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#or that I’m apologizing for Teh’s actions
functionalasfuck · 3 years
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*preparing myself for some discorse*
If you think what Teh did in ipytm ep 3 is out of character… you weren’t paying attention to the entire season of itsay.
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lizandbo · 3 years
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when they break your devices w/ hq bois
Okie-ha alright....so ummm i did this becuase i need some relaxation cuz I accidentally broke my sisters switch *cough cough ima gonna be fucked and dead/ shot on sight* 
Tsukishima 
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- fussing, he did it so fucking secretly it was like MaGIC
- it took a YEAR when you figured it out...like godamnnn
- he used your disks for the week, ya know why the fuck not 
- and when he tried a new game becuase he got pissed off so he switched the other game out and put the new one in...but when it wasn’t going in like he wanted it, pussyboi slamed it in and broke it in half
- tsuki baby...I’m sorry but your gonna face mama bear for now 
- more like a fucking year 
- he got it allll covered up 
- “oh its at my house , ill get it when i have the chance”
- but he forgot
- or “not right now I’m still using the three”
- bitch, they’re were four not three, but ya know yo girl is a little airheaded When talking to you
- anywho... the day after teh fucking year, you went to his room to get somethin but you glanced near the console and saw the broken disk 
- *inhales through the nose harshly* “TSUKISHIMAAAAAA” 
 -tsukifucker went in to check if you were hurt anything of the sort but instead he just saw you hold the two pieces of the disks in your hand up in the air ready to smash against his head, like he deserves 
- “y/n..its been broken and i meant to tell you that but i really forgot”
- “mmhhmmm yeah, okay...your not getting cuddles for a weeK”
- “deal. I really dont deserve it tho”
- “oh hell yes you do”
- “well, after the punishment can i have the rest of the disks?”
- “why?”
- “becuase you love me”
-”fucking fine”
- you two did not do the ‘a week off cuddling’ part tho 
Asahi 
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- alright he’s gonna be like infinityx original nervousness
- hell probably try to hide and said he “lost it” even tho its on his bookshelf in his room
- its cracked allllll the way (the Nintendo) from the other side from the other 
- you would’ve killed him becuase its so fucking obvious- who wouldn’t???
- so it cracked in August, now its February...and its been a long time 
- he was playing animals crossing a lot on it 
- it didnt break per say but it had a huge mf crack in the middle all tho its still working 
- so today was the day that you asked him to find the switch or tell him where the switch was in case he forgot ot tell you when he did 
- but baby boy doesn’t wanna own his actions 
- now he sweatin 
-”ummm,...i dont know where it is but ill find it soon”
- “okie dokei baby”
- rtexrytcuyivuboihljo;gfhcgjvyhkubli; now he dead...literally, no take backs now
- he almost died on the fucking spot when he asked you out and confessed feeling but....NOW? SWITCH?!? BROKEN?!?!
- just...like...why-
- so he wiggled his hands in fright like its gonna jump scare the fuck out of him
- he walked to your place imagining your reaction...are ya gonna break up with him? Or are you gonna accept his apology?
- either way your gonna be a little annoyed 
- he went to your room and softly knocked on it and once you open it he almost fainted and chucked handed you the switch and covered his eyes becuase h doesnt know what to do 
- you just looked back up to him once he peeked an eye thought the holes of his hands 
- “..so you broke it...and thats why you hid it all these months?” 
- “ its not like that!  Swear!”
- ‘its okay..i guess, its just you coudlve told me when you did the action- and also can you still play it?”
- you could stilll play it..and I’m sorry..”
- dammit why does he looks so hot when hes bashful 
- “it’s alright...I’m not mad at you, kinda disappointed in ya but, we can always go back to the store and fix it”
- “I’m so glad that your not mad at me”
- yeah you could bet you have cuddles afterwards
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lovelikegravity · 3 years
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I do hope everyone who is just cancelling Teh before the story fully plays out has the exact life they think they’re going to have. Where no one ever has to apologize to them because the words are always loving, thoughtful and true. A life where they never have to apologize to someone they love because they are always honest to a fault and say things in the most loving and patient way. That their dreams will come to them without disappointment and sacrifice. That their sex lives will be completely in sync with their partners at all times and in all stages of their shared growth and change — AND that this growth and change happens at exactly the same pace and depth as their partner at all times, despite jobs and friends and other outside forces that come and go. That when they come to a point in their lives where they want to expand or try something new or move across country or add a kid or two in the mix, that their partner is absolutely 100% on board with no adjustment needed or questions asked. Or that the same result happens when it’s their partner who’s wanting change. I really do hope that their life is filled with only black and white areas, nothing gray or blurry or murky or challenging. I’m not sure I know anyone on this earth that has experienced that, but maybe it will work out for them.
I don’t condone his actions, not by a long shot. He needs to suffer and learn and maybe lose the love of his life. I’ve been cheated on. It hurts beyond imagining. I’ve also cheated. And I suffered and learned and lost. That’s life, my fellow humans. Some days we triumph and are exactly the people we want to be, and others we make the worst possible decisions and turn our lives and the lives of everyone around us into an out of control wildfire.
It’s so easy to fuck it all up. It really is. I’ve said it before, life (and love especially) balances on a knife edge. It’s long and hard and exhausting and brilliant and exhilarating. I have empathy for both of these characters, having been on both sides. Watching them takes me to places I wish I never had to revisit. It brings up loss and shame and guilt.
Just like ITSAY reminded me of the beauty, angst and bittersweet feelings of young love, IPYTM has reminded me of the fragility of relationships, especially at that very hard age. I’m exhausted for days afterward. I’ve never experienced a show like this before. I am terrified and nauseous where they’ll go from here, but I can’t wait to experience it, even though it hurts like hell.
Just my thoughts as I’m continuing to unravel all this.
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nct-oli · 3 years
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IPYTM EP 4
I just feel like saying all of my IPYTM ep 4 thoughts now that I watched the episode, before I read any other posts on here. Raw thoughts minutes after closing the episode.
I feel like I need to say this first. I do not agree with Oh reading Teh’s logbook and invading his privacy, but I do appreciate that he told him later that he did. I also do not like the hitting Teh with the bouquet. Okay, just wanted to get that out of the way.
TEH (AND JAI)
I’m still mad at Teh. I do not forgive him. But I do want to say that Jai is a piece of shit for manipulating Teh the way he did. This episode made it so clear to me how Jai used what Teh wrote in that logbook to his gain, recognizing how vulnerable Teh was and seeing how weak his relationship with Oh-Aew had gotten and using that to his benefit.
Now honestly, I can’t tell if that truly was his plan from the start or if he saw the way Teh had fallen for him and what happened with Oh and decided to say that it was never real in an attempt to stop it as soon as possible.
Regardless, if he was a good friend as well as a good director, Jai would never have used Teh’s broken relationship the way he did. He could have tried to help Teh rekindle things with Oh, work through some of his fears and anxieties that were keeping him from feeling close to his boyfriend. That very likely could have solved both problems–Teh’s relationship issues and his acting barrier–but instead, Jai manipulated Teh’s feelings.
However, I’m not letting Teh off that easily either. There was a moment when I actually did feel a little bad for him, when I started to recognize how Jai was using him and playing with his feelings. And when Teh and Oh started doing a little better, I allowed myself to think that maybe they could figure it out with more communication.
But no, Teh wandered off at the after party to see Jai, and any tiny flicker of forgiveness I felt went out the door. The way he showed no genuine guilt or shame with Oh too made me honestly sick. Like Oh said, did he think he was stupid? Did Teh think he was being subtle? It gave me secondhand embarrassment to see him believe he was being anything except disgustingly obvious about what was going on.
And then for him to call Jai the Fang to his Akin, with his too-forgiving boyfriend sitting in the other room?? Again, do you have no shame, Teh???
Also, the way Jai and Teh both gaslit Oh-Aew, trying to make him think he was overreacting and overthinking when both of them knew Teh’s feelings were not just the result of his great acting. That the kiss was never just an exercise (at least from Teh’s side, which is the side that mattered most). Watching them both lie to Oh’s face like that lit a rage fire within me.
Now, the scene of Oh-Aew and Teh singing on stage and the music going quiet as Teh’s attention drifted from Oh to Jai was heartbreaking in a really good way. I’m so proud of Oh-Aew for finally deciding that moment was enough, that Teh deserved no more chances, and that he needed to walk away. I’m so proud of him for choosing himself.
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I appreciate Teh’s roommate. I don’t have the sympathy in me at this very moment so soon after the episode to wish Teh such kindness, but I’m sure tomorrow morning I’ll be a little more open to him having the emotional support I know deep down he needs. So I’m glad he has his roommate extending a hand.
And it was incredibly sad to watch Teh realize how he’d isolated himself to the extreme all for this one dream, maybe forgetting along the way to dream about his relationship with Oh-Aew, his long term friendships, etc. All of the other dreams you can and should have as well. I think he started to realize everything he’d given up for acting and how less glamorous and fun it really was now that he was here.
And that hit him even more when he got casted and potentially signed, only to face the reality that it also meant erasing the digital footprint of his relationship with Oh, one of the few things he still had left. This life he had envisioned kept getting less and less glamorous by the second.
I’m not saying I want him to give up on his dream of acting, but I do hope that everything that has happened is his much needed wake up call. That he finds more empathy for the people he judged for drifting from acting, for the people he pushed away for not trying hard enough. I hope he sees how selfish and ignorant his actions and his words have been over the past few years and that he takes this as a starting point for a more understanding and accepting outlook on not just his own life but the lives of those around him.
And I do hope he heals one day. Or, well, I will hope for that tomorrow. Tonight I’m still mad at him.
OH-AEW
Now on to Oh. As I said before, I don’t condone the invasion of Teh’s privacy or hitting him with the bouquet. But otherwise, I really am proud of Oh-Aew. Do I think he handled everything perfectly? No. In an ideal world, I would have liked him to confront Teh sooner so he could have given him the opportunity to be honest early on.
