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#language accents
voidoffline · 3 months
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Okay so today I started out normal. Then after maybe an half an hour or a full hour I got stuck in an Australian accent. Which isn’t too out of the ordinary, because I have adhd and sometimes just get stuck in accents for a bit
After like maybe thirty minutes or less the Australian accent turned into an Irish one
Then I was stuck in an Irish accent for several hours. Very unusual, as that doesn’t happen a lot
Then for maybe thirty minutes or so I got my usual accent back (which is a mix of a few accents since I’m a military brat, but mostly American)
Then I got stuck in an Irish accent again. And now it’s one forty one at night and I’m still Irish
Gonna see if I’m Irish in the mornin’ or if I’ve gone back to normal
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acrowseye · 17 days
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i'm conducting an experiment. everyone who's from an english speaking country state your country, regional area and what you call the following images. i need to see something
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fucklestat · 11 months
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i know it's been said many times before but i will never get over how jacob anderson, a british man with a british accent, not only nailed a louisiana creole accent but also developed a studiously (almost eerily) generic accent that louis uses in the present AND showed the first accent bleeding into the second accent at key moments as a way of aurally externalizing his character's inner journey. what did god put in this man when she created him.
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prokopetz · 1 month
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Apart from the usual "aboot" business, a thing that I've noticed about American perceptions of Canadian accents is that Americans love to misidentify accents from other parts of America as Canadian accents. I once had an American dude insist to me that a particular YouTuber had an obvious Canadian accent, and when I looked them up, it turns out they were born and raised in fucking Florida.
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writingwithcolor · 5 months
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Not all Second-Language Speakers are Made Equal.
@waltzshouldbewriting asked:
Hello! I’m writing a story that features a character who’s first language is not English. He’s East African, specifically from Nairobi, Kenya, and is pretty fluent in English but it’s not his primary language, and he grew up speaking Swahili first. I’m struggling to figure out if it’s appropriate or in character to show him forgetting English words or grammar. From what I’ve researched, English is commonly spoken in Nairobi, but it wouldn’t be what was most spoken in his home. For context, this is an action/superhero type story, so he (and other characters) are often getting tired, stressed, and emotional. He also speaks more than two languages, so it makes sense to me that it would be easier to get confused, especially in a language that wasn’t his first. But I’m worried about ending up into stereotypes or tropes. For additional context: I’m monolingual, I’ve tried to learn a second language and it’s hard. A lot of how I’m approaching this comes from my own challenges correctly speaking my own, first and only language.
Diversity in Second-Language English
You seem to have an underlying assumption that second language acquisition happens the same for everyone. 
The way your character speaks English depends on so many unknown factors: 
Where does your story take place? You mention other characters; are they also Kenyan, or are they all from different countries?
Assuming the setting is not Kenya, is English the dominant language of your setting? 
How long has your character lived in Kenya vs. where he is now? 
What are his parents’ occupations? 
What level of schooling did he reach in Nairobi before emigrating? 
What type of school(s) did he go to, public or private? Private is more likely than you think. 
Did his schooling follow the national curriculum structure or a British one? Depends on school type and time period. 
Does he have familiarity with Kenyan English, or only the British English taught in school? 
Is this a contemporary setting with internet and social media?
I bring up this list not with the expectation that you should have had all of this in your ask, but to show you that second language acquisition of English, postcolonial global English acquisition in particular, is complex. 
My wording is also intentional: the way your character speaks English. To me, exploring how his background affects what his English specifically looks like is far more culturally interesting to me than deciding whether it makes him Good or Bad at the language. 
L2 Acquisition and Fluency
But let’s talk about fluency anyway: how expressive the individual is in this language, and adherence to fundamental structural rules of the language.
Fun fact: Japanese is my first language. The language I’m more fluent in today? English. Don’t assume that an ESL individual will be less fluent in English compared to their L1 counterparts on the basis that 1) it’s their second language, or 2) they don’t speak English at home. 
There’s even a word for this—circumstantial bilingualism, where a second language is acquired by necessity due to an individual’s environment. The mechanisms of learning and outcomes are completely different. 
