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#my fandom people you’re so important in my life you have no idea
letraspal · 4 months
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Happy New Year 2024!
Thank you for your support and for having fun with me in this year, hopefully we’ll have a new one ahead. ❤️
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yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶
i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)
have a good day!! sparkle on!!! ✨💖
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i heart mithan... i think that they can be so cute...
i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned
mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭
i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔
i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends
i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about
people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled
in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol
the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭
its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭
mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)
i get a lot a trouble for saying this, but mia is a selfish person.
its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!
she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!
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she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"
she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)
she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.
he got involved because she was involved. its honestly a series of really really unfortunate events.
THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.
she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7
but again, those are the consequences of HER actions
her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭
their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"
its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!
you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)
everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.
obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.
the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"
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she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!
just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.
im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!
im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.
i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!
i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process
talking about them is just a pain in the butt because talking about mia is a pain in the butt lol
i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭
its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.
all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.
i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.
also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!
thank u for the ask! sorry for the long response!
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chosaya · 7 months
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BEGINNERS GUIDE FOR NEW WRITERS !
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A/n: this for my beginner writers who actually want to write a piece or work for the first time!
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✰you finally want to start writing for fandoms popular or not it’s okay! write whatever YOU want to. (we don’t judge whatever work you decide to post).
✰no inspiration or fic ideas I got you babes! here here here. here. here here here you can also combine these Au’s together if you’d like to!
✰you don’t have any motivation to write or writers block for short.
Take this time to relax and think about what you want to write deeply and take your time when you do!
Light a candle, get cozy and write little reminders you’d like to add into your fic’s later on.
take a self care take for yourself, away from any devices and clear you mind.
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✰FINDING YOUR WRITING STYLE !
everyone has different writing styles ! Your writing can be different from others (ex: adding details, dialogue etc, be creative!)
✰PLAGIARISM IS A BIG NO !
plagiarism isn’t cute never was, with that being said taking people’s fic and passing it off as your own then playing the victim again isn’t cute it’s wrong. Here’s my suggestion save yourself the of the anon hate and write your own ok?. Don’t do this shit.
We do this for free as a writer myself, author can spend hours writing with or without sleep (sometimes) so don’t rush them! Be patient, authors have life outside this app.
✰COMMENTS/SUPPORTING YOUR WRITER !
your probably thinking maya was is this important? because your author needs all the lover and support they can get. it’s also because they’re a lack of “reblog’s” and “comments” these days even the small things can make your author happy!
✰MORE RECOURSES (these are some of the authors if you’re looking to write smut for you can ask them!)
@kazushawty @omgeto @hoshigray @luxesiren plus more those are the ones I can remember on the top of my head right now!💕
✰DETAILS !
You can add the smallest details in your story! that your readers with comments on, like adding descriptive, it could be body language or how the readers feels it matters! (It helps make your fic’s longer)
Adding plot twists in your story can make your reader more interested in your story and makes them want to follow and read more.
✰ thesaurus!
you can use this if your constantly using the same words over and over and want to switch up your word game!
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if you have anymore questions let me knowww!
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eetherealgoddess · 2 months
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Hey, I just had a really good idea for u to write. A yandere bonten and a singer/ famous reader. I really love your writing style, and I get sooo excited when I see u post something 🫶🤭
Thank youu!! I get excited for good requests :)
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ꨄMelodic Ruinꨄ
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Oneshot - Yandere Bonten/Famous Singer Au
❦You’re an artist who caught Bonten’s attention❦
Sano Manjiro, Hanemiya Kazutora, Sanzu Haruchiyo, & Haitani Brothers x Reader
(Mostly Mikey but you’ll see what I mean)
❣︎I know in real life the manager doesn’t “own” the singer, but in this story, the reader will have signed all of their artistic rights to the manager so that the plot will make sense❣︎
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Not fully proofread
Japanese language is red
MY TR FANDOM WORKS ARE ONLY ON TUMBLR, AO3, AND WATTPAD UNDER EETHEREALGODDESS! REPORT IF YOU SEE IT POSTED UNDER ANYONE ELSE BUT ME!!!
I apologize if I get any Japanese etiquette or culture wrong, I literally have to research the culture for some of my fandom stories so if anything is wrong, please excuse my ignorance.
Notice:
✩Y/n is 18+. I picture her as a black female but you can see her however.
✩Some parts of the story may not be realistic or factual. After all, this is a work of fiction.
✩Although it's a dark 'romance,' I do not condone any of the behavior displayed.
✩Dark content such as: gore, violence, triggering topics, graphic scenes, vulgar language, explicit sexual content, etc.
✩There may be scenes that involve non con and/ or dubcon so don’t read if that makes you uncomfortable
✩That being said, this story is for 18+ only.
Enjoy!
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Melodic Ruin
Claps could be heard echoing throughout the concert hall as you stood on the surface with a sweet smile, thanking the audience before walking off the stage, the lights shutting off behind you as the crowd began to make their leave. The long dress you wore hugging your figure as the train of the fabric followed behind. You had just completed the last performance for your concert, your hands rubbing along your sides as you released a breath of relief. Of course you don’t get as much anxiety as you did when you first started singing in front of thousands of people, you just really cared about your craft. A perfectionist you could say. This particular performance was important as well considering the extra onlookers your manager warned you about, you having noticed a few of the “important” people in the VIP seats when you were on the stage.
You are ranked as a famous singer in your country, not having been worldwide just yet besides the few videos of you singing at home or in the studio that went viral, as well as your first album that was released recently. You’re a new industry baby, but you’re still trying to keep your own personality in your work without getting controlled by any record deal which is why you’re an independent artist. You take pride in your art, creative by heart and ambitious by nature. It took you quite a few years of releasing singles and singing social media videos to finally get noticed for your talent. You’re proud of yourself which is something that doesn’t happen often enough. You’re not exactly at the top yet but you’re not mad with where you’re at.
“Good job, Y/n! You’ve caught quite the attention!” Your manager greets you just as you made it backstage, offering you the business card in her hand. You look down and take the paper on your own, eyeing the print. Your eyes widened.
“I got invited to perform in JAPAN?!” You exclaim. Never have you ever gotten an opportunity to go out of the country, only touring around local concerts although still popular by demand.
“A private, high classed lounge owned by club owners Haitani Ran and Haitani Rin! Isn’t this great news?” She beams as she holds her hands up. You look at her with your eyes glistening, a wide smile on your face as you feel so grateful for the opportunity. And to be personally invited to perform at this specific lounge is a huge deal for you. You’ll have more of a chance at getting acquainted with bigger connections. It’s intimidating, yet you couldn’t help the excitement that your hard work is finally paying off even bigger than it has.
“We’re leaving first thing tomorrow so get your bags packed because it’s gonna be a long trip!” Your manager says before giving your arms a tight squeeze. “You deserve this, Y/n. Bask in it now because before you know it, you’ll be attracting even bigger opportunities.” She walks off, leaving you with the business card as you read the print once more.
You immediately change before packing your bags when you make it home, excitement making it hard to fall asleep although eager for the next day to come. It was early in the morning when you and your manager met at the airport holding your private jet. Checking your consistent notifications as well as scrolling through social media. Sitting on the plane was full of thought while you listened to the music blasting from your headphones, thinking about the venue you’d be performing at. How intimate it’ll be to sing amongst all of those people who will be judging you, observing your creativity to see if it’s worth the profit.
An empty estate was offered to you and your manager, coming upon a penthouse once your driver dropped you off. Your manager basked in the luxury as she unpacked, talking your ear off as if she’s more excited than you. You chuckle at the thought before heading to your own bedroom to unpack, an eyebrow raising at the name tagged on the door. When you opened the door, you were met with a modernized luxury bedroom. The body sized window gives you a beautiful view of the city from above. You stood there a moment before turning around to get your outfit ready for the night, already having notified your manager to not call the stylist since you already had an idea of what you were going to wear.
When evening finally struck you had just climbed into the vehicle, your driver helping you in before shutting the door behind you, along with your two security guards who traveled with you. Your manager sat in the passenger seat, the black suv moving along as you eye through the tinted window. Your nerves are struck, having never performed in a country other than your own. Especially with the presence of numerous important individuals, you couldn’t afford to make any rookie mistakes.
When you arrived, you were helped out of the car, different locals being held back by guards already posted for the lounge, keeping the crowd behind the ropes as you walked along the red carpet. You waved and smiled as people screamed your name and song lyrics, cameras flashing as well as paparazzi ready for the next best shot. Finally making it inside, you were greeted with a beautiful melody, red covering the walls with a marble floor. Gold decor plastered along as well as the large chandelier hanging from the middle of the room.
A red rug sat in the middle of the floor along with cushioned chairs and glass tables, a bar across from the stage as well as many people conversing with champagne and other alcoholic beverages. A woman holds a microphone on the stage, entertaining the audience with beautiful harmony. Everyone wears all black formal attire, causing you to look down at your shimmery, golden gown with a grimace. You turn to your manager as you both walk down the hall in the opposite direction, heading for the dressing room.
“I thought I was supposed to wear gold.” You say softly. She smirks.
“You are. Don’t forget, Y/n. This is your special night.”
My special night, right.
You take a deep breath before one of your security guards opens the dressing room.
Your eyes perk at the man standing inside. He turns his head back before walking towards you with a smile. You eye his purple orbs before examining the suit accenting his broad figure. His neck tattoo displays a symbol you’ve never seen before, though it fit him well. Fingers run through his short, dyed hair as he gets closer.
“Welcome, Y/n. Haitani, Ran.” He states, holding a hand out. You smile politely, ignoring your anxiety as you shake his hand. You couldn’t help but notice how soft his skin felt against yours.
“Hello, Mr. Haitani. Thank you so much for this opportunity.” You beam, subconsciously rubbing your palms against the fabric of your dress, refraining from picking at the dress.
“Please, call me Ran. The pleasure is all mine. We are grateful to have you here.” He says, before connecting his lips with the back of your hand, gaze still holding yours. You felt your face warm, having never been handled so gently by a man considering the type of males that live in your hometown. Your manager walks up, both of them greeting each other, though her body is slightly tense when she gives him a tight smile. You fail to notice the display of tension, too focused on the tingling sensation lingering from the contact with your hand.
“I see that gold fits you very well. Best choice I’ve ever made.” He chuckled. So he recommended it to your manager?
That brings you comfort knowing you hadn’t made a mistake, after all it never felt good to be the odd one out because of misinformation.
“Indeed it is. Y/n, let’s get you ready to perform!” Your manager eased her arm around your shoulder before pulling you off, Ran waving bye as he exited the room while you shifted your gaze at her with confusion.
