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#my biggest issue is getting things to run together and make sense
greghatecrimes · 1 day
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Okay. Buckle up babes, it's finally Foreteen time and I wrote an essay.
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Foreman and Thirteen are so interesting to me in so many ways. You have Foreman, who thrives off of control, and Thirteen, who refuses to be controlled in almost every aspect of her life. In the sense of them as individual people, they both have a lot of their own issues going on. Hot messes, the two of them. But in the sense of them as a couple, I think Foreman specifically is the only one who has issues with the relationship. (Or rather, Thirteen's issues aren't being projected onto the relationship and causing difficulties at the end of s5/beginning of s6, while Foreman's are.)
Foreman's biggest thing, at least in the latter part of their relationship, is control in regards to emotions. After they found Kutner, he coped with everything by isolating himself. A huge part of me thinks that's because this terrible thing just happened, the floor just fell out from both of them in so many ways, and Foreman feels like he doesn't have a grip on anything anymore. The only thing he can control is himself, and how he reacts. So Thirteen? Even though she's his girlfriend and he's worked with her for two years, her emotions and reactions are fundamentally beyond the scope of his control; she's still a wild card. She's not safe. So instead of letting himself lean on Thirteen, letting them grieve together, letting them comfort each other, for his own stability, Foreman chooses to cope (and thus reject Thirteen when she reaches out for support) by retreating into an environment that he's intimately familiar with. He surrounds himself with only variables that he can confidently predict. It's his gut instinct. It's always worked before, so why wouldn't it work this time? Why would it have any reason to cause problems?
In season four and the first half of season five, Thirteen was very much the same way. When things became too overwhelming for her, she repeatedly dealt with them by running, by hiding; by trying to isolate herself from the people who care about her and want to help her. The same base principle drives them both at this point: "what's out of my control is dangerous in some way or another. The only one who's safe to be around is myself, because I am the only person that I can control." But by mid season five, Thirteen has come a long way from that. Slowly she's becoming much more of a "recovering control freak". She's starting to be okay with the fact that she's not always going to have the amount of control that she has right now. She knows that all of it is something she has to come to terms with, and slowly she's getting to a point where she's accepting her diagnosis and working on all the baggage that comes with it.
Thinking about that– the fact that, by mid season five, Thirteen is approaching a point in her life of letting go, of learning to 'go with the flow'; while Foreman is very much still on the side of "I thrive and keep myself safe by controlling every aspect of my life possible"– makes them fundamentally incompatible as a couple from the get-go, even with all of the chemistry they had. Because the moment they get together (the Christmas party in 5x10 "Joy to the World") is right after Thirteen's decided that she doesn't want to die; when she's just starting to process her diagnosis instead of running from it.
Do I think there was/is love there? Yes. They absolutely care about each other, both during and after the relationship.
Do I think they would have worked out long term? The simple answer is "no".
The more complicated answer is that if they had been able to avoid the fiasco of Foreman running the department and then firing Thirteen after House quit, I think they could have made it work. But it would have been rocky, and it would have been especially rough for Foreman. Extremely so if it were to reach a point where they've stayed together for years and years, and Foreman is with Thirteen when she really starts to decline with her Huntington's.
Foreman is Thirteen's friend; he's also seen people slowly wither away from degenerative disease (his mother, with Alzheimer's), and he's a neurologist (and so he knows exactly how she'll decline, down to every last detail). All of those things give him greater emotional stakes in her Huntington's diagnosis beyond what's typical. But specifically in the situation of them facing this as a couple, you have this level of involvement where Foreman– someone who needs a high amount of control to function on a fairly basic level– is in an incredibly intimate relationship with Thirteen, whose entire life is inevitably and actively slipping out of her control. And in that scenario... I think that when the decline does start happening, it would absolutely terrify Foreman. To be the one that's by her side as a partner– seeing all of it firsthand, the pain and grief and sickness? And as her significant other, being the one that would potentially become a medical proxy when she's too sick to advocate for herself, faced with the possibility of making life or death decisions (like whether or not to euthanize the woman he loves)? I think that would have the potential to utterly destroy him.
As a friend, though? ("Ex-partners who have gotten back to a shaky friendship after the breakup, and still care about each other deeply", but "friends" for short.) The entire situation completely changes. I firmly believe that post-canon, if Foreman knows House offered to kill Thirteen before he "died", he would offer to kill her in House's stead in a heartbeat (just like I think Chase does). THAT sort of involvement with Thirteen's decline and care is far less terrifying, because now this is not the decline of someone that he's based his entire future on. This is not someone he's given half of his heart to; this is not someone he's built an entire life with and entwined himself so thoroughly with.
With the way things work out in canon, they're still friends, and they still care about each other; but at the end of the day, they're two separate people with two separate lives, two separate futures. And so Foreman doesn't lose a single ounce of his control as Thirteen's is slowly taken from her, bit by bit. Witnessing that is still a pain that is unimaginable. But for him, it's survivable. And that's the key difference (and why I ship Foreteen during season five and season six, but not post canon).
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nobodyfamousposts · 6 months
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Scarlet Lady Essay: Frightningale
Yet another essay for @zoe-oneesama. Because you deserve it.
I’m not going to bother with a compare/contrast of canon vs Scarlet Lady Frightningale because Frightningale in canon was a pretty forgettable episode. Akuma was lame. Setup was wasted. And it’s removal from the series would lose nothing of value.
So instead, I'm going to focus primarily on the Scarlet Lady version of Frightningale and what it does that makes it memorable.
I guess to start with, I should make it clear that I’m not a fan of shows being lazy, especially when they display a lack of planning or consideration of their story and characters. And perhaps one of the greater indicators of this issue is when a series suddenly realizes they they neglected multiple plot points until it’s too late to give them all the focus they warrant so they end up shoving all of those points into one episode and try to present it like it’s supposed to be an adequate resolution of all that buildup or in any way intentional.
Penalteam was that episode for Miraculous. They had the “temporary heroes” setup going for them but then wasted so much time on filler like Frightningale that it seems like they honestly forgot about it until they were reaching a designated end point and they realized they still had four more heroes they were supposed to introduce. Whoops? Ah well, just introduce them all at once. Not like anyone will care!
And when you treat most of the cast like they’re all as shallow as a puddle, I guess that’s true.
The thing is, when you have a setup where there is a running theme of every person in a specific group getting their own episode/chapter to detail their issues and how they get a power up, it’s going to stand out whenever one of them doesn’t. Especially when that one or more are forced to share their limelight episode. 
That’s not to say you can’t do it, but it’s bound to get attention if you do. It reflects poorly on the writing. It shows whom the “favored” and “unfavored” characters are. And it displays the issue with pacing—namely that it’s next to nonexistent until it hits you with the force of a freight train.
But can it be done and be done well? Is it possible to pull off such a thing and have it make sense and fit in lines with the characters?
Well, yes. Off the top of my head, I can think of two different ways to do it to make it work.
And Zoe did both of them.
If you look at Scarlet Lady as a whole, you’ll see a conglomeration of characters—each with stories and arcs attached. They have personalities. They have goals and problems and their own highs and lows. One sign of good writing is that some focus is given to highlight these other characters as people. Individuals in their own right with lives outside of the main characters or situation.
Miraculous doesn't really do this.
Scarlet Lady, however, does. Because contrary to the title, Scarlet Lady isn’t just about Chloe.
It isn’t even just about the heroes.
It isn’t just about Chloe being horrible. Or Marinette being in love. Or Adrien being in desperate need of a hug and a nap. Because while the story is centered around them, it isn’t solely about them. Other characters get focus and growth and their own arcs throughout the comics.
But the big two—the BIGGEST two with arguably the most depth and most growth and quite frankly the best storylines out of everyone in the entire series?
It’s Sabrina and Lila. And their individual stories have led up to this.
As such, this episode—which was mostly filler and all around forgettable in canon, matters here.
It’s where Sabrina and Lila reach the culmination of their respective character arcs. 
Yes, it’s when they both get to become Miraculous Heroes and meet their own kwamis, but it’s more than just that! They both hang out with the girls group as full members of the crew, getting to take part in a music video together. It’s also where they both get to stand up for themselves and the city at large while calling out Chloe and Scarlet Lady. This is what their storylines have been building up to and where their growth really shows.
Sabrina started out as Chloe’s minion same as canon—albeit with more attention to her feelings and her responses, no matter how seemingly small, allowing her to feel more like her own person. And through this focus, we got to see her open up more, pull and eventually break away from Chloe and her influence, and over time stand up for herself and try to establish herself both with the class and as an individual.
Lila started off as a liar and manipulator, selfish and self centered, much like canon. Unlike canon, her lies are tied to her issues, noted to be poorly thought through, and give her more introspection as a person. After the lies are revealed, she’s not “redeemed” so much as she is “accountable”, and it doesn’t change who she is. She remains selfish and certainly far from being considered “good”, but she’s letting people in past her walls and masks in a way she hadn’t been able to before.
Both of these things? Figuring out who you are and letting people know you for who you are? They’re incredibly hard. And a lot of time was devoted to both of their journeys along the course of the comic.
Sabrina’s arc was about her figuring out who she is on her own. Outside of Chloe and her previous role of being a follower and lackey. And sometimes it feels less scary to stay with someone toxic than to be alone and facing the unknown. We see it in the way she tries to put herself out there afterwards, reaching out and risking rejection and just figuring herself out. Even or perhaps especially with those she already knows and has a less than positive history with.
And we still see the struggle of her view of herself in this episode. It was in the way she was upset that she legitimately tried to help and it still resulted in bad things happening. And it was also clear when she calls herself a “sidekick” to Marigold after the day was saved, as if it’s a role she still sees herself as and one she struggles not to fall in to. Over time, we’re seeing Sabrina learning that she doesn’t have to be attached or subservient to someone else to have an identity or be accepted. 
Lila’s arc involved her figuring out who she is with people. Outside of the lies and manipulations she creates, the masks she wears, and the identities she crafts to make people like her. The “real Lila” is far from the best person and arguably not even a good person, but she also doesn’t have to be for the others to accept her as the still somewhat bad influence she is. She’s still very much selfish and flawed, but she’s less inclined to hide it or treat it like something that needs to be hidden. And isn’t that a common lesson? That it’s better to be liked for who you are than to force yourself to be someone else to be liked?
And at the same time, even with being less than a fully good person, she’s showing that she can still find better ways of acting that allow her to help others rather than hurt them or serve herself. She still hates Scar, but rather than working with Hawk Moth to kill her and risk dooming Paris and the world, she’s instead working with Alya through more legitimate (and legal) means…and hitting Scar where it hurts most. She and Adrien may not be friends, but rather than try to punish him for not going along with her, she’s instead rescued him, putting herself on the line—something that the former Lila wouldn’t have considered doing and one that canon Lila wouldn’t be capable of. Even if she’s motivated by pettiness or self-interest, what would have been straight up revenge on someone who upset her has grown to be something that is working in everyone’s better interests.
Both Lila and Sabrina hid themselves in different ways and for different reasons. So having them both assert themselves and call out both Chloe and Scarlet Lady is a show of their growth and overall a huge deal. It’s not something either of them would have done at the start of the series. Sabrina, because she was a “yes man” who wouldn’t dare to argue with Chloe and Lila because she wouldn’t risk openly doing something to make herself a target. 
And now boom! Look at them both! Lila stepped up to openly and publicly denounce Scarlet Lady as not being a hero for real reasons that aren’t just about herself or her feelings—complete with receipts! The girl did her research, noting incidents from before she even came into the picture. Then follow up with Sabrina standing up against Chloe’s machinations and dismantling Chloe’s main source of power: her father. Even better, she’s using logic and knowledge she would have as a former ally of Chloe’s who would know her tricks, taking her former friendship with Chloe and using it against her.
And on top of that, each of them are given the Miraculous by the person they wronged in the past. Marinette to Sabrina and Adrien to Lila. Especially in Lila’s case, it says a lot that they’re trusted. That shows narratively that even with their mistakes and bad choices and continued struggles, they still can move forward—not necessarily to find redemption, but to find themselves and be their best selves.
This is why it makes sense for them to share this episode. It’s also why both of them speaking up matters. They are both publicly confronting their greatest foe, and the fact that their foes are really two faces of the same person further highlights this. 
So they both have issues with the same person, are dealing with forming their identities without catering to others, are working out how to have/be friends, were formerly not the best of people, and have a fear of rejection. As such, this isn’t just their obligatory hero episode, this is what their individual stories have been leading up to. Almost like they’re two sides of the same coin. And the comparison between the two helps them both shine.
And speaking of shining, does anyone remember how the all girls team up didn’t get a chance to shine in canon? Zoe sure did.
I have a whole list of problems I have regarding Party Crasher, but perhaps number seven on that list is that the boys got to have an all male temp hero team up episode while the girls didn’t.
In fact, by this episode in canon, only Alya, Chloe, and Kagami actually got to be temp heroes.
To be fair, only four of the guys out of seven in canon got to be part of their particular event in Party Crasher, leaving out Ivan (who often tends to get overlooked) and Nathaniel (who has had a precedent of just literally disappearing from the episode). But originally, part of the appeal of Party Crasher was that the focus was supposed to be on the male classmates and getting to see at least some of them being part of a team against the akuma.
Why then didn’t we get an episode like this with the girls? Or at least something LIKE this?
Frightningale became that episode. And if any of the episodes were to do it, it makes the most sense for Frightningale to be the one.
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All of the girls were together to take part in this event. So Zag would have had the perfect excuse to include them all in the fight or just have the girls do something to help even as civilians. I mean, we’ve had episodes do this before. Max in Robustus. Nathaniel and Alix in Reverser. Luka in Captain Hardrock. Let the civilians show their heroic traits even before they become heroes. It’s not a Miraculous, but it’s still giving them focus and expanding on them as individuals.
Instead, canon Frightningale was a filler episode. And not even a good one. For an akuma who forces people to sing or dance, it’s a waste that they just had the heroes spend the whole time rhyming. A waste of writing and talent. I mean, have you heard Christina Vee sing? If there needed to be a musical episode, I would think that the akuma who forces people to sing would certainly warrant it! At least more than it’s Christmas and they sing just cuz.
So this is yet another thing that Zoe improves with the Scarlet Lady version of this episode. Giving us the all girl team up episode so many of us have long wanted and getting to see all the female heroes together at last. 
And with this, we get the full roster of friends-turned heroes.
Except for Alix. Poor, poor Alix.  ;_;
Your day will come.
In this way, the end where Clara goes a different direction with her music video feels less like a half-assed fix to a half-forgotten plot point and more like something that was built by everyone involved. I don’t know about the rest of you, but given Clara’s excitement over the all girl band playing and Pigella’s gift showing Clara an idea for her video, it highlights the focus on EVERYONE being part of this—both the video and the episode itself. It kind of comes off as a lesson of its own about teamwork and giving everyone a shot rather than focusing specifically only on one or two specific individuals.
And isn’t that what separates the heroes from Scarlet Lady?
But there’s a third important aspect of this episode.
This is the episode where Chloe is smacked in the face with Scarlet Lady’s falling popularity. 
Let’s remember that at the start of the comic, Scarlet Lady was fully and widely considered THE Hero of Paris. She was beloved for doing nothing and it was a point of frustration for Chat, who actually was having to pick up her slack. Initially, there was nothing he could do because him being the only real hero among the duo meant he often couldn't stick around after akuma fights to prevent Scar from telling "our story". In addition, he didn’t know who she was or who chose her and why. Then even when it was clear her getting the Earrings was a mistake, for a lot of the first couple seasons, she was so popular that they couldn’t just take the Earrings away from her lest they risk backlash from the rest of the city. It’s a backlash that seems increasingly unlikely as more and more people get to see her behavior and callousness firsthand.
We’ve seen hints of it in other episodes, but none of them were so blatant to Chloe that she couldn’t ignore it or shrug it off or otherwise make excuses to protect her ego.
Prime Queen wanted to focus on Marigold and Chat Noir for their “romance” to try and boost ratings. Alya and Lila made some snarky comments, but Chloe could easily dismiss them both. Nadja also made a comment that nobody cared about Scarlet’s love life, but a lack of interest in her love life isn’t a lack of interest in herself and Chloe despises both of her “sidekicks” and wouldn’t want anyone trying to pair her with them anyway. And Nadja reassures her that they’ll focus on her after they’re done with Chat and Marigold. So yes, she can dismiss that as well.
Reverser has Chloe faced with both of her identities are made as villains in art and a story. However, she clearly looks down on Nathaniel and Marc barely registers to her. So she can dismiss them.
Look at Despair Bear, the Intermission, the interactions with the various other heroes, and the fact that only Chat Noir and Marigold are privy to the Guardian’s secret existence and allowed to pass out other Miraculous. Much has been shown of the other characters being less than impressed with her, snarky towards her, or showing the process of how they discover the truth about her and how she actually handles akuma attacks…namely in that she doesn’t. And Chloe can dismiss all of that because to her, none of them really matter to her.
But Chloe can’t dismiss the fact that a renown celebrity dedicating a music video to the “Heroes of Paris” isn’t including her. Bad enough her sidekicks are taking center stage but she’s not even in the music video at all?
And when someone she despises calls out the reasons why she’s not a hero in an openly public setting surrounded by a multitude of people who all agree with her? You could say it’s insult to injury. But some would say it was a long time coming.
Some Rando: Scarlet Lady sucks! Alya: Marigold and Chat Noir do all the work, not her! Kagami: She’s barely even necessary at this point. Clara: This video and song are to celebrate hope and love. And Scarlet Lady lacks both when push comes to shove. Chloe: ARGHHH! WHATEVER!
It further shows the turning tide of public opinion against Scar. What was once a trickle has grown into a wave, and now Chloe is forced to acknowledge her image and status aren’t as ironclad as she thought. Sure, she could denounce Lila as a liar like she’s done before, but Lila is bringing up instances that Chloe can’t deny: being late (as she’s just plain been a no show to several fights), endangering civilians, and being caught live on camera being willing to let someone die in a particularly horrible way because it’s easier.
This is the episode where it’s not just people seeing Scar is horrible, but acting on it and letting Chloe know they know she’s horrible. It’s reached the point where Chloe can’t just disregard the claims or discount and ignore her critics. And we’re seeing Chloe starting to lose control as a result. To the point she has to force her dad to ruin a previously sanctioned event in what has to be one of his most flagrant displays of abuse of power to date just to shut down her detractors.
And even that would come with more consequences for Chloe if it had been allowed to continue. Sabrina herself points it out that Clara is very popular with a lot of fans—people who would be aware she’s making a music video and whom would be very disappointed if word got out that it was cancelled due to an issue with the Mayor. And given all the very unhappy people we see in the comic in question where she points that out, it stands to reason that the word would get out. Heck, I’d be surprised if someone wasn’t recording it.
Then there’s the love square/hero shenanigans.