You said you tried learning a second language and it was hard. You cannot compare circumstantial bilingualism to a monolingual speaker’s attempts to electively learn a second language. 
Motivations?
I understand that your motivation for giving this character difficulties with English is your own personal experience. However, there are completely different social factors at play.
The judgments made towards a native speaker forgetting words or using grammar differently are rooted in ableism and classism (that the speaker must be poor, uneducated, or unintelligent). That alone is a hefty subject to cover. And I trust you to be able to cover that!
But on top of that, for a second language speaker, it’s racism and xenophobia, which often lend themselves to their own ableist or classist assumptions (that those of the speaker’s race/ethnicity must be collectively unintelligent, that they are uneducated or low class due to the occupations where they could find work, or conversely that they are snobby and isolationist and can't be bothered to learn a new language). Intersections, intersections.
If you want to explore your experiences in your writing, give a monolingual English speaker in your cast a learning disability or some other difficulty learning language, whatever you most relate with. And sure, multilingual folks can occasionally forget words like anyone else does, or think of a word in one language and take a second to come up with it in the other language. But do not assume that multilinguals, immigrants, or multiethnic individuals inherently struggle with English or with multiple languages just because you do.
~ Rina
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incognitopolls · 3 months
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For example, switching from the accent of your current location to the accent your parents have/that you grew up around.
We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
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killerpancakeburger · 2 months
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Bluebeard's wife
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SUMMARY: On a visit to your boyfriend, you end up having to deal with a creep on base, but Soap and Ghost's methods of resolving your problem are... far more drastic than yours.
PAIRING: Soap x f!Reader (and BFF!Ghost)
TAGS: Dark content, Badass!Reader, Established relationship, Dark! a bit yandere! Soap, Dark! a bit yandere! Ghost.
WARNINGS: Canon violence, blood mention, sexual harassment, insults. Soap and Ghost are acting creepy but not towards Reader.
WORDS COUNT: 1,1k words.
A/N: Was thinking about how high the risks of sexual assault are in the military for women + about how much the Task Force could get away with (Soap's mohawk is NOT standard issue lol), but it turned out kinda dark. Not my usual kind of content. This is my first time writting those characters, pls be indulgent.
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Your elbow connects with the man’s nose with a satisfying crack.
Immediately he howls, pressing his broken nose with one hand, blood dripping between his fingers.
“FUCK! What the fuck! You broke my nose, you crazy bitch!”
This. This is why you didn’t want to meet the Task Force on base. There was always one brainless fucker who didn’t get the memo that, no, despite having breasts, you weren’t here as a comfort woman.
The private is glaring at you with a hatred as deep as it is sudden, one that screams murder.
The only good side of the situation is, with how loud he’s being, you won’t even need to call for help. Already most of the soldiers nearby are staring at you, muttering among themselves. Not that you can’t beat this guy up on your own, but the military tends to frown upon civilians roughing up their members, you learned it at your expense quite early. On the other hand, soldiers settling accounts between each other was… well, not exactly authorized, but it was way less trouble for you.
He grabs you by the collar, his rage only exacerbated by your composure. The action stains your clothing with his blood. You mentally grimace. You’re no stranger to blood, but the idea of this repulsive individual’s bodily fluids being anywhere on your person is disgusting. 
“Are you listening, you dumb bitch!? I’m gonna fucking kill-”
The venom-filled verbal onslaught stops dead as a hand takes hold of your assailant’s wrist.
“Now, now, at ease, soldier. Ya making a spectacle of yourself.”
The thickly accented voice of your boyfriend sends a wave of warmth in your chest. 
Your harasser hesitates a second too long, so Soap makes the decision for him, tightening his grasp until the soldier winces, and finally takes the hint, letting you go and taking a few steps backward. Johnny immediately positions himself between the two of you, shielding you.
He’s been smiling the whole time, but it’s the kind of dangerous smile you wear when you’re about to give an asshole a righteous beating.
