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lamentationsofalonelypotato · 12 hours

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You Call It Madness But I Call It Love

Chapter 15: What Do You Know About Love?

Pairing: Soldier Boy x f!reader, Reader POV

Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy. This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters will fluctuate between past and present. This is chapter fifteen of my "You Call It Madness But I Call It Love" series. (I'm so bad at summaries please forgive me!)

Word Count: 6.5K (I got carried away again)

Warnings: References to sex, Cursing, Angst, Crying, Soldier Boy might be, is, really, absolutely, a little OOC, Soldier Boy is really all you need as a warning.

Note: This is told from the Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. Reader is described as "curvy" occasionally. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal Monologue is in first person and is in italics

Series Masterlist

Masterlist

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Present Day *Reader POV*

The shopping bags that hung from your arms would have been heavy for the average person, but for you it seemed like a bag full of pillows. It was the day after you saw Rosemary and said goodbye. Despite the almost excruciating hangover you had this morning, because it'd been almost forty years since you last had a drink, you dragged yourself to the mall to try and find outfits for your trip to Russia. You were satisfied with the few outfits you found, but you were worried because the plane left in a few hours and you were no where near ready.

Mentally or physically.

As much as you wanted to go help Ben, you still were apprehensive about the whole situation, not just about going in blind, but wondering what the hell you were going to do when you saw Ben. You wanted to hold on to your anger, but you were afraid that the moment you looked into his green eyes you would forgive him.

I am not going to forgive him. I'm going to break him out then tell him to fuck off and I never have to see him ever again.

Despite your apprehension, you knew that you had to do this, that you had to go help him even if you still hated him because you couldn't bear the thought of the boy you grew up with being tortured over there all alone. It was the alone part that hurt the most. You knew how much Ben hated being alone. He never had to say it out loud, but all the time you'd spent together in your bedroom before and after the injection spoke volumes.

Of course you still had no idea where you were going, but figured that if you went to the Kremlin you could get some answers, which meant you'd either have to lie your way in or just kill anyone in your path. Which would be messy, but necessary. You try to shake off the guilt of exposing yourself again and what that could mean for Rosemary and Lou. You made sure that Rosemary knew to pack a bag for herself and for Lou and told her to wait for your call.

You wanted to be there to escort them out of the city, didn't want to split up and have them get snagged while you were waiting for them at the rendezvous point, so you told Rosemary to take a few days off and lay low.

When you get to the outside door of your apartment building toting the bags, you notice that it's been broken, as if someone tried to pull it off its hinges.

Well that's great. Hopefully the building manager noticed that.

Your mind drifts back to Ben as you step into the elevator.

What if he isn't alive when I get there? It was an unwelcome thought, but it meant that you wouldn't have to talk to him.

Maybe if I knock him out when I get there and just leave him in a Russian motel somewhere, I won't have to talk to him. You pause. Will he want to talk to me?

The memory of the last time you spoke flashes through your mind bringing an unmeasurable amount of rage and heartbreak back over your body. The dam you built to keep out everything that happened was reaching capacity, especially given the recent events with Countess, and you knew that the moment you saw Ben it was going to burst open. You hoped that you'd be able to keep it together long enough to get out of the lab or wherever the hell he was being held, before you lost it. But it was doubtful.

As you walk down the hallway to you apartment, you notice that your front door is open and you stop walking. Apprehension spikes at the back of your mind as you examine the door. The lock is broken and door is cracked just enough for you to hear people talking inside in hushed tones. You creep forward and look through the crack.

You've got to be kidding me. You groan to yourself noticing Butcher and Hughie standing in your living room.

Great. Just what I need. Right when I'm going to leave they show up. Guess that explains the mystery of the broken door downstairs.

You think about walking away, of going back down the elevator and hoping that by the time you come back they would be gone, but you knew you had to face them and you still had to pack. So you push open the front door of your apartment and step into the room.

"You know when I called saying that I had something else to say about Soldier Boy, I assumed you would call, not break into my apartment." You sigh before moving to the right side of the counter that divides the room between the living room and the kitchen and depositing the shopping bags on the stainless steel top.

"Maybe you shouldn’t leave your apartment unlocked poppet. Anyone could walk in." Butcher replies with a grin.

"Hmm. Sure. You guys here for more coffee?"

"Go shopping did you?" Butcher ignores your snark eyeing the bags.

"Yeah I needed a few new outfits for my art show next month." The lie is easy, but you know that the sudden appearance of the two of them probably meant you were caught red handed. Of course now with everything that happened with Countess, you didn't care anymore if Butcher and Hughie knew who you really were. "You doing okay there Hughie?" You raise an eyebrow as you notice how his heartbeat has spiked since you entered the apartment.

"Good." He says, but he looks uneasy.

Well, guess he's afraid of me now.

"Huh. And here I thought you were replacing your jacket." Butcher throws your ruined jacket onto the floor between you.

You look from the jacket to Butcher. You hadn't bought a replacement and hadn't wanted to throw it out. You were still hoping that the scorch marks looked like you had "distressed" it. It didn't and you knew that, but you loved that coat so much.

"See, I think it’s a big coincidence that Countess got right fucked after we came and talked to you." Butcher smiles.

"Probably the same coincidence as Gunpowder dying before you showed up here the first time." You breeze with a tight-lipped smile.

Where was he going with this? Was he here to kill me? You think about what Legend said about Butcher killing supes.

"That looks bad." Butcher gestures to the jacket. "You have a little spat with your good friend?”

"Let's just say she said a few things that upset me." Your eyes skate from Butcher to Hughie sizing them up. "If you're here to kill me, you're welcome to try. Oh sorry, 'arrest me'." You make air quotes around the words. "But we both know you're not government agents, you reek of Compound V and the last time I checked there was that whole, no supes in the government thing."

"Wouldn't it have been easier to get this out of the way the first time?" Hughie asks.

"I didn't want to be involved." You shrug your shoulders.

"Then why you'd buy a plane ticket to Russia?" Butcher takes a step towards you, but you hold your ground.

You weren't afraid of him.

"I hear it's nice this time of year. Not too hot, not too cold. Very pleasant." You snap back at him eyes narrowed, before you look down at the antique watch on your wrist. "Look I'd love to have a heart to heart, but I just don't have time to do this little dance with you. So we can either get to the part where you try to kill me or-" You raise your gaze from the watch to glare back at Butcher, but then your eyes focus on the hallway behind him and your heart stops.

Ben is standing there in the shadows looking at you the same way he always has, with those wonderful piercing green eyes that makes all other memories of them be put to shame. He's dressed in modern clothes, wearing a dark green shirt that hugs his perfect muscular chest and is the same color of his suit, your favorite color and the one you can never look at without thinking of him because damn it, it's also the color of his eyes. He looks the same, but different. His hair is longer and darker than it was the last time you saw him and his cheeks are covered by a trimmed but thick beard. It was unusual given that you'd never seen him with more than just a little bit of stubble and annoying because it makes him look even more ruggedly handsome, but despite the piercing way his eyes follow you, you can see a haunting memory of the last forty years.

You're upset that the one of the first thoughts you'd had beside staring at him open mouthed is that you wished you were wearing something more flattering than one of your pairs of paint splattered overalls over an old band t-shirt. You were going to Russia to get him and yes maybe you were shopping for things that you could move in, but you had picked out a particular revenge outfit that you believed would make Ben regret everything he did to you and also might have been paired with a particularly badass set of boots that made your legs look very long. The outfit that made you feel beautiful and sexy was unlike the one you were wearing at the moment. Also because you hadn't brushed your hair today and had just stuck it up in a messy bun at the back of your head.

You're struck with the urge to run to him and kill him at the same time, but you can't move and you can’t think.

Apart of you believed that you would find him dead in Russia, a sad thought but it meant that you wouldn't have to relive everything all over again. Everything that went to shit the last 24 hours you spent together that you relived with Countess the other day and now you were reliving when you looked at him standing there looking better than he should.

Because damn it, only Ben could be tortured in a lab for the past 40 years and walk away looking like a GQ model. I've never hated anyone more.

"Ben?" Your voice is no more than a hoarse whisper.

Ben pushes past Hughie and Butcher, taking careful steps towards you like he doesn't want to scare you away. "Y/n." The sound of your name on his lips fills you with an inescapable amount of warmth.

Traitor. You think to yourself at your body’s reaction.

He's standing so close to you now that you can smell the same shampoo and aftershave he always used and it brings back memories of the nights he spent in your bed with you laughing and talking like nothing had changed making you feel alive again for the first time in forty years. Before everything went into the blender set to puree.

Ben's eyes trace your body like he can't believe you're standing in front of him making you wish again that you're wearing the outfit you picked out so that you could look as good as he does. And just as he raises his hand towards your face you remember why you hated him, remember that night, remember what Countess said that caused her to lose her head.

Your hand flashes out so quick you don't think Ben notices it until it lands with a resounding slap against his cheek that sends him reeling back from you. Your strengths were similar, almost identical, and if he hadn't been invulnerable it would have ripped his perfect jaw from his face.