“What was that about?” You question her as she fixes her own makeup in the mirror.
“I don’t know what you’re talking about.”
“The way you just interr…”
“Y/n.” She breathes out. “Let’s focus on your music, yeah?” She says as she touches up your face. You nod your head right before an employee comes in to queue you. You exhale before heading down the hall behind the stage.
“Please give a warm welcome to Ms. Y/n!”
Straightening your back, you stepped onto the stage, revealing yourself to the audience who claps and cheers, giving you the welcome you deserve. You gaze at the beautiful view of the crowd, noticing a familiar suit sitting with eight other interesting looking men. You greet the crowd right before the music begins, beginning your performance as everyone quiets down, along with the light over the audience dimming.
During your performance, you allow yourself to get lost in the music. Closing your eyes as your hand moves along, flowing with the melody as your beautiful voice harmonizes well with the piano. Your head tilts as you release a stronger note that comes from the base of your voice, tightening your grip on the microphone as you walk along the stage. The slit of your gown opens slightly, exposing your thigh as you move across the stage. Your gaze shifts to different sides of the lounge, making eye contact with a few of the audience members as some of them sway their upper bodies with your song.
The frequency of your voice brings a sense of calmness to the crowd, some with their palm holding their cheek up as they wear a smile, pleasantly losing themselves with you as they seem to be in a trance that locks them in to only you. Some lean into your presence as they gaze at your figure, nodding their heads occasionally to the flow as well as admiring your overall appearance.
Your manager stands behind the stage, out of the sight of everyone as she chews her nails, shifting her gaze to the eight males that sit upstairs with the best view of the stage. Her eyebrows furrow while her arms tremble slightly, unable to focus on anything else but the intimidating gazes stuck on you. The platform of her shoe taps against the ground as she exhales.
The music goes out just as your voice lingers the last note, eyes fluttering back open as a grin grows on your expression, all the while one of your arms lie out to the side. You set the microphone back on the stand after you bow with a “thank you,” as everyone claps. You accidentally catch Ran’s gaze as well as the other men just as you wave ‘goodbye’ to the audience. You meet your manager behind the stage as she gives you a smile and pulls you into a hug.
“Great job, Y/n! Now let’s celebrate.”
The night was spent drinking as well as having conversations with various people, discussing their businesses and hobbies as well as asking you numerous facts about yourself. Your manager seemed to have disappeared a while ago, leaving you to sit by yourself on a lounge chair, the dress hugging your legs as if you were a mermaid. You eye your phone’s screen while taking a sip of your champagne, eyeing the recent post of your own performance until the shadow of a person steals your attention.
“We need to go, now!” Your manager says before snatching your wrist, pulling you along as drops of liquid splash out of the glass.
“M/n? What the hell?” You gasp as you’re caught off guard, almost tripping over your own dress while she forces you to rush to the dressing room.
You yank your arm out of her grip before glaring at her.
“M/n! What is going on? Why have you been so on edge tonight?” She quickly gathers all of your stuff as you stare at her with disbelief. She pauses, failing to look at you.
“L-look. I’ll explain everything later. We just need to get out of Japan right now.”
“Wait a minute. I thought we were staying for a few days.” Your tone shifted to concern. “What’s wrong, M/n? Did something happen?” She drops the makeup supplies before turning to you and gripping your arms.
“I told you, Y/n! I will explain everything later, but right now we don’t have much time! We need to leave, now!” You gaze at her with shock along with fear as you become nervous by her own look of terror. Sweat sliding along the lining of her forehead along with her eyeliner slightly smeared with red eyes.
What the fuck is going on?
“Oh? What’s the rush? The party was just getting started.” A smooth voice says with amusement behind you. You watch as your manager’s eyes widened before you turned to meet your gaze with three men. Your eyes met a familiar purple though the rest of the features were slightly different, the purple mullet being the most prominent as well as the matching tattoo you saw on the male earlier. You guessed this man to be the other owner of the club, Haitani Rin.
Standing to his right is a man with golden eyes, blonde strands falling over his face along with his black hair pulled into a neat ponytail. His expression was light, holding a smile that you could mistake for politeness. He placed his hands in his pockets after shutting the door behind them. To the Haitani’s left is a man with narrowed blue eyes that seem to pierce into your soul, his pink mullet shaped perfectly around his beautiful features. Your gaze shifts to the scars placed at the corners of his mouth, furrowing your brows before you take in the situation at hand.
“What’s going on, M/n?” You side eye her as you watch her eyes widen. Her lips slightly apart as she tries to think of something to say.
“That was a beautiful performance, Y/n. Fitting for such a gorgeous woman.” The blonde says as he approaches, holding a hand out. The tiger in black ink on his neck added to the intimidating aura that contrasts with the expression on his face. He mimics Ran, bringing your limp hand to his lips while gazing into your eyes. A look of such intensity that you had to look away.
“Thank you…” You pause in expectance.
“Kazutora.” You nod with a polite smile before shifting your gaze to the others.
The tension in the room has yet to disappear. You couldn’t really focus on anything else but how scared your manager looks right now.
“M/n. It’d be in your best interest to follow us. The King wants to speak to you.” The pink haired one says, a look of satisfaction crossed his face when he states ‘the King,’ which causes you a little confusion by the title.
Kazutora takes the opportunity to wrap an arm around your shoulder, pulling you along as you look behind to glance at your manager with a questioning look. You all walk out of the dressing room and through the hall. The only sounds being your heels clicking and their speech, nothing you could decipher because of the differing language.
“Surprised she’d be Mikey’s type.” Rin says to the other men.
“No kidding. Who knew a famous babe from Y/c would catch his eye?” Kazutora says while glancing at you.
“There’s a lot you two don’t know about Mikey.” The pink haired man replies.
“Hm, I guess you’re right Sanzu. Wonder how long it’ll take before blood sheds tonight.” Kazutora rubs his chin.
“Can’t wait to find out.” Sanzu smirks.
You turn back to glance at your manager who looks as though the color on her face has disappeared.
I hope I find out what’s going on with her.
You all arrive upstairs, walking down a hall before being met with an office. When you walked in, you noticed the other men who sat on the balcony with Ran, standing around the desk facing the entrance. Ran also in position though sitting in a chair next to the desk in the spacious room. A man with pale hair sits behind the desk with a sweater hanging off of his shoulders, dark eyes gazing into yours as Kazutora removes his arm and leads you to your seat. Your manager sits beside you on another chair, along with Rin standing by her side and Kazutora standing by yours, everyone facing the platinum haired male. Sanzu takes position beside the short man, standing by his chair with his hand holding the other.
You felt on edge, seven pairs of eyes focused on you, all the while silence filled the room. You turn in your seat to look at the blocked entrance, some other broad men blocking the door. Your eyebrows furrowed as the room seemed to get colder, turning back in your seat as you faced the mystery man.
“Speak.” His narrowed eyes meet your manager’s.
She hesitates as you watch her shift uncomfortably in her seat. Her chest rises as she takes a shaky breath in before exhaling.
“U-um, I…” She stammers, fingers trembling against the arm of the chair. You stay quiet, concerned with her behavior as your own body glistens with sweat from stress. You shift in your seat, straightening your back as you cross your ankles, your legs fidgeting as you feel the butterflies in your stomach.
“You tried to leave? And so soon?” He questions, his expression stoic as his eyes bore into your manager’s. Her hands move to her lap as her foot taps against the ground.
“U-uh, no. No I didn’t.” She breathes out.
“I think you did. Didn’t she?” They all responded with “Yes Boss.” Before silence falls once more.
“Why?” M/n’s mouth shuts as she tries to think of something. You could only guess that she was nervous because of whatever business title the men hold so you decide to speak up for her.
“We’re grateful for the opportunity, really. It’s just been a long night.” You explain, only causing some of the men to chuckle at the naivety. Your eyebrows furrow in irritation. “Okay, what the hell is really going on?”
M/n looks at you with wide eyes before holding her hands up and shaking her head.
“Y-Y/n, I’ll explain later, just give me some ti…”
“No, tell me right now why everyone is acting so weird. Stop wasting time.” You growl, sick of the antics and the vague conversations.
The man looks at you for a moment before nodding to Rin. To your surprise he pulls out a gun just as M/n hops out of her seat causing the chair to fall backwards. She runs to the entrance only for him to hold the weapon up, shooting the gun. The bullet penetrates her back, causing her to fall over, a shriek leaving her lips as the throbbing pain fills her senses. You jump out of your seat in shock, eyes staring at the blood staining her attire while she lays her head on the floor.
“What the fuck?” You exclaim, heading to the bleeding girl only to get pulled against a chest, arms wrapped around your waist, pulling your feet off the ground.
“You said to stop wasting time!” Kazutora laughs as the rest look on in amusement to the woman losing consciousness.
“Y/n! I-I’m sorry! I’m so fucking sorry! I had no choice! I had no choice!” She weeps, hand smacking against the floor as she covers her head with her arm. “I’m so sorry.” She whimpers.
“What are you talking…! Let me fucking go! She needs to go to the hospital!” You yell, beating Kazutora’s arms as you try to pry them off, kicking your feet.
Sanzu walks to the woman lying on the ground. Setting a foot to the wound before pressing down, causing a strangled gasp to come out of her mouth. You struggle harder as you watch him point a gun to her head from above.
“Explain yourself.” He growls, smiling wide with crazed eyes.
“I-I sold you! I s-sold… you! It’s… *gasp* all in their…*pant* hands!” She weeps, “I h-ha… *grunt* had no choice!” Her own nails pierce her palms as she turns her hands to fists, squeezing in pain as he continues to press his weight down.
You could only stare in silence as you paused your struggling.
“T-they’re a… a gang! A *pant* criminal….organization! Th-they…*grunt* threaten…!” She screams out in agony once Sanzu pulls his leg up and slams his foot down on her wound. You wince as you begin to struggle again.
“Let her go!” You were angry with her, yes. However, if the truth is that they threatened her, you couldn’t help but empathize despite your lingering resentment. Your only focus was to get both of you out of here alive. You wondered where your guards were.
“Yes, ma’am.” Sanzu smiles before moving his foot off of her and cocking the gun, pulling the trigger. The bullet blasts half of her skull open. The sickening sound of blood splattering the floor causes you to gasp before you yell out, tears falling out of your eyes at the traumatic display.
“Hey, save those vocals for the bedroom, yeah?” Ran jokes before lighting a cigarette, some of the other men chuckling at his response.
“Let me go! Let me go, goddamnit!” You growl angrily, crying as Kazutora forces you to sit down.
He cocks his gun, bringing the barrel to your head while putting a finger over his lips. You eye him with a look of horror.
“Shh.” He starts. “Boss isn’t done talking.”
