#maybe this is a sign from the universe to stop wasting my time on men like this

[mimisreadingnook]

the guy ive been dating for two months hasnt replied to my messages in a few days 😳 i think i got ghosted??

#i was thinking of breaking things off with him so im not toooooo upset #show some human decency and just tell me youre no longer interested pls #dating was going okay but i was getting bored #maybe this is a sign from the universe to stop wasting my time on men like this #ANYWAY im having a coffee with my old crush next week (im still not over her) #should i ask her out hehehe #this is the devil speaking im pretty sure she wasnt into me #but i wanna try anyway haha

[circe69]

𝐓𝐡𝐞 𝐈𝐧𝐧𝐤𝐞𝐞𝐩𝐞𝐫'𝐬 𝐆𝐫𝐚𝐧𝐝𝐬𝐨𝐧

As you arrived in the rainy Manchester, England, you found yourself to be in a slight predicament. With a drenched suitcase in one hand and a wasted train ticket in the other, you wander into a somewhat shady bed and breakfast, with Simon Riley's grandfather as the owner, and Simon Riley himself being your neighbor.

“leap year”, is one of my favorite movies, so definitely inspired this!

🗝cw: fem!reader, catcalling, 🗝 genre: fluffy fluff 🗝 a/n: part 2?

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

"Please, there has to be some misunderstanding, I bought this ticket months in advance. It's pouring outside! Is there nothing you can do-"

"Look, I'm sorry ma'am but the ticket seems to be invalid, I can't let you on without a credible QR code."

You groan in frustration, pressing your acrylic-clad fingers to your forehead and pinching the bridge of your nose. The short man standing in the booth spoke again, "Manchester is only about a mile away, maybe you could-"

"You expect me, a woman who's alone, to walk in this weather?" Your tone was getting ruder by the minute, and your face was heating up. How stupid could he be?

He tried to apologize and say he was only trying to make suggestions, but you walked away in the middle of his sentence, furious at the ignorance some men have these days. As you made your way to the front door of the train station, preparing yourself to go out, you hoped that if you did die or get kidnapped, the short man would read about in the paper and feel like he allowed it to happen.

Your pink umbrella stood out among the black ones, but you didn't have time to care. It barely worked anyway, so eventually you decided to put away the cheap plastic. Your shoes were getting soaked, and so were your clothes under the thin fabric coating your suitcase. Walking past the bench outside the station, a few men whistled in your direction. "Hey, nice bra," one of them said, and as you looked down, you realized your white sweater was completely see-through from the rain, your black lace bra basically yelling for people to stare at it. You took a deep breath, and without even looking back to see his toothless, disgusting smile, you kept walking.

These parts of Manchester were old and rustic, cobblestone lining the pavement in uneven slabs and vines taking over sides of buildings. If you weren't so drenched and freezing right now, you might've enjoyed the sight. You could tell good people lived here, people who liked to live their lives the way they wanted to. Your mood was almost lifted until you stepped in a huge pothole, your entire foot being submerged in mud. "UGH!" You scream, this was the worst beginning to any trip, and the rain wasn't helping at all. Tears were welling in your eye, but they ceased when you looked up to see a quaint inn,

"Riley's Pub House and Inn", a big sign said at the entrance, some letters, not all, being lit up by red LED's. You sniffled back the tears in your sinuses and walked up to the building. When you got to the front door, you read another sign that gave you a little bit of hope, something that told you maybe this was a sign that this was a good call, "Grandson, Simon Riley, returns home from the military!" You smiled at the words, the terrible hearts and smiley faces drawn around it in crayon and marker. All the sudden, the thunder boomed and scared you, making you squeal and drop your suitcase on the wet pavement.

Okay, the universe obviously wants me to stop being so sappy, it's making me too vulnerable, you thought as you picked up the luggage and opened the wooden door. A loud creak declared your welcome, drawing everyone's attention in the pub to look at you in all your glory. A wet, messy, insane-looking woman walking into a pub.

You smiled awkwardly at the lack of talking once you entered, the clearing of throats and scooting of chairs filling the silence occasionally. "Hello," you said quietly, your hoarse voice making you realize you hadn't talked in hours. No one said it back, but instead continued talking and drinking, and as the crazy slowly filled the pub once more, you walked up to the tall, older men behind the counter. He wore a dirty apron, one with splotches of messy markers just like the sign outside, and was cleaning mugs while smoking a cigarette. He spoke first, thankfully, "What can I do for ya?" He tried to not stare at your undergarments from underneath your shirt, and you admired the sentiment, but at this point, you didn't care.

"I'm in need of a room for the night," you said, leaning against the counter with an elbow, slightly pulling back as you realized how sticky it was. "Oh wow, a room? No one's asked for one of those in a while," the man said before having a laughing fit, inducing one for every man around him as well. "Whew, I'm just kidding, sweetheart, they're not that bad. Oi, Simon!" He yelled, and you flinched as you felt your eardrum recoil. The man turned around to get a ring of keys, and from behind you, you heard a gruff, deep voice, "Right here, pops." You turned around facing him, a tall muscular man with dirty blonde hair and dark brown eyes. His face was perfectly chiseled, his jawline even more so, and the veins running down his arms made you want to slide up his sleeve to see where they led. You swallowed back the thoughts, and looked up at the man in front of you.

Simon made eye contact with you and held it as he reached behind you to grab the keys from the old man. "I'll show you to it," Simon said, his voice being unnaturally and sickeningly seductive. How many steroids did he have to pump himself with to sound like that, to look like that? You didn't so much as even respond before he picked up your suitcase and started walking towards the hallway. Simon led you up a flight of spiral stairs, and it took every ounce of courage in your body to speak up, "So, is he your dad?"

He inhaled quickly, "Grandfather." Oh right, the military man. "Oh so you're the Simon Riley who just came back from the military!" You said loudly as he stopped in front of a room door and set down your luggage to retrieve the keys. "That's me," he made eye contact once again and you could've stared for hours. You hated to admit it, but his eyes were so unbelievably dark, almost sad but still beautiful.

Once your door opened after a few jiggles of the key, he put a hand out in front, signaling you to go in first. You nodded your head and walked into what seemed more like a closet than anything. Your face must've expressed it too, and Simon must've noticed. "Not good enough, doll?" You shook your head feverishly, "No! No, it's- it's great. Homey." He furrowed his eyebrows and barely smiled, "Homey?" He repeated, confused.

You laughed slightly, "Yeah, it's homey. Y' know, like, comfortable." Simon nodded and slid his hands into his pockets. "It's bloody disgusting is what it is, I keep telling that old geezer to fix this place up," He spoke quietly as he ran his finger along a side table, blowing the dust off. "Well, I'm staying across the hall while I'm here anyways, you better not snore, bug."

Your face turned red at the comment, but you managed to look away just in time, "I don't snore." Simon opened the door to walk out when he said, "Sure ya don't. What do I get if I get awoken by your unexpected but terrible sleep apnea?"

"Well then, you can bang on my door and tell me to shut up."

Simon smiled, teeth and all, "What's your name?" He whispered, leaning against the doorway.

"Y/N." You whispered back, breath hitching at the low tones of your voices.

"Well, Y/N, would you open the door if I banged on it?" He said your name like it was a secret, like it was something he'd keep forever. You couldn't get over how good it sounded coming out of his mouth.

"Maybe, maybe not."

He turned around and said from over his shoulder before opening the door to his room, "Breakfast is at 8. Be there." Before you could respond, his door shut, shaking some of the mini shampoos and conditioners on the counter. Through the closed door, you could hear Simon yell, "And make sure to dry your bra!" You gasped, covering your breasts by folding your arms over. Smiling to yourself, you wondered if he'd do what he said; if he'd ever bang on the door, and if you'd open it.

#ghost x reader #ghost x y/n #simon riley x reader #simon ghost riley x reader #modern warfare #simon riley x you #ghost x you #simon riley fluff #ghost fluff #circe69scribbles

[heliads]

Tewkesbury x male reader where they are childhood best friends and reader ends up kissing him out of nowhere and runs away embarrassed

ooh i love unhappiness

masterlist

You are about to break a law. Well, more of a regulation, really. Plus, you’ve committed this particular infraction so many times with the victim’s consent that at this point, does it even count as being wrong-

You’re getting ahead of yourself. Point is, you are about to trespass on some very private property, but it’s okay, because it’s owned by your friend. Your very good friend, actually. You’ve known this particular young man for years and years, maybe even longer than you’ve known yourself, and that makes it okay for you to hop the fence on his property just as you’re doing right now.

Honestly, does it really count as a crime if the landowner himself taught you the best place to scale the wrought iron gateway to make it over? No, you decide midair, right before your feet hit the grass, no it does not. Besides, you’re going to knock on the door like a normal person anyway. You just want to make a quick stop first.

There’s a window on the far side of the house, the one facing the sprawling garden paths somewhere to the south instead of the bustling streets. It’s not on the ground floor, so in the interest of attracting the attention of the occupant, you won’t be able to knock on the window directly. Instead, you grab a small stone from the ground, and, tossing it once in your palm to gauge its weight, hurl it two stories up so it thuds against a certain glass pane.

Raising a hand to your eyes to block out the sun’s glare, you squint up at the window until you’re certain you see a sign of life and movement. You don’t wait for the resident to open the sash and peer out, although you’re certain that he does. Instead, you continue your mad dash around the house until you reach the front again.

Only then do you slow your pace, casually strolling up to the door as if you’d come across the house in a normal way instead of taking a haphazard shortcut through the lawn. You knock once, and are answered a few moments later by the pounding of feet down the stairs. Usually, you think the Viscount Tewkesbury tries his best to be as proper and appropriate as befitting a member of the House of Lords, but all that decorum seems to go, well, out the window whenever you’re around.

Maybe that’s just the perks of having known him for years. Tewkesbury is your oldest and dearest friend. The two of you met when you were the younger sons of the country’s wealthy men, both forced to attend various events and functions since you were small. You were always bored out of your mind until you met him. Then you never knew the meaning of the word again, not as long as you were with him.

You don’t see Tewkesbury as often as you’d like now. He’s busy with the House of Lords, you’re busy with your work as a student in the university, and that means your paths rarely cross except in exceptional circumstances such as today.

That’s why Tewkesbury is all but throwing himself down the stairwell now. The door is flung open, and then an arm is flung around you, multitasking by pulling you close in a friendly embrace and getting you over the threshold all in one go.

“Easy,” you laugh, “I don’t think it’s been that long since we last saw each other. Try not to strangle me, will you?”

Tewkesbury just grins. “Oh, don’t be dramatic, you’re fine. Besides,” he says, voice dropping off to a whisper, “that’s just what you’d deserve for hurling rocks at my window. That’s quite rude, you know.”

You roll your eyes but hug him back anyway. “Now that’s dramatic. I just wanted to get your attention. I’ve lost track of the amount of times I’ve tried to come over just for you to be asleep in your study. My time is important, I won’t have it wasted by waiting for you to wake up.”

He chuckles, although you notice he quickly steps away again the second another pair of footsteps comes running. Tewkesbury’s hands immediately busy themselves in his pockets, and you’re reminded of how he looked when the two of you were much younger children who had been caught trying to sneak out to roam the land past dark. His head is tilted down, and were it not for the fact that you can still see a glimpse of mischief sparkling in his eyes, you’d think he was almost feeling guilty.

Almost. Still, he’s fighting back a smile even after his housekeeper hurries into the room, repeating frantic apologies about how she really should have been there to let you in herself, no trouble to either of the young sirs, but she just didn’t see you come up the front path.

“Really,” Tewkesbury says conversationally, “I can’t imagine why that would be, Y/N.”

You would glare at him, but Tewkesbury is grinning shamelessly at you now and that means you can’t be furious for a second. Instead, you assure his housekeeper that everything is fine, then swat your friend on the shoulder the second she turns her back.

Tewkesbury gestures for you to follow him back to his office, just like always. This won’t be the first time that the two of you have sunk long afternoons and evenings into talking for hours in his study or yours, nor will it be the last. That’s how your friendship has worked for quite some time now:  dead silence for weeks, then entire days spent by each other’s side, then nothing again. Some days it hurts, but today you’ll be happy. Tomorrow doesn’t have to even cross your mind.

You think it might kill you sometime, fighting this hard just to keep him around. Were it anyone else, you would probably give up the battle and let uncertain unfamiliarity cloud your memories, but you can’t, not for him. Tewkesbury is, well, it’s impossible to describe just what he is to you. He’s your oldest friend. The only one that matters. The only proof that the kid you used to be and whatever you are now could be the same person and still be good. If Tewkesbury believes in you, then you can do anything. Anything at all but face your truth.

Tewkesbury shuts the door, then idly slumps into a seat. You take the one opposite him, just as you always do, raising an eyebrow at the way he’s already starting to fidget in place.

“So much energy,” you comment wryly, “I thought you would have been dead tired from trying to wrangle the House of Lords all this time.”

Tewkesbury groans, covering his face with his hand. “Don’t remind me. It’s worse than trying to herd cats. The only time anyone agrees is if someone’s paying them out.”

“And what about you?” You point out, “you don’t seem to be accepting all that many bribes.”

“That you know of,” he says with a small smile, although even that drops off soon enough, “No, you’re right, I’ve been trying not to cave to political pressure. I know what has to happen for all of us to get better, to make the laws that let everyone get better. The road to get there is just very, very difficult.”

“Now I feel bad about complaining about university,” you muse.

Tewkesbury looks alarmed at the mere mention of your studies. “As you should. I can’t fathom having to take exams at a time like this. Every time I’m losing an argument, I remind myself that I’m not still in school like you, and that somehow makes it better.”

You fight back a proud coil of warmth currently circling your heart at the thought that Tewkesbury might think of you even half as often as you think of him. “Come, now. Are you trying to tell me that advanced physics proofs and timed philosophy essays aren’t tempting to you?”

Tewkesbury shakes his head frantically. “I’m fairly sure that those are methods of torture. Anyway, I do enough basic studying on my own time. Not to come for your title of most esteemed scholar, but I have been picking up French a bit faster than the last time I saw you.”

Your cheeks will hurt tomorrow from all this smiling, you think. “You continued with French? I was hoping you did.”

On your most recent venture to Tewkesbury’s place of residence, you had casually mentioned the fact that you were taking classes to study the French language. Tewkesbury had expressed an interest in learning it too, but you weren’t sure if he would remember it once you left his sight. It appears that was not the case, however. Indeed, he must have spent quite a lot of time poring over the books. All because you brought it up the once.

Tewkesbury inclines his head proudly. “I’ve actually remembered a few phrases I can use. Here, I’ll show you.”

He proceeds to rattle out a few bits of conversation, including a reference to his name and occupation, a comment on the weather, and a reminder of the fact that you’re his best friend. This last part twists your heart a little, and not just because you’d gladly hear that validation any hour of any day, just to know that it’s still true.

No, you’re more focused on the fact that Tewkesbury’s last sentence involves a compliment paid to you. He meant to say that you were kind, you think, a kind or a compelling friend, but instead, he looks you in the eye and says that of everyone he knows, you are the loveliest.

There are many adjectives he could have used, but no, it was that one. You stare at him for longer than you should, then cough quickly and look away, wondering why you feel as if the ground might fall to pieces beneath your feet.

“I think you mean something else,” you whisper, “Might want to look up a few words one more time.”

“Why,” Tewkesbury presses, “what did I say?”

Haltingly, you answer him. “You said that I was– I was lovely.”

His gaze stays stronger for a moment or two, then he lets out a weak sort of laugh. “Of course, you’re right. I would never– I didn’t mean to say that, no.”

The dizzying feeling in your heart turns dagger-sharp. “Right,” you force yourself to agree, “that’s absurd. Don’t agree too quickly, though, or my ego will take a blow. I prefer to think of myself as the most attractive young man in this entire nation, and if you claim I’m not lovely in the slightest, I shall most definitely be hurt.”

The joke smoothes the embarrassed furrow from Tewkesbury’s brow. “I’d never want you to be insulted, my, uh, fair man. I’m sure all the ladies faint whenever they see you.”

“Yeah,” you say, voice dropping off, “the ladies.”

Tewkesbury stays silent, face twisting in the way it always does when he’s thinking something through. You can’t bear to remain here with him looking at you like you’re a problem in need of solving, especially if he were to find out what you might be trying to say, so you take steps to cut him off before he realizes anything too damning.

It is a shame, then, that the first thing that comes to your mind is to kiss him. It is not the right time. It is not the right place. It happens anyway. One moment, you’re standing there like nothing is the matter, and then you’re crossing the floor and kissing him. It feels more right than anything you’ve ever done before, but that doesn’t stop it from being a colossal mistake.

You break away almost as quickly as you kiss him. Tewkesbury looks even more bewildered than before, his eyes wide, his collar rumpled. You’ve never had a problem with keeping him in your line of sight for longer than strictly necessary, but his gaze is bad now, a burning brand of guilt that you can’t seem to shake.

You turn for the door before another thought can cross your mind. You’ve been here a thousand times, so you know exactly which turns to take, how to make it down the hall and out into the bright sunlight in a far shorter time than should be possible. You make it down the block and then you’re running, sprinting down the street, hurling yourself away as fast as you can.

This is it, then, how you ruin it. You were wondering when the friendship would end:  quietly, with the gentle sigh of too much time working against you, or with a loud fight. This is the third option you never counted on, the one where you lost control and took what you wanted instead of pushing it away for the billionth time. Tewkesbury will hate you for this, or worse, he will brush it off as strange and never think of you again.

Your university is a short carriage ride from wherever you end up, so you head back to your dormitory and lie on your bed, staring up at the ceiling. You have no roommate to question why you look as if you’ve just killed a man, and no work can possibly hold your attention at a time like this, so you stay there, eyes up, heart sinking further and further into the floor.

You come back to reality only when you hear a knock on the door. Glancing around you, you realize that it’s grown dark; you hadn’t realized that until now. Lighting a lamp or two first so as to not alarm your visitor, you cross to the door and unlock it. You’re fully expecting to see a schoolmate or two, but instead the young man waiting for you is Tewkesbury.

He looks just as out of sorts as you must. The two of you stare at each other for a moment, then Tewkesbury speaks hoarsely. “Can I come in?”

He’s never had to ask before. Things are different now. “Of course,” you answer him, and shut the door once he steps inside.

Tewkesbury has been to your dorm before, so he’s comfortable with the place. He still doesn’t take a seat, but stands there in the middle of the room, fingers worrying a few loose threads at the ends of his cuffs.

“I wanted to talk about what happened,” he says slowly.

This is what you hoped he wouldn’t bring up. “We don’t have to,” you reply feebly.

“I want to,” he repeats.

You sigh. “Alright. It was a mistake. It won’t happen again.”

“Why not?” Tewkesbury asks the question so simply that you’re certain that you must have misheard him, but no– he’s still standing there, expression just as earnest.

You blink in surprise. “Because it– we never did that before, I don’t want to mess things up–”

Tewkesbury shakes his head. “We should have done it earlier.”

This really does stun you. “What?”

Tewkesbury drags a hand roughly through his hair. You almost think he’s just as surprised at his words as you are. “I– I don’t want you to leave, Y/N. I don’t want you to run. I want you to stay with me.”

Your breathing is shallow. “And what if I kiss you again?”

“I want that too,” he says, and that’s when you know.

Every time that you have wondered why this friendship was cursed to be forever a bit one-sided, forever shifted a little too strongly on your side when you couldn’t keep your heart beating platonically whenever he was around, Tewkesbury felt the same way the entire time. Every day, every hour, every meeting. You were kicking yourself for falling in love and he was doing the exact same thing. It is marvelous to realize.

You exhale quietly. “You could have said something a little earlier, you know.”

Tewkesbury snorts indignantly. “You could have too.”

It is just like the two of you to snip at each other in the midst of such a grave crisis. It makes you laugh, and that makes him laugh by nature, and then you know that it really is okay. It will all be okay. Such is the way of things. You could not hurt him if you tried.

enola holmes tag list: @thatfangirl42

#tewkesbury #tewkesbury imagines #tewkesbury x reader #tewkesbury oneshot #enola holmes #enola holmes imagines #enola holmes x reader #enola holmes oneshot #enola holmes tewkesbury #enola holmes tewkesbury imagines #enola holmes tewkesbury x reader #enola holmes tewkesbury oneshot #viscount tewkesbury #viscount tewkesbury imagines #viscount tewkesbury x reader #viscount tewkesbury oneshot

[themaribatpit]

Jasonette July Day 4: Game On

Written by: The Maribat Pit  @jasonette-july-event  Prompt: Game On Rated: T (for sexual references, mostly references to things that happened in the comics.  You have been warned.) “I can’t just go spilling my protégé’s secrets. I can barely send her out into the mean streets on her own.” she said with a coy show of innocence that she wasn’t even trying to make believable.

 “I’m not asking for her identity, all that concerns me is why you decided to take her in.” Batman explained.

 “She was in trouble, I was in the neighbourhood and I gave her a helping hand,” she explained. “That special claw of hers comes in handy, and besides we all know how you feel about magic users Bruce.” She wasn’t wrong about that.  Batman could never trust Constantine further than he could throw him. He could only bring himself to turn to Zatanna when he really needed her help.  Shazam was an exception, seeing as the limits of his magic were clear and simple enough to understand.  That didn’t make him any less formidable, but it didn’t make him quite as unpredictable.  He was, at the end of the day, a detective who was trained to think rationally and logically in order to get to the bottom of a situation.  Magic was the ultimate wild card, and the sooner he figured out this girl’s abilities, the better.  “You’ll be pleased to know she’s not a completely hopeless case, she’s been helpful but she doesn’t get quite the same thrill out of thievery.” Catwoman remarked, “but it’s been lovely having her around, and I’m not about to just hand her over to you”.

 “Then what would you have me do?” he asked, “I’m concerned your rivals might be a little less forgiving.”

 “Is that so? You don’t think she’s strong enough to save herself?”  Catwoman smiled, it was nice to know that he cared, just a little. “Besides, she’s already had years of experience under her belt, maybe you’re just jealous you didn’t find her first.” She taunted playfully. Goodness knows he was in no position to talk when it came to taking people under his wing.  “Tell you what, how about we have a friendly little wager?” Bruce saw her eyes light up at the thought, but he was undeniably curious about what she had in mind.

 “What do you propose?” he asked.

 “A fun little game, your boys against my little foundling. If any of them can take her down, then you can welcome her into your family with open arms” she explained.

 “How do I know she won’t just kill them?” Batman asked, it wouldn’t be the first time Bruce had to try and steer someone away from any homicidal tendencies.

 “She’s a lot of things, but let’s just say killing wasn’t really an option for her back in the day.” she explained, “She’ll fall in line with your ‘no killing’ rule quite nicely. Think about it, your sons versus my little girl.”  Her claws skated across Batman’s shoulders as he pondered this.

 “Anything else?” Batman asked, he had to know exactly what they were walking into.

 “Your boys can bring a second to their little duels, but only one.  No need to have the Titans ganging up on her.” she explained.  She left out the part about her protégé having other tricks up her sleeve.  With the power she had, they would be lucky to get a single scratch on her.

 “So be it then.” Bruce said, it would be an opportunity to see how this girl measured up against the boys he had trained. At that moment Catwoman decided it was game on.

 Marinette had just come home from her classes at Gotham University, and she was looking forward to a quiet night working on some designs that were due a few weeks.   A text message from Catwoman brought her plans to a grinding halt:

 “Mari dear, made a little wager with Batman.  You beat his four sons in a fight, and you get to stay with me.  If you lose however, he gets to take you under his wing (in every sense of the word).  They’ll be on the lookout for Lady Noire in the next few days, but I never said anything about only using her to win.”

 Marinette was really starting to regret being saved by Catwoman. That night, she was outnumbered by some muggers who thought she would be an easy target.  She was trying to find an opening, to make a break for it, maybe find somewhere to hide and transform if she really must.  Suddenly she heard a voice grab their attention, “I’ve always loved big strong men who aren’t afraid to show it with someone half their size.” she purred.  While they were distracted, Marinette decided to call on Plagg for some help.   She always loved how the Lady Noire suit made her movements feel lighter, plus the night vision and Cataclysm were useful too. Unfortunately for her, it meant that Catwoman saw her in action and decided to take an interest in her from that day forth.  Sure, she was a cunning thief and there was little that Marinette could do to stop her. At the same time, Marinette was a young woman in a city that was the polar opposite of what she knew in Paris. She couldn’t deny that there was something comforting about having someone in this city looking out for her. Especially since her parents were in Paris, and Master Fu was no longer around to help her.  She took the Miraculous with her to Gotham City, but none of the other wielders came with her.  She was still their guardian after all, but she had to be more careful about using them.  She wasn’t about to single handedly take on superpowered crime lords with their armies of henchmen. She had to be a lot more careful with her powers since other people could get hurt.  Besides, they already had a small group of vigilantes keeping the city safe, they didn’t need her.

 Marinette reread the text message over and over again.  she was about to see what these vigilantes were made of, though it was just as accurate to say it was the other way around.  She opened the box, carefully choosing which ones she could use in a fight.  She usually used Lady Noire when she was with Catwoman, but by the sound of it she was counting on her to use all of her tricks to win.

 Damian never fully understood his father’s attachment to Catwoman, but this was a challenge he could not refuse.  They were told to keep an eye out for this “Lady Noire” character while they were out on patrol.  Oracle had agreed to referee this ordeal, Damian was absolutely certain he was going to be the one to bring her in.  They were allowed to bring a second, but Damian didn’t think it would be necessary. From what they were told she was a smaller Catwoman, though they were told to exercise caution because of her destructive abilities.  The last person Damian had expected to find was a girl in a red and black body suit, who looked nothing like the girl with long hair and green eyes that Batman had described.  Still, there was something odd about the girl and Damian moved in closer to investigate.

 Catwoman had given Marinette a vague rundown of who her opponents were.  There was Nightwing, the eldest of the four boys and a trained acrobat. The second eldest was the infamous Red Hood, Marinette had heard rumours about him and she had no way of knowing if the Kwamis could guard her against someone who uses firearms.  The third was Red Robin, Catwoman advised using clever strategy if she was going to get the upper hand on this one.  Finally, there was the current Robin, the son of Batman and Talia Al Ghul, the youngest of the boys who was trained by assassins before Batman took him in.

 She took the Ladybug earrings with her, seeing as they were more versatile for the occasion.  In addition to the earrings, she wore the Longg’s choker around her neck.  Master Fu had often cautioned against using fusions, considering how draining they were on her body.  Her new mentor advised her to use every tool she could in her arsenal, because they certainly would.  On most nights she noticed a small, hooded figure passing through her neighbourhood from time to time. She decided to see which of these boys would be her first opponent.  

 While she was standing on that rooftop, she heard a few footsteps behind her.  It was raining but through the mist and the rain she could see a small, shadowy figure watching her closely.  It made sense, she was dressed in bright colours and standing on a rooftop in the pouring rain.  She practically had a sign on her head that said “come and get me”, which in some way was part of her plan.  The question was, whether or not her first opponent would take the bait.  “I know you’re there little one, so are you going to stay there or come over and say hello?” she asked, Marinette tried to sound cheerful but she ended up sounding silly instead.  She tried to hide the burning embarrassment she felt at how silly that sounded. The boy could probably sense it too, because she turned around and saw him narrowing his eyes at her suspiciously.

 He leapt from his perch and landed behind her with a thud and splatter of rain water.  He was no taller than Marinette and he wore a red and green outfit, with a black hooded cape and a green domino mask. The red and green outfit had a golden yellow “R” on his chest, and she also noticed a sword that was sheathed at his side.  Marinette had to suspect this boy was the youngest out of the boys, Robin.   The two of them stood in silence for a long moment, she figured that someone who was formerly trained by assassins would be a little more hostile.  Then again, he was probably expecting someone else entirely.  “Aren’t you a little young to be out patrolling by yourself, little one?” she asked, trying to make some kind of conversation with the boy. She wasn’t in any position to say anything about this, considering she had been protecting Paris since she was 13.

 “What’s it to you?” He scoffed, “we’re looking for someone named Lady Noire, and you clearly wanted to attract someone’s attention by standing on a rooftop in that costume”.

 “Robin, can you not be a brat for like, five minutes?” Red Robin groaned into his comm, but Damian didn’t listen.

 “You can either state your business or stop wasting my time” he snapped, as Marinette chuckled.

 “So, you’re planning on challenging Lady Noire.  Tell me, what do you really know about her?” she asked him.

 “Only that father and that woman have taken an interest in her, and I intend to prove to both of them that she is nothing special.” he growled, “so unless you know something about her, stay out of my way”.

 “You seem certain, for someone who has never once faced her” she said with a smile.

 “I was trained by the best, I will not lose to someone who is little more than a foundling.” he was reaching for his sword at that moment.  Red Robin and Nightwing rolled their eyes at that comment as they listened in. They knew they had all bested their youngest brother at some point or other, despite being “foundlings”.

 “It would have been easy too just to hide from you and your brothers, but I’m going to enjoy taking you down a peg.” She braced herself for her first fight of the challenge.   She really could have, but sadly she had very little patience for people who thought they were better than everyone else.

 “I won’t lose to you Lady Noire, or whoever you are”, he growled as he drew his sword and pointed it at her.

 “Tikki, Longg, unify!” she called out, and a flash of red and gold light stunned Robin for a moment. The red and black bodysuit now had gold accents and a symbol on her chest.  The symbol was a lighting bolt, a wave and a gust of wind all swirling together.

 “What did you do?!” Red Robin yelled into his comm, “I swear if she kills us all just because you couldn’t control yourself…”

 Robin looked up to see that she had a yo-yo in one hand and the other reached behind her to draw a sword.  

 “And by the way, it’s Dragon Bug to you”, she swung her yo-yo with one hand and Robin ducked to dodge it. After dodging it, he charged at Dragon Bug, katana in hand.  She blocked his attack with her sword before kicking him back with her foot.  Dragon Bug pulled back her yo-yo and charged at him with her sword, when he blocked her, he spun around and kicked her legs out from under her.  As Dragon Bug fell to the floor, she raised her sword and yelled “Water Dragon!”.  There was more than enough to create a barrier that pushed Robin back before he could strike again.  Robin was knocked back against the wall, and she took out her yo-yo to make an escape to the streets below.

 This Lady Noire, Dragon Bug, whoever she was, had insulted his honor.  To him, that just simply would not stand. His father said that he wanted her alive, but he could barely get a scratch on her.  He got up quickly and used his grappling hook to swing after her. She was waiting for him, with her hair blowing in the wind, and a smile that Damian wanted to wipe off her face. He charged at her once more, this time sliding on the floor at the last moment and hoping to take a swipe at her leg. Once again, she managed to turn and block his katana. The pair of them traded blow after blow after blow, but he could only land a few scratches on her.  Marinette could use Lightning Dragon and shock the boy, to bring this to a swift end.  However, with all the water that was around them, she might end up killing the boy instead. Before she could try anything else with that sword, he blocked it and sent it flying off to the side. Marinette watched as her sword flew out of her hands before clattering on the ground next to them.

 Marinette had to admit that this kid was good and that the fusion was starting to drain her a little. She had to act fast as she dodged another incoming strike. She leapt backwards to dodge it but the boy took out a grappling hook, he gave it a few good spins before flinging it forward and catching her foot.  He pulled the wire taut and sent her crashing to the ground, hard.  “You may have your tricks, Dragon Bug, but I have skill, I have training, and now I have defeated you.” he called out as he tugged at the wire, pulling her towards him.

 “That may be true, but there’s something you should know…” she groaned as she propped herself up on her elbows, he stopped for a moment as he waited for her to tell him exactly what that was. Marinette reached for her yo-yo, she needed to finish this and safe her strength, “…you’re not the only one who’s had training.” she told him. Dragon Bug quickly spun her yo-yo and swung it at Robin, this time wrapping the wire around him and pulling the string tight.  He tried to free himself using his katana, while Dragon Bug unwrapped the wire around her foot.  As she stood up she said, “another one of my ‘magic tricks’” as she ran to retrieve her own sword.  She sheathed the sword and looked back to find a hog-tied Robin, desperately trying to cut the cord and free himself.  She wanted to enjoy this moment for just a little longer, there was always something so satisfying in moments like these.  She took a moment to send a quick message to Catwoman:

 “Dragon Bug: 1, Robin: 0” before sending her a selfie, with Robin tied up in the background.

 She glanced back at Robin who was now just scowling at her.  “You fought valiantly little one, but sadly you are not my only opponent” she told him as she unwound the string around him. When she had her yo-yo back, she flung it towards a street lamp and swung forward, lifting her up off the ground. There was one thing Damian was certain of, there was no way his brothers were going to let him live this down. With a good tug of her yo-yo, freed Damian, spinning him around in the process.

 Meanwhile, Jason and Roy were on a road trip back to Gotham, the two of them had just taken care of a Drug Lord in Starling City.  Jason’s phone buzzed with some news from Dick, something about how they had all been embroiled in a bet to take down Selina’s new protégé.  If any of them win, she has to join the Bat family, and if they all lose then she keeps working with Selina.  He could not bring himself to care, it was 50/50 on whether or not this girl was tolerable or if she was going to annoy him like the rest. Roy glanced over at him before turning his attention back to the road, “you look like you’re desperately searching for a fuck to give” he commented.

 “Just some dumb bet Bruce made,” Jason shut off his phone before reclining back in his chair.

 “That’s not like Bruce, usually making dumb bets was something you guys did” Roy wracked his brain trying to imagine the stoic and serious Batman making a dumb bet.

 “Something about Catwoman and her little sidekick.” he drawled, “If Dick, Me, Replacement or Demon Spawn take her down, she becomes Batman’s little sidekick.  Like he doesn’t have enough of those running around”.

 “Ah, I’m guessing you don’t want to fight her when we make it back to Gotham City?” Roy asked, “wouldn’t it be hilarious if you taught her how to win against your brothers?”

 Jason gave a half-hearted chuckle, moments later his phone buzzed with more messages.  He was really looking forward to this little power nap, but he checked to make sure no one desperately needed his help.

 He sees the picture that she took with Damian tied up in the background.  Babs, Steph and Cass had watched the whole thing, with popcorn. While Tim had made that photo the new wallpaper on the Belfry’s computer.

 “Well, says here she literally wiped the floor with Demon Spawn, before swinging away on a yo-yo.” he said and they both laughed “now I’m just mad I won’t get to buy the girl a few drinks”.

 “I mean either way, I’m sure you’ll get your chance if you’re both in Gotham City.  I’m just sad that I’ll have to be your third wheel.” Roy said wistfully.

 “Roy, I had to listen to you and Kory in the next room,” Jason recalled, “you have no room to complain about third wheeling.”

 “Awh was little Jaybird jealous?” Roy joked.

 “Hey you’re the one who assumed that we banged in the first place,” he said “all I said was I was with her, and you decided to interpret that however you wanted”.

 “Well, it doesn’t matter anyway because she ran off to Miami to work through some things, and we’re just over here thinking about the good old days,” Roy said.  The two of them continued to drive in silence and Jason leaned back, trying to get some sleep before facing whatever chaos was waiting to greet them in Gotham City.

  Tim has researched all he could on this mysterious Lady Noire, yet there are several reported sightings of different vigilantes all with the same height and build. Lady Noire, Ladybug, Dragon bug. Tim compiled all known sightings onto his corkboard to get a clear picture of who this person is.

The fight between Dragon Bug and Damian provided him with crucial information on how he could counter Dragon Bug. Tim then donned his Red Robin costume and began patrol of Gotham City. Gliding across he spotted an usual sight, a costumed person standing on a rooftop. It had to be the one Batman told him about, the person he was to fight because of the bet.

Tim landed on a nearby rooftop to reconfirm the target. "Same height and build, but this costume is different." Tim sighed, he had noticed that each costume had its own power and abilities, and made detailed notes on each. Codename: Polka-dot had the power to summon an unknown household object. Codename: Catwoman II used an indestructible staff and the power of disintegration, Codename: Drake used a sword and came with the power of hydrokinesis.

However, he had no intel regarding this new costume. He decided to press his luck and use stealth to take her down. He leaped off the roof and began gliding towards her with a kick.

To his surprise, his target shrank at the last second, he glided through and smashed into a skylight, landing inside an abandoned building.

Multimouse followed suit and jumped in through the broken skylight. Landing right at the centre of the room, she simply stood there arms akimbo looking at him. Red Robin threw a smoke bomb, grappling to the rafters. Multimouse did not pursue, no sense of panic she simply walked to a wooden crate and sat on it.

Red Robin, took the opportunity to launch himself off and glided towards Multimouse with a kick. He was shocked to see her suddenly turn around as if she knew he was there the entire time, with perfect timing she grabbed and judo flipped Red Robin through the wooden crate. Wiping her hands in a dramatic manner, Multimouse walked to the centre of the room and crossed her arms. Red Robin crushed a smoke bomb with his hand, obscuring the area and diving towards an underground vent.

He began to wonder how she was able to counter him so effectively. "The power of foresight? 360 degrees x-ray vision? No it can't be." Red Robin thought to himself. While crawling in the vents to a position behind Multimouse, he berated himself for pressing his luck without any information on Multimouse. He peeked his head out of the vent, Multimouse had not moved, she continued to stare at Red Robin's previous location. Taking another chance, Red Robin jumped out of the underground vent ready for a takedown.

Again as if she was a clairvoyant she countered him perfectly, spinning on the spot and delivering a crushing kick to Red Robin’s midsection. Sending him flying across the room, he took out his staff and slowly got up, using the staff as if it was a cane. He stood on shaky legs, in disbelief.

He then begins to notice something unusual hanging on the hem of his cape. His eyes widen as he takes a closer look. A miniature clone of Multimouse was hanging on, his eyes snapped up to the rafters and then the vents. There were several miniature clones all over the building, all about the size of a small insect.

Red Robin's jaw dropped as he had this epiphany. Seeing her cue, Multimouse shrank down and spawned a horde of miniature clones. Millions of clones rush towards Red Robin, he begins swinging his staff, stomping on any clones on the ground, flailing his arms like a madman. The horde bellows a collective “Surrender,” Red Robins defiantly continues to fight.

Soon the swarm begins to cover Red Robin all the way up to his neck, his body unable to move. The Multimouse arms pulls off the cowl and begins pulling all of Red Robin’s hair. Red Robin, facing the agony of Multimouse waxing his head. “Ok, ok I give up.” he cried. As he finished his plea, the swarm dissipated and reforms to the singular human sized Multimouse. Red Robin is then left kneeling and staring at the strands of his own hair left on the floor.

Multimouse, seizing the opportunity to obtain a trophy of her efforts, takes a selfie with a poor, disheveled Red Robin in the background.

  Marinette was really starting to feel the effects of using different Miraculous for two nights straight. Dragon Bug was draining enough, but she had to use Multimouse to take on Red Robin.  That left Nightwing and The Red Hood, and she was starting to wonder what was the point of this game.  She felt like she was just fighting to win, fighting so that the person who took care of her when she first arrived in Gotham could prove a point.  If she won, then she would stay under Catwoman’s protection, and the Miraculous would be protected with her.  Though she was lucky that the Miraculous themselves didn’t look valuable enough to pique her interest.  If she lost to one of them, she would be under Batman’s protection instead.  She would become a part of the group of vigilantes who operate in the city, and she didn’t know how she felt about that either. How would she feel about seemingly being the only magic user among them?  How would he feel about her being a magic user?  She hadn’t even met the guy, all she knew was that he took an interest in her dealings with Catwoman.  Maybe she would encounter the Red Hood and he would make the choice for her by putting her out of her misery.  She decided to settle this fight once and for all as Ladybug, maybe then someone would give her some answers.  

 She got a text message from Catwoman, telling her to meet her on a rooftop that had gargoyles glaring down at the streets below.  Maybe she had information on where her next fight would be, she didn’t say.  By the time she got there, she saw two people eating fast food next to the gargoyles.  The first was a redhead in red armor, and the second was…

 “Get your own brooding spot, this one’s taken!” He yelled. Marinette looked up to see the other guy had a red domino mask, and in addition to being dressed in Kevlar and leather, had a red bat symbol on his chest.

 Marinette spun her yo-yo, getting ready for a fight. The redhead continued eating, while his dark-haired companion gave her a swift once over.

 “So, you’re the girl who took down Robin and Red Robin?” he asked, as if struggling to believe it.  

 “And you are?” she asked, when he put on the red helmet that was in his hand, it suddenly became clear.

 “So, looking for me?” he asked, “Or are you on your way to fight the original boy wonder?”

 “Honestly, I’ll take my chances with you.” Marinette said as she launched her yo-yo at his companion and wrapped the cord around him.

 “Wait, wait, wait why me?” the redhead cried,  then she threw him and sent him crashing into the Red Hood.  The pair of them slammed into a nearby wall before she released the redhead.  She unwound the cord and was getting ready to strike again.

 Underneath the sprawled out pile of bodies, Red Hood grunted “Arsenal, get your ass off of my face or else…” Arsenal got up before he could finish his threat and they both stood up.

 “So who checked ‘Fights with Toys’ off their bingo card?” Arsenal joked.

 “Is that the best you can do?” Red Hood taunted. He came at her with a knife in hand, when she leapt in the air and wrapped her yo-yo cord around his arm.  She launched herself at him, landing an aerial kick on his helmet. Red Hood grabbed her by the foot and flipped her over, sending her crashing to the ground.

“If you came here to fight me that’s one thing, not many people get to say they took on someone with a yo-yo and lived, unless you’re Toyman.” he said, as he lifted her up off the ground.  “If you think this is what it takes to face Nightwing, then you have no idea who you’re dealing with.”

 Ladybug took a few steps back after he helped her get to her feet, “so are you going to fight me instead?”

 “Pixie, take it from me, it’s really not all it’s cracked up to be.  As fun as it’s been watching you kick my brother’s asses, they are nothing compared to Nightwing.” he explained as he took off his helmet and set it down next to him.

 “What do you know about Nightwing?” she asked, still understandably guarded about the situation.

 “Oh what don’t I know, he’s basically Batman’s heir.” he told her “I’m just one of the spares, and that’s on a good day when I managed to not die.”

 Dick had made it clear days ago that he wasn’t going to fight her, he already put his foot down at how silly this whole thing was.  Jason, however, decided to have a little fun. “Honestly, you might as well just walk right into the batcave and challenge Batman yourself.” he told her, “I mean you won’t die, that’s kinda his whole deal, but you’ll be eating through a straw for the rest of your life.”

Jason, enjoying the anxiety bubble in the young woman, and he decided to crank it up to eleven.

“Nightwing is equal if not better than Batman in every way, he once took up the mantle of Batman when he was injured. Not only that, he broke Bane’s back.  He lifted a 7ft tall 500lb big guy, snapped his spine over his knee as if it was nothing.”  Jason moves his arms, mimicking the motion of breaking something over his knee. Ladybug began to sweat even more, struggling to imagine the powerhouse of a man to even accomplish such a feat.

Jason’s grin widens, “not only that, he fought a giant mutated bat the size of a man. He wrestled Man-Bat, putting him in a full nelson and smashing its face into solid concrete” Ladybug cringes at the thought of feeling the full force of having your face slammed into concrete. Jason gets ready for the coup de grace. “In fact, when he was 10 years old, he watched his parents get murdered by mobster Tony Zucco in front of his own eyes. After being taken under Batman’s wing, he went out for revenge. He chased after Tony for hours and cornered him in Crime Alley.

Tony died that night when Nightwent went after him, the official cause was a heart attack.”

Jason stops talking to look around him, as if he was paranoid and there were eyes all around him. He walks up to Ladybug and whispers to her ear “but between you and me, it wasn’t.”

 He turns to Roy, “but if she’s gonna try and take him on after all that, then we might as well pull up some chairs and watch.” he said, giving Roy a knowing look.

 “Oh yeah, I mean he’s no match for a cute girl and her yo-yo.” Roy joked.

 “Come on, he’s probably waiting on top of the Iceberg Lounge, and he doesn’t like to be kept waiting” he declared, Ladybug followed as the three of them made their way to the Iceberg Lounge. She felt her legs shaking, but it’s fine, she would at least live to tell the tale...right?

Nightwing stood on the roof of the Iceberg Lounge, carefully watching the whereabouts of the people going in and out of the area.  He heard footsteps and looked up to see three figures landing on the rooftop in front of him. He looked up to see Red Hood, Arsenal and a short girl who looked to be in her late teens, maybe early 20s.  He looked between them, then back at the girl who was spinning a red yo-yo with black polka dots.

Nightwing waved to them, figuring she would be the short girl mentioned in the bet between Batman and Catwoman. As he noticed the three, the short girl visibly frightened as he walked towards them.

 Nightwing sighed “what did you tell her?” he asked, he had better things to than get involved in Batman’s dumb little bet.  The outcome would have been someone joining the Bat family by force, even he had put his foot down by that point.  

 “I mean, nothing that wasn’t true.” Red Hood told him, “she might as well know who she’s dealing with.”

 “Right, and you probably told her you are just a soft teddy bear compared to me.” Nightwing remarked sarcastically, “was it to keep her from beating the stuffing out of you?”. At that point Ladybug was visibly confused, so Nightwing looked over at her “so how did you get dragged into this? Got sick of having to share a litter box?”

 Ladybug eyes Nightwing cautiously, thinking his joking mannerisms are an elaborate ruse to lower her guard. “What, don’t tell my Catwoman’s got your tongue?” Nightwing jokes with a large grin. Ladybug begins to slowly walk back, confused at how expectations did not match reality.

Nightwing points his thumb at Ladybug and talks to Red Hood, “Alright what did you tell her about me?” Red Hood raises his arms innocently “Like I said, nothing that wasn’t true.”

Nightwing raises his eyebrow at Red Hood and crosses his arms. “Alright I told her how you took down Bane and Man-Bat by yourself” Red Hood admits. “And?” Nightwing begins tapping his foot. “I may have, insinuated that you may or may not have had something to do with Tony Zucco's heart attack”

Nightwing facepalms, “well so much for first impressions, let's start over shall we?”

 Nightwing reaches his hand out to Ladybug, “Name’s Richard but everyone calls me Dick”

Marinette tentatively reaches out to shake his hand, “I know you aren’t enthusiastic about this bet, neither am I. I don’t want to knock your spots off, so how about I lie on the ground, you take a picture for Catwoman and you fly off into the sunset”

 “Where would I go?” she asked,

 “She could come with us.” Red Hood suggested, “nothing would annoy Batman more.”

 “Right, and next she’ll start asking me if I actually hypnotize people with my ass.” Nightwing said as he raised an eyebrow at him.  “Think Catwoman would let you take her?”

 “We already asked, someone has to look after this pipsqueak while she’s doing what she does best, alone”, Red Hood explained.

 Ladybug felt herself calming down a lot more at that moment.  She came to this city not really knowing anyone, feeling like there was no one else looking out for her.  Now, for the first time in a long time, she felt like she was going to be in good hands.

 Bonus 1:

Roy: So, should we call ourselves “Red Arse Bug” or “Lady Red Arse”?

Jason: Do you want me to throw you off this roof?

 Bonus 2:

Ladybug: So you all had to wear red, yellow and green?

Red Hood: Yup.

Ladybug: What was it like?

Red Hood: I did my time in the pixie boots, Pixie.  Doesn’t mean I like to talk about it.

#jasonettejuly2021 #jasonette #maribat

[malscare]

there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.” SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s. JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam. ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say

we don’t need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin. ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up. ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot. There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop.

Cameras flash, as all the bees throw up their hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON: The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make. ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about. They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what. ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face. GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am. ADAM

(whispering louder) You are not! BUZZ We’re going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me. MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.” CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex. ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go. ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed

out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone. CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK. LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar. JOCK Stand to the side kid, it’s got a bit of

a kick. The jock fires the gun, and recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24. They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes. SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25. BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen. The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY

AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!! Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello. LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes. BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA

Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement? VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? * KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by, Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me... BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway.

VANESSA Can I, uh, get you something? BARRY Like what? VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs. Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes? BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches. The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute.

He’s instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite. BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about. MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you. DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s

leg. She SWATS it violently. Barry’s head whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go. JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine. VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why?