"What the fuck was that for?" Ben snaps, green eyes blazing as he looks back at you.

"You've got some nerve coming back here after all these years." You spit, the anger rising in your chest with wings of fury that beat against your ribcage. "Did you really think that you could just say my name again and make me forget everything that happened Benjamin? I am not one of those trashy women that you used to fuck and the fact that you think you can show up here, give me the fucking puppy dog eyes, and think that I’ll swoon, is ridiculous!”

There goes the dam.

Your gaze levels on Hughie and Butcher who look just as stunned. "And you two. Why did you bring him here? I didn’t want any part of this!”

"Why did you pretend to be dead!" Hughie shouts back.

"Did you think that maybe that was me trying to tell you that I didn't want to be involved? Or are you two just that fucking stupid?"

"Why did you buy a plane ticket then?" Butcher asks again, raising an eyebrow.

Ben is watching you with anger burning in his eyes. It's difficult for you to look at him. Every time you do you think about your last night together, the morning after when he pushed you away, and finally the night where he ripped out your heart and stomped all over it.

How did I ever think I could look at him again when I got him out of Russia?

"Because even though I hate him. He doesn't deserve that. The Ben I knew would have come to get me, and I wasn't going to leave him to rot in some fucking Russian prison." You snap back. "Now get out of my apartment."

"Sweetheart-" Ben begins to say.

"No. No. No. I don't want to hear it from you. Nothing you can say can make this better. I’m glad you’re free or whatever, but go. Get out." You push past him, but Ben's hand flashes out and grabs your wrist with enough force that you feel the bruising of your skin.

"No." He towers over you.

"Let. Me. Go." Your eyes narrow shifting to bright purple. The entire room begins to tremble, the glass windows shake in their panes and the glass jars full of paint brushes on your studio table begin to clink against one another. But he doesn't remove his hand.

"Not until you listen." Ben's own green eyes have hardened into a emerald.

You latch onto the wrist that is holding you and break his grip, before spinning and throwing him backward across the room away from you. Ben's body flies past Hughie and Butcher who watch with wide eyes as he hits the back of the couch and pinwheels over it with a loud thud as he lands on the cushions. You would have rather thrown him into the brick living room wall, but you restrained yourself.

"I don't want to hear anything you have to say Benjamin. You said enough that night and apparently you were saying lots of things to Countess about me. So get out." Your eyes skate across Butcher and Hughie. "All of you."

Hughie is still watching you with wide eyes, like he can't believe that just happened.

Join the club kid.

"What the fuck are you talking about?" Ben shouts, standing from the couch and straightening his clothes. You don't need to be a psychic to know how angry he is. In fact, you're surprised he's not throwing you out the window or at least throwing a punch. Ben didn't tolerate it when anyone put him in his place and it definitely looks like it's taking him an extreme amount of effort not to attack you, given the way his hands are clenched into fists and the way his jaw is tensed so tightly you can see the muscle flexing.

"She told me what you said about me. That you threw me a pity fuck because you felt sorry for me, that you were bored when we had sex because I was so inexperienced."

"It's not true."

"Isn’t it?" You're trying desperately not to cry, but the angry tears have already begun to well up in your eyes. "The last thing you sad to me was that I was pathetic and that you never would love me, never could love me. That you fucked me because you felt bad for me and you wished I would just fuck off. That I was just another warm pussy and that I meant nothing to you. So forgive me for not believing you."

"Oh shit." Butcher mutters under his breath.

"Damn." Hughie echoes.

"I know what I said to you, Y/n. I've spent the past 40 years regretting it-" Ben begins to say, but you interrupt him.

"Oh I'm so sure. The Great Soldier Boy actually has a conscience, let me just alert the media." You spit back. "Oh wait, sorry you wouldn't want that getting out would you Ben? Because that would mean you aren't a man."

"Y/n-" He growls.

"You don't get to come in here and apologize and act like you did nothing wrong. You're not here because you feel sorry, you're here because you want me to dote on you, to follow you around and give a shit like I did for 40 fucking years.”

“Y/n-“

"Stop saying my name like that!" You shout and the glass sugar dish on the counter flies off the counter and smashes into the floor sending shards of glass everywhere.

Hughie flinches.

"Like what?" Ben exclaims.

"Like you care." You cross your arms over your chest staring him down because you don't want to keep crying.

"I do fucking care about you-" Ben snaps running his hand through his dark hair frustrated.

"No you don't. You never did. You’ve made that perfectly clear.”

"Yes I do."

"Please stop talking."

"What else do you want me to say?" Ben shouts back, moving towards you. "I'm trying to fucking apologize-"

"I don't want you to say anything and I don't want to hear your half-assed apology! I want you to leave. You and your creepy friends." You gesture back to where Hughie and Butcher are watching with open mouths, who are unsure if they should leave or watch the show.

"They're not my friends."

"And neither am I! Which means I don’t have to listen to anything you have to say!”

"Y/n please-" His teeth are gritted together.

“I'm not some fangirl Ben. I was your friend, your friend before any of this. Before any of this fucking supe shit. I cared about you. I had been in love with you since I was 8. I had taken care of you since the night we met." More tears squeeze down your cheeks as a lifetime of happy memories before everything went down the drain wash over you. The wonderful times you'd shared together at the park, in your bedroom back in Philadelphia, dancing in the dancehall, at baseball games and Ben walking you home all the while you wobbled down the street drunkenly and sang off key. All the blissful little moments that you thought maybe he felt the same way about you and then followed by the moments you spent together the night of your birthday, when you felt more special and loved than you'd ever had. It makes the knife he stuck in your back even sharper.

"That night we spent together meant everything to me. I thought it was special and I thought you loved me. But you don't. You just fucked me because you were bored and you found the first person who said yes.” Your body turns away, but he grabs you by the shoulders to make you look at him.

"I do love you damnit!" He shouts. "I didn't want to-" Ben's jaw clenches in frustration, looking back at Butcher and Hughie. "Can you two just fuck off?"

"I wish you all would." You say, trying to loosen his grip on your shoulders, but he doesn't let go. You think about throwing him across the room again, because it made you feel a lot better.

"Fine. We'll be outside." Butcher says tugging Hughie away.

"Are you sure?" Hughie asks looking from you to Ben as if he's worried to leave the two of you alone.

"You want to be here? Because they're either going to kill each other or start fucking." Butcher responds.

"We are not going to start-" You begin, but they're already out the front door of your apartment leaving you alone with Ben, who is still holding on to your shoulders.

"Please listen to me." Ben says looking deep into your eyes. "When you said that you loved me it-" He stops looking for the right word as if he can't say the next ones that come out of his mouth. "Oh fuck it, it fucking scared me. Okay? It scared me, Y/n, and damnit I'm not a pussy! I'm not afraid of anything!"

“Oh no you could never be a pussy could you? Soldier Boy could never admit that he had real feelings for someone.” Your voice wobbles, tears trailing down your cheeks as you poke him in the chest to emphasize every word. “And now you’re just saying what I want to hear, because you want to have another quick fuck!” You push your hands against his chest trying to push him off of you, but he won't let go. "You're just saying it because its been forty years since you had sex and you thought, huh might as well find the most pathetic person I know, Y/n won't say no if I pretend to be everything she wanted again."

He doesn't mean it. He doesn't love me.

"I’m not lying to you! And I’m not pretending! I wasn't pretending that night either!” Ben roars so loudly you flinch. “That night I felt things with you that I had never felt with anyone else. It wasn't cheap sex or a quick fuck-" His jaw tightens as if he's embarrassed to admit it. "Damn it.” His teeth are gritted together. “We made love. I understood that when I woke up the next morning and I was happy to be there with you. I knew that I loved you and I wanted to tell you, but I fucked it all up instead. I fucked Countess because I was scared of what loving you meant. But I’m ready now, I’m not scared anymore. I love you!”

He's saying everything you always wanted him to, but you're scared. Scared that he's just saying it, that he thinks it's what you want to hear and this is the only way that he can get you back into his life because he needs someone to follow him around, because he can't be alone.

You stand there for a minute taking in his stance. His head is slightly bowed in shame, shoulders tight, body leaning towards you. But then you catch his eye, you see the sorrow, frustration, and pain in his gaze. Ben was not big on sharing feelings and for him to admit all of these things aloud was shocking enough without the obvious emotions flashing in his eyes. It was so different than the stoic or pissed off attitude he usually had when he was Soldier Boy. The look in his eyes is so earnest and Ben has never been a good liar, not to you anyway. You always knew what he was thinking.

If I forgive him then what does that mean? I forget the past 40 years like they never happened? I forget all the tears when he broke my heart? Forget how broken I was? How broken I still am?

You think of all the times you missed him, all the times you forgot about what he said to you and remembered the good, all the times you wanted him there with you and Rosemary because you knew he would love to be there. All the early memories together, all the missions, everything that lead up to the falling out and Ben’s supposed death. Ben's admission of guilt and his confession of love for you was shocking. Especially because the Ben you knew 40 years ago would have rather dropped dead than say the words "make love."