You pant as you hold your chest, staring back at their ‘boss’ who eyes you quietly. The room calms down once more as everyone takes their original positions, a gun still pressed to your head. He slides a form over for you to read. You lean in your seat and look over the sheet that confirmed your manager’s signature, signing you over to Bonten, a criminal organization residing in Japan.
“The contract doesn’t lie. During this term and all others, you are now the property of Bonten.”
You shook your head while whispering, “No.”
“I own you, Y/n. You can either fall in line willingly or by force. I don’t care. You’re mine.” He says before standing from his seat.
“Mikey.” He says to you before shifting his attention to the others. “Take her to Bonten’s headquarters.”
Kazutora hides his gun and grabs your arm as you struggle against his hold. Just as Mikey and Sanzu, along with some of the other men, head to the doorway, he says, “Knock her out if you have to.”
A breathy laugh is released from Kazutora before he pulls back a fist.
“Sorry, doll.”
Darkness immediately engulfs your vision.
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jeremywhitley · 1 year
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Here we are, six weeks later...
HEY!
So, in case you haven’t heard, our six week run on Love Unlimited following Gwenpool wrapped up today and...
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and as much as I did write all of this and it is extremely important to me, I feel I really need to make sure you all know that this didn’t start with me.
To be completely accurate, it started with Chris Hastings and crew for creating such an amazing and nuanced character out of what could have only ever been a high concept and a cover gag. Not that the cover gag wasn’t good, but the statue that is revealed from that piece of marble over the course of The Unbelievable Gwenpool is truly astonishing.
Then, of course, there’s you. An audience of fans with an incredible love and passion for a character who also saw a lot of the quirks and experiences that we as people on the asexual spectrum experience and talked about it online.
Which is where the incredible @alannawrites, my editor, comes in. Alanna had been looking for an opportunity to tell a story about being ace in Marvel comics. We had kind of skimmed around the edges during Unstoppable Wasp, but ultimately being a character who owed so much to a movie franchise, there were a lot of nerves there. Gwen was not only a great opportunity to tell a story of a person hyper aware that they are in a story struggling with the tropes that affect their actual life, it was a chance to bring about this story for a character a lot of the fandom already saw as ace. Obviously, not everybody, but still a lot.
So when editorial game to okay to tell this story, Alanna reached out to me - somebody she’d worked with but also specifically had just had their own little coming out as demisexual a little while back. I was thrilled by the idea and before long we brought on @bailiesartblog and Kelly and had a full creative team of people on the ace spectrum. This is easily the first time that’s ever been a thought.
For me it was important that it not just be a story of coming out, but that it be a Gwenpool story. A story of knowing how stories work, what tropes you can play with, trying to direct the story where you think it should go, and ultimately finding that the story just won’t comply. And for people who have experienced being on the ace spectrum or a lot of other marginalized genders and sexualities - that’s a very familiar problem.
Ultimately, it’s different from a lot of other Gwenpool stories because it’s not the world around her. She has 2-3 real working possibilities for romantic relationships in this story and one that is about to become a fully adult sexual relationship with a woman whom she really loves before it skips the tracks. Ultimately, it’s not a thing from the 616 that’s holding her back, it’s a thing she brought with her from the real world - her sexuality - and no matter how worthy you are, you can’t beat that with a hammer.
There’ll be lots of time to talk about this later, but along with her actually saying the words and waving the flags above, one of the sequences that’s most important to me is the opening sequence of issue 6
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This is the problem sometimes with being story tellers. When you think you know the story, realizing you’re not who you thought you are can feel like maybe you’re a villain. Maybe you’re a monster. Maybe you don’t belong here.
Some people on the internet seem to have decided to misinterpret this sequence as us comparing being asexual to being a monster, when very clearly that’s Gwen doing it. I’m just going to assume they’ve never had the experience of struggling to understand themselves and where they fit. Sounds fake, but whatever.
I love this FF story. I love Ben Grimm. I love this cover and that was why I gave my art team the truly unenviable task of recreating it. Like, I don’t know if you’ve been there, but I certainly have and I’d wager that most of us have at some point.
But perhaps the most important image in this scene is the next one:
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Julie sees her friend, her girlfriend, the person that she cares about spiraling and literally yoinks her right out of the frame.
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And sits her down and talks to her about it. And listens to her about it. And when she starts asking questions that Julie can’t answer, she finds Gwen somebody who can.
And that is an incredible gift to give to someone. And yeah, maybe we should all do that for each other, but man is it hard. Julie for one is in a multi-month relationship with this girl that just told her that not only was she lying about being ready to have sex with her, but that she didn’t actually like kissing her and has been faking enjoying some aspects of their relationship. You wanna think you would still be there for this person, but that’s a lot to handle and it takes a lot to be the person Julie is in this moment. But, personally, I love Julie Power and I think she’s the kinda person to stick with it.
And ultimately I think this scene is so important to me because I hope this book is our opportunity to be Julie Power to somebody reading this story. I hope someone who is going through a hard time or struggling with how to define themselves will find this story and it can be the hands that pull them out of the cover of Fantastic Four 51 when they need it. Maybe that’s a lot to hope for a comic, but it’s really the ambition I think the team went into this comic with. We want to tell a story about an aroace character coming to terms with who they are and learning to accept and be comfortable with it, but ultimately we hope this story gets to someone out there when they need it and makes the difference.
Well, this has gone really long and I’m sure there will be other things I wanna say about it later, but until then take care of yourselves and hopefully you’ll get the chance to be someone’s Julie Power.
P.S. - Julie, you’re amazing and I’m sure we will find a romance for you that works out eventually. Sorry that we’ve collectively now put you through three breakups.
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wifegideonnav · 1 year
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for all its reputation as being super dark and depressing, harrow the ninth actually employs a type of wish fulfillment that is, in my opinion, dangerous unless you’re aware that that’s what it is.
because at its core, htn is about the vindication of grief - it’s about losing somebody and then suffering in such perfect agony that you get her back. in the universe of the book, harrow is correct to refuse to let gideon go, she’s correct to destroy herself over gideons death. she sacrifices literally everything she’s ever been or cared about, she debases herself completely, and in return, she gets gideon back.
and this type of thinking, if you bring it into the real world, is not healthy. a lot of pop culture tends to enforce this idea - that if you just hold on well enough, you’ll get what you want; or, put another way, that if you let go, you never cared in the first place. but i think it’s important to be extra cognizant of this concept’s place in htn, precisely because people find it to be such a “real” depiction of grief and loss. as readers, especially as i know many in the fandom are also mentally ill, also grieving their own tragedies, we need to keep in mind that necromancy is still just a fiction, and that there is no reward for suffering. in real life, the prize you get for suffering is more suffering.
i know it may seem silly to post this like, “reminder that magic isn’t real guys!1” but the idea of being rewarded for suffering is so entrenched in our culture, and it’s especially insidious when you have a mental illness in your ear whispering that you deserve to suffer anyway, and clearly this is all your fault, and if they stay gone it means you didn’t do everything you could, and -
i’m making this post to say: please take care of yourselves. go to therapy, or support groups, or find other ways your community can help you. strive for healing. don’t let them be a dead body you drag behind you. and never fall into the trap of believing that the more you suffer, the more deserving you are
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londonfoginacup · 6 months
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It’s that time of year again! 2023 edition!
This is my seventh year sending holiday cards in the fandom! Help me continue the tradition!
As you may or may not know, my favorite thing in life is sending Christmas cards. Literally. Favorite. Thing. The issue? I have way more cards in my possession than I have people to send them to! Please help me out, I want to send holiday cards to as many of you as you will let me!
Want a holiday card? Please say yes!
I’ll mail you a card –  a physical card! I like to send a little something extra too, like some stickers of my own 1D art (see my foggy art tag, for instance)
You don’t have to be a mutual, or even following me!
I’ll send internationally!
All I need is your address, and a name (it doesn’t have to be your real name, I’ll send it to a nickname or your username, whatever! Be safe!)
Fill out my google form!
Or, like in past years, you can send it as an ask, anon or otherwise, or message me! (I won’t share any addresses ofc)
Important though - I’ve had a few cards returned in the past because I wrote the address wrong, so pretty please write exactly how I should address the card, including line breaks! This seems to be especially an issue with addresses in India and Indonesia! no clue why!
I tend to assume that the cards I’m sending out are Christmas cards and that I’m sending them to larries, so if you want a holiday card as opposed to Christmas, please let me know! And if you’re a 1D fan without being a larrie, also let me know! I just need to know so that I know what stamps to decorate it with and what message to write. I don’t judge/discriminate! I just want to send appropriate decorations so we can all have a fun and equal time :)
I will send these out to everybody that sends me an address before December 20th! That being said!! Especially if you live internationally, they might be… a bit late. I’m getting better at it though!
Even if you don’t want a holiday card, please reblog this if you like the idea! I’d like to send cards to absolutely everybody who wants one!
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Watching a reactor on YouTube who just got to Season 4: Lazarus Rising, and I’m so annoyed by the amount of comments with people saying things like, "this is when the series REALLY starts" and "Seasons 1-3 were the prologue, now The Story begins" and "I’ve been waiting for you to meet my favorite character!"
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First, I will never be able to understand Castiel being someone's legitimate favorite character. I just don’t get it. He starts off as a massive dick, becomes an ally, uses and betrays both brothers a number of times, rarely takes full responsibility for his actions, and ends up as a totally different and neutered version of himself. But this guy is your favorite!? The only reason I think a large number of fans who love him do is because he comes in the gate treating Sam like crap and he becomes a simp for Dean (or they are shippers). Also, if someone is a more casual fan, I can see enjoying Cass because he’s quirky and he mostly stands up for the Winchesters, but if someone is a big fan of the brothers, Cass makes their lives harder a lot of the time. Also, I’m coming to really hate the fact that the dude is always in a trench coat. How am I supposed to take a character seriously who is essentially like an unchanging cartoon character come to life? Anyway, despite how it might sound from my ranting, I actually do think people are allowed to love whatever character they want, but it just doesn’t compute for me personally that it’s Cass as he is on screen (not in someone’s head).
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Next, the idea of people calling the first three seasons "The Prologue" to supernatural is offensive to me personally (well, not offensive but it’s dumb as hell). A prologue is used to give some important background that should be known for you to better understand the main story, but it happened before, or doesn’t quite fit into, the main narrative. I’m sorry, but the first three seasons of Supernatural are the foundation that everything builds off of, and maybe I’m splitting hairs here, but it’s not just the set up to the Real Story. The Real Story of Supernatural has always been and will always be "the epic love story of Sam and Dean," not the angel crap. Calling the basis of the whole show the prologue has an implied message that it’s not as important as, or connected to the rest of the story. Again, people are allowed to have their own opinions about what they enjoy in media, but this idea that what came before Season 4 wasn’t as important as the rest of the show is actually bad media literacy, especially when you consider how much retconning and inconsistency later seasons have (*cough* John Winchester, for exapmle). The early seasons are Supernatural at its most pure, and if you don’t like or care about Sam and Dean's story, what are you doing here?