But given everything, I think Oh’s level of compassion and his willingness to try to understand are more than most people are willing to give in his shoes. I genuinely do respect how level-headed he went about it. I wish he had been better rewarded for his grace, and instead he got a boyfriend who lied and continued to go behind his back even after Oh had given him an undeserved second chance.
But what I am most proud of is how Oh-Aew handled breaking up with Teh. Telling Teh that he was hurt and asking him to have pity on him. Oh chose himself again, more permanently. In that moment, he understood that Teh’s apology did not warrant forgiveness and that he was allowed to stay hurt, to stay angry, to stay unwilling to take Teh back.
Oh was vulnerable and still stayed firm in his decision to respect himself anyway, to trust his feelings and prioritize his healing. Teh was there crying before him, and he still understood that he had no responsibility to fix Teh’s pain. That the pain Teh was feeling was pain he had inflicted on himself.
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You can see in the way he turned back to look at Teh leave and then the way he sobbed afterwards that it took all of his strength to not give in moments earlier. How easy it would have been for him to take comfort in the familiarity of Teh’s embrace once again, to give him that second chance and hope for the best. I wouldn’t have blamed him if he did; it’s hard to give up someone who once made you feel safe. Who once felt like home.
But I am so proud of him for choosing himself anyway. For knowing that, however hard it was in that moment to let go, it would have been even harder to live every day sacrificing his mental and emotional security for a relationship he knew would never feel the same. For a man he could never fully trust again.
Oh-Aew has grown so much.
OH’S FRIENDS
Also, Oh has the cutest, sweetest friends in the world. This was my favorite scene in the entire episode. I’m so glad he found his group and that they love him so much.
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The contrast between Teh and Oh-Aew throughout this season and especially in this episode has been really apparent as they’ve drifted apart. And I think this scene really highlighted that. Teh verbally acknowledged how he had no one to turn to anymore, how he’d ruined his relationships with everyone over time, meanwhile Oh was surrounded by people ready to love him and take care of him until he was better.
Oh’s honesty with himself and the people around him resulted in a community of friends supporting him as his authentic self, while Teh’s lies to himself and the people around him resulted in solitude.
It’s tragic for him, really.
EP 5?
Honestly, I have no idea what will happen with episode 5. At this point, I want Oh-Aew to find happiness away from Teh and for Teh to fix his insecurities on his own. I don’t want them together.
Maybe one day they’ll find each other again. I don’t know. But after this season’s storyline has unfolded, I think Oh deserves better. And I don’t think they make sense anymore.
AND BECAUSE IT NEEDS TO BE SAID
Oh-Aew dying his hair from red to black again? Yeah. He is Teh’s red no more.
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therealsaintscully · 3 years
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Mary and butterflies - the inevitability of death, murderous calling cards and collectors
Some ramblings with links to other people’s excellent meta, in which I suggest that butterflies (and/or moths) symbolize Mary as Moriarty’s reincarnation and or calling card, while also hint at her inevitable death.
Disclaimers: credits are below the cut. I’m not an expert in any of these topics. Thank you, @thewatsonbeekeepers​​ for the beta. In this post I’ll be using moths and butterflies interchangeably, apologies to any entomologists.
Mary’s appearance in the show brings with it new imagery we haven’t seen prior to The Empty Hearse - butterflies. Once Mary’s in the picture, there are butterflies in some very strategic locations, all are either visually or subtextually leading to her. The show has done that previous to season 3; Moriarty is connected to some well established symbols like magpies, apples and IOUs. 
When I first started reading meta I used to think these themes were a bit of a stretch, but I’ve since accepted  that this is a show that puts barely noticeable phoenixes in a restaurant scene that shows us Sherlock rising from his death.
Here are some of the butterflies I spotted so far:
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Butterflies (and in the case of this piece of meta, moth) symbolize most commonly resurrection, change and renewal. Behind the symbolism stands the transformation of a small, ungainly creature into something full-grown and unbound. In that case, in the simplest way, one could argue that butterflies were chosen to symbolize her because the ‘Mary Morstan’ persona was a stillborn’s identity that was stolen and used ‘reborn’ to create a new person.
But more than this simplistic idea; butterflies carry multiple symbolisms. When it comes to Sherlock, I and many others tend to look at Victorian symbolism, considering the detective’s Victorian roots. 
I find the appearance of butterflies interesting in Mary’s context, much like I find the skull interesting in Sherlock’s. The skulls, in Sherlock’s case, serve plenty of purposes, but one of them is the idea of memento mori.
Memento mori (Latin for 'remember that you [have to] die') is an artistic or symbolic reminder of the inevitability of death. These are representations that can appear in any form of art such as paintings, literature, poetry etc. It’s a concept that existed in many ancient cultures but is also deeply rooted in early Christianity. It serves to remind people of the inevitable; that even if we choose to ignore it, not think about it, it’s always there lurking, and the purpose is not to scare us but to encourage us to make good use of our time when we’re alive. Memento mori was the philosophy of reflecting on your own death as a form of spiritual improvement, and rejecting earthly vanities.
Victorians were obsessed with the concept (weren’t Victorians obsessed with everything?). They would take photographs of the dead and keep locks of hair of those who died in mourning brooches. It is said that they found these practices comforting. 
Another expression of the ‘remember that you must die’ concept was vanitas art;  vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death. The Latin noun vanitas (from the Latin adjective vanus 'empty') means 'emptiness', 'futility', or 'worthlessness', the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes 1:2; 12:8, where vanitas translates the Hebrew word hevel (הבל), which also includes the concept of transitoriness. 
This concept reminds me, most especially, of the skull used in The Abominable Bride, which is actually Charles Allen Gilbert's 'All is Vanity' Illusion art.
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Back to butterflies - butterflies are a staple component of vanitas art - paintings executed in the vanitas style were meant to remind viewers of the transience of life, the futility of pleasure, and the certainty of death. They also provided a moral justification for painting attractive objects - in a way, it’s a justification for the vanity, or the human need of enjoyment of beautiful things.  Below is a vanitas by Jan Sanders van Hemessen:
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But butterflies are also considered an omen of death: 
“Butterflies and moths were associated with death, sometimes merely as omens, sometimes as the soul or ghost.” These butterfly omens came in many ways.  For example, in the nineteenth century United States, some people thought that a trio of butterflies was an omen of death.” [x]
Oh.
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But I also think there’s more to the butterfly symbolism than Mary’s imminent death; I suggest that, in keeping with @loudest-subtext-in-tv​ M-Theory (suggesting that Mary was planted in John’s life by Moriarty), they symbolize Mary as Moriarty reincarnated following his death in TRF. That Moriarty had indeed not disappointed Sherlock - there was a posthumous game after all! That Sherlock was supposed to understand that while one form of Moriarty died on that roof, another had emerged, continuing the mission of burning Sherlock’s heart. Mary is Moriarty’s calling card, left behind in the crime scene. They’re different, but not separate, which is why Sherlock is so obsessed with Moriarty between HLV-T6T; he’s both wrong and correct at the same time.
So far, what I’ve suggested is that in Sherlock, skulls are Sherlock’s symbolic memento mori - the skulls are associated with Sherlock in some very significant ways. 
However, Mary’s character was doomed from the start - she dies during Sherlock’s hiatus in ACD canon. I believe many fans assumed Sherlock’s Mary expected the same fate when she was introduced to the show. Although the story of Samarra is told by Sherlock, who expects his own death in T6T, Mary is the one who ends up dying. 
Butterflies in ACD canon
Searching for the significance of butterflies in the ACD and BBC canon led me to a number of interesting directions in meta written by others. 
The first and probably the best place to start is this meta post by @tendergingergirl​​, which I strongly suggest you read in full: Butterflies, Sexual Deviancy & The Bloodline Theory in The Hound of The Baskervilles. 
Stapleton also has a hobby. He collects bugs…Butterflies, to be exact. This can often be seen as purely academic, but depending on the actions of the hobbyist, they can indicate more disturbing things. That of holding something vulnerable captive, treating it as your hostage, pinning it down. The torture of animals has come to be a good indicator of someone who would do this to a human. He had already shown callousness by laughing as he recounts to Holmes of ponies wandering onto the Moor, becoming trapped, and dying. In 1974, there was a release of a new edition of Sherlock Holmes stories, with the forward of The Hound of The Baskervilles written by British author, John Fowles. He is responsible for several well-known works, including The French Lieutenant’s Wife. Another, was a novel that Mason finds himself wondering why Fowles doesn’t mention in his introduction, since the villain is such a close parallel to Stapleton.(but as we have learned through the study of ACD, most writers will not come right out and say where they got their inspiration. They like for you to guess!)
A lonely young man, works as a clerk, and collects butterflies, becomes obsessed with a pretty young girl, Miranda, an art student. He chloroforms, and kidnaps her, taking her to his cellar basement, to add Miranda to his collection. That book was called The Collector. But what else does it sound like?
“So yes, I googled. From an article on the release of the movie’s Documentary. "The docu proves a poor reference point for anyone who wants to understand the literary and movie links for “Lambs.” There’s no mention, for example, of how Harris partly based the butterfly-loving Bill on John Fowles’ kidnapper in “The Collector” …And here I thought Mofftiss added allusions to Silence of The Lambs into Sherlock just for fun. SMH.”
@tendergingergirl​ also added this photo to their post:
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So what we have here is a chain of metatextualities/inspiration, starting with ACD’s THOB, where Jack Stapelton inspires a book about a disturbed butterfly collector (The Collector by John Fowles), which inspires a the author of Silence of the Lambs in creation of his character Buffalo Bill, a serial murderer who inserts a death's head moth into the victim's throat because he is fascinated by the insect's metamorphosis. Silence of the Lambs served as inspiration for Sherlock  as analyzed by @garkgatiss​ in Bond, Hannibal, and Holmes (I suggest you read the whole Hannibal section) . 