No. I won't give in. I can't do this, I can't do this all over again. I was better, I was moving on, he doesn't have the right to come here and mess up my life all over again.

"No." You shout, shoving him away with all your strength. Ben stumbles backward, his eyes wide as if he wasn't expecting you to push him away, because of course he wasn't. “You don’t know anything about love. You’re just saying that because you know it’s what I want to hear, what I’ve always wanted you to say to me.”

He still doesn't understand how much he hurt me. And he doesn't deserve my forgiveness.

“I’m not just saying that, it’s true. Please y/n-“

"I don't believe you. And when I said I never wanted to see you ever again I wasn't lying. So get out Ben!" You shout.

"No. I love you and I'm not leaving." Ben says back determined.

You weren't prepared for what those words did to you. You weren't prepared for the floodgate of emotions that exploded the moment those words passed through his lips or the way it felt like you were being tugged in two different directions. Because despite wanting to throw him across the room again, those three little words made you want to run into his arms and hold him close, made you want him to take you to bed and make you forget all the shitty things that happened forty years ago, make it like he never left.

But you couldn't do it. As much as you wanted to forgive him, you couldn't because you didn't trust him anymore, you didn't trust that he could give you what you wanted.

“Too bad! I won’t do this to myself again. All I did was care about you, help you. I stood by you and made excuses for the person you became and I held on to this picture of the boy you used to be. The one I fell in love with. The one that used to climb in my window when things were hard. The one that took me to my first baseball game. The one who danced with me. The one that made me feel like less of a freak because he understood me. And the one that begged me to leave Howard and everything I knew and come with him. That night we were together I saw that boy again. I loved that boy. I would have done anything for him and I did. But he’s not here anymore. And I hate myself for holding on to him as long as I did.”

"But I told you I loved you!" Ben exclaims.

“Just saying that isn’t enough, not after everything that happened!” You shout. "You're forty years too late Benjamin. Now if you’ll excuse me, I’m exhausted and I’m going to go to bed. And I don’t want you to be here when I wake up.”

"Y/n please-" You hate how he sounds when he says it, like he's broken, because Ben has never once sounded that way in all the years you'd known him. You hate how he looks. How his dark hair is falling forward into his face and he looks so much like the boy you used to love that it makes you want to scream, because you wanted to believe that he was gone, but all you see when you look up at him is that boy. There is not one shred of Soldier Boy in the way he looks right now and you hate that. You hate that you wanted to forgive him, that all it took was him looking like at you like that. But you still can't do it.

"Just go." Your throat thickening as you say it, fresh tears trailing down your cheeks. "I don't want you here. I never want you to come here ever. I never want to see you again.” You lie pushing past him and walk down the dark hallway, slamming and locking your bedroom door behind you. Your body sinks to the floor as you pull your knees up into your chest, sobs shaking your body and tears pour from your eyes.

How many tears can I spend on one man? How do I still have any left after all these years? How could I have been stupid to think that I was over him? That I could just go to Russia, break him out, and then push him out of my life so easily? None of what just happened was easy.

Your face presses into your knees. You want to call Rosemary, call her and tell her what happened, but your phone is still on the counter and you couldn't go back out there, because you knew he was still there. Standing in your living room looking too perfect after all these years and saying all the things you always wanted him to and you don’t want to go out there and forgive him.

So you stay. Your back pressed against the door, crying into your knees and hoping that this will just all end.

Because it’s got to one day right?

***************************************************

*Soldier Boy POV*

He hadn't meant to reach for you, but all he wanted was to feel the gentle swell of your cheek beneath the palm of his hand, the smoothness of your skin against his rough fingertips, and to memorize the planes of your face with his touch. You were even more beautiful than he remembered. Your curves perfectly accentuated by a pair of cute paint splattered overalls that made him smile, and your hair pulled away from your face in a messy bun but still made you look effortless and striking. When he saw you standing there, it was like taking a punch to the gut. He knew that he missed you, but seeing you there warm and alive made him want to crush you against his chest and never let you go ever again.

He had laid himself bare before you, allowing himself to push through the urge to shove all his emotions back beneath the surface as his father taught him, and spoke, instead, the words he wished that he had said all those years ago.

Ben's shoulders tense when he thinks of what you shouted back at him, how broken you looked. His heart falls into the pit of his stomach when he remembers the tears in your eyes. Ben hated it when you cried. He also hated that the first time he saw you in forty years he made you cry, again.

He didn't know how to fix this. Ben thought that his apology would be enough to make you at least try to forgive him, but it hadn't. You had shoved him away from you, refused to let him touch you or comfort you-

Why is she so damn stubborn? I apologized! I told her that I loved her! Isn’t that what she wanted?

He grits his teeth together thinking about how you threw him across the room like he weighed nothing. If anyone else had done that to him, Ben would have killed them, but he knew that he deserved it. He knew you would be mad, but he thought that you would at least want to hear everything he had to say instead of cursing him out and slamming the door in his face.

When you slammed your door behind you, he had stood outside of it for an hour listening to you cry, heard your soft muffled sobs. At one point he leaned his head against the door and wished you would let him in so he could hold you while you cried, even though the thought made him feel like a pussy. He wanted to comfort you. He wished you had forgiven him, allowed him to take you to bed, allowed him to show you how sorry he was and how much he loved you. He wished that you let him help you forget the last shitty forty years that you spent without him, forget what he said and what he did to you that night.

The harsh words you yelled at him make him flinch, when you told him that you didn't want him there and never wanted him to come back. They were the words that he always feared you would say to him when he climbed in through your window at night or when he showed up at your apartment when you were still on Payback. And hearing you say those words felt worse than anything those Russian fucks did to him. Because Ben didn't know where he belonged if he wasn't with you, he didn't know what to do if you weren't in his life, you were the only thing that mattered.

How could I fuck this up this much?

Ben looks back at the clock on the wall in the kitchen which shows he'd been there for three hours waiting for you to come out of your room, but you hadn't. He knew it was because you fell asleep, he could hear your heart beat, your soft breath against the pillows, and the almost silent sounds you made when you slept. They were exactly the same as when he would fall asleep next to you and damn it he didn't realize how much he missed them until this exact moment.

Fuck. Fuck. Fuck. How do I fucking fix this?

Ben stands from the couch and walks down the hallway for the millionth time to stand outside your door preparing to knock, but he didn't know what to say. He thought that he'd said enough, but judging by your reaction he hadn't.

The thought of saying anything else was difficult for him to swallow. It was hard enough to say what he had to you, but he was realizing he was going to have to delve even deeper to make you even look at him again or want to be around him.

Finally he goes to the front door of your apartment before he looks back down the hallway. He didn't want to leave, didn't want you to wake up and him not be there despite what you said about wanting him to leave. He wanted you to understand that he wasn't going anywhere and that he was never going to leave you ever again no matter how hard you tried to push him away. But he needed to leave now, not for long, just long enough for him to get what he needed.

He had seen the florist shop on the corner when Butcher drove up. As Ben walked down the street in the direction of the florist he remembered the conversation he had with Butcher after you slammed your door in his face. Convincing Butcher to let him remain in the apartment was difficult, but finally when Ben threatened to rip Hughie in half, Butcher relented stating that he would give Ben one night with you before he came back. That was the deal anyway, Ben had lied, because like hell he was going to leave now that he'd found you again.

Ben wasn't planning on leaving and even if you couldn't stand to look at him, Ben would not go. Even if it meant sleeping on that shitty couch every night.

He would never leave you again.

The smell of the flowers wafted out of the small shop when Ben opens the door, his eyes skating across the numerous bouquets, each one more extravagant than the last. Other women would swoon over them, but not you. His eyes fall first on roses, but he turns away. He knew that you didn’t like roses, although many believed them to be classic, Ben knew that you thought over the years that roses had become generic and overused. He of course had sent some to numerous women over the years, but he liked that you were different. He always liked that about you. He rolls his eyes when he remembered when Howard bought you some every week.

Because of course that asshole didn’t know what y/n liked. No one knows her as well as me.

The man behind the counter eyes him when he walks in. "Can I help you find something sir?"

"No." Ben says gruffy looking at the displays again, but then he sighs. "Do you have any lavender?"

"Lavender?"

"Yeah." Ben knew it was the only thing that you would accept, knew that it was your favorite because it reminded you of the house your family rented over the summers up North. Ben hated those summers. He'd break into your bedroom and sleep in your bed while thinking of you and reading the letters you sent him over and over again, the ones that you pressed fresh lavender into and the ones that made him realize just how much he needed you.

Those of course weren’t the only letters you ever sent him. When he went to boarding school he’d wait for you to send him a letter and one of your doodles or a small painting. He kept every one in a cigar box under his bed. It was why he was kicked out of boarding school number nine, a fight he had with another student began because the student had found the box and then proceeded to mock Ben endlessly by passing around the letters you sent him. Ben had never told you what the fight was about.

Ben stops as he realizes how he’s going to get you to listen to him.