The private looks partially sheepish, but not defeated, indignation burning in his eyes. He lets loose a torrent of justifications and excuses, actively painting you as the villain, not caring if he contradicts himself in the process. You don’t pay attention to the details of his speech. It’s always the same “she was asking for it” kind of diatribe. The fact that he sincerely believes that there’s a chance that Soap will take his side instead of yours is laughable, but not surprising. 
You wonder how long this will go on, until the private notices something next to you, and all blood seems to desert his face as his voice deserts his vocal cords. 
You turn your head and, to no surprise to you, Ghost is there. He stands so close to you that your arms are almost touching. Clothed entirely in black, which brings out the white skull on his mask, his presence is as menacing as ever; all he needs to do is scowl at lesser soldiers to make them cower in fear. He doesn’t look back at you, but his support for you is so obvious through the rest of his behavior that he doesn’t need to.
Soap takes advantage of the newfound silence to turn to you.
“Ya good, yeah?” He asks, cradling your cheek tenderly, and stroking your cheekbone with his thumb. 
The question is futile - if you were hurt, he would have noticed right away. But it’s still cute to see.
“Yeah. Not a scratch.” you smile.
“That’s my girl”, he smiles back. “So, what the bloody hell happened here?”
You glance at the private behind him. He’s shaking, and the look he sends you back is begging for mercy. Remembering the first words he addressed to you earlier, you realize you’re all out of mercy for today. Thus, with a sadistic little smile, you recount the events.
“This man came to me complaining that I was unfairly privileging Sergeant Mctavish and that he wanted his turn. Then when I explained that I wasn’t some kind of free-for-all buffet, he took it the wrong way and put his hands on me. That’s when I exploded his nose.”
By the time you finish your explanation, Soap’s expression has darkened considerably.
“I see.” is all that leaves his mouth. Anyone familiar with him would know that for him to start talking by monosyllables like Ghost, something must be very wrong.
Pivoting again, he faces the private and, as the latter opens his mouth to plead for forgiveness, punches him right in the face. Blood gushes, drops of it landing on his face. You mentally count until three, one for every blow, and when Soap still doesn’t stop punching, you frown, disturbed and worried by his conduct. He’s never been one to remain impassive in the face of injustice, easily riled-up even in critical situations and despite his superiors’ orders, but you’ve never seen him go this far. 
You’re about to intervene when Ghost beats you to it, putting a hand on his sergeant’s shoulder. That’s right. Ghost, the voice of reason, the paragon of self-control, their cold-hearted leader, will fix everything.
However when you hear the next words that leave his mouth, it’s like the world tilted on its axis.
“Not out in the open, Johnny.”
The words are whispered low enough that only Soap and you would have heard. They send a cold shiver down your spine. Rattled and unsettled in a way that they never made you feel before, you contemplate the situation in silent incredulity.
“Aye, L.T.”, replies Soap with an abnormally monotonous tone.
Before you can ask what the fuck is happening, he proceeds to punch the soldier so hard in the stomach that the latter collapses without a sound, except for the muffled noise of someone winded. The scene makes you increasingly uncomfortable. You feel like Bluebeard's newest wife, having stumbled upon the one room you were forbidden from entering, having witnessed something you weren't supposed to see, and now you can never go back to how things were before.
You counted on Soap and Ghost’s intervention, sure, but you expected them to put an end to the fight, maybe intimidate the guy a little, and ultimately end things here. You didn’t expect… whatever this is.
Staring in shock at the two Special Forces, you shake your head to get a grip and come closer.
“Alright guys, I think he’s had enough-”
Ghost interrupts you with a hand on your shoulder. The Ghost touching two people in less than five minutes? Yes, something’s seriously wrong. Looking at him, you try to convey urgency with your gaze…
“Simon, this isn’t-” 
…but his next words make you lose hope of winning this argument.
“Easy there, love. Johnny’s takin’ care of it, ya don’t need to worry ‘bout a thing.”
The next thing you know, he presses a hand against your lower back, making you leave the premises, completely ignoring the way you stare at him in utter disbelief… and growing apprehension. 