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I was going to go on by listing all of the important things that we learn about Sam and Dean's characters and relationship in the first three seasons, but honesty, I’m tired. If you’re reading my post, I’m sure you already know. True fans of the show, even if seasons 1 to 3 aren’t their favorite, know how important these seasons are. Frankly, if someone claims that they don’t matter as much as the later season, then I’m going to assume that they are probably a heller (and I’m probably right), thus their opinions on the show don’t matter.
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Speaking of Hellers, they are the Jehovah’s Witnesses of fandom. They descend on your doorstep (YouTube video, blog post, etc), uninvited and unwelcome, to make you uncomfortable by forcing their literature (head-canons and subtext) on you in a vain attempt to make you convert to their twisted version of a cult religion (Destiel). Some get indoctrinated into their cult, others consider them a joke, and yet others are driven to madness by the constant hounding of the hellers. I wish they would just stay in their lane and let people come to their own conclusions about the show and the characters, but they try to gatekeep the fandom experience by jumping on anyone new and telling them how they are the "most popular ship" and that supernatural queerbaits, but Dean and Cass are still totes husbands, and there is some other guy there, too but Sam is just some jerk who isn’t as important as Wuwu Dean and their Little Meow Meow Cass. If somone actually sees and enjoys Destiel on their own, great, good for them; they’ll find the blogs and groups who love it too. Hellers don’t need to try actively recruiting people. It’s all just a numbers gone to them. We have the most fanfic (um, yes, because the show doesn’t deliver what you want), we are the most popular ship (sure, because the other main ship is brothers which squicks some people out, and because you crucify anyone who admits to being a Wincest shipper), and they tell the stupidest lies (the show shifts away from being about the brothers, and focusses more on Dean and Cass' "relationship," and Sam isn’t as important to the story later). I wish they would just stay in their own sandbox and not come pee in everyone else's. Cult like behavior in action.
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Okay, deep breaths. I’m grad I got that one off of my chest, but my blog is getting very ranty. I’m going to try make sure my next post is a positive one.
Happy weekend everyone!
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I read your post about not letting kudos and hits upset us. I try to think this way but I'm curious about something else. I've written many fanfics for my fandom and they're all "flop". I don't mind that honestly. But then some writers have written only one fic about the ship I do and and it gets hundreds of kudos. How do some writers achieve that when I'm doing the same and it doesn't get the same response. What else can I do?
I’m afraid I can’t give you a definite answer about what you should do or why this person’s work is more popular, but what I can give you are some advice and, from my experience, some reasons that might explain why other’s works receive more hits and kudos.
start with why other writers’ works are more popular when it’s the same characters, same ship, same fandom. there are various factors at play that might be it;
maybe the person already has large audience base prior to their posting about the fandom you’re in, I know a few authors who already have these sorts of loyal readers that would read any work the authors posted even if they (the readers) were not in that fandom.
maybe someone, anyone, decided share the link to this person’s work on Tumblr or Twitter (X) or any social media platform, and it kind of became viral, thus it drew in lots and lots of readers. it could take just one person, didn’t necessarily have to be the author themself, to share the link among the fandom as a recommendation, or maybe a screenshot of one sentence from the fic that they liked, what happened next is that the replies were filled with people asking for the link.
tags and summary are important factors when people are looking for a fic to read. so maybe this person’s work is tagged with the content people were looking for? maybe their summary grabbed people’s attention or curiosity?
these are just what I can think of over the top of my head.
as for what you can do to gain more readers, I’ve never seen your work so the advice I can give will be a general one; I believe the trick lies in summary, tags as well as the format of one’s work.
when it comes to AO3 (I assume it’s your platform?), tags and summary are the main things people use to determine whether or not they want to click on the fic.
tag your content properly, what characters or pairings it’s about, as well as what the readers will find upon reading your work (you don’t have to spoil it, only the general tags that will give your readers an idea of what they’re in for).
summaries are just as important. there are no “rules” obviously, and I’m not telling you or any writers what to do. though a little advice that I personally take is that you use this little summary section AO3 gives you to do anything to make sure it stands out and that people will see it and want to click on it. that means leave “author’s note” out of the summary section. folks, AO3 summary is the first glimpse into the fic itself that people will see prior to clicking on it, most of the time, people look at the summary to see the author’s writing style and if what’s written, plotwise, grabs their interest. personally, when I see an author use “summary” as a place to write “author’s note”, chances are, I will scroll past that fic as I am interested in what the fic is about, not what the author has to say about their opinion on said fic or their personal life or anything (there’s an author’s note section for that) and if I can’t get a glimpse of what the plot is about or what the author’s writing style is from the summary section, then I won’t click on it, and will look for other fic that can get me interested instead.
moving on to fic format, again, I am not telling anyone what to do here. this is only a suggestion, an advice I’ve learned and want to share: when you write your fic, make sure to use line and paragraph spacing. if your 10k word long fic is one long block of text with no paragraph break, chances are, people will back away from it entirely. also, if it’s two different characters talking with dialogues, don’t put all of their dialogues in one paragraph. for instance, a paragraph for character A’s dialogue, then another separate paragraph for character B’s dialogue and so on.
and I think that’s it for my advice? however, I’ll say this again that the secret to truly enjoying your role as a fanfic writer is that you only focus on yourself. write whatever you want for yourself. it doesn’t matter if this person’s work is more popular, because fanfics and fandoms aren’t a competition. you are your main audience. just have fun creating the stories you want to create for you.
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morganbritton132 · 1 year
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Ahh I love your emtts I catch up on every day like it's my evening newspaper 😂 Speaking of I just saw the response where you mentioned Robin and Steve saying hi to their FBI agents and that's hilarious
Like the idea that Robin and Steve are so used to being bugged that they say hi to the FBI, Steve is vehemently against Alexa, doesnt have much of a social media presence (aside from Facebook) and is still futile trying to stop Eddie from breaking his NDA because Eddie may only have one Steve signed FOUR is so funny in the context of this au where Eddie just tells tiktok Steve has mommy issues 😂 The contrast is just so funny to me
But anyway. I absolutely love your au and all the details you've put into it and I hope you don't feel too much pressure when you get responses like this. Hope you have a good day
No pressure felt at all! I absolutely love being sent stuff like this. I think it’s so cool that people pick up on little world building things and expand on them because those are my favorite things to write. I’ve always found something really fascinating about grounding a character into a realism that’s just kinda mundane. I think it’s neat and I think it’s cool that other people see it and seem to like it.
It's like the saga has it’s own fandom and I love it.
After Starcourt, Steve and Robin started signing off their phone calls with “Bye Steve/Bye Robin/Bye FBI agent bugging my phone” because sometimes there was this weird staticky sound on the line when they talked.
And sure, maybe it was because the mall fire caused significant damage to the power grin and everything was flickering and staticky that summer. Maybe it was Steve’s second concussion of the year still ringing around his head. It’s funnier to imagine that it’s an FBI agent sitting in some hot sweaty van listening to them talk about girls and minimum wage jobs.
“Holy shit,” Steve said one night, cutting Robin off in their ever-depressing job search. “We’ve talked about girls.”
“Uh, yeah? Did you forget?”
“That means that you came out to me and the FBI, Buckley.”
Steve actually told Robin that the FBI monitors them for a bit after every Upside Down event. They patch you up and give you an NDA, and then they watch you for a while to see if you’re a traitor to your country. That’s just common sense.
Dustin overheard him and said that this was real life and not a bad spy movie. Steve was just being paranoid.
Steve’s just like, “Oh yeah, if I’m so paranoid then why was there a weird van in the school parking lot when I l picked you up from your nerd club? That’s classic FBI.”
“You mean Eddie Munson’s van???”
Eddie signed the NDA but he’s never taken it seriously.
The first thing he did after he left the hospital was write a song about Vecna. He still preforms that song to this day. The artwork for their first album cover was a drawing of a demo-bat. That album sold over two million records.
Eddie’s never had a secret that he hasn’t told. Sometimes Eddie starts talking and he doesn’t know what’s going to come out and other times, he outs his husband’s mommy issues to his audience of six million.
Eddie will start a live stream like, “Ask me anything, I’m an open book.”
Steve’s just like, “Babe.”
“Sorry, Steve said I’m not allowed to be an open book.”
 
(Side note: It is very important to me that the only social media that Steve has is Facebook because (1) it’s a mom’s social media and (2) it’s unsecure as fuck. Not only is Facebook spying on you but it’s selling information. I just think it’s so funny that Steve won’t get an Alexa but he’ll give all his pictures and location to Mark Zuckerberg.)
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shsy7573 · 3 months
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Random Lucifer (Hazbin Hotel) Character/Song Analysis Kinda Thing… I Guess
Okay, so yeah, Luci has 100% taken over this page. So what? I’m not obsessed, you are.
Anyway, I’ve been listening to “More Than Anything” on repeat since it dropped, and like a lot of the fandom I tear up every single time… but unlike a lot of the fandom, it’s not because of the sweet father-daughter moment (which, don’t get me wrong, doesn’t help the situation because it’s just so damn wholesome).
No, what gets me is how, just through a couple subtle moments, the show is able to convey just how absolutely shattered Luci is as a character. And, you know, because he’s my favourite, bestest, snek-baby-duck-boy, it makes me a little emotional…
So now you’re all gonna hear about what goes through my mind every time I listen to it. YAY!
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“Charlie! You don’t understand, Heaven never listens. They didn’t listen to me. They won’t listen to you!” / “You don’t know that—” / “I do!”
It starts before the song even truly begins. When I’m listening, it’s usually these first few lines that grab my attention. I end up replaying the first 4-5 seconds of the song over and over again because the pain in that “I do” is so fucking good! (And because I like to suffer apparently cuz I end up sad. Life of an angst lover I guess).
It’s the first time we see him with actual tears in his eyes. The raw delivery of that line is so attention grabbing, and manages to say so much in such little words.
I think the reason this particular scene tickles my brain so much is because it’s the breaking point for his character in a way. I am, and always will be, a sucker for moments where a character’s walls finally come down, and we get to see what’s been festering inside. When their deepest thoughts and how much they’re hurting are revealed. The entire song is what that is for Lucifer, starting with these two words right here. I truly cannot put into words just how much my breath is taken away by Jeremy’s delivery of this line. I cannot articulate how much I love it, and how important it is for Luci’s character. it just hits so deep and so right for me and I love it.