“Here you are sir.” The florist reappears at the counter holding a large vase of freshly cut lavender.

“Do you have a phone I can borrow?” Ben asks.

“Sure.”

The object the man hands him is not a phone, well not a phone that Ben’s ever seen before.

“I said a phone-“

“That is a phone?” The man looks confused.

“How do I fucking call someone with this?” Ben sighs shaking the black rectangle in his hand and looking for the buttons.

The man takes the object and swipes his fingers across it before handing it back to him so Ben can see the numbers to dial. “Just push what you want and hit the green button.” The man says, looking at Ben like he's crazy.

“Oh. Thanks.” He mutters, before dialing the number and holding the phone up to his ear.

Legend answers on the first ring.

“Hey it’s me. Do you still have all my old shit from my apartment?”

“Somewhere.”

“I’ll be there in 10 minutes.”

******************************************

N/A: Why not end on a cliffhanger? This chapter is a bit longer, because this week is CRAZY for me and I'm not sure when I'll be able to write the next chapter. But I'm not giving up on these two. They deserve the world.

Thank you so much for reading! Let me know what you guys think. If you'd like to be added to my taglist, please let me know :)

Taglist: @roseblue373 @anundyingfidelity @cheynovak @cassiecasluciluce @muhahaha303 @deans-spinster-witch @kayleighmeister @demodemo909 @fruitfacess @bobbobbobinogs @bughill126 @simplyfixated @sleepjam @tiredstrangerr @freefallthoughts @onlyangel-444 @lov3vivian @mxltifxnd0m @mayafatimakhan @marvel-mistress @my-obsession-spn @lifeonawhim @soldirboy @liuope @brynanna @abramswife @xxannyxx @babyinatrench-coat1 @the-gentle-spirit

#soldier boy x you #soldier boy x reader #soldier boy fanfiction #soldier boy x female reader #jensen ackles soldier boy #soldier boy #soldier boy/ben #the boys #jensen ackles #soldier boy fic #billy butcher #the boys amazon #hughie campbell #the boys fanfic #jackles #the boys season 3 #the boys series #the boys tv #the boys s3

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hazbinfallinginaspiral · 1 day

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Hey, sorry to trouble you. Unsure of your time zone so i hope this is sent at a good time! (Sorry if it isn't!)

Could you maybe do something with Vox and a Reader who saves him from a surprise attack via a Sinner or Angel?

Kinda the Reader just like 'Oh sorry i got blood on you. Glad you're okay.' With Vox unsure if he wants this person under contact or to kiss them. Or do whatever go nuts!

(I have no idea what timezone I’m in tbh, I’m too lazy to check. As I’m posting this it is 10:50 AM where I live, if that helps anyone. No worries, though! I love answering all your asks and writing out posts based on your requests!)

“Walking downtown, avoiding the paparazzi…” Vox muttered to himself. He’d really done it this time. He was trying to avoid being out of the Vee tower for too long, but he’d taken a detour with almost no Voxtek cameras. Now he couldn’t teleport. It made him uneasy. “God fucking damnit…”

“Stop right there, bitch,” a sinner demon said, pointing a gun at him. Vox froze, but not out of fear. He was surprised first, that a sinner demon would try to hurt an Overlord. This one must be new, or arrogant. But as he looked at the gun, he couldn’t help the tidal wave of emotions that over came him, all memories of compromising situations- similar situations- he’d been in when he was alive. “That’s right, now… put your hands where I can see them.”

Vox absentmindedly complied, still partially reliving every single time he’d had a gun pointed at him before. Every wound he’d received, every bullet he’d had to fish out of his own flesh.

“Good, now-”

The sinner demon was cut off brutally. With an axe. To its neck. Its head came off with ease and you stood behind it, looking surprised. Vox’s eyes widened. Now he was vaguely afraid.

“Oh. I didn’t expect it to be so… fragile,” you said, nudging the corpse of the demon lightly. “Huh. Well, in any case…” you looked up to Vox, an apologetic look on your face. “Sorry about that. Did I get any blood on your suit? I can cover the expenses.”

“I… uh,” Vox was speechless. He’d just frozen up in front of a lowlife sinner demon and had been saved by another, who was now apologizing to him. What the fuck. Something had to be wrong with him, especially with these weird feelings he had in his chest. Felt all fluttery and stupid like butterflies. “My suit is fine. I narrowly avoided the splash zone, I think. Thank you for your offer.”

“Of course! Not a problem,” you said with a smile. Vox noticed you hadn’t stepped any closer to him, you’d kept your distance. But you’d put your axe away. You knew who he was and how dangerous he was, how defenseless you were in comparison, but you were still talking to him. Did you feel superior to him just because you’d saved him? No, that couldn’t be it… you seemed so… genuine. “Seedy part of town for a business man like yourself to be in. I’m guessing the paparazzi were a nightmare today?”

“Oh absolutely,” Vox said with a grin. He was quickly regaining his confident demeanor. “It was absolute torture at that interview! Ah, but don’t tell anyone I said that. It wouldn’t be good for my image. I’m sure you can keep a secret,” he said, linking his arm in yours and walking with you. This was a test.

“Definitely,” you said, with a small laugh. “It’d be far more embarrassing for me, anyway. I mean, the fact I interrupted your walk through town? With murder, no less! That was quite rude of me.” You smiled, carefree and lighthearted as he walked you away. You didn’t even know where he was taking you, but you were still so upbeat. “No worries. If you don’t tell anyone about that little incident back there, I won’t say a word about your occasional distaste for public attention.”

“Wonderful! Sounds like a deal, then,” Vox said, looking down at you. He was pleased with how this whole thing had gone. You hadn’t even seen him as weak for freezing up in front of that other sinner demon! You probably thought he was annoyed or planning to kill the demon himself. His image was safe, you didn’t suspect a thing. You had no idea how vulnerable he’d been in the moment back there. “Say, how about we make another, more official deal? Something with some actual benefits.”

“Really?” You asked, looking surprised. “I mean, I don’t have much to offer. We only just met and-”

“And you’ve piqued my interest, dear,” he said with a smile. He held your arm tighter, more protectively. Whether you agreed to anything or not, he’d be keeping you around. “I have a feeling we’ll get to know each other very well.”

#hazbin hotel #vox #hazbin hotel vox #hazbin vox #writing #vox x reader #my writing #x reader #reader insert #thanks anon!

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kangals · 14 hours

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way back in 2014, probably a few weeks or months after you posted that picture of boone with the stick on his head, i checked your blog out and so dearly enjoyed all the dogposting that i followed. i think you were the first dogblr blog i actually followed at the time, but it's been ages and my memory is bad, so i'm not fully sure. it wasn't long before then--2012 i think?--that i had gotten a new dog of my own, a border collie. iirc he and boone were just about the same age.

in 2018 i lost that blog i'd followed you with, and a lot of connections with it. i didn't return until 2021, and when i did, i didn't refollow most of the old blogs; i don't think i even really went looking for them. it took me a while to get back into the swing of using tumblr.

last september, my border collie had a sharp health decline, and i had to say goodbye. it's not the first time i've had to put a pet down, but i think it was the hardest. i'm still not over it. even just typing this now, i feel raw.

then in march or so, i made a new fandom friend who knows you, and i enthusiastically recalled following you before and how much i enjoyed it. i didn't even know about stellina, and now there's kep too! but... i also didn't know you'd lost boone. i followed because i still really enjoy your blog, and i love your collies too. and butters!!! so glad she's still here!

idk what made me look tonight... maybe because i talked about my old border collie with someone today. i went looking for the posts immediately around when you lost boone, because i guess some part of me wanted to know what happened. i spent the better part of an hour (maybe longer?) reading posts from the weeks before the decline, and then the loss, and then the deluge of old boone pictures after, and i've been crying pretty much the whole time just reading your posts and tags about him.

and this is a long and windy way to get to saying thank you. i'm glad you shared your grief, though that seems like a weird thing to say. there's something cathartic about crying over someone else's dog when you still hurt about your own, and knowing you're not alone in that kind of sorrow. boone was such a beautiful boy. i'll never forget that silly post that made me check your blog out in the first place, or the years of posts i stuck around for after. i wish i'd remembered to follow sooner, but the archive is still there, and it's so fun looking through all those old posts about him and his quirks and antics. he was amazing.

sorry for the length of this, i just... really wanted you to know that he touched yet another life, i guess. and i've been so deeply enjoying your posts about stellina and kep. i know it'll be a year soon... i hope there's some peace in how things have gone since he passed, and i hope the anniversary isn't too hard on you. thank you for sharing him with us.

i've been on tumblr for 14 years and this is, genuinely, the nicest ask i think i've ever been sent.

thank you - sincerely. there's been a lot of times over the course of this blog that i've felt like i was oversharing, or talking about pointless things only i cared about. i still so frequently start typing out a post only to stop mid-sentence and delete it because i can't help but think "no one cares about this." possibly it's why i like to talk about my pets so much - they're not me, but i'm the one who knows them best, so i get to say "hey look at this" and ramble and have people say "i'm looking" back. when boone passed, i lost that filter and i poured my grief out into this blog because it was the closest outlet i had. and to have hundreds of people not only acknowledge this but to commiserate, to reassure, to share their own stories - that helped healed me more than i can put into words. it's exactly as you said: there's a catharsis in grieving together.

i am sorry you also had to say goodbye. i wish i could say it gets easier, but i think that would be defeating the point of grief. your grief is your love and damn it if there isn't any act more loving in the world than choosing to say goodbye to an old, loyal dog. you think of how dogs were domesticated tens of thousands of years ago, of how human society and dogs have developed intertwined, of how we have records of ancient greeks and romans carving loving epitaths on their dog's graves, of how a prehistoric dog's skull was found with a bone placed in it's mouth after death, and you wonder if grieving a dog isn't one of the most consistent experiences in the whole of human history that there is.

i'm glad to know that this could bring you some comfort, in some way. it's incredibly touching to know that you kept me and boone in your thoughts for all this time. i am doing ok - i've been reflecting a lot as we approach the one-year mark. i'm not sure if i'll be able to condense those thoughts down into coherent words, but i'll do my best. i hope that my silly little pets continue to bring you some happiness, and that you've found peace with your own grief.

thank you, again - this is extremely touching and means a hell of a lot to me.