Remember how in canon, the whole “playing themselves/risking identities” bit kinda just dropped out halfway in? The kwamis were the only authority figures involved to call out on the risk and of the two, Plagg didn’t care and Tikki gave one knowing stare at Marinette before turning around to gush about the suit. Even though Marinette offers the alternative idea to the music video by the end, there’s no further comment or notice of how she and Adrien nearly blew their identities….or alternatively a comedic take where nobody recognizes them regardless and they worried for nothing. Honestly, I would have taken either setup.
Having Fu present to call them both out shows there is a responsible authority figure watching, makes it clear there are rules they are expected to follow, and reinforces that this was, in fact, a horrible idea. Sure, Marinette and Adrien worried enough to hide their masks, but it should have been obvious that wouldn’t work long term. They are risking their identities, not just to Paris but to each other. And he calls them out for doing it on purpose.
Then there’s the beautiful crescendo of the love square dance in that the two both pretty much have figured out the other’s identity and just want an identity reveal to make it official—which Fu won’t allow. We see it in their playful banter that gets mistaken for “getting into character” and in Adrien in particular pushing Marinette to take part.
This is a point where we are seeing them be teenagers. Foolish of them? Yes. Should they have known better and not done it? Yes. But is it in character and the sort of teenage shenanigans we would expect of teenage superheroes? Definitely. And that’s part of the point. Because they are teenagers. Teenagers in love, no less. Teenagers in love with secret identities to dance around. Which is half the fun of secret identities!
It’s just another aspect to this episode that makes it enjoyable.
So overall, the episode matters in ways that the canon version didn’t and was fun in ways that the canon version wasn’t, making it stand out not just as an episode or a remake of the canon episode, but as its own standalone episode AND a noteworthy point in the overall story.
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The Apocalypse Club
(ao3) (art 1) (art 2)
Valerie, Kwan, and Paulina find out Danny's biggest secret while Amity Park is invaded by a strange new ghost. Now, all four of them have to work together to save the day. ...If they can stop fighting each other first.
Hey!!! this is my @invisobang piece for 2023!!!! it hits in at about 15k words and i got to work with @minnowmarsh and @trolithfoxyflint for the amazing art that comes with it! now you crazy kids have fun reading :D
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“How,” Valerie said when she could talk again.
Danny shrugged and looked away. His face was tinted green, though whether from nausea or the swirling portal on the wall of the lab, she couldn’t say. Kwan didn’t look much better, ashen gray, hair sticking up in all directions from how much he’d been pulling it. Paulina’s eyes hadn’t left Danny’s face since…
Well, since.
“Is that the most important question right now?” he said, rummaging in the desk.
Yes, she wanted to scream. But it wasn’t, and she knew it wasn’t, just as much as she knew that he was avoiding the question.
But she was a professional. She’d worked with… Danny… before. She could put aside her personal feelings until they were safe.
“What’s the plan?”
“We need allies,” he said, still not looking at her. “The only place left to find them is the ghost zone.”
“What?” Paulina said. “You want us to—to go in there?”
“What about our families?” Kwan said.
“Isn’t it super dangerous in there?”
“Look, your families’ best chance is if we get help. And you don’t have to come with me, but I think it’s more dangerous to sit here and wait.”
Valerie rolled her eyes. How was she ever friends with these two? Here they were, whining about danger, when they were missing the most obvious issue with this plan. “Where are we going to get allies in the ghost zone? The whole thing’s just full of ghosts!”
Maybe it was a trick of the light, but for a moment his eyes flashed acid green. Her hand snapped to the ectogun on her hip. “You’ve worked with ghosts before, Val.”
“No, I’ve worked with you before, and who the hell knows what you are.”
The words spilled out her mouth like poison, acid. She didn’t know if she meant them or not, but she did notice his full body flinch.
(She filed away the sore spot for future reference.)
“Jesus, Val,” Kwan said, running his hand through his already messed up hair.
She looked away. “Sorry.”
“Look, I have allies in the ghost zone. Even some enemies who, push comes to shove, will help me out if only so they get to kill me themselves. I’ve never seen or heard of this ghost before, okay? If it’s this powerful, and I’ve never heard of it, that’s a really, really bad sign. We need all the help we can get and we can’t afford to be picky about where it comes from.”
Valerie stared harder at the wall. Her skin crawled at the thought of making nice with ghosts. “Easy for you to say.”
“I’m working with all of you, aren’t I?”
Valerie’s eyes snap to meet Paulina’s, then Kwan’s. She’d forgotten, somehow, that Paulina and Kwan (and she, once upon a time) had always treated him and his friends like garbage. She’d forgotten that for all that Phantom was her enemy, she’d once used his cousin (or whatever that relationship actually was, who the hell knows anymore) as bait to capture and torture him.
“Fine,” she said. Deliberately, she dropped her hand from her gun. “So how are we doing this?”
--
The ghost zone was a lot… greener than Paulina expected. It made sense, in retrospect: green was the color of ectoplasm after all, but in her head she always imagined it to have more of a Sam Manson aesthetic. Black. Maybe some purple. But deep and dark and depressing.
(Last time she saw Sam Manson, Manson’s eyes were totally black and she was clawing at Paulina’s face, spittle flying from her mouth. Not a totally unexpected reaction, she had to admit, but there was no intent or reason, just pure feral violence.)
“So,” she said, “where exactly are we going?”
“The Far Frozen,” Fenton said, hands white-knuckled on the steering. “I have friends there.”
“It, uh, sounds cold,” Kwan said. “I didn’t bring my jacket.” More like a swarm of zombie-football players had tried to drag him down by his collar and he’d only escaped by letting his letterman jacket slide off.
“Frostbite’ll have coats.”
“And what is Frostbite?” That was Valerie, still glaring at Fenton like he’d pissed in her Cheerios. Paulina really didn’t understand what her issue was. Sure, Paulina was shocked to find out that Fenton was her beloved ghost boy, but she was more awkward than angry. Valerie seemed to take the whole situation personally.
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“He’s a yeti.”
“A yeti? A dead yeti?” Paulina crossed her arms. “Are you telling me that yetis are real?”
“Look, not all ghosts were once alive. Sometimes, they’re the ghosts of beliefs or ideals or stories. Things we used to think about and believe in. Pandora’s here, too, along with a lot of pantheons, but they won’t tell me if they were ever alive.” Fenton’s lips curled up in a little smile and his face softened. “I’ve been trying to weasel it out of them for months.”
They lapsed into another brief silence before Fenton spoke again.
“Look, if you have any other questions… now might be the best time. It’ll be a bit before we get to the Far Frozen, and I don’t know if we’ll have any time after that.”
Paulina had a million questions, but she couldn’t think of one she wanted to ask right now. How? Why? When? That could all wait until after the day was saved. Her nerves were still twitching and she dug her fingers into her wrist to stabilize, remember the now and not two hours ago, watching Star, black-eyed and snarling with one arm bent out of shape, leap for her throat. She said nothing.
“Are we… just gonna stay in the For Frozen?” Kwan said. “Like, while you save the world?”
“Far Frozen, and yeah. That was the plan.”
“I’m not staying in some frozen wasteland so you and your ghost buddies can fuck up saving the world.”
Paulina couldn’t help staring at Valerie. What the hell was she talking about? Phantom—Fenton—Danny had saved the world plenty of times before.
“I was talking about Kwan and Paulina, Val. I know you’d never stay out of it.”
Valerie curled her lip. “Just so we’re clear. I have to keep an eye on you, anyway.”
“What is your deal, girl?” Paulina said. “If you two are our best shot at saving the world, being pissy at each other isn’t going to help.”
“Stay out of it!”
“The world is ending! We don’t have time for you to be stubborn.”
Kwan shrank back at their raised voices. “Uh, I don’t think this is a good time to fight, either.”
“Of course you don’t. Since when do you ever think for yourself?”
“Hey!”
“Shut up! Just be quiet, all of you. Jesus.” Danny turned around to glare at them, his eyes flashing green. “Valerie and I have worked together before even though she hated me. We can do it again.”
Paulina wasn’t so sure about him using “hate” in the past tense there, but Valerie was nodding.
“I can put my personal feelings aside to save the world, and fuck you for thinking anything different. But then, I guess you never thought much of me, did you?”
“What are you—”
“Seriously? You have to ask?”
Paulina bit her lip. When Valerie’s dad lost his job, Valerie lost everything. Including her friends. Like Paulina. No, she thought after a moment, I suppose I don’t.
Danny groaned from the front. “I changed my mind. No more questions. Let’s just… be quiet.”
Paulina had to agree.
--
The Far Frozen was, in fact, cold.
Kwan shivered in just his black t-shirt, but truthfully, his letterman jacket would’ve only helped so much. This was a bitter cold, a deep-winter cold that took three blankets, a hot chocolate, and fuzzy socks to banish.
Kwan really hated the cold.
“Great One!” the yeti in front of them said, arms (one of flesh and fur, the other of ice and bone) spread wide like he was offering a hug. Was it some kind of yeti cultural thing?
Fenton jumped up and embraced the creature. Apparently, it was just an offer of a hug.
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“What brings you to my domain?” the yeti said once he put Fenton down. “And with such strange company as well!”
Fenton rubbed the back of his neck. “We need your help, Frostbite.”
Kwan’s teeth started to chatter. Valerie and Paulina’s arms were dotted with gooseflesh, alongside his own. How was Fenton not fucking freezing?
“Can we have this conversation inside?” Paulina said, rubbing her arms.
“W-w-w-with jackets?” Kwan’s chattering teeth brought out a stutter. Embarrassing. “Ma-y-be a f-fire?”
“Of course!” the yeti said. “Your fragile human bodies require excess warmth to survive. Please, follow me.”
The yeti, who introduced himself as Frostbite, led them to a cave where they were each presented with a delightfully warm coat, almost thick enough to banish the cold from Kwan’s bones.
(Almost.)
Valerie spent the whole trek glaring at Frostbite like she expected him to turn around and start biting the second she took her eyes off of him. She kept one hand on her blaster the whole time. Kwan couldn’t imagine going through life with that kind of paranoia. It must be exhausting.
The cave itself was almost cozy. It was decorated, had furniture and artwork and books like it was someone’s office. With a jolt, Kwan realized that it was an office. Frostbite’s, most likely. On the wall, there was a portrait of Phantom (Fenton?) standing victorious. What the fuck.
“What’s with the whole ‘Great One’ thing, by the way?” Kwan said.
“It is demonstrative of our unending love and gratitude for the Great One, who saved us all from subjugation at the hands of the villainous Pariah Dark!”
Valerie snorted. “‘Villainous.’ Like you’re not.”
Frostbite tilted his head in confusion. Kwan hated to admit it, but it was kind of adorable. “I am unsure what your meaning is. I assure you that we denizens of the Far Frozen have no villainous aims with any friend of the Great One.”
“I’m not gullible enough to believe you.”
Frostbite opened his mouth to reply again, but Fenton cut him off.
“Just ignore her, Frostbite. You’re not going to change her mind and we don’t have time to argue. A new ghost is attacking Amity Park, and we need your help.”
--
It all happened so fast.
All four of them escaped by sheer luck. Kwan managed to dodge the football team and hide in the bleachers next to Paulina, who’d nearly been bitten by Star and Sam in the bathroom. Valerie put on the Red Huntress suit as soon as she realized what was happening, giving her some protection against the spreading infection. And Danny?
Well, Danny could fly.
Danny stumbled upon the other three by chance, checking through the school for anyone who’d managed to avoid the plague, though he didn’t have much hope. He’d found Kwan, Paulina, and Valerie—two useless people and one who absolutely hated him.
Still, he couldn’t leave them there, unprotected. He grabbed Paulina and Valerie hoisted Kwan on her hoverboard and they’d raced to FentonWorks.
He’d intended to stay in ghost form the whole time, but he hadn’t realized that the infected were still capable of reason, at least on some level. That their attacks weren’t mindless. That his mom could hit him with an ectogun that would short out his powers, however temporarily.
And now three new people know who he is.
Three new people who he can’t trust in the slightest.
(What if they tell people? His parents? The school? The Guys in White?)
But he can’t worry about that, because the world is ending.
“I see,” Frostbite said after Danny had explained the situation. “This is… worrisome. If it escaped—”
“It? Frostbite, do you know what this is?”
“Mm. It sounds like Pestilence.”
Danny frowned. “Like… pesto?”
Paulina scoffed and whacked Danny on the head. “No, idiot. Pestilence. Like disease and stuff.”
“Yes. Considered by certain branches of Christianity to be one of the four Horsemen that herald the apocalypse.”
“One of four? You mean there’s three other horse-guys?”
“Indeed. The belief in this specific end of days has largely died out in the modern day, so the Horsemen became ghosts. However, they were so dangerous, so suddenly, that we ghosts banded together three hundred years ago to seal them away. If one of them is out…”
“...then the others might be out, too.” Danny rubbed at his forehead. “This gets better and better. What are the other three?”
“War, Famine, and Death,” Paulina said, counting them off on her fingers. Valerie raised an eyebrow at her. “What? Everyone knows that.”
“You are correct, Delicate One.”
“Um, my name’s Paulina.”
“None of those sound good.” Kwan scratched his head. “Also, why is Death separate? Don’t War and Famine and Pestilence all kill people? Does Death extra kill people or something?”
Frostbite shrugged. “How should I know? I’m already dead.”
“Can you be dead if you were never alive?”
“In any event,” Frostbite said, “your best chance is to put Pestilence back before any of the others break free.”
“And how are we supposed to do that, ghost? We barely escaped in the first place!”
Valerie had a point: they knew what they were fighting, now, but it didn’t solve the problem of we can’t beat this guy. Danny rubbed his temples. Maybe if he could get Skulker to work with them, Skulker would help convince the rest of the Ghost Zone and they might actually have a shot.
“Your best chance is finding the Panacea.”
Danny scrunched his eyebrows. “The what?”
“Panacea is, like, a mythical elixir thing that can heal any disease.” Danny, Kwan, and Valerie stared at Paulina, who was tapping on her phone. She looked up at them and rolled her eyes. “What? Everyone knows that.”
“Okay, so where’s this Panaderia at?” Valerie said.
“Patience, Suspicious One. Allow me to explain.”
“What the hell did you just call me?”
“The Panacea is hidden in the far reaches of the Ghost Zone, near Pariah’s Keep.” Frostbite pulled out the Infi-Map from his desk and rolled it out on the desk. “Legend tells that Pariah wanted it for himself, but could never get through its protections.”
“Protections? Like—ghosts and shit?”
“Not quite. The story goes that there are three trials one must overcome to obtain the Panacea. The first is a trial of courage. The second is a trial of compassion. And the third is a trial of truth.”
Valerie threw her hands up in the air. “What the hell does any of that mean?”
“The legend does not specify.”
“Of course,” Paulina said, “because when the world’s at stake, you want as much ambiguity as possible.”
“Quite.”
Courage, compassion, and truth. Well, Danny was decently brave. He spent half his time fighting ghosts, at least, and protecting people. It had to count for something. Compassion… he could probably work on that part, but he did care about people. That’s why he protected them. Truth?
That was a little stickier.
He lied, all the time. It was for a good reason, but he wasn’t sure the trials would see it that way. Maybe he would just have to tell the truth in the moment? Ugh, this whole thing was so complicated.
Maybe Valerie would do better at the truth thing. Though, she also had a secret identity. Whatever. They’d figure it out.
Lost in his thoughts, Danny didn’t notice Valerie approaching him until her hand wrapped around his arm and she pulled him away.
“Woah, what are you—” Danny squeezed his eyes shut as he was yanked back into the bright light of the outside. The snow sparkled in the glow that permeated the Ghost Zone almost like sunlight, but half as warm.
“If you and I are going to do this, we should have a plan.”
“A plan for what? We don’t even know what these trials will look like.”
Valerie’s hand tightened around his bicep. “So you just want to fly in blind? Hide behind me and let me figure it out so you can swoop in and ‘save the day’ or some bullshit?”
“That is not remotely what I—”
“Save it! You’ve been lying to me this whole time. For years. And I—I actually thought that you cared about me, which is the really stupid part.”
“I do care about you, Val.” Danny reached for her arm and she flinched back. He sighed and stared at the ground.
“No, you don’t. You can’t. Ghosts don’t care about anything or anyone. You just like the attention. You like the praise. You may have everyone else fooled but I see what you are. No more tricks, Phantom.”
Danny choked out a laugh. “And you wonder why I lied to you.”
Valerie sneered. “No, actually. It all makes perfect sense, ghost.”
His eyes stung, which was stupid. They really didn’t have time for him to go cry in a corner because Valerie didn’t like him. But his feelings didn’t care about the facts, and tears pricked at the corners of his eyes.
“Whatever,” he said, and he tried to ignore how his voice cracked. “Let’s just get through this.”
“Yeah,” Valerie said. “Let’s get through this and then never talk to each other again.”
He’d really thought he could talk to her, if she ever found out. He’d really thought he could convince her. That hurt the most, he realized: he’d always known she’d be mad, but after what happened with Dani, there should’ve been room for them to be friends as Valerie and Danny and as Red Huntress and Phantom.
He was the stupid one, it turned out.
“Okay. If that’s what you want.”
Valerie turned away. “It is what I want.”
“Okay.”
They fell into awkward silence.
“So—”
Distant screaming cut Danny off.
Somewhere along the way, wires had gotten crossed in Danny’s brain. Screams of terror and pain were usually a sign that people should stay away. If some did get closer, it was usually out of curiosity and panic would take over once that curiosity was sated. Danny, of course, ran straight for the danger every time.
So he wasn’t surprised, exactly, when one of the yetis, eyes dripping black, lunged for him. He’d run into enough fights that ducking out of the way of her claws was second nature. Beside him, Valerie blasted the infected yeti away. Of course. Valerie was just like him: she ran into danger.
“We need to get out of here!” She fired again at another yeti, snarling in the snow.
Danny reached for the electric cold in his chest, but it was still weak and flickering from the gun his mom had used. He was powerless.
“Danny!” Before he could blink, something slammed into him and he was speeding away from the yetis on Valerie’s jetboard.
“Wait—Wait!” Struggling to stand on a fast, open-air vehicle, he pulled himself up using Valerie’s shoulder and she shot him a withering glare. “We can’t just leave them there!”
“Us getting infected doesn’t help anyone, and you trying to play hero to get on my good side won’t work anyway.”
“I’m not—” The jetboard tilted to avoid a leaping yeti. “Why won’t you listen—”
“I did listen to you! And you lied. So I’m done with that.”
Valerie angled down to the cave entrance where Kwan, Paulina, and Frostbite were and jerked to a stop. Danny couldn’t stop his momentum and tumbled off onto the floor of the cave, landing at Paulina’s feet.
“Um, hi?” Paulina said.
“We have a problem,” Valerie said.
--
Apparently the “problem” was a horde of zombie yetis right on Valerie and Danny’s tail. Paulina thought “problem” was underselling it a bit.
One black-eyed yeti burst through the opening, only for Frostbite to slam his flesh arm into it, knocking it into another oncoming yeti. He then hit a panel on the wall and sealed the cave shut. Panting, he lumbered over to Danny, green goo staining his pristine white fur, grabbed the map-thing off the desk, and thrust it into Danny’s arms.
