could to get EDDIE’S ATTENTION (it was Eddie’s attention he was seeking) but nothing worked since Eddie was so enamored with Tommy and all of Tommy’s toys (I’ll elaborate on this topic too in another post).  Buck was pissed so he encouraged Chimney to go to the basketball game with him but trust and believe Buck wanted to be there so he could see EDDIE!
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It appears Buck was irrational and irritated and the more he saw the new bond between Eddie and Tommy, the more furious he became.
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This is where things get messy because in Buck’s mind (reminder this is from his POV) it’s possible he thought that if he physically injured Eddie, he’d get his place in Eddie’s life back and he’d be able to play the role of HUSBAND (to Eddie) and DAD (to Chris) like he did in the past.
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Buck truly believed Tommy was a threat to his place in Eddie’s life and that’s the reason why he reacted the way he did during the basketball scene.  The idea of him losing Eddie was real this time just like it was during the shooting and Eddie’s breakdown but there's ONE MAJOR DIFFERENCE.
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EDDIE’S HAPPY!
He’s not hurting or pressing Buck to hang out with him and Chris because he went and found a life while Buck was entombed in his loft with the death doula.  It’s something Buck couldn’t process or comprehend since he wants Eddie to be there waiting for him.
Buck can’t fathom a life without Eddie and Chris because they're his family and trust and believe he’s never felt threatened by Ana or Marisol because he KNOWS Eddie’s not into them.  Reminder, he was the one who told Eddie to breakup with Ana instead of him trying to stick it out like he said he was going to do. 
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Buck is HYPER aware of Eddie in every scenario which is the reason why he noticed Eddie's discomfort in 5x2 while Ana and Chris were at the firehouse. Also, he ignored Ana when they were there. He wouldn't even look at her. Buck's not bothered by Marisol either because if he was, he would have told Eddie in 7x1 to have her talk to Chris about women instead of asking him to do it.
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When Buck’s facial expressions are examined, it’s easy to see he looks mortified at what he'd done to Eddie and the hints of their shared trauma from his past was mixed in too. 
This was especially true while Eddie was on the ground.
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Bonus points: when was the last time Buck saw Eddie injured and lying on the ground?
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Ding, ding, ding… THE SHOOTING!  Buck risked life and limb to save Eddie after he was shot in the middle of the street. And I believe he would have reacted differently if Tommy hadn't stepped in and said something that caused Buck to deflate.
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Things were different this time because Eddie wasn’t shot but he was injured but Buck caused it and he wasn't able to fix it or save Eddie and take him home or to the hospital. Buck tried but Tommy shot his own shot which caused Buck to foul out of the game and by proxy he thought out of Eddie's life.
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In the above GIFs, it’s easy to see how he wanted to reach out to Eddie but his hands wouldn’t move the same way he couldn’t touch him in 4x14 while they were riding in the back of the 133’s fire engine.
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Before I end this post, I would be remiss if I didn’t mention how Buck has hurt someone before; it wasn’t physical that time but it was emotional. 
BE CLEAR, I’m not a fan of Taylor Kelly’s and I’m not comparing him asking her to move in with him after he did a dumb thing (his words to Maddie in 5x13) with the way he injured Eddie.  But I am using this as an example to show his lack of comprehension regarding how his actions affect others and the way it continues to persist.
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In 5x13, when he went back to the loft and she was sitting on her own couch, he said, “You think I trapped you” and she responded, “Am I wrong?”, his response was, “I’m not sure”.  I think on some level he did know since he was afraid someone else was going to leave him. Eddie wasn't at the 118 and Maddie, Chimney and Jee-Yun had just returned to Los Angeles.
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Two years later, in 7x4, Maddie asked him, “You didn’t mean to hurt him (EDDIE), did you?”; he responded, “I don’t know”.   His response was very similar to the one he gave Taylor and on some level, I believe he does know since he was 'jealous' of EDDIE hanging out with someone other than him.
IMO, Buck wasn't able to get the emotional skills one usually obtains while they're growing up because of the raggedy Buckley parents since they emotionally abandoned him and Maddie.  He’s deathly afraid of losing those he loves but he can also be selfish with his presence whenever he gets to make things all about him.  Reminder, he admitted it to Eddie in 3x9 during his second apology about the lawsuit. He said, "I'm sorry I wasn't there Eddie. You and Chris needed me and I had my head so far up my own behind with that stupid lawsuit." He was able to fix it back then and there wasn't any other people like Tommy hanging around to get at Eddie.
Additionally, two more examples of the way he makes things about himself happened in season 5 when he was dating Taylor and they remained entombed inside of his loft.  They never went anywhere except for the separate trips they took to Oklahoma when she went to visit her dad in prison. It happened again with Natalia at the end of season 6.  Since he wasn’t visiting Eddie and Chris, it appears he was entombed in there again with her so there’s that.
Be CLEAR, Buck is 32 years old (not 30 like the show lied and said he was in 6x11 because he was 28 in season 3 (3x1 Maddie said it to Bobby and Athena) and he was 29 in season 4 (4x5 proves it when he said it himself to Maddie) and since MATH IS A UNIVERSAL LANGUAGE, it’s the same no matter where someone lives.  The fact is 2 + 29 = 31, therefore he was 31 in season 6 and he should be 32 in season 7). Buck should be able to express himself with words instead of acting like someone in middle school.  That’s possibly the reason why Maddie told him about the kerfuffle she had when she was 14 years old and told him not to act like someone that age.
The point of this post is Buck was/is afraid Eddie’s leaving him again but this time it’s different.  Buck had all but abandoned Eddie and Chris while he was dwelling inside of his loft with the dEaTh DoUlA and when he finally emerged after breaking up with her, he thought Eddie and Chris would be there waiting for him but this time they weren’t.  Eddie found a new friend and Buck felt left out so in his conscious and subconscious mind, he figured if he hurt Eddie, he would be the one there to take care of him like he’s done every time in the past.