#i know exactly what you mean about reading posts about other peoples loss and grieving in camaraderie with them. i do that too #also mayhaps i am nosy sometimes and want to intrude. i cant help my nature to be a looky-loo #which is to say: you should never feel like you are intruding for doing so back to me.

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ashfae · 9 months

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The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

#good omens #good omens season 2 #gos2 spoilers #good omens season 2 spoilers #crowley #aziraphale #ineffable husbands #nina #maggie #nina and maggie #stories #romance #relationships #am I projecting here #of course I am isn't that the whole point?#pride and prejudice #elizabeth and darcy #quiet gentle romantic #good omens meta

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paellegere · 3 months

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"their relationship is romantic" "their relationship is familial" "their relationship is platonic" you're thinking too narrow. their relationship goes beyond labels. the family is inherently queer. their platonic love is romantic. the erotic is familial. each one is the other and the other is them

#.txt #i've gotten to the point of relationship anarchy where i no longer understand the obsession with labeling relationships #there's a post floating around like 'it doesn't matter if you view them as romantic or platonic the point is that they love each other'#and i get the message. however may i propose that distinctions such as that don't even have to matter. consider #bold claim probably. but whatever i didn't have the choice to think about love in a normative way and as a consequence i have thoughts #of course i am thinking about wincest but it applies everywhere. jopzier even #jopson views crozier as a surrogate parent but in an inherently queer way. does that mean he want to fuck his mom? probably not #but the fixation and need for redemption turns the traditionally familial relationship into something far more #do you understand #once you leave the normative behind labels become useless #do sam and dean love each other romantically or platonically or familially? consider: it doesn't matter. there are no words to describe it #their love is queer in the sense that it extends beyond normativity. society holds no sway over them. they are ungovernable #i find it ultimately unhelpful to discuss fiction in normative terms when the characters themselves exist outside of normative society #shows like supernatural and the terror are perfect examples. sam and dean were never normal and franklin crew left normal behind #the arctic doesn't care if you fuck your mom. the impala doesn't care if you kiss your brother #this isn't really about anything i just saw that post the other day and i was like. why doesn't this Hit for me. well this is why #however it IS helpful to discuss fiction set within normative society in relation to normativity. it's relevant!#most stories are not however set within the bounds of normativity. that's kinda the whole point of a lot of fiction #baby i explore relationship anarchy in ways that you couldn't even imagine #<-tldr #i have a tendency to write essays in the notes every time i post something. sorry about that. it feels safer here and i am skittish

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a-dragons-journal · 2 years

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I don't want to invade the community, but I genuinely can't tell if my kin feelings are voluntary or involuntary. Does that mean I'm a KFF?

Tl;dr: No. Also heads-up that I get very emphatic in this post; that's not because I'm mad at you or anything, it's because people in general keep either misunderstanding or intentionally twisting what "KFF" is supposed to mean to make it sound way more exclusionist and gatekeepery than it actually is and I'm getting frustrated with that.

You're only "KFF" if you are knowingly, actively, intentionally using the word "kinning" to mean relating to, projecting onto, etc. a character while not actually at all identifying as them. That is, if you are "kinning for fun," "kinning" for the purpose of having fun, and it's not at all a genuine identity thing for you. It's in the phrase they use for themselves from which the acronym "KFF" came from.

If you identify as them in some way (voluntary or involuntary imo - the words copinglinker/otherlinker exist specifically for voluntary identity, but as I've said in a recent post, I find hardline enforcing that distinction less and less useful as time goes on, though certainly having the words available is useful, and anyway 'linkers aren't KFF either), you're not KFF.

If you aren't sure whether it's an identify-as thing or something else, and you're figuring that out, you're not KFF.

If you're not sure whether it's an identify-as thing or something else, and have given up on figuring it out because that line isn't clear for you and just want to settle somewhere and talk about your experiences genuinely, you're not KFF.

If you enjoy being 'kin and like to joke around and have fun with it, but it is still a genuine identity thing for you at its core, you're not KFF.

If you have a "weird" identity (in literally whatever way you can think of), that does not make you KFF.

KFF has a very specific meaning and "my experiences are weird and/or blurry in one aspect or another and I'm not quite sure what to make of them" is not it. (Nor is "having fun with being 'kin" and I really wish people would stop confusing those two.) It specifically (again, as is in the literal name) means people who are intentionally misusing "kinning" for something they KNOW isn't an identity thing.

#otherkin #fictionkin #kin for fun #asked and answered #anonymous #rani talks #at this point i wish that ''kin-for-fun' people' had never been collapsed into the KFF acronym #because it seems to have opened the door to people forgetting WHAT THE ACRONYM ACTUALLY STANDS FOR #meaning people are COMPLETELY misunderstanding the fuckin conversation #and to be clear i don't blame you specifically for that anon #again it's just a trend i'm seeing recently and i'm ARGH about it #because YEAH EXCLUDING LITERALLY ANY OF THE GROUPS UP THERE WOULD BE ASSHOLE EXCLUSIONISM #I FULLY AGREE THERE ARE PEOPLE OUT THERE DOING THAT AND THEYRE DICKS AND IN THE WRONG #BUT THIS ISNT ABOUT THAT ITS ABOUT PEOPLE LITERALLY *TELLING US* ITS NOT THEIR ACTUAL IDENTITY #AND THEN BEING MAD WHEN WE GO 'so.. could you maybe then not use the word that literally means you identify as?'#i am going to stop tag ranting now #tl;dr if you're not intentionally misusing language for something you KNOW isn't an identity thing you're not ''invading'' anything #and if you are you probably don't care unless you legitimately did not know #(in which case you are of course excused from my frustration with the whole thing; ignorance ain't your fault the misinfo is Everywhere)#(but. do please stop now that you Do know)

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coffee-bat · 8 months

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i haven't been having the best time lately

#sorry vent incoming in tags. you dont have to read you really can skip this #/so the day before yesterday i had a major argument with mom. about something incredibly small but she got super mad at me (basically i #suggested she might have made a mistake while cleaning the oven bc when i turned it on i smelled and felt burning chemicals. like-#-teary eyes and sneezing i wasn't imagining it. and she got super mad and started yelling)#for the whole afternoon it was either silent treatment or yelling abt how what i said is 'unforgivable'#and ofc rejecting apologies and attempts to calm the situation down bc 'this isn't something you can just fix with an apology'#i literally just asked if she's sure everything went right with the oven cleaning. bc it was done in a rush.#so anyway at 10pm i HAD to get the situation to a manageable level bc i was starving and she was in the living room (we have an open kitchen #) so if i wanted to get sth to eat i'd have to confront her. so screaming match ensued again with me apologizing and explaining my point -#and her yelling over me. it went on for 40 minutes. finally after me apologizing like 70 times she calmed down but said that 'what i did is-#-unacceaptable and she does not give permission for it to happen again'. i went to sleep without getting anything to eat of course.#and this fucked me up. bc i really thought we were doing better. i really thought our relationship would only get better now esp after we -#-bonded on vacation. but turns out not. and shes still lowkey mad.#THEN yesterday im studying for a zoology exam and mention it on the phone with her #she goes 'who do you have zoology for'. i respond with the name of the teacher. confused.#'professor (x) died on friday.'#??????????#'it's not published anywhere yet so yeah YOU have to tell your class'#i had a panic attack legit. i threw up from stress. i couldnt do it. first off bc of shock and secondly bc how am i supposed tojust jump #into group chat like 'oh hey btw professor died'#thankfully the info was posted officially by uni at 10pm. so i didnt have to do it. but mom kept pressing me to the whole day #i was nauseaous all of yesterday bc of it. i couldnt manage to study anymore after the shock. sure he was older but he was so energetic and #seemed healthy. i wouldnt have expected it it was just. a huge shock. im still not over it #like you cant know someone for half a year then not be shaken when they suddenly die yknow. and mom is lowkey making fun of me like #'what were you emotionally attached??? he wasnt anyone close'#no he wasnt but im still shaken. and being mocked is only making it worse. as is having to keep studying for his subject for the next few-#-days.#sorry ok vent over theres just. a lot happening for me and im struggling i needed to let it out ig. theres just too much at once #vent #death mention