Lucifer isn’t just saying that he knows Heaven isn’t going to care about her plan (I don’t think anyone thought that’s all he was saying but whatever). He is saying that he knows what Heaven does to dreamers. He knows what they’ll do because he has already been there, and it destroyed him. They took his ideas that they saw as too outlandish, and they squashed them. Cast him aside. And he paid the price for it when he went bashing their back and did his own thing anyway.
Luci is a broken dreamer. Throughout the entire episode, and the series as a while, we are given very strong hints of this. However, it’s not until this song that we really see it in action. It’s not until these moments that we are able to see past both the veils of “Imposing King of Hell” and “Goofy Guy who’s trying his best but not great at Dadding,” and get a look at how genuinely depressed this man is.
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“My dreams were too hard to defend.”
This scene eight here. The more I see it, the more I fall in love with it. Just a great example of ‘show don’t tell.’
He’s talking about having big ideas, he’s talking about giving people a chance and reaching outside the normal, he’s talking about being cast out of Heaven. I just love the parallel he’s drawing between Charlie’s mission, and his own past.
Charlie created the hotel in an attempt to give people who have been seen as lesser to all of Heaven some sort of chance. She is choosing to have faith in them, and to open up opportunities for them to lead a better life.
Lucifer, when he gave Eve the fruit, was taking a chance to allow humanity the chance to have free will. He wanted them to experience everything life had to offer for themselves like angels got to. He offered a chance for them to lead a better life.
He had everything, and he had complete faith that what he was doing was right. All the light and hope of his dreams was right in the palm of his hand. He had so many ideas that he thought, if they were saw through, would make the world a better place.
But it didn’t work out for him.
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“And in the end, I won’t lose it all again.”
Now, the first seconds of dialogue may be what I keep rewatching, but this has got to be my favourite visual of the entire song. It’s such powerful imagery, and I fangirl over it every time.
Look at how small he looks in that shot (I know, I know, he’s tiny regardless, but like seriously). He is completely outnumbered, hopelessly overpowered, totally at the mercy of all his Heavenly superiors… and he’s all alone.
He lost everything because he had the gall to dream. It’s not hard to look at the song (and the episode at large, really) and find not only his feelings of being wronged, but also his immense guilt. It shows in how much he hates Sinners. They are basically the worst of what he did, a constant reminder of the day his mistake caused him to lose his home and everything he held dear, and they are all he gets to see. Only being permitted to see your failures for all eternity? No wonder he’s fucking depressed.
The day Heaven cast him out was the day he stopped dreaming. Because dreaming big only leads to pain, failure, and suffering.
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“I just don’t want you to be crushed by them like… like I was.”
This next moment is kinda self explanatory and obvious and really doesn’t need any commentary, but I’m gonna talk about it anyway. Because I love it, and I love him, and… you know… angst. I’ve mentioned my lust for it several times now throughout this post, you really shouldn’t be surprised.
I just feel so bad for him. Lucifer made one mistake. One simple, misguided mistake that ended up introducing evil into the world, and all of Heaven came down on him for it. And, you know what, in the narrative presented by the show, what he did wasn’t that bad. He just wanted to give the world’s newest creations the same freedom angels had, and it backfired horribly. Lucifer, like Charlie, was an idealist who saw the best in people and wanted to help.
And what did he get for his good intentions? Shoved into the cesspool he unintentionally created, and forbidden to ever see anything good that came from his dream.
If I had to guess, Lilith was the only thing keeping his mental health afloat for a long time… and then they had Charlie.
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“The tales about your lofty dreams. I’d listen breathlessly, imaging it could be me.”
His daughter became the light of his life. Something that he cherished and indulged more than anything else in the world. To him, she was perfect, and he wanted to do right by her in any way he could.
Lilith told their daughter stories of all her father’s dreams regardless of what he thought of them, and when the little princess came asking him… how could he refuse? How could he refuse her anything?
So he shared them with her. All the tales of grandeur, and fantasies of everything he wished the world could have been. All the dreams he had long since let go.
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“And in the end, it’s the view I had of you that show me dreams can be worth fighting for.”
Now, the scene where Lily take’s Charlie away has always been excellent brain fodder for me because of how somewhat ambiguous it is. You could interpret his sadness to have SO MANY meanings. However, I have inevitably decided on two potential head-cannons/theories to share here for what could possibly be going through Snek-King’s head.
One: Lucifer loves his daughter, but he feels estranged and like he’s failed her in some way. She’s such a joy, such a wonder, and in a way it's his fault she’s trapped down here with all of human ties worst. He wasn’t to be close to her, and to make the world perfect for her… but he already feels like he’s failed her in the most unforgivable way. He keeps his distance because part of him doesn’t want her to have a super high of an opinion of him. It’s kind of his depression manifesting, saying that ‘she shouldn’t admire you and your stupid dreams when they’re the reason she’ll never see true light and happiness.’
The angst addict in me likes this one more, but still I’ve got another one that always pops.
Two: He feels like he’s selling her false hope, and he can kind of see the place her innocence is headed. He’s seen the horrors of the world, and he knows the more he indulges her dreams and fantasies, the more she’ll suffer when she sees that’s not what the world is like. He knows from personal experience how much it hurts when your dreams come undone, when you lose hope in the world.
Listening to Charlie’s actual lyrics, she tells him that he was the one who inspired her to dream, that he was right to dream, and that she’s not going to back down. In the song, Luci realises that 1: maybe he didn’t fuck us as badly as he thought and that she actually doesn’t blame him and wants her in his life and/or 2: she has her mother’s willpower, and she’s never going to stop dreaming or let her world be sullied like he did. She’s so much stronger than he was.
So he lets her in.
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(Side note… AWWW, look how TINNYY he is! He’s so small. The start contrast in the second image gets me every time)
There’s a bit of symbolism in the song which I ABSOLUTELY adore, and it has to do with the wings. In the flashback, Charlie mentions his “lofty dreams,” when we see the duck, which later transforms to have multiple sets of wings. Later in the song, when Lucifer finally lets her in, he also sprouts those wings.
And I just love this, because I think it acts as the perfect symbolism of him finally opening his mind again. Not just to his daughter, but to the possibility of dreaming in general.
He takes her to a circus, a place filled to the brim with spectacles and thrills, a place where humanities wildest imaginations seem possible.
But even though he’s beginning to open up, and he’s willing to help her in whatever she does, he’s not ‘fixed.’ His depression and self doubt and feelings of hollow emptiness and guilt and apprehension aren’t gone.
And he’s still terrified of seeing her spark go out like his did.
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This tiny smile break is so addicting to watch for me. It speaks volumes. Once again, my angst loving heart eats it up every time. It says, “I’m still worried, and there is still so much shit going on in my mind right now about all of this, but I’m here for you.”
And that’s what counts.
Luci’s character showed a lot of colours, and came a long way in this singular episode, but he’s still got a big uphill battle to climb. He still has to come back into his own where dreams are concerned. Maybe he never will, not completely. Realistically, he’ll never go back to the way he was.
But maybe, just maybe, in helping his daughter he’ll find something worth believing in again.
That is, of course, if they decide to give him a character arc beside ‘Dad who is trying and doing better,’ but for that only time will tell.
And THAT concludes my rant on the Rubber Ducky Ruler. If you stuck around this long, good for you! I wrote this whole thing on a limb at midnight, and NO I’m not going to go back and edit it because why would I ever want to see all the horrid grammatical and spelling errors I’ve inevitably made.
Maybe I’m off the mark on all of this. Maybe I’m head-cannoning too much. Maybe I’m just trying to suck out every hint of potential angst out of a song that’s supposed to be sweet and wholesome. That’s for you to decide. But for me, I’ve decided that I’m satisfied with this analysis. In the end, I just needed to express all the thoughts bumbling around in my head SOMEWHERE before I exploded, and unfortunately, I feel like I’ve run all my friends dry talking about this baby to them, so now it’s your turn. But, anyways, I think that about wraps things up. It’s time to go to bed.
Farewell, stay hydrated, and have a lovely rest of your day/night :)
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laundrybiscuits · 4 months
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Found myself reading some old Inception fic and felt the urge to poke at an AU idea—I know ST fandom skews a little young, so I genuinely don’t know how many people will even get this. If there are Inception primers out there, I haven’t bothered to find them, so…you’re on your own, kids. 
“Absolutely not. I do my own forges.” Eddie sweeps the file off the table and directly into the trashcan; admittedly, it’s not the most mature thing he’s ever done, but Henderson’s getting on his last goddamned nerve. 
The little twerp has the fucking audacity to roll his eyes and groan, like Eddie’s the one being unreasonable. “I know this guy, don’t be a dick. He can do it. Don’t you wanna focus on your super special architect stuff?”
“What you and every other dumbass dilettante drowser don’t seem to grasp is that my architecture is alive, and I breathe life into it via my meticulously crafted characters. I create richly textured worlds, Henderson, and I populate them myself. That’s why I’m the best in the fucking business: because I understand that the people and the setting are one and the same, and I can handle both.”
“Eddie.” Henderson crouches to grab the file out of the trash, and smacks it back down on the table. “I’m running this team, and I’m saying I don’t want anything like what happened in Munich to ever happen again. Okay?”
“Low blow, kid,” snaps Eddie. “Munich wasn’t on me.” 
“I know, jeez. I just…” Henderson takes a second to tap the loose sheets in the file back into place, then stands there with his lips pressed together like he’s keeping something in. After a moment, he just says, “This isn’t going to be Munich. Because Steve’s going to be here.”
———
It’s not Munich. It’s not Munich at all. It is the furthest fucking thing from Munich possible. 
Eddie’s never had a job go that smoothly—and it’s not down to Henderson’s obsessive prep, because it should’ve been a slippery one. The kind of job that twisted partway through into something frustratingly unexpected, forcing them to improvise and take whatever half-win they could squeeze out of the mark’s subconscious while dodging completely unexpected security. 
Instead, it’s so incredibly not-Munich that the client gives them a fucking bonus, and when was the last time that happened? The bonus is generous enough that Eddie’s share can cover a whole new safehouse in Melbourne, which should have been great news, something to celebrate, except for the absolutely unholy amount of smugness now radiating from Henderson.
Eddie avoids the I-told-you-so conversation as long as he can, but he can’t run forever.
“I told you so,” says Henderson, flopping unceremoniously into the dark wooden chair next to Eddie.
“This is a library, dude. Keep your fuckin’ voice down,” says Eddie, without much hope. He’d heard Henderson was supposed to be meeting up with Sinclair in Lima this week; so much for that intel.