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But… Tommy stepped up and said, “I can take him because I brought him and there’s an urgent care near his house”.  If you look at the expression on Buck’s face, you can see he felt like it was over.  He’d finally done the one thing he thought he’d never do (even though he broke Eddie’s heart in 6x15 with his BS line about “She sees me”) but anyway, he didn’t have a leg to stand on anymore since Tommy was there for Eddie and he helped him by taking him to urgent care. 
I HATE THIS SCENE AND I WISH THEY HAD FOUND A BETTER WAY TO HANDLE IT.  I don’t like it when either of them gets hurt.
Finally, Buck needs therapy to deal with his inability to handle his emotions.  I know a lot of people want him to just move on from his traumas but the fact is he hasn’t and that's why he needs to get help to be able to learn how to process his thoughts instead of him just providing lackluster responses like, “I don’t know” or “I’m not sure”.
His behavior was inexcusable so HOPEFULLY, he’ll have to APOLOGIZE in CANON to Eddie who’s never intentionally injured him.
Will he apologize to Eddie for acting like a middle schooler in 7x5? Only the showrunner, writers, producers, actors and actresses know the answer to that question.
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everythingne · 4 months
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hey yall :D!
i've just moved back into my dorm for classes today but i don't start any actual work for a while. im gonna be a bit slower now with work and such but I wanted to let y'all know of some upcoming fics to expect :)! please let me know if any specific ones interest you as i am in a bit of a slump and any encouragement seriously helps <3
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growing pains - dr3
(3+1) three times the girls pain makes you and daniel realize they're not always going to be your little ones. (a first period, a first breakup, and moving out) and one time, the girls come back to show all the lessons you've taught them, and that no matter their age they'll always be your little girls.
mrs mclaren - ln4
the winner of the mini series vote for my 300 follower special was lando, friends to lovers/mutual pining, angst/whatever. so born from that is y/n mclaren, the granddaughter of bruce mclaren, who may just have a huge crush on her driver and somehow literally everyone but lando knows.
wasted summers - op81
to try and solve your huge two decades old crush on your childhood best friend, you attempt to capture his love over the short summer break, with the help of F1 twitter and other racers. it goes about how you would expect.
gripped - ln4
Roxanne Powell's quick thinking on a film set saves Lando from serious injury, the moment making an unlikely connection between one of the top Formula One drivers who takes all the fame and glory for his team, and a girl whose work is hardly credited to herself. it takes seeing the other side to open your eyes.
more below (max n logan)
the one with the wedding - mv1
max grapples with the fact he's getting married on his wedding day. slightly inspired by friends and real weddings i've attended. luckily charles and daniel are there to ease his fears, and you end up having a picture perfect monaco wedding.
akin to a pride verse - 'i truly am my fathers child' - mv1
when brought to tears by ruthless bullying by reporters, reina snaps and hits a reporter out of fear, but the media claims its anger. with no other option, hana flies max to london help her daughter out of a depressive episode caused by reina realizing she's more like her father than she ever wants to be. its a conversation that makes max think back on his actions too.
drunk walk home verse - 'stalkers tango' - mv1
isaiah doesn't go away, not after max nearly shatters his nose. late night phone calls, text messages, and dms lead to a break in that terrifies you and the f1 world. luckily, you're away for the break in, but its not safe for you to return alone. don't worry though, max enlists the help of a few drivers to move all your stuff to his while you 'hunt for apartments.'
wing damage ch 2 - mv1
nadine struggles to accept the fact that she's single and alone in her now too big yet claustrophobic apartment. luckily for her, max is only a phone call away. and a few too many drinks lead to what is probably the stupidest decision for two newly single people who are hurting in their own rights.
meet cute, stay cute - ls2
logan keeps having meet-cutes with you throughout london, noticing the same thing each time, a book tucked under your arm. when you move in next door, he capitalizes on the opportunity to make this meet cute permanent by buying you romance books he's recommended by friends and twitter as a means of flirting.
out of the woods ch3 - ls2
dhanishka struggles to accept the fact that even her best performances can be deemed unfit, and the actions of herself when shes drunk. logan struggles to accept he may have cut things off early. charles needs more wine to deal with this.
go fins! - ls2
logan is only following one miami dolphins cheerleader, you. and you don't think its a big deal until he comes to visit to get an honorary helmet for the miami gp, and they have you give it to him. the clips circle for weeks, begging to know if you're dating the driver, and sometimes its more fun to make a rumor be true than to shut it down.
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Meaningless Suffering ≠ Consequences: An SPOP Rant Analysis
so one huge argument i've seen from SPOP fans, when it comes to Catra's redemption is that “she got tortured and mind controlled by Horde Prime. she almost died at his hands. therefore, she faced the consequences of her actions.”
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now.. could this be considered a consequence of her actions? the important question here is: why did Catra get punished by Prime? for going against his rules and freeing Glimmer. she got punished for doing one good thing. this was the consequence of her doing something right. if anything, she would be more discouraged to do good in the future, because the first time she does something good, she almost gets murdered for it.
but i digress. i've seen this trope be used with quite a few characters in media. the other example of this i want to talk about is Marcy from Amphibia. (spoilers for Amphibia below)
in the s2 finale, Marcy is revealed to have stranded her friends Anne and Sasha on Amphibia on purpose, because she didn't want to be alone. while this wasn't as bad as any of the shit that Catra pulled, it was still a fucked up thing to do. Marcy deliberately took Anne and Sasha away from their home and their parents, for her own selfish reasons.
like Catra, Marcy also has abandonment issues. her parents had informed her that they had to move and Marcy was terrified at the idea of having to leave Anne and Sasha behind. but that was still not an excuse for what she did.
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not long after her secret was exposed, Marcy gets stabbed by King Andrias while trying to escape Amphibia. she doesn't die, of course, it's still a kid's show.