Let’s look again at some imagery from His Last Vow. Mary shoots Sherlock’s heart, essentially burning his heart out, and who does Sherlock meet in his Mind Palace in a very cocoon-like straightjacket? Yes, the dead dude who encourages him to die already (“one more push, and off you pop”).
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What’s the next thing we as an audience see once Sherlock opens his eyes? Mary coming to the hospital to hear that Sherlock had, in fact, survived. And what is she wearing? Her butterfly scarf, one which will another appearance later in the episode, during the tarmac scene.
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I also find it interesting that in the context of Sherlock and Silence of the Lamb, there’s an element of gender-switching between Moriarty and Mary. Buffalo Bill, the murderer from Silence of the Lambs, skins bodies of women to create himself a woman’s 'suit’; in Sherlock, Moriarty is a man-villain who transforms into a female-villain in the form of a bride and/or Mary. 
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By the way, who else is obsessed with his suits?
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Also, let’s not forget the worms, maggots and other such crawlers in the grave scene:
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Now, let’s go over some of the photos I included in the beginning of this post a bit further.
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Mrs. Hudson’s butterfly tea set is first shown in TEH - she uses it to serve John tea when he comes visiting her and tellis her about Mary. We also see it near John’s chair on the day of the wedding. This isn’t Sherlock’s set - his set is different, featuring the British Isles. Moriarty drinks from it in TRF. The next tea set we see, now that Moriarty is dead, is the butterflies one. In TLD, Mrs. Hudson uses Sherlock’s tea set - the butterflies are gone.
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Mary’s bedroom wallpaper is very feminine, with flowers and butterflies, both complementing symbols while also very common in vanitas art. Much like Mrs. Hudson’s wallpaper in Baker Street, Mary’s wallpaper is supposed to show the contrast between Mary’s flat/Mary and Sherlock’s flat/Sherlock.
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There’s an interesting moth reference in The Empty Hearse, which in my opinion, is Mary & Moriarty related. In short, in a previous piece of meta I wrote, I suggested that the Jack the Ripper case in TEH is subtext alluding to Mary’s skeletons, which Sherlock ignores because he’s upset by his reception by John. And what’s one of the first things Sherlock notices about the skeleton? New mothballs smell, hinting at an attempt to get rid of moth/butterflies - maybe a hint to  the fact that Sherlock has a chance to discover the truth about Mary but misses it. Also, in the context of Mary and the Jack the Ripper case, notice this transition:
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Transitions are important on Sherlock - they’re nearly always there to draw our attention.
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This, I think, is perhaps the most telling about a possible connection between Mary and Moriarty: we have both magpies (a Moriarty hint) and butterflies together here. This isn’t the only hint of Mary’s past we get in the wedding; there is, after all, the telegram from CAM.
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Mary’s scarf is colorful, and it appears by the time Sherlock’s subconscious suspects Mary. Mary’s black butterfly dress - an ominous dress, I’d say - is the one she wears during the labour scene in the car. The third photo is a behind the scenes photo uploaded by Amanda Abbington, although I’m unsure whether this necklace is AA’s or Mary’s (but I couldn’t pass on including this).
Interestingly, the butterflies do not appear in Rosie’s context - either because it’s a telling sign that Mary won’t be with us much longer, or because Rosie is spared being considered a part of the ‘burning Sherlock’s heart’ plan. Sherlock, on the surface, seems to love Rosie and accepts her.
Also, another BTS photograph I came across during my research which I’ve never seen before and ties nicely to the vanity topic is this one (found here):
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The Death's-head hawkmoth and ‘Death with Interruptions’
You’ll recall that I referenced The Collector and Silence of the Lambs, both featuring butterflies on their cover art. 
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The Silence of the Lambs cover features Acherontia atropos, otherwise known as the death's-head hawkmoth. It gets its name from the sinister-looking skull shape on its back. In many cultures it is thought to be an omen of death. In a bit of another coincidental but stunning piece of symbolism, all three species of the Death's-head hawkmoth are commonly observed raiding beehives of different species of honey bee; A. atropos only invades colonies of the well-known western honey bee, Apis mellifera, and feeds on both nectar and honey. They can move about in hives without being disturbed because they mimic the scent of the bees and are not recognised as intruders.
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Anyway, the use of Acherontia atropos reminded me of the book ‘Death with Interruptions’ by Jose Saramago. Interestingly, this is another book about a deathly collector with a butterfly on the cover:
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In Death with Interruptions death is a woman, and she falls in love with one of her future victims. She decides to spare his life: Every time death sends him his letter [notifying him of his imminent death], it gets returned. death discovers that, without reason, this man has mistakenly not been killed. Although originally intending merely to analyse this man and discover why he is unique, death eventually becomes infatuated with him, so much so that she takes on human form to meet him. Upon visiting the cellist, she plans to personally give him the letter; instead, she falls in love with him, and, by doing so, she becomes even more human-like.
It’s pretty common to read theories about Mary who maybe was one of the assassins due to kill John both at the pool and in front of Barts. So we have a death harbinger trying to kill someone twice and failing. She then falls in love with him.
But how does the butterfly fit in?
Well, at some point in the story, death (that’s her name, sans a capital d), contemplates that using the death head butterfly, instead of a violet piece of paper, would have sent a much stronger message to those whose death is coming for.
And here’s another last bit of coincidental reference to Sherlock: I’d argue shades of purple, among them shades of violet, are associated with Mary and her secrets. There’s the purple dress she wears in TEH, her bridesmaids’ dresses include various shades of purple (including what I would argue was a violet sash) and let’s not forget:
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Oh and, by the way, remember the song Donde Estas, Yolanda from TEH, about a woman called Yolanda? Always thought it was a bit of an odd choice for a song?
Yolanda is a female given name, of Greek origin, meaning Violet.
:)
Thoughts?
Credits: thank you @lukessense​ for directing me to @tendergingergirl​ meta about butterflies. Episode screenshots are from kissthemgoodbye.net.
@sarahthecoat​  @tjlcisthenewsexy​ @devoursjohnlock​ @inevitably-johnlocked​ @shylockgnomes​ @possiblyimbiassed​ @raggedyblue​ @ebaeschnbliah​ @gosherlocked​ @waitedforgarridebs​ @helloliriels​ 
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shortpplfedup · 3 years
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Rounding out the ITSAY rewatch with my thoughts on episode 5. I find episode 5 to be the most resistant to textual analysis, and the more I think about that the more it makes sense. It's a break in the story, not an ending, and that's exactly how it feels.
Episode 5, on the impossible task of rebuilding fallen walls
Big thing:
What happens when a boy who knows himself all too well and a boy who doesn't know himself at all fall in love? ‘Shang xin’: two people using force against each other’s hearts. Both boys let their walls down for each other and got their hearts broken in return. Teh and Oh Aew are wrung out and exhausted, and retreat to their corners. After all that, what is left to say? Only the lie ‘I don’t need you’. The last day of the Chinese class, the whole blessing scene is shang xin in action. Two boys who are most assuredly not fine, lashing out at each other, and simultaneously trying to convince each other and everybody else that they are just fine. But the walls around their hearts have already fallen, and they can’t put them back up, no matter how they try. Oh Aew goes to his safe space: Bas, but it doesn’t work. Teh deletes their chat history, he tries to pretend none of it ever happened, but he can’t. They’re not talking to each other, but they can’t stop thinking about each other.
In the end, the two can only come back together by finally letting go of the dynamic of hurt and guilt and just letting themselves BE. As they quite literally run through their story (the streets of the Old Town, the temple, the Chinese class, the beach, Promthep Cape), you see them shedding layers and letting go. When they see the sunset, their tears are of relief. They are together, and that’s what matters. Oh Aew makes it clear. I don’t care what we are to each other anymore, just don’t leave me again. And for the first time in the story, Teh takes the lead in the relationship. Then can I be your boyfriend? I won’t leave you ever again.
Oh god, IPYTM is going to break my heart isn't it...
Little things:
The scene at the exam centre is a blurry facsimile of the scene at the beach, back in episode 1. Oh Aew is hurt and Teh is guilty, and neither of them trusts the other. Just like in that scene, Teh’s face cracks; he wants to be close, but all he feels he can be is civil. But this time, Oh Aew’s face also cracks looking at Teh. The walls are down and he can't quite bring them back up.
Teh trying to apologise to Tarn is interesting. He knows he has treated her badly and owes her an apology, but he still can’t see, or maybe can’t admit that he did use her. Because his original feelings for her were genuine, he feels absolved in a way. I’m not sure I can agree, but I don’t mind this being messy. These things aren’t ever cut and dried.
I think Hoon’s response to Teh coming out was so honest and refreshing. This isn’t sunshine and roses. Their mom probably WON’T understand. But Hoon understands, and that can be enough for now.
Teh blowing on Oh at the temple and then giving him that cheeky eyebrow raise was the absolute cutest thing.
PP's showier acting doesn't always capture me (the breakup scene excepted), but when he gets to do the subtle stuff that he does so well, his microexpressions and how he uses his eyes, I'm completely drawn in.
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liyazaki · 3 years
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First of all, sorry if my English is bad, it is not my main language. I love reading your opinions and analysis of the show, which leads me to wonder ... I really am one of the people who suffered a lot with what happened, and personally I don't know if I could forgive Teh and continue the relationship. But seen from the outside everything is always more bearable, and after time it is real that Teh was able to reconsider and sincerely regret after losing Oh-aew and being apart for so long. What do you think of it? I feel a bit unfair to judge Teh on that action for the rest of his life. He will grow, he will mature, he will learn. So I don't think he should forever judge himself from it. 😪
But sometimes I feel bad for even thinking that, as I feel like it devalued Oh's suffering. 😔
Please never apologize for that! Learning another language is incredibly difficult and speaking/writing in it is a hard, brave, commendable thing. I have nothing but respect for you, and your English is great. 💖
We all bring our own experiences to everything we do, watch, read- it's hard to separate ourselves from that and be 'objective', and I don't think we always should. Cheating is an understandable trigger issue for a lot of people and for many, unforgivable once it happens.