(gesturing around the market) You don’t have enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling, and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife. BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck. He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck

driver through the glass) Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington, I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place? ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61. Our queen was

moved here, we had no choice. BARRY (looking at a picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this? Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM - LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have

never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66. BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc. Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee. VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting. VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you’re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE -

CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn’t some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know he could be on steroids! Montgomery leers at Barry, who moves to the stand. "Bee Movie" - JS REVISIONS 8/13/07 73. JUDGE Mr. Benson? Barry makes his opening statement. BARRY Ladies and Gentlemen of the jury, there’s no trickery here. I’m just an ordinary bee. And as a bee, honey’s pretty important to me. It’s important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us cause we’re the little guys. And what I’m hoping is that after this is all over, you’ll see how by taking our honey, you’re not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry’s family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM - LATER JUDGE Call your first witness. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon-Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekeeper. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I’m sorry. I couldn’t hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don’t free bees. You keep bees. And not only that, it seems you

thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they’re very lovable creatures. Yogi-bear, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTENDANT from her building ENTER with a GIANT FEROCIOUS GRIZZLY BEAR. He has a neck collar and chains extending from either side. "Bee Movie" - JS REVISIONS 8/13/07 75. By pulling the chains, they bring him directly in front of Vanderhayden. The bear LUNGES and ROARS. BARRY (CONT'D) Bears kill bees! How would you like his big hairy head crashing into your living room? Biting into your couch, spitting out your throwpillows...rowr, rowr! The bear REACTS. BEAR Rowr!! BARRY Okay, that’s enough. Take him away. Vanessa and the Superintendant pull the bear out of the courtroom. Vanderhayden TREMBLES. The judge GLARES at him. CUT TO: INT. COURTROOM- A LITTLE LATER Barry questions STING. BARRY So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? STING I was with a band called "The Police". BARRY But you've never been a police officer of any kind, have you? STING No, I haven't. "Bee Movie" - JS REVISIONS 8/13/07 76. BARRY No, you haven’t. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name. STING Oh please. BARRY Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, (looking in folder) Mr. Gordon M. Sumner? The jury GASPS. MONTGOMERY (to his aides) That’s not his real name? You idiots! CUT TO: INT. COURTHOUSE- LATER BARRY Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. LIOTTA Thank you. Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you’re devilishly handsome, but with a churning inner turmoil that’s always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn’t. But is this what it’s come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don’t have to rehearse your part, and learn your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn’t a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doesn’t someone just step on this little creep and we can all go home? You’re all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: NEW YORK POST: “Bees to Humans: Buzz Off”. NEW YORK TELEGRAM: “Sue Bee”. DAILY VARIETY: “Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.” CUT TO: SEQ. 3175 - “CANDLELIGHT DINNER” INT. VANESSA’S APARTMENT Barry and Vanessa are having a candle light dinner. Visible behind Barry is a “LITTLE MISSY” SET BOX, with the flaps open. BARRY Well, I just think that was awfully nice of that bear to pitch in like that. "Bee Movie" - JS REVISIONS 8/13/07 78. VANESSA I’m telling you, I think the jury’s on our side. BARRY Are we doing everything right...you know, legally? VANESSA I’m a florist. BARRY Right, right. Barry raises his glass. BARRY (CONT’D) Well, here’s to a great team. VANESSA To a great team. They toast. Ken ENTERS KEN Well hello. VANESSA Oh...Ken. BARRY Hello. VANESSA I didn’t think you were coming. KEN No, I was just late. I tried to call. But, (holding his cell phone) the battery... VANESSA I didn’t want all this to go to waste, so I called Barry. Luckily he was free. BARRY Yeah. KEN (gritting his teeth) Oh, that was lucky. "Bee Movie" - JS REVISIONS 8/13/07 79. VANESSA Well, there’s still a little left. I could heat it up. KEN Yeah, heat it up. Sure, whatever. Vanessa EXITS. Ken and Barry look at each other as Barry eats. BARRY So, I hear you’re quite a tennis player. I’m not much for the game myself. I find the ball a little grabby. KEN That’s where I usually sit. Right there. VANESSA (O.C) Ken, Barry was looking at your resume, and he agreed with me that “eating with chopsticks” isn’t really a special skill. KEN (to Barry) You think

I don’t see what you’re doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That’s just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" - JS REVISIONS 8/13/07 80. VANESSA Ken, I let Barry borrow your razor for his fuzz. I hope that was alright. Ken hits his head on the table. BARRY I’m going to go drain the old stinger. KEN Yeah, you do that. Barry EXITS to the bathroom, grabbing a small piece of a VARIETY MAGAZINE on the way. BARRY Oh, look at that. Ken slams the champagne down on the table. Ken closes his eyes and buries his face in his hands. He grabs a magazine on the way into the bathroom. SEQ. 2800 - “BARRY FIGHTS KEN” INT. BATHROOM - CONTINUOUS Ken ENTERS, closes the door behind him. He’s not happy. Barry is washing his hands. He glances back at Ken. KEN You know, I’ve just about had it with your little mind games. BARRY What’s that? KEN Italian Vogue. BARRY Mamma Mia, that’s a lot of pages. KEN It’s a lot of ads. BARRY Remember what Van said. Why is your life any more valuable than mine? "Bee Movie" - JS REVISIONS 8/13/07 81. KEN It’s funny, I just can’t seem to recall that! Ken WHACKS at Barry with the magazine. He misses and KNOCKS EVERYTHING OFF THE VANITY. Ken grabs a can of AIR FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. BARRY Ken, look at me! I’m wearing a chapstick hat. This is pathetic. ANGLE ON: Ken turning the hand shower nozzle from “GENTLE”, to “TURBO”, to “LETHAL”. "Bee Movie" - JS REVISIONS 8/13/07 82. KEN I’ve got issues! Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry. KEN (CONT'D) Well well well, a royal flush. BARRY You’re bluffing. KEN Am I? Ken flushes the toilet. Barry grabs the Emory board and uses it to surf. He puts his hand in the water while he’s surfing. Some water splashes on Ken. BARRY Surf’s up, dude! KEN Awww, poo water! He does some skate board-style half-pipe riding. Barry surfs out of the toilet. BARRY That bowl is gnarly. Ken tries to get a shot at him with the toilet brush. KEN Except for those dirty yellow rings. Vanessa ENTERS. VANESSA Kenneth! What are you doing? KEN You know what? I don’t even like honey! I don’t eat it! VANESSA We need to talk! "Bee Movie" - JS REVISIONS 8/13/07 83. She pulls Ken out by his ear. Ken glares at Barry. CUT TO: INT. HALLWAY - CONTINUOUS VANESSA He’s just a little bee. And he happens to be the nicest bee I’ve met in a long time. KEN Long time? What are you talking about? Are there other bugs in your life? VANESSA No, but there are other things bugging me in life. And you’re one of them! KEN Fine! Talking bees, no yogurt night...my nerves are fried from riding on this emotional rollercoaster. VANESSA Goodbye, Ken. KEN Augh! VANESSA Whew! Ken EXITS, then re-enters frame. KEN And for your information, I prefer sugar-free, artificial sweeteners, made by man! He EXITS again. The DOOR SLAMS behind him. VANESSA (to Barry) I’m sorry about all that. Ken RE-ENTERS. "Bee Movie" - JS REVISIONS 8/13/07 84. KEN I know it’s got an aftertaste! I like it! BARRY (re: Ken)

I always felt there was some kind of barrier between Ken and me. (puts his hands in his pockets) I couldn’t overcome it. Oh well. VANESSA Are you going to be okay for the trial tomorrow? BARRY Oh, I believe Mr. Montgomery is about out of ideas. CUT TO: SEQ. 3300 - “ADAM STINGS MONTY” INT. COURTROOM - NEXT DAY ANGLE ON: Medium shot of Montgomery standing at his table. MONTGOMERY We would like to call Mr. Barry Benson Bee to the stand. ADAM (whispering to Vanessa) Now that’s a good idea. (to Barry) You can really see why he’s considered one of the very best lawyers-- Oh. Barry rolls his eyes. He gets up, takes the stand. A juror in a striped shirt APPLAUDS. MR. GAMMIL (whispering) Layton, you’ve got to weave some magic with this jury, or it’s going to be all over. Montgomery is holding a BOOK, “The Secret Life of Bees”. "Bee Movie" - JS REVISIONS 8/13/07 85. MONTGOMERY (confidently whispering) Oh, don’t worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don’t like about bees. (to Gammil) You got the tweezers? Mr. Gammil NODS, and pats his breast pocket. MR. GAMMIL Are you allergic? MONTGOMERY Only to losing, son. Only to losing. Montgomery approaches the stand. MONTGOMERY (CONT’D) Mr. Benson Bee. I’ll ask you what I think we’d all like to know. What exactly is your relationship to that woman? Montgomery points to Vanessa. BARRY We’re friends. MONTGOMERY Good friends? BARRY Yes. MONTGOMERY (softly in Barry’s face) How good? BARRY What? MONTGOMERY Do you live together? BARRY Wait a minute, this isn’t about-- "Bee Movie" - JS REVISIONS 8/13/07 86. MONTGOMERY Are you her little... (clearing throat) ... bed bug? BARRY (flustered) Hey, that’s not the kind of-- MONTGOMERY I’ve seen a bee documentary or two. Now, from what I understand, doesn’t your Queen give birth to all the bee children in the hive? BARRY Yeah, but-- MONTGOMERY So those aren’t even your real parents! ANGLE ON: Barry’s parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry’s parents. MONTGOMERY You’re an illegitimate bee, aren’t you Benson? ADAM He’s denouncing bees! All the bees in the courtroom start to HUM. They’re agitated. MONTGOMERY And don’t y’all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I’m going to pin cushion this guy! Montgomery turns around and positions himself by the judge’s bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don’t! It’s what he wants! Adam shoves Barry out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I’m hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is coursing through my veins! I have been felled by a wing-ed beast of destruction. You see? You can’t treat them like equals. They’re strip-ed savages! Stinging’s the only thing they know! It’s their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can’t feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will come forward to suck the poison from my heaving buttocks? The JURY recoils. JUDGE Please, I will have order in this court. Order! Order, please! FADE TO: SEQ. 3400 - “ADAM AT HOSPITAL” INT. HOSPITAL - STREET LEVEL ROOM - DAY PRESS PERSON #1 (V.O) The case of the honey bees versus the human race took a pointed turn against the bees yesterday, when one of their legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. A NURSE lets Barry into the room. Barry CARRIES a FLOWER. BARRY Thank you. Barry stands over Adam, in a bed. Barry lays the flower down next to him. The TV is on. BARRY (CONT'D) Hey buddy. ADAM Hey. BARRY Is there much pain? Adam has a BEE-SIZED PAINKILLER HONEY BUTTON near his head that he

presses. ADAM (pressing the button) Yeah...I blew the whole case, didn’t I? "Bee Movie" - JS REVISIONS 8/13/07 89. BARRY Oh, it doesn’t matter. The important thing is you’re alive. You could have died. ADAM I’d be better off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT’D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there’s a little celery still on it. BARRY What was it like to sting someone? ADAM I can’t explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I’m sorry. I flew us right into this. What were we thinking? Look at us, we’re just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don’t know. ADAM I hear they put the roaches in motels. That doesn’t sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don’t check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT’D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don’t smoke. BARRY Right. Bees don’t smoke. Bees don’t smoke! But some bees are smoking. Adam, that’s it! That’s our case. Adam starts putting his clothes on. ADAM It is? It’s not over? BARRY No. Get up. Get dressed. I’ve got to go somewhere. You get back the court and stall. Stall anyway you can. CUT TO: SEQ. 3500 - “SMOKING GUN” INT. COURTROOM - THE NEXT DAY Adam is folding a piece of paper into a boat. ADAM ...and assuming you’ve done step 29 correctly, you’re ready for the tub. "Bee Movie" - JS REVISIONS 8/13/07 91. ANGLE ON: The jury, all with paper boats of their own. JURORS Ooh. ANGLE ON: Montgomery frustrated with Gammil, who’s making a boat also. Monty crumples Gammil’s boat, and throws it at him. JUDGE Mr. Flayman? ADAM Yes? Yes, Your Honor? JUDGE Where is the rest of your team? ADAM (fumbling with his swordstinger) Well, your honor, it’s interesting. You know Bees are trained to fly kind of haphazardly and as a result quite often we don’t make very good time. I actually once heard a pretty funny story about a bee-- MONTGOMERY Your Honor, haven’t these ridiculous bugs taken up enough of this court’s valuable time? Montgomery rolls out from behind his table. He’s suspended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery’s motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can’t. We have a terrific case. MONTGOMERY Where is your proof? Where is the evidence? Show me the smoking gun. Barry bursts through the door. BARRY Hold it, your honor. You want a smoking gun? Here is your smoking gun. Vanessa ENTERS, holding a bee smoker Vanessa slams the beekeeper's SMOKER onto the judge’s bench. JUDGE What is that? BARRY It’s a Bee smoker. Montgomery GRABS the smoker. MONTGOMERY What, this? This harmless little contraption? This couldn’t hurt a fly, let alone a bee. He unintentionally points it towards the bee gallery, KNOCKING THEM ALL OUT. The jury GASPS. The press SNAPS pictures of them. BARRY Members of the jury, look at what has happened to bees who have never been asked, "Smoking or Non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? Barry gestures dramatically towards Montgomery's racially mixed table. The BLACK LAWYER slowly moves his chair away. GAMMIL What are we going to do? "Bee Movie" - JS REVISIONS 8/13/07 93. MONTGOMERY (to Pross) He's playing the species card. Barry lands on the

scale of justice, by the judge’s bench. It balances as he lands. BARRY Ladies and gentlemen, please, FreeThese-Bees! ANGLE ON: Jury, chanting "Free the bees". JUDGE The court finds in favor of the bees. The chaos continues. Barry flies over to Vanessa, with his hand up for a “high 5”. BARRY Vanessa, we won! VANESSA Yay! I knew you could do it. Highfive! She high 5’s Barry, sending him crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I’m okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won’t have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You’ll regret this. ANGLE ON: Barry’s ‘deer in headlights’ expression, as the press pushes microphones in his face. "Bee Movie" - JS REVISIONS 8/13/07 94. PRESS PERSON 1 Barry, how much honey do you think is out there? BARRY Alright, alright, one at a time... SARAH Barry, who are you wearing? BARRY Uhhh, my sweater is Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery’s right? VANESSA What do you mean? ADAM We’ve been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 - “HONEY ROUNDUP” EXT. HONEY FARMS APIARY - MONTAGE SARAH (V.O) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we’re going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee Movie" - JS REVISIONS 8/13/07 95. I believe we’re all aware of what they do in the woods. We will no longer tolerate derogatory beenegative nick-names, unnecessary inclusion of honey in bogus health products, and la-dee-da tea-time human snack garnishments. MONTAGE IMAGES: Close-up on an ATF JACKET, with the YELLOW LETTERS. Camera pulls back. We see an ARMY OF BEE AND HUMAN AGENTS wearing hastily made “Alcohol, Tobacco, Firearms, and Honey” jackets. Barry supervises. The gate to Honey Farms is locked permanently. All the smokers are collected and locked up. All the bees leave the Apiary. CUT TO: EXT. ATF OUTSIDE OF SUPERMARKET - MONTAGE Agents begin YANKING honey off the supermarket shelves, and out of shopping baskets. CUT TO: EXT. NEW HIVE CITY - MONTAGE The bees tear down a honey-bear statue. CUT TO: EXT. YELLOWSTONE FOREST - MONTAGE POV of a sniper’s crosshairs. An animated BEAR character looka-like, turns his head towards camera. BARRY Wait for my signal. ANGLE ON: Barry lowering his binoculars. BARRY (CONT'D) Take him out. The sniper SHOOTS the bear. It hits him in the shoulder. The bear looks at it. He gets woozy and the honey jar falls out of his lap, an ATF&H agent catches it. "Bee Movie" - JS REVISIONS 8/13/07 96. BARRY (V.O) (CONT'D) ATF&H AGENT (to the bear’s pig friend) He’ll have a little nausea for a few hours, then he’ll be fine. CUT TO: EXT. STING’S HOUSE - MONTAGE ATF&H agents SLAP CUFFS on Sting, who is meditating. STING But it’s just a prance-about stage name! CUT TO: INT. A WOMAN’S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H agent pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Barry looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey, gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can’t breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry’s hive. "Bee Movie" - JS REVISIONS

8/13/07 97. BARRY Bring it in, boys. CUT TO: SEQ. 3650 - “NO MORE WORK” INT. HONEX - MONTAGE ANGLE ON: The honey goes past the 3-cup hash-mark, and begins to overflow. A WORKER BEE runs up to Buzzwell. WORKER BEE 1 Mr. Buzzwell, we just passed 3 cups, and there’s gallons mores coming. I think we need to shutdown. KEYCHAIN BEE (to Buzzwell) Shutdown? We’ve never shutdown. ANGLE ON: Buzzwell overlooking the factory floor. BUZZWELL Shutdown honey production! Stop making honey! ANGLE ON: TWO BEES, each with a KEY. BUZZWELL (CONT’D) Turn your key, Sir! They turn the keys simultaneously, War Games-style, shutting down the honey machines. ANGLE ON: the Taffy-Pull machine, Centrifuge, and Krelman all slowly come to a stop. The bees look around, bewildered. WORKER BEE 5 What do we do now? A BEAT. WORKER BEE 6 Cannon ball!! He jumps into a HONEY VAT, doesn’t penetrate the surface. He looks around, and slowly sinks down to his waist. "Bee Movie" - JS REVISIONS 8/13/07 98. EXT. HONEX FACTORY THE WHISTLE BLOWS, and the bees all stream out the exit. CUT TO: INT. J-GATE - CONTINUOUS Lou Loduca gives orders to the pollen jocks. LOU LODUCA We’re shutting down honey production. Mission abort. CUT TO: EXT. CENTRAL PARK Jackson receives the orders, mid-pollination. JACKSON Aborting pollination and nectar detail. Returning to base. CUT TO: EXT. NEW HIVE CITY ANGLE ON: Bees, putting sun-tan lotion on their noses and antennae, and sunning themselves on the balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning themselves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA’S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes “Sorry. No more flowers.” on a “Closed” sign, an turns it facing out. CUT TO: SEQ. 3700 - “IDLE HIVE” EXT. NEW HIVE CITY - DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam’s office. CUT TO: INT. ADAM’S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam’s office is in disarray. There are papers everywhere. He’s filling up his cardboard hexagon box. BARRY (out of breath) Adam, you wouldn’t believe how much honey was out there. ADAM Oh yeah? BARRY What’s going on around here? Where is everybody? Are they out celebrating? "Bee Movie" - JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they’re just home. They don’t know what to do. BARRY Hmmm. ADAM They’re laying out, they’re sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn’t? It’s the greatest thing in the world. I was excited to be a part of making it. ANGLE ON: Adam’s desk on it’s side in the hall. ADAM (CONT’D) This was my new desk. This was my new job. I wanted to do it really well. And now...and now I can’t. Adam EXITS. CUT TO: SEQ. 3900 - “WORLD WITHOUT BEES” INT. STAIRWELL Vanessa and Barry are walking up the stairs to the roof. BARRY I don’t understand why they’re not happy. We have so much now. I thought their lives would be better. "Bee Movie" - JS REVISIONS 8/13/07 101. VANESSA Hmmm. BARRY They’re doing nothing. It’s amazing, honey really changes people. VANESSA You don’t have any idea what’s going on, do you? BARRY What did you want to show me? VANESSA This. They reach the top of the stairs. Vanessa opens the door. CUT TO: EXT. VANESSA’S ROOFTOP - CONTINUOUS Barry sees Vanessa’s flower pots and small garden have all turned brown. BARRY What happened here? VANESSA That is not the half of it... Vanessa turns Barry around with her two fingers, revealing the view of Central Park, which is also all brown. BARRY Oh no. Oh my. They’re all wilting. VANESSA Doesn’t look very good, does it? BARRY No. VANESSA And who’s fault do you think that is? "Bee Movie" - JS

REVISIONS 8/13/07 102. BARRY Mmmm...you know, I’m going to guess, bees. VANESSA Bees? BARRY Specifically me. I guess I didn’t think that bees not needing to make honey would affect all these other things. VANESSA And it’s not just flowers. Fruits, vegetables...they all need bees. BARRY Well, that’s our whole SAT test right there. VANESSA So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there’s no more pollination, it could all just go south here, couldn’t it? VANESSA And I know this is also partly my fault. Barry takes a long SIGH. BARRY How about a suicide pact? VANESSA (not sure if he’s joking) How would we do it? BARRY I’ll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I’ve got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 - “GOING TO PASADENA” EXT. NY STREET - CONTINUOUS Vanessa gets into a cab. Barry ENTERS. BARRY Vanessa. Why are you leaving? Where are you going? VANESSA To the final Tournament of Roses parade in Pasadena. They moved it up to this weekend because all the flowers are dying. It’s the last chance I’ll ever have to see it. BARRY Vanessa, I just want to say I’m sorry. I never meant it to turn out like this. VANESSA I know. Me neither. Vanessa cab drives away. "Bee Movie" - JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can’t do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa’s cab. He catches up to it, and he pounds on the window. INT. TAXI - CONTINUOUS Barry motions for her to roll the window down. She does so. BARRY Roses?! VANESSA Barry? BARRY (as he flies next to the cab) Roses are flowers. VANESSA Yes, they are. BARRY Flowers, bees, pollen! VANESSA I know. That’s why this is the last parade. BARRY Maybe not. The cab starts pulling ahead of Barry. BARRY (CONT'D) (re: driver) Could you ask him to slow down? VANESSA Could you slow down? The cabs slows. Barry flies in the window, and lands in the change box, which closes on him. "Bee Movie" - JS REVISIONS 8/13/07 105. VANESSA (CONT'D) Barry! Vanessa lets him out. Barry stands on the change box, in front of the driver’s license. BARRY Okay, I made a huge mistake! This is a total disaster, and it’s all my fault! VANESSA Yes, it kind of is. BARRY I’ve ruined the planet. And, I wanted to help with your flower shop. Instead, I’ve made it worse. VANESSA Actually, it’s completely closed down. BARRY Oh, I thought maybe you were remodeling. Nonetheless, I have another idea. And it’s greater than all my previous great ideas combined. VANESSA I don’t want to hear it. Vanessa closes the change box on Barry. BARRY (opening it again) Alright, here’s what I’m thinking. They have the roses, the roses have the pollen. I know every bee, plant, and flower bud in this park. All we’ve got to do is get what they’ve got back here with what we’ve got. VANESSA Bees... BARRY Park... VANESSA Pollen... "Bee Movie" - JS REVISIONS 8/13/07 106. BARRY Flowers... VANESSA Repollination! BARRY (on luggage handle, going up) Across the nation! CUT TO: SEQ. 3950 - “ROSE PARADE” EXT. PASADENA PARADE BARRY (V.O) Alright. Tournament of Roses. Pasadena, California. They’ve got nothing but flowers, floats, and cotton candy. Security will be tight. VANESSA I have an idea. CUT TO: EXT. FLOAT STAGING AREA ANGLE ON: Barry and Vanessa approaching a HEAVILY ARMED GUARD in front of the staging area. VANESSA Vanessa Bloome, FTD. Official floral business. He leans in to look at her badge. She SNAPS IT SHUT, VANESSA (CONT’D) Oh, it’s real. HEAVILY ARMED GUARD Sorry ma’am. That’s a nice brooch, by the way. VANESSA Thank you. It was a gift. "Bee Movie" - JS REVISIONS 8/13/07 107. They ENTER the staging area. BARRY (V.O)

Then, once we’re inside, we just pick the right float. VANESSA How about the Princess and the Pea? BARRY Yeah. VANESSA I can be the princess, and-- BARRY ...yes, I think-- VANESSA You could be-- BARRY I’ve-- VANESSA The pea. BARRY Got it. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER Barry, dressed as a PEA, flies up and hovers in front of the princess on the “Princess and the Pea” float. The float is sponsored by Inflat-a-bed and a SIGN READS: “Inflat-a-bed: If it blows, it’s ours.” BARRY Sorry I’m late. Where should I sit? PRINCESS What are you? BARRY I believe I’m the pea. PRINCESS The pea? It’s supposed to be under the mattresses. "Bee Movie" - JS REVISIONS 8/13/07 108. BARRY Not in this fairy tale, sweetheart. PRINCESS I’m going to go talk to the marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT’D) Let’s see what this baby will do. ANGLE ON: Guy with headset talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER ANGLE ON: Vanessa putting the princess hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa’s float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry speed, dodging and weaving, down the freeway. BARRY (V.O) And once we’re at the airport, there’s no stopping us. CUT TO: EXT. LAX AIRPORT Barry and Vanessa pull up to the curb, in front of an TSA AGENT WITH CLIPBOARD. TSA AGENT Stop. Security. Did you and your insect pack your own float? VANESSA (O.C) Yes. TSA AGENT Has this float been in your possession the entire time? VANESSA (O.C) Since the parade...yes. ANGLE ON: Barry holding his shoes. TSA AGENT Would you remove your shoes and everything in your pockets? Can you remove your stinger, Sir? BARRY That’s part of me. TSA AGENT I know. Just having some fun. Enjoy your flight. CUT TO: EXT. RUNWAY Barry and Vanessa’s airplane TAKES OFF. "Bee Movie" - JS REVISIONS 8/13/07 110. BARRY (O.C) Then, if we’re lucky, we’ll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 - “COCKPIT FIGHT” INT. AIRPLANE Vanessa is on the aisle. Barry is on a laptop calculating flowers, pollen, number of bees, airspeed, etc. He does a “Stomp” dance on the keyboard. BARRY Can you believe how lucky we are? We have just enough pollen to do the job. I think this is going to work, Vanessa. VANESSA It’s got to work. PILOT (V.O) Attention passengers. This is Captain Scott. I’m afraid we have a bit of bad weather in the New York area. And looks like we’re going to be experiencing a couple of hours delay. VANESSA Barry, these are cut flowers with no water. They’ll never make it. BARRY I’ve got to get up there and talk to these guys. VANESSA Be careful. Barry flies up to the cockpit door. CUT TO: INT. COCKPIT - CONTINUOUS A female flight attendant, ANGELA, is in the cockpit with the pilots. "Bee Movie" - JS REVISIONS 8/13/07 111. There’s a KNOCK at the door. BARRY (C.O) Hey, can I get some help with this Sky Mall Magazine? I’d like to order the talking inflatable travel pool filter. ANGELA (to the pilots, irritated) Excuse me. CUT TO: EXT. CABIN - CONTINUOUS Angela opens the cockpit door and looks around. She doesn’t see anybody. ANGLE ON: Barry hidden on the yellow and black “caution” stripe. As Angela looks around, Barry zips into the cockpit. CUT TO: INT. COCKPIT BARRY Excuse me, Captain. I am in a real situation here... PILOT (pulling an earphone back, to the co-pilot) What did you say, Hal? CO-PILOT I didn’t say anything. PILOT (he sees Barry) Ahhh! Bee! BARRY No, no! Don’t freak out! There’s a chance my entire species-- CO-PILOT (taking off his earphones) Ahhh! "Bee Movie" - JS REVISIONS 8/13/07 112. The pilot grabs a “DUSTBUSTER” vacuum cleaner. He aims it around trying to vacuum up Barry. The co-pilot faces

camera, as the pilot tries to suck Barry up. Barry is on the other side of the co-pilot. As they dosey-do, the toupee of the co-pilot begins to come up, still attached to the front. CO-PILOT (CONT'D) What are you doing? Stop! The toupee comes off the co-pilot’s head, and sticks in the Dustbuster. Barry runs across the bald head. BARRY Wait a minute! I’m an attorney! CO-PILOT Who’s an attorney? PILOT Don’t move. The pilot uses the Dustbuster to try and mash Barry, who is hovering in front of the co-pilot’s nose, and knocks out the co-pilot who falls out of his chair, hitting the life raft release button. The life raft inflates, hitting the pilot, knocking him into a wall and out cold. Barry surveys the situation. BARRY Oh, Barry. CUT TO: INT. AIRPLANE CABIN Vanessa studies her laptop, looking serious. SFX: PA CRACKLE. BARRY (V.O) (in captain voice) Good afternoon passengers, this is your captain speaking. Would a Miss Vanessa Bloome in 24F please report to the cockpit. And please hurry! "Bee Movie" - JS REVISIONS 8/13/07 113. ANGLE ON: The aisle, and Vanessa head popping up. CUT TO: INT. COCKPIT Vanessa ENTERS. VANESSA What happened here? BARRY I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded...Now one’s bald, one’s in a boat, and they’re both unconscious. VANESSA Is that another bee joke? BARRY No. No one’s flying the plane. The AIR TRAFFIC CONTROLLER, BUD, speaks over the radio. BUD This is JFK control tower. Flight 356, what’s your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I’m a florist from New York. BUD Where’s the pilot? VANESSA He’s unconscious and so is the copilot. BUD Not good. Is there anyone onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who’s that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It’s got giant wings, huge engines. VANESSA I can’t fly a plane. BARRY Why not? Isn’t John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we’re headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150 - “BARRY FLIES PLANE” INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bumble. We have some late-breaking news from JFK airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That’s Barry. BOB BUMBLE ...is now attempting to land a plane, loaded with people, flowers, and an incapacitated flight crew. EVERYONE Flowers?! CUT TO: INT. AIR TRAFFIC CONTROL TOWER BUD Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. JEANETTE CHUNG Just a minute, Mr. Ditchwater, there’s a honey bee on that plane. BUD Oh, I’m quite familiar with Mr. Benson’s work, and his no-account compadres. Haven’t they done enough damage already? JEANETTE CHUNG But isn’t he your only hope right now? BUD Come on, technically a bee shouldn’t be able to fly at all. CUT TO: INT. COCKPIT. Barry REACTS BUD The wings are too small, their bodies are too big-- "Bee Movie" - JS REVISIONS 8/13/07 116. BARRY (over PA) Hey, hold on a second. Haven’t we heard this million times? The surface area of the wings, and the body mass doesn’t make sense? JEANETTE CHUNG Get this on the air. CAMERAMAN You got it! CUT TO: INT. BEE TV CONTROL ROOM An engineer throws a switch. BEE ENGINEER Stand by. We’re going live. The “ON AIR” sign illuminates. CUT TO: INT. VARIOUS SHOTS OF NEW HIVE CITY The news report plays on TV. The pollen jocks are sitting around, playing paddle-ball, Wheel-o, and one of them is spinning his helmet on his finger. Buzzwell is in an office cubicle, playing computer solitaire. Barry’s family and Adam watch from their living room. Bees

sitting on the street curb turn around to watch the TV. BARRY Mr. Ditchwater, the way we work may be a mystery to you, because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it really well, it makes a big difference. More than we realized. To us, to everyone. That’s why I want to get bees back to doing what we do best. "Bee Movie" - JS REVISIONS 8/13/07 117. Working together. That’s the bee way. We’re not made of Jello. We get behind a fellow. Black and yellow. CROWD OF BEES Hello! CUT TO: INT. COCKPIT Barry is giving orders to Vanessa. BARRY Left, right, down, hover. VANESSA Hover? BARRY Forget hover. VANESSA You know what? This isn’t so hard. Vanessa pretends to HONK THE HORN. VANESSA (CONT’D) Beep, beep! Beep, beep! A BOLT OF LIGHTNING HITS the plane. The plane takes a sharp dip. VANESSA (CONT’D) Barry, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we’re not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRPLANE The airplane goes into a steep dive. CUT TO: SEQ. 4175 - “CRASH LANDING” INT. J-GATE An ALERT SIGN READING: “Hive Alert. We Need:” Then the SIGNAL goes from “Two Bees” “Some Bees” “Every Bee There Is” Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let’s get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. AIRPLANE COCKPIT BARRY Our only chance is if I do what I would do, and you copy me with the wings of the plane! VANESSA You don’t have to yell. BARRY I’m not yelling. We happen to be in a lot of trouble here. VANESSA It’s very hard to concentrate with that panicky tone in your voice. BARRY It’s not a tone. I’m panicking! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 119. EXT. JFK AIRPORT ANGLE ON: The bees arriving and massing at the airport. CUT TO: INT. COCKPIT Barry and Vanessa alternately SLAP EACH OTHER IN THE FACE. VANESSA I don’t think I can do this. BARRY Vanessa, pull yourself together. Listen to me, you have got to snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! CUT TO: EXT. AIRPLANE A GIGANTIC SWARM OF BEES flies in to hold the plane up. CUT TO: INT. COCKPIT - CONTINUOUS BARRY You snap out of it! VANESSA You snap out of it! "Bee Movie" - JS REVISIONS 8/13/07 120. BARRY You snap-- VANESSA Hold it! BARRY (about to slap her again) Why? Come on, it’s my turn. VANESSA How is the plane flying? Barry’s antennae ring. BARRY I don’t know. (answering) Hello? CUT TO: EXT. AIRPLANE ANGLE ON: The underside of the plane. The pollen jocks have massed all around the underbelly of the plane, and are holding it up. LOU LODUCA Hey Benson, have you got any flowers for a happy occasion in there? CUT TO: INT. COCKPIT Lou, Buzz, Splitz, and Jackson come up alongside the cockpit. BARRY The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. "Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the blacktop? VANESSA What blacktop? Where? I can’t see anything. Can you? BARRY No, nothing. It’s all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you’ve got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhead shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I’m feeling something. VANESSA What? BARRY I don’t know, but it’s strong. And it’s pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" - JS REVISIONS

8/13/07 122. LOU LODUCA (CONT'D) EXT. RUNWAY All the bees are on the runway chanting “Thinking Bee”. CUT TO: INT. CONTROL TOWER RICK What in the world is on the tarmac? ANGLE ON: Dave OTS onto runway seeing a flower being formed by millions of bees. BUD Get some lights on that! CUT TO: EXT. RUNWAY ANGLE ON: AIRCRAFT LANDING LIGHT SCAFFOLD by the side of the runway, illuminating the bees in their flower formation. INT. COCKPIT BARRY Vanessa, aim for the flower! VANESSA Oh, okay? BARRY Cut the engines! VANESSA Cut the engines? BARRY We’re going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRPLANE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LOU LODUCA Spin it around! The plane attempts to land on top of an “Aloha Airlines” plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I’m aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That’s a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready boys? Nose down. Bring your tail up. Rotate around it. VANESSA Oh, this is insane, Barry. BARRY This is the only way I know how to fly. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 124. AIR TRAFFIC CONTROL TOWER BUD Am I koo-koo kachoo, or is this plane flying in an insect-like pattern? CUT TO: EXT. RUNWAY BARRY (V.O) Get your nose in there. Don’t be afraid of it. Smell it. Full reverse! Easy, just drop it. Be a part of it. Aim for the center! Now drop it in. Drop it in, woman! The plane HOVERS and MANEUVERS, landing in the center of the giant flower, like a bee. The FLOWERS from the cargo hold spill out onto the runway. INT. AIPLANE CABIN The passengers are motionless for a beat. PASSENGER Come on already! They hear the “ding ding”, and all jump up to grab their luggage out of the overheads. SEQ. 4225 - “RUNWAY SPEECH” EXT. RUNWAY - CONTINUOUS The INFLATABLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Barry, it worked. Did you see the giant flower? BARRY What giant flower? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we’re not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT’D) Listen everyone. This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We’re the only ones who make honey, pollinate flowers, and dress like this. If we’re going to survive as a species, this is our moment. So what do you all say? Are we going to be bees, or just Museum of Natural History key chains? BEES We’re bees! KEYCHAIN BEE Keychain! BARRY Then follow me... Except Keychain. BUZZ Hold on Barry. You’ve earned this. Buzz puts a pollen jock jacket and helmet with Barry’s name on it on Barry. "Bee Movie" - JS REVISIONS 8/13/07 126. BARRY I’m a pollen jock! (looking at the jacket. The sleeves are a little long) And it’s a perfect fit. All I’ve got to do are the sleeves. The Pollen Jocks toss Barry a gun. BARRY (CONT’D) Oh yeah! ANGLE ON: Martin and Janet Benson. JANET BENSON That’s our Barry. All the bees descend upon the flowers on the tarmac, and start collecting pollen. CUT TO: SEQ. 4250 - “RE-POLLINATION” EXT. SKIES - CONTINUOUS The squadron FLIES over the city, REPOLLINATING trees and flowers as they go. Barry breaks off from the group, towards Vanessa’s flower shop. CUT TO: EXT. VANESSA’S FLOWER SHOP - CONTINUOUS Barry REPOLLINATES Vanessa’s flowers. CUT TO: EXT. CENTRAL PARK - CONTINUOUS ANGLE ON: Timmy with a frisbee, as the bees fly by. TIMMY Mom, the bees are back! "Bee

Movie" - JS REVISIONS 8/13/07 127. Central Park is completely repollinated by the bees. DISSOLVE TO: INT. HONEX - CONTINUOUS Honex is back to normal and everyone is busily working. ANGLE ON: Adam, putting his Krelman hat on. ADAM If anyone needs to make a call, now’s the time. I’ve got a feeling we’ll be working late tonight! The bees CHEER. CUT TO: SEQ. 4355 EXT: VANESSA’S FLOWER SHOP With a new sign out front. “Vanessa & Barry: Flowers, Honey, Legal Advice” DISSOLVE TO: INT: FLOWER COUNTER Vanessa doing a brisk trade with many customers. CUT TO: INT: FLOWER SHOP - CONTINUOUS Vanessa is selling flowers. In the background, there are SHELVES STOCKED WITH HONEY. VANESSA (O.C.) Don’t forget these. Have a great afternoon. Yes, can I help who’s next? Who’s next? Would you like some honey with that? It is beeapproved. SIGN ON THE BACK ROOM DOOR READS: “Barry Benson: Insects at Law”. "Bee Movie" - JS REVISIONS 8/13/07 128. Camera moves into the back room. ANGLE ON: Barry. ANGLE ON: Barry’s COW CLIENT. COW Milk, cream, cheese...it’s all me. And I don’t see a nickel. BARRY Uh huh? Uh huh? COW (breaking down) Sometimes I just feel like a piece of meat. BARRY I had no idea. VANESSA Barry? I’m sorry, have you got a moment? BARRY Would you excuse me? My mosquito associate here will be able to help you. Mooseblood ENTERS. MOOSEBLOOD Sorry I’m late. COW He’s a lawyer too? MOOSEBLOOD Ma’am, I was already a bloodsucking parasite. All I needed was * a briefcase. * ANGLE ON: Flower Counter. VANESSA (to customer) Have a great afternoon! (to Barry) Barry, I just got this huge tulip order for a wedding, and I can’t get them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You’re a life-saver, Barry. (to the next customer) Can I help who’s next? Who’s next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it’s time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It’s that bee again! ANDY (guiding Ken protectively) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don’t break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. "Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT

tumblr app literally crashed four times trying to load this. why

#i just... #[head in hands] #long post #bad opinion zone #anonymous

[golden-barnes]

𝓛𝓲𝓺𝓾𝓲𝓭 𝓢𝓶𝓸𝓸𝓽𝓱 I : ‘𝓒𝓪𝓾𝓼𝓮 𝓲𝓽’𝓼 𝓽𝓱𝓮 𝓼𝓮𝓪𝓼𝓸𝓷

Pairing: Spencer Reid x F! Reader

Summary: Spencer always gives her a warm smile, despite being a stranger but he never imagined that their meeting would be like this.

Word count:1.3k

Warning: Mentions of the case they are working on, suicide, and stuff involving the investigation

Author’s note: I am very excited about this. It’s my first Spencer story, so let’s see how it goes.If anyone want to be added to my taglist, send me an ask. Comments and reblogs are always welcomed.

“Order for Spencer!” The barista shouted. Spencer grabbed his satchel and his papers and rushed to get his food and coffee. He was waiting for his next class to start and decided to get a snack to clear his head and revise his notes. 

He thanked the barista and went to add the insane amount of sugar he likes to add to his coffee.

That’s when he saw her again.

Spencer saw her everywhere. At the coffee shop. On the university campus. At the library. At his favorite bookstore. She was there but strangely it didn’t worry Spencer. She didn’t look dangerous or that she was a threat. She intrigued him. She looked like a normal University student, so it never raised any alarms in Spencer’s head. 

She seemed lonely though. That’s what always struck Spencer as interesting. Most college students travel in groups but she was always alone. Reminded Spencer of his time in college.

 Spencer bumped into her, carelessly. This was the first time he had seen her up close. 

“Oh, are you okay?” Spencer said to her, grabbing her forearm to stabilize her. The woman only nodded. Her eyes were focused on the door of the shop. Spencer looked in the same direction to see a man with short, brown hair standing on the other side of the street, looking at the two. Glaring at the woman. Spencer felt her shiver in his arms. 

“Uhm, thank you, sir.” She mumbled under her breath and walked out in a hurry. The man Spencer saw was gone. Spencer frowned at that. She walked to the street where the man was and just like that, she vanished too. Weird way to start the morning.

And things got weirder when Emily called him after his last class ended. 

“Hey, Reid. You are done with class, right?” She asked. 

“Yes...What’s going on?” Spencer said, packing up his things from his desk. Usually, Emily wouldn’t call him while he was on a sabbatical. Unless it was for some team activity or some dinners at Rossi’s that they plan at the last minute. 

“There’s this case and I know you are on sabbatical but we need your help,” Emily stated, trying to convey security. But her voice faltered at the end. This case had to be extra bad for Emily to call him and for her voice to be like that. 

“How fast can you get here?” She added. Spencer could hear Luke in the back talking. Spencer walked out of his classroom and started jogging to his car.

“I am on my way.” Spencer said and hung up. 

Spencer has only seen the BAU in a total mess only a handful of times. And today was one of them. Penelope was running to Emily’s office, where JJ and Emily were talking. All of them looked stressed. Rossi and Tara were talking to some agents. Rossi looked tired. The older man noticed the young doctor’s presence and called him over.

“That’s all agents. Wait for further instructions.” Tara concluded, and the agents went to their places. She let out a sigh of frustration. 

“Oh, Reid. Thank God you are here. Come on let’s get you up to speed, kid” Rossi exclaimed, signaling to the younger man to follow him.

“For the past 2 weeks, we’ve been investigating a string of murder-suicides all over Virginia and Maryland.” Matt started. Spencer looked at all the pictures of the crime scene. 

“10 men killed themselves. 5 of them were family men, and they killed their entire family before killing themselves.” JJ explained, her gaze was stuck on the photos of the families. They were happy and looked like normal, wealthy families.

“And there are no signs of foul play?” Spencer questioned.

“None, boy-wonder. But this is the weird part, none of these men had suicidal tendencies before their deaths. In fact, they were living the life. They were rich beyond all definitions of the word. They had several houses in different parts of the world and traveled to them a lot. They woke up one day and chose violence. Hell, Mark Holland, the 3rd victim, had plane tickets to Dubai.” Penelope answered. Spencer gave her a confused look. It seemed strange but nothing that the team couldn’t handle without his help. They’ve done this multiple times. Why was he called in?

Emily looked at the doctor, noticing the confusion in his face. 

“These men have no connection except being rich, privilege, and white. But their paths have never intersected. M.O is different because every suicide wasn’t carried out the same. There’s no suspicious phone calls or messages. There’s no threatening emails from one sender. There’s nothing. Only the victimology.” Matt continued.

“It’s like the puzzle from hell because everything is missing.”Penelope snorted.

“We’ve been 2 weeks on this, and we only have one lead. The fiancé of the last victim overheard him murmuring a name for days. Y/N Y/L/N. Luke is bringing her to the interrogation room.” Rossi said, looking directly at the doctor. The rest of the team turned their attention to him. There was a silence in the room. It was uncomfortable, so much that Spencer shifted in his chair.

“Reid, we need a fresh set of eyes with this woman and this case. We’ve been too invested with no rest.” Emily finally explained. Spencer just nodded and grabbed the case files and headed to the interrogation room.

As if it were a joke, Spencer saw her again. Being dragged by Luke into the interrogation room. Spencer opened the files and saw the name Y/N Y/L/N and the picture. The same woman he has been seeing everywhere was the only lead in this impossible case.

“She hasn’t said anything?” Tara asked Spencer and Luke. Y/N was staring at the glass, bored. But for the past 30 minutes, she has been silent. Not even looking at the photographs of the crime scene that were around her.

“No. I’m gonna talk with her now, I think she has had enough time to think.” Luke said. Tara nodded and left the room. Something in the back of Spencer’s mind was telling him that she wasn’t going to budge. 

“Hello, ma’am. My name is SSA Luke Alvez.” She huffed and crossed her arms. Luke smiled at her, trying to see if the nice guy approach would help.

“Do you know why you are here?”  Y/N rolled her eyes. Maybe not.

“Probably to waste taxpayer money.” She retorted. Luke let out a soft chuckle but took out the photos that were in the files.

“Do you recognize any of these men?” Luke asked. Y/N glanced at the pictures. She looked bored still but there was no sign of recognition.

“So you want to waste taxpayer money.” She laughed. “No, I don’t know who any of them are. Now can I please go?” 

“Do you know this man?” Luke asked, pulling out the picture of the last victim. She rolled her eyes again and leaned back in her chair. 

“If you are gonna keep showing me pictures of men I don’t know, at least give me some water or something.” She joked. Her body language hasn’t changed. If she had anything to do with these murders, she was a great liar.

“How about a hint? His name was Nicholas Mclain.” Y/N stiffened. Her gaze was stuck to the door, similar to the way it was at the café. 

She recognized the name but not the face? Weird. Spencer thought

Suddenly, Tara ran into the interview room. Spencer couldn’t stop her, so he entered the room with her. 

“There’s been another suicide,” Tara announced, out of breath. Luke stood up and looked at Y/N, whose eyes were trained on Spencer. 

This case wasn’t going to be easy.

#spencer reid x reader #spencer reid fanfiction #spencer reid x you #spencer reid x y/n #spencer reid x self insert #spencer reid x fem!reader #criminal minds fanfiction #criminal minds x reader #liquid smooth fanfiction

[perriewinklenerdie]

Married (Ethan Ramsey x MC)

Pairing: Ethan Ramsey x Claire Herondale

Word count: 2,4 k

Summary: Parts of Ines’s wedding told from Ethan’s perspective feat. E&C dancing, staring at each other during the wedding, basically being a married couple and everyone calling them out for it. OH3 Chapter 11 added content.

Warnings: None, it’s fluff town all the way

A/N: I feel scammed by PB. All the golden opportunities - wasted. So I fixed it.

His shoes sank a bit in the sand as he began walking towards the venue. More and more people were beginning to arrive, sounds of conversation and laughter increasing by the minute. He recognized his coworkers with ease and approached them. The first to notice him is Tobias, his eyebrow arching slightly at the sight of him.

“You came alone? Where’s Herondale?” he asked, looking over Ethan’s shoulder to search for the blonde resident.

“She helped me fix my tie, then kicked me out of our room. And refused to let me see the dress.” He explained, shrugging with a helpless laugh. Harper laughed along with him, clapping her hands gently.

“That’s wife behavior. Are you sure you two aren’t married?”

“Dude, if you two eloped, I’m not going to be working out with you anymore.” Bryce chimed in, acting as though he was offended, a serious look overtaking his face.

“Where would you- why would you- “ Ethan started stumbling over his words, realizing only after a moment that everyone was smirking at him teasingly. He huffed, fighting a blush that creeped onto his cheeks anyway. “I see. You all think you’re funny.”

“You make it too easy, Ethan.” Harper giggled, shaking her head.

“And we know we’re funny, Ethan.” His mentor put his hand on his shoulder sympathetically.

“Hilarious, even.” Baz added.

A small sound of an incoming message caused everyone to stop talking. Sienna unlocked her phone, her eyes scanning the screen.

“Claire just texted me a photo of her in a dress.”

Immediately, everyone jumped to her side, long before Ethan could even move his finger. Once he woke up from the daze, he took a step towards the young doctor that he considered his friend. Zaid stopped him in his tracks with a hand pressed to his shoulder.

“She said to not let you see the photo.”

“Why?”

Her voice rang from behind him. “I wanted to see your reaction myself.”

Ethan turned around and, at once, his breath caught in his throat. His gaze dropped to her shoes and dragged up her body slowly. The gentle flow of her skirt, pink silk that he knew for sure would almost spill through his fingers. The bodice, snug against her chest, accentuating her curves and making his male brain run wild. Careful to not linger on her chest too long – he would not get crap from their friends for this – he finally looked at her face. She was grinning smugly with a bit of a nervous spark.

He stepped up to her, resting his hand on the dip of her waist, tracing the floral patterns under his touch. With his other hand, he grasped hers in a gentle manner, raising it to press a warm kiss to her fingers.

“You’re taking my breath away.” he muttered, staring at her intensely.

“Hypoxia is dangerous, maybe I should go.” Claire teased, leaning away a fraction of an inch. He immediately pushed on her back to stop her, their personal spaces merging.

“Not having you by my side is fatal.” He dropped his voice to a low rumble, her grin melting into the soft smile. Their lips met in a slow kiss, no heat to it, just pure emotions.

They remained like that for a prolonged moment, his hands carefully pressing her to his chest. He shifted his weight from one foot to the other, making their bodies move in a swaying motion.

Jackie burst their bubble. “You, lovebirds, the brides are about to arrive, cut it out.”

Ethan pressed his lips to Claire’s one last time, then leaned away. Their noses brushed against one another as their eyes met. He whispered gently. “I’ll come find you after the ceremony.”

She pecked his cheek sweetly. “Can’t wait.”

--

He wasn’t particularly a fan of weddings. He wasn’t invited to a lot of them, either. If combined with his dislike for big social gatherings, one would come to the conclusion that Ethan Ramsey was miserable right in that moment.

Nothing could be further from the truth.

As Ines and Angie exchange vows and talk about their love for each other, his eyes find Claire. Sitting in her chair across the aisle, she’s holding Sienna’s hand and passing her a tissue. She’s all anyone could ever ask for, and the mere sight of her makes him fall down into the void of memories.

How far he’s come as a person. A cynic that dreaded what a new year would bring along with a new batch of interns. A man that had only two people in his life that he could call friends. A man that went to the bar every night to forget the day behind him, only to go back to his empty apartment. All of that was so long ago that he barely recognized that version of himself anymore. He was so different now.