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but to make things worse, she gets possessed by the Core later on, which is shown to be an extremely painful and traumatizing process (which they barely touch upon later). and then they show in a flashback that Anne and Sasha used to ignore Marcy and make her feel lonely, when this was not touched upon earlier in the series. in fact, Anne was shown to be very caring and attentive to Marcy up until this episode.
at this point, it's clear that the writers are trying to make the viewers feel sorry for Marcy. if they keep adding reasons why she's so miserable and traumatized, maybe the viewers would forget what she did to Anne and Sasha. right?
there is a small scene in s3 where Sasha questions why she should forgive Marcy, but it is quickly fixed by Anne telling Sasha that she should forgive Marcy. there's also a moment of realization for Marcy but even that is done in such a cliché and lighthearted manner, where the severity of her actions aren't addressed. and that's it. Marcy is rescued, she apologizes, and is immediately forgiven.
but then again, like SPOP, the last season of Amphibia was trashfire. i refuse to believe that people genuinely liked that season, it was so badly written and ruined everything that was set up prior to it.
anyway, let's come back to SPOP. it's clear that the writers of SPOP were also trying to do the same thing. put poor catgirl through the wringer, have her almost die and come back to life and voila! she is absolved of all her crimes.
for those of you who are still not convinced, let me try to make a real world comparison. let's just say i'm someone who bullies or abuses people. one day while getting home from school/work, i get hit by a car. i get grievously injured and go through a lot of pain. heck, maybe it even leaves some kind of permanent disability or injury.
is that a punishment for my actions? you can call it karma, but let's be real, karma doesn't exist. it's just a coincidence. and you bet i'm not going to wake up in the hospital thinking “this must be my punishment for abusing people”. if i really am an abuser who has no remorse for my actions, a random accident isn't going to change my mind.
and that's what happened with Catra too. she didn't consider Horde Prime's torture as a consequence of her actions. if anything, she used that as an excuse to mistreat Adora and the others even more. it's clear that she pitied herself for what happened. and everyone else pitied her, including the audience.
imagine if the good redemption arcs were written this way. imagine if, instead of working through his issues and facing actual consequences of his actions, Zuko was just tortured and traumatized even more by Ozai, and the Gaang just forgave him because they felt bad for him. yeah, people wouldn't be praising his arc anymore. or they would, who knows. i know i wouldn't be praising his arc.
because this is not the way to redeem a villain. the only way to redeem a villain is to have them face consequences of their actions and work for forgiveness. to show them consistently trying to make up for what they did and trying to be a better person, not because they want to be forgiven or accepted by the heroes, but because it's the right thing to do.
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itsclydebitches · 4 months
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Cinder is a lot more sexualized then the male parts of Salem's inner circle
Like tyrian is shirtless sometimes but that does not feel as...drawn attention to, as say, the lingering shots of Cinder's butt or thighs. Or her wearing short shorts and high boots you know what I mean?
I do, anon. RWBY got a lot of attention back in the day for its anti-upskirt technology, but that doesn't give it a free pass for all the other ways you might (and it does) sexualize the cast. I've never been inclined to give RWBY too much shit in this regard because it is pulling from media with a LONG history of such designs and cinematography - it feels unfair of me to act like RWBY is uniquely responsible for such problems when I'm simultaneously willing to overlook, say, the 90's "gag" of Yusuke flipping up Keiko's skirt - but there's nevertheless a voice in the back of my mind constantly asking things like, "Why are so many of the girls fighting in heels?" and "Why are they dressed like they're going to the club and not the literal TUNDRA??" I'd kill for the whole cast, but the girls in particular, to get a re-design that focuses on fashionably compelling practicality, rather than sexy fanservice. (Though Ice Kingdom did a good job overall, particularly for Ruby.) Sure, RWBY didn't give us panty-shots, but one of the first characters we're introduced to is literally designed like a dominatrix.
If we're talking about outfits though... I'd say Emerald gets hit the worst out of Salem's minions. Yeah, Cinder is definitely sexualized in a more general sense as the tall, white (that's not a coincidence), long-legged beauty who sensually conjures fire as she prowls towards the heroes, camera focused on her hips swaying. But Emerald?
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She suffers from the same problem Yang has. AKA, if your woman isn't classically beautiful (like Wiess and to a different extent Blake), or cute / child-like (Ruby, Penny), but is instead going for a sporty, comparatively masculine-esque vibe... then they've got to show a LOT of skin. RWBY makes it sexy by just denying them clothes. You're entering dangerous battles on the daily? You want to protect yourself? Too bad. The audience needs a midriff and cleavage and your whole arms to stare at. Shorten the skin-tight pants so we can see some leg too. Oh, Yang has to have long pants because she's heading into the coldest Kingdom in Remnant? Never mind that, cut a strip out to show her thigh.
"But Clyde, the girls don't need to wear armor because of aura--" then why the hell does Jaune bother wearing that heavy-ass suit? Is it weight training? Does he just think it makes him look cool? ...or does it exist in case his aura breaks and he's allowed to wear more protective gear because there are different gender expectations attached to his design? The aura argument is just a modern rehashing of the Supergirl sun argument: using made up lore to "justify" getting your women characters into skimpy outfits, despite the men rarely being held to the same standards.
Tyrian is actually an interesting exception here and if I were less tired I'd think through this argument more, but something something as the "crazy" character he's allowed more leeway in breaking those expectations. Also the open shirt shows off his scars, which likewise help sell how dangerous he is. With the exception of characters like Cinder and Nora - whose injuries are Important Character Moments the audience gets to see play out - scars are surprisingly uncommon in Remanent. Or, again, they're severely downplayed so as not to interfere with that classic beauty design (like Weiss', or even Yang who gets a perfect cut when losing her arm). So when you see a character with giant scars spanning the length of his chest, an open shirt drawing deliberate attention to them... that makes you go, "Oh shit. What's he been through to scar like that in a world where most people make it out of fights with no permanent damage?"
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localwhoore · 12 days
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can you write a fic where the logan sergeant defenders are all drivers and noelle gets into a fist fight with logan?
DRIVERS ????