“Great One and friends, you must take the Infi-Map and find the Panacea.” The yeti looked down at the goo (his blood?) and groaned in pain. “I fear I shall soon turn as well.”
“Frostbite…” Danny said, reaching out one hand like he wanted to comfort him. And wasn’t it weird, to think of a ghost needing comfort?
“Great One, you do not have time to worry about me. Help me by bringing back the Panacea and saving us all. You must go now, before I lose my rationality and attack you as well.”
Danny squeezed his eyes like he was staving off tears. “Okay. I—okay. I’m sorry.”
Paulina felt bad for the dork (hero), really, but they so didn’t have time for this. She latched onto his arm and yanked him away from Frostbite, who was starting to snarl. “Thank you, Mr. Frostbite,” she said. “Now let’s get the fuck out of here.”
“Everybody hang on,” Danny said, opening the map. Paulina tightened her grip as Valerie and Kwan grabbed on. “Take us to the Panacea.”
Frostbite jumped at them, teeth bared, and the map whisked them away in a green light. Paulina wasn’t sure what she’d expected, but this was not it. The sudden acceleration stole a scream from her throat, and the rush of air brought tears to her eyes. The last thing she saw was Frostbite’s icy arm, outstretched, and then she could see nothing but motion.
There was nothing to do but hang on for dear life, then all of a sudden they were standing again, in a cavernous hall. Paulina wobbled on her feet, then vomited.
A hand rubbed at her back, and she turned to see Kwan, awkward half-smile on his face. “You okay?”
The hall was massive and crumbling, stone pillars in pieces. A mosaic pattern tiled the floor, and she looked up to see a perfect reflection in the roof, except for a couple of holes where the swirling Ghost Zone peeked through.
“I’m fine,” she said. “Except for, you know.”
“Everything?”
“Yeah, that.” She bent over and spat a couple times, trying to get the taste out of her mouth. She’d lost her water bottle sometime in the multiple life threatening situations they’d been in in the past 4 or so hours, so saliva was her best option. “We weren’t supposed to be here. We were supposed to just sit there in that frozen wasteland and be safe. I can’t do this, Kwan.”
“But you have to, now,” Valerie said. Her voice was firm, but not unkind. “We’re all here, and there’s no half-assing this like you half-ass school, alright?”
“Excuse you?”
“We both know you could do just fine in school if you tried, Polly! You’re smart, girl. And we need smart on this mission, not smart trying to be stupid.”
Paulina stared for just a moment, then laughed. “Girl, that was the most backhanded compliment I’ve ever heard.”
Valerie rolled her eyes, but the corners of her mouth twitched like she was trying not to smile. “At least it was a compliment.”
“Setting our bar real low here, huh?”
“Paulina, when my dad lost his job, you all dumped me as soon as you heard. I lost everything, and then I lost all my friends. You’re damn lucky I’m not just cussing you out.”
The words were almost humorous, but there was a bite to Valerie’s tone now. Paulina couldn’t blame her.
“Listen, I wanted to say—”
“Guys!” Danny's voice echoed through the chamber. “I found something!”
Paulina swore as Valerie and Kwan both ran over to where Danny stood in front of a massive double door.
“Is that—”
“Yeah,” Danny said. “I think it’s the entrance. The trials are probably through here.”
“So,” Kwan said, pushing on the giant stone doors, “how do we—”
As he spoke, the doors lit up and slowly, slowly, rumbled open.
“Huh,” Kwan said.
It was dark inside. The glow of the Ghost Zone seemed to come to a complete halt, swallowed by whatever was beyond the threshold.
Paulina didn’t like it.
“Let’s all go through together,” Danny said.
Paulina nodded, grabbing Danny and Kwan. She couldn’t speak, her mouth suddenly dry. Why was she here? She wasn’t ready for something like this. She couldn’t save the world! Oh god, she needed to get out of here—
As one, they stepped through the door.
--
Kwan blinked.
“What?”
It was the Casper High cafeteria, except the Casper High cafeteria should be overrun with Pestilence’s zombies right now. But there was Dash and Paulina and Star (wasn’t Paulina back—where—what—what… day was it? Tuesday? Right, right. They had an essay due in Lancer’s class. Of course. Kwan had stayed up all night writing about… writing about…)
“Dude!” Dash said, waving Kwan over. “You ready to pummel Brantford tonight?” The last part of his sentence became a shout, directed at the whole cafeteria. Students applauded. Dash stood with one leg on his seat and one on the table, a true showman. Over in the corner, Danny Fenton, Sam Manson, and Tucker Foley rolled their eyes. Dash threw his milk carton and beaned Fenton (Danny?) in the head. Milk splashed down his head.
Something twisted in Kwan’s gut.
Dash let out a roar and ripped off his shirt, tearing it in half. The cafeteria screamed in approval.
Kwan grinned up at Dash. For all his flaws, Kwan loved this guy.
(black, black blood dripping from his mouth and eyes, Dash snarling, reaching for Kwan—)
Kwan jerked back and tore his eyes away. Dash didn’t notice as his best friend looked for the exit. Kwan’s heart pounded. It wasn’t real. Not real. Just a bad dream. Or was this…?
In the background, Valerie (his friend? not his friend? no, no, they’d dropped her because she’d lost everything, right? but no, no that was cruel, too cruel even for Dash and Paulina, that couldn’t be right) was sneaking out the door just as Danny Fenton gasped and rushed in the same direction.
Something wasn’t right.
“Hey dude,” Kwan said, “I gotta run to the bathroom.”
Dash didn’t acknowledge him. He was leading the cafeteria in the Casper High fight song.
Kwan ran after Valerie and Fenton (Danny), bursting through the cafeteria doors just in time to see them turn the corner. “Wait!” he said, sprinting toward their shadows. Rounding the corner, he saw the Red Huntress and Danny Phantom (Valerie and Fenton—Danny, Danny, it’s Danny, Danny wants to be called his name, remember that he has to remember that—it was Valerie and Danny behind the heroes, he knew that, though he wasn’t sure how he knew) fighting a ghost.
It was massive and ugly, all claws and teeth and glowing fur. Kwan couldn’t see any eyes, but he’d learned after years of dealing with ghosts that that didn’t necessarily mean that it couldn’t see. It had six legs and two jaws that opened in concert to let out an earsplitting screech.
Glowing green spittle flew out of its unholy maw and landed on Kwan’s letterman jacket. Gross.
The ghost slammed Danny into a locker with one leg and used another to pin Valerie to the ground. It lowered its face to Valerie’s, ready to take a taste.
“Hey!” Kwan said, throwing the first thing he could grab—his phone—at the ghost. It bounced harmlessly off its head, but startled the ghost enough that Valerie was able to slip out of its hold and Danny was able to knock it down. A flash of light from Danny’s thermos, and the ghost was gone.
“Are you okay?” Kwan said. Valerie’s suit retracted and Danny transformed back into Fenton. Both of them were bruised, Danny cradling his ribs, but they were upright.
“We’re fine,” Valerie said with a glare.
“Hey,” Kwan said, holding up his hands in surrender. “I’m just trying to help.”
“Yeah, right.” Danny snorted and looked away. Kwan could still see milk in his hair.
Kwan frowned. “Look, I know it wasn’t much, but I’m just a guy! I did what I could!”
“Yeah, you did. Probably saved our lives with that phone.”
“So what’s the problem?”
“You only care because we’re heroes!” Valerie got in his face so he could clearly see the bruise lining her cheek. “You wouldn’t care if we were hurt because your bestie decided he wanted a punching bag. Helping the Red Huntress and Danny Phantom isn’t a risk to you. It makes you a hero! You’re so cool for helping to save the day. But you’d never help Valerie and Danny because what if someone saw ?”
“That’s not…”
“Face it, Kwan. You’re a coward. Always will be.”
Then they were gone, and Kwan was alone in the middle of a destroyed hallway.
--
“Kwan,” Dash said, “we need you to be on your a-game for this. They’ve got a real beast on their D-line, and you’re the only one with a chance of keeping him off me. I don’t wanna spend the whole game with my ass on the grass, so I’m counting on you, okay?”
Kwan blinked. They were huddled on the field, in full pads. Dash was giving the pre-game directions. It was gametime. Wasn’t it lunchtime? Or… was he… what?
“Kwan!”
“Uh, yeah! Yes. I’ve got it. Big guy, coming right at me. Yep.”
Was he going crazy? Something was wrong. Something other than what Valerie and Danny had said to him.
(And it was wrong, it had to be. He wasn’t a coward. He faced scary stuff all the time—a hazard of living in Amity Park. He couldn’t be a coward.)
The nameless d-lineman stared him down, eyes black as pitch behind the grill of his helmet. Kwan took a deep breath as he lined up against him. He could do this. This was easy. He was made for this.
A flash of green in his peripheral vision caught his attention. He turned his head just as Dash hiked the ball, and his mark blew right past him, laying Dash on the ground while Kwan stood, dumbly staring at the green he knew had to signal another ghost attack.
“Kwan!” Dash ignored the hand offered by one of the other offensive linemen. “What the hell, dude?”
Kwan jerked back. “What?” He took in the scene: Dash, with a clump of grass stuck in his helmet and dirt on his jersey. The ball, being moved backward by the referee. His teammates, glaring at him. “Oh. Oh, sorry. Just—I think there’s a ghost over there?” He pointed at the green light.
“So?” Dash said. “There’s always a ghost. Leave it for Huntress or Phantom to deal with. We’ve got a game!”
“Yeah. Yeah!” Danny and Valerie could totally handle it. They were heroes. It’s what they did. And football was what Kwan did. Division of labor and all that stuff.
And the thing is that Kwan was really good at football. He was the best left tackle in the state, easy. His coach said he could be the next Tony Boselli—though, hopefully without the injuries. With his mind on the game, no one got even close to Dash before he’d thrown the ball.
The forest glowed again. Kwan ignored it. There were eight minutes left on the clock for the second quarter.
A piercing scream floated over the field. Kwan turned to see Valerie, in her Red Huntress gear, slam into the ground head-first before being dragged back into the woods like a limp puppet.
“Oh shit.” This was bad. Valerie was hurt, bad. She wasn’t half-ghost like Danny. She was just a person. She needed medical care, and fast.
Could Kwan help?
Should Kwan help?
Kwan shook his head. Head injuries were no joke; he’d heard it from Coach often enough. Valerie needed help, and she needed it now. There was no time to wait for someone else to realize the problem.
He turned to leave the field.
“What the hell are you doing?” Dash said, catching his arm just as he reached the sideline.
“She’s hurt,” Kwan said. “She needs help.”
“We have a fucking game to play.” Dash’s fingers curled in the grill of Kwan’s helmet and jerking him around so their helmets clacked together. This close, Kwan could see the faint line of Dash’s eyelashes, the bright blue of his eyes. He thought about apologizing. He thought about kissing him.
How long had he been in love with his best friend? More importantly, how long had he let his best friend be an asshole because he loved him?
“I’m an idiot,” Kwan said.
“You don’t hear me arguing! Now get back on the damn field.”
“No.” Kwan almost continued, almost listed everything wrong with Dash, all the times he’d put everyone else around him down, all the people he’d hurt, how he’d hurt Kwan, even, but Dash would never, ever hear him. He knew that now. “I’m outta here,” he said instead, ripping off his helmet and sprinting toward where he’d last seen Valerie and Danny.
The world vanished.
Kwan blinked, and he was back in the chamber, staring at Valerie, Danny, and Paulina. “A test of courage…” he said to himself. 
It was just like the room they first came into: a little more together, more whole, but otherwise almost identical. Across the room was another massive set of double doors. He turned around and saw the door, the first chamber beyond it. He’d barely stepped inside. It couldn’t have been more than a second or two.
“Yeah,” Valerie said with an eye roll, “that’s what we’ve been say—”
Kwan cut her off by sweeping her up in a hug.
“I’m sorry,” he said. “I’m sorry that I never stuck up for you. I’m sorry that I hurt you. I’m sorry that I was too scared to help you even when I knew it was wrong.”
Valerie froze, stiff in his arms. “What?”
“You were right, this whole time. I was a coward and a jerk and I’m sorry.”
Kwan could feel Danny and Paulina’s eyes on him, but for right now, all his focus was on Valerie.
“What the hell are you—”
“I was a really terrible friend to you. We all were. You were hurting and we all made it worse.”
Valerie pulled back. “You’re serious. This… you mean this.”
“Yeah. I mean it more than anything I’ve ever said to you before.
“You—do you think I’ll forgive you? Just like that?”
Kwan let her go. “No. You always could hold a grudge.” He looked her in the eye. “I still needed to say it.”
Valerie nodded, a rough jerk of her head. “Okay. Just so we’re clear. Not forgiven.” She looked off-balance and confused. It figured, since Kwan had very much just dropped this on her with no warning. Whatever vision he’d received, it seemed like it was limited to him and only him.
“That’s okay. Let me know if it changes?”
Valerie stared at him for a long moment, brow furrowed, before it smoothed and one corner of her lips curled in a smile. “Whatever.”
Kwan grinned. “I’ll get there.”
Paulina coughed. “Uh, not to break up a tender moment, but can we save it for after we get the magic potion?”
“Unfortunately, Paulina’s right,” Danny said. “Not that this isn’t great, but we need to figure out the test of courage. We’re running out of time.”
Kwan was pretty sure he’d already seen it, but he didn’t even know where to begin with explaining. Instead, he said, “Danny! You, too! I was also a jerk to you, when you didn’t deserve it and I knew you didn’t deserve it. I’m so sorry about that. I wanted to be liked but I—”
“Woah woah woah,” Danny said. “I… appreciate it, but we really don’t have the time right now, dude.”
“No. No, see, this is exactly the time. I think this is my test, okay? Well, some of it. Part two, or whatever. Part one was this weird vision thing that I had to go through like some kinda fucked up dream. And I think part two is—well, bringing it into the real world.” Obviously, he couldn’t bring the ghost attack and the football game into this real world, but realizing he was wrong? Taking responsibility?
He could do that.
“How is apologizing to us a test of courage?” Danny said, head tilted in confusion.
“I was scared of… something really fucking dumb, now that I think about it. And I hurt people because of it.” Kwan glanced at Paulina, who was looking anywhere but his face. “I’m not going to let it control me anymore. And I’m sorry that I ever did.”
Silence for a moment, like the room was holding its breath, then the entire chamber began to shake. The doors at the end of the room swung open and revealed another pitch black unknown beyond them.
“Wait. That was it?” Paulina said. “You’re telling me the Ghost King couldn’t get through these trials, but Kwan did it by saying I’m sorry?”
“Woo!” Kwan said, pumping his fists in the air. Take that, Mr. Lancer’s final exam. Who was going to achieve nothing in life now? Not Kwan, he passed the Trial of Courage. Official and capitalized. Helping to save the world and all that shit.
“Well, let’s not look this particular gift horse in the mouth. Are we all ready for the next chamber?” Danny said.
Paulina coughed. “Hang on, does anyone have a breath mint? My mouth still tastes nasty.”
“Oh, yeah.” Kwan fished in his pocket and held out a stick of gum.
“Thanks.”
“Ooh, can I have some?” Danny said.
“Sure, dude!” He grabbed three more sticks of gum, handed on to Danny, who grinned, stuck one in his mouth, and held out the last one for Valerie. “Val? You want in on this?”
Valerie stared at the gum like she thought it might bite her. “Yeah,” she said after a moment. She took the gum with her thumb and forefinger, delicately. “Yeah, okay. Thank you.” She cleared her throat. “Let’s get a move on.”
As they headed for the inky blackness at the far end of the room, Kwan felt something grab his arm. He whirled around to see Danny, hand curled around Kwan’s elbow.
“Thank you,” Danny said, “for, y’know.”
“The gum?”
“No. Well, yes, but that’s not—I meant for apologizing.”
“Oh. Oh! Yeah. Honestly, should have done it forever ago. Just kept coming up with excuses, y’know?” Kwan laughed. “An apology was really the bare minimum.”
Danny let go of his arm and started walking again. “You’d be surprised. I can’t remember the last time anyone apologized for hurting me.”
“Seriously?”
“Yep.”
“Dude, that’s messed—”
They crossed the threshold.
--
Paulina was much more confident going into the next chamber. These trials were easy! If all Kwan had to do was apologize, then compassion was probably something like saving a kitten and truth was something like—well, she was less sure about that one. Maybe just telling a secret? Or something?
Except—something was different. Last time, they’d walked in and immediately the chamber had brightened. Kwan apparently had some weird vision as part of his trial, of course, but none of that happened.
Instead, it was still pitch black, and she could no longer feel Valerie’s arm where she’d latched on, or Kwan’s hand. “Guys?” she said, and her voice was swallowed by the void. “Hello?”
“—see her haircut?—”
“—the look on his—”
“—honestly thought I liked her!”
Paulina’s voice, first a whisper, then louder and louder until she couldn’t hear her own thoughts. Her laughter, shrill and piercing, reverberated through the space. She pressed her hands over her ears, but it did nothing to block out the noise. Her head started to pound and hot tears leaked out of her eyes.
“Stop it! Stop it, stop it, stop it!” She was sure she yelled the words, but she still couldn’t hear over her own laughter.
“Why? Why should I stop?”
“It hurts. It hurts!”
“Aw, but that’s never stopped you before!”
It was so loud. A sudden, sharp pain in her ear and she could feel warm liquid on the hand covering it.
“Please! Please! I’ll do anything!”
Suddenly, silence. Paulina fell to the floor with relief. She pulled her hands away from her head; the right one was wet and smelled of metal. Liquid dripped from her ear—had it started to bleed?
“Anything?”
“Yes! Yes, please!”
“Entertain me!”
“I—what?”
In front of her, stark against the black of the room, Valerie appeared, then Danny, then Mikey, then Sam Manson, then Tucker Foley, more and more and more of her classmates, standing and blinking in confusion at her.
But she was with Valerie and—or was she? But Manson was definitely not—this couldn’t be real. Was this real? She stared at her hand. Was she real?
“Paulina?” Valerie said. She sounded like she was underwater. The black of the room turned into a hallway. Casper High. It was—Friday. There was a football game she had to cheer for. She needed total focus for that. If only the stupid voice would leave her alone.
“I said entertain me!”
“What the hell does that mean?”
Valerie stared at her. “It’s your name, girl. Are you okay?”
“Make jokes! Like you always do. I gave you your material and everything!”
Material? Paulina looked at the crowd, and realized that all of them were… well, losers. The voice just wanted her to make fun of them?
Nothing she hadn’t done before.
“I’m better than you, apparently,” Paulina said, ignoring the pit in her stomach. “What were you thinking with that outfit?” It was a dumb, dumb comment. Low effort. It was just—in that moment, Paulina couldn’t think of anything to mock. Nothing about Valerie seemed worth jeering at.
Valerie looked down at her—admittedly, fine—shirt and frowned. “Jesus. What is your prob—your ear’s bleeding!”