He smiled more. Laughed, even, and found that he didn’t find stupid jokes Lahela made all the time half as annoying as he once did. He didn’t spend every waking moment at work. Instead, he enjoyed his time off. Still at a bar, but not to drink away his worries. Not alone – not anymore.

Now, he had someone to come home to.

Claire shook her head as she laughed at what Zaid said and Ethan’s heartbeat quickened. They grew together as people too, and along with that, their relationship evolved.

From the night they spent together in the NICU, when her head slowly fell onto his shoulder and he couldn’t find a single cell in his body to tell him to lean away. Because he wanted her to be close. It was the first moment in which he thought that maybe this brilliant woman was meant to be more to him than just an intern – and right after that, he squashed the idea back down.

Every hold of her hand, every silent sign of support, he cherished it all. Unknowingly falling deeper for the woman that would become the center of his universe before he realized what was happening.

Their kiss in Miami would be at the forefront of his mind in his every living second until he kissed her again. Growing stronger with each time his resolve broke and their lips met, softly or with wild abandonment.

The first time he could call her his – the first time he had her to himself. He knew in that moment that he was ruined for everyone else. No one would ever make him feel that way, ever again. He knew it damn well – and yet, he still fought against it.

Absence makes heart grow fonder. He now knew it was true. Months he spent away from her, keeping her at arm’s length, taught him as much. How could he deny those words when the moment he pulled her closer to him outside his apartment and their lips touched, he felt his mind go blank and his heart stop. He vowed to never let her leave again. To never lose her.

And then he almost did.

The thought alone made his muscles spasm, and he was a millisecond away from running to her side, just to feel her warmth and hear her heartbeat. Leaving her side now, even if only for a moment, even to do their job, caused a silent voice to go off in his head. A wave of panic usually followed, staying with him until he saw her again.

Thankfully, nowadays, she was within his reach most of the time. She never asked why he sometimes needed to pull her close and just hold onto her – she knew.

He felt the corners of his lips rise on their own accord. She was radiant in every second of every day. In that moment, she was the most beautiful person there. The idea that it was him that she continuously chose to be with, day after day, only made him smile wider.

This was it for him. He found his one and only, as cliché as that sounded – he knew it for sure. Guess weddings really did make people reflect on love after all.

Ethan was very much aware of how lovestruck he must have been looking in that moment. With his eyes on Claire, he was a picture of a man in love – and he was finally ready to admit that he was. He loved her.

Almost as though she could hear his thoughts, she turned around to look at him. Their eyes met and a brilliant smile bloomed on her face. His lips moved as he mouthed the words, her smile becoming gentler.

“I’m yours.”

She mouthed it right back to him.

--

Music wasn’t as obnoxious as he anticipated it to be. That didn’t, of course, mean that he condoned every dance move he saw the guests do. He decided to not complain, though – it was a day to be happy, he wouldn’t bring anyone down with his opinion on their questionable choices of moves.

Currently, he was seated by the table, nursing his whiskey. Mirani twins, Tobias and Naveen sat beside him, all five men watching their colleagues party with wine glasses in their hands.

“How long, do you think, will it take for one of them to break a glass?” Baz asked, leaning out of his seat to see his friends better. Zaid grinned, taking a sip of his drink.

“Any second now. And my bet is on Varma.”

“Why?” Tobias’s face twisted in confusion as he turned towards him, intrigued. Zaid shrugged.

“Because she can.”

Ethan tuned their conversation out, choosing instead to look at his girlfriend. She danced with Sienna, laughing as they sang along to the song. Her dress moved with her, flowing through the air elegantly. He felt the urge to stand up and walk up to her.

“Ramsey, you do know you can just walk up to her instead of sitting here and pining for her, right?” Tobias snickered, punching Ethan’s shoulder playfully. He scoffed, leaning away with a hint of a burn in his cheeks.

“I’m not pining for her.”

“You are.” All four of his companions replied.

He was so distracted by their words that he failed to notice an approaching form. Her hand landed on his shoulder softly, the tips of her nails scratching the back of his neck. Knowing who it was, he leaned into her touch, breathing out deeply.

“Sorry, gentlemen, but I’m stealing him.” she mused happily, dragging her hand down his arm until her fingers tangled with his. Ethan let her pull her up, looping his arm around her waist.

“Stealing is bad, Herondale.” Tobias shot back, moving his eyebrows suggestively at the couple. Claire opened her mouth to speak, but Ethan beat her to the punch.

“She can’t steal something that’s already hers.” He grinned at them, then turned towards her. Claire’s jaw dropped in surprise at his boldness, her posture softening enough for him to pull her away from the table, smirking. Faintly, he heard Tobias’s words.

“Married. For sure.”

Ethan’s arms wrapped around her, fingers hooked onto her hipbones. She threw her arms around his neck, staring up at him with a soft smile. A slow song began playing and one look at where the DJ was situated told them who was behind this change. Ines grinned at them, giving them thumbs up and a cheeky wink.

“Is it just me, or is everyone trying to tell us something?” Claire giggled, nuzzling her nose against his jaw. He kissed her nose gently.

“So, you noticed it too?”

“Kinda hard not to. Girls said we’re acting like a married couple at least twice today.” she traced the lapel of his jacket, laughing quietly at the recognition in his eyes.

“Guys did it too.” Ethan muttered, tightening his hold on her. She laid her head on his shoulder.

“And how does that make you feel?”

He was silent for a long while. They swayed to the song, tuning out everything else. To her surprise, he didn’t tense up – nothing about his posture spelled out the doubts he once told her he had.

“Not as terrified as it did before.”

Claire leaned back to look at him. Their eyes met, tender understanding in them. Ethan leaned down, capturing her lips in a kiss, perfectly soft and not nearly deep enough. She clutched his lapel in her fist, creasing the fabric with how strong her pull was. His fingers dug into her back, skipping past the coarser material of her bodice and gripping the soft silk of her skirt. A voice in the back of his head told him to loosen up the hold or he’ll mark the fabric, but the overwhelming need he felt for her overshadowed everything else and he couldn’t bring himself to let her go.

The song ended and with it, their kiss. Foreheads pressed together, they caught their breath, standing in the middle of the dancefloor. Blissfully unaware of how much attention they gathered with their tender moment.

Ethan opened his eyes and finally allowed his mind to register the music again. Some sort of a fast tune that made people around them go mad. His girlfriend stared at him with an unspoken question, and he got the meaning perfectly well.

With a definite move, he dipped her onto the floor. She giggled, the sound breaking through the loud music to reach his ears. Ethan smirked, throwing her back into his arms. With his lips against her ear, he mused hotly.

“I have a few tricks up my sleeve.”

Her leg wrapped around his thigh, pushing their bodies closer. His voice broke off and his breath shuddered at the way their bodies clashed and the suggestive smirk she sent his way. His hand fell to her ass, all inhibitions gone.

“Ethan!” she exclaimed, laughing at the carefree smile he gave her. He moved his hand a bit, albeit begrudgingly.

“Can you blame me? You’re irresistible.” He muttered, kissing the shell of her ear. Claire hummed, then twirled out of his hold and back into it, jumping into his arms with her legs wrapped around his hips. Ethan groaned deeply in his throat, making her smirk.

“I have a few tricks up my sleeve too.”

Notes

This is a part 2 to the Mile High Club fic. As I said, PB could have made the chapter so good with all the wedding themes that I’d lose my wig. Writers apparently don’t know how to do basic research into fiction themes, but that’s okay (kinda). It just means I have more material to work with.

Round two smut is coming soon. 

Thank you for reading! <3

Tagging separately

#ethan ramsey #open heart #playchoices

[mr-up-on-a-downer]

the entire bee movie script

According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.”

SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow...

ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY

(CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s.

JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam.

ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM

Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say we don’t need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop.

They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH!

The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin.

ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up.

ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot.

There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop. Cameras flash, as all the bees throw up their hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON: The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make.

ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about.

They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what.

ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam.

BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face.

GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am.

ADAM (whispering louder) You are not! BUZZ We’re going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me.

MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.”

CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex.

ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies?

ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go.

ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone.

CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you.

LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK.

LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar.

JOCK Stand to the side kid, it’s got a bit of a kick. The jock fires the gun, and recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24.

They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes.

SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25.

BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen.

The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!! Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER.

A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello.

LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes.

BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the

LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement?

VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? *

KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there.

VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by,

Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me...

BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway. VANESSA Can I, uh, get you something? BARRY Like what?

VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs.

Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes?

BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb.

She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches.

The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He’s instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy.

ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43.

ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite.

BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about.

MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you.

DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s leg. She SWATS it violently. Barry’s head whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go.

JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS.

JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine.

VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52.

BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why? (gesturing around the market) You don’t have enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling, and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife.

BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck.

He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck driver through the glass) Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington, I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio.

The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito.

A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place?

ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61.

Our queen was moved here, we had no choice. BARRY (looking at a picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this? Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM -

LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE

LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66.

BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc.

Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee.

VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting.

VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you’re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE - CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE -

CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn’t some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know he could be on steroids! Montgomery leers at Barry, who moves to the stand. "Bee Movie" - JS REVISIONS 8/13/07 73. JUDGE Mr. Benson? Barry makes his opening statement. BARRY Ladies and Gentlemen of the jury, there’s no trickery here. I’m just an ordinary bee. And as a bee, honey’s pretty important to me. It’s important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us cause we’re the little guys. And what I’m hoping is that after this is all over, you’ll see how by taking our honey, you’re not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling.

ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry’s family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM - LATER JUDGE Call your first witness. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon-Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekeeper. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I’m sorry. I couldn’t hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don’t free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they’re very lovable creatures. Yogi-bear, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTENDANT from her building ENTER with a GIANT FEROCIOUS GRIZZLY BEAR. He has a neck collar and chains extending from either side. "Bee Movie" - JS REVISIONS 8/13/07 75. By pulling the chains, they bring him directly in front of Vanderhayden. The bear LUNGES and ROARS. BARRY (CONT'D) Bears kill bees! How would you like his big hairy head crashing into your living room? Biting into your couch, spitting out your throwpillows...rowr, rowr! The bear REACTS. BEAR Rowr!! BARRY Okay, that’s enough. Take him away. Vanessa and the Superintendant pull the bear out of the courtroom. Vanderhayden TREMBLES. The judge GLARES at him. CUT TO: INT. COURTROOM- A LITTLE LATER Barry questions STING. BARRY So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? STING I was with a band called "The Police".

BARRY But you've never been a police officer of any kind, have you? STING No, I haven't. "Bee Movie" - JS REVISIONS 8/13/07 76. BARRY No, you haven’t. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name.

STING Oh please. BARRY Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, (looking in folder) Mr. Gordon M. Sumner? The jury GASPS. MONTGOMERY (to his aides) That’s not his real name? You idiots! CUT TO: INT. COURTHOUSE- LATER BARRY Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. LIOTTA Thank you. Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you’re devilishly handsome, but with a churning inner turmoil that’s always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn’t. But is this what it’s come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don’t have to rehearse your part, and learn your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn’t a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doesn’t someone just step on this little creep and we can all go home? You’re all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: NEW YORK POST: “Bees to Humans: Buzz Off”. NEW YORK TELEGRAM: “Sue Bee”. DAILY VARIETY: “Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.” CUT TO: SEQ. 3175 - “CANDLELIGHT DINNER” INT. VANESSA’S APARTMENT Barry and Vanessa are having a candle light dinner. Visible behind Barry is a “LITTLE MISSY” SET BOX, with the flaps open. BARRY Well, I just think that was awfully nice of that bear to pitch in like that. "Bee Movie" - JS REVISIONS 8/13/07 78. VANESSA I’m telling you, I think the jury’s on our side. BARRY Are we doing everything right...you know, legally? VANESSA I’m a florist. BARRY Right, right. Barry raises his glass. BARRY (CONT’D) Well, here’s to a great team. VANESSA To a great team. They toast. Ken ENTERS KEN Well hello. VANESSA Oh...Ken. BARRY Hello. VANESSA I didn’t think you were coming. KEN No, I was just late. I tried to call. But, (holding his cell phone) the battery... VANESSA I didn’t want all this to go to waste, so I called Barry. Luckily he was free. BARRY Yeah. KEN (gritting his teeth) Oh, that was lucky. "Bee Movie" - JS REVISIONS 8/13/07 79. VANESSA Well, there’s still a little left. I could heat it up. KEN Yeah, heat it up. Sure, whatever. Vanessa EXITS. Ken and Barry look at each other as Barry eats. BARRY So, I hear you’re quite a tennis player. I’m not much for the game myself. I find the ball a little grabby. KEN That’s where I usually sit. Right there. VANESSA (O.C) Ken, Barry was looking at your resume, and he agreed with me that “eating with chopsticks” isn’t really a special skill. KEN (to Barry) You think I don’t see what you’re doing?

BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That’s just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" - JS REVISIONS 8/13/07 80. VANESSA Ken, I let Barry borrow your razor for his fuzz. I hope that was alright. Ken hits his head on the table.

BARRY I’m going to go drain the old stinger. KEN Yeah, you do that. Barry EXITS to the bathroom, grabbing a small piece of a VARIETY MAGAZINE on the way. BARRY Oh, look at that. Ken slams the champagne down on the table. Ken closes his eyes and buries his face in his hands. He grabs a magazine on the way into the bathroom. SEQ. 2800 - “BARRY FIGHTS KEN” INT. BATHROOM - CONTINUOUS Ken ENTERS, closes the door behind him. He’s not happy. Barry is washing his hands. He glances back at Ken. KEN You know, I’ve just about had it with your little mind games. BARRY What’s that? KEN Italian Vogue. BARRY Mamma Mia, that’s a lot of pages.

KEN It’s a lot of ads. BARRY Remember what Van said. Why is your life any more valuable than mine? "Bee Movie" - JS REVISIONS 8/13/07 81. KEN It’s funny, I just can’t seem to recall that! Ken WHACKS at Barry with the magazine. He misses and KNOCKS EVERYTHING OFF THE VANITY. Ken grabs a can of AIR FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. BARRY Ken, look at me! I’m wearing a chapstick hat. This is pathetic. ANGLE ON: Ken turning the hand shower nozzle from “GENTLE”, to “TURBO”, to “LETHAL”. "Bee Movie" - JS REVISIONS 8/13/07 82. KEN I’ve got issues! Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry. KEN (CONT'D) Well well well, a royal flush. BARRY You’re bluffing. KEN Am I? Ken flushes the toilet. Barry grabs the Emory board and uses it to surf. He puts his hand in the water while he’s surfing. Some water splashes on Ken. BARRY Surf’s up, dude! KEN Awww, poo water! He does some skate board-style half-pipe riding. Barry surfs out of the toilet. BARRY That bowl is gnarly. Ken tries to get a shot at him with the toilet brush.

KEN Except for those dirty yellow rings. Vanessa ENTERS. VANESSA Kenneth! What are you doing? KEN You know what? I don’t even like honey! I don’t eat it! VANESSA We need to talk! "Bee Movie" - JS REVISIONS 8/13/07 83. She pulls Ken out by his ear. Ken glares at Barry. CUT TO: INT. HALLWAY - CONTINUOUS VANESSA He’s just a little bee. And he happens to be the nicest bee I’ve met in a long time. KEN Long time? What are you talking about? Are there other bugs in your life? VANESSA No, but there are other things bugging me in life. And you’re one of them! KEN Fine! Talking bees, no yogurt night...my nerves are fried from riding on this emotional rollercoaster. VANESSA Goodbye, Ken. KEN Augh! VANESSA Whew! Ken EXITS, then re-enters frame. KEN And for your information, I prefer sugar-free, artificial sweeteners, made by man! He EXITS again. The DOOR SLAMS behind him. VANESSA (to Barry) I’m sorry about all that. Ken RE-ENTERS. "Bee Movie" - JS REVISIONS 8/13/07 84. KEN I know it’s got an aftertaste! I like it! BARRY (re: Ken) I always felt there was some kind of barrier between Ken and me. (puts his hands in his pockets) I couldn’t overcome it. Oh well. VANESSA Are you going to be okay for the trial tomorrow?

BARRY Oh, I believe Mr. Montgomery is about out of ideas. CUT TO: SEQ. 3300 - “ADAM STINGS MONTY” INT. COURTROOM - NEXT DAY ANGLE ON: Medium shot of Montgomery standing at his table. MONTGOMERY We would like to call Mr. Barry Benson Bee to the stand. ADAM (whispering to Vanessa) Now that’s a good idea. (to Barry) You can really see why he’s considered one of the very best lawyers-- Oh. Barry rolls his eyes. He gets up, takes the stand. A juror in a striped shirt APPLAUDS. MR. GAMMIL (whispering) Layton, you’ve got to weave some magic with this jury, or it’s going to be all over. Montgomery is holding a BOOK, “The Secret Life of Bees”. "Bee Movie" - JS REVISIONS 8/13/07 85. MONTGOMERY (confidently whispering) Oh, don’t worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don’t like about bees. (to Gammil) You got the tweezers? Mr. Gammil NODS, and pats his breast pocket. MR. GAMMIL Are you allergic? MONTGOMERY Only to losing, son. Only to losing. Montgomery approaches the stand. MONTGOMERY (CONT’D) Mr. Benson Bee. I’ll ask you what I think we’d all like to know. What exactly is your relationship to that woman? Montgomery points to Vanessa. BARRY We’re friends. MONTGOMERY Good friends? BARRY Yes. MONTGOMERY (softly in Barry’s face) How good? BARRY What? MONTGOMERY Do you live together? BARRY Wait a minute, this isn’t about-- "Bee Movie" - JS REVISIONS 8/13/07 86. MONTGOMERY Are you her little... (clearing throat) ... bed bug? BARRY (flustered) Hey, that’s not the kind of-- MONTGOMERY I’ve seen a bee documentary or two. Now, from what I understand, doesn’t your Queen give birth to all the bee children in the hive? BARRY Yeah, but-- MONTGOMERY So those aren’t even your real parents! ANGLE ON: Barry’s parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry’s parents. MONTGOMERY You’re an illegitimate bee, aren’t you Benson? ADAM He’s denouncing bees! All the bees in the courtroom start to HUM. They’re agitated.

MONTGOMERY And don’t y’all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I’m going to pin cushion this guy! Montgomery turns around and positions himself by the judge’s bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don’t! It’s what he wants! Adam shoves Barry out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I’m hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is coursing through my veins! I have been felled by a wing-ed beast of destruction. You see? You can’t treat them like equals. They’re strip-ed savages! Stinging’s the only thing they know! It’s their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side.

BARRY Adam, stay with me. ADAM I can’t feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will come forward to suck the poison from my heaving buttocks? The JURY recoils. JUDGE Please, I will have order in this court. Order! Order, please! FADE TO: SEQ. 3400 - “ADAM AT HOSPITAL” INT. HOSPITAL - STREET LEVEL ROOM - DAY PRESS PERSON #1 (V.O) The case of the honey bees versus the human race took a pointed turn against the bees yesterday, when one of their legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. A NURSE lets Barry into the room. Barry CARRIES a FLOWER. BARRY Thank you. Barry stands over Adam, in a bed. Barry lays the flower down next to him. The TV is on. BARRY (CONT'D) Hey buddy. ADAM Hey. BARRY Is there much pain? Adam has a BEE-SIZED PAINKILLER HONEY BUTTON near his head that he presses. ADAM (pressing the button) Yeah...I blew the whole case, didn’t I? "Bee Movie" - JS REVISIONS 8/13/07 89. BARRY Oh, it doesn’t matter. The important thing is you’re alive. You could have died. ADAM I’d be better off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT’D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there’s a little celery still on it. BARRY What was it like to sting someone? ADAM I can’t explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I’m sorry. I flew us right into this. What were we thinking? Look at us, we’re just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don’t know. ADAM I hear they put the roaches in motels. That doesn’t sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90.

BARRY Adam, they check in, but they don’t check out.

Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT’D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don’t smoke. BARRY Right. Bees don’t smoke. Bees don’t smoke! But some bees are smoking. Adam, that’s it! That’s our case. Adam starts putting his clothes on. ADAM It is? It’s not over? BARRY No. Get up. Get dressed. I’ve got to go somewhere. You get back the court and stall. Stall anyway you can. CUT TO: SEQ. 3500 - “SMOKING GUN” INT. COURTROOM - THE NEXT DAY Adam is folding a piece of paper into a boat. ADAM ...and assuming you’ve done step 29 correctly, you’re ready for the tub. "Bee Movie" - JS REVISIONS 8/13/07 91. ANGLE ON: The jury, all with paper boats of their own. JURORS Ooh. ANGLE ON: Montgomery frustrated with Gammil, who’s making a boat also. Monty crumples Gammil’s boat, and throws it at him. JUDGE Mr. Flayman? ADAM Yes? Yes, Your Honor? JUDGE Where is the rest of your team? ADAM (fumbling with his swordstinger) Well, your honor, it’s interesting. You know Bees are trained to fly kind of haphazardly and as a result quite often we don’t make very good time. I actually once heard a pretty funny story about a bee-- MONTGOMERY Your Honor, haven’t these ridiculous bugs taken up enough of this court’s valuable time? Montgomery rolls out from behind his table. He’s suspended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery’s motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can’t. We have a terrific case.

MONTGOMERY Where is your proof? Where is the evidence? Show me the smoking gun. Barry bursts through the door. BARRY Hold it, your honor. You want a smoking gun? Here is your smoking gun. Vanessa ENTERS, holding a bee smoker Vanessa slams the beekeeper's SMOKER onto the judge’s bench.

JUDGE What is that? BARRY It’s a Bee smoker. Montgomery GRABS the smoker. MONTGOMERY What, this? This harmless little contraption? This couldn’t hurt a fly, let alone a bee. He unintentionally points it towards the bee gallery, KNOCKING THEM ALL OUT. The jury GASPS. The press SNAPS pictures of them. BARRY Members of the jury, look at what has happened to bees who have never been asked, "Smoking or Non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? Barry gestures dramatically towards Montgomery's racially mixed table. The BLACK LAWYER slowly moves his chair away. GAMMIL What are we going to do? "Bee Movie" - JS REVISIONS 8/13/07 93. MONTGOMERY (to Pross) He's playing the species card. Barry lands on the scale of justice, by the judge’s bench. It balances as he lands. BARRY Ladies and gentlemen, please, FreeThese-Bees! ANGLE ON: Jury, chanting "Free the bees". JUDGE The court finds in favor of the bees. The chaos continues. Barry flies over to Vanessa, with his hand up for a “high 5”. BARRY Vanessa, we won! VANESSA Yay! I knew you could do it. Highfive! She high 5’s Barry, sending him crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I’m okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won’t have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You’ll regret this. ANGLE ON: Barry’s ‘deer in headlights’ expression, as the press pushes microphones in his face. "Bee Movie" - JS REVISIONS 8/13/07 94. PRESS PERSON 1 Barry, how much honey do you think is out there? BARRY Alright, alright, one at a time... SARAH Barry, who are you wearing? BARRY Uhhh, my sweater is Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery’s right? VANESSA What do you mean? ADAM We’ve been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 - “HONEY ROUNDUP” EXT. HONEY FARMS APIARY - MONTAGE SARAH (V.O) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we’re going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee Movie" - JS REVISIONS 8/13/07 95. I believe we’re all aware of what they do in the woods. We will no longer tolerate derogatory beenegative nick-names, unnecessary inclusion of honey in bogus health products, and la-dee-da tea-time human snack garnishments. MONTAGE IMAGES: Close-up on an ATF JACKET, with the YELLOW LETTERS. Camera pulls back.

We see an ARMY OF BEE AND HUMAN AGENTS wearing hastily made “Alcohol, Tobacco, Firearms, and Honey” jackets. Barry supervises. The gate to Honey Farms is locked permanently. All the smokers are collected and locked up. All the bees leave the Apiary. CUT TO: EXT. ATF OUTSIDE OF SUPERMARKET - MONTAGE Agents begin YANKING honey off the supermarket shelves, and out of shopping baskets. CUT TO: EXT. NEW HIVE CITY - MONTAGE The bees tear down a honey-bear statue. CUT TO: EXT. YELLOWSTONE FOREST - MONTAGE POV of a sniper’s crosshairs. An animated BEAR character looka-like, turns his head towards camera. BARRY Wait for my signal. ANGLE ON: Barry lowering his binoculars. BARRY (CONT'D) Take him out. The sniper SHOOTS the bear. It hits him in the shoulder. The bear looks at it. He gets woozy and the honey jar falls out of his lap, an ATF&H agent catches it. "Bee Movie" - JS REVISIONS 8/13/07 96.

BARRY (V.O) (CONT'D) ATF&H AGENT (to the bear’s pig friend) He’ll have a little nausea for a few hours, then he’ll be fine. CUT TO: EXT. STING’S HOUSE - MONTAGE ATF&H agents SLAP CUFFS on Sting, who is meditating. STING But it’s just a prance-about stage name! CUT TO: INT. A WOMAN’S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H agent pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Barry looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey, gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can’t breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry’s hive. "Bee Movie" - JS REVISIONS 8/13/07 97. BARRY Bring it in, boys. CUT TO: SEQ. 3650 - “NO MORE WORK” INT. HONEX - MONTAGE ANGLE ON: The honey goes past the 3-cup hash-mark, and begins to overflow. A WORKER BEE runs up to Buzzwell. WORKER BEE 1 Mr. Buzzwell, we just passed 3 cups, and there’s gallons mores coming. I think we need to shutdown. KEYCHAIN BEE (to Buzzwell) Shutdown? We’ve never shutdown. ANGLE ON: Buzzwell overlooking the factory floor. BUZZWELL Shutdown honey production! Stop making honey! ANGLE ON: TWO BEES, each with a KEY. BUZZWELL (CONT’D) Turn your key, Sir! They turn the keys simultaneously, War Games-style, shutting down the honey machines. ANGLE ON: the Taffy-Pull machine, Centrifuge, and Krelman all slowly come to a stop. The bees look around, bewildered. WORKER BEE 5 What do we do now? A BEAT. WORKER BEE 6 Cannon ball!! He jumps into a HONEY VAT, doesn’t penetrate the surface. He looks around, and slowly sinks down to his waist. "Bee Movie" - JS REVISIONS 8/13/07 98. EXT. HONEX FACTORY THE WHISTLE BLOWS, and the bees all stream out the exit. CUT TO: INT. J-GATE - CONTINUOUS Lou Loduca gives orders to the pollen jocks. LOU LODUCA We’re shutting down honey production. Mission abort. CUT TO: EXT. CENTRAL PARK

Jackson receives the orders, mid-pollination. JACKSON Aborting pollination and nectar detail. Returning to base. CUT TO: EXT. NEW HIVE CITY ANGLE ON: Bees, putting sun-tan lotion on their noses and antennae, and sunning themselves on the balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning themselves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA’S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes “Sorry. No more flowers.” on a “Closed” sign, an turns it facing out. CUT TO: SEQ. 3700 - “IDLE HIVE” EXT. NEW HIVE CITY - DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam’s office. CUT TO: INT. ADAM’S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam’s office is in disarray. There are papers everywhere. He’s filling up his cardboard hexagon box. BARRY (out of breath) Adam, you wouldn’t believe how much honey was out there. ADAM Oh yeah? BARRY What’s going on around here? Where is everybody? Are they out celebrating? "Bee Movie" - JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they’re just home. They don’t know what to do. BARRY Hmmm. ADAM They’re laying out, they’re sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn’t? It’s the greatest thing in the world. I was excited to be a part of making it.

ANGLE ON: Adam’s desk on it’s side in the hall. ADAM (CONT’D) This was my new desk. This was my new job. I wanted to do it really well. And now...and now I can’t. Adam EXITS. CUT TO: SEQ. 3900 - “WORLD WITHOUT BEES” INT. STAIRWELL Vanessa and Barry are walking up the stairs to the roof. BARRY I don’t understand why they’re not happy. We have so much now. I thought their lives would be better. "Bee Movie" - JS REVISIONS 8/13/07 101. VANESSA Hmmm. BARRY They’re doing nothing. It’s amazing, honey really changes people. VANESSA You don’t have any idea what’s going on, do you? BARRY What did you want to show me?

VANESSA This. They reach the top of the stairs. Vanessa opens the door. CUT TO: EXT. VANESSA’S ROOFTOP - CONTINUOUS Barry sees Vanessa’s flower pots and small garden have all turned brown. BARRY What happened here? VANESSA That is not the half of it... Vanessa turns Barry around with her two fingers, revealing the view of Central Park, which is also all brown. BARRY Oh no. Oh my. They’re all wilting. VANESSA Doesn’t look very good, does it? BARRY No. VANESSA And who’s fault do you think that is? "Bee Movie" - JS REVISIONS 8/13/07 102. BARRY Mmmm...you know, I’m going to guess, bees. VANESSA Bees? BARRY Specifically me. I guess I didn’t think that bees not needing to make honey would affect all these other things. VANESSA And it’s not just flowers. Fruits, vegetables...they all need bees. BARRY Well, that’s our whole SAT test right there. VANESSA So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there’s no more pollination, it could all just go south here, couldn’t it? VANESSA And I know this is also partly my fault. Barry takes a long SIGH. BARRY How about a suicide pact? VANESSA (not sure if he’s joking) How would we do it? BARRY I’ll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice.

BARRY Right, right. VANESSA Listen Barry. Sorry but I’ve got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 - “GOING TO PASADENA” EXT. NY STREET - CONTINUOUS Vanessa gets into a cab. Barry ENTERS. BARRY Vanessa. Why are you leaving? Where are you going? VANESSA To the final Tournament of Roses parade in Pasadena. They moved it up to this weekend because all the flowers are dying. It’s the last chance I’ll ever have to see it. BARRY Vanessa, I just want to say I’m sorry. I never meant it to turn out like this. VANESSA I know. Me neither. Vanessa cab drives away. "Bee Movie" - JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can’t do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window.

Barry follows shortly after Vanessa’s cab. He catches up to it, and he pounds on the window. INT. TAXI - CONTINUOUS Barry motions for her to roll the window down. She does so. BARRY Roses?! VANESSA Barry? BARRY (as he flies next to the cab) Roses are flowers. VANESSA Yes, they are. BARRY Flowers, bees, pollen! VANESSA I know. That’s why this is the last parade. BARRY Maybe not. The cab starts pulling ahead of Barry. BARRY (CONT'D) (re: driver) Could you ask him to slow down?

VANESSA Could you slow down? The cabs slows. Barry flies in the window, and lands in the change box, which closes on him. "Bee Movie" - JS REVISIONS 8/13/07 105. VANESSA (CONT'D) Barry! Vanessa lets him out. Barry stands on the change box, in front of the driver’s license. BARRY Okay, I made a huge mistake! This is a total disaster, and it’s all my fault! VANESSA Yes, it kind of is. BARRY I’ve ruined the planet. And, I wanted to help with your flower shop. Instead, I’ve made it worse. VANESSA Actually, it’s completely closed down. BARRY Oh, I thought maybe you were remodeling. Nonetheless, I have another idea. And it’s greater than all my previous great ideas combined.

VANESSA I don’t want to hear it. Vanessa closes the change box on Barry. BARRY (opening it again) Alright, here’s what I’m thinking. They have the roses, the roses have the pollen. I know every bee, plant, and flower bud in this park. All we’ve got to do is get what they’ve got back here with what we’ve got. VANESSA Bees... BARRY Park... VANESSA Pollen... "Bee Movie" - JS REVISIONS 8/13/07 106. BARRY Flowers... VANESSA Repollination! BARRY (on luggage handle, going up) Across the nation! CUT TO: SEQ. 3950 - “ROSE PARADE” EXT. PASADENA PARADE BARRY (V.O) Alright. Tournament of Roses. Pasadena, California. They’ve got nothing but flowers, floats, and cotton candy. Security will be tight. VANESSA I have an idea. CUT TO: EXT. FLOAT STAGING AREA ANGLE ON: Barry and Vanessa approaching a HEAVILY ARMED GUARD in front of the staging area. VANESSA Vanessa Bloome, FTD. Official floral business. He leans in to look at her badge. She SNAPS IT SHUT, VANESSA (CONT’D) Oh, it’s real. HEAVILY ARMED GUARD Sorry ma’am. That’s a nice brooch, by the way. VANESSA Thank you. It was a gift. "Bee Movie" - JS REVISIONS 8/13/07 107. They ENTER the staging area. BARRY (V.O) Then, once we’re inside, we just pick the right float. VANESSA How about the Princess and the Pea? BARRY Yeah. VANESSA I can be the princess, and-- BARRY ...yes, I think-- VANESSA You could be-- BARRY I’ve-- VANESSA The pea. BARRY Got it. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER Barry, dressed as a PEA, flies up and hovers in front of the princess on the “Princess and the Pea” float. The float is sponsored by Inflat-a-bed and a SIGN READS: “Inflat-a-bed: If it blows, it’s ours.” BARRY Sorry I’m late. Where should I sit? PRINCESS What are you? BARRY I believe I’m the pea. PRINCESS The pea? It’s supposed to be under the mattresses. "Bee Movie" - JS REVISIONS 8/13/07 108. BARRY Not in this fairy tale, sweetheart. PRINCESS I’m going to go talk to the marshall.

BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT’D) Let’s see what this baby will do. ANGLE ON: Guy with headset talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER ANGLE ON: Vanessa putting the princess hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa’s float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry speed, dodging and weaving, down the freeway. BARRY (V.O) And once we’re at the airport, there’s no stopping us.

CUT TO: EXT. LAX AIRPORT Barry and Vanessa pull up to the curb, in front of an TSA AGENT WITH CLIPBOARD. TSA AGENT Stop. Security. Did you and your insect pack your own float? VANESSA (O.C) Yes. TSA AGENT Has this float been in your possession the entire time? VANESSA (O.C) Since the parade...yes. ANGLE ON: Barry holding his shoes. TSA AGENT Would you remove your shoes and everything in your pockets? Can you remove your stinger, Sir? BARRY That’s part of me. TSA AGENT I know. Just having some fun. Enjoy your flight. CUT TO: EXT. RUNWAY Barry and Vanessa’s airplane TAKES OFF. "Bee Movie" - JS REVISIONS 8/13/07 110. BARRY (O.C) Then, if we’re lucky, we’ll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 - “COCKPIT FIGHT” INT. AIRPLANE Vanessa is on the aisle. Barry is on a laptop calculating flowers, pollen, number of bees, airspeed, etc. He does a “Stomp” dance on the keyboard. BARRY Can you believe how lucky we are? We have just enough pollen to do the job. I think this is going to work, Vanessa. VANESSA It’s got to work. PILOT (V.O) Attention passengers. This is Captain Scott. I’m afraid we have a bit of bad weather in the New York area. And looks like we’re going to be experiencing a couple of hours delay. VANESSA Barry, these are cut flowers with no water. They’ll never make it. BARRY I’ve got to get up there and talk to these guys. VANESSA Be careful. Barry flies up to the cockpit door. CUT TO: INT. COCKPIT - CONTINUOUS A female flight attendant, ANGELA, is in the cockpit with the pilots. "Bee Movie" - JS REVISIONS 8/13/07 111. There’s a KNOCK at the door. BARRY (C.O) Hey, can I get some help with this Sky Mall Magazine? I’d like to order the talking inflatable travel pool filter. ANGELA (to the pilots, irritated) Excuse me. CUT TO: EXT. CABIN - CONTINUOUS Angela opens the cockpit door and looks around. She doesn’t see anybody. ANGLE ON: Barry hidden on the yellow and black “caution” stripe. As Angela looks around, Barry zips into the cockpit.

CUT TO: INT. COCKPIT BARRY Excuse me, Captain. I am in a real situation here... PILOT (pulling an earphone back, to the co-pilot) What did you say, Hal? CO-PILOT I didn’t say anything. PILOT (he sees Barry) Ahhh! Bee! BARRY No, no! Don’t freak out! There’s a chance my entire species-- CO-PILOT (taking off his earphones) Ahhh! "Bee Movie" - JS REVISIONS 8/13/07 112. The pilot grabs a “DUSTBUSTER” vacuum cleaner. He aims it around trying to vacuum up Barry. The co-pilot faces camera, as the pilot tries to suck Barry up. Barry is on the other side of the co-pilot. As they dosey-do, the toupee of the co-pilot begins to come up, still attached to the front. CO-PILOT (CONT'D) What are you doing? Stop! The toupee comes off the co-pilot’s head, and sticks in the Dustbuster. Barry runs across the bald head. BARRY Wait a minute! I’m an attorney! CO-PILOT Who’s an attorney? PILOT Don’t move. The pilot uses the Dustbuster to try and mash Barry, who is hovering in front of the co-pilot’s nose, and knocks out the co-pilot who falls out of his chair, hitting the life raft release button. The life raft inflates, hitting the pilot, knocking him into a wall and out cold. Barry surveys the situation. BARRY Oh, Barry. CUT TO: INT. AIRPLANE CABIN Vanessa studies her laptop, looking serious. SFX: PA CRACKLE. BARRY (V.O) (in captain voice) Good afternoon passengers, this is your captain speaking. Would a Miss Vanessa Bloome in 24F please report to the cockpit. And please hurry! "Bee Movie" - JS REVISIONS 8/13/07 113. ANGLE ON: The aisle, and Vanessa head popping up. CUT TO: INT. COCKPIT Vanessa ENTERS. VANESSA What happened here? BARRY I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded...Now one’s bald, one’s in a boat, and they’re both unconscious. VANESSA Is that another bee joke? BARRY No. No one’s flying the plane. The AIR TRAFFIC CONTROLLER, BUD, speaks over the radio. BUD This is JFK control tower. Flight 356, what’s your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I’m a florist from New York. BUD Where’s the pilot? VANESSA He’s unconscious and so is the copilot. BUD Not good. Is there anyone onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who’s that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It’s got giant wings, huge engines. VANESSA I can’t fly a plane. BARRY Why not? Isn’t John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we’re headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150 - “BARRY FLIES PLANE” INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bumble. We have some late-breaking news from JFK airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That’s Barry. BOB BUMBLE ...is now attempting to land a plane, loaded with people, flowers, and an incapacitated flight crew. EVERYONE Flowers?!

CUT TO: INT. AIR TRAFFIC CONTROL TOWER BUD Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. JEANETTE CHUNG Just a minute, Mr. Ditchwater, there’s a honey bee on that plane. BUD Oh, I’m quite familiar with Mr. Benson’s work, and his no-account compadres. Haven’t they done enough damage already? JEANETTE CHUNG But isn’t he your only hope right now? BUD Come on, technically a bee shouldn’t be able to fly at all. CUT TO: INT. COCKPIT. Barry REACTS BUD The wings are too small, their bodies are too big-- "Bee Movie" - JS REVISIONS 8/13/07 116. BARRY (over PA) Hey, hold on a second. Haven’t we heard this million times? The surface area of the wings, and the body mass doesn’t make sense? JEANETTE CHUNG Get this on the air. CAMERAMAN You got it! CUT TO: INT. BEE TV CONTROL ROOM An engineer throws a switch. BEE ENGINEER Stand by. We’re going live. The “ON AIR” sign illuminates. CUT TO: INT. VARIOUS SHOTS OF NEW HIVE CITY The news report plays on TV. The pollen jocks are sitting around, playing paddle-ball, Wheel-o, and one of them is spinning his helmet on his finger. Buzzwell is in an office cubicle, playing computer solitaire. Barry’s family and Adam watch from their living room. Bees sitting on the street curb turn around to watch the TV. BARRY Mr. Ditchwater, the way we work may be a mystery to you, because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it really well, it makes a big difference. More than we realized. To us, to everyone. That’s why I want to get bees back to doing what we do best. "Bee Movie" - JS REVISIONS 8/13/07 117. Working together. That’s the bee way. We’re not made of Jello. We get behind a fellow. Black and yellow.

CROWD OF BEES Hello! CUT TO: INT. COCKPIT Barry is giving orders to Vanessa. BARRY Left, right, down, hover. VANESSA Hover? BARRY Forget hover. VANESSA You know what? This isn’t so hard. Vanessa pretends to HONK THE HORN. VANESSA (CONT’D) Beep, beep! Beep, beep! A BOLT OF LIGHTNING HITS the plane. The plane takes a sharp dip. VANESSA (CONT’D) Barry, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we’re not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRPLANE The airplane goes into a steep dive. CUT TO: SEQ. 4175 - “CRASH LANDING” INT. J-GATE An ALERT SIGN READING: “Hive Alert. We Need:” Then the SIGNAL goes from “Two Bees” “Some Bees” “Every Bee There Is” Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let’s get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. AIRPLANE COCKPIT BARRY Our only chance is if I do what I would do, and you copy me with the wings of the plane! VANESSA You don’t have to yell. BARRY I’m not yelling. We happen to be in a lot of trouble here. VANESSA It’s very hard to concentrate with that panicky tone in your voice. BARRY It’s not a tone. I’m panicking!

CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 119. EXT. JFK AIRPORT ANGLE ON: The bees arriving and massing at the airport. CUT TO: INT. COCKPIT Barry and Vanessa alternately SLAP EACH OTHER IN THE FACE. VANESSA I don’t think I can do this. BARRY Vanessa, pull yourself together. Listen to me, you have got to snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! CUT TO: EXT. AIRPLANE A GIGANTIC SWARM OF BEES flies in to hold the plane up. CUT TO: INT. COCKPIT - CONTINUOUS BARRY You snap out of it! VANESSA You snap out of it! "Bee Movie" - JS REVISIONS 8/13/07 120. BARRY You snap-- VANESSA Hold it! BARRY (about to slap her again) Why? Come on, it’s my turn. VANESSA How is the plane flying? Barry’s antennae ring. BARRY I don’t know. (answering) Hello? CUT TO: EXT. AIRPLANE ANGLE ON: The underside of the plane. The pollen jocks have massed all around the underbelly of the plane, and are holding it up. LOU LODUCA Hey Benson, have you got any flowers for a happy occasion in there? CUT TO: INT. COCKPIT Lou, Buzz, Splitz, and Jackson come up alongside the cockpit. BARRY The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow.

LOU LODUCA (over headset) Hello. "Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the blacktop? VANESSA What blacktop? Where? I can’t see anything. Can you? BARRY No, nothing. It’s all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you’ve got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhead shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I’m feeling something. VANESSA What? BARRY I don’t know, but it’s strong. And it’s pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" - JS REVISIONS 8/13/07 122. LOU LODUCA (CONT'D) EXT. RUNWAY All the bees are on the runway chanting “Thinking Bee”.

CUT TO: INT. CONTROL TOWER RICK What in the world is on the tarmac? ANGLE ON: Dave OTS onto runway seeing a flower being formed by millions of bees. BUD Get some lights on that! CUT TO: EXT. RUNWAY ANGLE ON: AIRCRAFT LANDING LIGHT SCAFFOLD by the side of the runway, illuminating the bees in their flower formation. INT. COCKPIT BARRY Vanessa, aim for the flower! VANESSA Oh, okay? BARRY Cut the engines! VANESSA Cut the engines? BARRY We’re going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123.

INT. AIRPLANE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LOU LODUCA Spin it around! The plane attempts to land on top of an “Aloha Airlines” plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I’m aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That’s a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready boys? Nose down. Bring your tail up. Rotate around it.

VANESSA Oh, this is insane, Barry. BARRY This is the only way I know how to fly. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 124. AIR TRAFFIC CONTROL TOWER BUD Am I koo-koo kachoo, or is this plane flying in an insect-like pattern? CUT TO: EXT. RUNWAY BARRY (V.O) Get your nose in there. Don’t be afraid of it. Smell it. Full reverse! Easy, just drop it. Be a part of it. Aim for the center! Now drop it in. Drop it in, woman! The plane HOVERS and MANEUVERS, landing in the center of the giant flower, like a bee. The FLOWERS from the cargo hold spill out onto the runway. INT. AIPLANE CABIN The passengers are motionless for a beat. PASSENGER Come on already! They hear the “ding ding”, and all jump up to grab their luggage out of the overheads. SEQ. 4225 - “RUNWAY SPEECH” EXT. RUNWAY - CONTINUOUS The INFLATABLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Barry, it worked. Did you see the giant flower? BARRY What giant flower? Where? Of course I saw the flower! That was genius, man. Genius!

ADAM Thank you. BARRY But we’re not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT’D) Listen everyone. This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We’re the only ones who make honey, pollinate flowers, and dress like this. If we’re going to survive as a species, this is our moment. So what do you all say? Are we going to be bees, or just Museum of Natural History key chains? BEES We’re bees! KEYCHAIN BEE Keychain! BARRY Then follow me... Except Keychain. BUZZ Hold on Barry. You’ve earned this. Buzz puts a pollen jock jacket and helmet with Barry’s name on it on Barry. "Bee Movie" - JS REVISIONS 8/13/07 126. BARRY I’m a pollen jock! (looking at the jacket. The sleeves are a little long) And it’s a perfect fit. All I’ve got to do are the sleeves.

The Pollen Jocks toss Barry a gun. BARRY (CONT’D) Oh yeah! ANGLE ON: Martin and Janet Benson. JANET BENSON That’s our Barry. All the bees descend upon the flowers on the tarmac, and start collecting pollen. CUT TO: SEQ. 4250 - “RE-POLLINATION” EXT. SKIES - CONTINUOUS The squadron FLIES over the city, REPOLLINATING trees and flowers as they go. Barry breaks off from the group, towards Vanessa’s flower shop. CUT TO: EXT. VANESSA’S FLOWER SHOP - CONTINUOUS Barry REPOLLINATES Vanessa’s flowers. CUT TO: EXT. CENTRAL PARK - CONTINUOUS ANGLE ON: Timmy with a frisbee, as the bees fly by. TIMMY Mom, the bees are back! "Bee Movie" - JS REVISIONS 8/13/07 127. Central Park is completely repollinated by the bees. DISSOLVE TO: INT. HONEX - CONTINUOUS Honex is back to normal and everyone is busily working. ANGLE ON: Adam, putting his Krelman hat on. ADAM If anyone needs to make a call, now’s the time. I’ve got a feeling we’ll be working late tonight! The bees CHEER. CUT TO: SEQ. 4355 EXT: VANESSA’S FLOWER SHOP With a new sign out front. “Vanessa & Barry: Flowers, Honey, Legal Advice” DISSOLVE TO: INT: FLOWER COUNTER Vanessa doing a brisk trade with many customers. CUT TO: INT: FLOWER SHOP - CONTINUOUS Vanessa is selling flowers. In the background, there are SHELVES STOCKED WITH HONEY. VANESSA (O.C.) Don’t forget these. Have a great afternoon. Yes, can I help who’s next? Who’s next? Would you like some honey with that? It is beeapproved. SIGN ON THE BACK ROOM DOOR READS: “Barry Benson: Insects at Law”. "Bee Movie" - JS REVISIONS 8/13/07 128. Camera moves into the back room. ANGLE ON: Barry. ANGLE ON: Barry’s COW CLIENT. COW Milk, cream, cheese...it’s all me. And I don’t see a nickel. BARRY Uh huh? Uh huh? COW (breaking down) Sometimes I just feel like a piece of meat. BARRY I had no idea. VANESSA Barry? I’m sorry, have you got a moment? BARRY Would you excuse me? My mosquito associate here will be able to help you. Mooseblood ENTERS. MOOSEBLOOD Sorry I’m late. COW He’s a lawyer too? MOOSEBLOOD Ma’am, I was already a bloodsucking parasite. All I needed was * a briefcase. * ANGLE ON: Flower Counter. VANESSA (to customer) Have a great afternoon! (to Barry) Barry, I just got this huge tulip order for a wedding, and I can’t get them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You’re a life-saver, Barry. (to the next customer) Can I help who’s next? Who’s next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it’s time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It’s that bee again! ANDY (guiding Ken protectively) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don’t break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. "Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" - JS REVISIONS 8/13/07 131

#I warned you fuckers #now suffer dire consequences #I’m queuing this shit too #fuck y’all

[girlmeetsliv3]

Sandman II

Hyung Line X Reader

Genre: Mystery, Psychological Thriller, Horror

Rated: M

Word Count: 4.2K

Release Date: February 26, 2021 @ 5 p.m. (GMT-5)

“Three years ago, the town was rocked by the disappearance of YN YLN. A bright young girl who had dreams of attending university and becoming a nurse. YN was a kind, shy, studious girl who kept to herself and never caused any troubles associated with teens her age. So imagine her loved ones surprised when she disappears one night from bed - never to be seen again. The strangest part was that all her belongings had been taken, all the photos with her disappeared, and all her social medias deleted. But perhaps most peculiar was the wet sand found at the foot of her bed.”

Warning: Brief mention of death and suicide.

             The first words out of Kim Seokjin's mouth when they reached the car, after having been escorted through the back entrance to avoid the press, were "I'm sorry." YN hadn't even known how to react before Seokjin launched into a full-blown ramble, "I'm so sorry about that YN. I just - I have been so worried. We've all been, and we thought you - but now you're here. They didn't even tell us even though we're listed and to just think about how alone you've been. How confused you must feel -"

           YN placed her hands on top of his which rested on the shift gear, “It’s okay Jin. I understand.” She smiled at him tenderly before her sister’s words flashed through her mind, ‘Isn’t Seokjin the best?! He’s the only man you can truly rely on.’ Instantly YN took her hands off him, folding them on her lap. Now was not the time to dwell on those things. If Seokjin noticed the sudden shift in the air he didn’t comment on it, simply stating: “You’ve always been so understanding.” Before focusing on the road and turning the engine on, driving away. As they exited the parking lot, YN saw all the vans from the news outlets parked outside. Some she recognized, others she didn’t, but what she did notice was a large sign being held up by one of the reporters. It read: Sandman victim finally returns.