Henderson waves a dismissive hand, gesturing vaguely at the domed skylight high overhead. “It’s not like a library library. It’s basically a museum.”
“The goddamn State Library of Victoria is absolutely one hundred percent a library library, genius. See all the books? But also, do you think people go around yelling in museums?”
“Maybe they should! What we should be focusing on now, though, is that I was right about Steve, and I think it’s important for our working relationship that you acknowledge I was right.”
“I don’t have to acknowledge shit,” says Eddie, slumping down and ignoring the glares they’re starting to get from everyone in the atrium. “Anyone ever tell you you’re an egomaniac, kid? I don’t even get why you’re so hot on the guy, anyway. He’s like—the least imaginative forger I’ve ever met.”
It comes out a little harsher than he’d meant it. It’s just that forgers, as a people, tend to be easily swept into flights of fancy.
Eddie’s always sort of thought it was a requirement of the profession: when he’s inhabiting a character, part of his mind is always working to generate the little details that make them feel like a whole person. Their secret fears and even more secret hopes. How they deal with boredom or anger, what their gut reactions are. The small gaps between how they see themselves and how others see them. That’s where Eddie thrives, and he thinks that if he were less hooked on the magic of spinning up entire worlds for marks to wander through, he might forge full-time, just for the thrill of riding that uncertainty. It’s how he was taught, but clearly, Steve learned something different.
What Steve does isn’t really classical forging—not in the way Eddie thinks about it, usually. Steve just…walks into a situation, says some stuff, maybe gives the mark a smile all warm and private like a whispered secret. And then the mark folds. It’s maddening how easy Steve makes it look. Oh, he’ll pull on the right costumes and tweak his physicality a little, but it’s always still just Steve underneath. 
Maybe that’s the trick. Eddie’s forges work because he crafts lavishly detailed lies; Steve’s forges work because there’s some kind of real, solid honesty at the core. 
“I’m going to ignore the hurtful thing you just said because I know you hate to admit it when I’m right and you’re wrong,” Henderson informs him. “You really gotta work on that. More importantly, I’ve got a lead on a new job, and Steve already said yes.”
It’s not like Eddie needs the money. Henderson’s a nightmare to work with. And there’s the, y’know. The Steve Harrington of it all. Eddie has a million reasons to say no.
“Yeah, whatever,” he says instead. “When do we start?”
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tylered-up-in-blue · 9 months
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Response to “The Magic Trick You Didn’t See” / The Coffee Theory
I, like many people in the Good Omens fandom, have already read the big essay “The Magic Trick You Didn’t see” –which blows up the coffee theory that’s been circulating on my twitter page to greater heights and big claims. I have some thoughts.
First of all: I think that the original essay has a few details wrong, essentially because it falls into a kind of utilitarian perspective with the whole magic show metaphor. The thing is –sometimes details which are left hanging, or themes which are shown to be important, don’t always tie up somewhere. Sometimes they’re there because they’re interesting, or poking at intrigue –trying to get you to notice and note down for later, rather than evidence of one ultimate solution that’ll be revealed as a holistic great plot. Also “I didn’t think the writing was good in this moment” isn’t very convincing to me, I’m sorry.
But –I do think that they were onto something. I hesitate to make any grand claims, like “Maggie isn’t real,” or “The Metatron is editing the book of life,” because -to be honest- I don’t trust myself to put my name to something as big as that, and I don’t want to erase my favourite thing about Good Omens: its whimsicality. But I will say that there are themes and notable elements which I think will be important later and hint at some larger fuckery (if you’ll excuse the OFMD reference) going on, so consider this a kind of rejigging of the theory to be a more thematic approach that lays out things I just thought were interesting under an more open-ended (or flip-floppy, depending on how you take it) idea:
Something was going on this season which will be revealed as a Heavenly plot to split Aziraphale and Crowley up by the end. It worked. And the person to reveal the greater plot will be Muriel.
I’ll write down first of all a list of things that have been introduced to the world of Good Omens which I think are important, and highlight why one of them sticks out to me. Then I’ll work on a thematic basis of what things are shown to be worth narrative focus/presuppose S3. The first two themes are very much commentary drawing on the essay I’m responding to, and the second two are more my own ideas –certainly the fourth.
Okay, so: there are introductions to the Good Omens-verse which are clearly there to expand our world for later use. I don’t know if all of these things will come up again, but by the end of this season we know:
There are Nazi (and possibly more) zombies running around London.
There is a gun in Aziraphale’s bookshop -in case it’s needed. 
Heaven is interested in keeping things quiet, and they will fiddle with memories to do so. Erased memories can be “stored” in things/creatures.
There is a thing called “The Book of Life” that if you’re written out of, you NEVER EXISTED. (It can be edited, too, presumably.)
Crowley is possibly the most powerful being in the show. “Half a tiny miracle” ends up being enough to resurrect someone 25 times over, and his attempt to stay calm after a little tiff with aziraphale results in draining the street of electricity. Also he created the entire universe. (coming back to amend this with the fact Neil said he got going just "that tiny corner of space" -but I still feel there is significant evidence to say he is very powerful:) )
I lay these out because they’re just good to have noted down, really, and because they’re definitely GOING to be important. ALSO because the last one makes sense for the greater aim to be breaking up the ineffable husbands. Emphasis on Crowley’s power –and for their shared power– sets up a REAL threat for what we KNOW will be the basis of s2: The Second Coming. If you’re Heaven, and you want the second attempt at an apocalypse to be successful, you’d be stupid to let the two celestial beings who were meddling in the whole averted-apocalypse ordeal last time to just be AROUND for it. Especially when one has the ability to stop time!!! You’ve GOT to break them up. 
Theme 1: Investigation (Muriel!)
Investigation is a fun little theme in s2: Aziraphale goes full detective mode. He loves the clues, he’s in his little trilby investigating. All the marketing was very investigative and invites the audience to pay close attention. And there are SO many little easter eggs. From The Colour of Magic appearing to Gabriel reading the first lines of Good Omens –even as small as a Terry Prattchet impersonator speaking over the tannoy in Hell, or the film in The Resurrectionist being chosen specifically to play because there’s a scene where Jimmy Stewart talks to a fly. 
So! Investigation is fun! It’s important. And my favourite part of the essay I’m responding to is definitely that about Muriel. I think that all this build up to the detective-vibe is going to cumulate in their s3 role. Essentially: I entirely agree that they are coded as the one to blow open this whole case in S3. The police costume and giving them The Crow Road are certainly suggestive–but more than anything, leaving them in charge of the bookshop (full of Aziraphale’s diaries and books and everything) props them up perfectly to earn the promo they got for s2. Because I’m not sure about you, but my mutuals and I were shocked that the NYCC scene (“hello hello hello, I’m a human police officer!”) didn’t happen until episode three. From the way the promo was going (character profiles, trailer etc.) I thought Muriel would be in s2 WAY more.
They also make a HUGE point of how Muriel is considered “nobody.” They say it themselves, they’re called “the dull one” by Metatron.
They set them up perfectly to solve this later.
Theme 2: Memories and Stories:
Memory! Another theme! –memory that can be tampered with, contained, erased and returned.
Heaven is willing to meddle with and erase memories if necessary. They are, then, SUBTLE.
There is no God narrator.
There is a statue immortalising a very real Gabriel (somehow/for some reason –Gabriel was also involved in its making?) 
My favourite part of season 2 was definitely the minisodes. The costumes, the settings –I was so surprised to find the horses and carts in ep 3 were CGI in the X-Ray! They look so good! I loved how every single flashback was incredibly vital and interesting to expand on Aziraphale and Crowley’s relationship –that convo on the rock in ep 2? WOW. Stunned. Anyway, not to go on.
I completely disagree with the conviction that these were edited. I think that, to the contrary, these memories are (IF there’s something going on with temptation/persuasion (more on that later) and The Book of Life) are ENTIRELY real. And the reason for that is highlighted in the very essay: each memory is tied to a physical record of it happening. The Book of Job; the Polaroid in ‘41, and Aziraphale’s diaries. This is not to say that there aren’t still gaps: where was the “I’m sorry” dance of ‘41? If Aziraphale wasn’t drinking in 2500 BC then when did he start? Just little things like this.
This is the thing: stories, words, are vital. The challenge that they gave the guy who did Sherlock (I can’t remember his name I’m sorry!) –it’s talked about in the X-Ray– was to have words pop out in 4 different ways across S2. This a fun stylistic choice, but it also gives words narrative attention, so ties in with all this. Without God to narrate, narratives and accounts are left to the characters within the world. It’s fun and important both. So is the spelling stuff. Maggie can’t spell, neither can the demons. (She may be a demon herself –I’m not entirely convinced it’s this simple, tbh, but Aziraphale’s miracle not working on her in ep5 is definitely a red flag.) Anyway – it’s also interesting.
With all this, my idea that Heaven/Metatron had been planning the aziracrow divorce from the beginning might mean they’re tampering with The Book of Life –it also could mean that they’re ABOUT to do something weird with Aziraphale’s memories, or all these pieces are going to become very very helpful for Muriel’s investigation.
I really do wonder what this role of records, memories and narratives will come to, but I have a feeling it’ll bleed into s3.
Theme 3: Food
Crowley was the reason Aziraphale tried food in the first place. I just wanted to put that down because of course he was, but also it is deeply INSANE that he INTRODUCED AZIRAPHALE TO THE CONCEPT OF EATING. God, David was right. They really don't exist without each other.
This is kind of the point I make with food here: it’s a HUGE theme in s2, largely just to emphasise the fact that it’s powerful.
For some reason (jokey or otherwise) eccles cakes can “calm you down.”
Aziraphale becomes significantly bonded to Crowley by eating the Ox in ep2. Later, Crowley is “as strong as an Ox." –fun little echo.)
They drink the same wine as always in ‘41 –they share no wine in s2, just the sherry and whiskey respectively. They also don’t share a meal, which seems interesting. I personally think that it’s to do with consumption being a metaphor for queer desire, and the absence of it being a sign of C/A being on “their own side” in s2. Crowley abandons temptation as Aziraphale abandons attempts to “save” Crowley. –-Or it may mean something else!
Crowley drinks laudanum and it makes him go lala. It ALSO makes him turn tiny, then giant, and he does something kind –kind enough to get him dragged off to hell and tortured so badly that he’s asking for holy water as “insurance” 40 years later.
That fucking oatmilk almond coffee. Okay. So if food is powerful, this has weight. From the colour of it being weird against the background to the fact (to quote my dear friend Jey) “nobody fucking drinks almond syrup!!” –I’m sure you’ve see all this going around. Almonds are obviously very poison-coded, and considering the above point I smell something strange. (I don’t believe it was quite a case of drugging per say, but more metaphor: Aziraphale is being tempted. He’s being manipulated, and drawn back into the culty office world of heaven.)
