Notes on The Gathering Storm
BS is much more liberal with shorter and nominative sentences. I feel like I am missing a step at the end of each sentence. It’s hilarious.
I get such whiplash from the not-90-pages prologue.
Afficher davantage
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what do you mean Just Standing There Ominously doesn’t count as socializing
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Moiraine Sedai
I was messing around with Krita on my tablet and i don't even wanna admit how long I spent on this only for it to turn out so simple aaa (i hate colour i hate colouring its evil how do people do it?)
Anyways reference photo below the break (if I manage to do that correctly)
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our winner of the previous poll faces off now against the kesiera - y’all know what to do!
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Each faceless Seanchan Egwene killed was represented in her mind's eye as Rinna. Egwene stood in the gap gaping in the wall of the Tower. The wind ruffled her white dress, grabbed her hair, howled in time with her anger.
She was the embodiment of the Power, drawn from the depths of the fluted rod in her hands and channeled through the group of acolytes and Accepted connected to her in the Circle, who were hiding in the next room. Egwene herself was part of the fire that raged in the Tower, painting the sky with bloody flashes and smoky the air with acrid smoke. She now felt not like a person of flesh and blood, but like a pure Power, passing judgment on those who dared to start a war in the heart of the Tower itself. Lightning bolts struck from the sky, shaking the clouds. Streams of flame flew from her hands.
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Different sisters. Part 1
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why are people so against negative character development? characters don’t need to improve and become better people they can get worse and make mistakes and end up in a worse state than when they began and it’s just as interesting and entertaining as characters developing positively
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quick sketch on the broken-down train
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whenever i'm trying to talk myself out of buying something i don't need i always hear my old russian professor's voice echoing in my head: "WHAT??? WILL YOU DIE THE RICHEST MAN IN THE GRAVEYARD?" and then i make an unwise financial decision
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obsessed with the kinda analysis that "this character is deeply and unequivacably a bad person" when they are reacting in an understandable way to enormous horrible stakes, trauma and consequences. and are a teenage girl
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some wot sketches :3
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Deborah Kerr and Ava Gardner in
THE NIGHT OF THE IGUANA (1964) dir. John Huston
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