           It was as much a shock to me as it was to everyone when Seokjin and I started dating. He wasn’t my type. I can’t say for sure what it was that drew us together - maybe loneliness - or maybe I just liked the way people stared in shock at the fact that someone like him was with someone like me. That didn’t matter though, Seokjin and the others were always there. They were whatever I needed them to be. They would do anything to make me happy, but I wasn’t the only one they treated as special.

           When the car approached the front gate of Nagwon villas YN frowned, “Weren’t we going to the hospital?” The thought of being poked and prodded like a rag doll wasn’t a pleasing one, but she knew disappearing for three years and not remembering anything didn’t bode well. The only thing that could give a hint at what she’d endured, and why she’d forgotten, was her body. Seokjin shrugged, “I know you aren’t a big fan of doctors, so I asked Namjoon for a favor.” Namjoon? She wasn't sure she was ready to see Namjoon or any of them for that matter. She hadn't even thought about seeing Jin until he showed up. ‘He’s like something out of a fairy tale, isn’t he? A knight in shining armor.’ YN shook her head, don't think about her or you'll start crying like a child again. Everyone in her family had always called her a crybaby, teased her for not being able to hold her emotions in. Right now, though, she felt less like a newborn and more like an overflowed dam. About to break at any second.

           “Are the others going to be there?” Is he going to be there?

           “No, Hoseok is out of town. He should be coming back tomorrow though; I wasn’t sure if you wanted him to know you were back but it's all over the news.”

That wasn't who she was talking about and they both knew it. Still, if Seokjin was being ignorant then it was for a reason; so she went along with it. "Shouldn't it be Namjoon's dad?"

Seokjin glanced at her from the corner of his eye, “Namjoons a doctor now, babe. It’ll be him you’re seeing.” Perhaps still sensing her hesitance he continued, “Don’t worry his family has a private practice in their house for situations like this.”

“You’re all still friends?” She asked, looking outside the window at the passing houses. They passed several houses she recognized, having been inside a couple of them. Nagwon kids always threw the best parties; likely due to their houses being huge and the large amounts they could spend on booze. Her sister would always drag YN to one when she was stuck babysitting, at first she’d just sit around on her phone. Things became easier when they started hanging out with the guys though: there was always Hoseok to crack jokes, Namjoon to talk random things about, and Seokjin to offer whatever it was she needed. Yoongi was always there too, but they wouldn’t talk much just sit in silence.

“Of course, why wouldn’t we be? The best of friends.” There was no sarcasm or humor in his voice, he meant it. Maybe he truly didn’t care? Or three years was a long time to hold onto a grudge especially when the two at-fault for their problems disappeared from their lives. That’s probably why. With YN and her sister out of the way, things had gone back to normal for the men. Nonetheless, it felt like nothing between Seokjin and YN had changed, but that couldn't be true. It's been three years. That statement was difficult for her to wrap her head around, but it didn’t make it any less true. It had been three years and yet Seokjin acted like they hadn’t spent a single day apart. Her mind filled with questions and doubts, so much so she couldn’t help but ask.

“Did we hang out the night I disappeared?”

Seokjin took his hands off the wheel, she hadn’t even noticed the car had stopped, the look he gave her was a mixture of incredulity and hurt. “No, we didn’t. You told me you didn’t want to see me again.” His voice was tense, ears getting red the way they did whenever he was upset. “Don’t you remember?”

I did tell him that. She hadn't meant it of course, but YN tended to lash out when she felt cornered. Thinking back now, she remembered her cruel words how she had blamed Seokjin for something that was both their fault. The pain on his face and the desperation in his tone as he begged for her to forgive him, only for YN to kick him out and shut the door.

"I forgot. I'm sorry, Jin." She pressed her fingers into her palm, hoping the pain would take things off her mind.

“Hey.” Jin’s fingers gently gripped the bottom of her chin, “It’s okay. I forgive you, let’s just not talk about it again okay?” He pressed a quick kiss to the side of her head.

YN breathed deeply before unlocking the door and getting out. The Kim's large beige mansion stared down at her - it was the first time she’d been there, and the nerves were eating her up. Namjoon will probably have a lot of questions too. She had barely managed to get through one of Officer Taehyung’s questions before having a panic attack, YN had no idea how she would brave against Namjoon. With nerves clouding her senses she failed to notice the black motorcycle parked on the curve, slightly obscured by the shrubs. Had she YN would have avoided walking into a trap.

"Heard you got your ass whooped by Min." Jungkook laughed, as he sat on the edge of Taehyung's desk. "Did he take you over his knee and make you count to ten?" At that, a couple of others nearby chuckled. Taehyung rolled his eyes, "If he hears you, he'll take you over his knee." Jungkook shoved him softly, though 'softly' in this case meant Taehyung almost fell off his chair. Deciding to ignore him this time, he focused once again on the small font on his computer. Several minutes passed before Jungkook spoke again, "Is this about YN? If you're looking through the case files you won't find anything useful. Trust me, everyone in this room has gone through it multiple times."

There was a reason there was press lined up outside, nothing sold quite like a morbid story. ‘Girl disappears from her bed in the middle of the night with no trace behind’ had a nice hook to it. Taehyung had already been in the academy when it happened, but he was still shocked - especially once he found out it had happened in his hometown. Nothing ever happened in this town, they called it paradise for a reason. Yet someone had broken into the YLN family home and stolen a girl straight from her bed, nothing left behind but a bit of wet sand.

“It doesn’t hurt to look again, plus now we might get somewhere that she’s back. Find out who did it.” Taehyung scrolled down and started looking at all the pictures, he’d have to swing by the evidence locker later to see what they still had left physically.

“I’m just surprised the sister didn’t do it, given everything -”

Taehyung spun around quickly in his chair, “Don’t say that. Minsuh loved that kid, she’d never do anything to hurt her.”

“Yeah well that’s not what I heard,” Jungkook said matter-of-factly. “I know it isn’t good to speak ill of the dead, but Minsuh wasn’t as dignified as her name suggested.”

Taehyung turned away from the young cop, “Look you’re wasting my time and I have to focus on this case. YN’s going to come back tomorrow and we need to build a timeline, can’t do that without all the facts so just go away.”

Jungkook sighed, “Sorry man. I know the two of you were close,” Jungkook had seen how uncomfortable Taehyung had gotten when YN brought up him dating her sister. “But you know I’m not the only one that thinks so. Regardless, everyone knows it's not true now so there’s that.”

It doesn’t matter, Taehyung wanted to say, she died with everyone in this town thinking she was a murderer. Nothing will ever change that. Instead, he remained quiet, eyes focused on the computer screen. Gaze focused intensely on the pictures of YN’s bedroom as if they would wield together a logical story that would explain where she’d been this whole time.

Everyone in school had a crush on Namjoon. Smart Namjoon. Sweet Namjoon. Dimpled cheeks Namjoon. Girls and guys would swoon over him, talking about how they would love to feel his chest or sit on his thighs. They were all fools. Ah, yes, Kim Namjoon may look harmless but it's always the quiet ones you have to look out for.

It truly was a private practice, equipped with all sorts of equipment one might find in a typical emergency room. YN wondered why they would ever need something like that. Maybe high clientele? Though the closest things to celebrities that lived in this town were both Seokjin and Namjoon's families, then Jung's, and the Min's. Namjoon wasn't there when they first arrived but appeared quickly enough, the gentle smile on his face reminded YN of simpler times. "How are you?" It dawned on her then that was the first time she'd been asked the question. She'd been plagued by 'where were you?' 'how are you alive?' and 'I'm sorrys' since she'd woken up. No one ever thought to ask how she was.

“I’ve been better.” YN answered softly, afraid that if she spoke anymore, she would break down again. The men in the room seemed to read between the lines without her elaborating further. Seokjin squeezed her hand, “Well, I’ll give you two some privacy. I’ll be right outside if anything happens, okay?” Before YN could respond Jin once again kissed her forehead before walking away. Leaving her alone in the stark white room with Namjoon, who leaned against a medical bed. His left hand patting the space beside him, “Let’s talk YN.” She grimaced slightly. “You’re in a safe space YN. You know me I would never do anything to hurt you and Seokjin is right outside if you need him. We’re your family.”

Family. They had been a sort of family, the five of them: always hanging out, sharing stories, meals, and memories. It didn't matter that she was much younger or that the only reason she was tolerated was that Minsuh was dating Seokjin. They had always been kind, always been loving, always been there. Even when her actual family wasn't. They’re all I’ve got… at least until dad comes. Once she sat down the doctor offered a genuine smile, it reminded her of all the times the two would stay up late studying at the library. A warmth that eased away from the chill she'd had all day lead to the first genuine smile on her face, “Thanks Namjoon.”

“I told you to call me Joon remember?” His broad shoulder playfully brushed YN’s, before he began conducting his examinations.

      “You know being clandestine isn’t your strong suit.” Kim Seokjin leaned against the black LeoVince Racer waiting for his friend to exit from the back of Namjoon's private practice. Min Yoongi looked like he hadn't slept for days and had the corners of his lips turned upward in a way that was half-way between a snarl and a smirk. "I'd beg to differ." Yoongi responded, approaching the man as he adjusted white medical papers into his jacket's hidden pockets.

Seokjin eyed them carefully, “If you’re caught with those you could face serious trouble.”

Yoongi laughed, “Who’s going to catch me? The sheriff?”

           Seokjin rolled his eyes, empty threats and warnings weren’t going to change anything. “What do the papers say?” He tried to grab them, but Yoongi blocked his hand easily. Maneuvering Seokjin off his bike so he could get on it.

           "Ask the doc or her. She doesn't keep secrets from you." Yoongi's eyes were cold and his voice lacked the playfulness present before. Seokjin knew better than to press his buttons any further, "Go before she sees you." Not that it mattered much, YN would be face to face with all of them soon - a reunion was inevitable. Nonetheless, Yoongi was a sore spot for her; the more Seokjin could delay their meeting the more things could go according to plan.

        “So you’re officially a doctor?” YN asked as Namjoon finished up drawing the last of her blood. They'd done all types of x-rays, physical, and psychological examinations to check her well-being. No words had been shared between the two, but the silence was beginning to bother her.

“Well, yes and no. Still must finish my residency, but I have most of the hours done.” Namjoon replied nonchalantly.

Whenever the subject had come up before Namjoon had dreaded having to take over the family business, feeling it was a role he was being pushed into. Guess things have changed. “I thought you didn’t want to be a doctor.”

He shrugged in response, “I guess I finally understood why my dad loved it so much. Medicine, biology, psychology, chemistry are all things that are useful.”

“You became a doctor became because it was useful? That doesn’t make much sense.” YN chuckled as Namjoon placed a bandage on the inside of her arm. He chose not to reply immediately, instead, holding up a lollipop that was inside his pocket. She took it with little thought. “Little makes sense in life. Human beings are just inherent paradoxes.” Minsuh always said that. It was one of the things the two sisters never agreed on. Minsuh always argued that people could still technically be considered ‘good’ no matter what they did. YN disagreed. Can’t do bad things and still be a good person. Namjoon clapped his hands together, signaling they were done and proceeded to help YN off the bed.

“Thanks, Joon.” She shot him a smile which she hoped looked more sincere than it felt. Though tensions didn’t run as high with Namjoon as they did with the others, it didn’t mean it was smooth sailing. Namjoon, like always, understood exactly what she meant and didn’t push. “Of course, YN. Anything for you.” With the promise her results would be ready in a couple of days, he sent her back on her way.

When she exited Seokjin was waiting outside with a furrow on his brow. Now what? YN didn’t know where else to go from here, what else to do, it felt like she’d hit a roadblock. I could go back home. Was that place even home anymore? Without her family, furniture, memories – could she return, or would it be too painful? Was she even allowed to return? It had looked abandoned when she’d been inside, so certainly YN wasn’t trespassing.

“It’s okay YN. You can stay at mine until we figure something out. I wouldn’t want you out of my sight anyway, it’s dangerous.”

It didn’t sit right with her to rely on Seokjin so much – or be under the same roof as him – but she would be lying if she said it didn’t ease her anxiety. “You’ve already done so much. I couldn’t ask that of you.” Her hands were shaking as she said the words, but even if she wanted to say yes immediately. YN couldn’t be selfish.

“No, I haven’t. Trust me.”

Before YN could ask what he meant Seokjin took hold of her wrist gently pulling her to the car.

Jung Hoseok. Lovely Hoseok. Funny Hoseok. Sweet Hoseok. The boy whose smile lights up the sky and everyone just gravitates towards him. No one could ever dislike him. Mr. Popular always putting others before himself. Dear sweet Hobi is an angel sent from heaven, but he isn’t as innocent as he seems. People tend to forget Lucifer was god’s favorite before he fell from the sky.

“Honestly was it really necessary to put on this whole show?” Hoseok wiggled his wrists causing the handcuffs to jingle against the table. Taehyung’s face remained stoic as he proceeded to read from the file. “A bit strange isn’t that YLN YN returns when you just so happen to out of town, Mr. Jung.” His eyebrow arched highly, Hoseok would’ve laughed if not for the situation he was in. “No it isn’t. I take a family trip around this time every single year detective. I told this to the sheriff three years ago and I’ll repeat this now.” He leaned forward the mirth gone from his mouth, “I had nothing to do with what happened to YN. I wouldn’t hurt her or anyone else for that matter.” Hoseok sighed, leaning back on the uncomfortable chair. “Look officer, I know its procedure and the prime suspect is always the boyfriend, but it wasn’t me.”

Even if Taehyung doubted that with every fiber of his being, he had nothing else to go off on. Jung Hoseok’s alibis were airtight, had always been, not to mention it would be extremely out of character for him to harm a bug – much less orchestrate something to this degree. It had been reckless to ask for him to be picked up from the city, but today had been a long day and there were just too many coincidences for the investigator to ignore. “Very well Mr. Jung. You’re free to go but I suggest you don’t leave town on another family vacation any time soon.” He reached towards his belt, taking out the keys and uncuffing Hoseok. Taehyung was on a tight schedule anyway; it would only be a matter of time before the sheriff returned from his lunch break. Seeing his son’s best friend in handcuffs would only cause Taehyung to be even more reprimanded.

With the cuffs off him, Hoseok stood up, stretching his lithe limbs. "You used to call me Hyung remember? Back when you were desperate for Minsuh and you to be a thing." Taehyung recalled having felt the need to please her friends to get her to look twice at him. Where’s this coming from? Hoseok looked down at him with cold eyes, "You know we never blamed you for how you reacted to things ending Tae. Heartbreak can make a man go crazy after all." The tension in the room was palpable when suddenly a smile broke out on Hoseok's face. "Sorry, it was silly of me to bring that up. We were all kids after all." With that he walked away from the desk and opened the door, turning around just enough to wink at Taehyung before the door closed completely.

Hoseok felt his phone vibrate inside his pants and rolled his eyes, without even looking he knew who it was. Taking the phone out, he swiped right and immediately spoke. “Yah, you won’t believe what just fucking happened. Where are you anyway?”

“Sorry it isn’t much.” Seokjin apologized as he handed YN the pile of clothes. “Tomorrow we’ll go shopping for essentials.” YN shook her head, “Thanks, I don’t need much. My dad shouldn’t take too long in coming to get me anyway.” She placed the clothes on the banister in the bathroom, content to finally be able to shower and become clean. It had been a long day, some soap and water might not wash the pain away, but she could pretend it would. There was another thing weighing on her mind, a thought that would simply not go away. For as kind as Seokjin had always been with her, even he had his limits. This behavior felt a bit out of character with the person she knew – the one she remembered.

“Why are you doing all this Jin?”

The man in question froze as if stunned, "What do you mean?" His dark brows furrowed, his lips turning down into a grimace.

“Going to see me, Namjoon, letting me stay over. All of this,” she gestured to the bathroom which had been prepared with candles, bath bombs, and calming music. It’s out of character for you. Kim Seokjin had never really been the romantic type, caring yes, but not sentimental. “Is it out of guilt?” Is it out of pity? YN may not remember what happened the night she disappeared, but that summer would forever remain ingrained in her head. "Do you blame yourself for what happened?" Or are you doing this because you feel responsible? Which one was it? Maybe all of them combined?

Seokjin ran a hand through his hair, “Yes.” Without elaborating anymore, he walked out of the bathroom shutting the door behind him.

             When YN walked out of the bathroom she felt much better. All of the day’s events had worn her thin and she was ready to head straight to bed, but not without seeking Seokjin out and confronting him. Yes? Yes, to what exactly? Everything? She hadn’t been able to find the house slippers she’d borrowed, so she traveled through the house and down the stairs barefoot. Barely making any sound. She could hear loud audio coming from the living room and voices on the other side where the library was. Though she could recognize Seokjin as one of the voices, her feet dragged her to the living room, nonetheless. Deeming it better to wait until he was done than interrupting what sounded like an important conversation.

           The couch had been changed into a leather sectional angled towards the screen as had more of the décor. It looked less like a family home and more like a bachelor pad now if YN was honest. Seokjin the bachelor. He had always had someone attached to his side whether it be a dancer, cheerleader, private school girl, and eventually her sister. What about you? YN shook her head, wanting the thought to disappear as quickly as it had appeared. The television distracted her once she picked up on what was being said. It was a newsreel showing a bleached blonde with shiny hair and pouty lips holding a microphone. Behind him was YN’s home, or what used to be, in the dead of the night it looked eerie. After basic introductions the news anchor began speaking:

           “Three years ago, the town was rocked by the disappearance of YN YLN. A bright young girl who had dreams of attending university and becoming a nurse. YN was a kind, shy, studious girl who kept to herself and never caused any troubles associated with teens her age. Imagine her loved ones surprised when she disappears one night from bed - never to be seen again. The strangest part was that all her belongings had been taken, all the photos with her present disappeared, and all her social medias were deleted. Perhaps most peculiar was the only substantial evidence found by investigators was wet sand found at the foot of her bed.”

           “Try as they investigators could find nothing that could tell them what had happened to YN. Then a year later tragedy struck once more when on the anniversary of YN’s disappearance, YLN Minsuh – her older sister - took her and her mother’s life in a murder suicide. YN’s father who was present that night managed to survive. Many people took this to be an admission of guilt on the sister’s part, for the two had never had the best relationship. Though with no note, the case had no choice to remain open. Thankfully for a miracle would occur. Almost three years to the day, YN has returned to the exact spot of her disappearance. Residents and audiences nationally are overjoyed, and hope justice can now be served. Stay tuned as this tragic twisted tale continues to unfold. We’ll now switch back over to Bo for sports.”

           A piercing wail left YN’s mouth as she collapsed to the floor. Immediately, she was scooped off the ground into a warm embrace. “Jin?” She cried, but when she met the eyes of her savior the round hazel she was expecting was instead met with sharp feline ones. "Yoongi?!"

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#yandere bts #yandere kim namjoon x reader #yandere kim namjoon #yandere kim seokjin x reader #yandere kim seokjin #yandere min yoongi x reader #yandere min yoongi #yandere jung hoseok x reader #yandere jung hoseok #poly bts #mystery #horror #suspense #whodunit #sandman #sandman ii #bangtan sonyeondan #bangtanarmynet #yandere bangtan #bts #bts fanfic #bts fic #girlmeetsliv3

[oiksuga]

come on and show me

prompt: smell of mint: “the strength of love and hate are one in the same.“ for @tooruluv | #tooruluv2kparty pairing: oikawa x f!reader tags: angst, misunderstandings, childhood neighbors to enemies (?) to ?, rated M for Makeout (so rated pg-13) warnings: underage alcohol consumption, ambiguous ending wc: ~4k synopsis: the one where you and oikawa grow up right next door of each other. complementary songs: unholy - hey violet // new girl - finneas // like real people do - hozier a/n: this fic had me biting my nails. i haven’t written in ages and to tackle something this long made me woozy. hope you enjoy it! (update: decided to turn it into a semi-angsty one-shot instead, maybe i’ll continue it as a side project, but for now, it is done!) no beta we die like men. i’ll proofread later.

You first meet Tooru Oikawa at the age of six. He had just moved to your street. The house right next door, no less. Quiet, shy, a bit of a crybaby. He clung to his mother for the entirety of that first meeting, a stuffed cartoon alien tightly clutched in his right hand. Your mothers, naturally, hit it off. You and Oikawa on the other hand, well that’s was a work in progress.

You tried to play nice, you really did. Your mother had told you about how it was just them two and his older sister. His father had died a little over a year before. So obviously you felt bad. You went over to his house on a few ocassions. His mother would welcome you with open arms each and every time. He was another story.

He had enough manners to come say hello, even inviting you up to his room to play with some toys (at the behest of his mother) but the minute she was out of sight, he’d go back to his own things, paying you no attention. Not that you particularly fancied playing with him, but if you walked this far to visit him, you would think he could acknowledge you for more than 2 minutes.

Tired of wasting valuable playtime sitting on the floor of his room, you take matters into your own hands and ask your brother for advice. He was a year older than you and Oikawa, so naturally you believed he held the secrets to the universe.

You approached him after dinner, and presented him with your problem.

“And I don’t know why he makes it so hard to be friends. And mom just keeps forcing me to visit him.” The huff of indignation only made him laugh.

“Well Y/n, you have to understand that he’s lonely. He is not very used to having others around him.”

“But if he is so lonely, wouldn’t hanging out with me make him feel better?”

“Remember how mom told you his dad is no longer with him?” you nod, “Well he has been living with other girls so much he probably wants to play with another boy. Guys don’t always want to play princesses you know?”

“So would he want to play with me if anothery boy was present?”

“Well, that is up to him, but it would interest him.”

“Then will you come with me tomorrow when I go over?”

“Sure”

And that is how you found yourself at his doorstep once again, brother in tow. His mother practically bounced off the walls seeing he had accompanied you. Did she also think he needed a boy to play with? She called Oikawa down, and you could hear some grumbling from his end. He stopped at the bottom of the stairs, a confused looked ag the sight of two people instead of one.

Your brother went up to him first.

“Hey, uh Tooru right?” First name basis already?“I’m Y/n’s older brother. Well I just wanted to see if you wanted to hang out with me and a couple of my friends today?”

Huh, so that was his plan. Your brother is the unofficial leader of his group of friends, comprised of various kids in the neighbourhood. Some his age, some more around yours. They like to cause trouble and torment other kids at times. Your mothers were close too. Unfortunately for you, none of them had any sisters your age. So everytime you were supposed to play with them, you were miserable.

After that first meeting, your brother and Oikawa had become quite the pair. He took him “under his wing” (as he liked to call it) and formally inducted him to his squad. They were over the moon to have someone new to hang out with (read corrupt). You, on the other hand, could not hate it more. Now that those two were buddies, Oikawa was always present in your home. Anywhere you looked he was there. And now that he had other people to be with, he came out of his shell. Gone was that snotty kid with the alien plush, now replaced with a self-absorbed bastard you wanted no relation to. Too bad he never took the hint. It got worse once you both turned 14.

“You know Y/n, I’ve gotten so many confession letter this week. But oddly enough, I have not gotten one from you. You need to hurry up before one of these girls wins your spot as my girlfriend.”

“Well good thing I have enough smarts to never feel the need to do something like that.”

“Ouch Y/n you are killing me over here. Whatever, I’ll just look for it in your room when you are gone.”

“What the- how are you going to do that? You know what don’t tell me. Just please get out.”

“Or you are gonna do what? Call your brother to-“

He was interrupted by the arrival of yet another nuisance in your room.

“Hey Oikawa, please leave the poor girl alone. Stop being such a pain”

Enter Hajime Iwaizumi. Ah Iwaizumi. The other half of the obnoxious duo. Not that you don’t like him. No, quite the opposite. He keeps Oikawa tame and off your hair, something which you are deeply grateful for. But he also has his habits of annoying the crap out of you. All of your brother’s friends do. But you like to think that deep down they’d do anything for you.

“Not now Iwa-chan, Y/n is about to confess her secret feelings for me.” He says, clearly aware of the growing irritation on his friend’s face.

“Don’t make me pull you by your hair again. We are going to be late for the movie.” He emphasized his threat by rolling up sleeves, a tell-tale sign he was about to beat the crap out of Oikawa.

“Alright alright Iwa-chan you are such a hard ass.” He now turns to you, taking a few steps forward and stands right in front of you. “I’ll see you later, m’lady.” With that nickname, he took your right hand and kissed your knuckles. You could only srunch up your face. Gross, how many of those shows are he watching.

You heard the downstairs door shut and with that, it was silent again.

Finally, peace.

Years went by, and Oikawa’s popularity only skyrocketed. Everyone around him found him attractive, so naturally they’d hang on to him. He was also really good in volleyball, so everyone would go to see him play. Your brother and him remained close friends. Hosting parties together, going on weekend long trips with all their friends. All things you were forbidden from participating in because, as your brother said, this is not the crowd you want to be with. Your parents still let you host your own events, but nothing of that magnitude.

Soon enough, years went by, and you began your senior year of high school. This was going to be your years. With your brother now gone, having graduated and gone off to college, it’s your turn to be the life of the party. No more “you can’t be there.” Now all eyes will be on you. And what a better way to make your debut than with a party. While classes didn’t start until a week later, it was your brother’s tradition to take over your parent’s beach house for a weekend and hold a last big major bash before the semester began.

Invitations were sent, music was chosen and all that was left to do was tidy up the place. You brought some of your friends with you to help you get the place ready before the chaos began. Sweeped everything, locked away valuables, and got them settled in two of the rooms so they could sleep comfortably after. As you were outside stocking up the bar area, you heard a collection of voices coming from the living room. It’s too early, why are there people coming already? As you walk back in, you are greeted with Oikawa, Iwaizumi, and their two friends, who were also part of your brother’s group, Hanamaki and Matsukawa, all too sitting too comfortably in your couch.

“I hope you guys know this is a respectable place.” You crossed your arms at the sight of them getting too comfortable in your couches. Feet up on coffee table like savages.

Oikawa spoke first. “Relax darling,” God you hated that nickname, “You do know we have been here more times than you right? The parties that have happened in this place oh man.” You felt indignated at his attempt to one up you in your own home.

“Well if I recall correctly, this is still my parentms place, so I can have you and your friends kicked if I wanted to.”

At that, the other three butted in, a chorus of “Oikawa what the hell man,” and the sound of Iwaizumi hitting the back of his head.

“Okay fine. I’m sorry Y/n that you are so jealous of me and my party animal ways.”

“God you are exhausting. But anyways, I am glad you guys are here because I need help hanging some lights outside. Iwa and Mattsun, could you pretty please come with me to hang these?”

You led them outside, before sticking your head back in, directing your gaze to the two remaining guys camping in your couch.

“And don’t think I have forgotten about you two. Kiyoko needs some help putting more stuff together, and the rest of the girls went out to order food, so please make yourselves useful and go.”

You play some music on the speakers, and get to work.

Soon enough, the party was in full swing. You swam through the sea of bodies trying to locate the kitchen. The sheer number of people was disorienting. But to your luck, the swaying crowd somehow guided you to your destination, slightly sticky from stranger’s sweat, but otherwise unscathed. You make way to the counter and try and lift yourself onto it. The drinks in your system making in a harder task than usual. You are halfway through climbing in a more unlady-like manner, when a voice calls out for you.

“Uh Y/n, need some help?”

You turn around to see Oikawa. His face was flushed, you assumed it was from whatever was in the plastic cup in his hand. Hair disheveled, forehead shiny from his sweat. His shirt was unbuttoned halfway, and the lighting made his chain glint at an angle. If he wasn’t Oikawa, you’d admit he was attractive.

You become aware of your compromising position and stop your attempts of getting on the counter. The suddent movements make you wobbly, and you grab onto the counter to keep stable. You notice him walking over to you, and motion for him to stop.

“I don’t need your help. Just get me a water bottle from the fridge please.”

He obliges your request and gets some water for you, going so far as to opening the bottle, and hands it you. You are silently grateful, as you don’t think you have the coordination to do it yourself. As you are drinking, feeling the relief of the coolness down your throat, you notice he’s staring at you. This felt odd, there was something about the way he looked at you. You felt too vulnerable. It was getting awkward.

“So, you enjoying the party? I saw you doing a shots competition outside earlier. Did you win, Mr. Party Animal?” You made sure to emphasize the mock of his nickname.

He huffs indignantly. “Well Y/n-chan, cannot believe you doubt my abilities. If you must know, I did in fact win, with an impressive 5 shots down my system. And look at me, cool as a cucumber.”

You look at him for a second, brows furrowed, and then burst out laughing. “‘Cool as a cucumber’? God you are lame.”

All he can do is stare at you. You have never laughed like that. It’s always measured, not too loud, not too long. This is different. He likes different.

When you stop, you notice he is staring again. You feel small. As if you are under a million spotlights, all pointed at you. You are about to ask if he was okay, but seems like someone beat you to it.

“Hey Tooru~ I’ve been looking everywhere for you. Are you okay?” She notices the position you are in, and slightly grimaces, “Tooru who is this.”

He blinks, a bit too hard, and turns to face her. “Hey Sara, this is Y/n,” he motions to you, “you know, the one who organized this party.”

Sara. You know who she is. And she definitely knows you. You two met at the last student council election, a few months back. When you found out you were running agaisnt each other. She was the current president, and you held a lower position as secretary, so running for president felt like a giant leap. Though it seems that after a month of campaigning, debates, and a tiresome election you had won. A very exciting moment, and what felt as a good culmination to your high school career. You and Sara had an extensive talk about it over coffee, in which she assured no ill feelings towards you.

By no means were you guys best friends, but you also like to think you were not enemies.

“Oh Y/n and I know each other. Great to see you again, and amazing party, you really know how to entertain.” Well that answers that, she doesn’t hate you. Great. “Do you mind if I borrow Tooru over here? There are some things I need to talk to him about.”

“No problem at all, glad you are having fun.” You wave goodbye and with that they were gone. You were alone.

Now feeling more sobered up, you decide to go back to the masses. Your newfound energy leading you to the makeshit dancefloor, letting loose to Makk’s karaoke rendition of Pursuit of Happiness. What a movie moment. Everything letting loose in a beach house living room.

The thing that wasn’t a movie moment though? How much you needed to pee. How come no one ever informs you of the effects alcohol has on your bladder?

Once again, you venture through the bodies to find the bathroom. There was no line, which should have been a sign. But you made no thought of it, until you swung the door open and found, in the most cliche moment ever, the ever-present Tooru Oikawa passionately making out with Sara. That sobers you right up.

If they noticed, you wouldn’t know, because you bolt out immediately and go straight to your room. You go to the bathroom there, and as you are washing your hands, you stare at yourself in the mirror. Even though you only saw them for a second, the image of those two making out was burned in your brain.

There was something about the way he held her, pressed to the sink counter, hands on her waist, that made you feel something inside. You chalked it up to general lust and splashed cold water on your face, trying to stop whatever your brain was imagining. You left the bathroom, ready to take a break in bed.

That was, until the man in question made his appearance in your room.

“You know there are laws against trespassing right? So I don’t know what you are doing here but-“

“I came to apologize.”

Well that’s a first.

“Apologize for what exactly. You haven’t been an ass the entire night, if anything, I should congratulate you for that.” You say, tone more snarky than you intended. What were you even pissed about.

“Well I think you and I both know what you walked into. And I just wanted you to know that is not who I am, nor how I behave.”

Oh

“Well let me be the first to tell you that I don’t care who you suck face with, as long as it doesn’t happen in my presence.” What was up with you right now.

“What if it was with you? Would you care then?” He took a step towards you. You took one back.

“What are you talking about.” Why did he keep walking towards you. This room cannot be that big.

“I think you know exactly what I mean,” Your back was met by the wall at the end of the room, and Oikawa now stood in front on you, “Darling.”

Something about the way he looked at you, combined with the alcohol in your system and the muffled music you could hear from downstairs made your insides feel on fire. I must be going crazy, you thought.

Because as soon as that god-awful nickname left his lips, you pulled him down onto yours.

“As your big brother, it is my duty to protect you from all the evil things that are out there. You know that right?” 

“That includes Oikawa right? He is such a meanie. I don’t know why you even hang out with him.” 

“Well, Tooru is different. He means well, he just doesn’t express it how you are used to. Boys his age usually behave like that. But he’ll grow out of it. You’ll learn that eventually.” 

“Well I don’t care. He’s mean and I hate him. I don’t care if he changes. I’ll still hate him.”

“Haha. Well I’m glad. Wouldn’t want you messing around with someone like him anyways.”  

Curse the heavens. There was no denying it. Tooru Oikawa was an amazing kisser.

He knew exactly what he was doing. Grazing his tongue to yours every now and then. His hands, god his hands, his right one was holding his chin, while his left one slid up and down your waist. 

Curse his perfection. This cannot be that snotty kid from all those years ago. This is a whole different person. Yes that’s it. This is not Tooru Oikawa. Because Tooru Oikawa is not capable of making you feel these things. 

Like any normal person, you have to breathe, so you break the kiss. He has the audacity to whine at that. You look of to your side, because something tells you that if you look at him right now, lips swollen and pupils wide, who knows what’ll happen next.

He doesn’t like any of it. 

He takes this opportunity to move his mouth south, landing on the flesh of your neck. He seems to have caught you offguard, if the sound you make at his action is anything to go by. He works his magic in the area. Biting. Kissing. Sucking. Anything that’ll draw out more of those noises. And you wish he’d stay there for eternity. 

But you are you. A little selfish. And always wanting more more more. So you take him by his shirt and lead the two of you onto the bed, gently sitting him down and taking a seat directly on his lap. Now this is more. 

But this also felt wrong. On so many levels. You don’t think you could ever look at your parents again if you have sex on their bed. But the desecration of their sleeping place is a small price to pay for the enormous pleasure you are sure he would bring you. Because if there’s one thing Oikawa Tooru believes in, is doing his best. 

And he sure as hell will do his very best with you. 

“Well well darling, look who is eager now.” He spoke with that sickeningly sweet tone he always uses. But there is something else behind it. You can’t really pinpoint it, but before you could ponder on that, he got a hold of your hips and started to drag you along his length. 

Well if you are off to hell, might as well enjoy the ride. 

You decided to be bold and unbuttoned the rest of his shirt, sliding it off his shoulders and onto the floor. You could sit here and wax poetic about how intimacy goes beyond physical appearance and his muscles are not important, but you are no philosopher. So you’ll say it. He’s hot. You knew the guy was ripped, having been witness to the arduous workouts he and your brother did over the summer, but this was something else. 

Your brother. Ha. Imagine if he could see you right now. Actually don’t. That’s weird. But he would be dissapointed wouldn’t he. All those years being so put off by the mere presence of Tooru Oikawa and now you are sitting atop him, like some sort of worship. Oh the hypocrisy. 

No you can’t think of him right now. No get out of there. 

“Something the matter, princess?” Ah again with the nicknames. “I think you’ve had enough fun up here. Maybe it’s my turn to be on top don’t you think?” 

You nodded. Because that is all you could muster. You feared that if you opened your mouth, all of your thoughts would slip out. 

He rolled you to the side, off of him and onto the mattress. He stood up and groaned and god the way that made you feel. He kneeled on the soft surface, and leaned down to face you. Because he is the epitome of cliche, though, he makes sure to flash you the biggest smile you have ever seen. It looks different. It looks genuine. That’s new, a bit exciting even. 

And before you know it, he goes back to work on your neck. He used his knee to put a slight pressure between your legs. You cannot keep your thoughts straight for long, because the next thing that comes out of your mouth is a moan of his name.

You’ve never used that tone with his name. He, of course, loves it. 

“You cannot imagine how many times I have imagined of doing this.” While you are on your way to what could be a very mind-blowing orgasm, and you are incapable of coherent sentences, your hearing is very much okay. But there is no way you heard what you just heard. Because what the fuck.

“Stop.” It’s low, a bit above a whisper. He couldn’t hear you, you conclude, so he keeps at it for a bit, but when he feels the push of your hands on his chest, he pulls away immediately. 

“A-are you okay? Did I hurt you? Do you want to stop this?” For someone with the charm of a western hero he sure is insecure. 

“What did you mean by that? What do you mean by ‘I imagined of doing this’?” Well of course you know what he meant. But what did that mean for you two? This isn’t something that should be happening. And you tell him just that. “This is not something we should even be doing.” Crap. 

“Oh.” 

“Yeah.” 

You might not be very fond of him, but you know him. So you know he is probably getting too much inside his head right now, so really you should have seen his next words coming. 

Except this is all new and you haven’t been able to see any of this coming. 

“You know what, you are right. I am sorry. I think we should leave. Actually, this is your room, so I’ll go.” You have to be imagining things, because there is no way he sounds hurt over this. Is there? 

You want to ask if there’s a genuine chance he meant what he said. You really do. But you are scared of his answer. All your life he has been the kid you cannot stand, your brother’s annoying friend. But this changes everything. You have no feelings for him, that you know. But apparently there is chance he does. So what are you doing about that. 

Before you can ask, you hear the door shut. In a flash, he is gone. How befitting.

And like that, once again, you are left alone. All you can hear is the boom of the speakers. 

Your lifelong long was to have Tooru Oikawa out of your life. Now that you have succeeded, why do you not feel at peace. 

fin.

#um hi there #i have not written in ages jesus #rip my ao3 fics i feel sad for not finishing them #haha i need help #tooruluv2kparty #haikyuu!! #haikyuu #haikyuu x y/n #haikyuu x reader #haikyuu imagines #tooru oikawa #oikawa x y/n #tooru oikawa x reader #oikawa x reader #haikyuu angst #haikyuu fluff

[bbugyu]

how jeonghan knew

a journey with yoon jeonghan, lee seokmin, and you.

there was always something about his infectious laugh and his genuine nature that felt like fate to jeonghan, and maybe you were the muse that kept their red thread in tact.

prelude | part one | part two | part three | epilogue

wc.10662 (LMFAO) | fluff, smut, courtship, angsty in the beginning, polyamory, sugar daddy!jeonghan musician!seokmin escort!reader, hi cheol, hi gyu (again), hi boo, hi wonu, gay pining, jk he's pan probably, discovering sexuality, daddy kink, special guest seokmin!!!!!, threesome, lots of mlm, oral, cumpla, handjobs, choking, butt plugs, male penetration, there's a full on reader-less memberxmember sex scene idk, unprotected sex, please use condoms, jeonghan gets overwhelmed, the TEASING, jeonghan being a home improvement freak, don’t mind han jisung he’s just vibing, required listening is positions (2020) by ariana grande because it’s a perfect album

and here we have poly seokhan: the gayening!!! this is going to be the end of my scheduled updates for neverending artistry, but i’ll be posting an epilogue when i finish it - probably after i post a couple of other fics. this chapter.... is my fave......... i think u will see why lol. i went ahead and got a lil carried away with the house stuff but LISTENNNN i watch a lot of architecture videos ok LFJDSJ

thank you all so much for your continued support and incredible feedback on this series! it seriously means so much to me and i love seeing asks and messages from everyone telling me how excited they are to read more. i hope this satisfies you!!!

~

jeonghan is pretty sure he always loved seokmin. it wasn't something he would ever be able to change about himself, he figured, as he watched his friend date woman after woman in college with varying seriousness. he decidedly ignored any amount of feelings he harbored for the younger, especially after he dropped architecture as his major and he saw less of him. 

jeonghan tried to get over the destined musician (he would always be singing or fiddling with his guitar when he was meant to be helping jeonghan with a diorama) with several women, and after decisively focusing on his career for a couple years, he found success in another man. his short lived gym buddy, but lasted quite a bit longer as his boyfriend. they had connected first when jeonghan had offhandedly commented that he liked the logo on his shirt, to which the long lashed, broad shouldered man had said he had gotten it at the brand's store down the street, making jeonghan chew his cheek before he admitted that he had helped design that location. they connected the second time later that night, clumsily but intensely, and jeonghan liked his plush pouty lips and how his messy black hair felt between his fingers.

while that didn't last forever, he found varied success in other men, and he figured this was why dating women had always been so difficult for him. definitely not that he had been given small choice amongst the rotten apples that attended his college.

he was single again, and at an industry party when he reconnected with an old friend from college who happily reminisced about the fun their small group of friends had back then. he asked if jeonghan remembered seokmin, the guy that dropped the program.

"lee seokmin?" he asked, his brows knitting as he tried to react normally to the name, and mingyu hit his shoulder, laughing.

"yeah! guess what? that son of a bitch is teaching my niece piano!"

jeonghan smiled at the idea of seokmin as a piano teacher, nodding along as mingyu talked about how he had volunteered to take her to her lesson one week, only to be put face to face with a long lost friend. jeonghan laughed as mingyu imitated the face the other had made, laughing harder when he recognized it and remembered seeing it on seokmin's face in the past, then telling mingyu about how he had once pranked him by making the poor guy think that he was going to fail a project because seokmin had accidentally destroyed a diorama. it had already been graded, and he was going to take it apart to save on materials anyways, but the younger nearly cried when he thought he had wasted hours of jeonghan's time and cost him the grade by accidentally kicking it off his desk.

he asked how seokmin was doing these days, and mingyu told him he seemed well, and that he takes his niece to her lessons as often as he can spare, just to chat for a while. "i could give you his number," he said, feeling his pockets for his phone. "i'm sure he'd love to hear from you."

mingyu had been right. seokmin did love hearing from him. and he loved the way seokmin made him laugh with his ever joking tone and physical comedy antics. the way his eyebrows creased as he tried to keep a stern face but was unable to hide the smile across his lips. the way he always fought with him for the check despite jeonghan being older and notably better off.

he didn't love, however, how seokmin nodded his head after the waitress and asked him if he thought he had a shot.

maybe he was desperate, or maybe he wanted an excuse to not date seriously, or maybe he just wasn't ready to let go, but jeonghan continued to invite seokmin out, despite the fact that their relationship would never develop past friends who met in college. he enjoyed his company anyways, even if it felt bittersweet.

he poured himself into his work for several months, taking more contracts than usual and keeping himself occupied, only really seeing others for meetings and constructions, or when he was depressed on a friday night and caved, asking seokmin to join him for drinks somewhere. he continued this cycle for too long, his personal assistant noticing his mood changes before most.

"are you taking your vitamins?"

"yes, seungkwan, i'm taking my vitamins," jeonghan bit back, fully aware that he wasn't asking about vitamins at all, but about his state. confirming he was still making an effort to take care of himself rather than spiraling, sat in his living room on a tuesday after being told by a doctor to rest, for god's sake as a solution to him nearly collapsing several hours earlier. seungkwan shifted on his feet, tongue running over his teeth as he stared at the architect, hands folded in front of him.

"you need to stop seeing him. it only hurts you."

jeonghan sighed, staring at the black screen of his television. "i know."

his assistant studied him. "you should come out with the team sometime," he said. "we get drinks on wednesdays, usually. come tomorrow, it could take your mind off things."

jeonghan looked up at seungkwan, who was clearly sucking on his cheek. he knew he was right. more importantly, seungkwan knew he knew, but jeonghan had a hard time wanting to take his mind off this one specific thing, considering the way this one specific thing laughed like a hyena, poured himself over a piano like an ocean wave, and sang along like an angel. his head fell back on the couch, and he had to take a long, conscious breath to lower the ringing in his ears at the silence. "i'll be there next time."

seungkwan exhaled in defeat, eyes flickering around as he excused himself and said goodnight, knowing his boss was lying.

jeonghan found you on accident - put in an uncomfortable corner by an ultimatum from his publicist and the circulating rumor that he sleeps with men because he can't keep a woman around that seemed to pile on top of everything else on his plate - and the second you opened your mouth, he knew you were special.

he remembered the profile he had seen from your broker, and knew you were attending university. he asked you your major, and when you told him you wanted to produce music for a living, something deep in him stirred. you had been sitting in his car for all of twenty minutes, and you nearly had him under your spell already.

he couldn't understand his fascination with you, but he continued to book you for dates, sometimes deciding what event he would be attending by asking what day you were available that week. he figured if he needed to prove to the world that he wasn't gay (which he was, he was pretty sure), you were the only one he was interested in doing it with.

maybe he had a thing for musicians.

he had taken out quite a few escorts before you, but none of them were nearly as fun. you always did an incredible job engaging in whatever event he brought you to, but also hit his chest as you tried to stifle a laugh at something he muttered into your ear, guiding you away. his friends liked you, too, the few he had. the ones that had met you. yongsun had even tugged him aside briefly, asking if he really liked you. you seemed nice, she had said. and good, in general, but also for him. she wanted to make sure he wasn't just leading you along to quiet some stupid rumor. he glanced at you, smiling wide as you excitedly discussed music with one of his other friends (the fifth and last person he liked at this event, the two of you included), and wasn't quite sure why he told her he actually liked you, but didn't feel the need to correct himself.

then you told him you were quitting, and he realized what he would be losing. then you kissed him, and he realized what he had been feeling. then you looked at him with wide eyes, just as shocked as he was by the explosion of fireworks you had both just experienced, and he realized what he had been missing out on all this time.

he figured he must have always loved you as his eyes scanned the hotel bar, confused at how you had managed to get away so quickly. he was running into the hall to see if you had escaped to the lobby when someone caught his arm.

"hey, you seen yongsun?"

jeonghan blinked at his blonde friend, recognizing her play. "have you seen y/n?"

"try the bathroom," she said, throwing a thumb over her shoulder in the direction she had come from.

he looked down the hall at the restroom signs, nodding. "i saw her at the chocolate fountain a minute ago."

byulyi patted his shoulder as she walked past him. "good luck, yoon."

it felt good telling you the truth, while sitting in your well organized and tastefully decorated studio apartment that you had insisted he would hate, even if he was too scared to admit all of it. why he had needed you before, but wanted you now. his heart nearly beat out of his chest when you agreed to his conditions, though he recognized that he had given you just about every advantage in the deal. it would have been near impossible for you to say no, especially after the way you had kissed him before someone had finally tried to enter the bathroom you were hiding in.

for a while, he only kissed you as a farewell, mostly because he enjoyed the old school romanticism of kissing a beautiful woman in the moonlight, her back against the passenger door of his black vehicle parked on the street outside her studio apartment. then, when he had invited you to his home after the two of you had ditched a boring dinner several hours early, you had curled up in his side to watch a movie. at some point, he caught you staring at him, and you put a hand on his cheek and kissed him sweetly. slowly. kissed him in a way that only made him crave more. you smiled, settling back into his side for the rest of the movie, and even though you had done it unconsciously, the back of your hand rested against his thigh in a way he had a hard time ignoring, and he decided he must have just had real shit taste in women before he had met you. 

the following sunday, when you mentioned how pitch black the sky seemed at that late hour, having gotten caught up binging some drama, he not-so-vaguely hinted that he'd be okay with you spending the night in his bed. you eyed him, and he shrugged playfully.

"or i have guest rooms. up to you."

"i have class tomorrow," you tested.

"i can take you," he responded. "if you want."

you paused, watching him as he recorked the wine bottle the two of you had opened earlier in the evening but only managed to have one glass of each before abandoning it to cuddle on the couch. he was always so thoughtful, even in his teasing. he cared about your comfort. he wanted to maintain your boundaries. but it had been a really long time since you had gotten laid, and everything in you yearned to say yes. jeonghan's voice in your head reminded you, no expectations. this could be whatever you wanted out of it.

so you went to bed with him.

jeonghan would swear up and down that you were the most beautiful woman in the world, and his beliefs were only confirmed when he pulled your shirt off of you, dragging your pants down your legs, and got a real look at you for the first time. you felt unexplainably embarrassed under his gaze, asking if he was okay.

"yeah," he said breathlessly, a hand running up your side, your back arching slightly to his touch. he curled over you before he whispered "god, yeah, i'm more than okay," against your lips.

not even ten minutes had passed before you told him you loved him between your panting, and he was so ecstatic when he could tell you, wholly and truthfully, that he loved you, too. and after your pulses had died down and you were falling asleep in his arms, he said that if you were staying under his roof, you were not allowed in any guest rooms. that if you needed space, he would find a different bed to sleep in, because this one looked best with you in it, and he refused to have it any other way.

jeonghan never got bored with you. over time, you began going to his place after events and dinners more than he dropped you off at your apartment, becoming an often enough occurrence that he had asked you one night to fill an online shopping cart with clothes for you to keep in his closet, so you could stop this silly packing bags nonsense. he had already bought you a full set of toiletries for his bathroom, started keeping your favorite snacks in the pantry, and even gone as far as to buy you the house slippers you had offhandedly said were cute when the two of you wandered aimlessly around a mall together. you were becoming a part of his home in more ways than one, and he was happy to have you.

he offered you an unused office on the second floor when you started studying for finals on the peninsula of his kitchen counter one monday afternoon, and you asked what was wrong with you doing it where you were.

"because you're not going to clean it up," he pointed out.

