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#like i cannot stress enough. dark
vivi-the-sky-kid · 2 months
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Psst
Ya wanna know my technique for getting around 17.5 candles a day without going Everywhere?
Geyser -> Brook Candle Cake and Light Farm -> Grandma -> Sunset Turtle
Then just do:
Whatever realm has the treasure candles for the day
Basic Vault (focus on the candle cakes)
Village of Dreams and Hermit Valley cakes
And then maybe the bouquets from Performance, the cake in Wind Paths, and then the cake in Starlight Desert (since the path to it is right next to the one in Wind Paths)
Super fast and doesn't take too much effort aside from getting to the timed events on time and dealing with Vault
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martyrbat · 10 months
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grimm – batman: legends of the dark knight #149
[ID: a panel sequence of young Dick Grayson just two months after his parents' murders. He's sulking at the dining table in the grandiose Wayne Manor. The dinner is taking place in front of a lit fireplace that causes the entire room to have a soft, bronze glow to it. The table itself is long and decorated and Bruce Wayne is sitting on the opposite end of it. Alfred Pennyworth prompts, “More mashed potatoes, Master Dick—?” But Dick is too busy thinking about a young criminal he ran into when he snuck out earlier. He quietly mutters the taunt she told him, “‘Spoiled brat in a circus suit’—?” Alfred asks, “Was that a yes or a no?” The pouting child brusquely tells him, ”no,” which causes the butler to clear his throat. Dick begrudgingly corrects himself, “No thank you, Alfred.” Alfred responds, “As you wish, Master Dick.”
But Dick is already uttering another taunt under his breath, “‘Lap of luxury’!” Bruce leans forward slightly and asks if everything is okay but Dick dismisses his concern. He excuses, “I'm... I'm not very hungry, Bruce. Is it okay if I go to my room?” Despite his obvious qualms, Bruce awkwardly smiles and replies, “Uh... Of course. Certainly.” Dick gets up as Alfred tells him the food will be in the refrigerator if he gets hungry later but Dick just ‘uh-huh’s him as he walks away. With the child upstairs, Bruce immediately stands up and paces. He stops in front of the fireplace and stares into the blaze as he monologues his worries, “Maybe this was a mistake. What in the world made me think I could raise a boy? I don't know the first thing about it! I've always been a loner! I don't have the knowledge... or the disposition... to make this work.” Alfred wryly asks, “Are you addressing the fireplace, Sir—or me?” But Bruce stresses his demur without looking at him, “His parents are dead, Alfred! What gives me the temerity to believe I can replace them in his life?”
Alfred solemnly reassures, “I asked myself the same questions once. What in the world did a butler know about raising a young man who'd just lost the two people he loved most in the world? But strangely enough, Sir—I adapted. I learned. I learned because I wanted to... Because I cared. And... despite some difficulties along the way—I think the young man in question turned out splendidly. And I think Master Dick will too.” Bruce doesn't say anything but he his eyes closed in thought as Alfred talks before looking at him with a soft smile. He straightens his posture when Alfred finishes and puts his hand on his shoulder, silently grateful for the man's fatherly reassurance and support once again. END ID]
#losing my mind at this....#bruce worrying and doubting himself and if he can give dick the life he deserves#he loves him. he cares. but he knows love alone wont save someone and his own worries about what if he fails#alfred who started this cycle of caring about someone elses son and trying to raise orphaned children while fearing you arent good enough#you see your own heartbreak in their face and you try so hard to save them because its saving yourself in a sense.#bruce doom spiraling because dick didnt want his mash potatoes....#dicks chubby little face....#alfreds love and support but always with that barrier. he loves & raised bruce like hes his own child but hes always going to be the butler#every ‘son’ being replaced with ‘sir’...#and bruce internalizing that barrier and that layer of separation and distance so he duplicates it because its all he knows#he doesn't want to but its all he knows and hes still terrified of what if he fails them? what if he loses them#by disappointing them and them seeing hes not qualified and good enough to be their father?#but also if he isnt good enough he'll fail them by getting them killed. he'll lose his loved one yet again#just this cycle of fear and doubt and love and trying your best despite it not always being good enough and GAH#also cannot stress enough bruce monologuing and doubting himself because dick is upset and didn't want dinner is so funny#c: batman: legends of the dark knight | i: 149#crypt's panels#bruce wayne#alfred pennyworth#dick grayson#bruce & dick#alfred & bruce#happy sad boy sunday !!!#<- it counts enough only because im posting this on a sunday >:3
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I read the wiki page for Zorc so I could have any grasp on the yugioh lore whatsoever. Was anyone going to tell me yami bakura was just Lil Cal Homestuck or was I just supposed to suffer that psychological burden alone
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ohraicodoll · 1 year
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Thank you so much for Red. It’s crazy how much I relate to her. We don’t live in a post apocalyptic world but we all live in our own worlds and sometimes it can feel like us vs them which Red helps me to navigate. She has helped me to feel less ashamed about the way my brain has turned out.
