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#or even draw it if i have time to make it a comic
egophiliac · 1 day
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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
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and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
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and you can also use lines against each other to get different vibes:
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it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
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if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
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I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
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it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
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(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
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(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
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4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
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zexapher · 3 days
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Vacuan Nights, Like Vacuan Days
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They’re just so great together! I’d love for Jaune and Weiss to get a little downtime in Vacuo to live out a moment like this. They really deserve it, and I’d love to see Jaune’s guitar make a reappearance.
The comic here was inspired by u/Silverstar1243’s excellent piece of art, A Serenade Under the Moonlight. Send some love to them on their twitter, commission some art if you’re willing and able, they’ve made some great stuff.
You folks may have noticed I threw in a couple of references for those in the know; the Golden Oreos behind Yang (double stuffed, I might add) for the trio’s ship, Weiss liking it rough for Mallobaude’s great fic, and of course I made a whole theme around the Arabian Nights Disney song. A song, along with its Aladdin compatriots, which I spent the better part of a day finding covers for just to listen to on repeat while I worked.
This one’s now officially my longest comic project, with 14 panels, two over the past record since I added the White Knight kiss at the end. I’m pretty happy with how it turned out. Not sure I’d say it was more difficult than my Vanity of Vanities post, but for this one I actually knew how to use my editing software going into it (at least somewhat).
Put a lot of work into this one, been working on it on and off since February. Took a few breaks for vacation, to make my memorial post for Rooster Teeth, and another five meme edits or so, but I came back around to it. First half was pretty easy, relatively minor edits inserting characters into scenes and so on. The second half with Jaune and Weiss was tougher though, with color correcting, merging poses, redrawing features, drawing Jaune’s entire head to fix some lighting issues, etc. Really like how the edit to make Jaune strum his guitar turned out.
The time it took to make the whole comic got me down a little, until I did a bit of math. Including my side projects since starting this, all the scripting and editing and all, I’ve been pumping out a panel every two days. That seems pretty good to me, that kind of accomplishment makes me a little proud of myself.
Really need to get around to watching the second part of the Justice League Crossover movies. It’s got a few Vacuo scenes that might make things a little more authentic instead of me just using Saphron’s house and pretending it’s a suite in Vacuo. I do love taking yet more character stills from Jaune and friends experiencing deep trauma and turning it into something positive, been making that a bit of a personal habit. And I’ve got to say, the background for Jaune and Weiss’ scene is really beautiful, pulled it from when Sun and Neptune hear Ruby’s message about Salem. That’s just a really good shot all on its own, I even saved a copy for my computer’s wallpaper after editing out the two.
Posting a big RWBY White Knight edit, watching not one but two RWBY Beyond episodes, and all on the trail of the news that RWBY’s found partners that they’re negotiating with and that the creative team is expected to stay on. And I'm sipping bubble tea. Life is good.
Anyway, pardon the long write up. I’m invested in this one, and am quite pleased with how the comic turned out. I hope you all get a kick out of it as well!
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factual-fantasy · 2 days
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I know you probably won't continue this since it's been almost two years but recently I saw your Submas comic again with Emmet somehow ending up in Hisui with the help of Celebi and reuniting with his brother but also getting the consequences of his actions/neglect in taking care of himself (also probably Hisui being harsh to his already weakened state)
I imagined how it could continue (not written down anywhere just living rent free in the brain of yours truly) and I feel like sharing it with you since you inspired me:
We left off as Ingo weeps in front of Emmet sleeping... After he wakes up from his weeping Ingo and Sneasler reluctantly leave as Emmet has no signs of regaining consciousness or improving. Something tells Ingo that what his brother needs might be back in their original time with much better health care.
Similar to him Ingo seeks out Dialga and Palkia begging them to help him save his brother. They have just reunited and he doesn't dare to think what happens if Emmet doesn't get the treatment he needs.
Celebi is also still around and Ingo makes the decision to return to the future to help save Emmet. Sacrificing everything just like he did.
[off screen he makes his good byes get's one of Sneaslers Eggs as a parting gift and they return back to the future]
Next time we cut to the twins it's in the hospital when Emmet regains consciousness. Half awake he is distraught first because being in hospital means it was all a dream and he is all alone again. Waterworks start until he notices a presence by his bedside. Ingo. Totally exhausted and seemingly recently fallen asleep. Waterworks start even harder because Ingo is right there. It was real after all. Ingo awakes and wakes up and they hug and weep.
the end
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I know you're not fond of fanworks of your fanworks so I don't know if you even like this stupid little idea (also if you even remember the fanart and all that from way back when) I don't plan on sharing this anywhere outside to you. Take it if you want or leave and delete it. I just felt like sharing it with you since you inspired me.