"maybe if we had a rewards system," you argued. "if i clean up, i get a prize."

he laughed, rounding the small jut of countertop, thinking about how he would probably need a proper kitchen island if you were going to be sticking around. "just because i give you an allowance, doesn't mean you're a child. you're not supposed to focus on the baby part of sugar baby."

you pouted as you turned on the stool to face him, a hand gently tugging his tie to pull him into you. "what if i focus on the daddy part of sugar daddy?"

a hunger dropped in jeonghan, gazing down at you as you sat at his kitchen counter, surrounded by textbooks and notes. your eyes sparkled under the lights, and his fingers went behind your neck before he kissed you, muttering against your lips to try calling him that again, angel.

the kitchen remodel had gone about as smoothly as it could have, given the fact that it was nearly impossible to transport such a large slab of granite for his dream island without it snapping in half from its own weight, but they managed, and when the light fixture finally turned on for the first time after the new cabinet doors had been installed, he felt justified in remodeling a kitchen that had hardly needed updating. he felt even more justified when he came downstairs to find you, having woken up in an empty bed, only to have you yell at him as you flipped pancakes on the griddle of his new gas range, saying you were going to bring him breakfast in bed and if he didn't cooperate, he wouldn't see you for a week. he laughed at your threatening spatula, putting his hands up in surrender, unable to stop smiling as he made his way back up the stairs.

you had enrolled in online courses for your last year of school, mostly so you didn't have to be anywhere specific for several hours every day, and instead could keep your schedule massively open to cater to jeonghan's needs. this also meant you usually attended your afternoon lectures at his home, waiting for him to get off work and distract you.

then the two of you started attended wednesday drinks with the team. seungkwan had thanked you, though you hadn't realized that you were deserving of a thanks.

"he'll tell you when he wants to, i guess," he said, twirling the beer in his hand. "but he wasn't in a great place before he met you."

you could hear the subject of your exchange laughing further down the bar, and you wondered what kind of place he meant, but tapped your glass against seungkwan's instead of asking the question. "to better places."

he chuckled, bringing the beer to his lips. "cheers to that."

jeonghan enjoyed having you on his lap on the couch, listening to whatever r&b record you had chosen as you worked your lips against his. he nudged several kisses down your neck, and you mentioned offhandedly that there was a perfect place in his living room for a bar, pointing at the wall behind him. he pulled away from you, turning his body with an arm over the back of the sofa, and his head cocked as he stared at the wall that only held a painting. he silently agreed with you, wondering why you seemed to inspire all his recent projects as you nipped at his neck, drawing his attention back to you with a smile on his face.

the bar was finished in time to hire a bartender for a halloween party. he hadn't told the guests that it was an anniversary party, but you had been made aware of the secret arrangement during a conversation the two of you had over a private meal in your favorite restaurant the week before. 

"a threesome," you asked, hoping for clarification. 

"with a guy, preferably," jeonghan said. "but i could be convinced to approve of a girl if that's what you would like."

"you're being serious?" you seemed to find yourself asking him that a lot. every time he suggested something that he knew you wanted, you wondered if he was pulling your leg. "and you want me to choose?"

"yeah, at the party," he said, watching you shake your head incredulously with a smile on his face. the two of you had discussed the possibility in the past, and he thought it made a fun gift. an unexpected one, from someone who had enough money to comfortably gift you just about anything. "i have to approve, obviously, but you get to pick the candidates."

you thought a moment. "what if we can't agree on anyone?"

"then i take you to bed alone and we have fun anyways." 

he laughed when you squinted at him.

"if the opportunity comes up down the line, we can try again later," he said. "but i thought this would give you something fun to do while i'm hosting guests."

and it had, as you sneakily scoped out the guests, flitting around the party of both familiar and unfamiliar faces in your angelic cheerleading costume. visiting and laughing heartily with the team, as well as your uni friends that jeonghan insisted you invite, offering them more drinks, then saying something about having to play hostess so you could continue your search. byulyi and yongsun were there, and you complimented their matching rapunzel and flynn get up, jeonghan catching you for just a second to ask if you needed anything.

you settled in on one target perhaps too quickly, without even really having made an effort to see all the options. you had been struck by the same sharp cheekbones, puppy dog eyes, and crooked smile that jeonghan had once fallen for. when he saw you tucked into lee seokmin's side, recognizing your flirting even from a distance and noticing how receptive the musician was to it, his heart fluttered, and he couldn't tell if it was a good or bad thing.

a good thing, he decided, when seokmin had asked him permission before he came in you. because, seemingly, sexuality was much more of a spectrum than jeonghan had once thought, and perhaps his college crush just needed the encouragement of an incredible woman to try something a little beyond his experience, much like he had.

and when you wouldn't stop mentioning the musician the two of you had enjoyed the company of while schmoozing guests at the opening of him and his friend's collaborative art exhibit, he got a slick idea. on the way home, he told you that you weren't allowed to make a noise until he hung up the phone, but you were already writhing in the passenger seat just as the phone rang.

and when he answered, you clamped a hand over your mouth, a bare foot landing on the dashboard as you tried to grind against jeonghan's hand, his voice steady as he talked to the younger.

and when he mentioned you, your walls pulsed around his fingers, a smile finding its way into his lips as he spoke. he tried not to take too much pleasure in the way you looked at him with begging eyes and your fist between your teeth, or in the way seokmin's tone dropped as he confirmed that he would get a cab, but he truly couldn't help himself when he made eye contact with seokmin as you sucked him off, his hips canting into yours recklessly, forcing seokmin to break the contact as he reacted to your moan on his cock. 

he noticed the way seokmin's hips began to move on their own, begging for enough control to chase his nearing high in your mouth but having it brought right to his doorstep instead. jeonghan felt your perfect heat cling to him in reaction, and before he could think to stop himself, he pulled you into his chest by your throat, not daring to let you claim it all as he lapped cum from your mouth. you whimpered against him, your orgasm lasting impossibly long as he fucked into you, getting milked by your needy walls.

when he caught seokmin staring directly at him, he grinned and wiped the back of his hand across his chin and lower lip, languidly licking any escaped cum off it, and asked if he wanted to try his, too.

seokmin agreed, nodding shakily before jeonghan massaged at your sides, pumping himself into you a few more times. he told you to give seokmin's mouth a ride. you groaned, his cum dripping down your thighs.

jeonghan watched the younger's cock twitch as you moaned over him, one hand on the wall and the other on his scalp, his fingers digging into your thighs. he stared at how it never lost hardness. he didn't even realize that his hands were on seokmin's hip and thigh before he even asked if he could touch him, but a large hand left your thigh to shakily bring jeonghan's to his thick cock, answering the question despite you occupying his mouth, his fingers lingering over jeonghan's as he pumped his length.

he couldn't deny that how badly he wanted to fuck seokmin, but he could settle for making him cum in his hands until he was ready for something more, especially with the surprising amount he had to give after already having cum once. he let himself indulge in a single lick across seokmin's sensitive slit - though it was hard to stop there - triggering a garbled moan before he left to shower.

a week or so later, jeonghan asked you if you were interested in dating seokmin. you put your phone down and rolled over in bed, propped up on your elbows as you asked him what he meant.

"i love you," jeonghan assured, pulling you to lay closer to him. "and i can tell you like him."

you studied his face. "but i'm with you."

"that doesn't have to stop," he said, smiling at you as he tucked a hand behind his head. you eyed his arm briefly, then refocused on him. "but you know how things get in the winter, and i would be okay with you trying things out with him while i'm busy."

"you're being serious?"

jeonghan laughed at the familiar question. "yes, y/n, i'm being serious. i know you want me, but i also know you want more than me."

you had never told anyone about your desire for multiple partners, not even admitted it out loud to yourself, so his candid assessment caught you off guard. "how did you-"

"just little things you've said," he teased, leaving you to question how much you had revealed about yourself without realizing. "besides, no one can deny the chemistry."

you paused. "boundaries?"

"just tell me," he said, putting his arms around you and tugging you into him. "i just want to know when you're seeing him. and, eventually, i would like to be invited every once in a while."

"invited to dates?" you asked, throwing a leg over his lap to straddle it as you laid over him. "or invited to bed?"

he smiled up at you, hands running over your rear. "either. both. whatever you two want."

you agreed, but only after you made him promise he would tell you if anything changed for him. that he had to tell you about every doubt and worry he had. "i'll always choose you," you stated plainly, lips brushing against his as he gently rolled his growing length up against your clothed heat. "no matter what, i'll choose you."

"i know, sweetheart," he said, a hand on your cheek as he kissed you. "i promise."

after he came back from a business trip in december, you admitted to him that you and seokmin had exchanged i love yous, and he just put an arm over your shoulder and turned down the volume on the tv, telling you that he was pretty sure he loved seokmin, too.

"it was him, wasn't it?" you asked, studying his profile. "he was the guy you couldn't get over?"

jeonghan rubbed his face with one hand, sighing. "yeah, it was him."

"why didn't you say anything?"

he thought a moment. "i didn't want you to feel obligated, i guess."

your fingers straightened the seams of his long sleeved shirt across his shoulder. "obligated to win him over for you?"

"obligated to love him, too."

"jokes on you," you giggled. "he's very easy to fall in love with."

jeonghan supposed that was true, thinking of how quickly he had fallen for him, even back before he had admitted he liked men. how he had fallen into the same spot even years later, just over a shared meal and a few bottles of soju.

but you were easy to fall in love with too, he thought, remembering how he hadn't even understood his feelings towards you until you had kissed him, but he had felt them strong enough to want you to stay by his side anyways. maybe jeonghan just fell easily, but maybe he was lucky enough to have found his people at such a young age.

you settled back into the crook of his arm and asked him what he thought about seokmin coming over to join you two for christmas. while much of the world celebrated with family, it was more of a hallmark holiday in korea, often times spent with a long time sweetheart or a budding romance. or both, in your case, jeonghan supposed, when you were distracted trying to find the third christmas music lp you had specifically gotten for the occasion (out of eight, of course, because you didn't want to run out of christmas music). he was leaning against the tasteful home bar that had been hardly touched since halloween when seokmin shyly admitted that he knew jeonghan was interested in him.

he said nothing for a moment. "she told you?"

"kind of, back when you were in japan, but-" seokmin paused. "i think she was just suspicious, but i should have known. you were always too kind to me."

"not too kind," jeonghan said, hiding behind his wine as he sipped at it, trying not to show his embarrassment.

"i think i'm interested, too."

he looked at seokmin, who was staring down at his hands. "are you sure?"

"i'm-" he paused, catching jeonghan's eyes for only a second before scratching the back of his neck. "i think so. i've never even thought about doing anything with - uh - men. until you."

"that's okay," jeonghan said, looking to where you were flipping through records. "i didn't like women until y/n."

seokmin faltered. "wait, really?"

he nodded, a small smile on his face. "i thought i was gay. turns out i'm not."

"but you-" the musician stretched his jaw. "weren't you kind of a player in college?"

he almost said something about how having sex to meet an end and keep an appearance was different than enjoying it, but stopped himself when you announced that you had found the lost record, switching the lps with a flourish and setting the player again. and while he was curious about the level of seokmin's interest in him, he was happy to leave the conversation where it stood when you excitedly rejoined them at the bar.

"do you think i could be a bartender?" you asked, leaning over the counter and grabbing an unused shaker.

"probably," seokmin said.

"for sure no," jeonghan laughed.

you pouted at the latter, holding the shaker between your hands as you directed your attention to the former. "thank you, seokmin. i appreciate you encouraging my dreams."

"any time," he joked.

jeonghan rolled his eyes. "what about that music degree i'm paying for?" he asked, taking another sip.

"just because you've known what you wanted to do forever, doesn't mean everyone does. maybe i'll change my mind." you tried to spin the shaker in your hand, but the force you used was too little and it stopped on your palm too quickly, clumsily clattering to the counter. you stilled it, exhaling sharply when jeonghan giggled beside you, looking to seokmin. "he might be right."

"it's almost like i know you," jeonghan teased, nudging you. "she was convinced she could become my personal bartender for all of two weeks."

"i tried," you whined. seokmin laughed. "the tricks are harder than they look."

"and you hated shaking drinks."

you put the shaker back, defeated. "the ice made it cold."

"isn't that the point?" seokmin asked.

jeonghan smiled at you. "you're lucky i like wine."

"i'm gonna talk to you now," you announced, turning your body to seokmin. "because you're nicer to me than he is."

"aw," the architect chuckled, and seokmin watched you react to a squeeze at your butt. "did he make you soft? can't take my teasing anymore?"

you ignored him, trying to ask the man in front of you about his lessons, but you yelped when his hand firmly landed on your ass, grabbing seokmin's arm in reaction. he looked at you, seemingly just as shocked, and you tried to continue the conversation, but jeonghan's hand didn't leave, and your entire body was reacting to the way it was slowly hiking up your skirt and running between your thighs.

your eyes fell shut, and you muttered for him to cut it out as your grip on seokmin's arm tightened, but jeonghan just made eye contact with the other male, asking him instead if he should.

without thinking, seokmin shook his head and put his hands on your jaw, pulling you in to kiss him. your moan against his lips was involuntary, and jeonghan grinned as his fingers ran over your core, making you whine.

"did you tell him?" you gasped out, asking seokmin with hooded eyes. he shook his head, saying that he hadn't told him everything.

"told me what?" jeonghan asked, interest piqued as he put down his glass, pulling his hand out from your skirt and placing them on your hips instead, squeezing gently as he stood behind you, and your head fell back into his shoulder without much intention as you licked your lips. "seokmin?"

he pulled his gaze, trained on your mouth, to look at jeonghan, and he felt his breath stop in his throat as he fully processed the sight in front of him. you gasped again, as jeonghan's hand came up to knead at your breast, and you tried to pull seokmin closer, but he didn't stop moving even when he was pressed against you.

jeonghan thought he might faint. he wasn't sure what he had been expecting, but when seokmin's hand found the back of his neck and pulled him over your shoulder, his mind went blank. when his lips found his, his vision went white. when he felt his tongue against the inside of his teeth, he couldn't help but moan, one hand gripping your waist and the other aimlessly tugging on seokmin's shirt, seemingly just to hold something that belonged to him.

"fuck, okay," jeonghan breathed, staring after the musicians lips even when they left. you giggled, recognizing the feeling. "okay," he repeated. "got it. understood."

you spun around, hands on jeonghan's chest. "we prepared something for you," you said, and seokmin's cheeks and ears were bright red when he sheepishly nodded with you.

jeonghan looked between the two of you, swallowing suddenly. "what?"

you tugged on his hand, then grabbed seokmin's, too, when he didn't move right away, leading them both to walk around the couch. you pulled jeonghan onto the cushions with you, kissing him briefly before he realized someone was between his knees. when he saw him, that was when jeonghan's dick woke up, suddenly realizing what was happening.

"be nice," you muttered against the shell of his ear, your hand running down his torso. "it's his first time."

seokmin's hands were strong but gentle, and despite never having touched a dick that wasn't attached to him, he knew what felt good. he needed a bit of guidance from you to begin, less from lack of knowing the process and more because he was nervous, but quickly found a comfortable rhythm. jeonghan sighed when he finally got pulled out of his pants, and you were sucking a mark into his neck, his arm wrapped around you and his hand kneading at your rear. his eyes could hardly stay open when seokmin ran his flattened tongue up the underside of his cock.

"isn't he pretty?" you asked, whispering, a smile on your lips. 

he groaned, threading his fingers behind seokmin's ear, desperately trying to hold back his release because he hasn't even put you in his mouth, yet, jeonghan, for god's sake, keep it together. the younger's eyes flickered up to his, and he nearly came just from the feeling of his soft lips around his member, sinking slowly.

"fuck, you're too good at this," jeonghan said, the half chuckle on his lips falling quickly when seokmin's tongue ran over a vein, the warmth of his mouth feeling like heaven. his teeth bit down on his lower lip, watching your hand run through seokmin's hair. he hummed at the contact, his grip tightening slightly, sending a jolt through jeonghan's system. "fuck, i'm gonna cum already."

"there were lessons," you giggled, your hands wrapping casually around his neck. his breathing hitched, eyes falling shut, focusing on the mouth sheathing his cock as he recognized your fidgeting fingers over his pulse. "merry christmas, daddy."

he inhaled sharply right before you squeezed at his throat, and he thought that he should maybe let you lead more often if it was going to feel this good. seokmin seemed surprised by the feeling of jeonghan cumming in his mouth, but he did his best to pump every drop from him, swallowing thickly. you only smiled when jeonghan sat up, leaving you behind as he pulled seokmin's face to his, his hands running up jeonghan's thighs as he kissed him.

jeonghan decided the sunroom extension was all wrong, and that he'd have to redo it.

"you just built that," wonwoo said, having been the contractor that oversaw the construction. "besides, it's snowy season, we can't do outdoor construction. you'll have to wait til spring."

"not outdoor," jeonghan said, rolling out the drafting papers he had drawn up over the course of his new year break, the final pieces being completed in the wee hours of that morning. he had sent wonwoo a text as soon as he thought he would be awake, asking for a meeting despite it only being two days after the new year. "the shell can stay the same, we just need to build indoors. besides, i need this done in february."

wonwoo blinked at him. "when in february?"

"it has to be fully furnished by the 18th."

the contractor laughed at the deadline, only a month and a half out, as he looked over jeonghan's drafts. it would be a tight schedule, considering the structural changes he wanted, but he recognized his long time work partner's determination and knew there was little he could do to argue. "okay. let's get to work."

he turned down a contract for a café to make time for the new home project, but not before recommending they contact a kim mingyu, giving him the vaguest thank you for introducing seokmin back into his life. he didn't have time to draw several attempted variations of every café he had ever designed, he was too busy mapping out the logistics of adding a lofted space to the two story sunroom. too busy planning to tear out the outer wall of your office and picking the right sliding glass doors that would lead to the loft. you had to ask him several days in a row before he finally told you what he had planned.

"a music room?"

he tried to gauge your reaction. "is it crazy?"

you broke out into a smile, studying his design, gripping the mug that held your latté that morning. "absolutely, but i love it."

he asked you to help him pick instruments, saying his wishlist included a white grand piano and three to five guitars that could be displayed together. he also told you to pick out your dream computer setup for production - you were graduating that year, afterall, and it was about time you started using something other than your laptop and a midi controller to make music - and you almost started crying from how fucking excited that made you.

hiding the plans from seokmin was the hardest part, especially when he started spending weekends at the house. he saw the construction area often, and one friday afternoon, he had even asked if he could help, leaving you to usher him away and assure him that jeonghan didn't like help when it came to these things. he believed the white lie, allowing you to distract him with the option of watching shit television in bed, even convincing him that tonight was the night to surprise his new boyfriend. seokmin laid in bed with his arms wrapped around you, trying not to move too much, fully aware that even the slightest movements in his body caused his dick to come to life, until the last of the workers left and jeonghan appeared, asking if there were dinner requests before he went to take a shower.

seokmin had been training with you for over a week. you had bought him some toys, even helped him try them out in the comfort of his loft, and he got increasingly excited - generally, but also in those moments - to show jeonghan what he had learned. the surprise he had been keeping had already made him beg you to cockwarm him as he waited, but you refused on account of knowing him, and by extension, knowing that he would not being able to stop himself. he had a bit more confidence, though it may have only been fueled by horniness, when he pulled the vaguely sweaty architect toward him on the bed. he tried to say something about how he should really wash up, but seokmin just kissed him, hands gripping around his skull in desperation, his dick already hard against jeonghan's pelvis.

jeonghan's hands wandered, as they usually did, and when he reached down to palm at seokmin's ass, he reacted in a way that earned him a questioning glance.

"we - ah-" his eyes shut, jeonghan's hands getting closer to his surprise. "she's been helping me-"

and that was when he felt it. the small, hard handle of a plug, situated between seokmin's perky asscheeks, easy to feel through the loose fabric of his shorts, and jeonghan felt his arousal tenting his pants just from the concept.

jeonghan hadn't even noticed your movement off the bed until a bottle of lube hit his leg, looking down at it briefly before looking to you.

"i'm gonna go clean up," you said, running a hand through your hair as you retreated to the bathroom, leaving jeonghan with an already flustered seokmin. 

before long, he had him on his back, naked, and finally got to see how sweet his little ass looked when jeonghan pushed his knees towards his chest. when he saw the black knob fitting tightly into his hole, he groaned, his own bare cock flinching in need. he put a hand on seokmin's dick, gripping it lightly, then put a thumb against the plug.

"nngh- fuck," seokmin stammered, fingers gripping at the bedsheets as his neck stretched out against the pillows, bucking into the hand wrapped around him. "j-jeonghan…"

"this is cute," he said, slowly moving his thumb in a circular motion, the plug's movement making seokmin let out choked moans. "but i really need to play with you now."

seokmin nodded, hurriedly, brows knit together. "please."

he hooked his fingers under the knob of the plug, slowly pulling it out and relishing in the reaction. the younger's back arched in a way that jeonghan wished he could see from every angle, knowing that the way his shoulders and back looked must have been incredible, but satisfied by just watching the way his mouth hung open and his eyes clamped shut, his fingers gripping at jeonghan's hand where it stayed on his dick.

he began to pump the dick in his palm, setting aside the plug and grabbing the lube, popping it open with just his left hand and quickly squirting a healthy amount onto the tip of seokmin's penis, making quick work of spreading it completely over the engorged member, the slickness making him moan even louder and reach out for jeonghan's shoulders.

he let seokmin tug him over him, kissing him briefly before looking down at where the younger's thighs spread over his, wanting nothing more than to just fuck him already.

jeonghan's hand left seokmin's cock, leaving him whining against his lips, but it was short lived as his lubed fingers slid down to his puckered hole.

"seokmin," he muttered, studying his face. "you're sure, right?"

"fuck, i've been wanting this for since christmas, jeonghan," he sputtered out, eyes barely able to focus when there were fingers teasing his entrance. "yes, please, i'm sure."

jeonghan slid a digit into the tight hole, watching seokmin's face as his brows creased and his head fell back, a moan tumbling from his lips. another finger, jeonghan decided, and the reaction was similar, making him smirk.

"god, you're ready, aren't you?"

"please," he begged. "i want you."

jeonghan sat back, and the musician got on his elbows to watch as he readied his cock with lube, putting more on his finger and spreading it around seokmin's hole. he whined when jeonghan placed the head of his dick at his entrance, tugging him over him again.

"i'll go slow, okay?" jeonghan assured him. "tell me if i need to stop."

seokmin just nodded, eyes trained on his, and they locked lips as jeonghan pushed his hips forward slowly, the man under him immediately moaning and huffing against his mouth.

jeonghan really liked sex with seokmin. he also really liked sex with you. but he was pretty sure he liked it the most when you were both present.

seokmin didn't walk right for a day and a half, and while he was slightly embarrassed, you told him it was a badge of honor he should wear proudly. afterall, he had done the same to you on halloween. 

"how's your butt?" you asked when he came down the stairs, the sunday morning after they had done the deed without you, making him choke out a laugh as you got his tea out of a cabinet in jeonghan's kitchen.

"better than yesterday," he said, gingerly seating himself at a stool. "but not as good as friday."

you eyed him. "before or during?"

seokmin thought a second. "both."

"good morning," jeonghan said, quickly planting kisses on the man and then you, cheek and lips respectively based on the convenience as he walked past you, making his way to the espresso machine. "i think i'm gonna work on the sunroom today."

"today?" you asked. "wonwoo's gonna say no."

"wonwoo isn't getting invited. i still have to find furniture," he said, rinsing out the espresso shot glass and wiping down the portafilter. "we're getting close to deadline, i need boo to order the upholstery job on tuesday and i have a meeting tomorrow."

"when's deadline?" seokmin asked, wondering why he had one for a home project.

jeonghan blinked at the wall, not even turning towards the younger. "don't worry your pretty head about it."

you pouted, closing the short distance and wrapping your arms around him, your chin on his shoulder. "it's sunday. can't we cuddled puddle?"

"you mean like we do every night?" jeonghan asked, but grinding espresso beans so you couldn't answer the rhetorical question, packing down the grounds. "if you want to cuddle puddle, don't get out of bed so early."

you huffed as you dropped your arms, leaving him to prep a glass for his americano. "whatever. seokmin and i will have fun without you."

"what kind of fun?"

you stick your tongue out at him, using a teasing voice when you said "wouldn't you like to know."

innocent fun, was the truth, but you thought it was a victimless bluff. you spent the morning sitting on the couch with seokmin while a record played, discussing everything from your favorite movies to your weirdest dreams. you had to get up every six songs or so to flip or change the record, but seokmin liked that every time you rejoined him on the couch, you got closer to his side until you were eventually snuggling into his side, arms wrapped around his torso.

the innocence stopped when jeonghan emerged from his study, joining the two of you for a break. he planted himself on the other side of seokmin, under his arm, letting his hand not-so-subtly run over his thigh. you noticed the contact, peeking around to jeonghan.

"what kind of break are you looking for, hannie?"

he adjusted. "an inspiring one."

you giggled, recognizing the euphemism he used whenever he was stuck on something for work as you leaned back again. "that means he's horny."

seokmin sputtered out a laugh, jeonghan chuckling at your direct observation. "it's hard to not think about you two sitting out here, having fun without me."

"you may not believe it," seokmin said. "but i don't think sex was even on the table for us two today."

jeonghan's eyes met his, and he swallowed harshly. "can it be on the table for all three of us?"

the comfort of returning to bed was hard to deny, especially when they had you laid out against seokmin's chest as he was pressed against the headboard, his mouth attached to your neck and his fingers twisting a nipple, all while jeonghan was digging his digits further into you with his tongue flicking against your clit. 

seokmin grunted, rutting his hips against your back. "fuck, he looks good there."

you gasped, nodding, biting at your lip as he kneaded your breast, your fingers digging into jeonghan's hair. "you both do."

jeonghan never struggled to pull you apart, his deft fingers and teasing lips making you squirm and moan until you were shaking, mouth hanging open as your vision blurred and he told you you tasted like candy.

"minnie," jeonghan prompted, making the younger sit up with you whining against him to clean your taste off his fingers. his dick throbbed in need, watching the singer's agile tongue against him, wishing it wasn't just on his fingers.

seokmin had to practically beg jeonghan to fuck him again, but his only hesitation was that he may not have recovered yet. seokmin  was on his back and gripped at jeonghan's thighs, urging him forward as your hand twisted around his thick, throbbing cock.

jeonghan swallowed, pausing despite being covered in lube and in position. "you're sure?"

"yes," seokmin said, gasping at your hand on him. "jeonghan, i appreciate you asking, but i'm always sure when it comes to you."

you weren't sure you had ever seen jeonghan blush like that in bed, and you smiled against seokmin's neck as he groaned, his cock firming in your grasp as the older pushed into him. you admired seokmin's silent scream, his head lolling to one side at the feeling.

"angel," jeonghan sighed, settling into the way seokmin squeezed around him. "what do you wanna do?"

you teased a thumb over seokmin's slit. "i wanna ride."

"f-fuuck-" seokmin panted, his hips resting against jeonghan's spread thighs as his knees hung to either side. "i'm not- nngh- gonna last."

"you don't have to," you said matter of factly, adjusting to straddle his torso. jeonghan winced, watching your form as he pumped into seokmin. "we're done when daddy says so."

you put your hand, palm up, over your shoulder, and jeonghan chuckled at the recognized motion for him to spit on your fingers - usually, so that you could slick his dick to sit back on it. you worked jeonghan's spit over seokmin's engorged cock, then slowly lowered yourself onto him.

seokmin stared up at you, eyes fluttering and mouth open, suddenly not only feeling impossibly full, but also absolutely stuffed into you. he moaned out loud when jeonghan bumped into his spot, overwhelmed by the simultaneous pleasure. you fell forward onto his chest, holding yourself up with shaky arms as your face hovered over his, both of you trying to hold off your own demises.

then, jeonghan pushed himself deep into seokmin, who whined, his dick pushing up against your cervix. you nearly collapsed, whimpering as your forehead fell to his, gasping into a desperate kiss. jeonghan groaned, his hand running over your hip as he looked at the intersection of you all, staring at the way you barely contained all of seokmin before he leaned forward and kissed your spine.

"you two will kill me," he said, one hand holding you firmly at your waist while the other gripped seokmin's thigh as he picked up his pace. you both moaned, fingernails digging into the plushest part of your thigh when seokmin questioned how much longer he could hold out at jeonghan's unrelenting pace.

a long, high pitched whine fell from his lips. "fuck, i need to cum," he rushed out, bleary eyes barely opening as he looked at you.

"hang on, baby," jeonghan said. "ladies first."

you babbled against seokmin's lips, somehow never being able to get used to the way he filled you, though jeonghan pushing him into you didn't help. you could do nothing but repeat curses in increasing pitch, pushing your face into seokmin's neck as your walls clamped down around him. his mouth gaped, desperately trying to not succumb to your plush insides before he got the okay.

jeonghan smiled at how seokmin tried to focus on him, despite his hands gripping you as you shook against him. "go ahead, baby."

so seokmin went. and god, he went, coating you internally, immediately squeezing out around his stuffed cock and onto his lap, making jeonghan pant as he kept his hips moving, chasing his own end. he leaned forward, chest pressing against your back as he fucked into seokmin, not stopping until his eyes were clamped shut and he was painting his walls white.

there was a long period of time where none of you moved, then another after you had all managed to untangle from each other. jeonghan sat back, leaning against a hand and scratching his brow as he breathed heavily.

"bathtub cuddle puddle?"

you laughed, chest heaving as you looked over to him, but it was seokmin who spoke. "that sounds nice."

he started to get suspicious when his birthday got closer.

jeonghan told you to suggest a dinner outing for that night to divert attention, but he had caught you moving one of the guitars for the music room only a few days before his birthday, and he looked at you with squinted eyes when he asked if it was for him and you hurriedly said no, hiding the guitar behind your back despite him clearly being able to see it. 

"i panicked," you told jeonghan, eyes wide. "he saw it in me. he could tell it wasn't just the guitar."

"it'll be fine, y/n," he said, pushing around potted plants until they satisfied him. "he has to think it's weird that we haven't let him see this room yet, anyways."

you chewed your cheek, looking around the almost completed sunroom. the tall windows showed the light snowflakes falling from the sky, not quite thick enough to leave a layer but enough to make the enclosed yard look slightly pastel. despite the open space that looked out into the cold seoul winter, it stayed cozy, heat radiating from the floorboards and the faux fur rugs laid across them. the space near the entrance had a raised floor with a grand piano, along with several guitars hanging upon the wall, while the area partially covered by the balcony had two heavily cushioned, dark heather gray couches and a bright armchair, adorned with pillows and cable knit blankets.

jeonghan had a slight obsessive nature when it came to his home projects. he was meticulous with contracts, too, but he truly wanted this house to be perfect - not just for him, but for the people he loved. so you watched him rearrange pillows about four more times before you ran up the stairs to the loft to see if he had changed anything there since you had looked the day before.

it almost felt as though it was outdoors, with plants hanging off the edge of the railing and the rustic desk he had originally picked for your office placed to one side. you imagined doing schoolwork here, fantasizing slightly about watching seokmin play piano from your vantage point as you wrote essays. you slid open the glass doors to peek into your new office.

he had painted the walls white, taking a hint from the styling in your own apartment when he picked out a neutral toned couch and light wood shelving, your early graduation present of a computer set up spread across an L shaped desk. he had even paid to have your upright piano moved here, and cut into the next room over to give you more space for an electric drumset. you couldn't help but smile, imagining your friends coming over to record stuff with you. you had always felt strange about inviting them to your rich boyfriend's house, despite him insisting they were welcome, but he had really gone through the trouble of making a room so perfect for all of them that you had no choice.

and it was brighter, you thought. you had told him you worked better in bright spaces.

despite jeonghan's promises, the music room renovation felt like it was as much a gift for you as it was for seokmin. though, maybe he couldn't help it, when the reasons he loved you both overlapped so much.

you went to seokmin's apartment the next day with a bagged gift for him, arriving again right as his client was leaving, and you smiled at the same young man you had seen the first time you had come to visit seokmin. you knew his name now, not because you had spoken to him much, but because you had been told about him by his teacher, and you congratulated him on getting a gig the upcoming weekend.

"oh," jisung said, glancing between the two of you. "he talks about me?"

you laughed and gave him a fighting, seokmin looking upwards to hide his embarrassment as he ushered his student toward the door. "have a nice week, jisung! i'll try to be there this weekend," he said, throwing you a look as you giggled. 

"it's not for guitar, you don't have to come," the younger assured. "but if you want to, bring your girlfriend!"

"yeah!" you said, putting your fists on your hips. "i'm getting you dinner for your birthday tonight, the least you can do is take me to an underground rap show!"

"okay, both of you, no more talking," seokmin said, trying and failing to prevent jisung from stopping in his tracks at the news that it was his birthday.

"woah, teach, happy birthday!" he laughed. "you weren't gonna say anything?" he kept talking even as his teacher pushed him out of his apartment.

you couldn't stop grinning when the door closed, seokmin turning to you. he pointed at you, trying to hide his smile as he could only get out a vaguely annoyed "you."

"happy birthday, baby," you said, wrapping your arms around his neck and pulling him into a kiss. he softened against you, smiling as you pulled away, his hands on your waist as he thanked you quietly.

"he asks about you a lot," seokmin said, joining you when you laughed at the fact. "i think he has a crush on you."

you rolled your eyes. "stop bragging about me, then."

"i don't brag," he said, smiling into another kiss. "i just tell the truth. i can't help that you're a dream come true."

you only pulled away from him to grab the two thick paper bags that you had set on his couch. "c'mon, we gotta head out. open your presents."

seokmin's mouth dropped open when he saw the logo on the bag. "wait, you didn't."

"i had to," you said, giggling as he grabbed one and tugged it open, moving to the couch to pull the garment out. "you said you wanted it."

"where did you find one?" he asked, staring at the corduroy parka from the brand you saw him wear constantly. "they've been sold out for weeks!"

"i got it before then, duh." you poked his cheek when he pouted at you, his eyebrows knit. "there's more, stop getting distracted."

seokmin hugged you extra tight as a thank you for his romantic crown haul, and he decisively pulled on the golden yellow shirt with the pizza on the back, making you grin at how perfectly jeonghan had predicted his thought process before you dragged him out of his apartment to go get dinner.

"we're just picking it up," you said, jangling a keychain. he gave you a quirked eyebrow, and you giggled, pulling him over to jeonghan's car. "do you wanna see it self drive?"

you pushed the side door closed with your butt and called out to jeonghan, saying the birthday boy was here. seokmin took the pizza boxes from your arms and put them on the kitchen counter as jeonghan walked around the stairs.

"well one of us has to change," jeonghan said facetiously, and seokmin looked down at the yellow shirt peeking through his half zipped parka, looking back up at jeonghan, who was wearing the same shirt.

"wait wait wait," you giggled, turning around to undo the zipper of your own jacket, pulling it open as you spun around to reveal that you, too, were wearing the shirt.

seokmin looked between you two with wide eyes, his eyebrows creasing. "you got us matching shirts?"

"pizza shirt gang!" you giggled, stripping off your jacket. "do you like them?"

he smiled into a disbelieving laugh. "how did you know i would put it on?"

"because we know you, minnie," jeonghan said, reaching for his hand after he took off his new coat. "before we eat, i finished the sunroom today, wanna see it?"

"hang on," seokmin stopped, making his hand fall from jeonghan's. "that's not the gift, right?" he looked at you. "the sunroom isn't the gift?"

you pursed your lips, looking at the ceiling, and seokmin started to argue, making jeonghan laughed. "who cares if it's for you, i just want you to come look at it."

jeonghan is pretty sure he always loved seokmin. it wasn't something he would ever be able to change about himself, he figured, as he watched his lover cover his face with his hands, sinking to crouch on the floor as his eyes looked around the large room that was lit by fairy light. the first thing he had seen was the piano, which made him gasp, then he saw the guitars, and looked at your smiling face, suddenly connecting dots, unable to stay standing from the shock as he understood why he hadn't been allowed to help.

and then he started crying.

the two of you ushered him to a couch, sitting him down as he sniffed back the tears. you sat beside him, wrapping your arms around his shoulder and cooing, jeonghan crouching on the floor in front of him.

"i'm sorry," jeonghan said, smiling slightly as he gave him an apologetic look. "i didn't mean to overwhelm you."

seokmin choked on a laugh, wiping at his cheeks. "how did you think i'd react?"

"i don't think he thought about it," you whispered, knowing full well jeonghan could hear you.

"i got a little carried away," he admitted, hand rubbing comforting circles on seokmin's leg. "you're special to me, so i wanted to make something special for you."

"this," seokmin said, looking around, gesturing at his surroundings. "this?"

the older huffed out a laugh, almost embarrassed. "yeah, this."

seokmin laughed too, eyes wet as he looked into the other's. "i can't believe you would make something this incredible for me."

"you're incredible," jeonghan said. "i want you to feel welcome in my home."

"i couldn't believe the record wall, either," you offered when seokmin seemed speechless, pressing your cheek against the his shoulder, hand rubbing his back. "jeonghan's love language is a little unique."

seokmin sniffed one more time, studying jeonghan's face, his brow creasing ever so slightly. "holy shit, i'm in love with you."

your heart stopped as you pulled away slightly to look at him, then jeonghan, who was frozen.

"i didn't realize that's what this was," seokmin said, hand gripping the one on his thigh. "i knew i liked you, but this is-"

jeonghan rose quickly, seating himself at seokmin's other side and kissed him. "i love you," he said, thumbs wiping over his slightly damp cheekbones. "it's taken me years to admit it, but i love you."

seokmin kissed him again in response, his face feeling hot from the continued attention. he broke away, only to look around the room again, jeonghan studying his face with a smile as he did.

"i think," seokmin said, clearing his throat when the words came out weak. he looked to you, then to jeonghan. "i think this is the best birthday i've ever had."

jeonghan laughed. "we haven't even had the pizza yet."

#dude just like magic by ariana is just about the mc of this au deadass #middle finger to my thumb and then i snap it #anyways #seventeen fluff #seventeen smut #seventeen imagines #seventeen scenarios #jeonghan fluff #jeonghan smut #jeonghan imagines #jeonghan scenarios #dokyeom fluff #dokyeom smut #dokyeom imagines #dokyeom scenarios #yes all of svt are in this au even the ones not mentioned by name exist in this universe ok #they all have a place i have a chart #whenever jeonghan gets an idea for a project at home seokmin runs and grabs a bass guitar and does the home improvement bass riff #i wrote dis #seokhan poly au

[karasunology]

⸙ ˚₊ ➷ BOKUTO KOUTARO BEING A DAD HEADCANONS! ❞

✎ . . . will you please write about oikawa, bokuto, and sugawara as dads?? :>

❝ ― submitted by @ nonnie <3 ❞

-ˏˋ ➶ character(s) ━ bokuto koutaro <3

[ trigger warnings ━ slight manga spoilers !! ]

✎ . . . DAD HEADCANONS.

[ SUGAWARA KOUSHI & OIKAWA VERSION. ] [ MIYA ATUSMU VERSION. ] [ KUROO TETSURO & KOZUKE KENMA VERSION. ] [ IWAIZUMI HAJIME VERSION. ]

-ˏˋ playing soleil's tape ˊˎ-

[ 📼 ] . . . no thoughts, head and heart full of bokuto koutaro

BOKUTO KOUTARO.

➜ bokuto wanted to have a baby with you

➜ that's it that's the tweet thank you for reading😌💅

➜ i'm kidding don't leave, i have abandonment issues

➜ just like oikawa, kou ─ your husband, has gotten baby fever and it wasn't going down any minute until bb boy gets his way

➜ phew, i'd let him get his way with me✋😳

➜ bokuto was great with kids, always playing around with them in a park as if he was one of them, and both of you knew that

➜ and when bokuto sees that you're also good with kids, mans knew he wanted to build a family with you

➜ he wanted not just one, because seeing what both of you created taking in different forms and pieces of their parents would leave him so proud

➜ would very much take it as a sign from the universe saying to him that the both of you were meant to be patents

➜ the day he lets you awknowledge his little daydream, was when the both of you were sitting down on the coach re-watching his match last week after babysitting one of your guys' friend's kid

➜ mans couldn't TAKE IT ANYMORE

➜ the way you coo at the child, you cooked with the child and just the way you tenderly supported the kid with your arms as you helped him reach a toy from the shelf

➜ and of course, you accepted it; there wasn't any other man other than kou that you wanted to start a family with

➜ let's just say mans wanted to make one right then and there after you confessed to him that you wanted to start a family with him as well

➜ and y'all did just that💀

➜ after receiving the news of your pregnancy, bokuto has never been more happy, aside from those times he won a match on nationals and, well ─ marrying you

➜ but in the white noise of excitement and joyfulness, there was a lingering thought and it was terrifying; what if he doesn't make enough time for both you and his child because of volleyball? will he have to take a break from it? would your child love him?

➜ bokuto was now down to emo mode just with the thought of your guys' children hating him

➜ and when the thoughts became to unbearable, he contacts akaashi.

“ bokuto-san, ” koutaro could tell akaashi was thinking about it before saying something,

“ you're one of the best men i know that's good with children; don't waste your time sulking about nonsensical what if's, when the present is right there in front of you ”

➜ akaashi was, to say the least, your one of your children's godfather.

➜ but the day your babies was going to arrive, it was as if your husband had a switch and unlike the usual ─ he was the one supporting you

➜ he held your hand, squeezing them to let you be aware that he's right there by your side, knowing that you needed all the support right now and he gave it to you

➜ tenfolds the support you gave him

➜ and when be first saw the first triplet being born, he knew right there that he fell in love once again, but with the child he has co-produced with the love of his life !!

➜ i just wanted to say that y'all's kids are NIGHT OWLS, literally, gets the biggest bursts of energy at ungodly hours

➜ koutaro would still get anxious and terrified, but there was something about your triplets that puts him at ease ─ like, one thing he'd be doubting himself and then the next thing, he'd be all fuzzy inside when his three triplets just looked like a litter of puppies asking for his attention on his lap

➜ and he'd just, revert back to reality seeing how blessed he was and stopped doubting himself and just live in the present

➜ EYE ─ I'M SO SOFT I CAN'T😭✋

“ now say dada ” he encouraged the little sunshines on his lamp as a youthful giggle serenated from his son's lips

“ dawa ─ ” the baby tried to copy his words, before shreiking of laughter when kosuke saw the defeated look on his father's face, somehow bringing him joy

➜ while his baby girl, kouzumi, was peacefully attached to him as the most interesting in her golden eyes were his hair ─ attempting to reach her arms to his hair, making grabby arms

➜ after a few months, you've noticed how much your triplets were in sync with their father ─ all together, being balls of sunshine

“ you've been trying for hours kou, take a break. ” you laugh, as you looked up from the book you were holding seeing your husband housing an offended look, and of course ─ a weird sound, a scoff? you didn't know, until, your other son imitated him

➜ almost perfecting the one he made

➜ and bokuto was ECSTATIC

“ hONEY, HONEY, OH MY GOD DID YOU HEAR THAT? ” he squealed, as his son imitated his sound again

“ he's responding to me !! ”

“ dO IT AGAIN KOSUKE ” he says as he takes out his phone

➜ the type of father to do the peek-a-boo game with his triplets and doing it perfectly as they're just enamured by his father as if he was doing some avada kedevra shit 😭🗿

➜ hey queen!! 🙆👑 GIRL, YOU HAVE DONE IT AGAIN, CONSTANTLY RAISING📈📉 THE BAR🔝 FOR US AND DOING IT F L A W L E S S  L Y

➜ the type of father that would never miss any important moments with his children, even though he's a busy with volleyball especially since it's his profession

➜ the type of father that has too many videos of his children on his phone saying papa in different ways, trying to imitate him, first steps, first laugh & JUST EVERYTHING

➜ has a whole usb of his children, three folders for each of them

➜ has a whole ass frame of his daughter's drawing from five years old of him and her and he would NOT let anyone touch it other than him and maybe you when you when you need to dust off the frames because it's getting too dusty

➜ you guys would always be there to support him no matter what, either in the stands of at home

➜ but when you guys do visit his games and cheer him on, MANS WILL BE UNSTOPPABLE

“ mommy !! look, daddy's coming ” kaoru, the youngest of your triplets, tugged softly on your coat

➜ you smiled as you saw your husband running up to you and your kids after his matches as a few reporters, in respect, stood a few meters away from you guys, taking kosuke on his right arm, the other with kaoru and on top of his shoulders was kouzumi tugging on her father's spiked hair she could never seem to get over with

“ ahH ─ my hair baby girl, you're kinda hurting daddy ” koutaru laughed as your daughter tried processing his words before wrapping her arms around his head softly to not fall off a small gasp escaping her lips

“ i'm sowry for hurting you daddy! ” she exclaimed as her brothers tried telling her off while the reporters just watched in awe at her

“ don't hurt daddy just because he lets you on top of there ─ ” kosuke scolded her, slightly jealous that she had the highest view

“ ─ yeah! ” your youngest vigorously nodded his head as he agreed to his brother, both obviously pouting that she had the chance to be ontop of their father's shoulders

“ uh kou, i can take them now since there's a few people wanting to interview you. ” you offered as you jerked your head onto the reporters directions smiling at them

“ oh no ma'am !! it's alright, we also kinda wanted to interview your children as well, since a lot of netizens are curious about them, seeing them everywhere on his socials. ”

➜ you guys agreed as they start asking you guys questions, but more to the triplets as they responded cutely, their identical amber eyes looking at them like an owl in curiousity

➜ JUST IMAGINE THREE ADORABLE OWL LOOKING KIDS HANGING ON TO THEIR MOTHER OWL AND BOKUTO JUST LOOKS LIKES A MONKEY BAR LMAO

➜ like these kids just attached to him lmao

➜ but there are times where he has to go on tournaments, training camps, olympics & probably photoshoots/commercials ngl and these three owls he left in your care are in EMO MODE LMAOO😭✋

➜ they got it from their dad, and you were now stuck with three emo bokutos but times three

➜ wow multiplication

➜ when she's a mathematician😍

➜ but bokuto would honestly also miss his children clinging to him for dear life

➜ like they would never be separated without having facetime calls every five hours

➜ but your kids understood that he has other things to do and theg try not to complain that much for your sake

➜ your kids are actually sweethearts okay 🥺

➜ when they grew up, his sons were still attached to him but they weren't as clingey as when they were in their childhood days ─ but your daughter phew, your daughter used to be the clingiest of them all and now it's just none, nonexistent, vanished, obliviated, avada kedevra LMAO

➜ like you know how teenagers be

➜ and your husband was DEPRESSED ABOUT IT

➜ his bb girl won't touch his hair anymore :(

➜ his bb girl won't be a little girl no more :(

➜ especially when kouzumi starts having boyfriends😭 MANS WAS SAD THAT THERE ARE ALREADY BOYS OTHER HIM IN HER LIFE

➜ it felt as if it wasn't even yesterday that kouzumi said that she don't need no prince, she'll be both a fucking princess and knight in shinning armor

➜ ugh periodt💅

➜ and koutaro's nows just like

“ WHERE DID ALL THAT TALK GO ?? ”💀💀💀

➜ ALSO BOKUTO GIVES THE BEST ADIVCES NO CAP

➜ gives volleyball advices, relationship advices better than u could ever

➜ this is getting too long but, even if some of his kids may not show it anymore, they still love their father so much and won't let anyone replace him because he's basically the ace of their hearts.

#haikyuu headcanons #haikyuu!! headcanons #haikyuu x reader #hq x reader #haikyuu fluff #bokuto koutaro #bokuto koutaro headcanons #haikyuu social media au #haikyuu smau #bokuto koutaro x reader #bokuto koutaro scenarios #haikyuu scenarios #haikyuu imagines #haikyuu drabbles #bokuto x reader #hq imagines #hq scenarios #hq fluff #bokuto koutaro imagines

[netheritenugget]

According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don't care what humans think is impossible.

/lh /nm Oh you think you're funny?

"INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s. JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam. ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say we don’t need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) *

Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin. ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up. ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot. There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop. Cameras flash, as all the bees throw up their hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON:

The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make. ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about. They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what. ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face. GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am. ADAM (whispering louder) You are not! BUZZ We’re going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on

what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me. MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.” CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex. ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go. ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee

dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone. CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK. LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar. JOCK Stand to the side kid, it’s got a bit of a kick. The jock fires the gun, and recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He

takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24. They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes. SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25. BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen. The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!! Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban

family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello. LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes. BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops

Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement? VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? * KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by, Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me... BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway. VANESSA Can I, uh, get you something? BARRY Like what? VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes

two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs. Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes? BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches. The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He’s instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary

humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite. BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about. MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you. DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s leg. She SWATS it violently. Barry’s head whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set.

Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go. JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine. VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why? (gesturing around the market) You don’t have enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling,

and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife. BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck. He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck driver through the glass) Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington,

I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place? ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61. Our queen was moved here, we had no choice. BARRY (looking at a picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this?

Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM - LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are

you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66. BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc. Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee. VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting. VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you��re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE - CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work

during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn’t some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know he could be on steroids! Montgomery leers at Barry, who moves to the stand. "Bee Movie" - JS REVISIONS 8/13/07 73. JUDGE Mr. Benson? Barry makes his opening statement. BARRY Ladies and Gentlemen of the jury, there’s no trickery here. I’m just an ordinary bee. And as a bee, honey’s pretty important to me. It’s important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us cause we’re the little guys. And what I’m hoping is that after this is all over, you’ll see how by taking our honey, you’re not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry’s family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM - LATER JUDGE Call your first witness. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon-Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekeeper. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I’m sorry. I couldn’t hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don’t free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they’re very lovable creatures. Yogi-bear, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTENDANT from her building ENTER

with a GIANT FEROCIOUS GRIZZLY BEAR. He has a neck collar and chains extending from either side. "Bee Movie" - JS REVISIONS 8/13/07 75. By pulling the chains, they bring him directly in front of Vanderhayden. The bear LUNGES and ROARS. BARRY (CONT'D) Bears kill bees! How would you like his big hairy head crashing into your living room? Biting into your couch, spitting out your throwpillows...rowr, rowr! The bear REACTS. BEAR Rowr!! BARRY Okay, that’s enough. Take him away. Vanessa and the Superintendant pull the bear out of the courtroom. Vanderhayden TREMBLES. The judge GLARES at him. CUT TO: INT. COURTROOM- A LITTLE LATER Barry questions STING. BARRY So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? STING I was with a band called "The Police". BARRY But you've never been a police officer of any kind, have you? STING No, I haven't. "Bee Movie" - JS REVISIONS 8/13/07 76. BARRY No, you haven’t. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name. STING Oh please. BARRY Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, (looking in folder) Mr. Gordon M. Sumner? The jury GASPS. MONTGOMERY (to his aides) That’s not his real name? You idiots! CUT TO: INT. COURTHOUSE- LATER BARRY Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. LIOTTA Thank you. Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you’re devilishly handsome, but with a churning inner turmoil that’s always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn’t. But is this what it’s come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don’t have to rehearse your part, and learn your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn’t a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doesn’t someone just step on this little creep and we can all go home? You’re all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: NEW YORK POST: “Bees to Humans: Buzz Off”. NEW YORK TELEGRAM: “Sue Bee”. DAILY VARIETY: “Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.” CUT TO: SEQ. 3175 - “CANDLELIGHT DINNER” INT. VANESSA’S APARTMENT Barry and Vanessa are having a candle light dinner. Visible behind Barry is a “LITTLE MISSY” SET BOX, with the flaps open. BARRY Well, I just think that was awfully nice of that bear to pitch in like that. "Bee Movie" - JS REVISIONS 8/13/07 78. VANESSA I’m telling you, I think the jury’s on our side. BARRY Are we doing everything right...you know, legally? VANESSA I’m a florist. BARRY Right, right. Barry raises his glass. BARRY (CONT’D) Well, here’s to a great team. VANESSA To a great team. They toast. Ken ENTERS KEN Well hello. VANESSA Oh...Ken. BARRY Hello. VANESSA I didn’t think you were coming. KEN No, I was just late. I tried to call. But, (holding his cell phone) the battery... VANESSA I didn’t want all this to go to waste, so I called Barry. Luckily he was free. BARRY Yeah. KEN (gritting his teeth) Oh, that was lucky. "Bee Movie" - JS REVISIONS 8/13/07 79. VANESSA Well, there’s still a little left. I could heat it up. KEN Yeah, heat it up. Sure, whatever. Vanessa EXITS. Ken and Barry look at each other as Barry eats. BARRY So, I hear you’re quite a tennis player. I’m not much for the game myself. I find the ball a little grabby. KEN That’s where I usually sit. Right there. VANESSA (O.C) Ken, Barry was looking at your resume, and he agreed with me that “eating with chopsticks” isn’t really a special skill. KEN (to Barry) You think I don’t see what you’re doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That’s

just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" - JS REVISIONS 8/13/07 80. VANESSA Ken, I let Barry borrow your razor for his fuzz. I hope that was alright. Ken hits his head on the table. BARRY I’m going to go drain the old stinger. KEN Yeah, you do that. Barry EXITS to the bathroom, grabbing a small piece of a VARIETY MAGAZINE on the way. BARRY Oh, look at that. Ken slams the champagne down on the table. Ken closes his eyes and buries his face in his hands. He grabs a magazine on the way into the bathroom. SEQ. 2800 - “BARRY FIGHTS KEN” INT. BATHROOM - CONTINUOUS Ken ENTERS, closes the door behind him. He’s not happy. Barry is washing his hands. He glances back at Ken. KEN You know, I’ve just about had it with your little mind games. BARRY What’s that? KEN Italian Vogue. BARRY Mamma Mia, that’s a lot of pages. KEN It’s a lot of ads. BARRY Remember what Van said. Why is your life any more valuable than mine? "Bee Movie" - JS REVISIONS 8/13/07 81. KEN It’s funny, I just can’t seem to recall that! Ken WHACKS at Barry with the magazine. He misses and KNOCKS EVERYTHING OFF THE VANITY. Ken grabs a can of AIR FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. BARRY Ken, look at me! I’m wearing a chapstick hat. This is pathetic. ANGLE ON: Ken turning the hand shower nozzle from “GENTLE”, to “TURBO”, to “LETHAL”. "Bee Movie" - JS REVISIONS 8/13/07 82. KEN I’ve got issues! Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry. KEN (CONT'D) Well well well, a royal flush. BARRY You’re bluffing. KEN Am I? Ken flushes the toilet. Barry grabs the Emory board and uses it to surf. He puts his hand in the water while he’s surfing. Some water splashes on Ken. BARRY Surf’s up, dude! KEN Awww, poo water! He does some skate board-style half-pipe riding. Barry surfs out of the toilet. BARRY That bowl is gnarly. Ken tries to get a shot at him with the toilet brush. KEN Except for those dirty yellow rings. Vanessa ENTERS. VANESSA Kenneth! What are you doing? KEN You know what? I don’t even like honey! I don’t eat it! VANESSA We need to talk! "Bee Movie" - JS REVISIONS 8/13/07 83. She pulls Ken out by his ear. Ken glares at Barry. CUT TO: INT. HALLWAY - CONTINUOUS VANESSA He’s just a little bee. And he happens to be the nicest bee I’ve met in a long time. KEN Long time? What are you talking about? Are there other bugs in your life? VANESSA No, but there are other things bugging me in life. And you’re one of them! KEN Fine! Talking bees, no yogurt night...my nerves are fried from riding on this emotional rollercoaster. VANESSA Goodbye, Ken. KEN Augh! VANESSA Whew! Ken EXITS, then re-enters frame. KEN And for your information, I prefer sugar-free, artificial sweeteners, made by man! He EXITS again. The DOOR SLAMS behind him. VANESSA (to Barry) I’m sorry about all that. Ken RE-ENTERS. "Bee Movie" - JS REVISIONS 8/13/07 84. KEN I know it’s got an aftertaste! I like it! BARRY (re: Ken) I always felt there was some kind of barrier between Ken and me. (puts his hands in his pockets) I couldn’t overcome it. Oh well. VANESSA Are you going to be okay for the trial tomorrow? BARRY Oh, I believe Mr. Montgomery is about out of ideas.

CUT TO: SEQ. 3300 - “ADAM STINGS MONTY” INT. COURTROOM - NEXT DAY ANGLE ON: Medium shot of Montgomery standing at his table. MONTGOMERY We would like to call Mr. Barry Benson Bee to the stand. ADAM (whispering to Vanessa) Now that’s a good idea. (to Barry) You can really see why he’s considered one of the very best lawyers-- Oh. Barry rolls his eyes. He gets up, takes the stand. A juror in a striped shirt APPLAUDS. MR. GAMMIL (whispering) Layton, you’ve got to weave some magic with this jury, or it’s going to be all over. Montgomery is holding a BOOK, “The Secret Life of Bees”. "Bee Movie" - JS REVISIONS 8/13/07 85. MONTGOMERY (confidently whispering) Oh, don’t worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don’t like about bees. (to Gammil) You got the tweezers? Mr. Gammil NODS, and pats his breast pocket. MR. GAMMIL Are you allergic? MONTGOMERY Only to losing, son. Only to losing. Montgomery approaches the stand. MONTGOMERY (CONT’D) Mr. Benson Bee. I’ll ask you what I think we’d all like to know. What exactly is your relationship to that woman? Montgomery points to Vanessa. BARRY We’re friends. MONTGOMERY Good friends? BARRY Yes. MONTGOMERY (softly in Barry’s face) How good? BARRY What? MONTGOMERY Do you live together? BARRY Wait a minute, this isn’t about-- "Bee Movie" - JS REVISIONS 8/13/07 86. MONTGOMERY Are you her little... (clearing throat) ... bed bug? BARRY (flustered) Hey, that’s not the kind of-- MONTGOMERY I’ve seen a bee documentary or two. Now, from what I understand, doesn’t your Queen give birth to all the bee children in the hive? BARRY Yeah, but-- MONTGOMERY So those aren’t even your real parents! ANGLE ON: Barry’s parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry’s parents. MONTGOMERY You’re an illegitimate bee, aren’t you Benson? ADAM He’s denouncing bees! All the bees in the courtroom start to HUM. They’re agitated. MONTGOMERY And don’t y’all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I’m going to pin cushion this guy! Montgomery turns around and positions himself by the judge’s bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don’t! It’s what he wants! Adam shoves Barry out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I’m hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is coursing through my veins! I have been felled by a wing-ed beast of destruction. You see? You can’t treat them like equals. They’re strip-ed savages! Stinging’s the only thing they know! It’s their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can’t feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will come forward to suck the poison from my heaving buttocks? The JURY recoils. JUDGE Please, I will have order in this court. Order! Order, please! FADE TO: SEQ. 3400 - “ADAM AT HOSPITAL” INT. HOSPITAL - STREET LEVEL ROOM - DAY PRESS PERSON #1 (V.O) The case of the honey bees versus the human race took a pointed turn against the bees yesterday, when one of their legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. A NURSE lets Barry into the room. Barry CARRIES a FLOWER. BARRY Thank you. Barry stands over Adam, in a bed. Barry lays the flower down next to him. The TV is on. BARRY (CONT'D) Hey buddy. ADAM Hey. BARRY Is there much pain? Adam has a BEE-SIZED PAINKILLER HONEY BUTTON near his head that he presses. ADAM (pressing the button) Yeah...I blew the whole case, didn’t I? "Bee Movie" - JS REVISIONS 8/13/07 89. BARRY Oh, it doesn’t matter. The important thing is you’re alive. You could have died. ADAM I’d be better off dead. Look at me. Adam

THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT’D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there’s a little celery still on it. BARRY What was it like to sting someone? ADAM I can’t explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I’m sorry. I flew us right into this. What were we thinking? Look at us, we’re just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don’t know. ADAM I hear they put the roaches in motels. That doesn’t sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don’t check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT’D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don’t smoke. BARRY Right. Bees don’t smoke. Bees don’t smoke! But some bees are smoking. Adam, that’s it! That’s our case. Adam starts putting his clothes on. ADAM It is? It’s not over? BARRY No. Get up. Get dressed. I’ve got to go somewhere. You get back the court and stall. Stall anyway you can. CUT TO: SEQ. 3500 - “SMOKING GUN” INT. COURTROOM - THE NEXT DAY Adam is folding a piece of paper into a boat. ADAM ...and assuming you’ve done step 29 correctly, you’re ready for the tub. "Bee Movie" - JS REVISIONS 8/13/07 91. ANGLE ON: The jury, all with paper boats of their own. JURORS Ooh. ANGLE ON: Montgomery frustrated with Gammil, who’s making a boat also. Monty crumples Gammil’s boat, and throws it at him. JUDGE Mr. Flayman? ADAM Yes? Yes, Your Honor? JUDGE Where is the rest of your team? ADAM (fumbling with his swordstinger) Well, your honor, it’s interesting. You know Bees are trained to fly kind of haphazardly and as a result quite often we don’t make very good time. I actually once heard a pretty funny story about a bee-- MONTGOMERY Your Honor, haven’t these ridiculous bugs taken up enough of this court’s valuable time? Montgomery rolls out from behind his table. He’s suspended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery’s motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can’t. We have a terrific case. MONTGOMERY Where is your proof? Where is the evidence? Show me the smoking gun. Barry bursts through the door. BARRY Hold it, your honor. You want a smoking gun? Here is your smoking gun. Vanessa ENTERS, holding a bee smoker Vanessa slams the beekeeper's SMOKER onto the judge’s bench. JUDGE What is that? BARRY It’s a Bee smoker. Montgomery GRABS the smoker. MONTGOMERY What, this? This harmless little contraption? This couldn’t hurt a fly, let alone a bee. He unintentionally points it towards the bee gallery, KNOCKING THEM ALL OUT. The jury GASPS. The press SNAPS pictures of them. BARRY Members of the jury, look at what has happened to bees who have never been asked, "Smoking or Non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? Barry gestures dramatically towards Montgomery's racially mixed table. The BLACK LAWYER slowly moves his chair away. GAMMIL What are we going to do? "Bee Movie" - JS REVISIONS 8/13/07 93. MONTGOMERY (to Pross) He's playing the species card. Barry lands on the scale of justice, by the judge’s bench. It balances as he lands. BARRY Ladies and gentlemen, please, FreeThese-Bees! ANGLE ON: Jury, chanting "Free the bees". JUDGE The court finds in favor of the bees. The chaos continues. Barry flies over to

Vanessa, with his hand up for a “high 5”. BARRY Vanessa, we won! VANESSA Yay! I knew you could do it. Highfive! She high 5’s Barry, sending him crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I’m okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won’t have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You’ll regret this. ANGLE ON: Barry’s ‘deer in headlights’ expression, as the press pushes microphones in his face. "Bee Movie" - JS REVISIONS 8/13/07 94. PRESS PERSON 1 Barry, how much honey do you think is out there? BARRY Alright, alright, one at a time... SARAH Barry, who are you wearing? BARRY Uhhh, my sweater is Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery’s right? VANESSA What do you mean? ADAM We’ve been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 - “HONEY ROUNDUP” EXT. HONEY FARMS APIARY - MONTAGE SARAH (V.O) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we’re going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee Movie" - JS REVISIONS 8/13/07 95. I believe we’re all aware of what they do in the woods. We will no longer tolerate derogatory beenegative nick-names, unnecessary inclusion of honey in bogus health products, and la-dee-da tea-time human snack garnishments. MONTAGE IMAGES: Close-up on an ATF JACKET, with the YELLOW LETTERS. Camera pulls back. We see an ARMY OF BEE AND HUMAN AGENTS wearing hastily made “Alcohol, Tobacco, Firearms, and Honey” jackets. Barry supervises. The gate to Honey Farms is locked permanently. All the smokers are collected and locked up. All the bees leave the Apiary. CUT TO: EXT. ATF OUTSIDE OF SUPERMARKET - MONTAGE Agents begin YANKING honey off the supermarket shelves, and out of shopping baskets. CUT TO: EXT. NEW HIVE CITY - MONTAGE The bees tear down a honey-bear statue. CUT TO: EXT. YELLOWSTONE FOREST - MONTAGE POV of a sniper’s crosshairs. An animated BEAR character looka-like, turns his head towards camera. BARRY Wait for my signal. ANGLE ON: Barry lowering his binoculars. BARRY (CONT'D) Take him out. The sniper SHOOTS the bear. It hits him in the shoulder. The bear looks at it. He gets woozy and the honey jar falls out of his lap, an ATF&H agent catches it. "Bee Movie" - JS REVISIONS 8/13/07 96. BARRY (V.O) (CONT'D) ATF&H AGENT (to the bear’s pig friend) He’ll have a little nausea for a few hours, then he’ll be fine. CUT TO: EXT. STING’S HOUSE - MONTAGE ATF&H agents SLAP CUFFS on Sting, who is meditating. STING But it’s just a prance-about stage name! CUT TO: INT. A WOMAN’S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H agent pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Barry looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey, gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can’t breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry’s hive. "Bee Movie" - JS REVISIONS 8/13/07 97. BARRY Bring it in, boys. CUT TO: SEQ. 3650 - “NO MORE WORK” INT. HONEX - MONTAGE ANGLE ON: The honey goes past the 3-cup hash-mark, and begins to overflow. A WORKER BEE runs up to Buzzwell. WORKER BEE 1 Mr. Buzzwell, we just passed 3

cups, and there’s gallons mores coming. I think we need to shutdown. KEYCHAIN BEE (to Buzzwell) Shutdown? We’ve never shutdown. ANGLE ON: Buzzwell overlooking the factory floor. BUZZWELL Shutdown honey production! Stop making honey! ANGLE ON: TWO BEES, each with a KEY. BUZZWELL (CONT’D) Turn your key, Sir! They turn the keys simultaneously, War Games-style, shutting down the honey machines. ANGLE ON: the Taffy-Pull machine, Centrifuge, and Krelman all slowly come to a stop. The bees look around, bewildered. WORKER BEE 5 What do we do now? A BEAT. WORKER BEE 6 Cannon ball!! He jumps into a HONEY VAT, doesn’t penetrate the surface. He looks around, and slowly sinks down to his waist. "Bee Movie" - JS REVISIONS 8/13/07 98. EXT. HONEX FACTORY THE WHISTLE BLOWS, and the bees all stream out the exit. CUT TO: INT. J-GATE - CONTINUOUS Lou Loduca gives orders to the pollen jocks. LOU LODUCA We’re shutting down honey production. Mission abort. CUT TO: EXT. CENTRAL PARK Jackson receives the orders, mid-pollination. JACKSON Aborting pollination and nectar detail. Returning to base. CUT TO: EXT. NEW HIVE CITY ANGLE ON: Bees, putting sun-tan lotion on their noses and antennae, and sunning themselves on the balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning themselves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA’S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes “Sorry. No more flowers.” on a “Closed” sign, an turns it facing out. CUT TO: SEQ. 3700 - “IDLE HIVE” EXT. NEW HIVE CITY - DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam’s office. CUT TO: INT. ADAM’S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam’s office is in disarray. There are papers everywhere. He’s filling up his cardboard hexagon box. BARRY (out of breath) Adam, you wouldn’t believe how much honey was out there. ADAM Oh yeah? BARRY What’s going on around here? Where is everybody? Are they out celebrating? "Bee Movie" - JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they’re just home. They don’t know what to do. BARRY Hmmm. ADAM They’re laying out, they’re sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn’t? It’s the greatest thing in the world. I was excited to be a part of making it. ANGLE ON: Adam’s desk on it’s side in the hall. ADAM (CONT’D) This was my new desk. This was my new job. I wanted to do it really well. And now...and now I can’t. Adam EXITS. CUT TO: SEQ. 3900 - “WORLD WITHOUT BEES” INT. STAIRWELL Vanessa and Barry are walking up the stairs to the roof. BARRY I don’t understand why they’re not happy. We have so much now. I thought their lives would be better. "Bee Movie" - JS REVISIONS 8/13/07 101. VANESSA Hmmm. BARRY They’re doing nothing. It’s amazing, honey really changes people. VANESSA You don’t have any idea what’s going on, do you? BARRY What did you want to show me? VANESSA This. They reach the top of the stairs. Vanessa opens the door. CUT TO: EXT. VANESSA’S ROOFTOP - CONTINUOUS Barry sees Vanessa’s flower pots and small garden have all turned brown. BARRY What happened here? VANESSA That is not the half of it... Vanessa turns Barry around with her two fingers, revealing the view of Central Park, which is also all brown. BARRY Oh no. Oh my. They’re all wilting. VANESSA Doesn’t look very good, does it? BARRY No. VANESSA And who’s fault do you think that is? "Bee Movie" - JS REVISIONS 8/13/07 102. BARRY Mmmm...you know, I’m going to guess, bees. VANESSA Bees? BARRY Specifically me. I guess I didn’t think that bees not needing to make honey would affect all these other things. VANESSA And it’s not just flowers. Fruits,

vegetables...they all need bees. BARRY Well, that’s our whole SAT test right there. VANESSA So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there’s no more pollination, it could all just go south here, couldn’t it? VANESSA And I know this is also partly my fault. Barry takes a long SIGH. BARRY How about a suicide pact? VANESSA (not sure if he’s joking) How would we do it? BARRY I’ll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I’ve got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 - “GOING TO PASADENA” EXT. NY STREET - CONTINUOUS Vanessa gets into a cab. Barry ENTERS. BARRY Vanessa. Why are you leaving? Where are you going? VANESSA To the final Tournament of Roses parade in Pasadena. They moved it up to this weekend because all the flowers are dying. It’s the last chance I’ll ever have to see it. BARRY Vanessa, I just want to say I’m sorry. I never meant it to turn out like this. VANESSA I know. Me neither. Vanessa cab drives away. "Bee Movie" - JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can’t do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa’s cab. He catches up to it, and he pounds on the window. INT. TAXI - CONTINUOUS Barry motions for her to roll the window down. She does so. BARRY Roses?! VANESSA Barry? BARRY (as he flies next to the cab) Roses are flowers. VANESSA Yes, they are. BARRY Flowers, bees, pollen! VANESSA I know. That’s why this is the last parade. BARRY Maybe not. The cab starts pulling ahead of Barry. BARRY (CONT'D) (re: driver) Could you ask him to slow down? VANESSA Could you slow down? The cabs slows. Barry flies in the window, and lands in the change box, which closes on him. "Bee Movie" - JS REVISIONS 8/13/07 105. VANESSA (CONT'D) Barry! Vanessa lets him out. Barry stands on the change box, in front of the driver’s license. BARRY Okay, I made a huge mistake! This is a total disaster, and it’s all my fault! VANESSA Yes, it kind of is. BARRY I’ve ruined the planet. And, I wanted to help with your flower shop. Instead, I’ve made it worse. VANESSA Actually, it’s completely closed down. BARRY Oh, I thought maybe you were remodeling. Nonetheless, I have another idea. And it’s greater than all my previous great ideas combined. VANESSA I don’t want to hear it. Vanessa closes the change box on Barry. BARRY (opening it again) Alright, here’s what I’m thinking. They have the roses, the roses have the pollen. I know every bee, plant, and flower bud in this park. All we’ve got to do is get what they’ve got back here with what we’ve got. VANESSA Bees... BARRY Park... VANESSA Pollen... "Bee Movie" - JS REVISIONS 8/13/07 106. BARRY Flowers... VANESSA Repollination! BARRY (on luggage handle, going up) Across the nation! CUT TO: SEQ. 3950 - “ROSE PARADE” EXT. PASADENA PARADE BARRY (V.O) Alright. Tournament of Roses. Pasadena, California. They’ve got nothing but flowers, floats, and cotton candy. Security will be tight. VANESSA I have an idea. CUT TO: EXT. FLOAT STAGING AREA ANGLE ON: Barry and Vanessa approaching a HEAVILY ARMED GUARD in front of the staging area. VANESSA Vanessa Bloome, FTD. Official floral business. He leans in to look at her badge. She SNAPS IT SHUT, VANESSA (CONT’D) Oh, it’s real. HEAVILY ARMED GUARD Sorry ma’am. That’s a nice brooch, by the way. VANESSA Thank you. It was a gift. "Bee Movie" - JS REVISIONS 8/13/07 107. They ENTER the staging area. BARRY (V.O) Then, once we’re inside, we just pick the right float. VANESSA How about the Princess and the Pea? BARRY Yeah. VANESSA I can be the princess, and-- BARRY ...yes, I think-- VANESSA You could be-- BARRY I’ve-- VANESSA The pea. BARRY Got it. CUT TO:

EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER Barry, dressed as a PEA, flies up and hovers in front of the princess on the “Princess and the Pea” float. The float is sponsored by Inflat-a-bed and a SIGN READS: “Inflat-a-bed: If it blows, it’s ours.” BARRY Sorry I’m late. Where should I sit? PRINCESS What are you? BARRY I believe I’m the pea. PRINCESS The pea? It’s supposed to be under the mattresses. "Bee Movie" - JS REVISIONS 8/13/07 108. BARRY Not in this fairy tale, sweetheart. PRINCESS I’m going to go talk to the marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT’D) Let’s see what this baby will do. ANGLE ON: Guy with headset talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER ANGLE ON: Vanessa putting the princess hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa’s float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry speed, dodging and weaving, down the freeway. BARRY (V.O) And once we’re at the airport, there’s no stopping us. CUT TO: EXT. LAX AIRPORT Barry and Vanessa pull up to the curb, in front of an TSA AGENT WITH CLIPBOARD. TSA AGENT Stop. Security. Did you and your insect pack your own float? VANESSA (O.C) Yes. TSA AGENT Has this float been in your possession the entire time? VANESSA (O.C) Since the parade...yes. ANGLE ON: Barry holding his shoes. TSA AGENT Would you remove your shoes and everything in your pockets? Can you remove your stinger, Sir? BARRY That’s part of me. TSA AGENT I know. Just having some fun. Enjoy your flight. CUT TO: EXT. RUNWAY Barry and Vanessa’s airplane TAKES OFF. "Bee Movie" - JS REVISIONS 8/13/07 110. BARRY (O.C) Then, if we’re lucky, we’ll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 - “COCKPIT FIGHT” INT. AIRPLANE Vanessa is on the aisle. Barry is on a laptop calculating flowers, pollen, number of bees, airspeed, etc. He does a “Stomp” dance on the keyboard. BARRY Can you believe how lucky we are? We have just enough pollen to do the job. I think this is going to work, Vanessa. VANESSA It’s got to work. PILOT (V.O) Attention passengers. This is Captain Scott. I’m afraid we have a bit of bad weather in the New York area. And looks like we’re going to be experiencing a couple of hours delay. VANESSA Barry, these are cut flowers with no water. They’ll never make it. BARRY I’ve got to get up there and talk to these guys. VANESSA Be careful. Barry flies up to the cockpit door. CUT TO: INT. COCKPIT - CONTINUOUS A female flight attendant, ANGELA, is in the cockpit with the pilots. "Bee Movie" - JS REVISIONS 8/13/07 111. There’s a KNOCK at the door. BARRY (C.O) Hey, can I get some help with this Sky Mall Magazine? I’d like to order the talking inflatable travel pool filter. ANGELA (to the pilots, irritated) Excuse me. CUT TO: EXT. CABIN - CONTINUOUS Angela opens the cockpit door and looks around. She doesn’t see anybody. ANGLE ON: Barry hidden on the yellow and black “caution” stripe. As Angela looks around, Barry zips into the cockpit. CUT TO: INT. COCKPIT BARRY Excuse me, Captain. I am in a real situation here... PILOT (pulling an earphone back, to the co-pilot) What did you say, Hal? CO-PILOT I didn’t say anything. PILOT (he sees Barry) Ahhh! Bee! BARRY No, no! Don’t freak out! There’s a chance my entire species-- CO-PILOT (taking off his earphones) Ahhh! "Bee Movie" - JS REVISIONS 8/13/07 112. The pilot grabs a “DUSTBUSTER” vacuum cleaner. He aims it around trying to vacuum up Barry. The co-pilot faces camera, as the pilot tries to suck Barry up. Barry is on the other side of the co-pilot. As they dosey-do, the toupee of the co-pilot begins to come up, still attached to the front. CO-PILOT (CONT'D) What are you doing? Stop! The toupee comes off

the co-pilot’s head, and sticks in the Dustbuster. Barry runs across the bald head. BARRY Wait a minute! I’m an attorney! CO-PILOT Who’s an attorney? PILOT Don’t move. The pilot uses the Dustbuster to try and mash Barry, who is hovering in front of the co-pilot’s nose, and knocks out the co-pilot who falls out of his chair, hitting the life raft release button. The life raft inflates, hitting the pilot, knocking him into a wall and out cold. Barry surveys the situation. BARRY Oh, Barry. CUT TO: INT. AIRPLANE CABIN Vanessa studies her laptop, looking serious. SFX: PA CRACKLE. BARRY (V.O) (in captain voice) Good afternoon passengers, this is your captain speaking. Would a Miss Vanessa Bloome in 24F please report to the cockpit. And please hurry! "Bee Movie" - JS REVISIONS 8/13/07 113. ANGLE ON: The aisle, and Vanessa head popping up. CUT TO: INT. COCKPIT Vanessa ENTERS. VANESSA What happened here? BARRY I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded...Now one’s bald, one’s in a boat, and they’re both unconscious. VANESSA Is that another bee joke? BARRY No. No one’s flying the plane. The AIR TRAFFIC CONTROLLER, BUD, speaks over the radio. BUD This is JFK control tower. Flight 356, what’s your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I’m a florist from New York. BUD Where’s the pilot? VANESSA He’s unconscious and so is the copilot. BUD Not good. Is there anyone onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who’s that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It’s got giant wings, huge engines. VANESSA I can’t fly a plane. BARRY Why not? Isn’t John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we’re headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150 - “BARRY FLIES PLANE” INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bumble. We have some late-breaking news from JFK airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That’s Barry. BOB BUMBLE ...is now attempting to land a plane, loaded with people, flowers, and an incapacitated flight crew. EVERYONE Flowers?! CUT TO: INT. AIR TRAFFIC CONTROL TOWER BUD Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. JEANETTE CHUNG Just a minute, Mr. Ditchwater, there’s a honey bee on that plane. BUD Oh, I’m quite familiar with Mr. Benson’s work, and his no-account compadres. Haven’t they done enough damage already? JEANETTE CHUNG But isn’t he your only hope right now? BUD Come on, technically a bee shouldn’t be able to fly at all. CUT TO: INT. COCKPIT. Barry REACTS BUD The wings are too small, their bodies are too big-- "Bee Movie" - JS REVISIONS 8/13/07 116. BARRY (over PA) Hey, hold on a second. Haven’t we heard this million times? The surface area of the wings, and the body mass doesn’t make sense? JEANETTE CHUNG Get this on the air. CAMERAMAN You got it! CUT TO: INT. BEE TV CONTROL ROOM An engineer throws a switch. BEE ENGINEER Stand by. We’re going live. The “ON AIR” sign illuminates. CUT TO: INT. VARIOUS SHOTS OF NEW HIVE CITY The news report plays on TV. The pollen jocks are sitting around, playing paddle-ball, Wheel-o, and one of them is spinning his helmet on his finger. Buzzwell is in an office cubicle, playing computer solitaire. Barry’s family and Adam watch from their living room. Bees sitting on the street curb turn around to watch the TV. BARRY Mr. Ditchwater, the way we work may be a mystery to you, because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it

really well, it makes a big difference. More than we realized. To us, to everyone. That’s why I want to get bees back to doing what we do best. "Bee Movie" - JS REVISIONS 8/13/07 117. Working together. That’s the bee way. We’re not made of Jello. We get behind a fellow. Black and yellow. CROWD OF BEES Hello! CUT TO: INT. COCKPIT Barry is giving orders to Vanessa. BARRY Left, right, down, hover. VANESSA Hover? BARRY Forget hover. VANESSA You know what? This isn’t so hard. Vanessa pretends to HONK THE HORN. VANESSA (CONT’D) Beep, beep! Beep, beep! A BOLT OF LIGHTNING HITS the plane. The plane takes a sharp dip. VANESSA (CONT’D) Barry, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we’re not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRPLANE The airplane goes into a steep dive. CUT TO: SEQ. 4175 - “CRASH LANDING” INT. J-GATE An ALERT SIGN READING: “Hive Alert. We Need:” Then the SIGNAL goes from “Two Bees” “Some Bees” “Every Bee There Is” Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let’s get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. AIRPLANE COCKPIT BARRY Our only chance is if I do what I would do, and you copy me with the wings of the plane! VANESSA You don’t have to yell. BARRY I’m not yelling. We happen to be in a lot of trouble here. VANESSA It’s very hard to concentrate with that panicky tone in your voice. BARRY It’s not a tone. I’m panicking! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 119. EXT. JFK AIRPORT ANGLE ON: The bees arriving and massing at the airport. CUT TO: INT. COCKPIT Barry and Vanessa alternately SLAP EACH OTHER IN THE FACE. VANESSA I don’t think I can do this. BARRY Vanessa, pull yourself together. Listen to me, you have got to snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! CUT TO: EXT. AIRPLANE A GIGANTIC SWARM OF BEES flies in to hold the plane up. CUT TO: INT. COCKPIT - CONTINUOUS BARRY You snap out of it! VANESSA You snap out of it! "Bee Movie" - JS REVISIONS 8/13/07 120. BARRY You snap-- VANESSA Hold it! BARRY (about to slap her again) Why? Come on, it’s my turn. VANESSA How is the plane flying? Barry’s antennae ring. BARRY I don’t know. (answering) Hello? CUT TO: EXT. AIRPLANE ANGLE ON: The underside of the plane. The pollen jocks have massed all around the underbelly of the plane, and are holding it up. LOU LODUCA Hey Benson, have you got any flowers for a happy occasion in there? CUT TO: INT. COCKPIT Lou, Buzz, Splitz, and Jackson come up alongside the cockpit. BARRY The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. "Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the blacktop? VANESSA What blacktop? Where? I can’t see anything. Can you? BARRY No, nothing. It’s all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you’ve got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhead shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I’m feeling something. VANESSA What? BARRY I don’t know, but it’s strong. And it’s pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" - JS REVISIONS 8/13/07 122. LOU LODUCA (CONT'D) EXT. RUNWAY All the bees are on the runway chanting “Thinking Bee”. CUT TO: INT. CONTROL TOWER RICK What in the world is on the tarmac? ANGLE ON: Dave OTS onto runway seeing a flower being formed by millions of bees.

BUD Get some lights on that! CUT TO: EXT. RUNWAY ANGLE ON: AIRCRAFT LANDING LIGHT SCAFFOLD by the side of the runway, illuminating the bees in their flower formation. INT. COCKPIT BARRY Vanessa, aim for the flower! VANESSA Oh, okay? BARRY Cut the engines! VANESSA Cut the engines? BARRY We’re going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRPLANE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LOU LODUCA Spin it around! The plane attempts to land on top of an “Aloha Airlines” plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I’m aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That’s a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready boys? Nose down. Bring your tail up. Rotate around it. VANESSA Oh, this is insane, Barry. BARRY This is the only way I know how to fly. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 124. AIR TRAFFIC CONTROL TOWER BUD Am I koo-koo kachoo, or is this plane flying in an insect-like pattern? CUT TO: EXT. RUNWAY BARRY (V.O) Get your nose in there. Don’t be afraid of it. Smell it. Full reverse! Easy, just drop it. Be a part of it. Aim for the center! Now drop it in. Drop it in, woman! The plane HOVERS and MANEUVERS, landing in the center of the giant flower, like a bee. The FLOWERS from the cargo hold spill out onto the runway. INT. AIPLANE CABIN The passengers are motionless for a beat. PASSENGER Come on already! They hear the “ding ding”, and all jump up to grab their luggage out of the overheads. SEQ. 4225 - “RUNWAY SPEECH” EXT. RUNWAY - CONTINUOUS The INFLATABLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Barry, it worked. Did you see the giant flower? BARRY What giant flower? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we’re not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT’D) Listen everyone. This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We’re the only ones who make honey, pollinate flowers, and dress like this. If we’re going to survive as a species, this is our moment. So what do you all say? Are we going to be bees, or just Museum of Natural History key chains? BEES We’re bees! KEYCHAIN BEE Keychain! BARRY Then follow me... Except Keychain. BUZZ Hold on Barry. You’ve earned this. Buzz puts a pollen jock jacket and helmet with Barry’s name on it on Barry. "Bee Movie" - JS REVISIONS 8/13/07 126. BARRY I’m a pollen jock! (looking at the jacket. The sleeves are a little long) And it’s a perfect fit. All I’ve got to do are the sleeves. The Pollen Jocks toss Barry a gun. BARRY (CONT’D) Oh yeah! ANGLE ON: Martin and Janet Benson. JANET BENSON That’s our Barry. All the bees descend upon the flowers on the tarmac, and start collecting pollen. CUT TO: SEQ. 4250 - “RE-POLLINATION” EXT. SKIES - CONTINUOUS The squadron FLIES over the city, REPOLLINATING trees and flowers as they go. Barry breaks off from the group, towards Vanessa’s flower shop. CUT TO: EXT. VANESSA’S FLOWER SHOP - CONTINUOUS Barry REPOLLINATES Vanessa’s flowers. CUT TO: EXT. CENTRAL PARK - CONTINUOUS ANGLE ON: Timmy with a frisbee, as the bees fly by. TIMMY Mom, the bees are back! "Bee Movie" - JS REVISIONS 8/13/07 127. Central Park is completely repollinated by the bees. DISSOLVE TO: INT. HONEX - CONTINUOUS Honex is back to normal and everyone is busily working. ANGLE ON: Adam, putting his Krelman hat on. ADAM If anyone needs to make

a call, now’s the time. I’ve got a feeling we’ll be working late tonight! The bees CHEER. CUT TO: SEQ. 4355 EXT: VANESSA’S FLOWER SHOP With a new sign out front. “Vanessa & Barry: Flowers, Honey, Legal Advice” DISSOLVE TO: INT: FLOWER COUNTER Vanessa doing a brisk trade with many customers. CUT TO: INT: FLOWER SHOP - CONTINUOUS Vanessa is selling flowers. In the background, there are SHELVES STOCKED WITH HONEY. VANESSA (O.C.) Don’t forget these. Have a great afternoon. Yes, can I help who’s next? Who’s next? Would you like some honey with that? It is beeapproved. SIGN ON THE BACK ROOM DOOR READS: “Barry Benson: Insects at Law”. "Bee Movie" - JS REVISIONS 8/13/07 128. Camera moves into the back room. ANGLE ON: Barry. ANGLE ON: Barry’s COW CLIENT. COW Milk, cream, cheese...it’s all me. And I don’t see a nickel. BARRY Uh huh? Uh huh? COW (breaking down) Sometimes I just feel like a piece of meat. BARRY I had no idea. VANESSA Barry? I’m sorry, have you got a moment? BARRY Would you excuse me? My mosquito associate here will be able to help you. Mooseblood ENTERS. MOOSEBLOOD Sorry I’m late. COW He’s a lawyer too? MOOSEBLOOD Ma’am, I was already a bloodsucking parasite. All I needed was * a briefcase. * ANGLE ON: Flower Counter. VANESSA (to customer) Have a great afternoon! (to Barry) Barry, I just got this huge tulip order for a wedding, and I can’t get them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You’re a life-saver, Barry. (to the next customer) Can I help who’s next? Who’s next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it’s time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It’s that bee again! ANDY (guiding Ken protectively) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don’t break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. "Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office.

#long post #for the mobile users threatening my life filter out the tag 'long post'

[jaeminscoffee]

The midnight man | l.ty

Pairing- Lee Taeyong x reader

Mentions- Lee Donghyuck, Na Jaemin, Liu YangYang, Nakamoto Yuta, Seo Johnny, Kim Doyoung, Ten Lee, Lee Dong Wook.

Genre- Horror!au, angst, crack, part fluff.

Warning(s)- Evil entity!Taeyong, Manipulation, Major character death (lmao you'll actually punch yourself towards the end), sexual themes suggested, impulsive decision making, talks with religion.

Word count- 11.83k

Synopsis- 'Lust though pleasurable, innocent and vice, thee shall stay loyal to thy partner regardless of wants. To betray thy partner is to deceive thy people and hence the kingdom. Thou shall pay for thy soul shall remain wandering, driven by the desires but, shall not be able to feel the human love thou took for a grain of salt. And all who shall follow thy steps shall face the same wrath.'

@kpopscape

This story is pure work of fiction and therefore doesn't speak about the mentioned members' personality in real life. I, in no manner, am trying to encourage hate speech towards the members so please don't come at me. This story was written using a mix of a bunch of urban legends and few made up by myself and therefore it isn't going to be spoken about the same way as it is in google. I also worked really hard on this piece and it's by far, the longest story I've written so feedbacks would mean a lot!, also it could get a little boring since i took time to focus on the side characters too. Make sure not to repost my works and sign it off as your own because that's a little disheartening and mockful towards the writer. So all credits reversed to @jaeminscoffee 2020©®

If anyone here doesn't know the story behind the midnight game, then read on! Because I've described it throughout the story! Happy reading!

29/10, Thursday, 10:57PM

"We need to do something this halloween man, Y/n come on!" 

Your friends all collectively whined as you constantly kept rejecting their proposal. 

Halloween is bullshit. It's overhyped and in all honesty, childish. You'd rather prefer staying home than go house to house and make a fool out of your existence. Not to mention you were all past the age of trick or treating. And to add on top of that came all the sugar rush you'd all go through at the end of the day. "For the last time, Hyuck we're not dressing up like crewmates and going trick or treating. I've got other things to do for the love of god" you grunt, rubbing the scrunched up skin to soothe the pain at the temples. University has been acting up again and so has life. "If your 'other things to do' is binge watch high school musical then no, you have no other better things to do" Yangyang bites back. 

"It's just, I don't feel like it anymore, alright? It feels too weird going out asking for candies when we're all literally 19 and above. It's time to up the notch." you say, plopping down.

When Haechan called for an emergency meeting in pure 'among us' style back at the guys' dorm, you'd expected it to be about something along the lines of having to console Jaemin or someone for having been stood up on a date. What you didn't expect was to have the boys prepare an entire presentation on who'd dress up as what character from among us and who'd be the impostor, do a little play and then say 'red is sus' and then ask for candies. What made it worse was that you thought they were just pulling a prank on you when in all reality, they were dead serious which made you go, 'oh, oh they aren't pretending to be stupid, they're just in their original form.'

"It won't be that bad, doll. It's a genius plan if you ask me" Jaemim chirped in on the conversation finally after looking back and forth between you, Donghyuck and Yangyang caught up in a meaningless fight. "I don't see how any of this is genius, Jaem. If this plan's anything, it's stupid." You pull out your phone after making your way all the way to the headboard of Jaemin's bed. "How about we try out one of these creepy pasta games?" Yuta finally spoke up. Jaemin's brother, an early graduate, senior and of course a dear friend of yours. Yuta, despite the age difference between your classmates and you, had little to no trouble blending in with the tiny group of yours. Probably the only one who didn't behave like a toddler and the most sane one according to you. Yuta's been an amazing planner since junior year where you first met Jaemin, Yangyang and Donghyuck who then proceeded to introduce you to their senior friend group that consists of Yuta, Johnny, Doyoung; Donghyuck's cousin and Ten. You guys had a friendship the entire campus was envious of. But two year after you getting into the university, the seniors had to graduate. But that didn't stop all your bonds from staying as strong as ever. Not even after Ten got his posting in a town a little far away from the one you guys lived in. The distance didn't change anything between you guys and you were as close as you could ever get. 

"Creepypasta?" Donghyuck inquired, looking straight at the guy who aimlessly scrolled down the screen of his device as Yuta didn't even bother looking up while passing the confused boy a nod. Sitting up cross legged from his previous side sitting posture, Yuta showed his phone screen to Donghyuck, who immediately got surrounded by the other two while you stare at the oldest in the room, slightly intrigued by the idea. "Creepypasta's like these horror-related legends that have been copied and pasted around the Internet by people who're too bored for their own sake." you explain as Haechan took the phone out of Yuta's hand who agreed to your explanation. "I read some sick games that I kinda wanna try out and see for myself," he said, looking at you with expectations and then the rest who seemed too immersed in surfing the website. 

"Yuta, you of all people should know better than to think all these made up crap's real" you say nonchalantly. 

Yuta's a huge skeptic, and so were you. Which is why you got along really well despite the mentioned age gap. The night gatherings back at the boy's dormitory or the girls (in this case, girl, yours) would always end up in narration of on spot made up stories of all genre, mostly horror because apparently according to Jaemin 'Rom-com's overhyped, sci-fi won't be fun when you narrate it out loud, mystery can easily turn boring, comedy, meh i guess, but a good horror story narrated properly, -yes, like you, Haechan- while adding jumpscares here and there could actually result in y'all being too scared to use the bathroom on your own'. And yeah, you'd startle here and there but the stories weren't believable enough for you to actually be scared. On the other hand, Haechan and Jaemin were scaredy cats. Literal toddler's who're so gullible, you could literally tell them there was an alien invasion news flash two minutes ago and they'd be hiding under their bed. And then there's Yangyang, he just doesn't care. He goes along with the plans solely for the fun of it and for the other's' (Haechan and Jaemin) reaction. "That's the point. I don't" he shuffled around to shift closer to you,

 "Which is exactly why i want to try them out" 

Maybe it's the feline that crossed over his body, maybe it was the fact that his spirit just wasn't ready to leave the human realm yet. Maybe it's the mourning of his family or maybe it's him himself knowing full too well his potential was truly wasted due to the fast departure. Whatever it was, his spirit was definitely made restless. 

The world is a cruel place where harsh actions are always sugar coated by honey like words. It's how he knew the doings of his people were wrong that made him disappointed. The practices of the people, his people, were stupid, meaningless and only harmful to the human kind. They fend off the satisfaction of their almighty even if that means that there needs to be sacrification of their loved ones, their nemesis, or them themselves. And it was his ancestors fault for starting all these practices. 

Passed down generations from generations was the curse put on the first of their bloodline by the princess he'd defied to go out and be ruthless by disregarding his duties as a husband, a father, a member of the royal courts and as a human being.

Lee Dong Wook. The root of all evil, the main reason the males of the family line faced the same wrath as him, all cursing at him but one namely enjoying his role. The pagans, dating back to the roman times era had a very, let's say, interesting method of punishing. The said lords they'd worship, the people following the religions had a strong belief that nature is sacred and that the natural cycles of birth, growth and death observed in the world around us carry profoundly spiritual meanings. Gods and goddesses of life, or say, death or anything else that exists beyond life and death, they believed in all. 

The doings of his ancestors started off innocent. Sacrifices to the lords of goodness and tranquility, a peaceful life by the towns and outskirts, forgiveness for wrong doings and of course, happiness. It's how any religious rituals would go about and all were happy until the said betrayer of the group came in with that curse of his. 'The doings of his shall be repented for all the men following shall be the one paying it,' 

At first glance when the man returned back to his royals, there were little to no suspicions of a curse being casted on him. He seemed normal to his family, his people except for the occasional forcing people to do something they despised. And it wasn't just the men of the family instead, it was all. But mostly the men, unless the same sin were to be committed by the females. Obscure behaviors have been asked to follow starting exactly at midnight to the witch's hour be it hurting your loved one, your enemy, doing sinful things, allowing self to get manipulated and mostly, shortening their own life time in the human realm. It was all unexplainable. Why was he asking people to do things like this but most of all, why are they even listening to him? 

It wasn't until they discovered that Dong Wook, for one, was never the one who returned home. On a second note, he, 'Dong Wook' mainly only targeted the men whose doings were similar to his that was fueled by the same sin that had him going. Which only remained undiscovered. The curse was unbeknownst to all still, Dong Wook himself remained undiscovered. Or proposed by the elders of the community, his body remained undiscovered while his spirit roamed restless among the people. 

The pagan romanticists are, in most cases, ignorant of the “paganism” they praise—the redeemed paganism of Christianity depicted in the transfigured water of the True Well of Life. Wrestling with the Greek gods, however, leads us to see the hyper-anthropomorphization of the gods with one intention in mind—justification of sexual lusts and displays of power over the weak.

The oldest written account of the Greek deities is from Hesiod. His Theogony, literally “birth of the gods,” charts out the genealogies of the major and minor deities in two branches. The first set of gods come into existence without sex. The second set of gods come into existence with sex; often very graphic and violent sex and they continue to have violent sex after their birth. 

As Hesiod continues to describe the birth and death of the gods and great monsters of antiquity, the chaining of Prometheus to his eternal torment is described. So too is Hades’ rape of Persephone. Battle is depicted left and right, and “a terrible din arose from their dreadful wrath, and the work of power was revealed”. Lust, sex, and war reign supreme in Hesiod’s telling of the birth of the gods. Moreover, it is from this brutality and carnality that Hesiod gives them praise—only those with enough cunning and ambition are worthy of having the praise of the muses.

That the gods birthed through sexual lust are themselves lustful was not missed by Christians of the pagan community. Though St. Augustine received the Romanized version of the Greek myths, he goes to great lengths and laborious pains—using the pagans’ own prophecies —to highlight the moral depravity of the gods in Confessions and City of God.

His sin, after all the years, was lust and the want to dominate. 

'Lust though pleasurable, innocent and vice, thee shall stay loyal to thy partner regardless of wants. To betray thy partner is to deceive thy people and hence the kingdom. Thou shall pay for thy soul shall remain wandering, driven by the desires but, shall not be able to feel the human love thou took for a grain of salt. And all who shall follow thy steps shall face the same wrath.'

Oh, how lust was a dangerous feeling. 

29/10 continued. 11:28PM

It's how you all circled around in the living room like any other day that was comical to you. Instead of reading out your own made up story, it so happened to be the Creepypastas Yuta screenshotted for what he wanted to try out and see for himself. It wasn't even his idea to read them out. Haechan and Jaemin's 'too curious for their own sake' selves were the ones who wanted to read it out loud. "How about we sit in the order of who's gonna read out what and when?" Yangyang suggested, standing up from his seat. "Yuta read out the topics and we'll pick randomly." 

"No fun! Hold up," Haechan did some pretty exaggerated hand actions before getting up and heading to his room, well, Jaemin's room to do who knows what. "Okay? I'll get the candles!" Yangyang said, him getting out of his seat too, "And I'll go get the bible, jesus christ" and Jaemin was out of his seat too. You look at Jaemin in a funny manner, as though questioning him with your eyes if he's actually going to get a bible or not, "What? I don't want to die young, I'm too hot for that" he said, before following Haechan's steps to his bedroom, "Yikes, you aren't going to die dude" 

"Okayy, I'm back, make way bitches" Haechan dictated to which he earned a few groans and a smack on the ankle from Yuta, "Jaemin! I can't find the candles!" "It's beside the Reese's cups! Second rack inside of the refrigerator!" Jaemin says while walking back up to your tiny circle with an empyre comic in his hand and a cross pendant dangling off of his neck, "That's a bible?" you question. "Shush, do not question the power of avengers and fantastic four." Jaemin replies, holding the comic up close to his chest. You all collectively dismiss it with a concerned look directed towards the male, "Are we not going to question the fact that Jaemin keeps his candles inside the fridge?" 