She’s so cathartic and has shown me that even when someone is as rough and ready, or completely rejecting of anything good that comes their way because they ‘don’t deserve it’ or that they will wreck it that some people could them her regardless. If that makes sense.
I especially love the new Tommy x Red friend post that just made me feel so fucking validated again! The way that Red has unusual ways of showing her love/gratitude and the people in her life just try to understand it until they do with no questioning!? To be loved in a way that is so accommodating and significant blows my mind. I know you’re writing fiction but sometimes discovering that this very specific thing is addressed and taken care of by another human being in the world is insane and has given me a bit of hope for my future.
It’s so soothing and Cathartic to read your work . I spent some of my childhood in survival mode and it never truly leaves you. You’ve written it so realistically I am in amazement with every piece of the puzzle you post.
I wish I had an ounce of your talent so that I could explain my love and gratitude for you in a way that was comprehensible. I’m sorry, I just had to say something now though, I’ve been having a weird couple of days and your writing is one of my only forms of escapism.
I am so interested in what inspired you to create such a specifically complex female character like her. I consume a lot of media, have read and literally studied the new era of woman (still hard to give them a specific name) and no character has ever come close to Red. Your talent blows my mind.
Thank you Sam.
Oh goodness, did you make me cry ❤❤
I'm so glad you feel seen and feel a bit of representation and catharsis with her. That's just all I can hope is that you all love the characters I create and the stories as much as I do. You've all kept me motivated and inspired to write her (especially as fast as I have haha).
The idea about Red came because I kinda got tired of only finding pure smut or timid characters in the TLOU fic tag. I love both but Tess was not timid and was more the dominant in the relationship. And I fully get that Joel radiates "I'll take care of you" dom energy but at this point in the apocalypse I doubt there would be many people left that didn't have some aggression in them or that need taking care of. I love character analysis too much to do the same type of character.
I've always been drawn to rage characters. I wrote a whole book series when I was a teen centered around one. And I think I wanted to go back to that since my character in my Sandman series is the opposite. Dahlia is an exploration of trauma responses, especially around acts of anger because that's what I experience. But I started writing with action and violence and someone who is angry all the time and motivated by rage and I wanted to go back to it because writing a character that lacks the moral responses to killing is fascinating. So often we get characters that regret or are remorseful around killing and I don't think that's Joel.
So it was a combo of just writing someone who doesn't regret her violence, doesn't regret killing, and has been alone in the wild for a long time focused only on surviving that they never thought they'd get more. Someone who is accepted for their violence and rage. And that's Red. She is a bunch of fractured pieces held together with string with no coping skills and Joel and Ellie love her either way.
There's the her before the Outbreak, the her that was broken by her sister (who she sees in Ellie), there's the her that was with her group, the her after being alone for years and years, and then the her with Joel and Ellie. Joel never shies away from her and may actually be drawn to her more because of it since there's a piece of that in him. This story is about being seen and accepting your ugliness.