I just want to say thank you because even after all this time your few works of art for submas fill me with joy and I smile each time I scroll past them on my dashboard. All your artworks are simply amazing and I know that you definitely make so many people happy with your content. Keep doing what you love because you do awesome! Take care and thank you for reading this far into this long message.
Awwee!! This is so sad yet adorable at the same time!! 😭😭😭 What a sweet way to wrap up Ingo and Emmets journey! :}}
And thank you so much! I'm so glad to hear that you liked my submas stuff and that it's inspired you! Even though I didn't draw much for it.. 😅 Perhaps someday when I'm feeling better I'll get back around to submas again.. 👀👀
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circus-clangen · 3 days
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Hi!! Fellow clan gen comic creator here, i check your blog regularly and you are so fast with updates! And nothing looks rushed or messy (well, messy in a bad way, i know your style is sketchy and sort of glitchy which is why i like it) how do you keep everything so updated all the time?? I struggle makeing one comic in just a week.
ArE yOu A wIzZaRd???
HAHA so FULL disclosure for everyone reading this: My upload schedule is about to change because I'm moving in a week and am going to be searching for a job 😭
BUT to answer your question: I have ALWAYS drawn fast. From when I started art some 8 years ago, I had no trouble whipping out 4-5 drawings every day, sometimes more. DOESN'T MEAN THEY WERE GOOD but I just hit the ground running when it came to art. AND because of that, I've built up more line confidence, and have been able to teach myself to draw cleaner even as I draw faster. In 2021 I even made 1+ finished drawings every single day 😭 (here's that if you wanna see it). Also last February I drew one OC 69 times in like 20 days.... TLDR: I've always been this way, and so I've just kind of adapted to it. PLUS it helps that cats are faster to draw than people (in my mind; people are my primary subject matter) Here are some tips, if you Do wanna draw a little faster: 1. Nail down an art style, in general, and for each individual character. It's WAY easier to draw quickly if you already known how each part of the drawing is going to look (i.e. You draw eyes This way and you draw bangs This way and you shade skin This way and you use These colors)(I personally have one color pallet I use in every drawing)
2. If you can't clearly picture a drawing in your head going into it, let it marinate for a little longer, and come into focus. If you know down to the linework how you want your piece to look, you don't have to hesitate as much going into it.
3. FORGO the sketch, even if its just for practice! Try to draw your character starting with the lineart, thats what I do for my asks especially
4. Take breaks! Don't always force yourself to make art. Some of my best improvement happens after I've quit art cold turkey for weeks or months at a time. You draw faster when you're inspired and have a fresh, clear picture in your head Hope this helps!
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skitskatdacat63 · 3 days
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For @sansebastinae and @boisinnot, my fellow saint seb truthers :)
+ the usual
Yayyyy finished a drawing! Haha only took me...2 weeks. I kept going back and forth on whether I could finish it tonight, and I really wasn't going to. But then I looked at the unfinished version on a different screen and was like oh? Not too bad actually?? So I finished it :) First of all, ofc, here is the process. Kinda weird seeing it for smth like this, it makes me feel like I'm the painter in rennaisance au, not Mark dhjfkf
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Ah I was gonna draw a silly renaissance au comic to accompany this(read: lighten the mood), but it's 5 am and I've still not really drafted it well, so! I'd like to finish it at some point bcs I wanna draw more chibi comics, but when I finish smth, I can't help but immediately want to post it, so part 2 will have to wait. I'll show you the outline though so you can at least imagine 😭
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^ So many renaissance and beyond paintings of Saint Sebastian are always the most horny thing ever. Like pre/early rennaisance, yeah he was naked and all that, but they were pretty chaste, and uhhhhh suffering?? Well the newer paintings are suffering, but in a different way, if you know what I mean.
So I feel like Mark's the type to be overly pedantic about it, and refuses to make borderline porn of a saint, I mean, god forbid, Seb!!! But then he just. Does anyways. Because he can't control his lust for Seb even when drawing him half dead. I just imagine him holding the paintbrush in a death grip like "must not be horny. Must not draw him sexy. Must make him chaste." And then he ends up with the one seen above. Seb is all smug about it. "Wow you'd wanna fuck me even while I'm all bloody and dying? 🥺"
Mark: "oh I'll make you bloody, alright."
But god so funny to imagine Seb doing all these different slutty poses, like arching his back as much as possible, the cloth nearly falling off at all times, etc etc. And Mark finally lands on this pose bcs he hopes the suffering will outweigh the horny. It doesn't. Also Seb is genuinely serious once he actually gets into the pose, focus mode on. And honestly that's even worse for Mark, bcs it's so much more arousing to see Seb in his element, focused. Tbf I think Seb could be drinking water, and Mark would still find some way to sexualize it. Don't look at his sketches!! They're just filled with Seb doing all kinds of random activities.