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unproduciblesmackdown · 20 days

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blade gunnblade !!!!!!!!

via eliza simpson:

There are no words for this true warrior. They kill me. MMM: went in for a post show hug. Me:"ow!" Asia: "oh sorry, that's my bullet necklace." 😳........ 😍

#blade gunnblade #asia kate dillon #kapow-i gogo #eliza simpson of [angel & others in the mysteries] & [the mother line story project] & [saw ak dillon in triptych yes we're jealous]#& [princess cloudberry in kapow-i gogo]#here we also see stephen stout in the 1st pic but going ''!! surely our dear cherished blade gunnblade's back. hair's long though hmm''#only to have that cleared up by the 3rd pic thank god =']#i guess at some point blade gunnblade has blue hair & i do love that for them #i believe they're in part 3 but i have all the less information about that plausible appearance #(and of course still no info on [asia perhaps doubling roles with the longer black haired wig & ultracorp jacket in that one pic?])#one thing that would be fascinating & fun is if part 3 blade has more of part 1 kapow-i's look. the bright blue hair #looks like pink lipstick. Pure Speculation but i know the like [this is reaction to You Know How Media Is] element discussed like #part 1 thinking most [sat. morning cartoons experience; the legend of] part 2 is like when these series get sequels or just some #ep or turning point that upends its own previous established conventions. Darker more Serious / Mature Themes etc #part 3 like well sequel to That which adds yet another layer of the same factor there lol #i'm not really that versed in All This Media directly b/c i'm not that versed in / familiar with much of any media directly but #i am also not completely at sea & also one thing i could think of is like. blade is our revenge vengeance tragic anti antagonist lmao #what if after that they get to lighten up in delightful contrast to the torment & tragedy. turn more optimistic moral support bestie etc #but like i said utter speculation based on ''oh this is a look they have?'' & comments on [comments on material commenting on itself] so #could be anything! or nothing! except that it's Something enough to have been photographed a couple of times. thank god #oh hang on also we can see that that's stephen stout's character in the pic of Wearing A Black Longer Haired Wig & Ultracorp Jacket #who's to say it isn't also: yes that's blade disguised or something. underneath they have this bright blue shorter wig & Blade Outfit lol #i would cheer for that. compelling #(also noting that it didn't preclude a doubling of roles instead but; that figure Is wearing blade's necklace. makes it easy to switch to #Blade Mode backstage; makes it easy to switch to Blade Mode onstage....)#which: noted! bullet necklace! makes sense lmao. sort of #also pic 2 ft. director kristin mccarthy parker fyi. and the typical blade hair length i.e. simply asia's own.#''😳........ 😍'' soooooo true ''MMM:'' standing for ''most memorable moment:'' and also sooooo true as well #blade gunnblade is everything to me. if they died in part 3 i'm blowing this whole building up. they have bright blue hair now

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the-acid-pear · 2 years

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Okay i must say Undisputed 3 didn't age as well as its predecessor, which is honestly funny considering that it's not that old (2010), that said, i still fucking loved it, even if they used the fish eye effect on one of the most serious scenes of the movie, completely ruining it.

#luly talks #Yuri's whole relationship with Turbo was just delightful and Dolor was so fucking gender #AND GAGA oh my beloved Gaga i would write an essay on this msn #i KNEW he wasn't gonna give up on Boyka that's his boy!!! from the moment he offered him a new position and got upset when he wanted to die #you could tell he genuinely cared for Boyka #and of course he loves money a lot too but he's a fucking honorable man!!!!!!!!#and i also want his sideburns so bad no joke #like i feel even the small detail of his cholesterol being high and him eating carrots is to show how much he had changed w/o boyka #N THAT ENDIBG OUGHHHHH SCREAMING AND CRYING AND RIPPING OFF MY HAIR!!!!!#gotta point out the ooobvious religious imagery when boyka tied the bloody mop on his knee and it bled too #that was such a beautiful scene #i am disappointed that Dolor's drug addiction was never brought up or anything!! that was disappointing :(#they did wrong what in the last they did right which was having too many characters #there was a lot of lost potential in all these fighters </3 #anyway this movie is just beautiful and yuri boyka is a great character #AND ALSO one last thing i looove that gayness is never joked as a BAD thing in these movies #like first one w Nikolai George just jokes about him not liking the beard but isn't like EUGH IM NOT A FAG I AINT GETTING ON TOP OF YOU WTF #and in this one when turbo got accused of clapping boyka's cheeks he didn't react like the last example either #and if anything the assholes were the others for using that as a valid excuse to beat him up #ITS JUST NICE OKAY 🥺

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homoquartz · 3 months

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this post is not gonna be well put together but i am having feelings

mean girls is trending right now because the musical movie just came out and i feel insane. idk why i do, it was stupid of me to think that most people Got It, no one ever gets it, it was always about the memes and the aesthetic.

the first mean girls movie was based on a nonfiction book called queen bees and wannabes. it interviewed and discussed the social hierarchy system in teen girl friendships. how they hold each other to these insane standards of heternormative femininity out of sheer terror that they won't meet those standards themselves. the way they leverage their relationships for some small degree of power in a world designed to strip them of it, even if it drags other girls down.

the "you can only wear your hair in a ponytail once a week and on wednesdays we wear pink" speech was not an original creation for the script. it's a QUOTE from a real teenage girl. those were REAL RULES.

then the musical came, and it was one step removed from the intended messaging of the film. OG mean girls was not perfect (and was extremely racist), but it said what needed said. the musical leaned on the comedy more, but still left a heartfelt undertone, and still critiqued the systems in place. of course no piece of media is going to be perfect, but it was about the conversation.

then this new movie comes out and it is washed over in the veneer of white hollywood feminism so thick you can't see anymore. the problematic aspects of the original movie are taken out to avoid "offending" when the offense was the point. it becomes toothless, it becomes some other thing entirely. they changed karen's line "i expect to run the world in shoes i cannot walk in" to "watch me as i run the world in shoes i cannot walk in." because choice feminism is in vogue, suddenly this character whose entire point is that she doesn't think deeply about WHY she does anything is suddenly hip to the fact that the world is against her.

i think of sokka losing his misogyny arc in the new atla. i think of the Heathers remake casting the bitchy, identical heathers as queer and hollywood-fat outcasts. as if the story, the meaning, the allegory is hidden in the sets and the jokes and the music. it's a whole new thing now, and it's a thing that means nothing in particular.

the plastics should not wear jeans. they should not have curves. their queerness should be suppressed, painful. their sexuality is not a slay, it's the only thing they think they have of value. the santa dance isn't sexy, it's shocking, it's mortifying - they are children.

they're not mean because "we are all mean." they are mean because they are girls in a world that brutalizes them and crushes them into a standardized shape. they are mean because the world is mean to them. they are mean because it gives them some power back. they are mean because it's the only weapon they have.

the landscape of femininity today has shifted to camera-ready makeup at the age of 10, stringent performative hygiene standards, and avoiding being caught on film while having a genuine emotion. the consumerism, the fatphobia, the racism, the classism, the homophobia remain. We could have had a conversation about that.

#mean girls #huge unhinged rant sorry #misogyny

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pickapea · 7 days

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everyone must unlearn the phrase "eat the rich". none of you are responsible enough to use it in a way that means anything

#leaving the echo chamber that is tumblr for 2 years and then returning puts a lot of this site's ''radical'' ''socialism'' into perspective #i'm not politically active either and that's a personal failure of mine #but i am 99% sure that half of you are doing jack shit besides reblog and repeat slogans that are basically just memes at this point #i used to feel strongly about it all and felt all ''revolutionary''#ideologically i'm of course still on the left side of things but a lot of the things i used to preach as a teenager just don't seem feasibl #now that i've actually lived in the ''real'' world #idk #anyway enough about me. i am very sure that a whole lot of you people are in no way ''eating the rich'' nor are ''revolutionaries''#it'd be cool if we all were but i just don't think that is reality so repeating all these old 1800-1900s slogans #just bc they sound cool and powerful. just feels embarrassing. they are just memes now. internet leftist memes. breadtube style #i am not politically active or revolutionary i am tired and spent #i go to work i go to work i go to work i try to keep my apartment clean but it isn't working very well #my work/life balance is non existent and half of the time i'm just trying to enjoy a moment at a time and do something fun just engage #just engage in one singular hobby just indulge in some art form or try to engage in something creative and fun #but i am at work so much #i absolutely do not ever do anything political and revolutionary #''the personal is political'' well then i'm not doing very well for the world. politically speaking #BUT! i go to work and pay my taxes and i let my dishes sit in the sink for 2 weeks at a time and i don't eat cooked meals and i pay my rent #i pay my rent on time and i visit my parents once a month and i manage to vacuum my apartment once a month and i still haven't folded #my laundry #and i do not eat the rich #pickapost

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jonnywaistcoat · 1 month

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When writing, did you ever suffer from a fear or underdelivering or misrepresenting a topic? If you did, how did you overcome it? I enjoy writing but rarely bring it to the public out of fear that I am either not doing good enough or badly portraying the themes or aspects of what I write.