So what we know here is that food is powerful. An important metaphor and force (especially for aziracrow.)
Theme 4: Resurrection
OKAY: so, this is the most original of my listing in these themes. I am so interested in this resurrection thing they’ve got going.
The Resurrectionist pub: where Gabriel and Beez come to their plan. We see that The Dirty Donkey is a lift to heaven (which NOT enough people are talking about) –so what about The Resurrectionist? What power does it hold as a space? Why is the legacy of Mr Dalrymple important?
Why did (wee) Morag’s eyes glow briefly? Is she a zombie now?
Zombies exist. We know this. They’re also tied to the concept of consumption, which is cool.
Heaven measures miracles by Lazarii.
Gabriel, in one of his flashes of prophecy, says: “there will come a tempest (...) the dead will rise from their graves and wander the earth once more.”
These are all cool. Thematically, it seems that being raised from the dead is going to be something big. I’m interested in this, considering that after Gabriel said the above mentioned prophecy my good friend Jey said “hold on, is this going to be about The Rapture?”
Now: we know that “668: Neighbour of the Beast” was supposed to be set in America. Whether it actually is or not, I don’t know, but I think that if it is about a second coming on American soil, The Rapture feels VERY pertinent. The dead are the first to rise and be with God in The Rapture, but all believers join them: and they join them permanently. In some versions, there is a period in which Christ rules the earth. All very fun and interesting prospects for s3!
Where this leaves us:
S2 is the “bridge” between 1 and 3, in Neil’s words. It’s the “romantic filling” of the sandwich.
I would argue that some seriously tough bread started with “oh Crowley, nothing lasts forever,” but hey ho, that’s the very ending of the season. I just want to talk about coded language/draw on what I’ve just said to talk about how we’re set up for the structures of s3:
Heaven is a CULT. A serious cult. From the (temptation) manipulation of the coffee, to the man at the pub calling Gabriel a “mason” –which I’m assuming he means freemason– to the frankly INSANE smile on Michael Sheen’s face as the credits roll (also sickening lighting there)– they are a big threatening cult, and that is going to be important. I think it’ll just get increasingly so.
FurFur and Shax have it OUT for the ineffable husbands. Like they are NOT fans. And they seem to also be buddies now so… not great news.
In The Scene </3 Crowley stops himself short of saying he’d like to spend eternity with Aziraphale, and instead asks him to “go off together,” just like s1 –I think their language is going to develop hugely in s3. It’ll go back to being the space they “carved out for themselves,” only further.
And finally: a bet. The last time we see Crowley, he’s in a car full of plants because he’s carrying “their side” away with him. I am willing to bet –not that this is a hottake or anything– that it’ll end, as it began: in a garden. S3 will end in the garden of their South Downs Cottage !!!
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nishayuro · 6 months
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The way I loved you - Bakugo Katsuki
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Collection: Spotify playlist song prompts
Genre: Angst, Hurt/No comfort
GN! Reader
A/N:okay so the way I do these is I spin a wheel for songs, for fandom then character. and when the way i loved you came out and MHA got chosen as the fandom I was like, “omg what if bakugo…” and iT WENT TO BAKUGO’S SDFGHJ THIS IS FATE
Synopsis: You’re happy, you’re with the perfect guy, you’re living the ideal romance that everyone dreams of. But why do you still long to be in his arms? 
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“He says everything I need to hear, and it's like I couldn't ask for anything better” 
Perfect. Ideal. Came out of a fairytale. These are all words that people describe when they see you with your partner, and you can’t even deny. 
It’s true, he’s charming, intelligent, strong, loving, caring, loyal, and all these other perfect qualities. You feel like you’ve hit the jackpot. 
“Love?” a voice calls out, you snap out of your thoughts and look towards the man in front of you, your boyfriend of 2 years. “oh , yeah sorry just got lost in thought” you said, giving him a smile. 
“Hmm, penny for your thoughts?” he grinned, holding out a hand towards you. “Just thinking of how perfect you are” you admitted, a smile adoring your face. 
“Oh? Well, you, my dear, are more perfect than one could ever hope to be. How’d I get lucky to even pull you? I have no idea, "he teased, linking his arms with yours. “Let’s go, we don’t want to be late for our date” you say, pulling him out the door. “Oh and by the way, you look wonderful tonight” he says, pressing a kiss on your hand. 
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“And he says, "You look beautiful tonight" And I feel perfectly fine”
The drive to the restaurant was quick, both of you joking to each other on the way. When you got there, he got out of the car to open your side, escorting you out. “Wow, what a gentleman~” you teased. “Only the best for my love,” he replied. You both walk towards the entrance, hand in hand. As he confirmed your reservations with the receptionist, your eyes scanned the place. 
Big glass windows lined the walls, giving a wonderful view of the city lights. The ceiling was lined with fancy chandeliers, illuminating the room with a wondrous glow. You're thinking about how well the lighting will be for your pictures later on. A waiter leads you both to a table near the sides, a bit secluded but still gives a great view of the whole room. 
He pulls out your chair, sitting you down before he sits down himself. As you ordered your food, you both decided to indulge in conversation, like how your parents are inviting him over for a birthday party, or how your brother was asking him if he’d like to join them in a basketball match next week. 
This is the romance you’ve dreamt of since young. This is the life you’ve always wanted. But why, as you move your gaze to the table behind him, do your eyes hold a sense of sorrow and longing? 
“But I miss screaming and fighting and kissing in the rain, And it's 2 a.m. and I'm cursing your name”
Your relationship with Katsuki Bakugo was one you’d call imperfect. He was loud, brash, and arrogant. He’d often be late to dates, coming home late at night and leaving early in the morning, and forgetting important dates because of the nature of his job as a hero.  As much as you tried to understand him, it was just too much. 
You couldn’t live like that anymore, living with uncertainty, living like he’s not even part of your life. Soon, one fight turned into two, two turned into three, and three turned into a screaming fest at 2 am. 
“Holy shit, Katsuki! Is it so much to ask for you to make just a bit of time for me?!” you screamed, tears threatening to fall. “Do I look like I can?! Hero work is already stressful enough, I don’t even get an ounce of rest before I’m called back again!” he shouts back, annoyance visible in his voice. 
You pace the room, tears running down your face. “Why are we still even in a relationship then?! I can’t live like this anymore, Katsuki! I can’t live like this anymore. I can’t live like you don’t even exist in my life…” you cried, grabbing a jacket and leaving through the front door of his apartment. 
“You're so in love that you act insane, And that's the way I loved you”
“Y/N! Wait!” Katsuki shouted, running after you, rain pouring down like it's insulting him. “Y/N, please!” he shouts, catching up to you and encasing you in his arms. “Please, don’t go…” He whispers, eyes looking into yours. And even though Katsuki was loud, brash and arrogant, you still loved him. He was still your Katsuki. So in a moment of weakness, your lips connected with his. 
You pulled away to catch your breath, looking him in the eye. As much as you loved the man in front of you, you still can’t see yourself living that life, not even with him. 
“I’m sorry, Kats. But I really can’t anymore. I love you, but this is goodbye.” You declared, placing one last kiss on his lips before turning back and walking away. He stared at your retreating figure, his own tears mixing in with the rain, weeping with him for the end of his 3 years with you. 
“He can't see the smile I'm faking, And my heart's not breaking”
His bright red eyes caught your (e/c) coloured own. He was… on a date? You looked at the person he was with, and your heart clenched. Why are you feeling this? You’re on a date of your own. “Honey, you good?” your partner asked, concern evident in his face. “I’m fine, just got distracted by the decoration” you lie, you feel guilty. It's been years, and he’s still lingering in your heart. 
You tried to ignore Katsuki at the other table, your partner making that a little easier. A waiter comes to your table and places down a dish in front of you, “Oh, we didn’t order dessert yet.” You said, motioning to the dish. “No, I actually did.” Your boyfriend interrupted, a smile on his face. 
The waiter opens the lid and you see a cake with a drawing of a ring. Oh fuck. You thought, your boyfriend got down on one knee, a box in hand. Your eyes widen, looking around, you spot those same red eyes, wide as well and staring back at you. 
Your boyfriend went on with his proposal speech, while your mind was running a mile a minute. You love him, but you’re conflicted… “Y/N, will you make me the happiest man and marry me?” and there it is, the question. 
“And I never knew I could feel that much, And that's the way I loved you”
You looked at him, still in shock. Your eyes drifted to the back, Katsuki was no longer looking at you or the scene, he had his full attention towards his date. And you realized, even if your heart still yearned for him. You will never go back, you can’t go back. 
You looked towards your boyfriend, a smile plastered on your face. This was your dream life, you’re living your fantasies. You have what you wanted, even if it wasn’t him. 
“Yes, Eijiro… Yes.” You answered. 
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illwynd · 7 months
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What direction would you have enjoyed most for Thor and Loki after TDW?
I recall in the long dry years between TDW and TR, a large part of the conversation in the fandom around this topic was on how pissed off Thor would be when he learned that Loki hadn’t actually died and had kept that fact from him (or “faked his death,” however you wanna phrase it) and how much trust would have to be rebuilt. And there is definitely that aspect of it. I think there was trust that needed to be rebuilt on both sides, in fact, and many long-overdue conversations about everything that had gone wrong to get them to that point. Conversations about Loki’s ancestry and his miscalculation with the Destroyer and all the questions Thor didn’t ask when Loki reappeared and not visiting him in the cells and ancient resentments and so many other things. 
But most of the fandom, in the discussions I’ve seen, seems to have been hoping for resolution between them, for things to get all healed and tied up in a tidy little bow and have their character arcs just ride off into the sunset and… yeah, I don’t want that. I never wanted that. There is way too much emphasis these days on “healthy” and “wholesome” and, goddamn, like what are y’all doing looking at these two if you’re looking for therapist-approved wellbeing? You’re digging in the wrong place. (Something that I feel is carried over from Norse mythology into their characters is the idea that there is value and importance in lives that don’t have a Happily Ever After, worlds ending in destruction and final defeat but with a deep integrity to what mattered. The world doesn’t promise healing. Sometimes, living with the knowledge that things will not be fixed in the end but it all matters anyway, and the connections between people matter, and the ability to find flickering moments of joy amidst the sorrows… to me that is far better, far more fitting to who they are than any tidy, happy resolution could ever be.)
One of the things that I love about many of their comics arcs is the sense that while things do change between them over time, with different emphases coming into focus and into prominence, there is an essence to both of them that keeps them in perpetual conflict and ALSO keeps the love strong enough that neither of them ever wants to go their separate ways permanently. They both have their own lives, with Thor doing his best at heroing and Loki doing his best at being himself, but Their Relationship is a constant, and it’s nobody else’s business, and whether they’re on opposite sides in their daily lives doesn’t really factor into it. 