I 100% agree with you that almost anything can become more bearable with enough time and distance. I'm sure we'll see on Thursday the extent of the hard lessons Teh has had to learn and hopefully, the emotional intelligence and self awareness he's gained. The question of whether or not his growth will be enough for Oh to move forward from the wrongs of the past remains to be seen.
IMO, hardly anyone is irredeemable- especially when we're talking about mistakes made from youthful inexperience and not from a malicious place. Oh was also grievously wronged, and deserves to build the kind of life he wants surrounded by people who value him.
Both of these things can be true, and I don't think we/you should feel guilty at all for thinking it. Life is mostly made up of gray area, not black and white- something ITSAY/IPYTM have been excellent at illustrating.
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alistairlowes · 3 years
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and i’m so disappointed because i felt like i understood teh as well and that his character meant a lot to me, but just like that i feel like he’s basically dead to me lol so now i think i’m just going to pretend ipytm never happened and doesnt exist
no but the thing is i've seen so many people say this. and it's soo sad because itsay is such a lovely show and probably one of best young adult lgbt shows and they ruined it all in one episode.
we really had to go with "teh apologism" after all he did but most of his actions were really understandable and that's what made him so real and made all of us relate to him so much. it's just like they decided to ruin his character fully now? like how will you make one person fuck up so much for the sake of drama?? as if you couldn't have a decent plot for this season without all that?? and now we all feel like we have to throw away first season too even though it was objectively great... dissapointing as hell...
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shinwoonoh · 3 years
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itsay ep4 spoilers and thoughts!!!!!!!!!!!!!
i just need to talk about teh ok? and my own experiences about being queer and being asian.
first of all, if you’re reading this and have watched ep 4, are you okay? please go drink some water because i know you cried.
anyway, now that we’re hydrated rofl i just want to talk about teh and how much he means to me and how much of his story hits so close to home. i also want to disclaimer that my thoughts in this post are very much coming from my individual experience growing up in canada, being asian (not thai) and being queer. so if you disagree, that’s okay.
teh’s struggle with coming to terms with his sexuality is more than what i’m actually going to talk about. there’s so much but i’m just going to focus specifically on family, coming out, and the unique cultural differences within that. 
we know teh’s mother loves him. one might even think, yeah, she absolutely would still love him if he told her he was in love with a boy. but teh’s mother is this very familiar, very specific character i see in my own life: the proud asian mother with not one, but two sons!
i also see those little jabs made at teh by his mother: when teh comes back from his audition and the celebration isn’t actually for him, but for hoon. teh telling oh-aew that everything hoon did was always just better in his mother’s eyes until she saw yongjian and thought he could be an actor. hoon bringing home nozomi. and then, the kicker, when teh’s mother, whilst crying and angry, asks why teh can’t be like his brother?
there is absolutely a responsibility that teh knows he has to his mother. to be a good son. and it’s not like his mother doesn’t love him. it’s just that he can’t do that if he doesn’t get into uni or if he’s gay.
so it hurt me so much when tarn said, “you don’t have to apologize to me. you have to apologize to your mae.” and when teh realized what he had done was so so so stupid when his mother had said, “but what if you don’t get in? what then?”
because he fucking tried. in a twisted, convoluted way, he tried to satisfy everything he thought he had to satisfy. he was confident enough that he’d get in through admissions and in turn, would still be his mother’s son who got into uni. so he gave up his spot for oh-aew because he wanted to help oh-aew, loves oh-aew. and maybe, maybe, that way, he could be with him.
so i guess what i’m trying to say is that it’s important to understand that the story itsay is conveying intersects with the cultural experience of being asian and also the expectations one might have in a family such as teh’s. there’s shame in doing things for yourself. it’s an idea that is common within certain asian cultures. it’s why sometimes, when i do things, i know my actions don’t only speak for myself, but also for my family.
i’ve heard my parents say this before: “the way you toh sang think is more individualistic” (translated poorly, toh sang in cantonese means born here. particularly, here as in north america.). and i’ve always never been completely comfortable with the whole sentiment of “be yourself! be who you are! don’t let anyone tell you otherwise!” because how? i just can’t see myself doing that because who i want to be is this mesh of what i’ve been taught to be growing up, what i want to be for my family and who i happen to be. they’re not the same but the same, all at the same time. they exist simultaneously even though, in all practicality, should not exist together. 
in simpler terms: i’m queer but i also know i can’t be if i want to be who i want to be for my family.
this is what i see when i watch teh. a boy who thinks/knows he has a very specific place in this world, who knows he has a family that loves and cherishes him (hoon, the silent understanding brother saving up money for teh’s tuition, his mom fussing over teh, bragging about him to her friends, her gift hung on the wall), and who he doesn’t want to let down. and it’s not as simple as, “if you told them, they’ll still love you.” that’s not enough to convince me to tell them and come out. it’s more than not having their love afterwards. it’s also, how can i be who i am and still claim to love my family? for teh, he’s probably thinking, is he deserving of their love after what he’s done? if they knew who he was? they’ve done so much for him already. who he is will just hurt them.
i think that’s one of the reasons why we see grown ass adult asians, hiring spouses for a day or a trip to see their family. it’s why we don’t marry and it’s why we move away. i want to be who i am, but i don’t want to hurt/disappoint/betray/dishonour my family. 
it’s a sad reality. but it’s one that exists and goes against the western belief that you have the right and the freedom to be who you are. i know i do. i know i have the choice. and it’s great and it’s amazing to see queer characters standing up for who they are, even if it means losing your family or friends who don’t agree and ultimately, “choosing love”. it’s commendable and it’s admirable. it’s what we all wish we could do.
but the sad reality is that, it’s not always the case. is choosing my family not choosing love too? why does it have to be either/or? i don’t have an answer or a good explanation for that. it’s just a thing that i think some of us experience but for which i am eternally grateful to see materialized on screen in itsay. 
anyway, i just want to say thank you to billkin for absolutely killing me in the last act of the episode. the way he cried... it hurt. 
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misterbitches · 3 years
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was v miserable so i rewatched blih
the consensus is that his ex bf is an abuser right even tho the little prince goes a bit diff and i don't love the interpretation (as of rn) as they see fit.
who is the prince or fox? the rose is the narcissistic one who preys off the prince—in the end the prince apologizes just like st exupery to his real wife essentially saying "i just have realized the pain you caused me was part of your way of loving. i should have spent more time appreciating it" idr if i read if st. exupery got back together w/ his wife who was apparently emotionally terrible but he loved her fiercely. for the prince he was willing to go back to justify the "different" love
which is why "the fox and the rose just showed love differently" i really like st. exupery's thoughts and style of writing in french and english and he had a really tranquil mind (and anti-nazism!!! shocking bc france esp at that time) i feel and while TLP is a critique of like growing up too fast, stifling the minds of kids, love, life, mortality. like a kid who goes to make the same mistakes. even if b612 fails to exist he had to go back and find the rose even though that could have made him well...die
we'll see how it goes but i think it would be sad to see his actions justified in any way which i dnt think they will. it's weird, the idea of the rose fills me with a lot more dread as i grow up knowing the relationship with my parents was that codependency and entrapment, that i didnt understand their love, and emotionally immature, non empathetic, toxic people will drain that out of you even with the nicest of intent.
it makes me sad that they (prince, exupery) viewed it that way although the narrator—perhaps the author in a literal sense—seems to know that he's heading first into danger. he's in awe but confused why someone would sacrifice like that esp when they know it will fail
the really beautiful ending about mortality or w/e doesnt have anything to do with this but mostly like a child, like me, you keep going back trying to win their love. it doesnt feel good, something is off, and you know it's wrong and maybe you're going to tell them. they can't leave you they'll love you. you need them.
ANYWAYS it's a v specific parallel but i dont think the prince, exupery, and certainly not jin yu zhen think staying/leaving discredits the love they had but you realize that something isn't right
also i have 1 complaint abt the show well 2 but these are nitpicks but f-r-ankly i think the alienation from the nickel allergy is a bit....i kinda wish they researchedit more../bc i did...and it doesnt work that way thru food lmao like ur body has a systemic reaction via the food which encourages a literal reaction or buildup over time...but....not immediately... 2nd complaint: THE FUCKING SOUND AND EDITING OF THE SOUND. AND EDITING SOMETIMSE TOO. CLEAN UP THE FUCKING SOUND, FADE THAT SHIT, AND MAKE YOUR EDIT TIGHTER SO WE DONT' HAVE TO SEE SOMEONE DOING THE SAME THING TWICE BC OF ANOTHER TAKE FOR THE LOVE OF GOD
this has been bugging the fuck out of me there arent many glaring mistakes and i'm fine with certain things i wish had more weight to them IE insecurity via allergy instead of something a bit more substantial or indicative of someone shaming him and making other ppl make fun of bc ya know...abuse but anyways look.
it's clear their editors are fine. but i cannot believe you would allow yourself to not pay attention enough that EYE CAN HEAR THE AUDIO CUTS WITHOUT MY EARPHONES ON. how do you not put a fade in between that? even if it doesn't work you cannot do that it takes you out of the fucking scene
and i'm sorry the action doesnt work if your'e repeatedly not cutting at the right point. these consistent issues show me there's a rush job and people are not fully checking these cuts or are like "LOL NO TIME" for the most part everything else is fine other than some unmotivated techniques but i love it tbh (like a zoom out is a fav even tho they didnt need to do that in the show where yu zhen and shi lei meet up in teh street and t zooms out why did they do that? who knows but i liked it. didnt fit tho)
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emisfritish · 3 years
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So as someone who claims to be one of @yihwa closest friends and is all buddy-buddy with her, are you going to address the bulluying she's been doing to other blogs or are you going to stay silent and keep reblogging posts about shows no one cares about but you ? You usually love mansplaining and patronizing others in your posts, why silent now ?