He had never called you “love” before.
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Writing Advice #?: Don’t write out accents.
The Surface-Level Problem: It’s distracting at best, illegible at worst. 
The following passage from Sons and Lovers has never made a whit of sense to me:
“I ham, Walter, my lad,’ ’e says; ‘ta’e which on ’em ter’s a mind.’ An’ so I took one, an’ thanked ’im. I didn’t like ter shake it afore ’is eyes, but ’e says, ‘Tha’d better ma’e sure it’s a good un. An’ so, yer see, I knowed it was.’”
There’s almost certainly a point to that dialogue — plot, character, theme — but I could not figure out what the words were meant to be, and gave up on the book.  At a lesser extreme, most of Quincey’s lines from Dracula (“I know I ain’t good enough to regulate the fixin’s of your little shoes”) cause American readers to sputter into laughter, which isn’t ideal for a character who is supposed to be sweet and tragic.  Accents-written-out draw attention to mechanical qualities of the text.
Solution #1: Use indicators outside of the quote marks to describe how a character talks.  An Atlanta accent can be “drawling” and a London one “clipped”; a Princeton one can sound “stiff” and a Newark one “relaxed.”  Do they exaggerate their vowels more (North America) or their consonants more (U.K., north Africa)?  Do they sound happy, melodious, frustrated?
The Deeper Problem: It’s ignorant at best, and classist/racist/xenophobic at worst.
You pretty much never see authors writing out their own accents — to the person who has the accent, the words just sound like words.  It’s only when the accent is somehow “other” to the author that it gets written out.
And the accents that we consider “other” and “wrong” (even if no one ever uses those words, the decision to deliberately misspell words still conveys it) are pretty much never the ones from wealthy and educated parts of the country.  Instead, the accents with misspelled words and awkward inflection are those from other countries, from other social classes, from other ethnicities.  If your Maine characters speak normally and your Florida characters have grammatical errors, then you have conveyed what you consider to be correct and normal speech.  We know what J.K. Rowling thinks of French-accented English, because it’s dripping off of Fleur Delacour’s every line.
At the bizarre extreme, we see inappropriate application of North U.K. and South U.S.-isms to every uneducated and/or poor character ever to appear in fan fic.  When wanting to get across that Steve Rogers is a simple Brooklyn boy, MCU fans have him slip into “mustn’t” and “we is.”  When conveying that Robin 2.0 is raised poor in Newark, he uses “ain’t” and “y’all” and “din.”  Never mind that Iron Man is from Manhattan, or that Robin 3.0 is raised wealthy in Newark; neither of them ever gets a written-out accent.
Solution #2: A little word choice can go a long way, and a little research can go even further.  Listen carefully to the way people talk — on the bus, in a café, on unscripted YouTube — and write down their exact word choice.  “We good” literally means the same thing as “no thank you,” but one’s a lot more formal than the other.  “Ain’t” is a perfectly good synonym for “am not,” but not everyone will use it.
The Obscure Problem: It’s not even how people talk.
Look at how auto-transcription software messes up speaking styles, and it’s obvious that no one pronounces every spoken sound in every word that comes out of their mouth.  Consider how Americans say “you all right?”; 99% of us actually say something like “yait?”, using tone and head tilt to convey meaning.  Politicians speak very formally; friends at bars speak very informally.
An example: I’m from Baltimore, Maryland.  Unless I’m speaking to an American from Texas, in which case I’m from “Baltmore, Marlind.”  Unless I’m speaking to an American from Pennsylvania, in which case I’m from “Balmore, Marlin.”  If I’m speaking to a fellow Marylander, I’m of course from “Bamor.”  (If I’m speaking to a non-American, I’m of course from “Washington D.C.”)  Trying to capture every phoneme of change from moment to moment and setting to setting would be ridiculous; better just to say I inflect more when talking to people from outside my region.
When you write out an accent, you insert yourself, the writer, as an implied listener.  You inflict your value judgments and your linguistic ear on the reader, and you take away from the story.