WARNING QND DISCLAIMERS!!!!!!!!!!!!!!
consented racism and unconsented ageism against noelle obviously under the cut
and also my opinions dont cancel me over this stupid shit tjanks 😁😁
red bull
goatifi
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-> 2x wdc, clutched up AD21 and took the checkered flag 10 times (scoring an extra 250 points) and won the championship instead of max or lewis and caused outrage. also scored a redbull seat
max verstappen
-> DUDUDUDU MAX VERSTAPPEN DUDUDUDU MAAX VERSTAPPEN no seriously he won the championship by lap 1 😞
ferrari
fernando alonso
-> future 3x wdc, promising 43 yrold rookie future of f1 who is unfortunately unable to escape the torturous clutches of ferrari (finally wins a wdc for them too)
charles leclerc
-> is chained up and shackled at the bottom of ferrari HQ and fed cold soup and stale bread twice a week and cannot be released unless its race weekend. (inspired by the james vowles c.ai bot i got bored and talked to who had alex albon, who he called alaobono, in a cage for biting williams guests. also he crawled on all fours and threw chairs and printers)
mercedes
liyah amelia grace habibi afzal @foreveralbon
-> when f1 eventually brought sepang back onto the calendar, liyah was fighting for P1 a few laps in when her engineer mentioned sightseeing at KL’s twins towers (the petronas towers). this was a mistake as upon hearing those words, liyah was immediately inhabited by the spirit and earthly energies of her late uncle: muhammad hazam “ارهابي” omar afzal, who passed down his loving lifelong legacy to her via muscle memory and pure instinct aka going back to her roots. anyways, she flung her car towards a corner with banking and projectile launched herself at 346km/h over 60km distance between her and her goal over the span of a shocking 10 minutes and 24 seconds!!! liyah escaped the incident with little injury, but the same cannot be said for those inside the towers (towers as in plural because george russell flew past her into the 2nd tower shortly after). media had an absolute fucking field day
george russell
-> misses half his races to film ads for tommy hilfiger and marriot bonvoy. toto gets pissed and kicks him out of their sleepover party which makes george severely depressed but its ok cz he gets married to carmen in his fav hotel marriot w a british royalty themed wedding (hes dressed as princess diana)
mclaren
lando norris
-> 4x wdc, paid goatifi to take out max and asked oscar to pull a kmag in saudi and decimated a 1-2 at silver stone hip hip hooray also he got fucked into the monaco hairpin barriers and was injured permanently unable to grow a pedostache
oscar piastri
-> 999x wdc, boy oh boy where do i even begin. the loml, oscar piastri. you truly are my sunshine. my only sunshine. you make me happy when skies are gray. you’ll never know dearrrrr how much i looove youuu please dont takee my sunshine awaaaaayyyyyyyy pookie wookie aookie bookie cookie dookie eookue fookie gookie hookie iookie jookie kookie lookie mookie nookie oookie pookie quookie rookie sookie tookie uookie vookue wookue xookie yookie zookie
alphatauri
yuki tsunoda
-> 50x wdc. my goat 🐐 he beat daniel 23-1 and is a fucking LEGENDDDDDD MY GOAT TRRRRRAAHHHHHHHHHHHHH YOINTS AND YUKAMPIONSHIP LETS FUCKING GOOOOOOOO 🥶🥶🥶🥶🥶
liam lawson
-> he finally let his hair grow out so he doesnt look like a lesbian anymore cutie patootie finally got a seat 😜😜
aston martin
avis cloostefek @aviscarrentals
-> actively trying to seduce lawrence stroll for that bank cz shes kinda broke idk the f1 life pays her less rhan she thought???? regularly breaks into the VIP area and eats all rhe food in catering because shes pasty pale white and has no cuisine culture except crackers and unseasoned boiled chicken and a side of cheese soggy french fries
lance stroll
-> justice for lance guys his dad is being seduced by a pasty white woman with very bad very severe chronic culture-less behavioural tendencies 😞
alpine..
lea @vroomvroomcircuit
-> im sorry but someone had to be in the alpine and i picked u🥰 much love!! anyways one fine typical tuesday lea remembered that her teammate is french and her deeprooted german moustache man awakened and unleashed havoc upon the french demanding her right to the land of the baguettes and croissant to be reclaimed for the return of glory for the motherlandYAA deutschland 🇩🇪 NEIN DA FÜHRER SAUSAGE 🗣️🗣️🗣️🗣️
pierre gasly
-> french ☹️
haas
althea noelle. @disneyprincemuke
-> 10x destructors championship. an antique and prehistoric primordial being in the form of a petite pinoy creature. it has devoted to the art of racing since the dawn of time. since day was night, night was day as the two parallels of each other blurred in a flourish and spectacle of a draped veil over the vast expanse known as the horizon, since the stars aligned side by side in the darkest of hours. she raced upon the lands of pangea, upon the tallest of mountains now reduced to stones and rubble that crumble under footsteps and blow with the breeze. throughout millennia, throughout the countless frigid winters and blistering summers as she watched empires rise and fell, civilisation bloom and prosper, tyrants dictate and rebels overthrow, dynasties rule and eras whirl past like the wind, akin to momentary blips as centuries compile into memories viewed back upon within seconds. the only divinity to harbour ancient knowledge lost to time and space, lost through endless bloodshed of war as humanity tore itself apart , screaming aggressive rage and agony from the inside as flesh ripped flesh as the steady drill of what could be known as time mercilessly marched on, and waited for none. the little beam of consciousness this dingus fostered within burnt bright bold as passion strove on as fuel for her little stature (shocking). also she has yet to score a point in f1 cz she keeps twinning logan sargeant and crashing out on the 1st lap. her nickname is turn one thea 💀💀💀
TLDR; noelle is old and hasnt scored in f1
kevin magnussen
-> https://vt.tiktok.com/ZSFGTu8tL/
stake kick balls sauber
zhou goatyu
-> 中国是第一!!周冠宇我爱你啊!!!请让祖国骄傲我们都支持你。周冠宇周冠宇!加油加油加油拿多分🗣️🗣️🗣️🥶🥶🥶
mclgf (now ur saubergf idk) @mclarengf
-> all hands on deck for the pitstops!!!! toby and newplayer are incharge of the tires and aria is ur race engineer turned reserve driver and tobys a development driver idfk bro 😭😭
williams
alex albon
-> james vowles character ai bot
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logan sargeant
-> Oh Say, can you see By the dawn's early light What so proudly we hailed At the twilight's last gleaming? Whose broad stripes and bright stars Through the perilous fight O'er the ramparts we watched Were so gallantly, yeah, streaming? And the rockets' red glare The bombs bursting in air Gave proof through the night That our flag was still there O say, does that star-spangled banner yet wave O'er the land of the free and the home of the brave also twinning noelle loves crashing
safety car driver
me (i cant drive)
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generic-sonic-fan · 2 months
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The Sonic Crew, 40 Years Later-
Just one of many possibilities, of course, but I challenged myself to imagine what Sonic's crew and Team Dark might look like when they're older. Long post beneath the cut:
Sonic
The one who changed the least
Still an absolute daredevil with a heart of gold
All that running and frequent injuries did a number on his knees and he started using knee braces and a cane/crutches in his late 20s
(it took him a while to be okay with this, but he's over that now)
(He can still run if needed, but he'll be hurting for a few days after.)