I think being able to jump all over her timeline and continuously build her has been so wonderful and fun. Requests and prompts have been great in building her (though I do change some to make sure they fit the world and who she is). I fully acknowledge she's not a reader but an OC but I cannot write a character who is a blank slate because your past and history dictate your personality and actions (and tbh, most Readers are actually OC's without names or descriptions. I'm old, the x Reader/You thing is new but also just a relabeling of OC's)
I don't know how other writers write, but these characters fully inhabit me when I focus on them. It's why it's hard to switch between stories and characters at time because I can only see through their eyes. I feel their natural body movements, their conversations flow in my head and usually I have to race to write them down somewhere for later. Red is very much a part of me and it's been a joy to explore her and bring her to you all.
So much love and thankfulness to you all ❤❤
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swashbucklery · 1 year
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Oh noooooo Netflix Shadow and Bone is a lot of things but qualified to tackle jurda parem absolutely not
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sadserotonin · 1 year
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so you’ve got your murder husbands wires crossed... aka a comprehensive method to our madness @lewistan
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x-rds · 1 year
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[Lio] Genuinely obsessed with how extremely plural FFXIV is. Doesn’t matter if you’re a singlet, your player character in FFXIV is CANON plural and like, more than once, and they aren’t the only one. There’s minimum like seven plural cases I can think of in this game
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simptasia · 1 year
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i can think about and look at anton yelchin without being in pain now
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fiddlepickdouglas · 2 years
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#warning this is just dark depressing shit i have on my mind and i need to just scream it somewhere#i genuinely need help. i need someone professional to help unravel the shit that's running through my brain right now#it is not good that i keep imagining harming myself just to get into a fucking hospital to get things addressed#it isn't serious yet but it's getting more frequent and im really scared of what i will pick when it gets worse#im barely functioning as a human and i don't currently have the resources to help me develop better habits#i don't have a support system irl. when you drop the religion your family raised you in-#-and your friends all live 1000s of miles away it's real fucking lonely#the list of things to address with a doctor is so fucking long and i cannot afford that visit#i only work one part time job and im too stressed to do more than that how the fuck will i ever afford anything#things are so fucked rn im constantly in pain and i keep not eating enough and then my food goes bad and it's such a waste#trying to plan anything scares the shit out of me. genuinely don't know why i make plans anymore#i can't even create or keep promises about the things i said i would create and it feels so purposeless#it's like the only kind of happiness i can get is all just diving into fandom and acting like im so funny#like yeah im hilarious huh for enjoying this shit and being so loud on the on site i ever use#and then i fucking hide from the real world because i can't take an ounce of negativity or i will have a nervous breakdown#i want to be known and loved but god at what cost i do not have the sanity to open up like that#i want to be held and have someone check on ME for once. have someone be kind to me for once.#instead of swallowing everything because im so afraid of being hated instead#i shouldn't even be afraid of being hated but damn if my trauma didn't rear its ugly head#and remind me that the people who should have cared the most didn't give enough of a shit to try#and make me wanna die about it#i need to get out of this fucking room but god it's so hard to make my body move#when it's so easy to just lie here watch reruns of whatever proves im not worth a damn#my room is a mess and i was gonna do laundry and i was going to run errands today#but no apparently any time i have off work is dedicated to either distracting myself with blorbos#or wallowing in my miserable shit#and you bet it feels fucking pathetic. like i should know better. i should be better. im not.#im no good honestly. i can't even let myself scream or cry loud enough so that the roommate i don't talk to will be concerned.#why bug him when we've established being chill and knowing nothing whatsoever about each other#i can't be someone else's burden again. being a burden is what fucking kills me.
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minimanic · 8 months
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TSV season 3 coming in with a strong contender for most horrific moment of the season in THE SECOND EPISODE. Good LORD
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actual-changeling · 6 months
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we do not talk enough about the moment right before crowley puts his sunglasses back on. the "nothing lasts forever" is devastating and if you're like me your eyes were so full of tears you couldn't see the screen the first time you watched it (just like crowley, look at us all twinning in sadness!).
there is a shift that happens in his eyes and i think it is absolutely fascinating and heartbreaking at the same time.
we begin with crowley averting his gaze from aziraphale's face and staring off into the distance instead, and you can see his spirit break. that crowley just lost the one thing in the world he cannot live without and we can see it written across his face like a neon sign.
