Genesis 4:1-5, translated by S. R. Driver, from The Book of Genesis, 1905
A Clash of Kings, Prologue - Maester Cressen
Emanuel Krescenc Liška – Cain (1885)
Claus Westermann, Genesis : a commentary, 1984
Arthur Segal - Kain und Abel (1918)
A Clash of Kings, Prologue - Maester Cressen
Natalie Diaz, A Brother Named Gethsemane, from When My Brother Was an Aztec
Lovis Corinth - Kain (1917)
Genesis 4:6-9, translated by S. R. Driver, from The Book of Genesis, 1905
A Clash of Kings, Chapter 33 - Catelyn IV
Odilion Redon - Cain and Abel (1886)
A Clash of Kings, Chapter 33 - Catelyn IV
Genesis 4:9-14, translated by S. R. Driver, from The Book of Genesis, 1905
A Clash of Kings, Chapter 31 - Catelyn III
St. Omer, Benedictine Abbey of St. Bertin; c. 1190-1200
A Storm of Swords, Chapter 36 - Davos V
S.R. Driver, The Book of Genesis, 1905
A Clash of Kings, Chapter 42 - Davos II
Lazzaro Pisani - Death of Abel (1885)
S.R. Driver, The Book of Genesis, 1905
A Clash of Kings, Chapter 42 - Davos II
A Clash of Kings, Chapter 42 - Davos II
Cain and Abel - City of Zeven - 2015 (source)
Genesis 4:14-16, translated by S. R. Driver, from The Book of Genesis, 1905
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i was playing guitar today (im not very good but i try) (god knows i try)
and i got to thinking (i feel a lot) (how most things start and end)
about how things that can get carved into your soul (you) (it starts and ends with you darling)
the chords press indents like canyons onto my still-too-young fingertips (i was so young) (some may say it's naivety) (i'd tell them to go to hell)
and spike up my arm to my heart and my soul; electric (electric soul) (i've always liked that phrase) (i think i heard it in a lana song and it's been in my mind ever since)
the music feels like freedom (i've never been musical, always rubbish at remembering notes) (this feels different though) (better)
i smash the guitar into a wall. (good things never did last long when i was around) (i figured i should just pull the trigger myself) (it's better than being shot in the stomach) (please don't shoot me in the stomach) (i might die again)
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poems in episode one of the story of kunning palace
in episode 1 of kunning palace, xuening grabs a book of poems in order to trick her maids into thinking she keeps a ledger. my knowledge of classical chinese isn't particularly high level, but it's good enough to at least identify which poems are on the page that she opens to, and i'm certain they were deliberately chosen because of their relevance to the characters and themes of the show 👀 so i thought i'd do a post about them :)
this page contains three poems by the tang dynasty poet wang changling (698–756): 芙蓉樓送辛漸 (farewell to xin jian at lotus tower); 閨怨 (boudoir lament); and 春宮曲 (spring palace song). detailed analyses under the cut:
1 - 芙蓉樓送辛漸 (farewell to xin jian at lotus tower):
my translation
poem summary: the poet's friend came to wu on a night when cold rain was pouring into the river, and departs again at dawn. the poet accompanies him on his journey as far as the chu mountains [but cannot carry on journeying with him because he must stay at his official post in wu]. as he bids goodbye, he asks his friend to tell his family back in luoyang that his heart is still pure and resolute.
key themes: loneliness and solitude; duty; having a pure heart and noble character
analysis: this one is a fairly famous poem about parting before setting off on a long journey. it's particularly notable for its final line, 一片冰心在玉壺, which roughly translates to "my heart is as pure as a piece of ice within a vessel of jade"... which could easily have been written as a summary of zhang zhe's character.
however! while there's a definite emphasis on having a pure and guiltless heart, when you combine with the previous line, the couplet as a whole also gives a sense that the speaker wishes to be remembered by those they love as someone pure and righteous ("tell my family back in luoyang that my heart is still pure etc"). this seems to be a theme of xuening's second life: wanting to correct her past wrongs and treat the people she cares for better, and to prove to zhang zhe that she can be a good person in future
in particular, this poem makes me think of xuening's last moments in her first life. the poet's final request before he bids farewell to his friend? for his companion to tell his family that he is still noble at heart. xuening's final request before she dies? for xie wei to take her life in exchange for that of zhang zhe, as her way of repenting for being dishonourable and ruining his life... 🤔🤔🤔
2 - 閨怨 (boudoir lament):
poem summary: the young wife in her boudoir knows nothing of sorrow, but as she completes her toilette and ascends the emerald tower, she suddenly sees the hue of poplars and willows on the roadside and regrets letting her husband leave home to pursue official position and power.