Sure enough, pus and blood painted the palm of Paulina’s hand, and she could still feel something rolling down her neck.
(“Still”? When did this happen?)
“We need to get you to the nurse’s office,” Manson said, crouching down beside her. Why was Paulina on the floor?
“Oh,” she said. Manson offered her a hand up, and she took it. “Thank you. Sorry, Valerie. Your shirt’s fine.”
A piercing screech, metal on metal, filled the air. Paulina doubled over, hands back over her ears.
“That wasn’t funny, Polly!”
She could feel hands on her arms, but her eyes were squeezed shut and she could hear nothing but the voice and its (her) hideous laughter.
“You just want me to be mean!”
“Duh! Mean is funny, right?”
Paulina opened her eyes just enough to see Valerie, Manson, Foley, and Danny in front of her, concern in the lines of their faces. Danny’s mouth was moving.
“Look! It’s the little tech weirdo. He names all his phones. Like, unironically.” Foley stood up and directed other students away. Danny moved past her to do the same on the other side of the hallway. “Or the ghost kid. His parents were already freaks, and now he’s an extra special kind of freak. Easy money.”
“Please. Please just stop.”
“Entertain me, and I will. Tit-for-tat, babe.”
Paulina felt a sob jump out of her throat. Why wasn’t she just doing it? It hurt so bad. She’d do anything for it to stop.
So why wasn’t she doing this?
“I don’t want to!” she wailed. What she must sound like. What she must look like. Surrounded by people who had every reason to hate her, bleeding and crying and talking to nothing. “Pick something else!”
“But you do it all the time.”
“I change my mind, then!”
Was it that simple? All along? Could she just—change her mind? Be a better person?
“No you don’t.”
“I don’t want to hurt people anymore!”
The noise, somehow, got louder. Paulina vomited. Something wet trickled from her other ear. She wanted this to end. But she didn’t want to hurt people to do it. Why did she only get two options?
“So you’ll get hurt instead?”
“No!” She curled in on herself, falling back to her knees and closing her eyes again. “You’re choosing to hurt me. You could choose not to!”
“And, what? That’ll make it better? You’ll forgive me and we’ll be best friends?”
If Paulina could think clearly, if she could do anything beyond speak the first thing that sprung to her lips, she might have lied. She might have said “Of course I’ll forgive you” so the stupid voice might listen to her. This, however, was not a choice she had the brainpower to make right now.
Instead, she said: “Of course not! You’re a fucking asshole.”
“Then why should I?”
“Because I’m a person and it hurts!”
“You’re a little late to that realization, querida. Wasn’t Valerie a person when you ditched her? Do you think you can be Valerie’s friend again after this? That you can prove yourself to her or something?”
“I can’t fix it! But I can stop making it worse!”
The noise stopped. Blessed silence returned.
Paulina looked up through tear-blurred eyes and saw Valerie, Danny, and Kwan crouched over her. She couldn’t hear past the ringing in her ears
“I’m sorry,” she said. Her throat ached. She must have been yelling, before. “I’m so sorry. I’m so, so sorry.”
The exhaustion hit her all at once. Her ears pulsed with pain as she continued to babble apologies. The ground shook beneath her and Kwan caught her before she could topple over. A hand rubbed at her back, soothing circles, and she curled into Kwan’s chest.
“Think ‘m gon’ sleep, now, mkay?” she said, and then she was out.
--
“Holy shit,” Danny said, collapsing next to Paulina and Kwan and brushing the hair out of her face. “Is she—is she okay?”
Kwan held his fingers over her wrists. “I think so. Her ears are bleeding, though.”
“What happened?” Valerie said. “Your trial wasn’t anything like this!”
“I don’t know! It’s not like I’m an expert.”
“Stop yelling,” Paulina said, shifting against Kwan’s chest. “I can’t really hear you anyway.”
“Polly!” Kwan said, naked relief on his face. “Are you okay?”
Paulina pointed to her ears. “I can’t hear you, querido. My ears—it was really loud. In the trial.”
Dried blood still stained her neck. Danny had a feeling that “really loud” was an understatement.
In halting sentences, Paulina explained her trial. The voice, the laughter, the deal for making the pain stop. Danny was impressed; he wasn’t sure he would have withstood it, in her position. He could understand, now, how Pariah wouldn’t have made it through the trials.
They asked questions throughout, which Paulina couldn’t hear. It got a little better when they spoke slower and enunciated, but it would be a struggle until her ears healed, Danny feared.
“Let’s go over what we know,” Danny said, counting off on his fingers. “One, in both of the trials, only one person was picked to do the trial. Two, neither of you remembered it was a trial while it was happening, right?”
Kwan and Paulina both shook their heads, though Paulina winced as she did it. “It felt real,” Kwan said. “Like—I knew something was wrong, but whenever I tried to focus on that wrongness, it vanished.”
“I knew it was a trial at first,” Paulina said, throat scratchy, “but when it got too loud, I couldn’t really think straight. Then I was in school, and I completely forgot about the trial thing, even though the noise was still there. I forgot it wasn’t supposed to be there.”
Danny wanted to apologize to Paulina, for getting her involved in this, but he had a feeling she wouldn’t exactly appreciate it. She looked rough. Dried tear-streaks on her face that she hadn’t wiped off yet, hair a mess like she tried to rip it out, blood trails from her ears. They were pretty sure she’d burst both eardrums during her trial.
(It was a little over-the-top, Danny thought, to torture someone in a trial of compassion. Paulina had her flaws, sure, but that didn’t mean she needed to be hurt to learn a lesson. Kwan’s trial had really lulled them all into a false sense of security.)
(He could see, now, why Pariah Dark could never make it through.)
“Three, the trials seem to pick people on purpose.” His eyes slid over to Kwan and Paulina. “I think it picks based on those who… struggle the most with the thing the trial is all about.”
“Huh?” Paulina said. Right. She could only kind of hear right now.
“He said the trials picked us because I’m a coward and you’re mean.”
Danny winced. “That’s not—”
“Oh. Well, duh.”
“So, if truth’s next, it’ll be you, right?” Valerie said, looking Danny up and down.
“Hey!”
“You’re the one with the big secrets here.”
“Oh, I’m sorry, did you forget that you have a secret identity, too?” Danny felt like Valerie was probably right, all things considered. His secret was, ultimately, way bigger than hers.
Still, she was getting on his nerves. He’d known she had a grudge against ghosts, especially him, but this was getting ridiculous. For fuck’s sake, she’d worked better with him on Skulker’s island, when she thought he was a full ghost.
“No, but my dad knows all about it. And so did you, apparently, though you lied about that, too.”
“Oh, wow, two whole people. Except that I told your dad, not you. And you never told me anything! I happened to find out on my own.”
“Uh, guys?” Kwan said.
Valerie rolled her eyes. “Okay, yeah. But we broke up because I didn’t want to endanger you. And now it turns out you can take care of yourself just fine!”
“Oh, so if you knew I was half dead, we’d still be together? That’s my fault now?”
“Of course we wouldn’t. But I lied to you to protect you. You lied to me to protect yourself!”
“Yeah! I did! Now think for, like, two seconds about what I needed protection from!”
“Guys!” Kwan said. “Could you stop?”
“You know what? Maybe you’re right. Maybe it will be me. But not because I lie more than you. Maybe these tests are meant for humans only.”
Danny felt his eyes flash green. “So that’s what this is about? You hate me because I’m a freak?”
“I hate you because—”
“Okay!” Kwan said, jumping between them. “I think this conversation needs to stop immediately, before you both say… even more things you will regret. Valerie, dude, I know we’re just now trying to maybe be friends again, but as your maybe-future friend: you’ve gotta lay off.”
Danny stared and blinked at Kwan a couple times. Was Kwan… defending him?
“You’re taking his side?”
“Yeah, I am. I think you both need to cool down, but you’re wrong about this. And I think you know it, too.”
Valerie huffed. “I’m not wrong.”
Danny was so, so tired. “Okay.” He turned away and walked over to Paulina, who was still on the ground, and offered her a hand.
She stared up at him before grabbing on and pulling herself up. “She is wrong. She’s just… stubborn.”
Danny sighed. “You heard all that?”
“Bits and pieces. I got the gist. Hey, do you think the Panacea will fix my ears?” Danny opened his mouth to reply, but Paulina kept talking. “Never mind. What I mean is: sorry you had to hear that. I know you care about her, you know? It must really suck to hear this stuff from her in particular.”
“Yeah, I knew she wouldn’t take it well, but I didn’t think she’d take it this badly. I mean, she was okay with Danielle!”
“I’ll be real with you, I only caught like half of that, but, uh, who’s Danielle?”
Oh, duh. Danny smacked himself in the face. “Right, sorry. Danielle’s my half-ghost cousin. Well, we call each other cousins, but technically she’s my clone. She’s her own person, and all that but—yeah. Anyway, the guy who cloned her is also a giant asshole and he was planning to melt her down to study her remains, but Valerie helped me save her.” This time, he spoke a bit louder, and made sure to enunciate so Paulina could try to read his lips too.
“Dude. You have a clone?”
“Yeah.”
“Someone cloned you?”
“Yeah.”
“What the fuck?”
Danny laughed. “Yeah, that’s about right. He’s a real fruitloop, that Vlad.”
“Hang on—not Vlad Masters?”
Danny laughed harder. “Yep!”
“What the fuck, babe!”
“You’re telling me.”
“Why?”
Danny started to answer, then thought better of it. It was, after all, a long story, and he had a feeling that, although she was great at faking it, Paulina was still only catching parts of what he said. “I’ll tell you when your ears are better,” he said, tugging on his own then pointing at hers to make his point clearer.
Paulina rolled her eyes. “Fine. But I’m holding you to that! This is some juicy, juicy gossip”—Danny flashed her a panicked look—“that I will take to my grave and never speak of again.”
Paulina kept talking as they rejoined Kwan and Valerie. Mostly jokes about how he should change his ghostly outfit (“Seriously, querido, you’d look great in a crop-top!”) or about him out-gothing Sam (“You went and died! Manson will never be that hardcore.”).
Maybe he and Paulina could be friends after this.
--
Valerie was sure she was right.
She was sure she was right as she and Kwan waited in stony silence for Paulina and—for the others to join them. She was sure she was right as they walked in a group, the other three linking arms while she refused Kwan’s hand. She was sure she was right as they crossed into the black.
She was less sure when the room stayed dark.
“Oh, you’ve gotta be kidding me,” she said. She worried at her lip for a moment, then yelled, “I’m the Red Huntress! Is that the truth this thing wants?”
“Uh, yeah,” Danny said. “I already know that, Val.”
Valerie grinned, just a little. It wasn’t like anyone could see her, and the fact that he was here, too? Vindicating. “Well, look at that. It’s both of us!”
“Yeah? It’s both of us. Together. In some strange room. In the dark.”
“Okay, well I said my big truth. You say yours.”
“What? Why?”
“We need to get through this trial, dumbass!”
“Trial?”
“Yeah, the truth trial. Obviously we’re both in it—wait. You don’t know it’s a trial! Ha, then this is totally your trial and I just got pulled in for… reasons. I knew it!”
“I have no idea what you’re talking about. Why is it so dark? Where are we?”
Valerie waved him off, though he couldn’t see it. “Oh, that’s not important. What is important is that you need to tell the truth. Probably to me, which is why I’m here.” Yeah, that made sense. He needed to tell the truth about how he’d hurt her, how he’d hurt everyone, how he’d played hero to earn his fawning fans. He needed to stop pretending to be something he wasn’t. And she was here because she deserved to hear it directly from him.
“What truth? Again, Val, what are you talking about?”
“Stop calling me Val. We’re not friends.”
“What do you—”
“Did the trial make you forget? I know you’re a ghost.”
“Oh.”
“I destroy ghosts.”
“But… But I’m also a human.”
“You’re a liar, is what you are.”
“For good reason.”
“No, I’m a liar for good reason. You’re just a coward!”
There was a long moment of silence where Valerie could only hear her own heaving breaths. Then, softly: “Wouldn’t you be?”
“No!”
“Really? You wouldn’t be the slightest bit afraid that people would try to kill you?”
“No one would kill you.”
“You said you know I’m a ghost and then immediately threatened to destroy me.”
“That’s not what I said.”
“Oh? How was I supposed to take ‘I destroy ghosts’ then? A joke?”
“Stop trying to turn this around on me. You’re the one who needs to tell the truth!”
“What truth? You already know the secret!”
“I’m talking about the rest of it! How you lie and manipulate people, how you fake being a hero, how you ruined my life!”
“Is that what you think?”
“Yes.”
“Is that really what you think?”
“I don’t think. I know.”
“Gah! It’s impossible to talk to you about this shit.” There was a rustling sound, like he was walking away.
“Hang on! You can’t walk away; you still need to complete your trial!” She ran to where she heard him moving, tripped, and then she was falling, falling, falling…
…and landing with a thud in the same black void.
“She’s a ghost! And I destroy ghosts.”
“But she’s also a human!”
Was that… her? Back when they had been talking about Danielle. Danielle, who was human and ghost and just a little girl. Valerie and—they had saved her from Vlad, who was also human and ghost.
“Was this a trick, too? Was Danielle a liar, too?” she yelled. No answer. “Where the hell did you go? We aren’t done here!”
“Valerie?”
Valerie twitched. That voice—
There, bright and glowing against the blackness of the room, was Danielle.
“Valerie!” Danielle said with a grin, flying forward and giving her a hug. Valerie returned it with stiff arms.
“Hey, you… Uh, I’m looking for your… cousin. Do you know where he is?”
“Danny? No, I haven’t seen him in ages. I’m kinda off exploring the world, y’know? Anyway, how’ve you been?”
“I’m—good. Look, I really need to find him.”
Danielle floated up and shrugged. “Well, he’s not here, but I can help you look.”
Valerie nodded. “Thanks, kid. And, uh, would you mind changing back to human?”
“Huh?” Danielle landed on whatever passed for the ground in this featureless void. “Why?”
“It’s just—uncomfortable, is all.”
Something strange passed across Danielle’s face.
“Oh. Well, I mean, I’ll be a lot faster if I can fly.”
Valerie clenched her fists. “Fine,” she said through gritted teeth.
Danielle’s answering smile was tense as she lifted herself through the air. “I’ll let you know if I find anything.”
“Wait, if you leave how will”—Danielle zoomed away with an impressive burst of speed—“we find each other. Great.” Valerie groaned and slumped to the ground. “They just keep running away, huh?”
“Yeah,” Star said, “I wonder why that is.”
Star and Valerie were on a hill, watching the stars. Star was really good at finding constellations, seeing connections where Valerie saw points, seeing a picture where Valerie saw light pollution, so stargazing was always fun with her. She’d always loved space because of her name, she said. She wanted to know all about what she was named after.
The moon was full and bright. Valerie could see Star clearly, half-swallowed by the long grass. It was a cool, pleasant night. Peaceful, in all the ways Valerie was not.
(She was looking for someone. To do… something.)
“It’s ‘cause they know I’m right,” Valerie said.
“Are you sure?”
“Of course I’m sure.”
“Maybe that’s the problem. Maybe you need to be less sure.”
“What are you—”
And Valerie was falling again.
--
Detention with Lancer. Never fun, not even when he kicked his feet up and fell asleep. She and Phantom had both gotten it for skipping class to fight ghosts. The ghost himself was sitting in the back of the class, balancing his pencil on his nose and staring out the window.
After a long moment of silence, Phantom said, “You don’t have any questions for me?”
“Already know all the answers.”
“Oh yeah? Then why’d I fight Pariah Dark?”
“For attention.”
“I thought I would die.” Phantom’s tone was light, conversational. This isn’t a big deal to him, just a fact. “Like, all the way. I thought that suit was gonna kill me if Pariah didn’t kill me first.”
“You’re lying.”
The pencil fell to the desk with a clatter. “Why do you do that?”
“Do what?”
“Whenever I say anything you can’t argue against, you just claim I’m lying.”
“It’s because you’re a liar,” Valerie said without thinking.
“See! There you go again. Not addressing my actual point, just deflecting.”
Valerie opened her mouth to refute again, then paused. Calling the ghost a liar had become reflex. She didn’t have to think about anything he said if it was all a lie, after all. Then again… “But you did lie to me.”
“Yeah. I’ve been lying to everyone for years now.”
“So why should I trust you?”
Phantom shrugged. “Have I ever hurt anyone?”
“That doesn’t mean you won’t start.”
“You could say the same thing about literally anyone, though.”
“You ruined my life!”
“You told me you liked being a ghost hunter. That you like your life as it is right now. Was that a lie?”
Valerie grit her teeth. “No.”
“Then why are you so upset with me?”
“Because you lied!” Valerie yanked her hair in frustration. “Isn’t that obvious?”
“Not because I’m a ghost?”
“No!”
Valerie gasped even as the word came out of her mouth. Lancer grumbled in his sleep at the front of the classroom and shifted to the side. Phantom grinned at her, showing off the fangs in his mouth.
“Wait, no, that’s not… I’m also mad because of the ghost thing! Ghosts are evil.”
“Am I evil?”
Yes, she wanted to say, but her lips wouldn’t form the word.
“Is Danielle evil?”
Danielle, screaming, dissolving into goo, and Valerie put her there—
“No.”
“Are you angry? Or are you using anger to cover the hurt?”
“I—I’m not—”
And Valerie was falling again.
--
“One of these days, ghost,” Jack Fenton said, shaking his fist, “I’m going to catch you and rip you apart molecule by molecule!”
“She’s a ghost!” Valerie said. “And I destroy ghosts!”
“Ghosts are nothing but the imprint of a human consciousness manifesting in ectoplasm after death,” Maddie Fenton said, shocking the ghost on her table as it screamed. “They don’t actually feel anything.”
And then—
Frostbite slammed the door closed, even though he got infected. Even though he was a full ghost and shouldn’t have cared about them at all.
And Danielle flew away, young and eager to explore the world. A child, who’d never really been free before.
And Danny—
Danny laughing with her. Danny hiding with her from Dash and Nathan. Danny forgiving her for being mean in school. Danny begging her to help him save Danielle (a child, who’d done nothing wrong and Valerie had given her away to a man who would destroy her). Danny, just as invested in protecting that stupid flour sack for their grade. Danny, revealing her to her dad, smug little grin on his face. Danny, who could’ve died that day and no one would have ever known what he’d done for them.
Something ached in her heart.
“No,” she said, choking on a sob, as the scenery around her changed again. “No, I can’t be this wrong.”
She was in a lab, now. Jack and Maddie Fenton stood to her left. To her right stood two GiW agents. On the table in front of her, strapped down, was Phantom.
Was Danny.
“Ms. Gray,” one of the agents said, “we were so pleased when you brought us your capture. Such a unique specimen will fuel our research for decades.”
Valerie swallowed. Danny stared at her, uncanny green eyes boring into her own. He didn’t say anything.
“Decades?” she said.