Gets his need for speed by racing cars, motorcycles, the Tornado, and by skydiving
Still LOVES helping people and spends a lot of time volunteering
Yes, he's still signing autographs
He's got a permanent home now, mostly to store the Tornado and his other vehicles. He took over Tails' workshop when the fox left for greener pastures and likes keeping the place fixed up.
He's been reading a lot more. Now that he's got a permanent place, his library collection is massive
He's just taking it one day at a time, man. Always has, always will
Tails
The one who changed the most
He owns a garage in the city now, with a sign on the door that says "Prower's inventions and tinker shop"
He always knew that he wanted to sell the things he made, but he had absolutely zero interest in the business side of things outside of running social media accounts
So he's gone indie! He's almost more of an artist and influencer than a world-class inventor, but don't let that fool you
He's still selling his patents to top companies and making a crapton of money
(he's the second most well-off of the friend group aside from Rouge.)
So how's he changed?
He's lost a lot of his childlike innocence, become increasingly more focused on people's perception of him and making online content
and ultimately, he chose technology over the outdoors
Sonic kinda knew that sort of thing was inevitable, but it still hurt when Tails decided to move to the big city and stop exercising as much
But he's very happy where he is and how he's living, and he and Sonic still catch up with each other frequently
Knuckles
Still guarding the Master Emerald!
But he's really learned how to do more with his life despite staying on one island for most of his time
Tails finally convinced him to install enough technology to keep him connected to the world below
Since then, Knuckles has become the number one expert on Echidna anthropology/archaeology in the world
He's written several books using speech-to-text technology
(it's been difficult work- he's not the best reader or writer, but he put the effort in and now he's a published author!)
When he's not writing or giving talks on Echidna culture over video call, he's still taking care of Angel Island, growing his own food, and making more discoveries about ancient Echidna culture. That much hasn't changed
Ever since the defeat of Eggman, he's more willing to take vacations off of Angel Island, but it's still a rare occurence
He usually notifies the friend group via group chat whenever he plans on coming down for a visit, often resulting in reunions
Amy
Amy absolutely "settled down" and opened the bakery she's always wanted to open
Unlike Tails, she LOVES the business side of things along with the actual baking
Her bakery is one of the most famous in the city she lives in now
She loves the thrill of commanding the kitchen staff and managing all the tasks that go into producing good pastries!
She also developed a love for children, and spoils any child in her vicinity rotten
And she has kids of her own, duh
She helps organize and moderate the group chat for the old friend group
And she loves coordinating visits/reunions
Her house is always open to anybody and everybody. She loves entertaining guests, especially if they're old friends
Her house is SO cute and homey it's almost overbearing
When her kids have kids she is going to be the sweetest grandma ever
Rouge
Already detailed in this post here!
Shadow
He's matured a lot, finally having enough wisdom to act as "the wise immortal"
He's become a nomad, sort of like how Sonic used to be, except he takes things at a much slower pace
(he retired from GUN and absolutely had a midlife crisis. this is the result)
He keeps diligent journals of every place he visits, food he tries, people he meets, and so on
He's picked up on Sonic's hobby of learning languages due to his travels
He's gotten much better at socializing with strangers but still prefers solitude
. . . but he still carries a phone on him and participates (albeit rarely) in the old friend group chat
(Rouge and Omega have him on speed dial, of course. He'll drop everything at their beck and call, even if it's a simple "I miss you")
He's gotten more interested in some more esoteric stuff that would've made his younger self cringe, like poetry and spirituality
The world knows him as a bit of cryptid, lol
Omega
Unlike Shadow, he's not retired!
He left GUN and became a freelance operator. Kind of a mercenary, except he has just a touch more discretion than that
(His version of a midlife crisis happened when he finally killed Eggman circa 30 or so years ago. Those were some messy, messy times, but since then he's made peace with his continued existence)
He is still Angry, of course, but he's a lot more chill than he used to be. Sometimes this throws Shadow for a loop.
His ego, though ever-present, has been tempered by age
Mostly because he kinda thinks his younger self was a bit cringe??
Mention the word "Meatbag" and he'll get stoically embarrassed about it
Anyways, he's also a nomad, traveling the world to do jobs and stopping by Tails' garage for repairs
He stops by Rouge's house often, and meets up with Shadow at least once a month
("YOU ARE THE FOOLISH ORGANICS THAT CONVINCED ME OF THE POWER OF FRIENDSHIP. YOU ARE NOT GETTING RID OF ME SO EASILY.")
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suffersinfandom · 4 months
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So. Magic.