So basically, in my ideal world in which phase 3+ didn’t suck, TR would have involved some of those long-overdue conversations and some working together against a bigger bad, but the kiss-and-make-up would have been incomplete, like an unresolved chord at the end of a phrase of music. Loki would have disappeared again but this time making sure Thor knew he wasn’t dead, and he’d have popped up again from time to time, always with uncertain allegiances, to have a few poignant interactions with Thor, or to absolutely destroy some big bad that’s threatening Thor’s life but in the meantime doing something that makes it seem like he got some material gain out of doing so (just to keep everyone on their toes), and if anyone questions this in Thor’s presence you’d get a very stormy look and a subtle suggestion that he doesn’t have to be slumming it on Earth. 
Loki would be there to be The Most Important Person in Thor’s life even when he’s not physically present, and the niggling itch that never quite goes away from the fact that things aren’t resolved and may be unresolvable. (Having a relationship like that—where it is possible or likely that things can’t be fixed—is actually really important to telling Thor stories that have emotional weight. Resolving the relationship or making the question null through death cuts off so many of the important questions that cling to Thor in themes and resonances. To a character who embodies the virtue of striving for heroism and goodness, an unquenchable love for such a liminal character as Loki, whose moral standing flits all across the field at any given moment, and having Thor see that not as a problem, as a liability or an inconsistency but instead as a value in itself—that keeps Thor from becoming an insufferable, inflexible moral pedant.) And Thor—Loki’s love and devotion to Thor, mingled with his resentment of him and the lingering frayed edges of his trust and the centuries-old anger and desire to win against him just once—would be there to rest like a base color underpainted beneath everything Loki does in his schemes and clever workings and, a gnarled anchor or a rusted root, keep him from wandering too far afield.
And, I mean, they’re gods. If you carry any story on long enough it ends in death, but in a story of superheroes and modern legends, the gods should still be there in the end, at the edge of the tale, perhaps, but continuing nonetheless, spinning against the stars, the huge half-invisible shadows of giants bordering the far horizon, the cycles of their lives so much longer than ours.
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adri-2022 · 1 year
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Promise
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Fandom: Chicago PD
Characters: Jay Halstead x FemReader / Olivia "Liv" Halstead
Warnings: fluff/ platonic
Word count: 1745
Jay Halstead Materlist
A/N: Hello guys. So I’m not entirely in love with this, I’m sorry if it’s not that good and I'm sorry for being a little disconnected. As Olivia "Liv" Halstead is Maggie Elizabeth Jones. Hope everyone likes this original idea.
Don't be afraid to leave your comment!
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Being a kindergarten teacher had its perks. For once you worked with the young, creative minds and had the chance to potentially make a positive impact on them. But other times it really sucked, for example like a couple of hours ago.
You were in your classroom having lunch by yourself as usual. When one of your students Olivia came to you with a troubled expression. Obviously you thought the worst about it, call it instinct.
“Hi, miss Y/N” her sweet voice said as she took a seat in front of your desk. You smiled at her being met with a small one in return.
“Hello sunshine. Are you okay?” you asked immediately putting your lunch on pause and giving your full attention to her.
“I’m sad” she said casting her eyes down, this made you furrow your eyebrows
“Can I help you? We can talk about why you’re sad” you asked warily but gently giving her a sympathetic smile while you searched for her eyes
“I don’t want to make you upset miss Y/N” she said as she fiddled with her little hands.
Why would you be upset? But then again, Liv was probably the most selfless child you have ever met and obviously she would say something like this. Even in her short years of age she always thought of others first, she was a really empathic kid.
“Little miss Olivia. It’s alright to talk about feelings, they are valid, and you would never make me upset” you said in a serious manner as you nodded encouragingly
“Even if it’s sadness, Miss Y/N?” “Even if it’s sadness” you confirmed nodding
“I don’t have a mom for mother daughter day party” she said looking at you with big green doe eyes as if you held the answer to every question. But before you could say something, she continued.
“My daddy said my mom went to a place called heaven and that she watches over me” she said sighing as she crossed her arms over your desk placing her chin on top. At her words you sighed too
“My mom went to heaven too, when I was your age” you said lips tight as you tried to keep your emotions at bay
“Why?” she curiously asked, making you avert your gaze before looking back at her and mustering a smile
“That’s how life works. Sometimes heaven needs more people to help watch over us” you said taking a deep breath
But how could you explain the concept of death to a little girl. You were sure that her dad had done the absolute best at it. Although you had only briefly talked a couple of times between drop out and pick up, and at teacher parent conference day. Nevertheless never touching the topic about Olivia’s mother. Jay Halstead seemed like a really great father to this little girl and quite frankly you didn’t want to overstep. You were broken out of your thought as you heard a little sob,
“But I don’t want her there” Olivia said as her little voice broke slightly along with your soul.
“Oh Liv. I’m sorry. I promise you, it will be better, one day you’ll understand” you said as you reached her side. Kneeling to her height and caressing her head as you hugged her
That conversation going on in circles in your head as you waited patiently biting good mornings to each of your students and their mothers at the drop line. While there was another conversation taking place in a car, as the passenger was getting ready for the drop off at school.
“Liv I’m so sorry I can’t come to your get together” Jay said guiltily as he sighed looking at his daughter through the review mirror. He was heartbroken knowing he had hurt and possibly disappointed the only important person in his life.
“You promised you would come” Olivia sadly said as she blinked rapidly in order to not let the tears fall as she avoided her father’s gaze
“I know. I know baby. But I have to go chase bad guys remember” Jay said turning to look at her once he parked in the drop line. A pained expression took place on his face when he saw her little tears.
“Hey-” he started as he was about to reach for her hand, stopping
“I know…” she whispered disappointed brushing her tears away before Jay could see her, but of course he already had
Before Jay could muster a response the back door was opened, and Jay met your eyes. Big smile on your face as Olivia climbed out of the truck, hand in yours for support.
“Hello little miss Liv” you said enthusiastically but as a response Olivia mustered an unenthusiastic ‘hello’. You glanced at Jay again smiling sadly before Liv waved goodbye to her father still not meeting his eyes.
“Hi I’m sorry. She’s in a bit of a mood. I broke a promise” Jay said as sad eyes followed his daughters retrieving figure.
“No worries. I understand. I’ll look after her, she’ll have a good time, I promise” you said smiling,
“Thanks for that. Have a good day” Jay shared a smile as he shook his head before biting goodbyes
You both had a thing for each other, but neither had made a move upon it. You had always stayed professional for the sake of Olivia and so has he. There were always lingering looks at parent-teacher conferences, but they were ones of admiration. Add obviously the fact that you are his daughters teacher, so being in a relationship would stir up a lot of drama between the other parents including your superiors.
When you entered your classroom all of the mom’s were sitting with their kids already doing the activities and eating the snacks you had brought for the occasion. With the exception of Olivia, who was sitting at a little table all by herself and this stirred something inside you.
In the district Jay was struggling to concentrate and the guilt was eating him alive. The look and the tears that he saw on Olivia’s face hunting him relentlessly.
“Hey, didn’t you have little nugget’s mom-daughter thing today?” Kevin asked as he walked into the breakroom
“Don’t remind me. She’s gonna hate me” Jay said as he stirred his coffee
“Man. Don’t tell me you’re missing it” Kevin asked leaning besides Jay, being met with a hum in confirmation
“There will be more in the future, I just-” Jay was interrupted by the other detective
“Hell na, man. You go do what you gotta do” Kevin started looking at his friend like if he had grown two heads
“Kev-”
“Don’t let her down, bro. I’ll cover for you. Go” at this Jay looked at his friend trying to get his thoughts in place.
Kevin took a deep breath before taking ahold of Jay, dragging him into the bullpen and practically throwing Jay’s stuff in his arms before rushing him out to his truck.
“You go be a dad. I got your back” Kevin told Jay as the latter turned his truck on.
“Thanks, man, I’ll owe you big time” “Don’t worry about it, a beer at Molly’s can work for me”
Guiltily he thought of the brief conversation he had with Olivia and the mistake he would be committing if he didn’t make it. As he parked in the school he knew he wasn’t about to let his daughter be by herself, he wasn’t going to let her down.
Entering the classroom he looked over the heads and tables trying to identify his daughter. There she was on a table gluing something, but before he could move he saw you sitting beside her. Now noticing Liv’s laugh mixed with your own.
“So Liv, what’s your favorite color?” you asked as you colored the paper you had prepared for everyone, but Olivia didn’t respond. As you heard a gasp leave her mouth your head snapped up to her face following her eyesight to the door.
“He came, miss Y/N” Hazel excitedly said before leaping to her feet and running into her father’s awaiting arms, the latter picking her up kissing her cheek
“Hey baby!” Jay said with a smile on his face, as he saw how Olivia beamed happily
“Daddy you came” “Of course, I made a promise remember” he said matching her excitement.
At the same time he walked to the table Olivia was occupying as you stood up looking at them with a shy smile. When they reached the table Liv sat down explaining to her dad what she was doing, to which he nodded smiling with excitement. You took that as your signal to go back to your desk,
“Hey, uh, Miss Y/N” Jay said as he walked over to where you had stopped and turned to him
“Just Y/N it’s fine” you waved him off with a kind smile
“…Y/N-”
“I’m sorry for intruding-” “It’s-”
“She told about her mom; thought I could help” you rambled with a remorse expression waiting as you felt a hand being placed on your shoulder
“Take a deep breath” Jay said as he chuckled, to which you scratched the back of your neck nervously
“Thank you, you didn’t have to- but you did, and I really appreciate it” he said smiling sadly as you both looked back towards Olivia, before you shook your head again
“She’s a great girl, really smart” you said smiling slightly as you returned Olivia’s wave
“Yeah she is. That’s all her” he answered turning back to look at you
“I deeply apologize, the school should really mind what they write. If it was up to me it should be parent-child day” you said as you tilted your head, before Jay could answer another voice interrupted
“Dad. Can miss Y/N sit with us? She was going to braid my hair next” Liv said excitedly as she looked up to Jay
“Sure. If she’s not too busy, remember she has adult responsibilities” he answered looking down at Liv’s big eyes
“She’s not! She can teach you how to braid my hair, dad” Olivia answered. You bit your lips trying to fight the laugh that was trying to surface when you watched Jay’s mouth hanging
“Damn, why do you have to wound me like that, pumpkin” Jay said looking at you to see if you had heard. Shaking his head as you placed a hand over your mouth chuckling.
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