"So here's what we're going to do, I've got these tiny papers which have numbers from 1 to 5,because we're five people and I've folded the paper into chits, once i toss it, we pick random sheets and the number you get is when your turn to read is, any objections?" Haechan explained, "Even if you have any, keep it to yourself because I don't care" he bites in again while juggling the folded sheets in a closed palm while the other supports his body by it being planted behind him. "Okay I'm back with the candles" Yangyang finally joins in on the circle, completing it, "You took that long to find one candle?" Yuta asks, "No i was eating the reese's cups" he replied, wiping his hand on your jean clad thighs earning him a loud whine of 'Eww that's disgusting man' and a little too far from soft smacks on his shoulder, "You piece of sh-" Jaemin starts, "Okay all, Focus!" Haechan cuts him off, ready to throw the bits onto the space between the five of you in front of the now lit candle (Thank you, Yuta), and so he tossed it a little high up from the ground, letting the paper fall of his palms and onto the floor while being cautious of not throwing it anywhere near the flame. 

"Now let's arrange ourselves according to the numbers, who's number one?" Haechan asks, Yuta raises his hands while pointing at where he's sitting, "I'm not getting up, y'all arrange yourself so that the person going second is to my right and the last person would be to my left", you all look at him nonchalantly, "What?" with a shake of your head, you proceed calling out numbers, "Number two?" Haechan shoves Yangyang back to take his place beside Yuta, "bitch." Yangyang seats himself beside Haechan, followed by Jaemin and lastly, you. 

"First, Yuta!" Jaemin slurs the elders name, receiving a death glare from his cousin. Nevertheless, Yuta cleared up his throat and switched his attention to his phone screen, "The first urban legend is from Japan, ironically." He states as a matter of fact, "It's called Aka Manto."

"Aka manto is an urban legend related to toilets—particularly those in elementary schools.-"

"Is that why you take a relatively long time inside of the bathroom? Are you, you know? Tickling pickles with Aka Mant-ow! Sorry!" Yangyang was wasted as he was tackled onto the floor by Yuta, while the rest of you cracked up, "Now let's get a little serious, come onnn!" Haechan whines. 

"This phenomenon is known all over Japan, with countless variations on the same theme. It usually takes place in a specific stall in a specific bathroom in the school. Usually it is an older or seldom used bathroom, often in a stall with an older style squat toilet.  Often the fourth stall is the cursed one, as the number four is associated with death." "I'm so glad our university has only two stalls," Jaemin chimes in, suddenly grasping the cross pendant. 

"Most stories follow this general pattern: while at school late in the evening, a student suddenly finds him or herself in desperate need of a toilet. The closest restroom available is one that is normally avoided by the students; it is older and less well-kept, separated from the rest of the school, and is rumored to be haunted. But with no time to search for a different restroom, the student enters. He or she does their business, and when they have finished, they reach for the toilet paper only to find that there is none. Then they hear a strange voice" Yuta looks up from the phone screen, "“Do you want red paper? Or blue paper?”" 

"None bitch, give me the classic white,"

With a roll of his eyes, Yuta continues, "If the student answers, Red paper, moments later, they're stabbed and sliced up violently that blood seeps out of them, painting the walls of the stall red and it soaks up into their body, making them appear red", "And if the student responds blue paper, then their blood is going to be sucked up dry, leaving them dead and blue-faced on the floor."

"But! If you try to outsmart Aka Manto, by replying to question with, i don't know, "Yellow paper" then too, dead is inevitable, you will be shoved onto the floor where the spirit is said hold your head down in the dirty toilet water until you drown and well, die" Yuta ends with a shrug of his shoulder, "Seems pretty bullshit to me" and you agree alongside, though, it could be a little creepy if the existing legend did turn out to be true. "Okay next!"

Yuta leans back a little more, pressing onto your side which you took as an invitation to lean on his shoulder. When you did so, all Yuta did was beam at you and wrap his arms around you to keep you close after handing the phone over to Haechan, "If you want me to start reading you have to give it up for me. Give me the grand welcome that i deserve" the lad said in a childish voice which again only earned him a few smacks and half hearted applauds. "So this one is apparently called, the one man hide and seek" though all narrations were being taken on a lighter note, the mood set in the room gave you enough space to picture the stories, added to that came the factor that Donghyuck knows exactly how to narrate what. 

"The "One-Man Hide and Seek", also known as the "One-Man Tag," is a ritual for contacting the dead. The spirits, which are wandering restless on the Earth, are always looking for bodies to possess. In this ritual, you will summon such a spirit, by offering it a doll instead of a human body." He lowers his voice while focusing solely on the screen.

"The warnings say that if you have any psychic abilities, you may feel unwell or be prone to accidents during the ritual." He raises his eyebrows, looking at all four of you in a curious manner. The things you need for this game seems lowkey sketch"

"One stuffed doll. It must have limbs, Rice, enough to stuff the doll full. One needle, and one crimson thread. One pair of nail clippers. One sharp-edged tool, such as a knife, glass shard, or scissors. One cup of salt water. Natural salt would be best. A bathroom, with a bathtub and some form of counter. A hiding place, preferably a room purified by incense and ofuda. There must be a TV in there." Haechan's face contorts with each requirement for the game. Letting out a defeated sigh, he hands the phone over to Yangyang, "Of all the stories i could've narrated, i got chosen for this and for what? Just to contact stupid poltergeists. Just play a ouija board and go" 

Giving Haechan a sympathetic pat on the back, he takes the device. Looking through the screen he cracks up a smile, "Alright, listen up closely. This is an Urban legend classic"

"The Slender Man-" a bunch of 'aahhs' of realization resonate through the room

"-is a supernatural creature that is described as appearing as a normal human being but he is described as being 8 feet tall and he has vectors or extra appendages that are described to be as sharp as swords. The creature is known to stalk humans and cause many disappearances. He is described as a shadow creature that has a missing face. The creature fits into many mythologies in legends from nations such as germany and celts which brings up the possibility that he could be real." Yangyang pauses to add in a little more life to his reading while all of your paid full concentration to him

"A man named victor Surge found this legend and made his own version of it which he called slender man. The slender man is not exactly evil according to mythology but victor Surge’s version shows him as an evil creature that stalks humans to kill. In mythology he was actually trying to save you from a painful death by taking you to the underworld early." he ends, placing the phone down in front of him, screen down. "Kills you to save you from a death and collectively shortens your lifespan? Seems legit to me" Jaemin chimes in while the rest of you chuckle whereas Haechan pouted at the device in front of his friend, "I should've gotten that story" 

"My turn!" 

"So, ahem-" Once the focus is all on him,Jaemin  looks down onto the device containing his part of narration. "- This is an urban legend about a girl named Daruma who was a young Japanese woman that died in the bathroom, which upon entering to take a bath, it stumbled and her forehead ended up against the edge of the tube, destroying it the brain, at the same time that her eye embedded in the tube , leaving it in consequence, one-eyed key and later , dead by bleed out."  "Oh god ouch" You hiss as though your forehead was the one that hit the edge, " Her appearance as described is apparently; black hair that is entangled, her clothes rotting and made shreds. She only has one eye. Her left eye is completely open and injected with blood." "That's gruesome," Yangyang adds, earning a nod from Jaemin who's eyes were still fixated on the screen. "And apparently there's a ritual that you can follow to summon her into your house for twenty four hours straight" At the silence, he continues. "I'll shorten it, so you have to begin it right before your bedtime, shed all your clothing and enter your bathroom, turn off all the lights and fill in your bathtub, climb into it while being seated facing faucet, close your eyes and start washing your hair while chanting "Daruma-san fell down" and keep chanting that until you're done washing your hair, and yeah don't open your eyes."

"If you did it right then you'll get this image of a japanese who'll slip and fall in front of you. Even if you hear a noise behind you, do not open your eyes, no matter what it takes, Ask out loud, 'why did you fall in the bathtub' and let that hang in the air. With your eyes still closed, get up and out of the tub and be careful not to slip and do not drain the tub. Go to your room, don't turn the lights on, shut the bathroom door closed and sleep. Wake up the next day and carry on with your day and you'll apparently feel her presence alongside you all day. She'll constantly try getting close to you, when she does, scream 'Tomare!',"

"That means stop," Yuta adds to which you all hum in understanding.

"To end the game, capture her gaze from over your shoulder and say 'Kitta' which means 'I cut you loose' while swinging your arm in a chopping motion. If you followed the procedures then you'll be rewarded but if not then, run. That's all it says here" He stops, looking a little shaken at how he created an image of it all in his mind. "They didn't say how to get rid of her if you fail following the procedure?" you ask

"No." Jaemin shrugs it off

"Alright boys, my turn"

30th October, Friday, 10:53PM

It's probably how you read out your part of story telling, or it was how he felt the game was a little too unrealistic that had Yuta hooked onto the urban legend. 

Yuta found himself at his dorm doing a little more research on the midnight ritual. A backpack already consisting of all the elements required for the game, 'could it really be played just by one person?'. Whatever it was, he really wanted to do the game. He wanted someone to accompany him, of course. But knowing his friend group, not many would be ready to play it alongside. Doyoung was probably busy preparing his resumes for his job interviews. Johnny's all the way back in Chicago for a little family time. Ten was a little too far from your town so he'd feel bad calling him all the way over just to perform a probably demonic ritual. Donghyuck and Jaemin are out of the question, they'd obviously say no. Yangyang has a company party to attend as the heir. And you had to study for your test on Monday so he didn't really feel like disturbing you though, he did inform you that he was going out to have some fun and that you could join him anytime. Closing his laptop with a sigh, he gets up and walks over to where his bag was sprawled across the floor, picks it up and makes his way out of the studio apartment like dormitory after grabbing his car keys. 

Not like he believed it was real, it's incase if the legend turns out to be even the slightest of reality, he wasn't going to get his dormitory haunted, instead opting to perform it at the house he grew up in, his childhood house. That was left abandoned ever since they moved out months before his younger brother was born after his father had an episode still unknown to him inside the place. It was convenient enough to perform the ritual in and no one lives there anymore, and it was just a few minutes from where his house was anyways. 

Reaching the place and swinging the backpack over his shoulder, he makes his way into the surprisingly still intact house. Not much time to waste, looking around, Yuta slowly made his way up the wooden stairs, the wood creaking with each step he took to prove the existence of this house dated long back. The guest room shut lock from lack of human souls even when they used to live there. The paintings still hung off of a single screw, nostalgia hitting him straight as he recalled the one time he was playing catch with a neighbor's kid and ended up breaking the glass frame. The wallpaper's adhesive seemingly had gotten weaker from how they had started coming out from nooks and crannies of the walls. The place, without doubt, looked a little creepy but nonetheless felt homely. 

Switching on all switches from the main controller that was in the control room right by the end of the hallway, the entire darkness was replaced with light as the bulbs shockingly still seemed to function. The warm white colour of the lights took Yuta all the way back to his growing up years, missing all the fun he'd had there and all the memories he'd created. He, though grew up mostly by himself from how busy his parents were on the weekdays and sometimes the weekends, missed them more now that they live far off in Japan with his mother's family. Especially now that he was in the place they spent the most time together in. Shaking his head, he had no trouble navigating his way to his childhood room. Where he set the bag down.

He reached out to his back pocket to get out his phone, switching it on as the screen illuminated, 11:28PM, the screen read. To kill the time, Yuta set up all the items required in place to proceed the ritual smoothly. He pulled his laptop out of the backpack once he was all set to maybe watch something on the internet. It being other peoples attempt at the ritual he was about to perform.

11:55PM.

Yuta inhaled, having only a few more minutes until he had to proceed. He recalled your words,

"Alright boys, my turn" You snatch the phone out of Jaemin's hand who seemed really immersed in finding out more about the legend he just read out about, earning a pout from him. "I was reading" he let out in a whiny tone immediately going stoic after receiving a 'do i care' look from your end. "Okay, so the story I'm going to read out is called the midnight man, or the midnight game" You scroll back and forth through the pages the oldest of the group screenshotted. "From what he's gathered, there's not much backstory, but apparently it's a ritual or mostly a punishment that the pagan's use to punish the betrayer of the group who failed to stay loyal to their lords or the group. One of the people of the religion will summon the midnight man to an abandoned house where they lock up the said betrayer who'll then be put through god knows what by the midnight stranger," You stop to look up from the screen to look at each of your friends before letting out a sigh. 

"My take on this though is that it's highly impossible since the rules here state that once you start the ritual you aren't allowed the leave the place until the game is completely done unless you want the midnight man to follow you around for as long as you live, so unless the midnight man actually favored the pagans, there's no way they could punish the betrayer without one of the loyal ones passing away along with the one being punished" you state, "But what if, it's the midnight man that they preach? You know, like, they could be praying the midnight man" Haechan adds in a point which seemed to make sense, "That's possible too" 

"Why would someone preach an evil entity? That's so sketch" Jaemin asks perplexed. "They did a lot of sketchy things back in the days, Jaem. I wouldn't question it," Yuta chirps. "Is there any other backstory given about the midnight man?" Yangyang finally speaks up, "Well not really, but when i was taking screenshots of this it apparently started with a curse on someone whose identity is unknown to most. There was no such thing as the midnight game or ritual until the said bewitched man came back into town. I only know up to there, but there are high chances that he's probably the origin of the ritual." Yuta explains. "Why does Y/n get the best always, that's so unfair"  Haechan's dramatic self whines while leaning onto Yangyang who rolled his eyes but nonetheless threw his hands around the latter's shoulder, "Anyways, the procedure for the ritual is given here."

"You need one candle, a lighter or a match box or anything that ignites fire, a piece of paper, something to write with, a sharp object, it could be a pin, it just needs to be something sharp enough to draw blood, a wooden door, and salt for protection-" You read out, "Now why the fuck would they need blood," Jaemin asks, shaken up. "That's for them to know and us to find out" 

"Here's how the invitation for the midnight man goes. Begin prior to midnight," 

Yuta stood up from his bed, and walked up to the backpack on the floor, picking out the papers he'd brought along and took out a blunt pencil. 

"Write your full name- first, middle, and last- on the piece of paper with your writing implement." He wrote syllable by syllable, Nakamoto Yuta. "Prick your finger with the pin and squeeze until a drop of blood appears. Dot the blood on the paper and allow it to soak in. Turn off every light in your home." He took out the small safety pin he brought along from his jean pocket, pressing his fingers hard and pricked into the skin as hard as he could, keeping in mind to not draw too much blood. Yuta let the droplet fall right in the space between his last name and first. 

"Place the paper with your name and blood on it in front of the closed wooden door. Light the candle using the matches or lighter and place it on top of the paper. If you are using a taper, make sure it is placed in a candle holder." He walks up to the door and places down the paper with his name and blood on it, with the half melted scented candle he brought along. Yuta took out his phone once again, 11:59. "Knock on the door 22 times. The final knock must occur precisely when the clock chimes 12am. Open the door; then blow out the candle and close the door. Relight your candle immediately." He starts to knock on the door, drumming on the dusty wood, 18, 19, 20, 21, 22.

He checks the time once again, 12:00AM.

He leans down to pick the glass jar containing the candle, relighting it, 

"I welcome you."

Taeyong loved the tiny creatures in the human realm. They were so naive and so, stupid but weirdly smart at the same time that made playing with them ten times more interesting. The callings from them, or the way they say it in the human realm, summoning the spirit was the only way he could gain access to enter the place. Summoning wasn't even necessary. Saying his name out was more than enough for him to go up to you. Midnight man, midnight stranger, midnight visitor, pagan's god, What not had the human's named him. 

The only one besides his ancestor of said curse that enjoyed the power of punishing people was Taeyong himself. The youngest of the bloodline and the freshest of pagan's spirit, he loved the power he had. Sure he had no access to love, instead besides lust and range he felt nothing, maybe amusement too, but none other than that and he seemed perfectly fine with that. Human's always seeked lust more than love either way so he found no problem in being void of feeling a vulnerable emotion. Instead, he found love pathetic. Watching human's from where he lived, he'd seen all from men and women seeking love by going to heights of trouble only to waste away your remaining life with one partner. Leeching off of pleasure at times when you had a significant other. He always got a hearty laugh from all of that. According to him, if you want someone, get them. Instead of tailing them and trying to be a goody two shoes, just make them yours in a way that's inevitable for them to fall for you. Control how they feel. Easier said than done since he was the only one with the ability to do so, 'how fucking pitiful'.

So when he saw you and your small group of friends discussing about him, laughing at all the assumptions you made along the way, he wanted each of you to himself. "My take on this though is that it's highly impossible since the rules here state that once you start the ritual you aren't allowed to the leave the place until the game is completely done unless you want the midnight man to follow you around for as long as you live, so unless the midnight man actually favored the pagans, there's no way they could punish the betrayer without one of the loyal ones passing away along with the one being punished" you're smart and that was intriguing to him. He liked the way you thought of things and the male beside you too, you both seemed to take tales of him as a grain of salt and that, besides angering him, made him feel the want to prove himself to you. Taeyong found the other three cute, seemingly scared of him just the way he liked it. 

His ancestor's who held the same power as him, the curse actually, came to be known as said lord because of their power of manipulation and to inject in their worst nightmare into their minds that had the people divide themselves into groups. One that believed the power they had was for the good and considered them to be their god, their savior. And the other being the one's scared of their power and the fear that the same faith would bestow upon them that had them pray for forgiveness for sins they never committed. So your friend had the point a little, but it was inaccurate. They believed him. Believed Taeyong and feared his power. He loved people bowing down in front of him, eyes trembling and body shivering. It gave him a sense of dictatorship. And he had set his mind to have both of you non-believers fear him. 

Having been brought up with little to no love, Taeyong followed down the same path as his great grandfather. Not having enough time to feel the vulnerable emotion, he chose to go down the path of pleasure and power play. His powers though, seemingly stronger than the past generations, probably due to the fact that he was young, ruthless and free of care. He could make himself appear physically in the human realm in any shape and form, though he always preferred to go in his original, but less scarier form. His visuals were out of the world. He didn't have to scare people to make them obey, instead all he had to do was pretend to be there and just be himself and that only made humans seem even pathetic to him. 

"Relight your candle immediately"

12:01PM, The main event. 

"Keeping your candle in hand and your salt and matches or lighter close by, begin to move about your home. Should your candle go out, you must relight it within the next ten seconds.  If you are successful, continue moving about your home. Do not stop moving until 3:33 am. If you are unsuccessful in relighting the candle, immediately surround yourself with a circle of salt.  Remain inside the circle until 3:33 am. At 3:33 am, it is safe to stop moving or to step outside your circle of salt. You may also turn on the lights. The game Is Over."* You conclude. Hissing slightly at the sudden pain by your shoulder that was exposed from the minimalistic clothing you'd adorned, the stranger looking over it all smirked to himself. 'Got it'

Yuta opened the door again, mindful to keep his phone back in his jean pocket along with the lighter and of course, the salt be brought along. Starting from the end of the hallway, nothing seemed to change except now, the eerie silence was starting to bother him, 'Just 3 hours to go,'. He didn't miss a single corner, walking room to room, corner to corner, mindful to stay inside all the way. The temperature of certain rooms seemingly lesser than others. A cold pocket. 

"There are few warnings too," you swipe the image to go to the next one, "At 3:33 am, the Midnight Man will leave your home. After he has left, you may safely end the game. Do NOT turn on any lights during the game.  Do NOT use a flashlight during the game. Do NOT go to sleep during the game. Do NOT use a lighter instead of a candle during the game." Check. He had a lighter on him just to relight the candle anyways. 

Taeyong, following the guy seemed to be quite impressed by his bravery. Not even the slightest of shaken up as he proceeded to walk about the villa. That's good, no slip ups and he seemed too good to mess anything up either ways, and that bored the entity. Where's the fun if he just succeeded? 

To avoid the candle from going off at the sudden flickering, Yuta covered it up the best he could with his hands and checked around whether any windows were left open. Darkness engulfed the surrounding all of a sudden, the lad being taken aback, 10 seconds. He rushed to take out his lighter, 9,  pressing the button repeatedly to ignite the flame only to get a small blue flame instead, huh? 8, running back full speed happy that he was in the premises of where his backpack is, he pulled the spare lighter, a brand new one out of the side pocket, 7, repeating the same process of flicking the button over and over, 6 until a bright orange flame engulfed the dark room, 5, he immediately grabbed his candle from besides the bag, 4 reaching in close by the wick, burning himself slightly in 3-, the process. Yuta heaves out a sigh of relief, while the spirit laughs at the frantic boy. 'He's cute.'

For a breaker, he took out his phone, looking at the time that seemed to pass by quickly throughout the ritual, 2:47 AM. A little more while to go until he'd finally get it over with. "Do not attempt to provoke the Midnight Man during the game." You ended for the nth time that night, "Which idiot would-" Yangyang asks "Haechan-" Jaemin pretends to cough while blurting out his best friends name, the mentioned feigning offence while tilting his head to the side, tongue poking at the insides of his cheek. "Seems like that's pretty much it." you shrug while the older guy beside you leaning back on both of his hands, "I kinda wanna try that out" Yuta raised his eyebrows at you. "Halloween night? We all go together" you chirp in, both of you whipping your heads to look at the three perplexed boys. "Uh, I have to water my fish on halloween? She'd get pretty thirsty". Jaemin's eyes wandered about, coming up with an excuse, "And I gotta walk my rock yo, physical fitness." Haechan adds, "Can I bring my fish along? She could use some exercising". 

"Come on guys, it won't be that bad, we'll stick in a group?" You pleaded, trying your best to muster up the cutest puppy eyes. "I'm down" Yangyang shrugs. You do a tiny seal clap, looking expectedly at the other two, Yangyang and Yuta doing the same. "We stick together?" Haechan asks, to which the three of you nod your head, 

"Alright then we're down too"

[3:04AM 30th, October. ]

A few more minutes left until he'd succeed, Yuta was starting to grow tired of constantly roaming. He'd usually not the one to wear out that quickly, but for a reason unknown to him, he felt utterly sleepy, tired, hungry and just wanted to lie down. He decided to take a small break, the candle still light, dangerously flickering but yet still intact. Yuta sat by the foot of the stairs as Taeyong looked at him with the same cocky smirk on his face, contemplating whether to pop out or not. 'Maybe let's make it subtle? '

Taking up the form of a black humanoid figure, Taeyong makes his way towards Yuta whose eyes seem to be dropping low with each passing second. Upon hearing the sounds of footsteps Yuta looks up, a hand on his forehead from the sudden throbbing headache. Letting out a loud yell at the figure in front of him that disappeared almost immediately, he rushed to grab his lighter again. The sudden temperature drop made him shudder. Taking out the new lighter, he pressed the button again and again as the time limit started to exhaust, 6, at a successful fire, he reached for his candle, only for the flame to go off when it neared the candle wick. "what the fuck.." 5, "come on.." he stated in a rushed voice, sure that he just saw whatever he saw once again. Finally flicking the button one last time, he succeeded in lighting the candle. 

Contrary to popular belief, the midnight man didn't always radiate death. Sometimes he just messes around with the humans because the underworld could get a little boring. And as the curse states death and wrath is only to be faced by those who sinned and the boy playing right now seemed to be of no threat. All Taeyong wanted to do was get the guy to believe in his existence. Skeptics were like an insult to him. So if he had to prove himself and his existence on his own, then so be it. He gets some pretty good experience out of it anyways. 

Yuta stood up immediately, remembering the warning's you'd stated, "Do not stop moving until 3:33am", walking back up the stairs, he took out his phone to check the time, 3:29am. Almost. 

The same sounds of footsteps resonated from behind him, Yuta took an immediate U-turn. Going back down the stairs and roaming the empty, dark hallways, making sure to enter each and every room, keeping a mental note to thank his parents for having a slightly confusing infrastructure. The wax was almost completely out in the glass jar, but he had to hang in there for a little longer than 2 more minutes when he felt something brush his shoulder, much similar to how a friend would drape their hands over his/her friends' shoulder. He could've brushed it off as anything if it weren't for the sharp pain he felt right after the feeling of someone touching him. He's getting the proof he wants. Almost as if someone pulled his hoodie, Yuta stumbled back, letting out a shaky scream, tripping on his own foot, landing butt down onto the floor, catching a glimpse of the same humanoid figure he'd been seeing. He needs to get out of there. 

Stumbling back onto his feet, Yuta bolted it upstairs, grabbing his phone once again to check the time, 3:32am. Reaching his room, he set the candle down right beside him, vary of the windows and doors, starting to back his backpack, the sounds of rushed footsteps running start to where he is ringing through his ears, hands shakingly packing his bag. Keeping the candle closeby, contemplating whether to draw a salt circle or not since there was only less than half a minute left when the same humanoid figure neared him with fast footsteps, reaching by the door frame with a loud agonizing scream only to disappear immediately. 

Not realising the stress of tears flowing and the tresses sticking to his forehead, Yuta looked at the door frame in a perplexed yet confused manner. What the fuck was that. 

Taking out his phone once again while grabbing his backpack, laptop and the car keys in the other hand, 3:34 am. He'd made it through. After reaching the front door, not even bothering to close it, he rushed to his car, starting it before pulling up your contacts, seeing the messages he'd never sent you. 

Yuta san 1:39am: The boys said they won't make it tomorrow, it's gonna be just you and i

Y/nleE 1:43am: Why not? 

Yuta san 1:45am: Dk, they said they aren't interested. So come near xxxx tomorrow at 11:30. I'll meet you there. 

Y/nleE 1:48am: Coolsies. 

Yuta san 3:38am: Y/n don't come here, gather the boys and meet me by Haechan's dorm tomorrow. The game's no fucking joke. 

And with that he started driving away quickly to his dormitory, not once looking back at the house to see a human. Or a human like figure standing there, A bright red hair standing out due to his blood drained looking pale skin. A smirk on his face

Message not delivered. 

31st October, 22:37PM, 2020.

Today was a weird day, 

Having all plan's set two days before, you'd make sure to keep yourself ready for whatever you and your friend group were supposed to do today. You finished up all your assignments earlier that day to keep yourself free from afternoon and on. 

The weird part was that, no matter how much you kept your phone for charge, each time you tried calling one of the guys to ask for the sudden bailing out on plan, which is a shocker because they've never done that, your phone kept switching off. You could've gone all the way to their apartment, well, dorm, but you decided to wait until later to do so. Maybe a few minutes before leaving to the place Yuta texted you so that they'd have no choice but to come along. Since your last time texting with Yuta, you hadn't heard from him. Granted, he did text you quite late at night saying he's going to do god knows what and to tell you of the sudden plan change, but you hadn't heard from him after, that being weird since he literally lives a floor below yours, he could've come any moment but nope. You kept a mental note to tell him off later. 

You took out your phone once again to check if they'd sent any messages or missed calls only to have an empty chat box, other than that of your other friends that is. Added on top of that came the constant pricking feeling on your shoulder blades from the last day you hung out with the boys. The pain would appear randomly and it would be hurtful enough to draw blood, which is weird considering the fact that you kept yourself away from all sharp objects and had a full sleeve covering the area. 

One stone, two birds. Taeyong's motto. 

After having interfered with your phone, your friends, trying to keep you away from them until you'd go through the same as your other skeptic partner, Taeyong made sure that Yuta would be sick enough after returning home to keep him from even getting up from his bed. Temporary paralysis. Your other friends, of course they tried reaching out to you, only for him to cut the service to keep you away from them for a while. They got easily distracted from you ignoring their texts as they were focused on reaching out to Yuta. 

Unknown: Hey Y/n, I'm Yuta's friend. He told me you aren't replying to his texts so asked me to do so. 

Y/n: Who's this? 

Unknown: Oh! I'm Taeyong! A close friend of well, your friend XD. 

Y/n: Nice to meet you, Taeyong. I'm Y/n but it seems like you already know that. 

Unknown: Yeah :). Yuta's on his way here and told me that you'd be joining us? Are you nearby?

Y/n: He left? No, actually, I'm just leaving my place. I guess I'll meet you there? 

Taeyong: Meet ya :)

[23:22PM, 31st October, 2020 continued. ]

Hailing a cab to the address Yuta had sent you with his friends, Taeyong's number saved on your phone in case the later won't pick up, you left your place. Still feeling a little eerie from how Yuta just decided to leave you behind when he could've just offered to go together, which is pure Yuta style. He probably wasn't in the best of moods but he could've at least texted you letting you know of his departure from the apartment building. 

The journey to the given address didn't take that long surprisingly. A little towards the outskirts of the town in a much aloof part but nonetheless, doable. It's not like you'd be alone there any ways. Paying for your fare, you took your purse, brushed your fingers through your hair to tame it a little from the ride, and turned towards the building, jumping slightly at the bright haired guy sitting by the front porch. Adorning the simplest of fit, a black knee slit jeans, with a graphic tee and a black leather jacket with a chain or two. He, in no doubts, was ethereal. His pale skin stood out the most in the street light if you could call it that and his lips seemed a little drained of blood, eyes hollow yet captivating when he looked up from the dirt below him to you who still stood yards away. Smiling, he got up, making his way towards after brushing off the invisible lint from his jeans, "Hey" he offered you his hands for you to shake upon reaching you. "Hey..? Taeyong, right?" 

Wanting so badly to smirk, he only looked down with a silent snicker, looking up immediately to not look suspicious, "Yeah, Y/n..?" you nod in response, shuddering from the coldness of his skin, "Have you been out for too long? You're freezing," you exclaim, looking at him with a guilty expression and taking a mental note to hit Yuta for not arriving earlier. "Oh no, i just reached a minute or two prior to your arrival." you nod in understanding, withdrawing your hands from his hold, "By the way, Yuta called me a few minutes ago, telling me that he wouldn't make it and to just carry on" Taeyong said, looking at you with his eyebrows raised at your confused, innocent expression, his humane form threatening to change into his original form. "What? Why? It's like,-" you look down at your wrist watch, "11:50! And he's bailing out now?", smiling at you in fake sympathy, he replied, "he said he had other things to take care of," "But you said he'd left the place and was on his way here?" you ask, hands on either sides of your hip, "Last minute plan changes" Taeyong shrugs, "Anyways, let's get inside?" 

He pointed towards the front door with both his hands, gesturing you to go forward first. And so you do. You offer him a smile before turning your back towards him and making your way towards the old house, the door seemingly open. Climbing up the stairs with caution, humming at the sound of dried leaves crunching up below your feet with each footstep. Taeyong stood behind where you two had introduced yourselves for a few minutes, a few more minutes. "Taeyong? Are you not coming?" you turn around slightly, looking over your shoulder at lad standing still, "Yeah, I'm coming" he replied soullessly, still standing his group until he saw you open the door ajar and then took his first step forward. Not bothering to go too quick. 

The insides were simple, very very simple yet magnificent. The flooring seemed to be that of wooden finishing that creaked with each step you took, implying that of how old the infrastructure must be. You look around in awe, clutching at the sling bag that you carried along. You go corner to corner, not bothering to look behind to see if the friendly stranger was hot on your trail, instead seemingly being captivated by the olden time-ish wallpapers and paintings and antique pieces that the wall adorned. Taeyong on the other hand was just growing restless, 4 more minutes until he could play his next victim, he was growing frantic. He did follow you inside, instead opting to walk the opposite direction as you, towards where he'd hidden the paper with your crimson blood and name written on it, contemplating whether to just tear it and carry on proving his existence to the female in the room. 3 more minutes, he bit into his lips, "Taeyong? Look, i found something!" He heard you scream.

Puffing out a breath of frustration, Taeyong replied "Coming!" and he walked out of the room, hands in his pocket towards where you stood by the bottom of the stairs, looking at the lighter in your hand that seemed relatively unused. "I found lighter down here" you look at him with a tiny pout evident on your lips, looking back and forth between the candle and the guy, puzzled. "It must be some thugs who came here to smoke or something" He shrugged it off, taking the lighter out of your hand. It must be you over analyzing things but without a single light turned on in the villa with only your flashlight acting as a source of light, but Taeyong looked even more lifeless than before. Eyes dark ebony and dangerous, somehow intimidating, lips adorning a bright shade of red in contrast to how you saw it the first time, and his aura had seemingly darkened. 2 more minutes. You shake your head and walk up the stairs and towards a room which has it's door wide open. Choosing to lay out your things there, you stretch out a few stiff limbs, "So, me and the boys were planning on doing the midnight game, you know. One of those stupid creepy pastas? I can't believe all of them bailed out on me last minute," you speak particularly to no one in the room, assuming that Taeyong was listening to you, whose ears only perked up at the words midnight and stupid. Midnight. 00:00Am. The devil smirked to himself. Midnight, at last. 

"I mean, Yangyang, Jaemin and Haechan came off as no shock to me- they're the other friend's by the way, but Yuta, it's weird for him to at least not let me know." You keep going, scrolling through your phone screen, only for it to load suddenly, No internet access. Sighing, you pull out offline downloads, "Did he tell you anything else? Like if he's feeling unwell or something?" you ask, letting the question float in the air, waiting for a reply. Getting known even after the passing of a few seconds, a minute too maybe, "Taeyong?" you stand up from the bed, well, the bed frame and make your way outside, "Tae?" you look left and right, searching for any moving soul when you feel your phone vibrate in your hands, and the sound of notification resonates through the eerie silence. You look down at the device in your hand, one new message from Yuta san and an immediate black out of the screen. Impossible. 

You remembered full well charging your phone to a hundred percent before leaving your dorm. Hell, you even kept it on airplane mode your whole cab ride. Shrugging it off, you keep your phone beside your bag and then proceed to go out to look for your new friend? acquaintance? You didn't even know how to classify him as yet. "Tae, if you're trying to scare me, I'll give you heads up, it doesn't work on me." you chuckle, walking to the room beside the one you were previously lounging in. "It's past midnight and we both seem too uninterested to try out whatever we were supposed to anyways, how about we just head out?" you start, looking down at your wrist watch which displayed 00:09 on the screen in neon green. "I mean, it was stupid enough that my friends and i even decided to try it out knowing it's some made up shit to scare some seven olds, probably" you continue, feeling as though you're talking to the walls at the lack of response. "Taeyong, come on. I'm growing bored." 

"Tae-" "You know, the way you logicised made it seem like you're smart enough. It was impressive," you hear his voice, a little too hoarse and plain for your liking, he continued before you could muster up a reply, "But seems like you aren't all that smart after all, seeing how you believed a total stranger and are even ready to spend time with him." you look around the place, only hearing his voice but his figure to be nowhere near you, "Taeyong, what are you talking about?" you head out of the room you currently stood in, jogging to catch his voice.

"It was a little angering you know? The way you spoke about me and my followers, it was disrespectful. And I could've taken you then and there, but what to do. You seemed too cute to take your soul without a small game? Is that what you humans call it?" You feel breathing fanning the nape of your neck and a cold air following it right after, making you turn back, "Your friend got his share of play" you whip your head forward, finally seeing the male in front of you, standing by the door frame of a connective hallway, you swore you felt his presence behind you though. His infamous smirk still adorning his features. Figure a little more towering and intimidating. If you thought he couldn't have seemed more lifeless a few minutes ago, then his appearance now only seemed to prove you wrong. "So it's only fair if you got your part of the play too, right?" 

"Taeyong, you're only making your existence weird for me, let's go if you're done." He only tilted his head in amusement, "Oh it's only about to get weirder, darling" You turn back to face a blood red shot eyed male, well, Taeyong, eliciting a gasp from you, you look over your shoulder to see the place where Taeyong stood a blink of eye ago. "How..did-" His chest visibly vibrated from the hearty laugh he let out, "How did I do that?," you step back as his voice dropped even lower, only for you to bump your back into something rigid, something cold, making you let out a yelp as Taeyong seemed to stand still in front of you, "I can do a whole lot of things," you feared turning back, the insides of your stomach hurdling around as whatever was behind you reached their arms up and held you still in a vice grip. "Y/n!" you hear a voice scream from downstairs, "Y/n! Come out! We need to get out of here!" you recognize the voice as that of your friends, Yuta's. 

You squirm hard to loosen the person's grip on your shoulder. Once succeeding, you bolt down the stairs, skipping a few steps, tripping now and then but nevertheless making it down without landing face first as you hear Taeyong's laugh thunder throughout the place. You take a turn to reach the front door, where Yuta stood in all his glory. You immediately run into his embrace, ignoring how his body seemed just as cold as the one you felt from whatever Taeyong was, "Y-yuta, he's sick, let's go, we need to go!" you try pulling Yuta's body a little closer to the exit, only for him to stand his ground, wrapping his hands around you even tighter as he caressed your hair, "Oh, Y/n.." your body goes stiff as your eyebrows furrowed in confusion, that sounded nothing like your best friend, "Yuta..?" 

You try pulling your head away from the nape of his neck to look at him, "No darling, it's 'stupid made up shit''," his body vibrated once again from the laughing against yours, as you feel yourself growing scared each passing second. You try mustering up all your strength to bring it to his sides and push him away when you feel a plush yet cold muscle press against your neck, only for it to go futile. "Still made up for you?" you feel a sharp pang of pain flow through your nerves, result of him biting the skin in a manner far too away from soft, "Taeyon-g- lord--midnight man, whatever you are.. I'm --sorry" you say in a hushed voice, scared that if you voiced out a little louder, he'd pounce at you. You feel him nibble at the soft skin, making you whimper, "Oh no, darling, do not apologize. Your doings really intoxicated me. Kept me entertained for a while." 

"But now, it's angering me to know a feeble creature as you kept poking fun at my people. At me. And I want no more than to turn you into something belonging to me. Who'd worship me the way 'my people' do." He whispered against the area, lifting his head up and leaning down, making sure not to let go of his grip on you, "oh no, pretty girls aren't supposed to cry. Tsk tsk, what is this, Y/n" His eyes bore holes onto the crown of your head. "Look at me." he acted on making you look at him faster than you could, "Could you beg for forgiveness? Give me a piece of yourself?" he inched closer to your face, a small snarl escaping his throat at your scared and trembling figure, "Or you could just be my queen and come below with me, and you'd not have to cut down your lifespan" 

"Are you turned on by all of this, Y/n? Or is it out of fear?" you let out a shaky breath as the tip of his nose touched yours, "Because i can smell you from here and oh," he let out what sounded like an animalistic growl, "Is it delicious.". "Taeyong, please let me go.. I'm sorry. I really am, just please don't hurt me,-" you let out a whine of pain when you feel his other hand knot his fingers in your locks and pull it back with much aggression, immediately planting his lips onto your trembling once, bearing his fang like teeth into plush flesh to draw out blood, earning a loud high pitched scream from your end as you try your best to push him away, futile once again. His hands tighten their grip at the waist while his other hand pulled your head further back, latching onto the firm skin of your neck, treating it with the same aggression, puncturing through the skin with his teeth as your hands go limp beside your body, nevertheless, letting out a whimper from the harsh treatment, which, in all your defense couldn't be help since you still are a human with all emotion any human would feel, that including lust. You feel his cold lips curve into a smirk against where blood flowed out, lapping it up with his tongue as you feel your vision blacken the more as time went by. 

"Oh darling you're no different than me.."

4th November, 19:48Pm, 2020.

"She's awake!!" you blink multiple times to get accustomed to the blaring lights in the room, a comfortable white filling your eyesight. You move your head towards the side to find all your friends sprawled out on each side. A drip connected to your hands making you squint in confusion, "Can you hear us, Y/n?" you feel your shoulders being shaken as jolt, "Hey? Yeah i can hear you, why won't i be able to?" you ask, confusion still laced in your voice, "Because you hadn't responded to us the last time we called you. And because you've been laying dead the past few days" Jaemin spoke up first, earning a smack from his elder brother 

"Why didn't you stop when we screamed your name the other day, Y/n? You literally weren't breathing the day we found you" Yangyang inquired and stated, "And why did you leave us all on seen??" Haechan added, "Most of all, where were you even??" Yuta spoke. You hiss at all the questions being thrown at you as you try sitting up by the inclined hospital bed, "Screamed? Didn't respond? I left you on seen? That's highly impossible and where was i??" you stare blankly at the plain wall in front of you, trying to remember any such episode. The more you strained your head, the more clueless you grew. Your throat starts to grow dry so you turn your neck to check if there are any water bottles nearby, only for a sharp pain to flow through your nerves at a particular spot in your throat. You yelp at the sudden pain, "I'll get the doctor," Haechan rushed outside, when you reached out to touch your neck, feeling it with the tips of your finger, feeling in the swollen skin, the dried up blood when it all hit you. Your eyes grow wide as you start shaking, for it to be first noticed by Yuta, "Yuta, that house! The game, it's all real! I saw hi-him, his name! I swear he's real!" growing concerned at your sudden frenzy behavior, Yuta kneeled down beside your bed, holding your non-injected hand giving it a comforting behavior. 

"Calm down, angel. Tell me point by point," he encouraged you to take in a long breath, as Haechan rushed in along with the doctor whose face was half covered with a doctor's mask, "Doctor, he-he's probably out for me, you need to get me far away from here! Please" you beg with your eyes stinging with all the tears, "No one's going to get you from here, Ms. Y/n, you're safe here" You pause your frantic actions for a while. That voice sounded a little too familiar for your liking, making you think you're over analyzing everything again. The doctor gestured to your friends to leave you up to him to have a doctor to patient talk. All of your friends nodded in understanding, giving you one last reassuring smile before collectively leaving the room. 

The doctor, once after making sure that everyone left, removed his mask to reveal the oh so familiar smirk and the hair protector, rustling the same, familiar bright red hair with the same familiar pale fingers of his. Your eyes widen, mouth falls wide ajar

"Oh wait, there's one last warning, Do not assume that the Midnight Man has left your home for good at the conclusion of the game. I'm for real done now" You laugh at your friend who snatched the phone away from you,

"Pleasure to meet you again, darling"

#nct hard hours #taeyong ff #taayong fluff #nct smut #yuta ff #jaemin smut #haechan smut #yangyang ff #doyoung ff #nct ten ff #johnny smut #nct 127 smut #taeyong smut #nct 127 taeyong #taeyong au #nct au #wayv au #nct imagine #nct oneshot #nct angst #lee taeyong ff #nct jeno #nct ff #taeyong angst #yuta smut #taeyong x reader #nct lee taeyong #nct horror au

[newtonsheffield]

Would you have any headcannons about angsty Greg and Lucy fights?

Oh man, Lucy and Gregory angst? This hurts me because those two are the sunshine kids of my cinematic universe that being said, while they don’t fight often, they have had a few little tiffs and one all out fight. (It’s not a headcanon, it’s a Drabble, sorry).

The day had started out normally, Lucy reasoned, there was no reason for her to believe it would end so terribly. Except she had one of those feelings in the pit of her stomach that you sometimes get when you wake up that almost begs you not to get out of bed. But she had. And now she was here. Gregory had woken her with a kiss on the cheek, like he always did, and a broad smile and she’d gone about her morning routine just like always. She’d greeted Kate at the lift with coffee, just like always, but still something felt off. And then he’d come.

“Lucinda!” Lucy stiffened at the sound of her Uncle’s voice calling across her workplace, she hadn’t even known he was in town. Never a good sign, she felt herself frown, irritation at the use of her full name flaring a little. She looked up to see her Uncle Robert striding purposefully towards her, followed by a very tall, square jawed man, his blonde hair slicked back. Lucy groaned. She knew where this was going immediately.

“Uncle Robert.” Lucy said crisply when he’d finished his approach “I wasn’t aware you were in town, to what do I owe the pleasure?” She finished, smiling falsely. Robert Abernathy huffed,

“Perhaps, Lucinda if you saw fit to answer my phone calls once in a while, you would have had a little more notice.” He said testily, Lucy continued smiling, she had seen his messages, and deleted them.

“I didn’t receive any messages, Uncle Robert.” She said, crisply. Robert’s expression conveyed that he knew this was a lie, but he seemed to think it wasn’t worth the argument.

“Lucinda, this is Frederick Stevens, he’s the new Vice President of Advertising At Abernathy Media. We’re all going for lunch.” He said, Lucy sighed. Frederick Stevens grinned in a way she assumed he thought was charming, but made Lucy’s spine prickle.

“It’s a pleasure to meet you Lucinda.” He said, sticking his hand out. Lucy eyed it warily.

“I’m afraid you’ve had a wasted journey today, Frederick. I have a lunch meeting.” She said, her tone firm. Her uncle eyed her, unimpressed.

“I’m sure I can handle your boss, you’ll be coming with us.” He said, taking her arm and turning away. Lucy started to protest and suddenly an office door opened

“Hey, La la la Lucy Do you want to-” Gregory’s voice rang out through the office, pausing as he took in her uncle, gripping her arm tightly, his brow furrowing immediately. “Lucy is everything alright?” He said, squaring his shoulders, as he moved towards the small group. Lucy pulled her arm from her Uncle’s grasp.

“Everything’s fine, Greg.” She said quickly. Robert Abernathy sighed.

“Mr Abernathy.” Gregory said firmly, standing behind Lucy his arms crossed.

“Frederick, this is Gerald, a friend of my niece.” Robert said, his voice disdainful.

“Gregory.” Lucy said “and you know He’s my boyfriend, Uncle Robert. So I’m afraid whatever my uncle promised you, Frederick, is off the table.” She could feel irritation growing in her stomach at her Uncle’s dismissal of her life. Uncle Robert for his part, was unbothered. Frederick was starting to look a little uncomfortable

“Don’t worry Frederick, it’s not serious.” Robert said dismissively, looking at Gregory as he said, “She’ll get bored soon.” Lucy could feel Greg shrinking behind her. Lucy’s patience snapped

“It is serious, actually. We live together. And nothing you say is going to change that.” Lucy snapped, turning away and taking Gregory’s hand “We’re going to lunch Greg.” And she tugged him away.

Lucy had been watching Gregory closely all afternoon. As she’d taken his hand and tugged him to the car he’d barely smiled, barely said anything on the way home. It was unsettling to see Gregory, who usually filled her life with chatter and excitement so quiet, as he sat frowning in the kitchen, his arms crossed.

“Are you going to tell me what’s wrong or do I have to use a Jedi mind trick on you?” Lucy said lightly, wiping her hands on her apron. Gregory huffed.

“I’m fine, Lucy.” He said, bluntly, staring down at his hands. Lucy raised her eyebrow.

“Are you? I guess I’ve never seen you be fine before then.” Gregory sighed.

“Why are we still together?” The words seem to rush from him as though he hadn’t wanted to say them at all. Lucy froze, the knife she was using resting on the onion, but not cutting. Her eyes shot to Gregory.

“Greg, why are you asking me that?” She fought to keep her voice steady, panic rising a little in her chest. Gregory’s eyes flitted over her resting on the clock behind her.

“Forget it.” He said quickly. Lucy scoffed, irritation replacing the anxiety.

“Well, that’s not going to happen, you just asked me why we’re together.” Gregory froze at the sharp tone of her voice. “Greg can you just look at me please?” His eyes slowly flicked to hers. “If this is about my uncle, you know he just-” Gregory cut her off with a cold laugh

“Lucy, he hates me! He can’t stop telling you how useless I am and throwing men at you! How long do you think it will be before you listen?” His voice was like ice, sending a shiver down her spine. She felt cold, even as indignation rose in her.

“What exactly do you want me to do Greg?! I’ve told him so so many fucking times Greg. I’m not going to change my mind and he won’t listen!” Gregory flinched away from her shout and she instantly felt terrible. Even as anger clawed at her chest. His voice was uneven as he spoke, fighting to keep himself in check

“You’re so perfect all the time Lucy, I just wish I could believe that this wasn’t you just trying to prove your uncle wrong!” His voice rang through the kitchen. Lucy felt her mouth drop open, and Gregory’s own eyes widened as though his words had surprised him as well. Or maybe it was her reaction to them. Lucy felt tears prick in her eyes, biting her lip to hold them in.

“Well I don’t know Gregory, I guess we’re still together because I love you and that’s enough for me. And i guess I thought it would be enough for you too.” He looked as though he’d slapped her, she felt herself let out a choked noise and turned away dropping the knife, clattering against the chopping board. Before she’d even taken two steps, Lucy felt Gregory’s hand firmly on her arm, tugging her to turn her, pulling him tight against his chest. His eyes shining with tears, burned into hers.

“It is more than enough for me.” He said, dropping his forehead against hers, whispering I’m so sorry, I’m so sorry, I’m so sorry I love you. As both of their tears fell.

#bridgerton and sons au #lucy x Gregory #lucy abernathy #gregory bridgerton #Lucy + Gregory + Angst #this got long I’m so sorry #molly's asks and aswers

[clean-bands-dirty-stories]

Breathe ~ Doctor (part 1)

A/n: So I had a FANTASTIC idea and had to write it. The first part is all of the experience with 9 in one part. I so hope you enjoy this introduction, and allow it to take you on a journey with me that I have been having far too much fun exploring.