Solution #3: When in doubt, just write the dialogue how you would talk.
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Can you tell I’m in Boston rn?
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canisalbus · 2 months
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Different Italian anon, but the thing with Tuscan C is that it's pronounced like a very strong H sound, which is extra weird cuz the letter H makes no sound in Italian, normally. It sounds the way Spanish pronounce the J. We say it's "aspirato". So then people from there will say things like Hoha Hola (coca cola), and it's funny. It's also extremely contagious, I got family in Florence, you spend 3 days with them you start doing it too before you even realize.
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acrowseye · 14 days
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part 2 of my experiment: what english-speaking country are you from, what region and what do you call the following images? if you don't know what the first image is please try to guess i'd love to see it
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lab-gr0wn-lambs · 3 months
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Daryl sign language compilation
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prokopetz · 3 months
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I love it when Québécois people try to put on a funny Anglophone accent and suddenly they sound Texan. Like, buddy, you don't need to go all way across the continent to make fun of the anglos – Ontario is right next door, and their accent is much more ridiculous.
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on-twd-writing · 9 months
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there is no but for me
Pairing: Daryl Dixon x Reader
Warning: mention of infertility. English is not my first language.
Readers pronuns: She/Her
Description: Abraham asks Daryl a question (S6E11)
Italics is for the flashback.
There is no but for me
The last few weeks have been draining, and the fear of the so-called Saviors became more real day by day.
 They had to be faster, they had to fight them and win. There wasn’t even another option, no plan B. In this world, a plan B meant death most of the time. Yet there was a small spark of hope. Maggie was pregnant, and she and Glenn were as happy as ever. There was so much death and fear in the world, that Maggie's pregnancy almost sounded like a miracle. And this kind of miracle also reached a certain redhead in the group.
  Abraham started to think about the possibilities. A family. A place to settle down. His own daughter or son. With Sasha, he could imagine this, yet he hesitated. The whole idea had been kinda new to him. Even though Abraham was sure about a lot of things, he wasn’t sure about this plan for his life. When you have a child, you have to take responsibility, you have to protect the child, care for it and while Abraham was sure he would be capable of doing both things, he wasn’t sure if the world would let him do this.
 And that was why he was asking the others for their opinion. He needed to hear their thoughts; he needed some reassurance that starting a family in this world was okay. That he wouldn’t make a mistake with this one.
  The next one on his list was no other than Daryl Dixon.
 Abraham knew that Daryl and Y/N were a thing, despite never making it official. But they didn’t have to, Abraham has watched them long enough to see it. How Y/N would always stay up with Daryl to stay on watch, while they were still on the road and before they arrived in Alexandria. Y/N was somehow able to understand the grunts and huffs of the archer, she was the one who was able to calm him down whenever things escalated. He wouldn’t flinch at her touches, and sometimes they would sit in complete silence for hours, since they didn’t need words anymore to communicate.
 So, for Abraham, it was clear, that if someone would settle down as well, it would be these two. Why not? Daryl and Y/N were also good with kids, from what the redhead could tell.
 "You ever think about it? Settlin’ down?"
 Daryl raised his head, looking at Abraham. What was going on with the redhead?
 "You know… marriage, kids, the whole package. Come on, everyone knows about you and Y/N" Abraham chuckled a bit.
 "So, you have never thought about it?"
 "Ya think shit’s settled?"
 Daryl let out a gruff, slowly walking away, over to you. What did Abraham expect from Daryl? A conversation about marriage? Children? Not only was Daryl a very private person, but there was another reason behind it.
 Of course, you have talked about it. Actually, not that long ago…
  It was one of the first nights in Alexandria, and he couldn’t sleep and didn’t want to. This place wasn’t as safe as it seemed, or as people wanted to believe it. He couldn’t let his guard down, he had to protect his family….Judith, Carl… you. His partner. He never liked the term girlfriend. It sounded like you were in high school.
 When he heard your steps on the porch, he didn’t look up until you sat down next to him on the stairs. You handed him a cup of coffee – black coffee, no milk or sugar, exactly how he liked it. Daryl looked at you, a slight nod – thank you.