Oh anon, anon, my dear anon. 
I was trying SO BAD to keep my 2021 resolution of focusing on positivity and only interacting with people I genuinely like and respect on this website, why must you bring me back kicking and screaming with the most random ask I’ve received in a while ? Why would you do something so brave (as brave as sending an anon can be anyway), yet so stupid ? You realize I’m a pretty small blog right ? So what do you hope to accomplish by this, exactly ? 
But you know... Fine, I guess. I’ll answer. 
First off let’s get this out of the way, because it’s going to bother me the entire response if I don’t. Mansplaining ?
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Like a+ for efforts on shading me, but please look up the meaning of the word.
Realistically, I probably do many things that are too much and/or annoy people (I speak way too much for one, I’ll admit that). But mansplaining isn’t one of them since, you know I... lack key equipment to even be able to mansplain, what with me not being a man and all... 
But anyway, I think I got what you meant, so let’s move on from this. 
I’ll admit I’m mega confused as to why I’m receiving such an ask seeing as :
I have purposefully stayed away from this whole thing even when it was actually hurting a person I adore, specefically because I didn’t want the feeling of ‘being ganged up on’ to grow even deeper for some people involved. 
Axelle and I aren’t close by any means, but as two of the french people in this fandom, we have spoken on occasion and I would hope that if she had some issue with me or wanted to talk about all of this, she would have come directly to me. I know I certainly would have with her, in any case. 
You are right about one thing though, anon. @yihwas and I are very close friends (and please if you people are going to keep dragging her name, can you at least spell it right ? Between you not spelling her url correctly and the people calling her Sophie, I’m losing it here). Sophia’s a queen, I love her and we talk every day. 
Me staying out of this until now in spite of everything that was being said about her and how protective I can be of my friends was entirely out of me trying to be considerate for other people’s feelings (especially when said feelings appear to be so hurt already that the person is fully delving into conspiracy theories and imagining evil plots against her), and because I didn’t believe that constructive conversation could go on under such circumstances. I was genuinely trying to be kind and as non-judgemental as possible. 
With you dragging me into this in the most random way though, I’ll bite. 
I’ve stayed silent up until now, but I do actually agree with most of the criticism that’s been made. I wasn’t about to pile on to what was already going on and worsen the situation and hurt feelings, but I do. Had I believed that talking about those issues in this moment could have led to self-reflection and an open conversation, I would have definitely done so long ago by talking directly to the person involved, because I do believe that some of the things mentioned in all the posts that have gone around can genuinely be seen as problematic. 
More importantly though ? It doesn’t really matter what I personally believe. 
@teh-ohaew said it way better than I could, so please feel free to go and read this post. To sum it up though ? It doesn’t really matter what was intended or not in those posts/tags, it doesn’t matter if you’re the best ally there is : If several people in a community (no matter which one) are telling you that some things you said/did could be seen as offensive, then the only decent thing to really do in this situation is to listen, think it over, and try to reflect before apologizing if necessary.
It’s important, we’ve all had to do it at some point in our lives with the different people we interact with, and it’s how we evolve and grow as people. 
This leads to something else, which is something that deeply bothered me by reading some of the posts going around : there seems to be a misconception that what is being perceived as offensive/problematic is an opinion only shared by Sophia, Shannon and Morgan, and that they’re somewhat leading or pushing other people into sending messages (either on anon or not). Do you guys realize how patronizing and offensive this sounds ?
People are not sheep ready to be led by whoever screams the loudest, has the most followers, or whatever other reason you may have come up with. People can think for themselves and decide of their actions by themselves. God knows I hate how mob-mentality works on tumblr sometimes, but that is not what’s at play here. What’s at play is several different people who may have never interacted before thinking the same thing, and deciding to address the issue.
Sophia and I are indeed great friends, but one of the things I love the most about our friendship is that we can disagree on things (and have in the past), discuss them like the adults we are and move on from there, with both of us coming out of the discussion with a maybe different perspective than the one we had before talking to each other about the issue. In fact when all of this started, Sophia and I did talk about one of the posts in particular and I didn’t necessarily see everything the same way she did, and guess what ? She still loves me ;) 
If that’s the case for me, why wouldn’t it be the case for Shannon and Morgan ? @yihwas  @1akorn and  @minghao-ah are all different people, with different experiences and different thoughts, as are all the people that have spoken out about this issue. Can we stop pretending like they share one brain and aren’t capable of critical thinking by themselves ? Can we stop pretending that sophia is the big bad wolf sending people over to terrorize others, like it was implied in some posts ?
So to answer your question anon, and before anyone goes on thinking that I’ve been brainwashed or am putting this out there only to defend my friend or whatever other theory you may come up with : No, I wasn’t going to say anything about the situation. Not only because there is no bulluying going around, but also because Sophia is Sophia and I am me. I’ve never needed anyone to think for me and neither has Sophia, and we can each behave how we please on our own blogs. 
As you were trying to point out with your frankly hilarious misuse of the word mansplaining, I have no issues expressing my thoughts through posts and neither does Sophia. Both of us (and every one now involved in this) are individuals fully capable of thinking for ourselves, and pretending that three people are causing many others to speak out (and therefore ignoring the initial message being spoken out) is doing a disservice to everyone involved in this issue. 
I’ll finish with one last point, because it’s almost 2:30 AM, I have to work tomorrow and I am tired and frustrated at having been dragged into this when I was trying to be considerate by not saying anything : can we please stop using the words bullying and harrassment out of context and throwing them out there whenever we feel like it ? That’s incredibly harmful to the people actually suffering from those issues, and it’s behaviour like this one which allows those words to lose their meaning and become normalized. 
There isn’t an evil plot at play to try to drive people off of tumblr or whatever else some of you may be thinking, so please let’s come back down to earth and try to talk about all of this like adults.
Now if you don’t mind anon, it’s getting pretty late and I’m pretty tired after writing this novel. So I’ll just go back to trying to keep my blog a positive place like I’ve been doing for the past couple of months, and reblogging posts about shows no one cares about but me, as you’ve perfectly said :) 
I hope you have a good day/night, a good week to come, and a good life. Please let’s never interact again !
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Text
Nehetari stood opposite this... ..."wolfish" human, regarding him and his extended hand. Then she grasped it firmly. In an old life, the grip in that hand could have crushed her arm like the thresher beetles used to crush the reeds along the Great Oasis. But so could Perturabo's, so she did not feel uneasy. If she even WOULD have felt uneasy.
But when she looked up to meet his gaze, his expression could not have been more different from the Iron titan that she had grown so close to. This "Leman Russ's" face was alight with the fire of excitement. Excitement, and they joy of one who feels they have found a true kindred spirit in the most unlikely of places.
"My history has earned respect from you." Nehetari stated. An observation, quivering on the edge of a question.
"'Tis only a REAL king who will down a keg and throw hands with their people, then be willin teh lead 'em inta battle from the front next day."
"One would think that a necessity for leading any group of individuals effectively."
"Ye'd be surprised. It's not a real common thing in the galaxy nowadays," the wolf-human mused. Then his expression turned serious, and the Mehlrose felt the twinge of psychic scrutiny brush along her psyche. Light as a feather, or more like the long hairs on the hide of some animal.
"If yer willin teh dance on a table drunk with every man, woman, and child, whether it be in a banquet or a roadside tavern, walk through teh maw of Morkai himself, an ice storm or one of yer rough lookin' deserts, to save an old, hobbled raisin of yer people, just because he's yer people... ...If these tales be true, if yer people's planet was as ye say, if ye have truly suffered as much as ye say, yet yeh can still feel such joy; such FIRE as I see in your eyes... ...well, I must admit, I respect teh cut of yer claws, xenos."
The cut of her... ...Nehetari removed her hand from the clasped-arm-goodwill-gesture and examined her claws carefully for a moment; an action that caused the large, furry beast of a human to let out a deep belly laugh, and turned Perturabo's obviously jealous glare into a eye-roll so intense it looked as if his eyes might abandon his skull entirely.
An outpouring of noise drew all eyes back to the black crystal's display. Two Necrontyr now stood atop the sandstone-like platform; their identical forms and features making it seem as if one was dancing with a full-body mirror. They swirled and stamped and belted out songs in Necrontyr, punctuated every once in a while by a swig from one of the great brown gourd-like containers at their sides. Rhythmic cheers enhanced their steps and arm movements, and Nehetari herself could be seen, looking about the same in the vid as she looked now, clapping in rhythm. She daintily kept time with her hands and was SMILING. Laughing even, when one of the two twin warriors accidentally planted his foot into her plate of food and slipped, narrowly missing landing on her as he tumbled. There was a DEAFENING silence, before the thin bell of her laughter caused a ripple of mirth to hesitantly start, then sweep the hall like a gale. The dancing continued, and more feet began to strike the ground as the drink took hold, and others joined in.
However, before too long, a series of other sounds could be heard; rhythmic metal taps exactly in time to the music, but they did not seem to be coming from the display. They turned to see two of her guard doing the same dance. Metal though they were, corrupted by the flayer virus though they were, their build and features were unmistakable. They were a perfect copy of eachother, and both Leman and Perturabo knew at once that, at one time, these were the same two displayed from the crystal.
"So then those are Kefi and Sefi?" Perturabo said, gesturing to the two fools in the vid, apologizing profusely and near falling over, so hard were trying to get some sort of mashed root vegetable off the one's bare feet. "THAT'S what they used to look like?"