Absolutely, and on the one hand it's a very healthy fear - it prompts you to do your research and be thoughtful in how you write. On the other hand you've just got to accept that occasionally it will happen. Inculturation is a hell of a thing, and leaves us all with a thousand kneejerk preconceptions and perceptions of the world, some benign and some downright awful. And sometimes they crop up no matter how thoughtful you try to be. And you gotta understand that when it happens and people call you on it, you just have to take your lumps and learn what you can from it.

It doesn't help, of course, that the words you write are only ever half of what your audience reads: five people reading the same book are reading five different books, each filtering the text through a lifetime of psychology and experience. And they will find themes and problems in there you never even considered, and they will also find resonances and beauty in your work that you could never have foreseen.

At the end of the day, writing stuff thats meaningful to you (hell, writing anything at all) is a messy, bruising business, and anybody who tells you there are simple solutions or clear rules to follow is either lying to you or to themselves.

But you can't let it paralyse you. Its like if you're playing football and you're worried about falling over. It's a reasonable fear and you should do your best to avoid it, but occasionally it's gonna happen, and unless you want to spend the whole game just standing still in a field, you've kinda just got to get on with it. Just try not to be one of those writers who's always taking dives and... screaming for the ref to get a free kick? Hm. That analogy may have gotten away from me. I don't actually know much about football.

Point is, I'm aware that this isn't the most reassuring writing advice I've ever given, but yeah, its a messy, scary business. Just do your best. Be thoughtful. Be kind. And always do your research.

#Sorry for the ramble #One if those things I've thought a lot about #And still don't have any simple answers #That writing I guess

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shmalk · 1 month

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141 is filled with alphas, not a single omega in sight. there are a few betas, but they're either low-ranking or transfers that were never going to last.

like you! (beta!reader) who works at reception and takes calls, scans badges and is the first point of contact for the task force.

none of them know your name, none of them even speak to you - maybe price, when you transfer a call to him, he'll mumble a thank you. or even laswell, when you bring her a coffee.

it's nothing, really, you don't mind.

only, one day, a totally normal friday, you've done the exact same style in your hair you always have, and you're wearing more clothes than you were yesterday.

price wants a coffee, sure- you make it, just the way he likes, and head towards his office. you knock, and wait a few seconds until you hear 'come in.'

the office is silent, it usually is - but this time there's more than just price inside.

they're finishing up just as you enter, soap and gaz sitting in front of the desk whilst ghost leant against the back wall.

"my apologies, captain." your voice isn't exactly quiet - why should it be, you've done nothing wrong, but its still respectful. price just nods as you place the cup down on his desk.

"thanks, that's all." he dismisses everyone in the room, and you wait for the boys to file out before you do, soap and gaz both giving you a cheeky smile.

ghost is the one to hold open the door, standing just adjacent to the doorway with his arm sprawled against it. its a heavy door, and you swallow as you pass him.

"thank you," you all but mumble out as you rush past him - straight into the break room.

you can't help but rant about the situation to your roommate whilst you're packing up your things, your phone tucked between your jaw and shoulder.

"i mean- he held the door open for me and i couldn't even look him in the eye to say thank you!" you stress, throwing your bag into your passenger seat before leaning back against your car. "god, all i wan't right now is a plate of sushi and some boba."

"too bad its pizza night, dweeb."

"thats not fair! i could loose my job, i should be allowed to eat my comfort food when im stressed out."

you stress about it over the whole weekend, and when you return back to work on monday you try to act as casual as possible. of course, you don't see ghost - price doesn't order a coffee, and youre break time comes around quicker than you expected.

you had brought- oh, theres- your favourite sushi, and a boba drink sitting where your food was supposed to be. in somewhat messy hand writing, on a small piece of paper, theres your name.

signed ' s. riley. '

i am a sucker for sweet lil moments like this !!

in my head i think that simon would like a beta, or an alpha, but in this lil snippet (which is CERTAINLY getting turned into a fic) he's big and broad and gets worried when he's with alphas because they can't think straight, he tells them what to do and he does it.

but you? you dont react to his scent or chase him down to get him to court you - so, of fource, he courts you. <3

#john soap mactavish #kyle gaz garrick #shmalk ! ᧔♡᧓ #task force 141 #simon ghost riley #john price #simon riley x reader #alpha!simon riley x beta!reader #beta!reader #alpha!simon riley #alpha!ghost #alpha!ghost x beta!reader

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hiveswap · 3 months

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Summary of The Cat of The Year poll atrocities of 2023/2024

I'm sure that most people on this side of tumblr have seen the Jellie vs. Nefarious Anglerfish poll going around with like 60k votes at this point, and I'd really like clear up some of what happened since I was around for the whole thing.

Url blocked out for op's privacy. They have already left but don't look for it if you haven't seen it/don't harrass them if you already have.

1. The previous round (preparation)

I discovered the poll in its previous round, needless to say she beat Jort's ass severely. This was around the 3rd of january, meaning that this round finished before jellie's passing with only about 7k votes. Op did add their own piece of propaganda from their main:

...which was FINE. (except for stuff we'll see later) Of course running a poll while biased isn't ideal but I for one didn't even know they were the op until much later. I also added my own piece in a separate thread, and they didn't interact with it at all. There was no drama.

2. The Finale

Jellie unfortunately passed away right before the starting of this poll, which was the catalyst for what happened next. Op did exactly as last time and added a slightly more mean spirited encouragement to vote for the other contestant. This is the point where I believe that i fucked up personally.

I added this thinkpiece accusing op of associating all mcyters with Dream (who we all hate for the record) despite them not alluding to him at all. This is because tumblr has a history of disimissing all mcyters as... everything that dream was been accused of. Op did allude to not caring for mcyt. but they didn't say what i accused them of. This is important to point out because this reblog of mine is still being spread. Jellie was in the lead at the time, but not by the time i woke up next morning.

I won't be including anyone else's additions because I don't want to put blame on any specific person. Just felt like clearing up mine.

3. The Fuckening

Some time later op made this post to their personal blog:

which is insanely shitty because, as other people have pointed out, the "lame ass youtube cat" didn't die to inconvinience op or ruin their fun, and people would have probably voted for her anyway because jelly is universally beloved in the mcyt community. This isn't anti democratic. This post was added to the poll with a caption saying op should not be running this poll, and it took off. Op later went on to say that this was a joke:

This apology was not taken well by people, (including me) because "you were not meant to see it" isn't an apology and they still very much made fun of someone's pet dying. Safe to say this did not make the drama stop and only added fuel to the flame. I believe this was the point where the conversation of mcyt fans being unjustly sent hate to was reignited.

We should discuss that! it's a real thing that happens often and is equal to childish bullying. However, in this case, OP was the only one getting sent hate to my knowledge. The notes were mostly saturated by mcyt fans, and even now i can only find one or two hateful stance towards us under the whole 20k notes post.

4. Conclusions

Op posted a second apology to the catoftheyear blog to try and calm people down (i believe this is comprehensive and a lot better than the previous one) The blog was deactivated shortly after, so i only have my phone screenshots of it that i also added to the poll itself at some point:

(Edit) Here's proof that op did not write the justification they got criticised for, from the notes of the original poll:

This apology didn't get seen, or get accepted by enough people, so op made this statement on their personal:

Needless to say I am deeply dissapointed (and guilty) that it's come to this. Yes, op said tasteless things that made us all angry, but telling a human being to commit suicide is worse than being insensitive about a stranger's pet dying. Even after I posted about the blog being decatived i had someone come into my notes to wish that "they never find happiness" i mean wtf. This isn't like shipping where we can do whatever without the content creator's input. this is fucking harrowing and i can't imagine how i'd feel if this was done in my/my pet's name especially after losing them as recently as a week ago.

I hope no one from hermitcraft who is on here (let alone scar holy shit) learns about this like they did with previous lighthearted tournaments. If you truly respect the creators you claim to be a fan of as people, you do not tell people to kill themselves over them. And finally, let Jellie fucking rest, guys. she had a long, good life. I hope op can come back and also avoids behaving like this if they ever wish to do so. I'm angrier at mcytblr, though.

#catoftheyear #jellie #tw animal death #tw suicide bait #hermitcraft #goodtimeswithscar #adding to main tags so people see this instead of the poll itself with no context on how it ended #If this breaches containment and gets used as a reason to hurt mcyt fans i am going zo eat whoever is doing that #catoftheyeartournament #jellie the cat

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lunahearts · 3 months

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Soooo I read all of Dungeon Meshi in this past week and I have many thoughts bouncing around in my brain and I think the only thing to do with them is some AGGRESSIVELY CLOSE READING of a scene I wanted to come back to and try to understand better.