“Of course! We’ll take it slow; we wouldn’t want to destroy it before we’ve learned everything we can. Not like some people.” He looked over at Jack and Maddie, who rubbed their heads sheepishly.
Decades. Decades as a test subject. If Danny was just a ghost, it shouldn’t matter. He couldn’t feel anything.
Right?
Valerie couldn’t look away from his face. He looked scared.
“No,” she said. Her fingers clenched into fists
“Hm?” the other agent said.
“No, I won’t let you do this. It… This isn’t right!” With every word she spoke, she became more sure.
Danny was afraid. It wasn’t a lie or an act. He was really, truly afraid.
“Valerie?” Maddie said. “Dear, you know it’s not a person, right? It can’t actually feel.”
“You’re wrong!” She stepped forward, pulled out her gun, and blasted away the restraints holding Danny down. “I’ve been wrong, too. This whole time.”
“It’s out!” one agent said, pulling his ectogun and firing. “Recapture maneuvers, now!”
“What did you do?” Jack grabbed her by the shoulders and shook her. Danny flew around the room, avoiding the ectoblasts from the agents and Maddie. “What did you do?”
“The right thing,” she whispered. And she knew that, this time, she was correct, and it hit like a bullet to the chest.
Then she was soaring, ripped out of Jack’s grasp, flying through walls and agents until she was outside the building, in Danny’s arms, free.
He set her down on a rooftop across the city. “Thank you,” he said. “I couldn’t—”
Heaving sobs burst out of her. “I’m sorry! God, fuck, I’m so sorry.”
“I—Huh?”
Fat tears rolled down her cheeks. “I just didn’t want to admit it. For so long, Danny.”
“Are you okay?”
Valerie laughed. “No. I’ve been convincing myself that I was right and ghosts were all evil all the time because if they weren’t… if they weren’t, then what was I even doing?”
Danny’s face, inexplicably, softened. “Val—”
“And then I found out your secret, and all I could think was that you lied. That you didn’t trust me. And I knew why! But if I acknowledged it, then I had to acknowledge everything. All the—all the ways I hurt you. What if I hurt other ghosts that did—didn’t deserve it either?” Valerie hiccuped. “I—oh, God, I’m a monster.”
“You’re not a monster. You’re human. This is the kind of mistake that humans make. Me included.”
“I would have let Vlad destroy Danielle if you didn’t talk me out of it. I would have been fine with it!”
“But you didn’t. Don’t torture yourself over things you didn’t do. It doesn’t help anything.”
Valerie’s throat was sore, aching with each new sob, but she couldn’t stop. “I’m sorry. I made you a liar in my head so I could keep lying to myself. I’m sorry. I’m sorry.”
Danny’s arms circled around her, and she let her head hit his shoulder.
“Okay,” he said. “Okay.”
--
Kwan didn’t expect Valerie to come back crying.
He’d kind of figured she’d get the trial. She’d been so sure it would be Danny that Kwan thought it had to be her. Like, cosmically or whatever. And after Paulina’s… whatever that was, he knew it would more than likely be intense. But ever since her dad had lost his job, Valerie had lost her softness, too. She didn’t cry when she was upset anymore. Instead, she got angry. She got even.
But when the light flashed on, Valerie was huddled on the floor, hugging herself, sobs heaving from her chest. Her face was dark and splotchy, dark stains of mascara trailing down her cheeks. Time was Kwan would have run to her, put his arms around her, rocked her back and forth. But this wasn’t that Valerie, and he wasn’t that Kwan.
He walked slowly, and knelt beside her.
“Valerie?”
“Oh God,” she said, choking through her sobs. “I—I really messed up.”
Kwan couldn’t help but turn his head and stare at Danny, holding Paulina up across the room. If she meant what he thought she meant… well, he couldn’t exactly argue.
“Yeah,” he said. She looked at him, tears still dripping from her eyes. “What are you gonna do about it?”
Valerie lifted a shaking hand and wiped at her eyes and cheeks and chin. “Ugh, nasty.” She looked tired more than anything. “Yeah. Yeah, I gotta do something, right?”
“You should probably start with walking. I don’t think he’s gonna come to you.”
Kwan stood with her, holding her elbow as her knees started to tremble. He glanced over her real quick, looking for any injuries like Paulina’s, but whatever had messed her up seemed to be more mental than anything.
That didn’t stop her from almost collapsing when she took her first step, grabbing on to Kwan’s hand at the last moment.
“Val!” Danny said, making an aborted gesture like he wanted to come over to help.
“I’m okay,” she said. “Just give me a sec.”
Kwan didn’t quite buy it, but she was determined. He kept his arm out, just in case she fell, but with each step she became steadier, almost normal by the time she reached Danny and Paulina.
“I’m sorry,” she said. “I was wrong about you. About everything. And I knew it, see, but I didn’t want to face it. So I just kept lying to myself. And I hurt you because of it. And I’m sorry.”
Danny froze, staring at Valerie in disbelief. “Oh,” he said.
Kwan looked over at the door at the far end of the chamber. He awaited the tell-tale rumble, the sign that they’d finished the last trial and the door was opening, but nothing came. Confused, he stared at Valerie, who shook her head.
“I don’t think I’m done just yet,” she said, sitting down in front of Danny. “I’ve done a lot of talking since this started. Said a lot of things… things that I regret. I haven’t listened, much. I think I need to listen, now.”
“Listen to what?” Danny said. “Like, what am I supposed to say?”
“Anything you wanted to tell me.” Tears spilled over her eyes again and her voice broke. “I’ll believe you. I swear.”
Danny laughed, just a little. “Even if I said the sky was green?”
Valerie pointed at one of the holes in the ceiling that revealed the swirling Ghost Zone outside. “Isn’t it?” she said.
Kwan couldn’t help but laugh at that, too, just as Danny and Valerie fell into giggles. Paulina mostly looked confused, but Kwan didn’t really have a good way to explain it to her right now. He waved her off.
“Well, I guess—Vlad’s a half-ghost, too. I thought you should know that.”
“Oh, uh, I already did. Know that, I mean”
“You did?”
Kwan held up his hands before they could get any deeper into that discussion. “Wait, wait—the mayor?”
“Yeah. He wants to kill my dad, marry my mom, and make me his evil half-ghost apprentice. So. It’s uncomfortable at best but sometimes I egg his house.”
“You egg his house?”
“After he cloned me, I figured all bets were off.”
“He cloned you?”
“Jesus, is that where Danielle came from?”
“Who’s Danielle?”
“My cousin. Well, technically, yes, she’s my clone, but that’s weird so we just call each other cousins.”
“Yeah,” Kwan said, feeling faint, “that makes the situation much less weird.”
Danny shrugged. “It’s just my life, dude. You get used to it.”
“Hang on,” Valerie said. “I don’t think we can gloss over the fact that Vlad Masters wants to murder your father, marry your mother, forcibly adopt you, and clone you, and the proportional response is egging his house?”
Danny rolled his eyes. “It’s not proportional but I’m not rich enough to do much more than be petty. If I reveal his identity to anyone then he’ll reveal me, too. Mutually Assured Destruction, and all that. Only so much I can do outside of that.”
“Okay. Okay. Shit. This is crazy. I hate this.”
“Tell me about it. How did you know Vlad was a ghost, anyway?”
“Oh, uh, I flew back to check on him after Danielle. And he was. Monologuing.”
Danny laughed again. “Of course he was. He’s such a little loser. You know his cat?”
“Yeah, Maddie—oh shit, that’s your mother’s name.”
(What the fuck, Kwan thought. What the fuck the mayor was so creepy.)
“Yeah, heh, well, the cat was my idea.”
“What?”
“Yeah. I told him he was so lonely and pathetic that he should stop trying to get my mom to love him since she never would and instead fill that hole with a cat. I still can’t believe he listened to me.”
They broke down into laughter again. Kwan thought it sounded a little hysterical, but he figured they deserved to go a little crazy.
After they calmed down a bit, Valerie wiped at her eyes. “What else?”
“Huh?”
“I mean, is there anything else you want to say to me? Stuff to tell me?”
(Kwan actually wanted to spend a little more time on the whole the mayor is an evil ghost thing, but this wasn’t his show.)
And Danny talked.
He talked about walking into his parents’ portal, thinking it was broken. About turning it on while he was still inside. About how much he sucked with his powers to start. About Ember McClain (she’s a ghost?) and Spectra (she’s a ghost?) and the Lunch Lady. About how scared he was, fighting Pariah Dark. About how much fun it was to fly. How funny it was to mess with Vlad.
Sometime, in the middle of all this, the door opened. Kwan and Paulina both felt the rumble, both looked at the door, but Valerie and Danny were too engrossed in their conversation to notice. Paulina opened her mouth to say something, but Kwan shook his head. The fate of the world didn’t rest on them moving immediately. Thirty more seconds wouldn’t matter.
After another minute, Paulina raised her eyebrows at him, jerking her head at the door. Kwan bit back an instinctive retort. She wouldn’t hear it anyway, and she wasn’t wrong. They couldn’t wait forever.
“Uh, guys?” he said, when there was a slight lull. “Not to interrupt, but the door’s open.”
Valerie and Danny’s head whipped around. “Oh,” Valerie said. “Right.”
Kwan winced. They’d been having a good time! Getting along! He’d been hoping for that since the beginning of this mess and now that they were there, he had to break the tender moment up. Unfair.
Necessary, but unfair.
“We’re done, right?” Danny said. “I mean, this last one should be the Panacea?”
“Should be,” Valerie said. “Unless we fucked up somehow. Or that legend was wrong.”
Kwan peered beyond the opening, but just like every other time, it was pitch black. They’d only find out for sure by walking in.
“Hang on a sec,” Danny said, eyes squeezed in concentration. Before Kwan could ask what he was doing, a bright white light engulfed the room.
When Kwan could see again, there was Danny Phantom, standing in place of Danny Fenton.
“Woo! Finally!” Danny said, floating up and doing a couple flips.
“Wait,” Kwan said, “could you… not do that before?”
Danny laughed. “Of course not, dude, or I’d’ve been in ghost mode the whole time. Ghost Zone is dangerous and all. That gun really knocked the wind out of me; I only just got the connection to my ghost half back.”
Kwan had been kind of avoiding thinking about Danny’s ghost half because he wasn’t really sure what to think. He didn’t have a problem with it, not like Valerie did, but it still felt… weird. How could someone be half-dead? Wasn’t it, like, painful?
Watching now, the grin on Danny’s face as he unleashed a bright explosion of ectoplasm like a firework over their heads, he knew there was nothing to worry about. Danny was half-ghost. Danny was happy about it.
It was good enough for him, Kwan decided.
He glanced over at Valerie. A smile played around her lips. Paulina was cheering beside her, elbow resting on Valerie’s shoulder. In a moment, they’d all link arms and walk through the last door, a truly united front.
Kwan cheered with Paulina as Danny landed. Valerie’s almost-smile became a grin. Danny bowed, a huge sweeping motion.
He could get used to friends like this.
--
“If we walk through this door and there’s another trial,” Danny said, looping his hands through Kwan and Valerie’s elbows, “I’m gonna be so pissed.”
Kwan and Valerie laughed, but Paulina groaned. “I can’t wait to find this stupid Panacea so I can stop missing all the good stuff! Stop being funny while I can’t hear!”
Danny couldn’t help laughing again as they stepped over the final threshold.
Immediately, the room lit up. Danny raked his eyes over the other, making sure none of them were shaken up or hurt like they’d been before, but they all looked the same.
“No trials?” he said, just to be sure.
“No,” Valerie said. Kwan shook his head.
Paulina rolled her eyes. “I still can’t hear you.”
Danny gave her a thumbs up, then pointed at her, and shrugged.
She giggled. “Okay, yeah, I’m good. No trials or anything, if that’s what you’re asking.”
With that settled, Danny examined the room for the Panacea. At the far end, raised on a pedestal on a dais, was a white, crystalline bottle, glowing just slightly.
The Panacea.
Kwan whooped and raced toward it. “Wait!” Danny said, afraid of another trap.
Kwan made it to the dais, but stopped at Danny’s shout. “Sorry! I got excited.”
“Yeah, I get it, but we need to be careful.” Danny floated up next to Kwan, Valerie and Paulina right behind him. “Maybe… Maybe you should all step back.”
“What?”
“Danny, no!”
“What’d you say?”
“Listen! I’m faster than any of you. If something gets triggered I’m more likely to be able to get away.”
“But—” Valerie started to say.
“Am I wrong?”
“No—”
“Look, I appreciate it. Really, I do, but I think it’s best if I get the thing. Just in case.”
Danny couldn’t exactly explain why, but he was absolutely certain that he needed to be the one to grab the bottle. Everything he said was true enough, but there was something else niggling in the back of his mind that said he was the only one who could do it. He couldn’t let anyone else touch it.
“What’s going on?” Paulina said to Kwan in what she probably intended to be a whisper but was loud enough for everyone to hear. Kwan pointed to Danny, then to the rest of them, then pointed to the other side of the chamber.
“Yeah, that doesn’t really help,” she said, “but thanks, querido.”
“Are you sure?” Valerie said, steady gaze meeting his own.
Danny swallowed. “I’m sure.” He wasn’t sure why he was so sure, but he was.
She bit her lip, then nodded and stepped back, pulling Kwan and Paulina with her. That trial really had changed things; just ten minutes ago, Valerie would never have listened to him like this.
Once they were far enough away, Danny took a deep breath and grabbed the Panacea.
It came off easily, but before they could take a moment to celebrate, a bright green box formed around him.
Of course it did.
Danny reached out to touch the green wall, and a painful zap had him yanking his hand back. So no walking through. Ugh.
“Oh, come on!” Paulina said, tearing at her hair in frustration. “We passed your stupid trials! Just let us save the world!”
“Don’t worry, dude!” Kwan said. “We’ll get you out of there.”
It hit Danny all at once, a certainty that he knew exactly what needed to be done.
Valerie had already run up to the trap, Kwan and Paulina close behind, and was examining it. Probably looking for a way to get rid of it.
She couldn’t, though. Not like that.
“Val! Take the Panacea!”
Valerie, sharp as ever, narrowed her eyes at him. She’d already caught on. “We aren’t going to leave you here, Danny.”
“You have to.”
“No way!”
“What’s happening now?”
Kwan pulled out his phone, typing something before showing it to Paulina. She gasped. “Are you stupid? We’ll figure something else out. Don’t go playing martyr on us now.”
“No, listen! You have to. This is my trial, okay?”
“What are you talking about?”
“Every trial picks something that we suck at, right? Well, this one picked me.”
Kwan frowned. “I don’t—”
“It’s trust. I—look, I’ll be honest, you three are not high on my list of people to trust with my secret. Or, at least, you weren’t.”
Valerie opened her mouth, then winced. “Okay, yeah, that’s… fair.”
“But how can this be a trial? No one else’s trial took place in the real world!” Kwan stopped himself, furiously typing on his phone to show to Paulina. “This is the real world, right?”
“It’s real,” Danny said. He knew it like he knew he needed to grab the Panacea, like he knew exactly what needed to happen next. “This trap won’t go away until we put the Panacea back. But when we put it back, it’s gone forever. We’ll never find it again.”
“So, if we get you out…”
“We lose the Panacea.”
“No, no, no! We’ll figure something else out. There has to be another way.”
“Guys, guys, chill. You just have to bring it back when you’re done, okay?” Danny held out the Panacea through the force field. It passed through just fine. “I’m not offering to stay here forever. Just until you get back.”
None of them moved to grab the bottle. “But… but how are we supposed to fight the ghost without you?”
It was a fair question, and Danny wasn’t sure how he would have answered it yesterday. But the Panacea would be Pestilence’s ultimate weakness. And they’d faced plenty of stuff on their own today.
Danny wiggled the Panacea. “You’ll figure it out. I’ve got faith.”
(He was lying, just a little. But this wasn’t the truth trial, and what was faith without a little doubt?)
Valerie hugged herself. “I don’t know that we can,” she said. She straightened. “But we have to anyway, right?”
“Pretty much,” Danny said with a laugh.
“Do you have, like, snacks? For while you wait? Do you even need to eat?” He opened his mouth to respond, but Paulina shook her head. “Never mind, I can’t hear you anyway. Just… be careful?”
He couldn’t do much else, trapped as he was. He smiled and gave Paulina a thumbs up.
Kwan reached out and took the bottle. “How come you get to know it’s a trial, anyway? I didn’t know what the hell was going on.”
“How the hell should I know?”
“Fair.” Kwan started to move away, then paused. “We’ll figure it out. Promise.”
“I know,” he said. (Did he?)
“See you soon.”
Danny’s palms were sweaty under the suit. “See you soon.”
And they left.
--
Waiting sucked.
He was more bored and more anxious than he’d ever been in his life. Sure, he’d talked big about trusting the others. He even meant it. But he’d lost his phone somewhere in this whirlwind of a day, so he had no idea how much time had passed. An hour? Two hours? A day?
Okay, it definitely hadn’t been a day, but still. He worried. Valerie could hold her own, and Kwan could throw a decent punch, but was that enough against a veritable army? Even with the Panacea?
He wasn’t used to sitting aside and letting other people save the day.
(It was the right choice. It was the only choice. He hated it.)
He drummed his fingers on his knee. He tried a few breakdancing moves, fell, and laid on his back for ten minutes. His bladder started to ache. He thought about pissing through the barrier, but he couldn’t risk the chance that it would instead ricochet. He squeezed his legs together. He sang Billy Joel songs at the top of his lungs until his throat started to hurt.
“Jeez, you are not a singer, my guy.”
Danny’s head jerked up at Kwan’s voice. There, crossing the threshold, were Valerie, Paulina, and Kwan, hair and clothes a little messed up, but looking perfectly fine.
“You’re back!” He stood up and attempted to meet them, only to slam into the barrier, zapping himself once again. “Ow.”
“Of course we are,” Valerie said, a smirk in her voice. “Never a doubt.”
“This Panacea stuff is amazing.” Paulina pointed to her ears and wiggled the bottle. “Fixes everything. I love hearing and sound.”
Danny laughed, relief tingling down his spine. It worked. They did it. They won.
“Thank fuck,” he said. “Now get me out of here.”
“Hm, I don’t know,” Paulina said, tapping at her chin and frowning. “This stuff is pretty cool.”
Before an icy hand of fear could grip his heart, Kwan and Valerie were already yelling at Paulina.
“Polly!”
“Come on, girl.”
Paulina giggled, waving her hand. “Sorry, sorry. Wrong crowd.” She passed it through the barrier.
He snatched it out of her hand and placed it back on its pedestal. The barrier fell, and the room rumbled once again. As Danny stumbled to his friends (yeah, they were friends, weren’t they?), the chamber collapsed in on itself, leaving just the four of them, floating alone in the Ghost Zone.
“Guys,” Danny said, “I have to pee so badly.”
And they collapsed on each other, laughing. It didn’t help the burning in his bladder, but he could wait a minute or so more.
--
All four of them had split with little fanfare, exhausted from the day's events. He'd sent a quick text to Sam, Tucker, and Jazz, promising to explain everything tomorrow, and promptly fell asleep.