"Kefi and Sefi, is it?" Leman moved from Nehetari's right flank to approach the still-dancing necrons. They detected his advent and stopped, giving a hiss of alarm and diving, but too late as the massive human swept them up into a headlock, laughing. "Aw, C'MON ye boney lot! I like yer style! I'd almost say I'd like to share a drink with ye, if yeh could still drink. It's good to see at least some xenos know how teh have some REAL fun!"
Perturabo was too beside himself to feel irritated at his brother's antics, or relieved that he was no longer holding onto Nehetari's shoulder. Leman. His brother LEMAN, was playing around with two NECRONS. FLAYED ONES no less. Was he that lonely without his sons? Desperate enough to pal around with xenos, just because they reminded him of his space wolves? With some amusement he watched as the two necrons squealed and scrabbled to get away, then seemingly became bemused and looked to Nehetari for approval; like baby animals to their mother.
Nehetari's face was neutral, but her eyes sparkled. She inclined her head in a silent, "Well go on then."
Two metallic heads turned to look at their assailant. And as one, they both spoke. It was in the most GRAVELLY of Necrontyr and thick with the flayer curse, but their translator scarabs intoned:
"Do you enjoy pharos scorpion honey mead?"
The Wolf King laughed so loud it rattled their carapaces.
"Well I don't know what 'pharos scorpion honey,' is, but I know mead and I LOVE IT!" He boomed, and just like that the tension was broken. They began to jabber at eachother about various drinks, about festivals and adventures of grandeur, and foods of exotic and mouth-watering nature.
Nehetari took the opportunity to slink over to where Perturabo stood. She did not speak; she knew he was upset with her, so she stood close and waited for him to give her a piece of his mind.
She did not wait long.
"I thought I told you to stay away from Russ.," he snarled.
Nehetari did not miss a beat. "You did. And I ignored you."
Perturabo whirled on her. "WHY!?"
"Because I must make my own conclusions."
"Tch! Of course, that's right. What I think be damned, you just can't stop yourself from making friends with everyone you can, can't you? Even when they've tormented me for most of my life."
"What better way to stop them tormenting you than to earn their respect, then use that respect to stop their abuse?"
Perturabo snorted. "Oh, is that your plan is it? What, do you think you're going to suddenly solve all my family issues by making friends with everyone?"
For a moment Perturabo thought he'd said the wrong thing, as Nehetari's neutral expression crumpled and she wrinkled her nose in disgust.
"No, your family is irreparable," she stated bluntly. "Also, your father disgusts me, your brother Mortarion disgusts me, your brother Alpharius confuses me, and your brother Rogal Dorn is boring. I have no desire to 'make friends' with them."
The Lord of Iron's next counter-argument died on his lips, and he couldn't help barking out a laugh.
"Fair enough I suppose. Wait, when did you meet Alpharius?"
"In the hallway. He bowed, said 'I am Alpharius,' shushed me, then vanished behind a painting."
"That's... ...concerning..." Perturabo muttered. "In any case, I don't want you getting chummy with my other brother's either. Nothing good can come of it."
Jealousy was all but dripping off that statement, but Nehetari did not comment on it. "Do not worry," she rubbed her head affectionately against his shoulder in a very cat-like manner, "I will not trade you for any of them."
"Quit it," The primarch growled, covering his face, but he did not move away. "...even Sanguinius?"
"Of course not. He smells like wet poultry. Also, despite what my father says, I'm certain he fancies him. He's certainly his 'type,' at least when it comes to-"
Perturabo's eyes flashed wide and he clapped a hand over her mouth.
"Do you want to fucking die!? You don't just say shit about Sanguinius!" But he couldn't help the faintest smile. At least he didn't have to feel jealous about ONE of his brothers.
...but still, the mental image of the Lanky Llama and Leman clasping arms made his gorge rise.
"Come, we are going back to the promethium forge," he growled with a finality that left no room for argument.
Nehetari nodded once. "As you wish." Then she followed him out of the hall.
The crystal, having been left behind in the rush, clattered to the floor, just before it was picked up by the Lord of Wolves.
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zuffer-weird-girl · 4 years
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Hi, can I ask for a short scenario? What about Rappa accidentaly hitting angel (probably while he is in converstaion with someone and he just swing his hand back, not seing that angel is walking past him), making her fall on her butt but not really harming her, maybe a little bruise later. I'm playing one's justice 2 rn and I just finished battling with Rappa so I got this idea 😂 have s nice day love😁❤
Oh boy here it goes Rappa dying again
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"So then you just thought it was a great idea on interrupting one of Overhaul's meeting with the other gang demanding for a match?" Nemoto asked in sarcasm, but still disbelief and disappointment towards the muscular man as Tengai sighed and took a sip from his tea to calm himself down.
"The more fast the better that son of bitch goes on a match with me!" Kendo punched his fist on his open palm while glaring at it like it was his own opponent.
"And then let me guess." Tengai opened one eye to glare at his commurate as one of his eyebrows arched up "Master killed you again?"
"No, the bastard told me to piss off!" He shouted in anger as both man in front of him got their eyes wide open in shock "... Not on those words but you two fuckers understood."
"I am actually more surprised at the fact that young master DIDN'T killed you more than a simple swearing, as much as this isn't from his nature either." Nemoto spoke after returning to his usual composture as Tengai nodded in agreement
"Probably had better things to get done other than hearing Rappa's whinning." The said man muttered as Rappa vision got red for a moment in anger.
"WANNA SAY THAT AGAIN LOUDER AND ON MY FACE SHRIMP?!" He lifted his fist up but then he noticed he had hitted his elbow on something soft behind him, a woman's yelp was heard shortly after.
... there was only one woman on that fucking intere house and base.
"Miss (Y/n)!" Nemoto almost shouted as Tengai abandoned his tea to help you up. Rappa's hit, even if it was on accident, was zo strong that you even had fell on your butt on the ground.
"Oh fuck. (Y/n) you're okay?" Rappa said on a apology tone of voice as you rubbed the sore spot he had hitted you.
The three man helped you up, it didn't have to be the three but they insisted, as you smiled reassuringly at Rappa waving one hand as the other still was on the sore spot.
"Is alright! I know it wasn't on purpose is okay!"
"I vote for a punishment. He deserves it." Tengai mumbled as Rappa told him to fuck off.
"Come miss (Y/n)." Nemoto shook his head at the two before showing his palm for you to left along with him "I will treat your wound."
"Nemoto.." you sighed but still followed him "First, I told you to cut your formalities. Two, is not a wound, is okay-"
"If young master catch you like this you know what will be his reaction."
The sounds got muffled as Kendo and Tengai were left alone. Both almost starting to argue before they heard calm and nonchalantly footsteps coming closer to them.
"Master Overhaul." Tengai bowed as Rappa followed his eyes at the action.
But even before the two could blink, Chisaki just had lenses a heavy and strong punch right on Rappa's jaw, making the man gasp in shock.
Even without a reaction Chisaki grabbed Kendo's head by the hair and hitted with all of his force his face on the wall, Rappa's nose started to bleed after he cursed out loud.
"WHAT THE FUCK-?!"
"I saw what you did just now scum." Chisaki growled darkly as he rook of his right glove in one quick motion.
Rappa's face fell as he mumbled a 'shit' and started to run out of the house before Chisaki slammed his hand on the wall to create a barrier to prevent Rappa to even left the room.
"Seems like I was right on the punishment part at least." Tengai mumbled nonchantly.
"OH FUCK YOU SON OF-" he felt on Chisaki's whole hand on his throat before the worst happened.
"Ugh. I'm filthy now." Teh dark brow haired man cursed before bringing Rappa back. The said man with wide eyes in terror as Chisaki kicked just on the pit of hsi stomach to make him fall on his knee just to lay another lunch on the side of his face.
He harshly grabbed Rappa's hair to tilt his body face to look at those stoic yet murderous eyes.
"Next time you lay even a single finger by accident on my angel, and I swear not even the devil himself could apply a sentence worst than I will do with you, sick bastard." He growled the last words before he let go of him with a scoff.
He grabbed his glove back, calling out your name as he made his way on the door way while wipping his bare hand on his gray handkerchief that he always carried.
"... now I had a bit of pity."
"Fuck... you ... Tengai." And with that words the man just was knocked out and fell face planted on the floor.
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So, a question about Mary inspired by your recent post. I know you hate her (I think she is horrible too), but is she a character that you love to hate? Do you think she is an interesting character? Does she fit a role she is written to play? There are many characters who are terrible people, but are still great characters in all their hateful glory (I think Moriarty was like that until he got turned into a caricature). Is Mary one of those for you or not?
Interesting question. I would have to say no, though. For me, what makes me appreciate a character in any respect is a combination of things, such as how interesting I find them, whether or not their motivations feel clear and well-founded, consistency, continuity in writing/characterization. Sometimes other factors, like how sympathetic I find them, or how likeable or admirable I find them in spite of agreeing wholeheartedly that the character is a terrible person from every moral standpoint. Some of these things are more subjective than others. From where I’m standing, the BBC version of Mary Morstan is severely lacking in a lot of these areas, but most sorely in having well-founded motivations and consistency/continuity. I don’t find her to be a well-written character, at all. Let me break this down a bit.
1. Do I find the character likeable in spite of moral flaws (and is this important)? No, to both. There are definitely villains that I do find likeable in spite of obvious moral failings. The obvious comparison in the BBC Sherlock world would be Moriarty. He’s obvious a terrible human being - a literal terrorist - but he’s so damned charming about it that you almost can’t help but root for him, in a way. Loki in the MCU universe is rather like that. Other villains, like Benedict’s Khan, are sympathetic not because they’re charming, but they’re intelligent and have genuinely understandable motivations (the safeguarding of his crew, for instance). Does a villain have to be likeable to be a well-written villain? Absolutely not. To use two other examples in the BBC Sherlock universe, I would cite both Magnussen and Culverton Smith. Horrible men. Good consistency of writing. Not charming or sympathetic in any way, but solidly written characters. Do I love them/love to hate them? No. I just dislike them, full stop. 