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[Text of an AO3 comment, cropped to leave out the writer: "I finally got a chance to finish S2 (unspoiled!) and came directly to this document after to devour its contents. But by the very first chapter I was taken aback by the concept that anyone in the world thinks Izzy's death is permanent. Did we even watch the same show? You can ignore literally every excellent piece of analysis here if you want - the fact remains that Buttons turned into a bird, through magic, in the third(?) episode, it never got mentioned again beyond maybe one throwaway line, and then that bird returns to Izzy's grave marker in the very last scene (other than the end stinger). There is zero reason for that to happen other than foreshadowing for Izzy/Buttons/magic/resurrection stuff to occur in S3 (if it hasn't already). What, do they think that Buttons was just super sad and paying his respects? I have like less than zero media analysis skills, I noticed basically nothing of what you pointed out in this entire document on my own, and yet I STILL picked up that there's more going on here."]
The thing is.
The thing is.
IS magic real in the world of OFMD?
I believe in my heart of hearts that Buttons is a seawitch who transmogrified himself into a seagull and I believe that cunty suit was cursed as heck, but I don't think that magic is strictly, technically, literally meant to be understood as real in OFMD.
(I know there are a few posts about the show's magic, so apologies if I rehash a half-remembered idea. Feel free to leave a link if you have any of those posts handy!)
OFMD's world is full of little magic. The Caribbean is easily traversed; people can find each other with no real issues (or avoid detection when that suits the story better); time and space are all hand-wavey. The world operates on vibes and convenience. If something needs to happen for the story's sake, it just does. Don't worry about it.
The show's big magic works the same way: we can analyze and try to parse out how stuff happens, but we're not asked to. Is the suit cursed or is Frenchie just allergic to peanuts? Did Stede bring Ed back to life or was Ed in a head injury-induced coma? Did Buttons turn into a bird or did an addled Ed lose track of Buttons in the woods? It doesn't matter, don't worry about it! What matters is that Stede (kind of) learned a lesson about listening to his crew and respecting their beliefs. What matters is that Stede's presence gave Ed the push he needed to save himself. What matters is the message behind Buttons' transformation: people can change.
The show's magic has some rules. When it comes to the big magic, there's always a logical out -- a way to explain it away and keep the story more-or-less grounded in reality. OFMD isn't going to give us some big, literal, onscreen magic act. It's not going to tell us that the Gravy Basket is an actual metaphysical location that souls swing by and anyone can be called back from. It's not going to show Izzy mystically resurrected after we saw him die a bloody death right in front of us.
Let's look at Buttons' transmogrification.
It's important that Ed is the only witness to his change because Ed is explicitly set up as an unreliable POV character in S2E4. We are told, in three different ways, that we can't trust what he sees (and what we see through him).
First: Roach, the closest thing we have to a medical professional, says that Ed is half-dead and brain-scrambled. His mind isn't right.
Second: Buttons says that Ed has one foot in the Gravy Basket and isn't entirely present. (Side note, but I don't think that Buttons using the term "gravy basket" is meant to establish it as an actual place. I believe this line is just meant to set up Ed as witness to the transformation; we don't need to read too much into Buttons, the character who Knows Things when convenient, saying it. Or, if you want to ground this in reality, you can assume that Buttons has talked about the Gravy Basket before and Ed subconsciously picked up on it.)
Third: Ed refers to a rabbit as a wolf, confirming that, yeah, he's having some issues with reality. Like, we don't really think that Ed can't identify a rabbit, right? I know the guy spends his time primarily on the ocean, but he's a genius who does, sometimes, set foot on land.
So Ed's out of it, and not even he has eyes on Buttons when the transformation is meant to occur. One minute we have a chanting Buttons, the next we have a seagull flapping around his transmogrification vessel. We all know that seagull is Buttons and he's off to make sweet love to the sea, but also... do we?
What matters is that Ed believes he saw a man turn into a bird so he could better love the sea. That's it! Ed, someone who desperately needed proof that people can change -- that he and Stede can change -- has that proof and can truly start healing. It's beautiful and I love it, ten out of ten, five stars, no notes.
If we're lucky enough to get a season three with Ewen Bremner in it, I fully expect a butt-naked Buttons to show up with absolutely no explanation. Maybe we get a few little wink-wink nudge-nudge moments hinting to his time as a seagull, but straight confirmation that magic is real would break the rules the show has established.
Anyway. All of this is really just my way of saying that Izzy's dead and it'd be extremely fucking weird and world-breaking if he crawled out of his grave thanks to bird magic.
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ukrfeminism · 6 months
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An awareness campaign, launched on Monday around a new non-fatal strangulation criminal offence, has been welcomed.
The Department of Justice initiative will appear on television screens in Northern Ireland from Monday
It comes after non-fatal strangulation or asphyxiation was made a specific offence at the end of June as part of the Justice (Sexual offences & trafficking victims) Act (NI) 2022.
Those convicted can face up to 14 years in prison.
Information on how to access support or report the crime will be included in the three-week long television campaign, which will also feature on YouTube and at outdoor sites during 2023/24.
Permanent Secretary of the department Richard Pengelly said they want to raise awareness of the crime for perpetrators and victims as well as the general public.
“It is important to convey the seriousness of the offence of non-fatal strangulation and the potential for serious harm,” he said.
“The purpose of the campaign is to raise awareness, for perpetrators, victims and the general public that non-fatal strangulation is a crime, it can cause devastating injuries, where serious injury occurs consent is no defence and consequences for offenders include significant prison sentences.”
Sarah Mason, chief executive of Women’s Aid Federation NI, welcomed the move as sending a clear message.
She said they welcomed the introduction of the non-fatal strangulation legislation and campaigned to see it enforced.
“We believe women and girls in Northern Ireland are safer today than last year,” she said.
“A media campaign to highlight this new law will send a clear message that this is a crime.
“We are mindful that the content within the campaign could be triggering and would encourage anyone impacted to reach out for support through our local services across the country.”
Anyone impacted who needs help and support can visit: www.nidirect.gov.uk/nfs.