Also! Here is the painting I referenced this off of, must give credit where credit is due ofc
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The Dying St. Sebastian by François Fabre
Also this isn't really relevant in the context of this drawing specifically. But I looked thru a bunch of Saint Sebastian paintings while trying to find one I could reference, and I came across this middle ages one that actually looks so much like boy king seb 😭 I guess it really is meant to be!
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St Sebastian between St Roch and St Peter by Pietro Perugino
Lmao but do you see the difference between early rennaisance and later work???
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alllgator-blood · 2 days
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Shamura angst kills me. Also, I hope you enjoy your vacation!! If you ever see this ask, here’s a little Heket for you!! :]
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WAAAAAH I WAS PUTTING OFF SCROLLING DOWN MY INBOX, AND I CAN'T BELIEVE I MISSED OUT ON THIS. LOOK AT HER!!!!!! I ACTUALLY ADORE THIS SO MUCH I'M NOT EVEN SURE WHAT TO SAY, I'm just like a massive fan of frogs and my whole room is decorated like a swamp + I have multiple pet frogs so you could say I enjoy amphibians. So seeing one of my favorite bishops AS A REGULAR LITTLE FROG IS. HFDSKJHFJSDKA?? I want to hold her in my hand and feed her waxworms as a treat. I really appreciate you taking the time to draw me a tiny little heket with the best features frogs tend to have (pouty mouth + beady eyes!!!!) and I am so sorry it took me so long to respond to this. I've been having a weird time lately and this made me smile irl so thank you
(Do you mind if I make this a sticker and put it on my printer?? I just got accepted to table at a zine fest in a few months so I'm trying to make my printer all cute to feel more inclined to actually start making comics again. I have a few frogs on there so far but this one is a MUST if you're okay with it)
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malacandrax · 2 days
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hi sry this is a lil long but i just felt like giving my own comments about ur post re: feeling left out/regarding more detailed work, and wanted to say that your work singlehandedly has inspired me SO much to the point that because of your more simplistic coloring/shading and focus on movement/body language, i was finally able to find a coloring/rendering style that i actually like aesthecially and enjoy doing! i've struggled w replicating color in a way i like digitally for over 6 years but your work, and especially so your sketchbook scans on patreon have been so useful for inspiration and for my own understanding of anatomy and what not. we're always our own worst critics with comparison and whatnot, but please know that your work and your style are a huge accomplishment and skill in their own right, and your comics inspire me to keep studying so i can one day make my own!!! i'm so thankful you share your work with us and to have come across it and be able to draw inspiration off it! your colors, expressions, and the palpable intimacy and dynamic character interactions are so amazing and specifically unique to your work, never doubt the impact it has just because of other's having a different style or approach or something <3
This is so extremely nice I don't even know what to say!!! I honestly feel so hyped that my style inspired someone else, I feel like it's not something I expected and its SO COOL. I sometimes feel like my style isn't particularly STYLISH you know, I often admire really strong punchy styles, so it's nice to hear my own kind of chiller style is inspiring! And that the things I enjoy come across as strengths, too! Also I am so happy to hear someone enjoys my sketchbooks haha, they're really precious to me but I also try not to be too fussy about my art in them which means it's not 'beautiful'*- they're for studying and/or chilling out, so it's SO nice that it's inspiring nonetheless! Wishing you the best in your art journey and also I think if you want to make comics you should just give it a go! Make teeny tiny comics! [it does not have to be good] [tangent oh my god] I feel very hypocritical because for the longest time comics were something my friends made and I didn't know how to, and I felt like my style didn't work for comics, but honestly when I eventually sat down and started a long comic the style happened out of necessity, I Had to simplify or I wouldn't be able to keep up. And you can see from the links that I just did sketchy comics before and that was fine! I think it was just as valuable as making polished pages. I actually probably ended up making comics For Real because I made a silly fandom ask blog, where I kept wanting to say more than I could do in one image, and that gave me the confidence to try something longer with OC's.
ANYWAY thank you so much!
*I find polished sketchbooks so inspiring, but its so limiting imo to try to make a beautiful sketchbook HAHAHAH
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baskeigh-ball · 1 year
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Bro, now I just wanna see the Mud Dogs reunite with Raph after years sobbing and hugging!
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found family reunions are the best kind of reunions, especially when one of them has changed drastically
(I've gotta make a masterpost for this au with all these reunion doodles, lol)
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forgettable-au · 5 months
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Sans do you ever feel that something might be missing?
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Maybe he felt like that at some point, maybe for a long time. In the present, I think he's made some kind of peace with it.
Also, I really like the ask blog format, but I don't really mean this to be an ask blog.
So when writing questions, try to refer them to me instead of the characters. That way, they don't have to break the fourth wall lmao. I really wanted to answer this one tho
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lilybug-02 · 1 month
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poorly-drawn-mdzs · 4 months
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At the start of this project all I wanted was to 'learn how to draw' using comics as a medium and the MDZS audio drama as inspiration.