2. Do I find her motivations well-founded or sympathetic? No, neither. Mary is a character who, canonically (aka this bit is not subjective to my personal opinion): 
lied about her name, background, personal history, all of it, to the man she claims to love, never apologized for it or demonstrated any manner of remorse
is canonically someone who kills people and destabilizes governments (at the very least) for personal gain, never faced any consequences in terms of criminal justice or retribution for these crimes or indicated any manner of remorse for them 
attacked her own maid of honour - a person whom she befriended for the sole reason of gaining access to her boss’s office - and left her bleeding on the floor, never demonstrated any manner of remorse for this, either
her motivations are weirdly unfounded. The best example of this is her choice to shoot Sherlock rather than Magnussen that night. Her initial motivation was to ensure Magnussen’s silence so that John wouldn’t find out who she really was/so that she wouldn’t be forced to face justice for her criminal history. Shooting Sherlock did nothing to ensure Magnussen’s silence. If she intended Sherlock to die, it would have ensured HIS silence, but not Magnussen’s. If she didn’t intend Sherlock to die, then I’m not sure what it accomplished, since the very first thing he did once he was physically able was to tell John - exactly what she didn’t want. And it still did nothing to ensure Magnussen’s silence. She just left that wide open and instead made the extremely overboard choice to shoot the best man at her own wedding (not hugely worse than attacking the maid of honour, but still). She could have tried appealing for his help, using compassion for John as a persuading factor. She could have tried threatening HIM at gunpoint to guarantee his ongoing silence. Instead she went straight for the heart, quite literally. Unfounded and ineffective - a really irritating combination! 
3. Do I find the character consistently written with solid continuity? NO. This is probably my biggest beef with the character. The worst, I find, is being sold a crock of horseshit about Mary having had some sort of redemption “arc”. An arc, by definition, is a shape that has a beginning, a peak, and an end. There was no lead-up to this “peak” moment of Mary suddenly discovering remorse for having shot Sherlock - that, and nothing else. There was nothing in the writing or in her characterization to support such an out-of-left-field move. There was no gradual shift in her motivations, which were consistently to that point nothing more than self-preservation, protecting her own interests: keep John in the dark so that he couldn’t make an informed decision for himself, tell any lie to keep what she wants (John, albeit an ignorant version of him), run away/protect herself. She deserted her AGRA teammates, leaving literally half of them behind to suffer torture and/or death without even confirming that they were beyond rescue, then repeated her pattern, attacking Sherlock (AGAIN) and running off to leave John and her own child behind. Her lack of remorse for any of this was consistent as well - she clearly felt wholly justified in all of these actions, that she had nothing to apologize for. That JOHN was the one in the wrong by not speaking to her for “months of silence” after she shot his best friend in the heart, that she had every right to dictate what John could or could not do, that he had no right to have a say in naming their child, that she somehow “had” to shoot Sherlock, that John and Sherlock were so much less intelligent than she was that she couldn’t have them “hanging off her gun arm” - when in fact, it was John who outsmarted her by planting the tracking device in the USB key that he already knew she would attack Sherlock over and steal. 
4. Do I find the character admirable, if not likeable? No. Mary is a coward, interested in nothing beyond what she wants. She has no noble, greater motivations than personal gain. She doesn’t care about what consequences her actions have, least of all on the man she supposedly “loves”, or on her own infant that she left behind. She commits crimes for money, not out of some need to defend the innocent, patriotic reasons (which I personally don’t subscribe to anyway, but others do), self-defense, even - just money. I find that so completely gross. Money =/= an admirable motivation, especially not when it’s gained through literal murder. I admire honesty, courage, self-sacrifice, real love, which puts the needs and wants and health of the beloved above one’s own. Mary demonstrates absolutely none of these things. She wants for herself and no one else, and I have never once swallowed this notion that she’s somehow smarter than Sherlock, Mycroft, and John combined. Not only did John himself outwit her with ease, but it felt like transparent pandering to Amanda Abbington as recompense for them writing her out of the show. And then they doubled down on it with creating some ghost version of Mary that John needs some SERIOUS therapy to deal with that actually bore no resemblance to Mary as she actually was, then gave her that gross voiceover that reasonlessly granted her credit for having created one of the greatest friendships in English literary history. That, at least, is consistent with the writers having had Mary set herself up as the broker of John and Sherlock’s friendship in TEH, which I also never bought. They didn’t need her help; John just needed time to cool down and come to understand - he couldn’t even last 24 hours without going to find Sherlock of his own accord. They didn’t need her “help” and she certainly didn’t “create” them. 
So yeah, no: I hate the character, hate the inconsistency even more, wish they had followed through with the solid villain arc they actually wrote. I don’t think that Mary is “strong” or “interesting” just because she uses violence for personal gain. I don’t think she’s a good role model or an interesting character - I just see selfishness, greed, and cowardice. 
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tarithenurse · 3 years
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Nightingale - 25
Fandom: Naruto Pairing: Hatake Kakashi &/x Fem!OC Contents: Various tempers but mostly TEH FLUFF!! OMG the fluuuuuff!. A/N: Weekend! Yay! As usual, ASK or REBLOG for tag!
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Ch. 25
It was supposed to be an escort-mission. A simple D-level with no obstacles and plenty of time for training along the way which in turn would be good for the kids. Instead, it had turned into a hassle with several violent confrontations better suited for a team of jōnins.
Zabuza. At least no one has to worry about the Demon from Kirigakure. And to top it off: they boys are still fiercely competitive (well, one of them is), but their communication has visibly improved and they are slowly but surely figuring out ways to support – rather than hinder – each other.
"I expect to see you all fully rested tomorrow morning," the jōnin dismisses them.
"Haï! Ready to kick -"
"Naruto!" Already, Sakura is ready to lecture the straw-haired kid.
Following a different route, the sensei makes sure to report a job well done before ambling past the Academy on his way home.
School's in session, and he can see the students bend over their desks or staring, slightly absentmindedly now and then, ahead of them. There. He spots Iruka through the windows. The teacher is pacing back and forth, sometimes pointing to the white scribbles on the blackboard before adding something as he interacts with the kids.
Unplanned, Kakashi's gaze roves the seats, but the person he's looking for is nowhere to be found. Maybe she's self-studying? It would not be surprising. According to the Iruka, Uguisu is familiar with most of the theory pertaining shinobi skill sets, and so she is often granted time to focus on training or on the common subjects like history or mathematics.
It doesn't sit right with him, admittedly, not to know where Uguisu is even if someone else is bound to be watching her. If Kakashi would be honest with himself, he'd have to admit he prefers the idea of the watcher being none other than him...but he pushes the nagging feeling aside before getting that far.
...
Well past suppertime, the jōnin is running out of things to do to distract the busy mind of his. He is also running out of places where he could "accidentally" bump into a certain blue-haired woman. Leaving the roof of the water tower, he considers the option of summoning Pakkun to help. Maybe that's overkill? It probably is.
So he simply wanders aimlessly, his thoughts lost between the past and the future without paying attention to the shift in the surroundings where the buildings of Konoha retreat in the favour of trees.
The road continues one direction but Kakashi's body guides him down a narrower path that winds between the undergrowth and sometimes fights with gnarly roots until the tall oaks and maples give up, revealing a clearing with soft grass and moss with starry flowers.
And a lone figure.
The last warmth from the sun changes the blue hues and lends a shimmer like that of the distant ocean as Kakashi walks over. Her shoulders tense for a second but she must have come to the conclusion that it's no one dangerous because she stays seated with the chin on the knees.
"Should've guessed you'd come here," the jōnin breaks the silence, memories of stolen midnight rendezvous surfacing.
"Hmm."
Something's wrong. "Came here to be alone?"
"Hrmph!" She doesn't even look up at him.
Although Uguisu has been welcomed to Konoha by the Hokage and is doing her best to become a ninja of The Leaf, most shinobi are still reluctant to accept her. Rather than shun the outsider, they keep an eye on her and whisper about her every move. She's never really alone. Turning to the forest, Kakashi announces for whoever is spying on them that he'll take over. A soft rustling in the leaves is the only answer he gets.
"If you want -" shoving his hands deep into the pockets, Kakashi prepares to get any hopes bashed -"I'll leave you alone...but it's generally better to talk about the problems."
Finally, she looks at him. "You're my problem." The man isn’t sure how to respond but is saved the worry as she continues angrily, “I’m stuck here while you run off on who knows what sort of silly quest. Back in a week? Ha! D-rank my ass! And no one tells me anything! Not that you barely travelled two days before you were attacked! Or that the entire mission involved a gang of criminal and missing-nins! NoooOOo!”
“Wait! If no one told you,” Kakashi interrupts the tirade, “how do you know? Did you break int-”
“Don’t! I’m pissed because...because...what’d I be supposed to do if you got yourself killed? Huh?”
Oh. “You’re worried about me.”
Her gaze is trained on anything else but him as a blush spreads. “Don’t change the s-”
Uguisu doesn’t get any further because the jōnin shuts her up with a kiss. Slow and soft, it sends hearts galloping, and he restraints himself and lets her lead the pace even as the woman’s mouth grows more demanding. Hungry.
They’re both breathing hard when he finally breaks the contact with a few millimetres. “I missed you too.”
“This isn’t gonna make me miss you less,” she whispers back.
He smiles through another (shorter) kiss before admitting that it’s the plan. “But I’ll make sure you’re informed if something really does go wrong, okay? I can even ask Pakkun or one of the others to go to you.”
”Pakkun?”
Perhaps it’s irrational. It is. If the worst should happen, then they’d be too far apart for her to be of any assistance and the Hokage would find out eventually, ensuring the right actions be taken and a handful of people be informed. The old leader would know Uguisu is among them now. But she doesn’t trust that yet and how could she?