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then, as you'd expect, he gives into the need to cover up his pain, to try and make himself less vulnerable, and even before he lifts his glasses he looks down so aziraphale can no longer see his eyes.
now, the next part is what would not let me out of its grasp all day. we know it happens because of his demeanour afterwards and up until the kiss, but you can actually watch as crowley makes himself numb to the world.
i am intimately familiar with dissociation as a trauma and stress response, and while you can never fully control it, you do eventually find the switch in your mind that makes you snap back into the haze. crowley has had six thousand years to get really, really good at leaving reality behind when he needs and/or wants to.
that's exactly what he does.
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he still looks sad, and yet there's just something distinctly distant in his eyes, the shift from openly heartbroken to "i don't want to feel any of this let me leave".
glasses? on
emotions? off
hotel? trivago
i have stared at those four frames more than any person probably should and i don't know if it's the light, if i am going insane, or if there is a single tear sliding out of his right (our left) eye. i'm probably insane and the light is a bitch so if anyone has some high resolution shots or anything that could answer that question without a doubt PLEASE do add it.
by now you are probably ready to threaten me with a knife in a dark alley but before you do that or drive your car off a cliff, let me tell you the best part:
aziraphale notices.
they might be communicating on two different frequencies but aziraphale knows crowley. he knows and loves him, and, most importantly, over the last few years he has gotten used to seeing crowley without his glasses. aziraphale could probably write a book on the expressions in his eyes alone and watches that shift happen and is devastated.
look.
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he tries to make himself hope the same second, tries to convince himself crowley is putting on his glasses so they can leave together, but he knows.
aziraphale sees the light leave crowley's eyes, sees crowley leave, knowing that he is quite literally running away from him. you and me against the world, angel, but in that moment crowley firmly pushes him back to "the world" (or tries to, anyway).
the entire season we see crowley take off his glasses whenever he enters the bookshop to the point where he's running around without them on in broad daylight with jimbriel right there.
can you imagine how hurt and confused aziraphale must be?
because what crowley is telling him, if we really, really break it down, is that aziraphale is no longer a safe person for him. and repairing that trust is going to take time and work, no matter how much crowley loves him, how badly they love and need each other.
anyway to seal this off and really rub in the pain - how it started vs. how it ended. <3
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oh one last thing: now crowley no longer has a single person he can be himself around, no one that knows him, no one he trusts. no one in whose presence he can take his glasses off.
and outside of the bentley and his own flat, he no longer has a place to do so either. the bookshop was theirs. with aziraphale gone, is it really a safe place anymore? is it somewhere he can just let himself be knowing he will be looked after and protected?
easy answer: no.
alright, off i go. see y'all on the next angst post or in the tags.
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mariana-oconnor · 1 year
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Types of AO3 Summary
Option 1 - The Excerpt:
The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.
Best used for any fic, unless it's so short the excerpt would be the whole fic.
Option 2 - The No Frills:
Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.
Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."
Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.
Option 3 - The Hook:
Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.
Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."
Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.
Option 4 - The Sitcom One-Liner:
"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.
Example: "The one in which Blorbo learns to like cake".
Best used for fics with at least a little humour in them.
Option 5 - The Rule of Three:
Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').
Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."
Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.
Option 6 - The Trope Lure:
Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.
Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."
Often tacked on to the end of The Hook or The Excerpt as a tl;dr.
Best used for fic that plays its tropes straight with no shame or second guessing.
Option 7 - The Pre-emptive Strike:
(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.
Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"
Best used for no fics ever. I cannot stress this enough.
(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)
Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)
Option 8 - The Unapology:
Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.
You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!
Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"
Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.
Option 9 - The Interrogation:
What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?
Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"
Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.
Option 10 - The Multipack:
Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.
Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"
Best used for (obviously) works that are compilations of fic.
Option ? - The Void:
I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.
Example:
Best used for... nothing? Write a summary, guys. Please?