Jazz drove him to school and he gave her a rundown on the way. She smiled at him. Patted his shoulder. Said she was proud of him for making such a hard choice.
“Wasn't much of a choice,” he said with a shrug.
“That still doesn't mean it was easy. You did good, Danny. And now maybe you've got some more people, too.”
“Yeah,” he said. “Maybe.”
The thing was, Danny had watched The Breakfast Club once, with Sam and Tucker. At the end, Sam looked over at him and said, “Bet they go back to school the next day and never talk to each other again.”
Tucker blew a raspberry at her. “Boo!” he said. “You're no fun.”
“Yeah,” Danny had said at the time, “They're all friends now. They aren't just going to give it all up to go back to how things used to be.”
“They spent one afternoon together in detention,” Sam said. “How life changing could it be?”
Danny pointedly did not think about that conversation as he walked up to Casper High the day after Pestilence's defeat. He didn't think about it as he pushed open the front entrance. He didn't think about it as he opened his locker. He definitely didn't think about it as he saw Dash shove Mikey to the floor.
Business as usual.
“Hey.”
Danny jumped, smacked his head on the locked door, and turned to see Paulina standing behind him.
Paulina giggle. “You good, cariño?”
“Don't sneak up on me like that!” Danny rubbed the stinging at the back on his head. “You'll give me a heart attack.”
“Can you get a heart attack?” Paulina tilted her head. Danny thought for a moment: his heart didn't actually beat in ghost form so theoretically...
“...Don't ask me that.”
“Hey, Fenturd! Leave Paulina alone.”
And there was Dash, looming behind him like Skulker, but only half as scary. Danny managed not to flinch as he turned to face him.
“I started talking to him, Dashie.”
Dash blinked in surprise. “Well,” he said, “he still shouldn't bother you.”
“He isn't.”
“Oh.”
Dash stood for a moment, mouth open, like he couldn't believe any of this. Danny could hardly believe it himself. But then Paulina rolled her eyes and said, “Seriously, Dash, that's enough. You can go now.” She punctuated her sentence with a dismissive wave.
“I—what?” Dash shook his head. “No, no, this doesn't make sense. Polly, are you—are you still possessed?”
Still possessed. Did Dash think that Paulina had been under Pestilence's spell? Or did he think she was somehow under Danny's spell? What exactly did everyone else think had happened yesterday?
“Just because I want to talk to Danny and not—”
“But he's a loser—”
“Don't talk about him like that!”
Dash's mouth flapped like he wanted to speak but no words came out. “I—you—what did you do to her, you little freak?” He turned on Danny, who had pressed himself into his locker, caught in the middle of this argument. Grabbing Danny's collar, he hoisted him up, knocking his head against the locker door again. Ow.
“I didn't do anything! Maybe Paulina just grew up!” Danny had never been good at keeping his mouth shut. Even now, when the obvious answer was to just get this whole thing over as soon as possible, he still had to sass Dash.
Paulina's perfectly manicured hand wrapped around Dash's wrist. “Seriously, Dash, he didn't—”
Dash ignored her, shoving her off. Paulina stumbled back, then hit the ground with a thud.
“Get off of him!”
And there was Kwan, pulling Dash off of him, arms looped under and around his shoulders. Danny sank to the ground, rubbing at his head. To the side, he saw Valerie help Paulina up before they both turned to glare at Dash.
Despite the twinge in his scalp, despite the stares of the rest of the school, despite his own lingering exhaustion, Danny couldn't help but smile. Take that, Sam. The Breakfast Club lives.
--
“Kwan?” Dash pulled away as soon as Kwan loosened his grip. “What the hell are you doing?”
Kwan ignored him and turned to Danny and Paulina. “You guys okay?”
Before either of them could respond, Dash shoved him. “Hey!”
“What is your problem, dude?”
“You're the one who suddenly came at me!”
“Yeah, because you were hurting Danny and Paulina.”
Dash blinked, like that hadn't occurred to him. It probably hadn't. Sometimes, Kwan thought that Dash didn't realize that everyone else in the world was a person, too. That they all had thoughts and feelings of their own. To Dash, everything was all Dash all the time.
(It wasn't entirely true, Kwan knew. He remembered a different Dash, eight years old, crying over Old Yeller and pretending he wasn't. Swiping at stray tears and yelling it's just dusty it's allergies don't laugh even though Kwan was crying, too. He doesn't know when exactly the pretense became reality, but he'd lost his Dash a long, long time ago.)
“Sorry Polly,” Dash said, not even looking at her. “But she’s acting weird. Fentonio’s using his parents’ ghost stuff to control her or something!”
“He is not!” Paulina yelled.
“Do you have, like, proof, or are you just pulling this insane theory out of your ass?”
They had long since attracted a crowd. Danny had slipped over to Valerie and Paulina at the front of the mass of students, and behind them stood just about every person in the school. Even Mr. Lancer, who by all rights should have been stepping in and stopping this, was standing by and watching. Like he was curious how things would go.
Asshole.
“What are you saying?”
“I’m saying you need to back off of Danny and everyone else!”
Dash straightened up and pushed up his sleeves. “Oh yeah?” he said. “Who’s gonna make me.”
The crowd around them went wild, frenzied kids hooting and hollering at the prospect of a fight. Kwan made eye contact with Danny, Valerie, and Paulina. Paulina pointed at Dash, rolled her eyes, and faked a gag. Valerie gave him a thumbs up. Danny mouthed sorry at him. Behind them, Lancer hid his face behind a book.
Kwan wasn’t stupid. He knew what Dash was asking for. He knew Dash thought he’d win the fight, easy. He’d always won before, after all. Except—Kwan had been stupid in love with him. And a Dash who won was way happier than a Dash who lost.
The truth: Dash was a quarterback. Decently strong, for sure, but his main job was throwing the ball around. Kwan was an offensive lineman. His main job? Throwing people around. When the playing field was level, when Kwan didn’t pull his punches, there was no competition.
If Dash had thought about it for more than a minute, he would’ve realized that there was no way he was stronger than Kwan. But he’d long since lost that kind of self-awareness.
Kwan could be sad about all the ways Dash had changed tomorrow. Today was for kicking his ass.
Dash pulled his arm back to throw a haymaker. Without pausing to think, Kwan sidestepped the attack and swung an uppercut, hitting Dash square on the jaw with a nauseating click.
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Dash flopped to the floor, mouth hanging open. Blood dripped down his chin; he must have bitten his tongue. For a moment, he froze, staring at Kwan in shock.
“You’re an ass,” Kwan said, “and I’ve been an ass right next to you. But I’m sick of it. Paulina’s sick of it. Everyone else in school is sick of it. I’m not holding myself back just to make you feel better. And I’m not gonna let you keep being a dick, either. So I suggest you stay down.”
Dash opened his mouth to say something, but Kwan cut him off. “I don’t wanna hear it,” he said. “Just… grow the fuck up, dude.”
And he walked past his oldest friend, bleeding on the ground, toward the cacophony of students and his 3 new/old friends.
“Jeez,” Valerie said, giving him a playful smack on the shoulder, “you’re so dramatic.”
“That was… public,” Danny said. The students started to disperse, heralded by Mr. Lancer. Lancer looked over at Kwan, nodded in something like approval, then shepherded people into their classrooms, leaving the four of them alone in the hallway just before the bell rang.
Kwan scratched the back of his head. “Yeah, sorry about that. Sorry you got in the middle there.”
“No, no, I mean… thanks for stepping in, but are you guys gonna be okay?” Danny’s eyes flicked between Paulina and Kwan.
They looked at each other. Paulina giggled. Valerie shook her head with a smile.
“Yeah, dude,” Kwan said. “We’re gonna be just fine.”
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follows-the-bees · 1 month
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What's ur issue with edizzy?
Any relationship that ties Izzy with Stede or Ed, I am not a fan of. I live by a ship and let ship philosophy but I will curate my timeline so I don't have to see ships that I personally don't like.
I don't like Izzy with Ed because it is clear to me in canon that Izzy doesn't actually love Ed, and he realizes that at the end when he gets to grow and start to become his own person that isn't clinging onto the persona of BB and the strict masculinity Izzy has been holding onto.
To Ed, Izzy is just another father-like figure that is part of his trauma response. (Captain Hornigold, the fisherman, etc are also part of this.) And at least twice, we see Ed react negatively to any affection offered to him from Izzy. He is not in love with him. And I will even argue that while Izzy loves Ed, he isn't in love with the real Ed. He does wish him well though.
I think a large part of Izzy's season two journey is finding out he isn't in love with Ed. And even if Izzy wasn't killed at the end (I think there were plans to bring him back in s3, there's a lot of foreshadowing in the story, just like there was foreshadowing of his death) Ed and Izzy needed to be apart to grow out of their toxicity.
The Discomfort in a Married State episode seems to be peoples biggest evidence of a sexual edizzy. But I think that's a baseline reading of what that episode is trying to communicate. It is not about sex/romance, it is about the societal expectations that are causing the discomfort. For Stede, it is about living in this married state and the societal expectations in it, while he is incredibly unhappy. So unhappy, he runs away, and is even suicidal, but would rather live a short life as a pirate then continue living in "discomfort." For Ed, it is the societal pressures of being Blackbeard. He is also suicidal and trying to get away from it and we see him tell Izzy this directly in this episode, and Izzy's response is basically, buck up and pull yourself up by your bootstraps. (Now there is a whole thing of Izzy as the middle manager trying to keep his bad boss and the crew in check, which is why he responds like that reading. But also, I will say Izzy constantly lies to the crew, to Ed, to whomever, and I don't think it's always to "try to keep everything working" or however you want to phrase it. A lot of times it's to his own advantage, and the show also shows that he's in the wrong. It may be done in a funny way, but throughout both seasons, Izzy continually makes the wrong choices by the narrative.)
Years ago, Ed and Izzy may have gotten along but not anymore. That's why Ed and Stede work so well, they are confined by society and those societal norms being put up on them by outside forces, but together, they can just be themselves.
I haven't even touched upon the abuse side of things because I know that's a tricky subject, but I don't want Ed or Stede to be with their abusers.
You did not ask about stizzy or Steddyhands, but I'm on a role, so here goes.
I read Stede as demisexual. I think there is also a very clear canon reading and support of that theory. And it is also clear he wants Ed, and only Ed. Doesn't mean he hasn't had dalliances with others in the past, but once he's set his mind on Ed, that's who he wants. Because it's Con playing the character, he has sexual vibes with everyone, and that can be easy to play into if you want to ship Izzy with anyone. It makes sense. Especially cause Con will repost any Izzy art, including any Izzy ships, because he is a great man who wants to support art and support us.
But stizzy just doesn't make sense to me, for reasons stated above.
And for Steddyhands, I have found that most people who support Steddyhands are usually using it as a way to heal Izzy. Or that Ed and Stede are too "whim-prone" and they need Izzy to balance them out. And that is clearly taking away both Ed and Stede's agency, which could be a whole other discussion. Also, Izzy has represented the toxic masculinity of being a pirate, and he gets to grow away from that, but not completely. So teaming that person up with the two men, whose entire journey is to get away from societal norms, and not fitting into society because they aren't playing their masculinity right, to become themselves and live by their own rules, takes away the entire thesis of this show and their relationship.
Now having read all this, you may think that I hate Izzy. And the thing is I don't. I love canon Izzy. I don't particularly like fanon Izzy, and quite frankly his more extreme fans have tested my patience on my love for him, but I find him intriguing. But Ed and Izzy's relationship in canon is absolutely fascinating and I loved seeing Izzy's journey over the two seasons. I just don't think it being tied to Ed and Stede sexually/romantically is it. Not for me. But as I said, ship and let ship.
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zhansww · 20 days
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The first ~28 episodes of War of Faith are so good. So fucking good. And definitely recommendable. But the drop in the quality of the writing after that is... jarring. The pacing runs wild, the plot gets ridiculously contrived and a good character turns evil for no reason. Basically, the best way I’d recommend this show is to watch until about episode 28 and after that, just skip to the finale. Spare yourself all the nonsense in between. Although I will say that the character of Wei Ruolai, at least, stayed pretty consistent and mostly well-written until the very end. He’s easily become my favorite of all the characters I’ve watched Yibo play. Oh and there is definitely potential for a second season. As long as it has the same quality as the first two acts of season one, I would totally welcome it.
spoilers under the cut
As much as I appreciated what they did to redeem Tunan at the end, my biggest issue is that Tunan should not have turned evil in the first place. He shouldn’t have fucking needed redemption. It (still) makes no sense. And it’s the worst mistake of the third act. I could literally condone anything else. The fact that Tunan turns into a warlord, even though he is banker. The fact that everyone suddenly knows how to wield guns and fight. The ridiculous plot armor for certain characters and how conveniently important things constantly happen at the same time. Like, I’m fine with all that. But changing characters to move the plot in a certain direction instead of having characters move the plot naturally... that’s where I draw the line. And I know what they did it for. To make it more angsty. To make us, viewers, feel some type of way. But nope, the only thing bad writing makes me feel is annoyance.
Even if I take my shipping glasses off for a moment, I think it’s safe to say that Tunan and Ruolai are the heart and soul of this story. Heck, this show literally starts off with Ruolai, trying to get a place at Central Bank, where his beloved Tunan works. That’s what kicks off the entire story. Honestly, their relationship is gayer than the only canonically gay c drama I watched. And even though the third act is a mess, their relationship is still probably what I liked the most on this show. And I’m glad that they, somehow, got a sort of happy ending. I assume the implication in the end is that Tunan is the comrade Ruolai was supposed to meet... And since they’re finally (belatedly) on the same side again, they get to work together again, too. It’s a bit bittersweet but oh well. Better than if Tunan had died, at least. Ruolai has this really endearing and whole-hearted devotion to Tunan. They very much have a master/servant dynamic at the beginning. But the more Ruolai grows into his own, the more he steps out of Tunan’s shadow and at the very end, they meet each other as equals. I really liked what Yibo himself said about their relationship, that they started as master and disciple but gradually came to consider each other family.
I’m really fucking glad that Yibo chose this role and that he played it the way that he did. I don’t even know how long it’s been since the last time I was this invested in a show (not counting the OP live action cuz I’ve been invested in the og for a decade lol) so I’m ultimately quite happy that I watched this which I wouldn’t have done if it weren’t for dd, tho. My man really chooses the best roles and his performances keep getting better. I’m super proud of him and to be his fan~
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billpottsismygf · 5 months
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Right, okay, overall that episode was great. Really fun, really atmospheric. Effectively straddled the line between hilarity and terror in the spice girls scene. NPH exceeded all my expectations as the Toymaker; he was giving very Emcee in Cabaret vibes when he was doing the camp German thing, but then was able to reign it in and be in control and frightening when he switched into an English accent. He was defeated a little too easily for my liking, but that's far from the biggest problem with the episode.
Now. The bi-generation. I hate it. I don't necessarily hate that it happened - I quite like that Fourteen and Fifteen got to work together - but I hate that it wasn't resolved at the end. If this had been a two parter, the regeneration could have been a fun cliffhanger and led into a part two where there were some more games with the Toymaker - since his part could easily have been extended, as could John Logie Baird's - and where the bi-generation got resolved. As it is, however, now there are… two Doctors… Permanently? If it is going to be resolved in the future, though, why not just do it now?
My main issues:
It undermines Ncuti Gatwa as the Doctor. It feels weirdly like he's a secondary Doctor, rather than being The Doctor. Especially being the first black Doctor in the main running order, that's just a bit suspect. Although the final shot was of Fifteen heading off in the TARDIS, the focus of the end of the episode was so much on Fourteen instead of this exciting new era. This should be a fresh new start with Ncuti Gatwa at the helm, but instead he feels like an after thought. (He has given one hell of a performance so far, though, so I'm still incredibly excited to see his Doctor shine.)
It undermined what felt like a lovely bit of character growth, with David Tennant's Doctor being ready to leave this time.
I just don't believe that the Doctor would settle down like this? I get it, he's traumatised and needs to heal, but I still don't believe he would act like this! I usually think RTD is fantastic at character things, but that final scene was weird and wrong (I also don't believe Wilf would ever shoot moles). Even the idea that he's taking little trips doesn't make sense. The Doctor is incapable of not accidentally getting embroiled in a war or an invasion.
RTD has already done this! Why does he have an obsession with creating an additional David Tennant Doctor and then getting him to settle down into a human family life? And it worked better last time! At least then it was a Doctor that was part human and locked off in a parallel world.
Why are there two Doctors now??? This is just weird????
There are two TARDISes as well! Our favourite ship has been split in two… That's a sentient being!
The one thing that is slightly saving it for me is that Fifteen appears to still canonically come after the end of Fourteen's time as the Doctor, rather than Fourteen having the ability to continually regenerate into other Doctors. My only evidence for this is that Ncuti's Doctor says that he's mentally healthy now because David's Doctor did the work. So… Does Fifteen have the memories of Fourteen's time with Donna and family? Are they going to have to meet up and re-merge at some point? That would be better than the alternative, which would be for David Tennant to just perpetually be around as the Doctor. I love the man, and was even saying that I was surprisingly sad at how quickly our time with Fourteen would be over, but I don't want it extended like this. Not like this!
It's such a shame that what was otherwise a pretty good episode, if a little rushed, has been completely overshadowed by this bad and pointless decision.
Anyway, we got some hints about the future. The Toymaker has called on his legions, there's the One Who Waits, the tooth with the Master has been picked up by someone with red fingernails (again!). I'm still looking forward to what's to come; it just feels like this brand new adventure has been held back somewhat by clinging onto the, admittedly wonderful, David Tennant.
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traincat · 2 months
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Ms. Cat, Ms. Cat! You've talked about how great the Waid and Hickman runs are before, so I wanted to ask: what are some things about these runs that you didn't like? Is there anything you would've added, dropped, and/or rewritten, if you were magically granted the ability to do so?
Ooh okay NEGATIVITY. my actual favorite. and I can do it off the top of my head! (I found the 2018 copy of my refs folder, but not the hard drive I know has a 2022 copy.)
So I have talked a lot about what those runs do right, and I think Waid especially is a really good beginner run, like, if you want to start reading Fantastic Four comics, his run is as close to a perfect modern starting point as we have. (I was talking to someone recently and the conversation segued at one point into how, for a lot of comics, there's no such thing as The Place Where You Start Reading, you kind of just have to hop in.) Hickman... is not an ideal starting point, but if you want to read an interesting, coherent Fantastic Four story that's plot heavy, the first half of his run is excellent for that. (Note I said first half. I'll come back to that.) As opposed to, say, Claremont's run, which is completely incoherent in terms of plot but has the best character work in probably any Fantastic Four run ever. Just don't pick it up if you want the story to, you know. Make sense.