key themes: love and marriage; abandonment; ambition (and the effect that ambition has on love)
analysis: it's essentially about how the husband's ambition causes him to abandon his wife to grief and loneliness, which seems like a clear parallel with xuening's willingness to abandon her faithful lovers for the sake of her ambition; there's also the implication that political status is ultimately less meaningful than a loving marriage.
i think it's worth noting that the character 怨 (yuan) in the title is fairly hard to translate, as it implies a mixture of grief and anger/resentment, or even hatred. it's fairly common in boudoir poems about women left behind by their husbands, and in that context it's often translated as 'lament' or 'grief', but i think the ambivalence of the term is fairly important, particularly if you apply it to kunning palace and the mix of grief and anger that xuening inspires in her old lovers in her first life.
3 - 春宮曲 (spring palace song):
poem summary: the wind is mild, the flowers are in full bloom, the moon is full and bright. the emperor has fallen in love with one of his sister's singing serving women, and is showering her with imperial favour and bestowing brocade robes upon her to keep out the spring chill.
key themes: happiness, success, security. (however, with contextual knowledge, there's also the implication of future doom, and that nobody can stay on top of the world forever)
analysis: i didn't quite catch the full significance of this one until i googled it and realised it's a poem about a real historical figure: wei zifu, a song-and-dance girl serving the princess pingyang, who wins the favour of pingyang’s brother, emperor wu of the han dynasty, eventually becoming his second empress (the second-longest serving empress in chinese history!).
wei zifu's story is essentially about a young woman of humble origins who survives numerous palace intrigues and eventually manages to ascend to the position of empress, trusted by the emperor to the extent that she was allowed to rule in his absence. however, after maintaining her position for over three decades, she eventually fell afoul of a conspiracy against her and her son, and committed suicide rather than allowing herself to be deposed.
i mean… the way this links to jiang xuening's first life is so obvious i don't even feel the need to explain it.
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Pete being sick with fever laying on Vegas' bed at the safehouse, Pete being delirious from it, Pete being asked to say more about himself by a curious Vegas who wants to find something to compare his worthless life to, to see if it could be any worse (to deflect, to escape), Pete resisting it until he can't, Pete telling Vegas stories of his past, of his younger self, of a scared boy thrown into the ring to fight, to win something he couldn't, Pete telling Vegas about his mother, the one he barely knew before she was taken from him, Pete telling Vegas about his father, about how he hit him when he lost and how he hit him when he won (those are the most difficult stories to tell), how different it felt, how unfair it was until it wasn't, until it was just something that happened, Pete telling Vegas how he got used to it, until he remembers he should twist the story somehow to make Vegas understand it's not his fault, because it's not Pete who sucks, it's his father who sucks, but he's sick with fever and he's tired, so the words are difficult to leave his mouth, Pete feeling shame and regret in sharing those hidden parts of himself, Vegas feeling shame and regret in pulling them out of Pete as if he's digging up a grave, but Pete gets worse before he gets better, and every night the cycle repeats.
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NaPoWriMo #14: A poem about two people who start out as enemies and become lovers
Change of Heart
In preschool you were horrid,
smashing sand into my face.
In second grade, you tripped me
in the big three-legged race.
In middle school, you mocked me
when I lost the spelling bee
and acted like you'd vomit
when you came in sight of me.
Our senior year, you saved me
when my date left me at prom.
You drove me home and helped me
to explain it to my mom.
Our freshman year of college,
we were partners in that class.
Without your help in chemistry
I never would have passed.
When Dad was in that car crash
you stayed with me while I cried.
I wanted to be with him
but I had no other ride.
You ditched all of your classes
and you took me 'cross the state.
The tacos we got afterward
were kind of our first date.
We fought at graduation
and agreed that we were through.
Then for the next two years I
thought I was well rid of you.
When in town for Joe's wedding,
I was far beyond surprised
when you found me in private
and at last apologized.
We kept in constant contact
through our emails, texts, and calls
Before long it was like we'd
never been apart at all.
I've found that I can trust you
and share with you everything
yet I didn't expect you
to show up here with a ring.
When looking at the past we've
shared, we had a rocky start,
but proofs of your good nature
gave you place within my heart.
I've seen you at your worst and
also seen you at your best,
so with how well I know you
I just have to answer
Yes.
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