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HELLO IM INLOVE W THE HCS (ngl hitting sol rn meanie boi),,, if its not much can I request a chp.2 of them finding out mc is infact disabled and they're not just clumsy,,, i love your writing more each day,, (you can ignore it if you want 👀👀👀)
Aw, I’m so glad to hear that! I lowkey love this request simply because I’m a chronically ill/disabled person now (still so weird/new to admit) and it’s so nice to see it being represented in media. I hope you enjoy this second part just as much.
Barbatos: Barbatos is out of his element for once. He doesn’t know much about human ailments, certainly not to this extent. He can handle injuries and sickness but disabilities? That’s rather new. He’s going to be full of questions and eager to learn what you require most from those around you to get the support you need. He’ll be going to Diavolo with this information and trying to make sure they’re able to offer you and everything you could ever want or need in regards to your disability. Treatment, medication, mobility aids, better accessibility around the Devildom, whatever. In fact, they’ll probably drag you in as a resource to help them restructure the medical aspect of the Devildom so they can better support any living being who may struggle like you do. You’re sort of their inspiration - you never let this bring you down or stop you, and you’re just the best example of a human they could have asked for.
Solomon: He knew it; there was no way that you were just so uncoordinated without a reason. That doesn’t mean he’s happy about being right though. It's a sharp reminder of how fragile humans naturally are and the many things that can plague them; he doesn’t miss that and he hates that it’s something you still have to deal with. Or is it? Solomon is convinced that he can fix this for you. He’s traveled the world, the realms, for thousands of years. He has more knowledge than just about any living creature and he’s determined to use that knowledge and experience to make things better for you. Natural remedies, technology, magic; whatever you will let him use, he will try. However, if you’re resistant to those things and want to continue living the way you do, he won’t push you. As a human, he can understand that sometimes our weaknesses are just such an inherent part of us that we couldn’t imagine life without them even if it would make our lives “better”. He’s happy to keep using the bouncing charm on you and keep his arms around you like he’s been doing.
Simeon: Oh no, that was one of Simeon’s biggest fears. He hates that idea that you’re suffering or struggling and that it’s a permanent thing for you to deal with. It’s just not fair that someone as great as you has to deal with this but he also admires how gracefully you handle it, pun not intended. He doesn’t want to be condescending or smother you so you won’t do much more than ask questions about your condition and learn everything he can to be as helpful as possible. He’s still going to do his best to keep you safe and, if there’s any treatment or medication or modalities that can help you, he’s going to make sure you have access to them and utilize them so you’re as happy and safe as possible. He certainly doesn’t mind watching over you either; he loves being able to support and care for you.
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glitch-after-dark · 3 months
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Animal Handler Rodimus/Merformer Thunderclash #4
More setup and a quick overview of the Rehab Center! Plus a surprise for Rodimus!
@sticky-mecha Not much Thunderclash yet, but he returns soon and we'll get more from his side!
@valve3nthusiast and @mychlapci, I hope you enjoy since it was partially inspired by the merformer posts.
Series TW: Noncon (Past), Treating a Sentient Person Like An Animal (Unknowingly on Rodimus's Part), Exhibitionism, Unwilling Public Sex, Abuse, Domestication, Kidnapping, Harassment, Stalking By Media, Mildly Genital Injury (Nothing Explicitly Described), Forced Orgasm, Mechpreg, Alcoholism (Briefly)
PART IV – Recovery and Reunion
Rodimus likes his new job, even if it does keep triggering moment of guilt and horror when he sees what an actual healthy setup from the studies should be. The Rehab Center doesn’t allow a lot of public visitors outside of the educational front area and small viewing areas, but there is nothing close to the actual merformers themselves. The facility takes up most of the west side of the island they are on, built into the ocean and cutting it off, allowing for large expansive areas designed for them as well as areas within the building. While it specializes in merformers it does have other animals rehabbing on the land facilities and Rodimus gets to meet them and sees the obvious differences.
The merformers in the facility as well are much healthier, plumper, more lively, less anxious, their colors and biolights brighter.
They have some that are temporary and intend to be released that they are more off hand with but others are more permanent due to injuries or socialization issues.
Drift is the most famous. After Rodimus got out and read more freely about merformers and the debates on their levels of sentience he heard about Drift who was famous for learning Hand though many debate it is a scam or due to the oddness of the field with merformers reading differently he isn’t communicating but just responding with the same pulses he’s receiving. They’ve tried to release him, he’s healthy, an experienced hunter, socialized, popular among his peers, but he absolutely refuses. He’s been caught before and was famously rescued from a merformers fighting ring by the head of he facility Ratchet and imprinted on him. When he was discovered years later caught up in a spill from a factory that caught up a nearby merformer nesting grounds he was evacuated to the Rehab Center for treatment.
While there he reunited with Ratchet and “imprinted” on him. He absolutely refused to leave despite all his group leaving (including Wing) and kept making courting behaviors and doting on Ratchet. He helps with socializing new captures and rearing orphaned pups to be released back into the wild after he raises them so he has a purpose there. Everyone jokes how he pined after Ratchet for years and only let him take care of him.
The Hand thing was a joke but he got so excited about it the interns showed him. They all knew he was intelligent and would come up with tests for him to do and tech but no one expected him to latch onto it and pick it up immediately. Or that once he learned some words he would terrify everyone by dragging Ratchet into the water to grab his hands and start screaming “RATCHET RATCHET RATCHET!” over and over with Hand while snuggling him beaming. Ratchet got things more organized and kept teaching him more and more complicated concepts and has been petitioning to change the sentience guidelines because Drift is proof just because merformers can’t speak Neocybex and have more instinct coding doesn’t mean they can’t communicate or have higher levels of thoughts.
It's been complicated due to them not being able to pass the Ambus Test and a lot of misinformation about Drift and lack of being able to repeat the experiment out of Ratchet’s facility because, as he keeps emphasizing, the merformers do not feel safe or inclined to account for them and some of the facilities are terrible. Dominus Ambus was actually involved as he was working to revise his own test to account for its own flaws which would he in his own alt mode couldn’t pass.