Word Count: 11,000+

MASTERLIST

Rose Tyler had three people in her life that were a constant.

Her mother, first of all. The woman might be a little annoying from time to time, gossiping and being pushy and demanding and wasting money on parties and dramatics. She was a good woman though, with a large heart. She had, after all, raised Rose by herself and the girl had come out brilliantly.

Then there was Mickey. Mickey was Rose's boyfriend. He was... cool, I guess. There was definitely more to him than others cared to dig for. Even he himself didn't know his full potential, and it put a stopper on him quite a bit. He was fine enough, and obviously cared for Rose, but he tended to be a bit... distracted, and oblivious. Desperate, maybe.

Y/n sure didn't approve of him, but as Rose's best friend he had long since learned to accept the man. Y/n was very good at filling in the spaces where Mickey lacked. He was attentive and listened to Rose talk for hours. That was perhaps the biggest reason he didn't like Mickey too much. Rose complained a lot. Y/n fancied himself an artist. He and Rose had met when he'd tried to do street art to get some attention, but it was more hussle than it was worth. The best thing that came out of it was his friendship with Rose.

There was something odd about Y/n, Rose was sure. The man was usually very open and honest - unless it came to any and all talk about relationships. Rose had long since stopped asking, but others hadn't. Every time his love life was brought up, he clammed shut and got very bitey. No one was sure why, but it happened every time without fail. His reaction didn't get any more or less violent, either. No one could wear him out or get him to snap. He just got tense and irritable until you stopped talking, and then the mood was usually ruined the rest of the day.

It was a silver lining, though. Otherwise Y/n was extremely pleasant and had no problems talking about other peoples' relationships or love lives. Y/n never encouraged Rose to be single or to dump Mickey - as long as everyone was happy, you could talk about anything in your life without any back lash. Rose got along and they didn't talk about it and that was that.

Then the Doctor happened.

Rose and Y/n didn't lie to each other. They'd formed a friendship on if you didn't want something known, you didn't mention it until you were ready to talk about it with a level head. No matter what, they didn't lie. They just kept their mouths shut. So when the Doctor entered Rose Tyler's life and her mom took up the phones like usual and Mickey ran off to the bar to watch the game, Rose pulled Y/n into her room and told him everything.

"No," Y/n mumbled. It wasn't that he didn't believe her. Rose Tyler wasn't insane, and they didn't lie to each other. He knew that, logically, if she said it, it was true. That didn't stop the fact that his mind rejected what she was telling him.

"Yes!" Rose gushed, nodding eagerly. "He's got this weird screw driver, except it's got no head, just a little light at the end. And mannequins - they moved. He's the one that blew up my job."

Y/n allowed him a second to process that before responding. Rose stayed silent as well, waiting for him to speak again before she said more. "And he said his name was what?"

"The Doctor. Sounds like a mad man, huh?"

A sort of amused snort came from Y/n then. "No shit." He shook his head. "Hold on, I need air." They began to walk out when the doggy door suddenly blew in. Y/n and Rose both jumped, before Rose yelled something at her mom about not nailing the flap shut like she said she would. But when Y/n kneeled down, he picked up nails off of the ground, holding them up for Rose to see. "I think she actually did, Rosey."

The two locked eyes and then both gazes shot to the flap as it suddenly moved again. Rose went to stick her head down there but Y/n wasn't having any of that. He nudged her with his foot, grabbing the bat by the door he had insisted the Tyler's kept at the ready. Two women living alone needed some way to protect themselves. Not necessarily a man - no woman NEEDED a man, even Y/n knew that - but something. Now it came in handy as he hefted, swinging the door open as Rose scrambled to her feet behind him.

A man stood there. He wore a leather jacket and had an odd expression on his face. "Hello," Y/n greeted, unsure.

"Hello," the man responded back. He lifted a long, odd object and pressed a button, running the object down Y/n's body as if... scanning him.

It clicked in Y/n's brain far too quickly. The thing glowed at the end that was pointed at Y/n, and it made a buzzing noise. The man was weird and smiled too wide. Even the leather jacket was there. "You're the Doctor."

The Doctor's smile grew. "Normally I have to introduce myself. It's usually a bad sign when someone knows my name, but you're not made of plastic so I can't imagine what I'd have to be worried about. Are you made of plastic by chance?"

"No," Y/n answered calmly. He was processing Rose's story at hyper speed now. It only made sense that a man like this would be attached to a world where plastic came alive and tried to kill you. The night seemed bright around him. There was something odd about his presence, like seeing cartoon and live action mixing between characters and background. The Doctor didn't belong here, and it was obvious in every move he made.

The Doctor nodded. "Suppose I'll be on my way then."

"You will not," Rose spoke up, grabbing the man's arm around Y/n and pulling all of them. "I have questions and this time you WILL answer them."

That simple action changed the lives of Rose Tyler, the Doctor, and everyone they cared about so much that none of them would ever be able to go back. Honestly though, none of them would have it any other way. Except maybe Jackie.

-

"Doctor?" Y/n turned to the other man, who hummed without looking over. The Doctor's eyes were trained on the end of the world. As were Rose's. Y/n couldn't keep looking. Something had stuck in his head. Something that made him even more sick than the sight of an empty planet being consumed in a universe that had long since been done with it. "The woman before. She said something about your planet. Something about you being impossible."

The Doctor got a very dark look on his face then. "I suppose I am rather impossible." He shrugged, obviously trying to keep it light.

Unfortunately, Y/n's curiosity was insatiable. It was something the Doctor had come to appreciate about him. Until now, maybe. "Well, I'm the last of my kind." He paused but when Y/n's expression grew only more earnest, he shared more. There was something about Y/n that pulled at the Time Lord. Made him want to talk. Talk about things other than just science and time and language and culture and history and such. Something that made the Doctor want to talk about himself. "A very long time ago, there was a war. A war between my people, and those knows as the Daleks." He paused, getting rather somber. "We won...” he swallowed. There was an unspoken, at a cost.

Y/n found himself with more questions, but felt none of them appropriate to ask. "I'm so sorry." Rose turned then to see Y/n take the Doctor's hand. Y/n had always been affectionate, but only with people he was rather attached to. With strangers, Y/n was usually quiet and reserved. Until he was sure someone could handle his prying questions and blunt honesty that so often got him in trouble if he didn't check himself around the right people.

Perhaps it was the fact that the Doctor was a lot like that as well that Y/n had taken to him so quickly. Whether it was that or something else, Rose was glad the two men were getting along. She was also glad there was someone smarter than Y/n in the room. The boy had asked so many questions and gotten so many answers that he had quite a bit of knowledge more than normal people. He was no genius like the Doctor, nor was he hyper intelligent or anything. But he could outmatch Rose and Mickey, and they often went to him when they needed something spelled or math done that they couldn't mentally do quick enough.

Rose suddenly saw something else though. Past the similarity and the comfort and the peace the men found in each other. The Doctor looked back to Earth, and Y/n continued to look at the Doctor. It was subtle, and it wouldn't have been noticed if Rose wasn't already looking. But she had. Y/n finally looked away fully, but there was a look in his eyes that Rose had never seen before.

What was that about?

"What was that?" Rose demanded when the left the room, parting from the Doctor.

Y/n seemed taken aback. "What was what?"

Rose wasn't sure how to describe it. An odd look? A weird new air about him? There was something different when Y/n looked at the Doctor and Rose couldn't understand it. "With you and the Doctor?" She tried to clarify.

That only seemed to confuse Y/n more. "What are you talking about? Holding hands? I do that with you and Mickey all the time, and I'm not even Mickey's biggest fan."

Rose rolled her eyes so hard that Y/n almost laughed. "You looked... different."

Y/n was quiet a long time. Rose almost thought he wasn't going to say anything. That she had found something he wasn't ready to share. But then he did speak, even if it was soft. "He's different, the Doctor. Not just because he's alien, though... perhaps that is it." He sighed. "He's lonely. He's so lonely, Rose. Can't you see it? In the way he empathizes with loss and grief. The way he looks when you mention his name or his planet or the TARDIS or your family. When he was watching you watching Earth die, like he could see... something else. He told me something. Something that makes me think... he might have watched his own world be destroyed, like we did today. But it wasn't empty, and his species hadn't spread out and integrated and evolved. They just died, and left him all alone."

For a second, it was quiet. "You see it, don't you?"

A nod was all Y/n gave at first. He didn't need to say anything, but he did anyway. "He looked the way I did when I got the news back then. When I found out. He gets that exact look."

Suddenly Rose looked very sad indeed. "Well. Now you both have someone, eh?"

A small smile tugged at Y/n's lips. "Yeah, here's to that at least."

-

"Y/N!"

The man turned at his name, only to be tackled by the shorter blonde that had become known as his best friend. "Rose," Y/n whispered, clinging to her. "God I thought you were dead for sure. I - what happened? I lost you guys and then..." He looked sick. "There was so much light and-"

"We're all okay," the Doctor reassured. "That's what matters."

Y/n turned on the older man. "Now you listen here. That's NOT all that matters. Because she damn well could have not been and I wasn't there to protect her. Or you! What would I have done if either of you had died and I was up here sitting on my thumbs like an idiot?"

The Doctor was taken aback by Y/n's outburst. When the man turned and stormed off, Rose was the one to step up and explain. "I'm sorry, Doctor. He's rather protective of those he cares about." She bit her lip, giving the Doctor the impression there was more she wanted to say. He waited for her to speak, and after a while she did. "When he was young, Y/n saw something terrible. His childhood wasn't normal. I mean, you think life is pretty rough on most of us, but Y/n's had it worst than most."

"What happened?" The Doctor asked quietly.

Rose sighed. "His parents had always been pretty distant, but they were mostly good. They did what they needed to do and let him free when he wanted to be. But, well, they were.. angry. The fought a lot, and it didn't help that his dad was a fan of alcohol. His mum... well she was a fan of lots of things other than that, none of them good for you. One day, she came home high. She wanted something... I can't remember what. His parents fought over it until... his mum pulled a little too hard. His dad slipped and knocked his head really hard on the floor. He died. His mom panicked and..." Rose swallowed. And no further words had to be said about it. "Y/n was on the couch the entire time watching. He ran. Was on the streets for a long time doing lots of things. Working as best he could while keeping his head down until he turned eighteen and was free of the system. Found us right after that. He watched his parents destroy themselves and spent a long time alone after that because he couldn't stop the fighting." She scoffed. "His words of course. Not his fault people fight. He was only twelve."

The Doctor seemed to be thinking about something. Something that didn't seem to be sitting right with him. "Does he have any other family?"

"Loads. He used to have a very big family. No brothers or sisters, but lots of aunts and uncles and cousins and the such."

"What happened to them?" The Doctor looked at Rose, as if searching her mind for something he desperately needed.

Rose stalled a few seconds. "A lot of the same, really. Not so much murder, but... well, his parents got their habits from their families, and between that and regular life? Not as many are as strong or as resourceful as Y/n. They ran off or got addicted to something or..." She shrugged. "He lost all of them at some point."

The Doctor nodded. "I see. Well, this is settled. Let's go somewhere more fun." His tone changed but the mood didn't. Rose let it drop though. Y/n didn't mind Rose answering questions like this for people he was comfortable with. He actually preferred it, so that wasn't her worry. The Doctor had drawn a silent line though. She didn't know what it was blocking her from, but she decided to let the whole topic drop just in case.

Perhaps it was what Y/n had said about him and the Doctor being the same.

She hoped they weren't too similar. It was bad enough knowing Y/n's story, she couldn't bare another like it.

-

Y/n had been staring at the building that had just gone up in flames for a very long time now. Rose and the Doctor had been celebrating, but Y/n sat there quietly, on the pavement, staring at the building like he was waiting for it to undo the carnage that had been caused moments ago.

"So what's on your mind?" The Doctor had plopped down next to Y/n, smile small. He'd gotten used to Y/n's mellow mood. The boy wasn't hyper like the Doctor. He didn't get off on exploration. What drove Y/n, it seemed, was saving people. And a life like this took its tole on people who wanted to save everyone. People like Y/n. So, the Doctor had learned to check in every once in a while. Every time he did, he was never disappointed. Even when Y/n seemed to be hurting, he was never negative about it. He could accept a success. The things he did think though put the Doctor on a path that had him mulling for days. In a good way. He and Y/n got into a lot of very stimulating debates this exact way.

Today wasn't about debates for Y/n.

"I know they were going to destroy the world and stuff. I'm not sad they're dead. We won and they've been stopped and all of humanity and Earth has been saved. That's great. The way we did it was rather impressive too." He chuckled, but there was obviously more he was thinking.

"But?" The Doctor prompted.

Y/n shrugged. "Wiping out an entire family. I mean, their species isn't normally like that, are they?"

"No," The Doctor answered slowly.

A bitter sweet smile rested on Y/n's lips then. "Do you think they were raised to be like that, or is blood thirst genetic?" It was a sarcastic question, so the Doctor didn't answer. There was a moment of quiet before Y/n shook his head and sighed. "Doctor, would you prefer I didn't travel with you?"

That was not the thing the Doctor had been expecting Y/n to say next. "Why would you ever think I didn't want you along with us?"

Another moment where Y/n struggled with how to form his thoughts and feelings into words passed before the boy finally figured it out. "I like this life. I really do. I like being around you and Rose and watching you guys have your fun. But sometimes I feel like... a bit of a downer."

The Doctor chuckled. "Honestly Y/n, you're the first person in a very long who sees the truth to things. As much as we cling to our victories, you're real about them. You handle everything with complete understanding, even with your limited knowledge. You have empathy even for beings who would have killed you without even remembering your face. You have pity for monsters and you feel for species the rest of your kind would rather kill than have a civil conversation with. Rose is fun and she matches my energy and I appreciate that. But you ask the questions I've been waiting for someone to ask for centuries. Your kindness is quite refreshing. You get it."

Y/n smiled. "So you want me along?"

"I will always want you along, Y/n. As long as I can have you along," The Doctor answered without hesitation. "You're no downer, I promise."

It was that moment that something changed for Y/n. Rose saw this too, but not in the moment the two men shared now, but after. Y/n and the Doctor had unlocked something in each other in that conversation. A kind of connection where even as everyone cheered, all the pair had to do was look at each other to know that in all the sweetness around them, the other understood the slight bitterness they felt as well. As much as they wanted to end evil, they also both felt the loss of any soul they couldn't save. Taking a moment to mourn with each other seemed a relief for both of them.

It was something Rose couldn't feel. She saw things pretty straight forward. Bad people needed to have an end to them. And she wasn't wrong, but the compassion that had come to Y/n and Doctor after having their families and lives taken from them and living far too long by themselves, they had a unique ability to give a moment of silence even for enemies who were twisted by things out of their control. Who couldn't be shown the light.

They bonded over it so much that Rose felt herself being left behind.

Y/n and Rose still told each other lots and cuddled when either needed comfort. The Doctor and Rose still had lots of fun and laughed at each others jokes and had that same sense of humor that came only from adjusting to and enjoying the life they both lead. They were all friends. But Y/n and the Doctor had something else. Just a little something more. Just enough that Rose saw the change and began to think that there might be something major she didn't know about the man who called himself her best friend.

-

"Something's off."

Rose and the Doctor looked over at Y/n, whose eyes were slowly and carefully scanning their surroundings with narrowed eyes, as if searching for proof that his hunch was solid. "What is it?" Rose asked gently, moving closer so they didn't have to talk around the people in the crowd they had been moving through before Y/n had stopped dead.

The dynamic between the trio had very early on become clear. The Doctor was the brain, coming up with the plans. Rose was the second in command. She was stuck to the Doctor's side and they worked in tandem, being unbroken and often sliding along the same wave length. Y/n was the heart. When Rose and the Doctor got stuck on a mind path, or got distracted, or veered a little too right of what was right, Y/n was the one to shake things up to give them a new perspective, or to help either of them if they needed it. Y/n was a comfort and a friend. He was also very intuitive. Where the Doctor sought things out, and Rose seemed to stumble on information she found, information seemed to find Y/n. He just had a good gut guiding him.

So when he said something was up, at this point, he was never questioned by his companions.

"Earlier one of the girls said that people are chosen to go up to the higher floors. That there's a prize. They go up and something happens and then they never come back."

The Doctor nodded. "I was thinking about that too."

Y/n shook his head. "Did you notice that it's incredibly hot in here? I mean, why? It's obviously not ideal - it makes the people here uncomfortable. It's slight discomfort, but still. Why keep a bunch of people in a super heated room? What's on level 500, air conditioning?"

It was made to be a joke, but the comment seemed to spark something in the Doctor. "You know what, that's an excellent point." He stood straighter. "Fun's over. Where's that friend of yours, Rose?"

The blonde looked around. "He was... just behind us."

"Grand," Y/n grumbled sarcastically.

The Doctor chuckled a few times. "Took the words right out of my mouth." As he said it he looked over at Y/n, his eyes flickering to Y/n's lips. He looked away quickly and Y/n missed the moment altogether. The two continued cracking jokes toward Rose about the man both of them had been increasingly annoyed with, but Rose wasn't responding.

Because she had seen where the Doctor's eyes had landed, and her mind was working a million miles an hour to put this together. It's not that the concept of men liking men was foreign to her, just rare. One that wasn't her first thought for sure. But as Y/n and the Doctor got closer and closer on a very emotionally intimate level, Rose was noticing the building tiny moments that wouldn't mean anything alone but meant everything put together.

She smiled to herself. Rose Tyler had a plan, and not just about Satellite Five.

-

"You wanna talk?" Y/n offered quietly.

"Do you?" Rose shot back.

Y/n wasn't sure what to do with that. "I always want to talk with you, Rose."

The blonde jerked her body to turn and face Y/n, a determined look on her face. "You know Y/n, how about this. An exchange of honesties. For every truth you tell me, I will tell you one in return. And your truth has to equal mine, so if you want something meaningful then you have to give something like that first."

Y/n paused and then nodded. "Sounds good. Do you want me to start?”

"No, actually," Rose decided. Y/n motioned for her to go ahead, so she did. "Watching my dad die was not great, but I'm glad he wasn't alone after all. It was kind of... a relief, actually. Some closure. I got to say goodbye. I got to hold his hand." She offered a weak smile. "Now your turn."

Unsure of what Rose was aiming for, Y/n thought for a second for something he hadn't told her recently that could be as profound and unexpected as that. "This whole life of ours gives me purpose. I feel like I matter, which is something I haven't really felt until now. I know I had people who cared about me and worried about me and expected me home every night, but I always craved to make a difference and finally having that has been like a dream come true. Even though I get a little melancholic... all the time, it's just because I get stuck in my own head a lot and think too much. I actually really like what we do."

Rose nodded. Even though it had been a tad mild compared to hers, it was less what he had said and more the fact that he'd said it. Y/n struggled to communicate positive emotions, often overthinking the negative ones and voicing those because he needed second opinions and insight. Acknowledging positive things didn’t require a second opinion or input, just a congratulations, and since when did he get that just for traveling with the Doctor and finding purpose without looking like some sort of arrogant dick? It might not have been as profound as Rose's truth, but it was equally meaningful.

"I love Mickey and my mum of course, but I don't think I'll be ever to leave this life and be okay with it. I think that I might end up breaking up with Mickey because he deserves better and that thought terrifies me."

Y/n pursed his lips. "Can I just-"

"No comforting or additional thought. We can discuss later. Right now, truth. State it."

"Okay," Y/n sighed. "Uh, relationships in general terrify me." It sort of slipped out and both of them hesitated. Y/n never talked about this sort of stuff. It was the only thing he never talked about, even with Rose. She expected him to clam up but after a second, he just kept going. "I'm scared of falling in love and having my heart broken. I know some things are worth it, and people glorify love so much and I crave it, I really do, but... I've lost so much. I don't think I'd be able to handle it if I really fell for someone and then had to lose them. I'd rather make friends and family than that nonsense. It would hurt to lose them, but in a different way, and there would still be the thought that you would always be that person's friend or family if you get separated or part ways or whatever. Like we'll always be each other's friend, I think. Even if we got to a point where we couldn't be friends anymore. If I left this life behind, or one of us died or-" He sighed. "But when you break up with someone, they move on. They date other people, and do intimate things with them. They love and connect in just as intimate ways as you used to, and eventually they forget you and replace you. I couldn't handle that. I won't."

Rose let out the breath she'd been holding. She'd been too scared to breath, in case it shattered the moment she'd been waiting to happen for years now. "I understand." She took his hand. "Have you... ever been in love before?"

Y/n shook his head. "Not yet." He paused and Rose felt the weight of those words. Not yet. She could imagine Y/n clinging to his heart as the Doctor got closer and closer, his smile ever wide and his charm ever sparkling.

Rose's shoulders sagged a bit. "What will you do if it ever happens?"

"Ignore it." The words were too quick and solid. They came across as desperate. Insistent. In that moment one thing was clearer than anything else in the world. If Y/n wasn't in love with the Doctor already, he would be soon. He was falling hard, and he was falling fast, and when he landed it was going to hurt. They were suddenly both terrified about it.

-

"DON'T TOUCH ME!" The words were hysterical. Y/n's hands shook and his eyes were wide and his skin shone with sweat. His hair was messier than usual and his clothes were disheveled, like he'd rolled down a long hill or gotten in a fight or something.

The horror of what was happening in that moment settled over Rose and the Doctor in a truly terrible way. It was in the ringing in their ears and the horrible, bitter taste that was suddenly in their mouths. "Y/n-" the Doctor began.

"No," the man answered in a very final tone. One that let them know there was no room for question or doubt. He had been touched by the child. He had been infected, and he refused to infect any of the others.

A new friend, Jack Harkness, jogged over at the commotion. "What's happening over here?"

"Doesn't matter," Y/n answered solidly. "We need to move on."

Rose let out a sound that neared a choked sob, except she wasn't crying. She just looked to be in pain. "You- you can't! Y/n-"

Y/n took a few deep breaths. He had made the mistake. In his idiocy, he had gotten between the kid and Rose, and now he was here. The child was far back and they'd had time to get away, but Y/n had touched him and that meant only one thing. "Rose, we don't have time for this." He was near breaking down, and he begged her to see that. He couldn't spend the time before he died losing it. He had to help as much as he could. He had to make a difference. He had to-

"You know, you don't have to do anything, Y/n." Y/n and the Doctor looked at each other. His lips were parted and his eyes were desperate. He wanted to help but... he didn't know how. "You can stop. We would understand. You - you probably don't have much time left." His face crumbled, like he finally understood the meaning behind what he was saying. "You don't have to come. Spend it doing something else. Get yourself some food maybe. There's bound to be something in the TARDIS. Pick a bed, and stay there. We'll keep you comfortable after... after this."

A soft chuckle came from Y/n then. "You know, I'm going to die." The group got deathly quiet. "Maybe that's not true. I'll be alive. I'll be something worse than dead. I'll be brain dead. Forever." He shook his head, his breathing becoming shallow. "But right now, I'm still me. And I want to do something before I stop being me, Doctor. I want to do all I can. I want to do everything, but all we have time for is making sure whatever is happening to me never happens to anyone else ever again, okay? Can I spend my last moment with you?" He was looking right at the Doctor. Not at Rose, which would have made sense as they were practically siblings with the way they acted toward each other. Not even Jack, who had been having fun flirting with everyone - especially because Y/n wasn't anywhere near as hard to get as Rose or the Doctor. Y/n looked at the Doctor, and begged to die by his side, and Jack and Rose looked at each other because the need that Y/n had to steal all the time he had left to spend with the Doctor of all people... it said something Y/n was not ready to find the actual words for.

"Of course you can," the Doctor whispered.

And he did. Y/n was there as they reached the not-bomb that was actually some sort of alien ambulance. He was there when they saved Nancy and gathered the troops. And when it came time, he left too.

"Nancy, take Rose to where you cut the gate. And take this!" He tossed his sonic screwdriver at Rose and she caught it.

"I ought to go as well," Y/n spoke up.

The Doctor looked confused by that. "No I need you here. I promised you'd-"

"Doctor," Y/n interrupted. He took a shaky breath. "I can feel it coming. Soon I'm going to be one of them. Mindless, and coming after you, and you won't be able to stop me. I will kill all of you. Make you just like them." His face darkened. "Like us." He shook his head and Rose and the Doctor looked at each other, trying to find the answer in each other that neither of them had. Y/n steeled himself. "So this is goodbye."

The Doctor stood there for a few seconds. Too many seconds. He was trying to say something, but didn't seem to be able to. "Y/n?" The man answered to his name, and the men locked eyes. "Do you remember the first time we ever set out, and you told me... you told me that Rose was the most important person to you? You joked that no one would ever be that important to you, except someone who would be... special." He let air out of his nose. "You were special to me. More special than most people."

Y/n smiled, fighting tears. "You are special to me too, Doctor." He looked away. "I'm sorry our journey ended so early. I think... I think it could have been special, too."

Then there was nothing else to say, so he left with Rose and Nancy, the three of them booking it to the fence. Y/n stepped through and watched as Nancy and Rose fixed the metal so he wouldn't be able to get back in.

"Did you mean it?" Rose asked, looking at her best friend for what could very well be the last time. "That I was important to you? And that the Doctor was special enough to be just as important?"

The silence stretched for too long. Rose wasn't sure if it was painful to talk with that thing pushing its way up Y/n's throat, or if it was his human fear that kept his lips sealed, but Y/n didn't say anything for a very long time. The fence was sealed and the women stood before he finally spoke. "Do you think differently of me?" He rushed to add, "I know it's obvious. I saw the way you look between us like you expect us to lose our minds and make out right there. I see the way you and Jack looked at each other before too. Like you were watching a romance movie that had a sad ending. One you didn't expect, or think fair. I'm not as subtle as I like to think I am."

Rose scoffed. "You think I think differently of you because you're in love with the Doctor? Why? Because he's an alien?" She narrowed her eyes. "Or because he's a man?" Y/n looked away. "Y/n, you're my best friend. After all we've been through with the Doctor, you're practically my brother. I have been waiting ages now for you to admit your feelings for him. I didn't know until we started traveling, but it doesn't change the fact that you're there for me more than anyone else. You protect me and care about me. Your heart is bigger than all of the universes put together, and you bleed gold - I swear to god. You and the Doctor... you give him something I don't think anyone ever could. You understand something I can't wrap my head around. The way you mourn even the worst of us, because you see potential. The way you can do that, but still stop evil and remove yourself from harm because as much as you pity people who destroy themselves and others, you also won't tolerate their destruction. You're one of the most amazing men I've ever met, and don't think I'm just saying that because you were my first boyfriend.” It was a reference to When they’d first met; Y/n had pretended to be Rise’s boyfriend to get a creep to go away.

Both of them laughed at that, tears falling down their faces. "I remember that." Y/n slipped his hands in his pockets and the mood dropped again. "In another world, Rose, I wouldn't have ever left your side. I really do love you. And even if I am feeling... things, for the Doctor." His eyebrows came together. "You were always my first priority. I just know that he cares about you, too. He has your back, but someone needs to have his. Someone who really understands. And... you get distracted sometimes. But that's okay, because you always have my back, so we watch each other like that." His voice broke as he continued, "Had." Y/n and Rose locked eyes. "You watch him for me, alright? You two..." He laughed again. "I know you two are like me and him. I know he'll never admit it in a million years, but you two. It's subtle and quiet and innocent, but I can see it. I see it in the way he says your name, and the way you trust him. If you don't end up happy because of me I'll come back from the dead just to kick your asses."

Tears fell harder down Rose's face as she laughed again. "You're an idiot."

"Your idiot," Y/n replied without missing a beat.

Rose's expression fell. "How am I supposed to go on these journeys without you? Go back home and face my mum, who needs you around because you're the only one who'll listen to her gossip without giving her an ear load in return? Who will tell Mickey off now that I'm so different and we-" She choked on her words. "You can't go, Y/n."

"I don't want to..." His vision blurred and the pain that had been rising steadily came in full force now. Y/n leaned against the fence, bending at the middle a little bit as his other hand rose so his fingers could wrap around his throat. "I'm sorry, Rose. I- I-" He began sobbing, but stopped as it made the pain worse. "I'm- m-" He shook his head. He didn't want to hear himself say it... Then the thought occurred to him that the people might be trapped in their heads. Conscious and aware, but out of control. Would he see the face of every person he condemned to live like him? Would he sit there and see them and have to touch them anyway? Every single person until... until what? They didn't die. He wouldn't die. He would turn person after person until they were all brain dead and trapped just like him. "Rose."

"I'm here," she whispered, her voice haunted. "I'm right here, Y/n."

Y/n closed his eyes. "Run. Please - PLEASE don't see me like this. Don't see me- m- mummy-" The word forced itself out of his mouth and he whimpered, flinching upon hearing it. Rose made a sound that was half groan and half whine. This was hurting her. "Rose, Ru-" And then he looked up and locked eyes with the girl who had become his sister, and he thought of her and the Doctor before everything went black.

When he woke up again, he was somewhere new. He expected to see himself marching toward his friends, condemning them to death. He expected to see someone else about to be wrapped in his deadly clutches perhaps. But all he saw, instead, was a lot of lights and people and a blue beam with something large and cylinder in it. He saw his hands next. He reached them up to touch his face and they answered him. His face was skin. It was smooth and a little warm. There was no leather or metal. He wasn't wearing a gas mask.

"Y/N!" He turned in time to be rammed into by a smaller blonde. Her hair went into his face and he felt both panic and relief.

"You- you can't touch me. Rose what have you done?" He demanded rather harshly.

She shook her head, her body shaking as she sobbed. "You're cured, Y/n. You're all better. The Doctor - he figured it out. A brilliant man, he is. Truly brilliant."

Allowing himself a moment to process that, Y/n stayed quiet and just hugged Rose for a second. Once it did settle, though, he needed to know something. "Is the Doctor okay?"

"I'm perfectly fine." Rose and Y/n parted, turning their gazes to land on the Doctor himself. The man was grinning, his eyes light up with joy.

Y/n grinned back. "Guess you're not getting rid of me that easily, Doctor."

"Wouldn't have it any other way," the Doctor replied. He slipped his screwdriver in his pocket. "On we go, then. There's one more thing we have to do before we can celebrate." And just like that, Y/n was okay and not dead and they were all together. Things had been said that they were ignoring for now, because none of them could acknowledge them. Not yet. Right now, they had more important things.

At least that's how they reasoned it. Easier that way. Much, much easier.

-

"I'm sorry, we'd be sending you to your death?" Y/n demanded.

"Yes," the Slitheen responded.

The Doctor turned to face the man who looked about ready to blow a circuit. "Y/n, I know how you feel. Trust me, I do. We all do. But-"

"No buts!" Y/n argued. "She just wants to be free! Her whole family was killed and she had to run away or die with them. Can you imagine what it would be like to have to run, knowing everyone you care about would be gone? Being helpless to save them, because you messed with the wrong planet? Because you do what you always did. What you were TAUGHT to do?"

That seemed to hit a chord with the Doctor. "It doesn't matter, Y/n. It doesn't!" The Doctor shot again when Y/n went to argue. "She would have killed everyone here without a second thought. What are we supposed to do? She almost destroyed this entire planet for a bit of money, and then AGAIN just to get off of it and go somewhere else. Every single life on Earth, GONE, because she wanted a lift somewhere else."

Y/n looked away. "I can't do this one with you, then. I- I know it's necessary. I know you have to do it. I can't sit by and let you though, so I'm going to leave." He turned on Margaret then. "If you hurt him, I will destroy you, do you understand me? These people are MY family, and if you hurt them I will hunt you down and I tie you up and stick a needle in you and I will pump your body full of vinegar - do I make myself clear?"

Margaret looked scared... and a little impressed. "Yes sir." She looked to the Doctor as Y/n walked away. "You found your soulmate, eh?"

The Doctor didn't answer as far as Y/n knew. It was a relief to know that even if the Doctor had responded, Y/n hadn't been there to hear it.

He did manage to stay away a very long time. He only came back when the Earth under his feet began to crack and the lights went crazy and the sky began to glow and everything began to shake. He couldn't stay at home when things were going to wrong. When Rose and the Doctor and Jack could be dying. So Y/n raced back to the TARDIS, reaching it just as everything began to calm down. He pushed open those doors, praying that it wasn't the calm before the storm and the world was about to end.

When he opened the doors, he saw something he wasn't expecting. Te Doctor stood, Rose and Jack on either side of him, an egg in his hand. "What's that?"

Grinning, the Doctor hefted the thing as Y/n entered the TARDIS, closing the doors behind him. "This is Margaret." When Y/n was rightfully confused, the Doctor explained. He recounted the nights' adventures up until Margaret had looked into the heart of the TARDIS and had reverted to what she was now. "She told me..." The Doctor looked at Y/n with a soft look in his eyes. "She told me to tell you thank you. Before she died."

Y/n smiled to himself. "Well, she's welcome." Then he turned away. "Now, let's get her home shall we?"

-

"You want us to face those things with guns? There are six of us."

"Actually," The Doctor piped up. "Rose, Y/n, can you help me strip these wires? The faster we do it the sooner I can get this done."

"Uh, sure," Rose agreed, heading over to where the Doctor was crouched.

"Four of us," the woman corrected herself. Y/n hadn't caught her name yet. He made a mental note to do so when they gunned down the Daleks together later. Because he had seen something in the Doctor when he asked for help. Something that made Y/n suspicious.

"Five actually." Everyone looked at Y/n in surprise. "If we're arguing our need for time, Rose can help here and I can help keep those things from getting here for as long as possible. Maybe-" He stopped himself. "Maybe I can take down enough to make them not a threat at all." It was a joke that fell short, but one that made everyone offer at least a small smile. The Doctor went to argue, and that's when Y/n got serious. "I can't stay up here and strip wires when people are dying, Doctor. I won't."

The Doctor seemed to have pain in his eyes. "I can't stop you, can I?" He was begging Y/n. Desperately pleading for him to stay there. To do as the Doctor wanted him to.

This time, Y/n wasn't going to though. His arm was still bleeding and his other leg had a limp from his game. Y/n had looked death in the face twice now and avoided it. He figured he was on borrowed time anyway. Even if that wasn't true, Jack had saved Y/n's life. He had been the one to find Y/n and pull him out of that game right before he died. If they were all going to die anyway - or, at least, most of them - he would be by Jack's side to repay that debt. "You can't."

Once again, the Doctor and Y/n exchanged a look they both believed would be the last they shared. Ever since Y/n had been turned into one of the empty people when they met Jack, the Doctor had been significantly more protective of Y/n. Y/n was a man though and had been staying firm when he made his mind up, no matter how much the Doctor tried.

"Not at all?" The Doctor tried again.

Y/n smiled. "You know, Doctor. I've been pretty obedient until recently. I didn't stray too far or wander off, because I chose to stay behind and let you know where Rose had gone and that she was okay. Or that she wasn't. I did what you wanted me to. And then I died, and I realized that there is more important thing to life than sitting back and letting you take control just because you know more than I do. This is my choice, and I'm making it."

After a second, the Doctor nodded and Y/n took off with Jack and the others, headed to face the Daleks with a bunch of guns.

Y/n did help some. He watched each and every person on the Station die, and he ended up pressed against a wall with Jack at his side and Daleks charging the pair without hesitation. He had lost. But he had helped, even if it wasn't nearly enough to make a difference.

"Go ahead and warn the Doctor they're coming," Jack ordered. He spoke again before Y/n could argue. "I'll hold them off. I know you don't want to, but the Doctor needs warning, and I... I don't want see you die. Not again."

Pain flared in Y/n's chest then. "You're a good man, Jack."

"Thanks, but we don't have time for one of your goodbye speeches." Jack scoffed at himself. "You know, I did always want one though."

Y/n laughed, tears in his eyes. Why did he always end up here? "How about I give you a kiss on the cheek and you can return it later? I can give you that goodbye speech another day, when we have time."

Jack paused, and then nodded. "I'd like that." So Y/n kissed him on the cheek and then ran when the Daleks turned the corner, feeling his heart drop when the tell tale sign of death hit Y/n's ears in the form of Jack's scream. They'd both known this was what was going to happen. Y/n would never get that kiss, and Jack would never get that speech, but it had been nice that they'd parted holding onto that impossibility. Y/n hoped it had been what Jack was thinking when he died.

Unfortunately, Y/n didn't have much time to lament about it. "Doctor!" He ran into the room, stopping in the doorway. Y/n knew about the delta wave, and he knew what was about to happen. He knew why the Doctor had wanted Y/n and Rose to stay. Y/n had gone though, and now he was going to die with the rest of them. He wouldn't have it any other way. First, he needed to say something though. "Doctor, last time I faced death, I said something that we never talked about again. But we've had even more time together now and after all the regret I had last time, I- I can't die again without telling you-"

"I know," the Doctor said, interrupting. "I hate death confessions. I always have. It's not fair, you know. Telling me something like that and then running off and dying before I can do anything about it."

Even now, the Doctor was making jokes. Dear lord. "I came back, though. And you didn't do anything about it." Y/n huffed in amusement. "You never would have, huh?"

The Doctor swallowed. "This would always been the end, Y/n. At the best, you would have gotten older. You would have moved on. I can't... I can't."

Y/n nodded. "I know. I understand. I really do, Doctor. And with Rose too - I can't imagine that ever getting settled. But I need you to know-" But Y/n didn't get to finish his sentence, because there was that horrible sound and Y/n's scream and then everything went black. Except this time, he wasn't unconscious.

He was dead. Y/n was dead. As dead as it gets.

Death and Y/n didn't see to get along though, because only a few minutes later Y/n was gasping back to life, scrambling on the floor. He was disoriented and confused, but he saw a bright light and heard distant but familiar voices.  He crawled around to get a better view without the large silver things he couldn't quite focus his vision on just yet. What he saw was Rose Tyler and the Doctor and the TARDIS. The Doctor kissed Rose and a light, far brighter than Y/n had seen anything be, traveled between the two of them and Rose fell.

"Doctor?" Y/n croaked.

The Doctor turned in surprise to see Y/n on the floor. "You were dead."

Y/n shrugged, his head spinning. "I feel... sick now. Just sick." His eyes fell to Rose. "I- Is she dead?"

"No," the Doctor reassured. "We need to go though. Come along, will you? We have lots to talk about." Y/n nodded, wobbling to his feet and then into the TARDIS as the Doctor scooped Rose up and set her on the floor of the TARDIS. He began to pilot the ship and as it set a course for what Y/n assumed was London, the Doctor turned on Y/n. He looked a little shaken. The glowing seemed to be moving under his skin, shimmering. But now it didn't seem beautiful, as it had before. It seemed wrong. Definitely dangerous. "Explain yourself."

"I... don't know."

The Doctor looked at Rose. "Ah." He looked back. "It seems I'm the one who has explaining to do." Again he glowed and the Doctor teetered, wincing in pain. "A... lot of explaining, it seems."

Y/n, worried and very confused and a little terrified, nodded. "Get on with it then. We don't have all day."

"Well... I don't," The Doctor agreed. "But I will. Or... you will, with someone else."

Y/n's breathing got heavier. "Doctor-"

"Y/n," the Doctor interrupted, moving close and taking Y/n's face between his hands. "Beautiful, empathetic, caring, protective Y/n. You've gotten your goodbye speeches, let me have mine."

And then the Doctor kissed Y/n, just like he had Rose. Except there was no light or glow, just a kiss. When they parted, it was because the Doctor groaned in pain. A pain that seemed to be growing. "Doctor?" Y/n rushed, scrambling to help the man stand.

The Doctor didn't ever get to say he loved Y/n back, but that kiss had said enough. It didn't really matter though, because it was then that Rose woke up. Then that everything would change forever. Not too much, but plenty enough. The Doctor changed. Changed into someone more controlled and reserved. Someone who couldn't express emotions as well as he could before. Y/n had changed too, though he didn't know that yet. He had changed into someone the Doctor couldn't accept.

To say, things were about to get really fucking complicated.

-

"He says that the yellow girl and her companion have the blue box, so they are the only ones able to speak for this planet."

"You can't," Harriet Jones, now Prime Minister, insisted.

"Someone has to be the Doctor," Rose began.

Whatever she was going to say was cut off by Y/n stepping forward though. No one questioned it. This entire time, Y/n had been the one who had seemed to have any idea on what to do. He didn't have much more a grip than Rose did, but what he did have was just enough that everyone seemed to naturally be stepping back to give him the reigns in the Doctor's place. Y/n stepped up and faced an alien race he had no idea how to defeat with no fear on his face. Maybe it was that the man had died twice now, or that his friends were in danger and nothing made Y/n more hostile than facing down people who threatened his friends. Y/n was different than the boy that had agreed to come along on a journey of a life time to make sure Rose was safe. Not so different that he didn't have mercy, but different enough that he not only didn't tolerate people who were willing to harm others, but he was willing to destroy them for the greater good. To protect those who could not protect themselves. That didn't stop him from pitying wasted life, but it did stop him from hesitating.

"Why do you want to kill humans?" Y/n demanded. The Sycorax leader faced Y/n down, but Y/n didn't step back even a little bit. He said something to Y/n, and the agents by Harriet translated.

"He says humans are simple and meaningless. They need to be conquered. They-"

"Now you stop right there," Y/n interrupted. Everyone behind Y/n and everyone in the crowd seemed to react to that. The people in fear, and the crowd in anger. It seemed no one liked that Y/n had interrupted the alien leader that was perfectly capable of killing. But Y/n didn't care about that. He needed to think, and he needed time to do that, and he was absolutely not about to let this monster conquer his planet without fighting back. He didn't know much or think as fast as the Doctor, but he could figure it out. He could figure SOMETHING out. Because he had to. "This planet isn't filled with a bunch of idiots. We may have a few bad eggs. We may make choices that are so incredibly daft, but we're incredible as well. We learn and grow and continue without being stopped. We defy death, even. We defy logic and reason. We're harder to wipe out than a hoard of roaches. We stick around and fight back. You can try your hardest to pin us under your thumb, or kill us off when we refuse, but it'll never be over and even if you do win this battle. Even if you do take this planet now. We will come back in such force that you will wish you had never made the mistake of messing with us. And it may not be now. It may not be in a decade, or several, or even a century. But it will happen, as it always does. And when it does happen, you will fear us."

"You want to be big? Then I will show you how small you are." Too late they all realized the Sycorax had spoken in English. Too late, because he flicked his staff and like a whip, a coil of electricity shot out and attached to Y/n's chest. He screamed and fell to a knee and his friends screamed behind him, but when the electricity left, Y/n was... fine.

Chaos erupted from the crowd. Y/n stood slowly, even his friends behind him whispering in chatter that sounded... fearful. What had just happened?

"SILENCE!" The Sycorax screamed. The crowd begrudgingly went hush, but a small voice from behind Y/n spoke up still.

"You should be dead. I watched him kill them with that- that- staff. You should be dead."

"And I'm not," Y/n brought up rather pointlessly. He sounded far more calm than he meant to though, so there was that.

The Sycorax leader stumbled back in obvious fear. Y/n stood taller. "That's impossible."

"It should be," A voice that was growing familiar spoke up. The small crowd behind Y/n parted and there stood the new man who was the Doctor but also wasn't. That man strutted forward, an expression on his face that was sort of bitter sweet, but leaning more bitter. "It doesn't sit well with me either, if I'm honest."

"Took you long enough," Y/n mumbled under his breath.

"Better late than never," the man shot back. And that was when Y/n saw the Doctor. If a bit more rude and quicker to respond... still the Doctor.

Long story short, the Doctor handled things as he always did. After Y/n's show of immunity to the Sycorax's one hit kill staff, there wasn't much work to do. There was calling the bluff of what turned out to be blood control, which couldn't go as far as the Sycorax said it could. And then there was the sword fight that was brought about by some law or another, but also threatened to happen because if the Sycorax leader didn't agree, the Doctor would "release" Y/n on him. It ended with the Doctor victorious, and Sycorax ship sailing off as the humans left all returned to the ground with the TARDIS.

Then, as they were running away, Harriet Jones shot them down with a beam from a group she called Torchwood, and killed them while their backs were turned.

"HOW COULD YOU DO THAT?" Y/n roared, rushing to the smaller woman. Harriet was suddenly shaking, faced with a man who seemed to be repelling death like it was a light cold and he had work to get to. "They were running away!"

"They could come back," she insisted rather quietly.

"They couldn't," The Doctor argued, standing just behind Y/n, at his side. "The fight - it was agreed. I won, Earth is free from them."

Harriet scoffed. "He attacked you the second you turned your back, and his people will surely do the same." Y/n flared but Harriet seemed to find her courage then. "You weren't there, Doctor. And you will not always be there. Y/n did a very good job of taking your place, but he won't always be here either. One day we will be faced with an enemy we cannot take down with a simple sword fight, and you may not be there to help."

"I should have told them to run from the monster," The Doctor sneered. "I should have told them to run as far and as fast as they could, because the real monster was sitting there, waiting for the moment to strike."

Harriet solidified herself. "I was there when that staff killed two good men. Right in front of me, and I could do nothing to stop it. I won't be helpless ever again. I have people to protect."

There was quiet for a moment, and then the Doctor stepped in front of Y/n, who had been stunned by such stupidity and selfishness that he was struck dumb. "You know, humans are so simple. I can end you entire career without lifting a single finger. I could do it without much trouble. Without even lifting one finger, all your hard work. Gone."

"Stop it," Harriet demanded, that fear from before returning.

"Six words," the Doctor stated calmly.

"Stop," Harriet hissed, coming undone by his terrifying calm.

"Just six words." And then he moved... but not to Harriet. He moved to the last man left that seemed to work with Harriet, and he leaned close and whispered something in the man's ear. Then he leaned away and turned around and walked away, hands in his pockets and face empty of regret or emotion in general. Harriet panicked behind them, begging the Doctor and the man the Doctor had spoken to tell her something. Anything. But she never got her answer.

Not in the way she wanted.

When they were away from her, Y/n rounded on the Doctor. "I'm still alive, and she said I shouldn't be."

The Doctor sighed. "When Rose looked into the heart of the TARDIS, she... brought you back. Honestly, I knew, and I saw, but I was in shock and in pain because I was dying and I was too scared to leave you behind. Far, far more scared of losing you than I was of what you had become."

Y/n looked as if he'd been slapped. "What do you mean, what I've become? You don't want me anymore?"

"That's the thing isn't it?" The Doctor sighed. "Rose doesn't even know. She forgot everything. And you weren't alive to see it. To get back to me, to us, she looked into the heart of the TARDIS. Like when Margaret became an egg. She looked and she gained immeasurable power. Power over time and space, completely. Over life, even. All she had to do was set your existence through out all time and space, and you're alive. But she didn't know how to hone it, so now you'll... probably always be alive. You can't die, I'd reckon."

"At all?" Y/n squeaked.

The Doctor shrugged. "There's no knowing for sure unless we test it, but if back there means anything, I'd say that no, you can't die. I'd even bet you can't age."

Y/n let out a breath. "So I'll be this age, alive, forever?"

"I'd say so," the Doctor confirmed. There was a moment of silence. "I feel guilty."

"Why?" Y/n asked, looking up from where his eyes had dropped.

A soft sigh escaped the Doctor then. "I'm glad of it." Y/n rose a questioning eyebrow, and the Doctor continued. "I've never been able to be really with someone before. I knew they'd go eventually. They die or move on or grow too old for this life, or get torn up by the life style or they're stolen from me. You... you're different, though. Humans age and get old, but I regenerate. I mean, a relationship like that would be one sided. Eventually I'd be alone again. But you don't age, or die, and I'm sitting here in a  predicament where I just so happen to be in love with you." He released a breath, as if the words had been weighing him down. "It's so much easier to say that knowing I may actually not lose you."

Slowly, a smile rose to Y/n's face. "Well, if you don't already know I love you too I might have to kick your ass right here and now."

The Doctor released a shaky sort of laugh. After a second, he looked away, his smile fading. "Y/n, there's something you need to know about me."

Y/n sucked in a breath and released it again sharply, his hands fidgeting. "What about?"

"I've had a lot of companions, and I  have lost every single one. Rose and you aren't the first, even though you two are... different." He shook his head. "But I had something real before this life. I had a family. I was a father. A husband. I had a life. And it was all taken from me."

For a second, Y/n didn't seem to know what to say. But then he found it, and whispered very gently, "Doctor, I'm weird. I don't... I don't fall in love, really. It's unusual for me to do so. I've only ever fancied one person other than you. I've never taken much to romance and it's never seemed important to me. Like you, the first person I felt like this for... they understood this feeling too. Their father died in a war and mother in childbirth and they spent their whole life being passed from person to person and never having a family or a home. This isn't my first time, though I will say that it is my second. I do know one thing though. If you need time to work this out. If you need something I can't fill... What I mean to say is, I'm happy when you're happy. I'm not asking you to marry me, or start a family with me or whatever. I'm not asking for an immediate serious relationship. Just because we feel the way we do about each other doesn't mean we have to limit ourselves to those feelings. I know you've felt love like this many times, and I know that... you may feel it again in the future, or even now." He shrugged it away. "I know this is going to take time. But I want you to know that I'm not going anywhere. Ever, it seems. That you can count on. Everything else... As long as you come back to me at the end of the day, I don't care about everything else."

And then the Doctor did something splendid. He kissed Y/n. And Y/n did something even greater. He kissed back.

It was a great kiss. One of many. Because this journey? It had only just begun!

-

Male readers: @sheepfather​

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