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sinistersuns · 1 year
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"whats the most overtly dystopian thing about where you live" oh yknow besides the tons of mistreated unhoused people the cops sometimes decide to parade around my neighborhood with their sirens blaring for no reason
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sailoryooons · 4 months
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Bust | KTH | (m)
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☾ Pairing: Heistman!Taehyung x f. Reader
☾ Summary: Seeing a beautiful man in the middle of a bank robbery is unusual. Seeing him again afterward is even more unlikely… and yet not unlucky. 
☾ Word Count: 2,211
☾ Genre: Criminal, Smut, PWP
☾ Rating: 18+ Minors are strictly prohibited from engaging and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately. 
☾ Warnings: Bank robbery, light depiction of fear/anxiety, mentions of poor financial situations and money-related stress, recreational drinking, ‘good girl’ petname, explicit language, sexually explicit content including oral (f. receiving), biting, spanking, implied body worship kind of, a hint of overstim, bodily fluids and cum-eating. 
☾ Published: Monday, January 15, 2024
☾ A/N: This is an idea I randomly spoke about forever ago in a TikTok DM with @gimmethatagustd and this is strictly written to ruin their entire life tonight. I hope it works idk osifodigjoijg. 
☾ A/N 2: Tonight is number four for my 100 Drabble Challenge and I rolled number 24 for criminals! I hope you enjoy my depraved thoughts of Taehyung in that GOD DAMN SQUID GAME OUTFIT AT PTD. MY MASK KINK DOESN’T MAKE AN APPEARANCE BUT BE FUCKING SURE IT WILL ONE DAY. HE MADE ME INSANE. 
☾ Disclaimer: All members of BTS are faces and name claims for this story. This is entirely a work of fiction and by no means is meant to be a projection, judgment or representation of real-life people. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios.
Main Masterlist ☾ 100 Drabble Masterlist ☾ Ask ☾ Song Inspiration ☾
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Sweat beads down your back, the trickle of it slower than the clock ticking above your head. Time seems to slow as you sit on a carpet that hasn’t been steam cleaned since the 80s and push yourself against the wall, eyes glued to the open vault. 
It had happened so fast and yet now, it’s like it can’t be over fast enough. Each second that ticks by feels like it takes a year. You cannot hear the chatter of the men inside the vault, but their harsh whispers raise goosebumps on your skin.
At least they haven’t noticed you. Not that you would do much, anyway. You have no intention of going over to push the alarm by the door, too afraid to alert the armed man who stands just outside the vault room on the other side, and far too underpaid to risk your life for a financial institution. 
For a moment, you wish it were you robbing the damned bank. Maybe you could pay off the student loans on your degree you’re not using and run the heating in your apartment during the winter instead of bundling up in several layers. 
Your momentary lapse of delusion passes as the men rush out of the vault, duffles in hand. They’re all dressed in red, black masks covering their faces with shapes on them. You’re vaguely aware that the costume belongs to some sort of show you saw online, but you can’t place them.
Perhaps you’ll watch it now.
“Hurry up,” one of the men barks toward the vault. There had been three inside, but only two came out. “Grab the last and let’s go. Two minutes left.”
They’re gone in an instant. Your eyes dart back to the vault where you can hear the last person inside. Glancing at the clock, you watch the seconds tick by. 
Ten seconds. Fifteen. Thirty. A minute. 
A man dressed in a red suit, hood pulled over his head comes out of the vault. As he slugs it shut with one arm, the bag on his shoulder droops, spilling the contents inside out onto the floor. Bands of cash fall out, thudding around his feet. He swears loudly and bends over, back slipping more to drop cash on the ground.
In his frustration, he crouches and tips the mask up a fraction, shielding his face from the camera above but not from you, huddled on the floor a few feet away.
Your heart skips. The thief is beautiful. Dark eyes focused on his task, a wide nose that fits perfectly on a symmetrical face with high cheekbones, a sharp jawline, and a pursed mouth. There’s a flush in his face from the heat, the tip of his nose an endearing shade of rose.
