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#let it do what it do
ms-moonlight-inn · 2 years
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Movies for Writers, Part 1/?
Shutting Your Brain Off
(I've been sitting on this post forever, deciding whether I should post it or not. Ultimately, I settled on posting it 'cause someone somewhere might find it useful. Or, it'll just sit ignored. 🤷🏻‍♀️😊 Either way, I hope y'all enjoy...)
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Occasionally, I come across a movie that speaks to me as a writer for various reasons. Sometimes it's the cinematography, sometimes it's the dialogue, sometimes it's the fact that the movie is actually about writing, itself.
Such as the case with this, first movie: Spalding Gray's "Monster in a Box."
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Here's the IMDB summary:
"Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of 'Our Town.'"
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Here the whole dang thing on YouTube:
Monster in the Box
(please let me know if the video comes down, I'll do my best to replace it)
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Why is this an important watch?
Three main reasons:
Spalding Gray is a brilliant storyteller. Pay attention to the way he phrases things. How & when he decides to drop bits of exposition. This is a monologue, so it's all the power of his words, and his words alone. There is very little production here.
Even with the small amount of production, there is some camera & sound work here. When does he integrate that? How much & why? You can use that in your own writing. When should you add sensory details? When is it best to leave your prose sparse?
Most importantly, the topic of this monologue is writer's block. The dreaded writer's block that we are all faced with at one point or another. There are some valuable lessons to learn here. Spald suffers deeply from his writer's block, so much so that it leads him to several self-discoveries.
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The first time I watched this was way back in the day as a college student. I'd actually forgotten most of it, but I remember being in awe of his writing talent at the time. Having recently re-watched it (and now that I've been writing more actively) I'm still just as awestruck, but also a lot sad.
Spalding was often plagued by self doubt. That's hit me in all the tender bits on & off lately. This past winter I had a major meltdown over my writing, so watching this was both timely and reassuring for me. I mean, if an individual of Spaulding's caliber can speak openly about his anxieties as a writer, as well as his own battles with writers block, then certainly there is hope for the rest of us. Right? (Goodness, I hope so.)
Ok, I admit it, this might sound like an overly optimistic view of "Monster in a Box," we are talking about the one work that nearly derailed his entire career; however, there's a lesson in how he navigated the disaster.
He set it aside.
He let it breathe.
He turned it into something else!
He let "Monster" be the thing that it needed to be, that it was supposed to be all along. I think that is the biggest lesson I took from my re-watch:
Sometimes your story knows more about itself than you do.
Let that sink it.
Sometimes, it's best to just shut your brain off and write.
✒️✏️💻
I'm currently working on taking Spald's advice.
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dendrochronologies · 3 months
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maya angelou saying the funniest thing anyone has ever said about editing, which i can never let myself forget EVER AGAIN [x]
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greykolla-art · 2 months
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My blog has become infested with angst goblins, and they must be fed with some hypothetical scenarios!🙏💚
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laughingcatwrites · 5 months
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As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.
For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.
But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.
Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.
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yourangle-yuordevil · 4 months
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That time in ancient Greece when Aziraphale needed a speedy horse and accidentally invented the pegasus
VS.
Whatever Crowley had going on in medieval times
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astearisms · 7 months
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catalysts, protectors
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cyancees · 1 year
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i have neither a good imagination nor aphantasia, but a secret third thing
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happyheidi · 1 month
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。゚゚・。・゚゚。 ゚. April will bring blessings.
゚・。・゚
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ambrosiagourmet · 3 months
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
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But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
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This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
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And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
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Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
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Both of these kids deserved so much better from the world.
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jameszmaguire · 8 months
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I think it would be better for everyone if I were to be left alone in the future. Don't you?
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arabella-s-arts · 2 months
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Scenes/Things in Supernatural that genuinely don't make sense to me if Dean was straight:
The confession booth scene.
Sam just rolling with the fact that Dean's siren is a guy while still thinking sirens infect people through sex.
Dean being flustered by several men: Gunner Lawless, Aaron, Doctor Sexy, etc.
All the parallels between Destiel and other couples. (A big one being "last night on Earth" bc how do you do that accidentally.)
Having all the gay jokes be on Dean instead of Sam.
Paralleling Sam meeting his childhood celebrity crush with Dean meeting Gunner Lawless.
The boner Dean got when Cas cleaned up.
Dean gulping after Cas does an impression from a Western movie.
Charlie, a lesbian, calling Castiel "dreamy."
The way Mary looks at Dean and Cas when they hug.
Dean wondering why everyone assumes he's gay, while Sam not caring.
The logic that Charlie can't flirt with guys because she's only attracted to women, but then having Dean flirt with the guy for her.
Dean seeming disappointed when learning that Aaron's flirting was fake.
The amount of time Dean and Cas spend staring at each other.
Dean canonically having an orgy with Crowley.
A woman saying that she knows when someone's pining for someone else to Dean, just for us to learn that Dean was never in love with Amara.
The set design and script choices that lead to a cross in the background while Dean said "I do." to Cas after he came back to life.
Edit: To the people who say I can't use the siren as an example because the siren is supposed to be his brother, and therefore his siren being a man doesn't work. If you reread that bullet point, then you will realize that I didn't put it down as just simply Dean's siren being a man. I recognize that the siren is supposed to be his brother. It's the fact that Sam still thinks the siren infects people through sex, not knowing that it's actually through saliva when he realizes who the siren is. So when he sees that Dean's siren is a guy, he had to assume they had sex, and he does not seem surprised by this at all.
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poorly-drawn-mdzs · 3 months
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Happy Thistle Debut Day!
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ash-and-starlight · 10 months
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The world needs more Yue and Zuko friendship, I squeal just thinking abt the parallels. They deserve a life changing field trip together and if u have abt ideas I’m all ears 👀
Hiii anon this ask fermented in my inbox and in my brain for so long,, so take this??? Post canon yue lives/no war au arts?? Anyway aside from the Parallels and their political position & their duty before hoes grindset I think they could learn a lot from each other. With zuko learning the gift of patience & diplomacy from yue & Yue learning that allowing yourself to feel anger and speaking up can actually be Good.
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anyway hypothetical life changing trip outcome: zuko takes an intro gender studies class and yue says fuck
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(oh and also must not forget the crush on sokka)
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newttxt · 1 month
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caught him againnnn
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worm-on-a-blog · 4 months
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woahh 2024! cheers!
happy new year. worms are rooting for you to have your best year yet.
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strangepersonhere · 1 month
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Being aroace is so cool, but so, so hard sometimes. Watching all the persons you hold dear finding *their* person. Grieving the idea of an allo relationship. Realizing that, maybe, somehow, you're the second choice fo everyone. Because friends are great, but **lovers** are the goal in our society.
Most of the time, i am sooo happy to be aroace. And then, when im alone in bed, at 3 am, i find myself crying by fear of being alone.
And I think it's normal. It's grieving a certain way of thinking. And it's hard, especially when you were raised this way, and that everyone keeps doubting your identity.
So yeah. Shout-out to all the aroace people, wanting a deeper connection, without wanting romantic love.
I love y'all
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