 You two sat in silence for a long time. The dark, innocent city lay in front of you, and for a moment, the world didn’t seem so cruel. Maybe peace was an option. Maybe coming home was finally an option.
 "What’s on your mind?"
 Your quite voice broke the silence and he looked at you. Yet you knew him to well that something was bugging him. He was staring into the night and you knew him, you knew him well enough.
 "Do ya think this place can be a home?"
 You let your eyes wander around, thinking about it for a moment. The clean streets, the smell of fresh flowers, running water …a soft bed…
 "I want to."
 You really wanted it but yet you couldn’t fully believe and understand it. But one part of you wanted to believe it, that maybe finally you could have a place you can call a home. This feeling was burning inside your chest, now a small flame but who knew maybe a fire in a few weeks.
 "What ‘bout a … home for us?"
 Your eyes grew bigger when you heard this question. You two never really put a name on it, you didn’t have to. You never pushed Daryl to give it a name, and he never gave you a reason that you needed a name for it.
 "Sounds…like a good future for us…"
 You smiled at him, leaned your head against his shoulder, as you closed your eyes.
 "I really like the idea."
 You could feel how Daryl smiled slightly as well. You two have never talked about the future, since you never knew if there was a future for you. Would you survive the next day? Next week? Month?
 "Ya do?"
 Daryl never thought about settling down with a woman. Before the world went down, he had been shamed by Merle for having any romantic feelings. Or being soft for someone.
 "Yes,… even this is new and it still feels weird, I want that. I want a future with you and I want… this to work out here… for us."
 "Wha’ da ya wish for?"
 Daryl wanted to give you everything. He wanted to make you happy, to feel safe and protected. He would do everything for you, just to see the beautiful smile of yours.
You snuggled closer to him, thinking about it.
 "I want to wake up next to you, in a cozy bed and none of us has to get up right away. I want to try to cook with you…"
 He let out a chuckle, knowing very well that you are a terrible cook.
 "… and then end up at Carols place, because otherwise we wouldn’t get a nice dinner. I want to listen to music with you, read a book while you work on your bike. I want to wash our clothe and-"
 "Ya wanna’ wash our clothes?" Daryl raised an eyebrow at your unusual wish "What kind of dream is that?"
 "It’s something normal. I want normal things with you, Daryl. I don’t need something fancy or adventurous, all I want is normality with you. I am sorry that this is so boring."
 "No…, ‘sounds good."
 You giggled a bit "That’s good, because I think I want this boring future with you."
 After everything you all went through boring sounded perfect.
 "What ‘bout children?"
 Daryl was afraid.  He didn’t know if he was a good dad and he didn’t want to ruin a wish you had.
 "I… don’t know…"
 He could tell in the sound of your voice that there was something else. He shifted and looked at you "What’s da matter?"
 You looked away from him into the dark night. Daryl waited for your response, not wanting to force you. He would never do this but you knew you had to tell him the truth. It wouldn’t be fair to keep this a secret.
 "I can’t."
 "Ya don’t have ta’ explain anythin’, darlin’."
 "No, I mean I can’t…can’t get pregnant… I’ve found it out years ago and that was why my boyfriend left me before the world ended."
 You were so insecure about it, you knew Daryl was different and you knew that Daryl loved you and yet, you were afraid that he would leave you for it. You weren’t afraid; you knew that Daryl would make a fantastic dad. You saw how he would handle Judith, how he fought for Carols lost daughter…
 Daryl grunted next to you; he lifted an arm to put it around your shoulder. A kiss on your temple followed.
"Don’t ya dare ta’ think ‘m gonna leave ya because of that" he murmured.
 "But-"
 "Listen, when it comes to ya, there is no but for me."
 His voice was firm, yet caring. This was enough, more than you could ask for. Daryl was a man of few words and he was able to shut down your dark thoughts right away. Daryl would stay, you knew it.
 You snuggled closer to him, enjoying the warm summer night a bit more.