As if sensing your gaze, his head snaps up. You cower against the wall, realizing now that you’ve seen his face, you’ve doomed yourself. He stalls completely, gloved hand hovering over the cash, eyes boring into you. He arches a brow as if to ask you a question and you respond by shaking your head. 
The thief gives you a cocky grin, nodding before he finishes picking up the money and tossing it into the bag. He looks at you again, a smirk on full display before he winks and pulls the mask back down. “Good girl,” he purrs. “I like that.” 
Despite the situation, your stomach flips. He stands and rushes out, lingering by the door for a second longer to stare at you through the black mask. You can’t see his face, but you know you’ll never forget it, pretty as an angel, dangerous as a devil. 
When the group is gone, you wait in silence, only the pumping of your heart to keep you company. When the cops come and ply you with questions all you can do is shake your head repeatedly. 
I was too scared. I can’t remember. 
-
I was too scared. I can’t remember. 
It is the same thing you tell investigators for nearly two months. Just when you think they won’t keep asking what the man looked like, they finally drop it, handing over the robbery details to the FBI. They were at least a little less callous, caring a little less about how many questions you answered. 
If you had to guess, your unimpressive financial situation even after the robbery was significant enough that you weren’t involved with the robbery. 
It’s hard not to wish you had been. The straw in your mouth belongs to a drink that is far too expensive for you to not wince and it barely tastes like anything. At this rate, you know you won’t get a buzz. You’d love alcohol to take the edge off of the loud club music or loosen you up a bit, but you’re resigned to being sober for the rest of your friend's birthday. 
Around you is a gaggle of men and women, both people you know and new faces trying to pick up your friends. Anyone trying to hit on you has already decided you’re far too grumpy to waste time on, most of their backs facing you as people shout over the music about working in finance.
You wonder if they also rob banks in their spare time. It makes you grin, thinking fondly about the thief once again. You do that a lot.  
Sipping the drink, you glance at your phone. It’s been an hour since you arrived, but you’re wondering if enough time has reasonably passed to excuse yourself. Tomorrow is one of your few days off and you intend to spend it lounging on the couch watching TV instead of nursing a headache.
Someone slides into the space at the bar next to you. You don’t glance up at them, spinning your skinny cocktail straw absently as you stare at the melted ice of your Long Island iced tea. You hoped that once it melted it would turn into a second drink, but it hasn’t. Cold, bitter water it is, then. 
“Why the long face?” You frown at the vaguely familiar voice and glance up, freezing. 
Mr. Bank Robber looks down at you, cocking his head to the side with a wolfish grin. Your mouth pops open in surprise, leaning back a little as you drink him in. This close, he is far more beautiful than you remember, the edges and shadows of his face like a carefully painted fresco. Michelangelo could hardly be talented enough to capture this. 
“You,” you whisper, his grin spreading further. 
“Have we met?” he leans on the bar, dressed in all black. You eye the three-piece suit and the glinting diamonds in the cuff links. His clothes are far finer than anything anyone else is wearing and when you breathe in sharply, you smell a hint of woody cologne. His dark hair is slicked back and you catch the dainty hoop earrings in his lobes. You like the juxtaposition. 
“You know we have.” He tongues the inside of his cheek, turning his head to order with the bartender. His eyes stray to you, raising a brow. You supply him with your answer, “A long island.”
The bartender nods, momentarily stupefied by the heistman’s beauty before walking over to the POS, tapping the screen with the speed and aggression unique to bartenders. 
“Kind of a shitty club,” he mentions, looking around over the top of your head. Sweat clings to your lower back, your mouth growing dry as you watch colors splash on his face. “Your face is too pretty for a place like this.”
“Is that so?” 
“Mhmm.” The bartender puts the drinks on the counter and the man gives him cash, signaling to keep the change. The bartender raises a brow but says nothing, taking the money as he goes. “What’s your name?”
“You probably already know it.” He cocks his head to the side. “I’m sure you looked me up to see if I was a threat or watched me to see what I’d do.”
“You watch too many heist movies.”
“Maybe I watch just enough.”