Waid's run -- I would never say Waid's run is perfect, although I do think it's good, which is sort of all you can ask for a lot of the time. The beginning of it definitely falls victim to what I kind of privately call the Johnny Effect: I think a lot of writers have trouble writing Johnny at the start, whether because they don't entirely understand his character or because they're less interested in him than the other three. I literally have a rule where I'll give a new Fantastic Four run like, seven or so issues for the writer to settle into writing Johnny, because a lot of people will fall back on these very shallow perceptions of him, namely that he's irresponsible. (I also think Hickman fell victim to this a little bit at the start of his run, although like with most Johnny Effect cases I'll let it go because both Waid and Hickman wrote incredible Johnny-focused stories that absolutely nailed everything about the character. Whatever Happened to Johnny Storm? and Storm Rising are two of my top Johnny story picks, so they do both get him. It just takes some time sometimes.) Waid's not that bad about it, and he did attempt to spin what I think are traits Johnny doesn't really possess (the playboy nature, the emotional immaturity) into a character arc that does have some good payoff, but if you compare Johnny at the beginning of his run to Johnny in, say, Claremont's run, there's a big difference in terms of characterization. I also don't think Waid is anywhere near the top ten Doom writers -- he goes too hard into utterly cartoon villainy. (Waid's run is, after all, the origin of the Childhood Love Skin Armor of infamy.) His Doom lacks the nuance of Hickman's take, or even the iron willed commitment of Miller's. (I will say whatever I want about the rest of that run but Doom getting eaten by a prehistoric shark and then pulling himself back together atom by atom out of sheer spite is just so fundamentally Doom.) So his characterization can be shaky. He can also pull out really strong moments! I think his depiction of Johnny and Reed's respective grief over Ben is really powerful stuff, although I don't like, love the "journey to heaven" arc. (God is Jack Kirby is pretty funny, though.) If anything, I think it's the juxtaposition of the really strong moments that make the weaker characterization more obvious. I think the Doom characterization is probably my biggest criticism of Waid's run, overall. (I also didn't like his recent Invisible Woman miniseries like, at all. I thought it was boring! Sorry! I wanted to like it!)
Now Hickman, I'm going to complain about. So Hickman's run comes immediately after Mark Miller's run, which I never recommend for the simple reason that it's not good. It's not a good run. Miller deserves his general reputation as one of those overly bro-y comic writers who mistakes sprinkling in sexism for hard hitting realism. Do I kind of want to reread the run right now? Yeah, sort of. Despite it being Not Good, I think there's genuinely interesting stuff in it. Hickman spends the first few issues of his run utterly trampling on Miller's run, like, Godzilla on a miniature city style. It's a little amazing to watch, honestly, like I admire the spirit of spite -- that's what I want to do to both Spencer and Wells' ASM runs -- but it has some intensely negative side effects, namely when it comes to Alyssa Moy.
Alyssa Moy is a character Claremont created back in his run -- she's Reed's old college friend/sometimes flame depending on what writer you ask (they kiss in greeting in Claremont's run, but it could be viewed as a friend thing -- and she's pretty blatantly romantically interested in Ben in Claremont's run), a super genius adventurer who can intellectually hold her own against Reed. In short, she's SUPER fun. Every other writer since Claremont, save for Peter David in Before the Fantastic Four: Reed Richards, has been really fucking weird about her. Whether it's making Sue jealous of her because she's so Intellectually Compatible with Reed (this is nowhere in Claremont's introductory run, where Sue and Alyssa get along really well -- Alyssa was LIVING with the F4 for a while) or having her comment on how she and Reed would have intellectually superior kids while she's married to The Most Boring Man Ever Created, Ted Castle (Miller's run). Hickman is NOT immune to being weird about Alyssa. Where Miller's run leaves Alyssa with her Boring Fucking Husband on Planet Future or whatever (it's dumb, it's a dumb plot), Hickman's opens by saying Alyssa is now... a brain in a jar. A talking brain in a jar on robot spider legs. And then she gets murdered like five pages later. But don't worry, because her Boring Fucking Husband creates a robot version of her, and everyone is fine with this and it's cool actually and we don't have to look too closely about the problematic elements of replacing an Asian woman with a robot version of her built by her freak tech guy husband. And then they blast off to space and have not been seen again. I would SO BADLY love to retcon everything that happened with Alyssa post-Claremont because she's such a fun character and the way she's been treated since in the main book is disgraceful. That's my top pick for what I would fix if I had unlimited editorial power: Alyssa Moy solo.
(Is Hickman great about the depiction of women within the sole context of his Fantastic Four run? I think his greatest triumph with any one female character is Valeria, where he took Miller's depiction -- of a super smart toddler -- and honed that characterization into what's now very solidly Val, with all of Reed's intelligence and a lack of his emotional comprehension, with her strong emotional bond with Doom, with her pragmatism. Can I say he did equally for any other female character, again, solely with the context of his F4 run? Not really.)
I'm not gonna address the renumbering/retitling issue with Hickman's run because I don't think it's fair to put that on the writer, but I do think it's detrimental to the run overall, considering how you need a GUIDE to figure out how to read it. I will say that I think Hickman's run falls off HARD after he wraps up the Negative Zone plotline. And I LOVE the Negative Zone plotline, I think it's really a crowning moment in Fantastic Four canon, but Hickman doesn't seem to know what to do with his run after that point. And I love the roommate issue, it's given the Spideytorch community so much, but I genuinely do think we would have been better served exploring Johnny's emotional state after his two year long death and resurrection cycle, and that was mostly left for other writers to deal with after the fact. Which is kind of the flipside of Hickman's greatest strength -- Hickman is just, like, utterly great at blowing stuff the fuck up. You cannot hand that man a fictional universe he wouldn't gleefully explode and it's great, I love that, I love watching him blow stuff up. I think he really gets into the destruction of fictional realities in a wonderful way that gives you lots to think about. But in the case of his F4 run, there's this weird period between wrapping up the Negative Zone plotline in his first Fantastic Four run and his other Fantastic Four comics (his New Avengers run and Secret Wars (2015) are Fantastic Four comics) where he doesn't quite seem to know what to do, emotionally, with the fallout of everything he set up. Which is disappointing! His depiction of grief in the wake of Johnny's death is so powerful, and I love the message about LOVE (what saves the Fantastic Four and by proxy the world? LOVE) in his FF runs, but he doesn't seem to know what to do with it in the in between issues. That being said, I think the last issue of his FF run, the one with Franklin, is just a triumph. It's hard to be overly negative about the pacing problems in the wake of that, but they are there and I do think they should be addressed.
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as-i-watch · 8 months
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To answer your question about the reaction of non-fans regarding the show’s tone, I watched the first 3 episodes with people mostly unfamiliar with OP, and their verdict was that it was fine. These were their impressions:
They didn’t have a problem with something mixing cartoonish action with violence (if anything they thought the biggest issue with the tone was that it wasn’t consistently weird/stylized *enough*) BUT they did have a lot of moments where they’d go “wait why did that happen” during scenes, mainly having to do with the character development. One asked what Nami sewing the straw hat at the end of episode 2 had to do with the rest of the episode because she and Luffy were separated for 3/4 of the runtime and all of Buggy and Luffy’s conversations were about Shanks abandoning Luffy and being an outcast. And all of them were just as confused you were about Zoro’s development.
Another friend similarly thought it was weird that the setup for episode 2 had Nami saying she hated pirates and disliked Luffy, but then the episode itself was more about Zoro and Nami bonding and proving their loyalty to Luffy instead of the other way around.
They hated the flashbacks. Mainly because they felt the editing and segues into those flashbacks made the backstories feel tacked on at best and intrusive at worst - not helped by how they thought the pacing in those flashbacks was clunky and way too fast; even started laughing in disbelief when Usopp’s mom died just because of how it happened in less than a minute.
Got REALLY restless and bored whenever Garp and Koby were on screen.
One friend also thought that the Den Den Mushi were meant to signal that a person was a villain because the expressions on the animatronics read to her as *In Constant Pain* and therefore were meant to be seen as animal cruelty, and because so far only antagonistic forces have used them. She was VERY surprised when I showed her what they look like in the anime/manga and went “wait but those are cute”
All are in agreement that Buggy is the highlight of the entire show so far. “Surprise shithead” and Buggy punching the glass got the biggest laughs of the night.
Do enjoy the action (think the sword fights were the best) and enjoy the sets. They did start to notice a lot of those sets didn’t get a chance to shine because of all the closeups though.
Episode 3 left them kinda cold. Not just because of the flashback, but at the end one friend went “Did this Usopp guy just leave his sickly friend alone in a mansion with 3 murderers just to run *all the way* back to town to ring a bell, even though Luffy and Nami are much closer? What an asshole” So I think on that front the show kinda failed to capture the essentials of Usopp’s character in the abridged timeframe.
One friend also said at the end of the night “This is fun, but it’s not really *about* anything...” He later elaborated that he thought that the episodes we saw were more like a string of Things That Happen, and the character’s actions all seemed to either just exist in a vacuum with no connection to other characters or parts of the plot, or they make choices that don’t make sense unless the characters have read the script.
So yeah, overall my friends unfamiliar with OP said they enjoyed it well enough, certainly had some laughs, but also weren’t in a huge hurry to finish the series. But it’s hard to say if the sentiments they held are common since I haven’t had the chance to talk with many other people talk about it in person. As for me, I’m just kinda letting it digest and waiting to see how I feel about it a few months from now.
Ohh this so interesting!
I share most of that. Specially in ep 2. I absolutely love LA Buggy and it was the best part of the ep but the rest of that ep was so off. It was an exposition episode and i agree the actions of Zoro and Nami were out of the blue, they barely shared any screentime together and suddently they were already so loyal to Luffy just bc. If onlynif was the one thing that actually annoy me, particulary Zoro's development (in ep 3 they madenit right tho) I wasnt sure if it was just me and bc the comparison with the anime or like an actual thing so thank you for that input
The sword fights i love, i really really really do
That read on the den den mushis gave my whiplash but i so get it
Garp and Koby are really interesting to me but bc they are new and i want to see the direction they take, but is mostly curiosity, so that to me is a new way of seeing it too
But mostly your friend is right, im also at ep three and if you strip away all the world building we know from the anime it does feel a bit like a succesion of things happening, but also like a check list of thing that happened in the anime and that must be covered. I get it tho bc run time and all, but its a shame thats the read for a first time watcher that doesnt know about what couldnt be fit in the ep and that helps understand a charecter or a scene better.
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doriandrifting · 1 year
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Mothergate: Alice Creel is B*lly Hargrove’s Mother
Forewarning that I hate Billy, but Murray Bauman said to follow the rabbit hole no matter where it leads, and who am I to doubt him? 🕳🐇
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Let’s just get the big thing out of the way first:
Alice Creel died! …Right?
But that leaves a lot unexplained, including when Nancy asks Victor, “Who played the music?” Victor never gives us a straight answer. Which I think gives us a lot of room to speculate that Alice was fighting Henry and changing the music. Let’s also note that Alice’s phrase was, “It’s like a dream,” and the song that saves Victor is “Dream a Little Dream.” This seems like a subtle clue from the writers.
So what happened?
I think that Alice “betrayed” Henry, like El, and refused to join him in his quest for power which included killing their parents. This is the memory that makes him “angry and a little sad.” He uses it to harness his power. If this is the case, Alice’s eyes were bleeding, not because she was dead, but because she exhausted herself fighting Henry. We also see El’s eyes in the same state when she fights Henry. To me, it seems she somehow managed to fake her death:
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There’s also some strange inconsistencies reported about her death:
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There’s no way Alice was meant to be older than our main characters, and at least 3 years older than Henry. They show her running around on a playground, and overall acting and dressing like a little kid. And not in a struggling to mature way—just genuinely a child. What that means about her fake death, I’m not exactly sure, but something’s definitely off. (Sidenote, but it’s also weird that there’s issues with both Will and Alice’s 15th birthday, right?)
Anyway, let’s take a look at the description of Billy’s Mother:
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In terms of the other main theory that Karen is Henry’s sister, Billy’s mother’s physical description more closely resembles Alice. Alice has blue eyes and blonde hair. Karen’s hair is a mousy brown in the first season and her eyes are brown. Alice wears a hat with a blue ribbon when we first meet her.
The red flowers are such an interesting touch considering the Creel’s iconic door:
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Another subtle clue might be that one of the only things we know about her is that she has a friend named Wendy. Wendy—another classic fairytale name. What a strange thing for them to tell us, when we don’t even know her name.
The biggest, and my favorite clue happens throughout all of Season Four:
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Surfer Boy.
This is so on the nose it hurts. (I hope you read that in Will’s voice. You were meant to.) Billy was literally a Surfer Boy in California, and we see this first hand in the memory of his mother. Why call back to this for no reason?
In Season Four, Max is being tormented by visions of Billy shown to her by Vecna, the Cali Crew is in a Surfer Boy Van, and Nancy is piecing together a puzzle about a “grandpa murderer” and a red rose door that she’s seen before. It all adds up as the perfect reference to this specific scene.
Besides the references to the actual scene itself, there’s a big clue that we see in Season Two when Max is introduced, and again this Season with Eddie—the Micheal Myers’ mask. In the Halloween Movies, Micheal Myers is suffering from “the Curse of Thorn” (another reference to roses). In order to break the curse, he must kill everyone in his bloodline, and the one he really struggles to kill is his sister. (Parallels Henry trying to kill his whole family, but failing because of his sister.)
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Lots of references to 20 in Season Four and, in H20, Micheal Myers has a sister that fakes her death and relocates to California! Go figure!
That also addresses the biggest issue with the Karen as Alice theory. It would make no sense for Karen Wheeler to stay in Hawkins, because she’d be at risk of Brenner taking her too if she was Alice Creel. How the Hargrove/Mayfield family ended up back in Hawkins sans Billy’s runaway mother is anyone’s guess, but there’s too many coincidences…and it could explain why Billy and Max were such strong targets.
And let’s not forget that the episode where we first see the memory of Billy’s mother is called “E Pluribus Unum" or “Out of many, one.” A direct nod to Henry’s secret identity in the title of the very episode that we meet a random woman who’s sheer memory is enough to bring down the Mind Flayer? That’s Alice Creel, babygirl.
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joy-crimes · 1 year
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i think my biggest problem w/ rwby @ this point is how much they love shock value and making their characters suffer for entertainment. Ever since the end of volume 8 there’s been an air of “you’ll never guess what happens next!!” before the result being death, destruction, sadness, etc.
They played the Everything is Horrible card to wrap up volume 3 and it almost feels like theyve been trying to recapture that “woah what the hell???” factor ever since.
the volume 8 ending marked a really dark turn for rwby as a show, with scenes so graphic and upsetting that you can feel the grins on the writer’s faces when they told themselves “This is a game changer, no one will EVER expect this.” even though many of the darker themes were already explored much more tactfully in v3.
but the result is much more damning, because now, nothing is shocking. It’s the factor that made most people stop reading attack on titan. if ANYTHING is fair game, no matter how dark, then why get invested in any of it??? Hell, they made bumbleby canon after years of baiting, doubling back, yearning, etc, and it didnt even end up being the climax of the episode!!! (no really! that episode kept going after the happiest scene all season).
Now like, volume 9 has been arguably going better than its predecessors in terms of character writing, but it’s also really awkward to watch them stumble and trip over the decisions they made for the volume 8 ending. There’s a deep deep feeling that if the team just talked to each other for more than 5 minutes, none of these events would be taking place. It’s narrative tension in such a bland form. the biggest relief in the entire season was an extended scene where blake and yang FINALLY talk about their feelings. after AN ENDLESS SUPPLY of skirting around their issues, and unfortunately, that episode ended, and we had plenty more show afterwards.
This latest episode was a tough sell for me. i already don’t exactly trust RT to handle “sensitive/distressing themes”, and to that end i think that Ruby’s “decision” in this episode could’ve used much more sensitive & informed lead-in. Also, straight up there are some really dark things in this episode ASIDE from that, that I swear to god, someone was smiling over in the writer’s room.
SPOILERS: you can try to make Neo a sympathetic villain, or you can have her crush a defenseless mouse to death under her heel, but you can’t do both, dude. Ya just can’t.
END SPOILERS: overall, i think im fine w/ this season. it’s overall decent and is trying it’s best to handwave away all the bad decisions made in previous seasons. That method CAN work if it’s in the interest of making a more thematically interesting show & learning from your past mistakes, but instead it feels like they’re simply running from tragedy to tragedy, with glimpses of happiness that are starting to feel more like a trick they can pull out whenever they want to lure you into a false sense of security. Characters being happy is now a surefire sign that there’s going to be a character death soon.
SPOILERS AGAIN SORRY THIS IS DISORGANIZED: my friend hannah pointed out that one of the most egregious parts of this episode is that neo didnt know most of the people she was puppeting around to psychologically torture Ruby. Neo’s actions were supposed to convince Ruby that all these deaths were her fault, but because there’s VERY few characters that fit that bill, you end up with the issue of many characters being folks Neo shouldn’t even know the status of (unless she can suddenly read minds)
Leo, the headmaster of mistral died while ruby & friends were off screen, and was DIRECTLY killed by Salem without Ruby’s involvement.
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Ozpin and Pyrrha were killed by Cinder, while Neo was busy careening into the abyss on her umbrella, implying in that in their brief time together, Cinder explained everyone who died who had a connection to Ruby. Neo clearly guesses that penny is dead in the first place, meaning that her even KNOWING about Leo is completely unexplainable. Neo also shouldnt have known that Ironwood was dead, and on top of all else, why does she think that Ruby would blame herself for clover???? methinks the writers just wanted to fill seats in neo’s scary fucked up dining room. wacky decision.
Or maybe it isnt, because the first thing i thought was: “Wow thats so scary what the fuck”
which again points a big neon arrow to the writing issues of current rwby: It was done to be shocking even though it doesn’t make sense.
I have a hard time believing any of the events of this episode are ones they’ll stick with. All of the characters who “died” in this episode can plausibly come back in some way shape or form, so I guess now its time to just wait n see what happens.
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keplercryptids · 1 year
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A Quick Breakdown of a Few Non-D&D TTRPGs (and how they compare to D&D)
hi it's me, your local ttrpg player and forever-GM, encouraging y'all to play something other than d&d. i wanted to share about a few ttrpgs in particular and how they compare to the d&d experience. this might be useful to some who want to try a non-d&d system with a little more guidance than "all of these look cool." i'm focusing on the three systems i have the most experience with, and i'm not going to delve into the game mechanics, but rather focus on the game experience.
also, hey!! if you learned to play d&d, i promise you, you can learn another system. d&d is complicated and often expensive, but other ttrpgs aren't necessarily like that! most ttrpgs, in fact, are much simpler than d&d and easier to learn. so don't let the barriers you may have faced with d&d discourage you from trying a new system.