So: I want to talk about chapter 28

This entire section of the story is something I feel like I am going to want to come back to a lot, because its such a transitional time and I feel like there are a lot of themes/ideas that I wasn't fully aware of during my first reading, and stuff I missed because of that.

One of the biggest things I have been turning over in my head is... hey, what was UP with the Marcille/Falin bath scene? Maybe it was because I was already primed to pay attention to stuff with them going into the story, or because I had already seen a couple of panels out of context. In any case, it really kind of stuck out to me as being very short but also VERY intense, while also being... hard for me to define? Some part of the nature of the intensity felt like it was going over my head.

I wasn't sure that revisiting it would help with this right away, but to my surprise, it actually WAS a lot easier for me to follow and understand when I went back to it. So I want to just do a close reading of That Scene and some other parts of the chapter & context around it all, because I think it offers insight into Falin & her relationships, and what purpose this chapter serves within the story as a whole.

So first of all, I think it's interesting that the scene starts with Marcille bathing Falin.

It feels very caring in a more platonic, less charged way then what will follow.

Marcille goes from this caretaker mode to joining Falin in the bath, and then of course we get the first of The Panels

(as a small note, I only noticed when revisiting that Marcille is using the rest of her Kelpie soap in the bath. Isn't that just the most heartwrenching little detail. Augh)

Anyway, one of the first things I thought was interesting going back to this is how much it reminded me of the very different sort of intimacy that came just before it - when Laios and Marcille assembled Falin's bones.

This is such a beautiful and intimate sequence, and something about Marcille examining Falin, whole, after the fact... I can't imagine there are not some echoes of those bones in Marcille's mind. The action seems more startling/intense for Falin at first, and maybe part of that is because Marcille has already experienced this level of intimacy with Falin's body in a way Falin herself wasn't a part of.

This panel in particular I think is a summation of the difference in the experience for them. This looks like... near orgasmic for Falin tbh, and Marcille is very focused on the actual like practical part of what she's doing, seemingly completely unaware of the Effect she is having on Falin.

The whole short sequence is focused on this intimacy that Marcille initiated seemingly without fully being aware of what she was actually doing. And once Marcille is satisfied, she is also the one that ends it, sitting back in the bath and moving out of Falin's proximity. All on her own terms, and for her own ends.

HOWEVER... Falin doesn't just let things go.

Instead, she returns Marcille's attention. First, by asking after her wellbeing:

Marcille, of course, deflects (there will be a lot of that in this scene).

But Falin doesn't let it go.

Falin is not a confrontational person. She likes to keep the peace. In this context, and in context of the way that Marcille was the one to come into Falin's space initially, the way that Marcille controlled the initial intimacy... this is striking. I genuinely think that these three panels might convey one of the most assertive actions Falin (as herself) takes in the entire story. One of the only things that outdoes it is the fucking INCITING INCIDENT OF THE WHOLE STORY.

I'd also like to point out here that this action of Falin's also parallels her resurrection by Marcille & Laios. It's is also a forbidden magical action done to save someone(s) she loves, and its something she does TO them, that they are not fully aware/able to react to until its done.

Anyway, back to the bath scene. Falin is taking action here and asserting herself. And how does Marcille react?

She flips out!! She rejects it! She tells Falin that she isn't supposed to be acting like that.

It's a very distancing response from Marcille, and also one that puts her back in that caretaker mode from the start of the scene. She also puts even more distance between herself and Falin by sinking into the water.

Falin doesn't give up though! She continues to assert herself. She's okay, she is allowed to chose to do this.

And Marcille continues to push her away. It looks to me like she only starts to relax a little once she fits Falin into a role she can better define and control. You're a patient, you're recovering, I understand this fact and you don't. Let me take care of you.

But, for a third time, Falin pushes back.

I don't think it’s coincidence that this is where she opens her eyes. She asks directly about the thing that they have both been dancing around:

The resurrection spell. The fact that Falin KNOWS about this, at least in part, recontextualizes the quiet battle for control between the two them. They both know at least some part of the truth. Marcille wants nothing else then to ignore it. Falin wants to be able to talk about it. Marcille's blatant refusal to give her those answers, I think, is what keeps them out of sync - intimate only ever in one direction at a time, never fully together.

And of course, even when directly confronted, Marcille refuses to engage with the truth.

This moment being on the bottom of the page is notable too. There's a beat here. The last panel holds on Falin's face. The reader reaches the bottom of the page, and they are held here for a beat as well, with Falin. It's not quite a rejection yet. What Marcille says isn't directly an answer to Falin's question, but it is a response. A valid one, even! Falin wasn't just asking the question after all, but struggling with guilt that Marcille has every reason to want to reject.

But then you move on the next page, and...

Marcille isn't actually addressing the question at all, not directly. She's deflecting, again. Oh we had a ~difficult time~, there were a lot of "tough situations." Even though she and Falin both know about the resurrection, and Falin has made it clear that she wants to talk about it, Marcille pushes away from the actual topic. She keeps things broad and indirect.

She offers the smallest gesture to Falin - nothing more than a whisper of 'don't worry about it I won't get in trouble' (even though Falin's concern was never just about Marcille getting in trouble).

Marcille then continues to deflect even further, completely changing the subject onto clothes and frog adventures, which seems to distract Falin as well, as she finally gives up on pushing.

And that's where the scene ends! Marcille pushes into Falin's space (without fully realizing), and Falin pushes back. She tries three times to get Marcille to acknowledge her wants, and three times Marcille rejects her, though she does eventually convey some truth. She is honest in her belief that Falin doesn't need to feel guilty, and that things will all work out, even as she continues to deflect the rest of the question. Falin finally accepts that, the topic of conversation changes, and we move on.

But there is a little bit more that happens between them. Towards the end of the chapter, they have this little 'oh no we have to share a bed' situation. Classic stuff.

And Falin seems to realize that the context of this is kinda different now then it was when they were in the magic academy. She's not a kid any more, and they just had those intimate moments in the bath. There's a new tension between them, or one that new at least to the bed sharing of it all.

And in this respect, too Marcille pulls away from what Falin is trying to say. She tries to frame Falin as a kid, tries to insist that nothing is different.

When I first got to this part, it honestly felt... a little uncomfortable? After the bath scene, it is really weird to move into a new intimate situation with Marcille explicitly treating Falin as a kid.

What I have realized in coming back to this scene, though, is how much I think its meant to feel uncomfortable. Throughout the chapter, Marcille's responses to Falin become increasingly patronizing. By letting some of that conflict between them resolve at the end of the first scene, the chapter seems to let things rest, and lets you set it out of your mind.

Then, when the same type of conflict comes back at the end of the chapter, Marcille is even more blatantly treating Falin like a kid, and the unfairness of it hits even stronger. They are both adults, and Falin deserves the truth. After 27 chapters from the perspective of Laios, Marcille, and the others in the group, this progression lets you feel things from Falin's perspective. It's supposed to feel uncomfortable because it IS uncomfortable for Falin, the way no one will quite tell her the truth.

After all, Marcille isn't the only one to do this kind of deflecting when Falin tries to ask about what happened. Laios has a similar response, right down to the 'treating her a bit like a kid' part.

Even more importantly, this final conversation of the chapter reveals one last layer in the knowledge/power imbalance between Falin and the rest of the party: she doesn't actually remember sacrificing herself and teleporting them out.

As I mentioned before, that action was one of the most assertive things we see Falin do in the story, and she doesn't even get to keep that for herself. Instead of being her action, her choice, it becomes yet another thing that the others know more about than her.

I think that's part of why there is such an air of melancholy to this hug they share on the next page

Obviously, obviously, there are so many emotions here for Laios and I don't think its all meant to be viewed as a negative thing, or that he or Marcille are being completely unreasonable. They've been through a lot, and what's more, they think they have time now. So much more time then they actually will have. Time to explain, to open up, to let Falin return to the group in full - as a teammate and not just as someone to be cared for and protected.

But they don't get time. And this relenting by Falin, this "I won't do it again," it's not something that feels triumphant. It's an attempt to comfort them, more a prayer than a promise. As if she is trying to exorcise a spirit. As if she is capable of promising that death won't come, eventually. It's what Laios needs, not what she wants.

That's the real tragedy of the chapter, I think. It's the one time, in the midst of everything, that they have the chance to give Falin what she wants - and they don't do it.

But I do think they realize that, and I think that this failure is a core part of their journey. It's another bittersweet taste to add to the mix - all the missed chances in this chapter to connect, amidst the moments of genuine peace they do get throughout it.

As Laios puts it later...

If Falin hadn't been eaten by the dragon, and perhaps if they hadn't failed her here, they never would have had the adventure that they got to share.

(or, perhaps more tactfully: in life & chapter 28, there are both good times and bad. Thanks, Chilchuk)

#dungeon meshi #delicious in dungeon #falin touden #marcille donato #laios touden #dunmeshi analysis #dungeon meshi spoilers

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