He laughs at that and your lips twitch. It’s rich, making his face intimidating as he gives you a wide smile and shakes his head. “Alright, maybe you’re right.”
“Can I know your name?”
“For the right price.”
“My silence was a pretty petty, no?”
He bites his bottom lip, eyes dipping down and back up. You sip your drink, feeling a flush of warmth unfurl in your body, most notably between your legs. “I like you.”
“You have to like me. I know your secret.” 
Leaning forward, he ducks down so that he’s murmuring into your ear, hot breath ghosting your skin and making you tremble. “Want to hear more?” Your eyelids flutter as he waits, skin buzzing at his sudden proximity. You nod, feeling lightheaded. “My name is Taehyung. Want to get out of here?”
-
“Fuck,” Taehyung growls, hands skimming your bare sides. You can’t keep still under his gaze, hips squirming and fingers twisting in the sheets. His mouth is swollen and covered in your spit, his eyes blown as a large hand scrapes down to your thigh where he gives you a good slap. “I knew you were a good girl.”
A moan trips out of your mouth. Your thigh stings where he slapped you but he soothes it with the easy back-and-forth motion of his hand, his fingers digging into your flesh. Taehyung is a man starved, having littered your body with harsh kisses and bites, nearly breaking the skin.
You don’t care. You’re feverish for him, room spinning as you sprawl on his soft sheets in a hotel room that is far nicer than anything you’ve ever been in. You burn up like a star, core raging as Taehyung leans back down, pressing your naked thighs open for him as he sucks the skin of your chest between his teeth.
Everything aches. You want him so bad that you feel a cry come out of your mouth, lips wobbling as he laughs against your skin, sinking lower and lower, mouth loud as he sucks at your skin, tongue brushing over the sting of his teeth. 
“Does my good girl need her pussy eaten?” Taehyung rasps, looking up at you where he kneels between your legs. “Is that why you’re crying, hmm?”
Taehyung looks like something out of a thriller. His eyes are dark and hungry, his shadowed face becoming some sort of demon of lust. He’s what you would imagine a dark god. A bacchanal devil, a creature made for sin. 
All you can do is nod in response, feeling Taehyung’s vicious grip on your thighs as he presses you further, your muscles stretching. The strain feels good, as does the slow drip of your cunt down the curve of your ass mixed with his breath.
“So messy,” he murmurs, leaning forward and blowing cool air on your sticky folds. You squirm, the sensation sending you into overdrive as you twist your head to the side, eyes squeezed shut. He’s barely done a thing and you’re worked up more than you can ever recall. “Pretty.”
The slow, soft press of Taehyung’s tongue through your pussy makes you sag. It’s the relief that you so desperately needed, eyes rolling back as he circles your clit and drags his tongue back down. Taehyung is slow as he eats you out, tongue savoring every drop you can give him.
He taps your thigh, drawing your attention to him. He smirks as his tongue dips into your entrance, dragging back up to swirl around your throbbing bud a few times.
It’s impossible to tear your eyes away once you’re watching. Taehyung keeps his razor-sharp gaze on you, bringing his mouth fully to your cunt as he sucks eagerly. There is a rhythm to the curl of his tongue and the sharp suck of his lips, the wet smack of his ministrations driving you crazy.
“Mmm,” he hums, pressing his face in further. He’s messy with it, his jaw and nose covered in shiny slick. He laughs throatily when your back comes off the bed, thighs shaking. “Such a good pussy, just like I knew it would be.”
It feels too hot in the room. Your breaths are coming in too fast and there’s nothing you can do to catch it, Taehyung working you up to a frenzied, frenetic orgasm. You can feel your heartbeat in your ears, pumping so hard that you think you might need to stop.
And then you break.
Your body seizes as you come, a scream ripping through your mouth as Taehyung slurps hungrily at your mess, spurred by your release. You can’t stop shaking as he dives in, unwilling to stop until you’re babbling, nearly lifeless as the orgasm teeters into overstimulation. 
Only then does Taehyung pull his mouth away, trailing wet, cum-spit kisses on your inner thigh, nipping your thigh here and there. 