That’s why Kakashi spills a bit of his blood to summon the entire pack of ninken.
“Uguisu, meet Pakkun, Buru, Urushi, Shiba, Bisuke, Akino, Ūhei, and Guruko. Pack, meet Uguisu.” Noses wriggle to take in the cottony scent of the woman and a few tails even wag though that might be pure instinct. “If I die, go straight to her.”
“Hi,” she waves while ignoring a muted howl supposed to tease the man but her attention is fixed on Shiba.
Yapping curiously, the hounds get the basic information they want from the humans and accept the request. Thank you, guys. Meant to comfort the woman, Kakashi can’t deny the peace it grants him too to know she won’t be forgotten. Maybe, one day they will allow her to summon them.
“Excuse me,” Uguisu is addressing Shiba, bending down to whisper something into his ear that the jōnin can’t hear over the hounds’ panting and scuffling.
The answer is clear, though. “I’m not some pet.”
“My apologies!”
“But I’ll allow it this once...” the mohawked hound concedes and sits down before the woman.
Attempting to still be respectful, she runs her fingers through the coarse hairs gently at first before really digging in, and soon the creature is barely sitting, his tongue lolling out and the tail wagging happily. He doesn’t even attempt to shut the rest of the pack up as they laugh at him and soon their mocking is replaced with ill-disguised pleas for similar treatments. Uguisu happily obliges.
Hrmph. Oh, Kakashi’s thrilled that they’re all getting along, it’s just...
“Okay okay! That’s enough, you can finish the grooming session some other time!” he grumbles, earning little less than jeering howls of laughter from the hounds who seem to have made up their minds.
Soon, though, it’s just the man and woman left.
“Say, ‘Kashi...” she smiles crookedly, “are you...jealous?”
Yes...I might be. “Don’t be silly. They’re -”
His defence crumbles the moment her fingertips dig into the wiry hair and connect with his scalp. It’s like he’s turned to kin-gyoku! Spinelessly, he’s toppled onto his back, barely even able to show any surprise at his head coming to rest on her belly, because it feels amazing when Uguisu is carting her fingers through the white strands, aimlessly attempting to subdue it into anything but unruly spikes.
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popculturebuffet · 4 years
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Animation Reviews: OK KO: Red Action to the Future
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On to part 3 of Red Action 2 days because my schedule got nuts, and this one.. I was dragging my feet on beause I didn’t remember liking it nearly as much as the rest of the red action trilogy. Now while the same held for “Your Everyone’s Sidekick” I ended up liking that one.. this one... not so much. This one is however earlier in the season than it’s sisters in red action spotlighting: “Back in Red Action” was towards the end of season 1, while “Red Action 3: Grudgement Day” is literally the last episode before the finale arc, something i’d forgotten till today. This one is pretty early into season 2 and the why.. is really easy to figure out. For Season 2 Enid actually got a pretty intensive and long spotlight arc about her time at point prep, with rad and ko only showing up in a portion of it, so late in the season wouldn’t be fair as enid not only had the halloween episode then, but also just had a 7 episode arc basically to herself with Elodie as her co-star and rad and KO out of focus or even absent at times, so they likely did it early to prevent overloading the season with her. Granted they could’ve just had Red show up at school and done one episode there that wasn’t part of it’s overarching story, and still HINTED at the glorb doping arc while she was there, but they may also have not decided which one of the two they wanted Enid to end up with, and thus didn’t want to put her and elodie in the same space. I dunno. We’ll also be covering the POINT arc here eventually, but obviously there’s a lot of episodes to get to first, including the whole gar and carol backstory arc, before we get to that one.  And with that out of the way, let’s take a look at Red Action to the Future, under the cut. 
We open with Red playfully helping KO stock the shelves with new Double Dipped Lazer chips since, as Enid points out, it’s rad’s day off. She can also fire things in her canons , which is neat. It’s also highly noticable that she and KO are now on good terms and the two seem to be friends. Which despite their last interaction really isn’t THAT weird surprisingly: K.O.’s a forgiving kid as long as your not an out and out supervillian, and even earlier this season he was worried about Lord Boxman disappearing despite hating the guy most of the time for good reason. And with her past behind her in the future, Red is likely inclined to be more the fun kind of cool instead of an edgelord asshole, and likely apologized off screen and as we’ll see next time, she genuinely regrets her actions. That being said I do feel we could’ve had an episode with red trying to be better, but I do get the show has a lot of ground to cover, so this was an easier thing to have happen off screen.  Anyways the three are palling around, with red and enid being couply while KO panics when ENid points out his newly beloved double dip lazer chips are probably a limited time thing... ko’s wimpering “no I love them” is so relatable it hurts. But before Red can figure out KO’s snack dillema Yellow Technique yells at red to come home and help, Enid is too worried abotu pressuring her to ask her to stay, and Yellow refuses to let KO and Enid come along for reasons.. and frankly I don’t get that even with possible damage to the timeline. Besides you know, the end of this episode, we also have the fact that you guys HAVE TIME TRAVEL. If they gain a year or two, they’ll still come back and fufill their places in the timeline and you can CONTROL THAT, so if they had to stay longer than a year or needed to be back for something specific, you could bring them back and have two incredibly powerful allies for your war. The x-men have had a good handful of members from the future and look how well that turned out. Some of the time I mean Bishop did turn evil for a while and the younger cable whose around stabbed the older one and rachel went into a coma and then the future but she’s back now.... okay maybe she has a point. 
Anyways Enid regrets her decision, Red comes back for a quick break, with years having now passed, Blue shows up to yell at her to come back which seems.. harsh. Like I know she’s like Killowog, a good person whose probably murder on recurits but seems nice off duty from waht we’ve seen and her happily saying hello to enid, which makes me want an episode where they actuallyv isted the hue troop instead of this SIGH. Anyways, Enid finds a stray time capsule and goes to be honest with red
So now in the post apocalypse, Enid finds Yellow, who got seperated from red as they fight a giant version of the robots they’ve been fighting, with Red showing up just in time. But as with all giant killer robot based future’s they’ve evolved so these things have shields and Enid suggests laaunching her. So red shoots her girlfriend out of her.
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And they win.. but Red refuses to let enid stay and gets huffy with her before Enid can tell her the truth and Enid leaves in a huff. Now this scene.. I really liked, from the action sequences to the fact that we see how their similarities, what attracts them to each other, is also a roadblock to them having a proper relationship. Both are stubborn, put walls up , and are reluctant to be honest with their feelings, we’ve seen that with red in the last episode and Enid in the episodes mentioned last time. They both prefer to run from their feelings and while their both growing, as you’ll see when I cover more tom lucitor stuff, it’s not that easy to just “become” a better person and sometimes old habits flair up. 
Enid regrets how things went, KO regrets not learning about chips, and we get one final red visit.. from a much older Red. i’m Dubbing her Cable!Red because A) her timeline probably still exists, it’s just not the one our red is linked to anymore nor the one the plaza future we see would create. She and enid hug and Red explains that it turns out the robots were weak to organic maatter and given they were only shooting at them, they didn’t realize it and it STILL , as shown by the fact Red is grandma age now, took years to fix and she has things to get back to with space congress, war hero stuff and all that. Also just a small note but something I only noticed this time that the episode DOES deserve credit for in my book is Kali Hawk’s voice acting as Red. Noticably with each time we see her red’s voice gets deeper and by future red she sounds entirely grown up. It’s a subtle change most probably wouldn’t of cared about aside from on old red, but it’s a nice touch that really does help theemotional part of the episode. Enid is finally honest about how she felt, and sad about it but understands.. but is also understandably still broken up when Old Woman Red Action leaves.. only for present-day.. ish time travel tenses are weird to pop up behind them has a hug with enid and flirtly says “I never left. “  Turns out Future Red decided to say Screw Destiny and told her past self to stay, what enid felt likely, or got enid to admit it or whatever, and told her to stay and enjoy her youth. She can go back and be a war hero later if she wants. And my honest guest given the Hue Troop turn up fine later is rather than callously abandon her teammates, Red’s future self simply went there for them and , to prevent a decades long war from ravaging her future, pulled a Cable and told them how to defeat the robots YEARS before they got so powerful it’d take years to beat them, as well as probably having knowledge of where they came from, how to kill them all or make peace with them or whatever, and future weapons to help even things. IT’s not an unfair assumption given that besides missing out on a future with Enid, Future Red would also not want her friends to go through untold decades of pain and death and since she changed the timeline already, there was no sense in not going all in. Also the chip thing is resolved with KO finding out they WILL be discontinued.. but replaced with triple dip instead. KO”s delighted and enid and red happily share a moment, the future is now what htey make of it. THE END.  Final Thoughts: As I made plain i’m not a fan of this one.. but in re-watch I did find things to like about it. The time travel story device was used really well,though I would’ve liked them to have old red say she was going to back instead of me having to infer it and feel, given theyd on’t show up at all next time and only show up for a cameo in the finale that the Hue Troop was vastly underulitized and coudl’ve used their own ep, and for once the cancelation dosen’t excuse this as they had the second half of season 2 to do this AND never dealt with Red, who gave up a future war for her, dealing with enid going way for what’s clearly months and was expected to be years. It’s also not very funny , which is fine if the episodes more dramatic like TKO, but for a standard ep it really didn’t quite work. It was just more dull than it should’ve been: it had an intresting hook: red slowly loosing her youth due to a future war, and Enid loosing her because of it, and Red’s cable self deciding to fix that, but it was instead a standard poor commuincation kills plot but with future robot wars. IT’s the first OK KO episode here i’ve reviewed that’s not good and honestly one of the few they had that genuinely wasn’t, and even then it had some good ideas just a flawed execution. Thankfully next time, there’sd none of that as we instead look at one of teh series very BEST episodes. IT’s grudgment day, and until then later.. today hopefully. If not tommorow. 
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