Savage Worlds
experience: player in a homebrewed setting for about a year.
overview: savage worlds is a setting-neutral system, so it really lends itself to homebrewed worlds. character creation is looser and more flexible in some ways than d&d. you piece together the character you want rather than using a set class/race. i would say the biggest difference between savage worlds and d&d is what the name itself implies. the world can be savage! the dice are swingy in this game. you might be great at a skill, but it doesn't guarantee success the way it pretty much does in d&d. wins and losses tend to be bigger and more dramatic.
what i love: your "class" feels more customized to what you want. savage worlds rules can be implemented in all kinds of settings and worlds which is cool. "balance" isn't really an issue the way it is in d&d (but be prepared for those swingy dice!). combat can be deadlier in some ways, but the system doesn't rely on combat the way d&d does.
Blades in the Dark
experience: GM of a campaign for several months.
overview: blades in the dark is about a group of scoundrels, being scoundrel-y. my favorite line from the player's handbook is that you should play your character like you're driving a stolen car, and i just love that metaphor so much. blades is a game where you play bad people doing bad things (crime). you roll a number of d6s and if you get a 1-3, you fail; a 4-5, you succeed with a complication; a 6 is a total success. what this means in-game is that almost every roll you make results in something bad happening. this leads to a chaotic game experience where the pressure is constantly building until something explodes.
what i love: as a GM, i never prepped for more than 15 minutes before a session. you don't need to prep at all as a GM (either way, be prepared to improv your ass off!). the mechanics are also a delight and i know i will use some of them in most of my games moving forward (clocks! clocks are genius). it also has more of a collaborative feel than d&d. you and your players are making it up as you go and it FEELS that way, which is so fun.
Pathfinder Second Edition
experience: GM of a published adventure for just a few weeks!
overview: this is probably the system most similar to d&d. a lot of the skills, dice mechanics, spells etc will be familiar to you. if you like d&d mechanically but want more crunch and more balance, pf2e is a great option. it's definitely more complicated than d&d, but i don't think it's too complicated, if that makes sense. combat is easier to balance from the GM side and feels more dynamic in many ways at level 1 than d&d at any level. also pf2e has a sense of humor??? it's hard to describe but so many of the feats, spells and monster abilities are FUN in a way that's lacking in d&d. i plan to run my next campaign in pf2e and am excited to delve into using it for a homebrew setting.
what i love: character customization is off the fucking charts. if you're a 5e player, you'll be astounded at just how many skills and abilities you get every level-up. also, it's a game that's balanced, which as a GM i've noticed right away. combat is fun to run (i have NEVER said that about 5e lmao) and feels like you're actually playing a game, rather than giving a presentation the way a lot of 5e combat feels as a dm. every monster stat block is interesting and unique. and there's a rule for everything, which i personally like.
anyway, i hope this was useful! get out there and try a new ttrpg system, okay??
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transgamerthoughts · 2 months
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a vast methodical fragment
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(this is a cross post from cohost. pretty much all my stuff ends up there first. that said! writing here is what initially led to me getting a job as professional critic so some stuff will still end up here)
i am playing Final Fantasy 7: Rebirth. no spoilers in this post! don't panic! though I have seen the ending and will eventually write on What This Remake Business Is Even About Now I'm taking a slower recircling back through the world and doing side content. because this is a good world. that's maybe the biggest strength of the entire game! there's a remarkable sense that the world has been as well-considered as the characters. part of what makes the remake trilogy feel more solid than something like final fantasy 16 is the ways in the texture added into every location. final fantasy 16 had a lot of maps and lore and codex entries that were meant to create a sense of "realness" to Valisthea but the sum total of that falters compared to even some of Rebirth's smallest moments. no timeline, however meticulous, can compare to watching protesters in lower Junon wave signs outside of the Shinra-controlled entrance to the city or seeing how bars are themed in the Gold Saucer.
when I wrote about the end of Final Fantasy 16I made comparisons to Triangle Strategy. both games tackled similar matters on paper but in practice, I felt that the latter succeeded because it had an understanding of its settings material realities. In their podcast on ff16, the folk at Abnormal Mapping (I think specifically Austin as the guest third chair) noted that while the game had aspirations about tackling slavery, it only ever really showed Bearers being used for servant work. they aired out laundry or lit fireplaces. it belied a certain lack of consideration for the world and its needs why is someone airing out laundry with magick when they could be cultivating a field? yes, Titan is a great summon useful in war but would his existence not affect the Dhalmekian Republic's infrastructure and architecture?
Rebirth doesn't have this issue. Walking in any town or exploring the outlying regions starts readily reveals locations that have a great deal of consideration and consistency. I know where the food come from, I can stumble in on teachers reading stories to classes or else telling them some local folklore. there are popular songs, i run into veterans of old wars and stumble on abandoned forts that still have old ammo boxes in them, local superstitions and phrases. the pieces fit together.
I've quibbles with Rebirth in the sense that I think it's a bit distracted as a story. there are times when the larger sound and fury threaten to signify nothing and I don't think that's simply to do with the fact that it's adapting a fairly freewheeling portion of the 1997 original. but that's a very particular complaint targeted at the meta-narrative. What Is This All About?
for the moment, i'm content putting that question on hold. the contrast to ff16 is perhaps what's ringing most loudly in my mind. this is a world with wave-race dolphin riding, combat simulators where an android named Chadley digitizes local gods into pocket-sized summon materia. it's a place where your ninja friend accidentally creates countless copies of a joke-character and they all team up to renovate a seaside inn. but I take it more seriously.
a jaded person might say that it had that grace built in because of my nostalgia but the truth it that earned this consideration through the care built into the world. it didn't make demands of me. the developers looked at the world, asked how it would work and wove that into everything. i know the latest gimmick popsicle flavors for crying out loud!
the difference between a heap of lore and a properly built world can be thin and arbitrary but if there's one thing I really appreciate from this ongoing Remake project, it's the how much the player understands How It Got The Way It Is.
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luckyqueenreign · 5 months
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Honestly I still really love this season so far, I think I just like the story of this season so far, I could see myself replaying it more then any season since s4, it’s not perfect and has some flaws but overall I have been pretty entertained and actually excited for each volume so far. I like this season way more especially since there is no Amelia. 🥹
I feel like the odd man out cause the litg discord and the reddit seem so annoyed about this season every volume. I get the season has problems but some of the issues people have with it is hyper critical? Like being stolen all the time, it is annoying but like in this season it does actually make sense we are supposed to be like Priya level bombshell. We are the weather reporters. 😭 Even though we have been stolen we also are in control with who we spend time with, I’ve spent no time with Travis because they let us spend the time with our OG LI or someone else if we want. Their biggest problem is the fact they can’t branch well. It’s just people act like this is worse then s6 when I think it’s improved from s6. If this was s6 we would be stuck with Bonnie forever. 🥹
I want to go back and play s2 because I enjoy this season so much because it’s made me happy? 😂
Am I too forgiving to fusebox for this season?
I actually agree with you that for the most part this season is actually still enjoyable and I def want to replay when it’s over. The writing has improved from previous seasons and it feels like there’s a lot going on in the background that doesn’t necessarily effect MC and the drama isn’t only happening to us - which I appreciate. I didn’t even mind being stolen especially since we had full say with who we shared the bed with multiple nights! My biggest gripe I think has to do with continuity. For example - we are currently coupled up with Travis. Even if you have a girl chat saying you’re sleeping with alex (my li) I still feel like there should’ve been a short chat where she talks to Travis about it and lets him know as well. Then we get flowers in our bed and instead of chatting with the guy who’s standing right there!! We run off to the dressing room and have to guess who gave us those flowers and confirm with uma?? Like why couldn’t I have just said alex, hugged him and ran off to get dressed for bed?? Then this week when we’re getting ready for bed they made it seem like mc was waiting for alex to climb into bed with her. You’re not coupled up!! He would’ve been going to bed with Estelle! I think that cliffhanger should’ve happened in the hallway or living room. Because why would MC be waiting for him in the bedroom when she’s literally just ran up on him outside for multiple days now. Another thing that isn’t related to us but a continuity issue.. in my playthrough after Mc and alex come back from their date Uma is straddling and attempting to kiss Raf and Daphne catches them. And then later when they’re sent home they completely brush off what happened earlier. Like Uma trying to kiss Raf is one thing, but STRADDLING him lol. I’m sorry but how do you get in that position with no objections? And then you’re all yea can’t wait to be together on the outside and perfect couple? I just feel like there should’ve been more tension with raf and daphne on their exit. (Also did they leave on everyone’s playthrough or was I just a savage when I picked them to leave lol)
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gtunesmiff · 3 months
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What is the single biggest mistake writers make?
They're ants when they should be spiders.
Let me explain... Here's how most people approach writing a song:
They write on a section;
Once they're happy with it, they move on to the next one;
They continue in this way until all sections are written
I call this the "ant approach", because it follows a clear path from A to B. You start somewhere, and you finish one thing after the other until you end up somewhere.
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t seems plausible. We like clear-cut processes like this. There's something soothing in formulas like this.
Here's the problem: this process doesn't work
(or at least it makes your life a lot harder than it needs to be)
Why? Let me explain it from the lyrics perspective (most writers have an easier time seeing the issue here).
For decades, here's how I used to write my lyrics:
Verse I: I got this! Man, some of these lines sound so cool!
Pre-Chorus: Starting to run out of ideas here... I guess I'll have to lower my standards somewhat.
Chorus: Right, chorus time. Time for a summary of everything I already wrote... well, if I'm honest, I don't quite know what it means myself...
Verse II: Ugh, I hate this! Why does lyric writing have to be so hard? What haven't I said yet? And what else rhymes with "broken"? I wonder what ChatGPT would make of this.
Chorus: Gosh, this makes even less sense now, but I'm so used to this chorus that I don't want to change it anymore.
Bridge: Maybe I'll just do a "who-oh" type section or repeat the same phrase over and over.
Chorus: Please don't ask me what my song is about, because it has so many layers that even I don't know (and honestly, maybe it's about nothing).
Recognizable?
Well, this happens in music, too, it's just that most writers don't recognize it there (probably because they don't know it any other way).
What's the alternative?
I present: The Spider process.
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Consider the spider web:
We don't care where the spider began crafting it.
We don't care that it didn't look like a web for the first few hours.
We don't even care that the spider had to undo some of its work.
All that matters is that all the right connections were made at some point during the process and that the spider ended up with a great, working web.
The Spider Process doesn't work from A to B like the ant, it starts with a rough version and iterates on it over many drafts.
(And if you're not slapping your forehead yelling "of course!" right now, let me elaborate because this makes a MASSIVE, MASSIVE difference.)
Instead of fabricating your song as you go (which makes it easy to lose focus, lyrically and musically), you start with a rough draft.
Your goal is NOT to write and finish a section - it's to write the ENTIRE song, and quickly.
And if you think your song's not going to be good at that point: You're right! Your first draft is going to suck!
But that's the beauty of it: You can write something that sucks! And you know how to make something terrible better.
Think about it, what's more fun, what's easier: writing perfectionism... or making something bad a little better?
The Ant Process sets you up for failure because every single thing you write needs to be great. You don't move on until your section (your line, your sound) is perfect.
The Spider Process on the other hand sets you up for success because with your first draft, you're not trying to change the world. You're just trying to write something. You're having fun, you're fooling around.
The quality comes from rewriting your draft and iterating on your ideas. You're approaching perfection step by step instead of having to write something perfect right off the bat!
So when I write lyrics now, I don't write them from start to finish and line by line, I write a few words here, a few words there. A little for the verse, a little for the chorus, get an idea for the pre-chorus, then jump to the bridge, and so on... that's how a spider works: little by little, weaving that web, until it all comes together.
Here's another way to look at it that might help:
Don't think of your song as a blank page or a void where you have to create everything from scratch. Not only is it unhelpful, it's also not true.
Instead, think of writing as shaping a statue out of a giant block of marble. As Michelangelo said: “The sculpture is already complete within the marble block before I start my work. It is already there, I just have to chisel away the superfluous material.”
Fun fact: the word decide comes from latin "decidere", literally "to cut off". By writing down a line, by recording a riff, by picking a chord progression, you're getting rid of everything your song is NOT. You're cutting off your options. You're not "creating", you're deciding what your song is.
This is one of several basic principles that have shaped the process I use now, what I call the 24-Hour Song. I wrote my last album of 15 songs in 14 days (6 hour days), and it's the best music I've ever written. I wouldn't have been able to do that a few years ago (it used to take me MONTHS to finish a song).
If you want to be able to do this, too (maybe you're a dad like me or you have a full time job on the side), keep reading my emails. I'll show you how you can write your best songs at record speed, too.
Stay gefährlich,
Friedemann
Holistic Songwriting
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mellonyheart · 1 year
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Arrhg...!
Nightbringer is driving me a little crazy.
Don't get me wrong, I like it. The story is engaging and I'm learning a lot about these characters. (Albeit I already knew some of it because of my fixation with overanalyzing my favorite characters and stories. Not the point.) The new art is lovely as well and the battle sprites are all adorable! The characters, the bosses and the even the boss attack notes are precious. (On that note I would love to get a high quality image of Belphie's sheep. I love it so very much!)
That said there are still some aggravating bugs and issues.
Inconsistent flash sale items. At first it seemed like we were getting level rewards at 15 then every five levels after. I was even hoping that it would switch to every level at some point but instead it seems there was bug that made it not pop up at all. Now I'm never sure when it'll pop up. The same for the AP sale that's supposed to pop up when the player runs out. This is making it very difficult to finish the events. Speaking of events....
Fast paced events. This is less of an issue if you have lots of time on your hands but a lot of players don't. I've seen other players complain about this before and after Nightbringer's launch. I'm kinda feeling it now because I only did well in the first Nightbringer event because of the starter pack I bought. I literally can't afford another expense like that yet. I couldn't roll any cheat cards and I'm still stuck in box one! I feel deflated. And to make matters worse the main story is still rolling out so lesson 12 came out on the same day as a [censored] LOOT BOX event! Audyvzigzcxsyjbdh?!
No x2 in events. I really hope this changes eventually because I'm absolutely positive that I'm not getting to box four. (No battle sprite outfits for me. 🥲) Og Obey Me has two days of boosted points for getting an edge in events but Nightbringer does not. It's killing me. I'm super happy to be able to play the story without keys. I hope keys stay gone. I even appreciate the hard and extreme stages in Nightbringer events. But I am already struggling to get AP, can we please have the boosts back? Pretty please?
On a more personal note the story itself is giving me some... feelings. I do like the story. It's smoother than og Obey Me and MC's options are pure gold which gives the whole experience a more immersive feel. But I keep wondering where this is going. (And that's a good thing!) I'm still worried a bit about how much information is going to get retconned. Although surprisingly not a whole lot has been (yet).
The biggest thing on my mind is how fucked up it all is? MC is being told that Nightbringer wants happiness. A word that has been tossed around a lot already. But weren't we already happy? How does that make sense? Solomon is pushing MC to make a choice but neglects to explain that he knows what's going on? Or at least he knows Nightbringer and doesn't tell MC that. I don't know who to trust anymore. And what happened to all the demon's eat humans stuff? And the brothers recalling how they used to corrupt human souls? Lucifer even said he enjoyed consuming human souls! How is that going happen? Is it going to happen? Are we supposed to believe that it was made up to scare MC? Or...?
I legit want to go home. To the present. To the version of the brothers who remember all the crazy stuff we've been through. I want the version of Mammon who clearly made some mistakes but grew from them. Who has probably partied as hard as the Avatar of Lust and came out wiser and with more experience. I love him no matter what but I'm an adult. I know how important it is to experience things. To fuck it all up. To piece yourself back together and move on. I want to help him do that but I fell in love with the version of him that already did. I don't want to abandon present Mammon for past Mammon. I don't want warp time and space unless I absolutely have to. I want to punch Nightbringer in the face. I want to make out with Mammon again. I want my degenerate fade to black scenes.
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Yes. Yes I am. I am a greedy spoiled brat who just wants my man back. My bed back. My bros back. My Zombie iguana back. My Mammon hellbobo back. My suspiciously matching earring back. Just let me save the three worlds or whatever so I can have my life back. 'Kay?
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hawkp · 7 months
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I can't guarantee anything. But I might write a Kirk Bros fic because of you. Any ideas on what kind of thing would be the most fun and/or heartbreaking with that? (Again, no guarantees. I'm kinda flighty sometimes.) You've made me think more about them than normal, so if you need to yell about them, I may yell with you. (Sorry if this is too random, or annoying, or anything.😅)
So sorry but this answer might not make much sense. I have the stomach flu and just woke up from fourteen hours of sleep because I broke my fever. This is how I feel rn.
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So if it doesn’t make sense please ask or message me for clarification. Everything below is just word vomit at this point.
ANYWAYS
NO NOT RANDOM I LOVE PPL YELLING even if it’s something I don’t know about. I just love when people are passionate about stuff.
I have like 30 WIPS sitting in my google drive so I totally understand you. I also started a Kirk Bros fic. It’s just a lengthy outline right now that starts right at the end of 2x10 and would end after the four Enterprise crew members are back on the ship and recovering (because everyone is going to be messed up as hell, especially La’an and I’m sure that someone will be dead in the show).
But these are some things I’ve thought about including in my WIP! Please feel free to run with them. Seriously, take them from me!
Disclaimer, in my fic I’m retconning Sam’s wife and kids from TOS because I haven’t found the SNW mention of her, which is apparently there somewhere, but I didn’t want to have to include the daddy dynamic of Sam’s character into it lol.
So first off, Pike doesn’t end up deciding if they’re pulling out, Una does. They only pull out far enough to not be in immediate danger, which is still against Starfleet orders, so they’d be breaking some regulation already and be in a wacky sort of limbo.
Then, how difficult it would be for Pike to tell Jim. I feel like he’d save him for last after contacting everyone else’s families… which I now realize those four have very little of. Jim would just know that something is wrong off the bat just from Pike’s face. He might even jump to the conclusion that Sam is dead and then the reality of his situation when Pike tells him ends up being so much worse. From there, Jim is dead set on joining them for a rescue mission, even if he has to break some regulations himself. Also at this point Christopher is a freaking mess ofc.
My biggest issue with writing the Gorn right now though is figuring out how to not have them immediately kill or do the dermal impregnation thing that’s going on with Batel, to the four of them and the settlers from the planet. I’m toying with the idea that the Gorn have been possessed by another entity. There’s an episode of Enterprise where some crew members contract a “silicone based virus” that was a whole separate species and I was thinking about trying to emulating that somehow.
I have a lot in my brain that happens between the exposition and the rescue but of course my whumpy ass had Sam being in the worst shape out of the group when they get back to the Enterprise. I think if I did go the infected Gorn route then the “virus species” will have been experimenting on Sam and he might be totally catatonic by that point and from there it would be blah, blah, blah recovery blah, blah. <- my brain literally cannot form a better sentence to communicate this rn
The actual first scene I wrote for the fic was Sam telling Jim about how picturing their childhood got him through everything that happened and specifically telling him the story about the first time he held him as a baby. Idk what kind of crack I was on that night but he ends it by telling him that he knew it was his job to take care of him as soon as he set his eyes on him. Did I write that because I’m the oldest sibling? What? No.
So anyways… yeah I have a lot of thoughts on this. And if you’d like to write something together I’m down for that too!
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