I've come *very* far from making simple, 3 panel black and white comics, and I truly do intend to go even further. Thank you to everyone who cheered me on throughout 2023, it has been an incredible year in so many ways I never could have imagined. I look forwards to drawing throughout 2024 B*)
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bixels · 4 months
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While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.
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Bye.
#ask me#anon#once AGAIN.#I am not dropping anything#the au is not getting cancelled. more than likely i'm gonna take a break from it until i find motivation again#But I've been drawing the AU for half a fucking year#In that time I've only drawn 5 things that aren't mlp related#I'm getting tired and my last few posts didn't do as well as I'd hoped#And I'm not about to burn myself out on mlp au art even if I really do love making it#I'm still gonna make comics. I have a bunch of ideas.#Tulli and I still wanna do the limited run merch shop#Discord is still coming. Sunset is still coming. Sombra is still coming. I have so many ideas#But I need to do something else for my own sake. Did you know I was supposed to get the background 6 designs done by now#But I didn't because I'm TIRED#I've been keeping myself on a schedule to keep content pumping despite travel and school and family and I'm tired#what i'm getting isn't matching what i'm giving and that's nobody's fault. i'm not frustrated at anyone. a slump was bound to happen#drawing the au was fun until it become my Thing. Because when your Thing––your identity––starts to faulter#it can really make you freak out#And that's not healthy for the project or for myself. I need to find the fun again and I'm sure I will#I'm really appreciative of everyone's support in my inbox and replies it really does mean a lot especially given that about 2/3 of my#followers followed for mlp. But if you're gonna react to me saying “i'm gonna cool down on mlp art and draw my own stuff” with “i'm#disappointed in you." then Leave! I think it's good you're unfollowing#you are not obligated to stick by my side! But don't act like I'm doing you a disservice by turning my attention elsewhere#I didn't promise anyone anything and I definitely didn't say I'm breaking any promises.
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originalartblog · 1 year
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Happy thanksgiving to those who celebrate!
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(Dazai's priorities: free food)
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skellagirl · 12 days
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Back in winter 2022 I started working on a comic of one of my favorite nsfw oneshots, Practical Demonstration, made like five pages, and then promptly dropped it cause I was still in the midst of Art Block From Hell, among other reasons
but the fic series recently got an update and I read it on a flight last week, which has renewed the brainworms :)
The comic's FAR from finished (I've thumbnailed the entire thing and it comes out to twenty-eight pages, while I have thirteen of those pages in varying stages of completion) but I've been having a lot of fun working on it and forcing myself to try and learn new things (backgrounds/environments, in this case) in the pursuit of Harvey Smut LOL
I thought I'd post some WIP shit here, in case ADHD gets my ass and I end up dropping it again 😭 pray for me
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rowrowronnie · 8 months
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anyone remember that pyro is a robot headcanon? yeah um erm i also remembered that and also sorta maybe mightve gotten carried away a little bit.. tee hee..
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lunarin64art · 18 days
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That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔
#scott pilgrims precious little life#scott pilgrim vs the world#spvtw#spto#scott pilgrim#wallace wells#lisa miller#scollace#kim pine#natalie adams#envy adams#don't rlly know if I like how this turned out but oh well;;;#hope its obvious that this is based on the song “Scott Pilgrim” which the creation the comics were inspired from#the lyrics always make me think of Wallace and Lisa's feelings for Scott every time I hear it#ofc you could also relate it to Kim especially since the singers voice kind of reminds me of her#but overall the lyrics fit these two much better since Scott never truly “saw them that way” despite how long they've liked him#and they always seem happier to see him compared to Kim#Im surprised tho that I havent yet seen anyone draw these two together now that their dialogue parallels have been acknowledged more lately#also tho I wish more people pointed out that they both got cucked by red heads LOL#and Kim and Envy actually do look really similar when scott first meets them#makes me wonder if Scott subconsciously went for Envy since she reminded him of Kim (which would be fitting given that you could argue that#Envy dated Scott because he reminded her of Todd. Since he and Scott are confirmed to be meant to be seen as similar to one another#so much so that even their first and last names rhyme#last thing I'll add tho is that while Wallace and Lisa are very similar even personality wise#the one big difference is that despite that whole conclusion on vol4 of Scott not cheating on Ramona with Lisa because he loves her#the writers apparently think it would be “organically correct” for him to have an affair with wallace LMAO#but I guess we shouldn't be surprised since Wallace and Ramona are both in the front of the official valentines art which is clearly#a deptiction of Scotts wet dream or smth (oh and you could also argue that Wallace and Lisa parallel on that art since they're both#shirtless with white socks.. which could be a reference to how lisa wears skimpy clothes for Scott and Wallace often only wears boxers#to like sexually frustrate Scott for fun or smth
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