The other merformers in the facility except for Drift’s occasional pups also aren’t inclined to learn Hand. Most simply aren’t there long enough. Or don’t agree. Another issue with repeating the test.
Whirl refuses and his hands aren’t in a good shape for it though his caretaker Cyclonus is trying to adapt a different communication since he noticed that Whirl uses colors to communicate and Whirl is intelligent enough to build and rebuild things and socializes well with the janitor, Tailgate too. Whirl isn’t exactly one they want meeting the public though, given his general aggression.
Getaway is a menace who keeps breaking out every place they put him and has sired way too many pups. He was released but keeps showing back up in one of the cages whenever he wants, like a seasonal bother, during breeding season. Mostly to harass Skids, who is currently their other lead project trying to learn Hand from Drift. Though it has some difficulties because they are different subspecies which have different fields again so they are trying to adapt it and the fact they keep having to break due to Getaway knocking him up and distracting him. They’ve made some headway with a new Praxian hire Bluestreak adapting door wing language to match Skids’s fin wings.
Other members of the Rehab Center include: Overlord (who is kept carefully under lock and key and is not to be approached unless by trained and approved individuals, because he was a mech killer and actively hunted them. He was slotted to be put down before someone decided, in Ratchet’s words, to make him their problem), Sunstreaker (who was injured and grew attached to an Insecticon recovering in the land facility and they bonded and refuse to leave so they had to make a hybrid enclosure), Tarn (a siren-type with a similar backstory to Overlord and is one of the only times one with his ability was captured alive and is under strict care), Nautica and her sorority (slotted to be released though with how much Nautica has bonded with Skids and her caretake Velocity she is likely going to voluntarily stay), etc.
Rodimus meets many of them and is excited to help out. It makes him feel like he’s making up for accidentally mistreating Thunderclash. Then when he gets read in on the they are probably sentient as we are but that’s being debated and meets Drift, things get even more wobbily for him emotionally. He has a lot of dreams and nightmares mixed up with memories about his time with Thunderclahs. Ratchet and he bond though Rodimus is a little terrified of him finding out about his past.
It’s very good for him and he is making friends and a life for himself, but his libido hasn’t died down and if anything has gotten worse, leading him to regularly hookup most nights and still feels weirdly unsatisfied and craving something. For all he’s mentally recovering he is also eating a lot more and emotional regulation wise he’s getting occasional mood swings, sore back, and he’s started to have his pain dull and get exhausted as the craving in him increases that his hookups are not satisfying.
Ratchet’s the one who finally sits him down to confront him, having been a former doctor in Iacon, and tells him he needs to talk to his doctor because its obvious he needs to increase his transfluid donations because they are not meeting his frame needs and if this keeps up he’ll start cannibalizing himself. Ratchet after enduring Rodimus’s obvious confusion realizes Rodimus doesn’t know he is pregnant. The facility had all kind of largely known because of Drift’s treatment of him. Drift is good for pegging when someone is carrying and treats them accordingly. Since Rodimus wasn’t talking about it though they were respecting his privacy.
Ratchet takes Rodimus to the hospital and hooks him up with a doctor, they estimate how along he is and realize he is much, much too small and behind on building materials so he is put on a strict diet and twice daily donations unless he want to abort. Ratchet calms him down and lets him talk out his emotions and Rodimus figures it happened during his post-trial sex marathons. After awhile thinking about he decides to keep it, Orion, despite Rodimus’s protests, did set him up a trust fund so he never feels pressured to fall into a bad situation again and Rodimus hasn’t been touching it due to complicated feelings but it would allow him to support himself. Plus he likes this area, far away from anyone who knows him and Ratchet goes ahead and tells him they were planning to offer him permanent position once his trial ended and his certificate was granted. The facility has a onsite daycare something Ratchet pushed for when he was pregnant with Medix and Minerva, his sparklings.
Rodimus has a support system and slowly tells everyone, getting healthier (but still feeling unsatisfied sexually), no longer seeking out hookups as often (it was mostly the cravings and the island is a bit too small population wise to keep things from getting awkward and people are more wary now that he has a belly unless they are really into it), and dealing with everyone openly being happy and supportive for him and weirdly enough the merformers reaction to when his belly pops changing.
They are all, without exception, preening for him or doting on him in equal measure. His coworkers explain that it’s a pretty normal reaction and merformers themselves commonly find signs of fertility attractive and, they point to Drift and Ratchet, are known for cross species attraction. There are quite a few jokes about how Drift was when Ratchet was pregnant that people then skirt away from when Ratchet approaches. Drift is the most excited for it and grabs Rodimus’s hands to project congratulations and even pets his belly, before grinning, crookedly and pressing Rodimus’s hand to his own and feeling a hardness there. Rodimus is startled but supposes that for all Drift’s imprinting he does still socialize and share the pool with other merformers, who Rodimus has learned are not shy about public sex and it is incredibly common to the point he’s desensitized at this point and visitors have to sign waivers to acknowledge they might see them getting frisky.
Things are actually going pretty well when they get news about a transfer request from another facility. Rodimus doesn’t think much of it until Ratchet sits Rodimus down and explains, seriously, that it would be Thunderclash transferring.
Rodimus feels like he’s been hit by a truck but says he’ll be fine especially after hearing the reason behind the request is that Thunderclash has health issues, and they want him comfortable because they are convinced he is going to die from complications and Ratchet’s Rehab Center is famous for care. Rodimus is deeply upset because he’d made a point to not investigate it at first and when he’d tried later couldn’t find out and couldn’t bring himself to mention it to Ratchet because that would mean telling about his past. Ratchet, during the talk, reveals he already knew. He just had been respecting Rodimus’s privacy.
Rodimus braces for Thunderclash’s return and hopes for the best. He’s taken to talking the Drift about his feelings while doing rounds and confesses everything that happened to him while Drift makes sympathetic chirps and coos and eventually grabs Rodimus’s hands to convey just pure comfort and support wordlessly, which Rodimus appreciates.
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