“Think you can take more?” he asks, slurring his words against your thigh. “Think you can take my cock.” 
You nod eagerly, hand letting go of the sheets and reaching toward him. “Yes.”
“Mmm good. I’m about to bust.” He bites your knee. “And I don’t mean a bank, this time.” 
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mental-scurvy · 2 years
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Me: *makes a post about a fanfic, tags it really thoroughly including the name of the fic*
* the author of that fic sees and reblogs my post*
Me:
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catcze · 8 months
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Wriothesley can hear your loud stomps from a mile away as you furiously speed-walk to his office door like a bloodhound trailing a scent. Even if not for that, the way that you bang your fist on the door is enough to grab his attention.
"WRIOTHESLEY." Comes booming in from the other side of the door. It's thick wood. He wonders how deaf he would have gone if the door hadn't protected him. The door (the thick, supposedly impenetrable door) rattles on its hinges like a screen in a hurricane when you try to kick it again. "DID YOU EAT MY DONUTS."
It's not even an accusation at that point. It's practically a declaration of war.
"WRIOTHESLEY!" You yell so loudly a group of guards turning the corner down the hall scramble back the way they came. "Open up, jackass!"
Wriothesley, knowing he cannot escape the consequences of his actions, merely settles deeper into his chair as he drinks his tea. His last meal. Drink. Similar thing.
The door keeps rattling as you yell profanities at him, until one of his traitorous guards approaches you hesitantly, saying not a single word but offering up the spare key to his office with shaky hands, head low and aggressively avoiding eye contact.
"Oh!" you say, demeanor switching immediately, losing the intimidating glint in your eye as you gingerly take the key. You smile kindly. "Thank you very much!"
Then you turn back to the door, the threat of violence in your eye as you wield the key like a weapon of war, inserting it into the keyhole and twisting it with a dark finality. The guard wonders if they should fear for their superior's wellbeing.
Wriothesley looks up from his newspaper as you close the door ominously behind you, somehow maintaining a blasé facadé even while staring down certain death.
"Well?" you prompt him, eye twitching like a stressed villain from a kid's cartoon show. You round on him in an instant, too quick for him to escape. Somehow, he keeps up his poker face. "Care to explain where my donuts went, Duke of Meropide?"
"I didn't eat them," He deadpans, staring you right in the eye. He pointedly does not acknowledge the white powdered sugar on his face.
"There's white powdered sugar on your face."
"Ah. So there is."
Another cartoony villain eye twitch. "Want to try that again?"
"...I love you?"
"And I love you. Last chance, though."
And he folds like a lawn chair. Wriothesley knows this is a fight he can't win. Even Neuvillette would tell him it's best to just kick the bucket and plead guilty at this point. He sighs breaking eye contact first like a wolf with its tail between its legs.
"Okay, I'll buy you another dozen of them."
You cross your arms, staring at him. He sighs.
"Another two dozen."
You soften just the slightest bit, coming close to perch on his lap and lean into his space. Instinctively, his arms come to wrap around your middle, pulling you against him.
"And?"
Wriothesley leans forward too, enough for your foreheads to touch. You can feel the breath of his sigh against your lips.
"And you have my sincerest apologies for taking your things. In my defense, I thought they were mine at first.”
“Apology accepted,” you say, satisfied, and peck him quickly on the lips. Before it can turn into anything else though, you’re springing up from his lap. Ignoring the disappointed furrow in his brow and the way his arms have still not moved from their position holding you earlier, you take his hand and pull him up from his chair with such startling enthusiasm and surprising strength that it has him stumbling for a second. You pull him towards the door regardless.
“C’mon, you’re making good on that apology right now, Wrio! Hope you finished your work!”
And no, technically he hasn’t finished his work. But he already knows that you’ve got him wrapped around your finger, and that pushing that work to tomorrow wouldn’t hurt. Probably. Whatever— it’d be worth it.
So he just sighs and gives the palm resting in his a squeeze and let’s himself be pulled along. You squeeze back.
“As long as you let me have a few. Those were pretty good.”
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