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incognitopolls · 4 months
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We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
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rongzhi · 11 months
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About the rose posts tags - could you write out how 520 sounds like "I love you"? Like the pinyin & pronunciation between the two? thank you!!
It is a close homophone but not exact.
520 = wǔ èr líng
I love you = wǒ ài nǐ (我爱你)
N and L sounds are interchangeable in some Chinese accents/dialects, thus why 0 = 你.
521 (wǔ èr yī) also sometimes is used to mean the same thing. It comes from leetspeak which was popular in the 2000s, I believe. There are other phrases that come from numbers that were used when texting first arose. Grabbed these from zhihu:
17 (yao1 qi1) = 友情 (you3 qing2)
↳ "friendship"
1314 (yi1 san3 yi1 si4) = 一生一世 (yi1 sheng1 yi1 shi4)
↳ "A whole lifetime"
0451 (ling3 si4 wu3 yi1) = 你是唯一 (ni3 shi4 wei3 yi1)
↳ "you're the only one"
04551 (ling2 si4 wu3 wu3 yi1) = 你是我唯一 (ni3 shi4 wo3 wei3 yi1)
↳ "you're my only one"
1930 (yi1 jiu3 san1 ling2) = 依旧想你 (yi1 jiu4 xiang3 ni3)
↳ "still thinking about/missing you"
1920 (yi1 er4 san1 ling2) = 依旧爱你 (yi1 jiu4 ai4 ni3)
↳ "still love you"
2030999 (er4 ling2 san1 ling2 jiu3 jiu3 jiu3) = 爱你想你久久久 (ai4 ni3 xiang3 ni3 jiu3 jiu3 jiu3)
↳ “love you miss you always and forever"
0564335 (ling2 wu3 liu4 si4 san1 san1 wu3) = 你无聊时想想我 (ni3 wu2 liao2 shi2 xiang3 xiang3 wo3)
↳ "When you're bored, think of me"
176 (yi1 qi1 liu4) = 一起走 (yi1 qi3 zou3)
↳ "[let's] go together"
1456 (yi1 si4 wu3 liu4) = 你是我的 (ni3 shi4 wo3 de)
↳ "You're mine"
14567 (yi1 si4 wu3 liu4 qi1) = 你是我老妻 (ni3 shi4 wo3 lao3 qi1)
↳ "You're my old/dear wife"
02825 (ling2 er2 ba1 er4 wu3) = 你爱不爱我 (ni2 ai4 bu4 ai4 wo3)
↳ "Do you love me?"
2013614 (er2 ling2 yi1 san1 liu4 yi1 si4) = 爱你一生又一世 (ai4 ni3 yi1 sheng1 you4 yi1 shi4)
↳ "Love you for life plus a lifetime"
2627 (er4 liu4 er4 qi1) = 爱来爱去 (ai4 lai3 ai4 qu4)
↳ "Love comes and goes"
12746 (yi1 er4 qi1 si4 liu4) = 你恶心死了 (ni3 e3 xin1 si3 le)
↳ "You're nauseating/embarrassing/disgusting as hell"
13456 (yi1 san1 si4 wu3 liu4) = 你相思无用 (ni3 xiang1 si1 wu2 yong4)
↳ "Your pining is useless"
1437 (yi1 si4 san1 qi1) = 你是神经 (ni3 shi4 shen2 jing1)
↳ "You're insane/unhinged"
14517 (yi1 si4 yao1 qi1) = 你是我氧气 (ni3 shi4 wo3 yang3 qi4)
↳ "You are my oxygen"
14535 (yi1 si4 wu3 san1 wu3) = 你是否想我 (ni3 shi4 fou3 xiang3 wo3)
↳ "Do you miss me?"/"Are you thinking about me or not?"
As a side note, there is some number based slang that is not from leetspeak as well. For example, 250 (èr bǎi wǔ) is slang for "idiot" but the origins of this is actually a folktale, so it is from olden times. 233 is often used to express laughter but this is because it was the image id of a laughing emoji from a popular sticker pack back in the day.
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