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#kind of a book review
bomberqueen17 · 6 months
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The Witch King
This is not like, a coherent review or anything.
Yesterday I was just like possessed with anxiety nonstop the whole day and everything I did seemed to make it worse and i just like spun my wheels and I got some things done but mostly felt worse and worse and more and more stressed, due partly to external circumstances but largely, i think, to nothing in particular. And finally after dinner I was sitting on the couch comfortably and realized you know what, fuck it, I am not going to "try to write" and wind up refreshing tumblr and chatting on discord all night, not while I'm already fretting and stewing like this, i'm going to be miserable and probably get in a fight or something and i don't want that. Fuck it. So I went to the tab I already had open in my browser, which I'd had open for weeks but the time was never right, and I bought the kindle version of Witch King and read it right there in my browser, the whole way through, did not click away or put it down or move or do anything else, and you know what it was fantastic.
I'd read a preview and been like hm i don't know what this is about and read a couple of amazon reviews that were like this was really confusing, some of which concluded so i didn't like it and some of which concluded so i super liked it, and like, I've been a fan of Martha Wells since she put the Element of Fire up for free chapter by chapter on her Livejournal when the rights reverted to her in like 2006 or so, so I knew what I was going to get and also knew that I would not particularly know exactly what I was going to get until I got it, and I also knew I was going to enjoy the ride, but I hadn't wanted to read it in stolen or exhausted moments lest the "this is confusing" bits prove too much.
In the end I found it not in the slightest bit confusing, it was a very straightforward interspersed flashbacks storytelling technique that i thought suited the story beautifully (not to be spoilery but we join a character in medias res with an action scene and it's him trying to figure out who has betrayed him in a complicated political scenario, and in the process of unspooling this he has to revisit the site of where the complicated political scenario was first set up, some sixty (?) years earlier, so he's retracing his own steps and it's really well done I think, introducing new bits of history right as they're relevant to the current storyline-- and just fantastically done, not at all forced, completely natural and compelling, and no the reader isn't told anything they don't need to know but you do get everthing you need to know, there's no unneccessary coyness at all).
So anyway i loved that, and I hope there's a sequel planned but it stands alone just fine if not, I'm already figuring i'll alternate my rereads and do every other chapter each time, so I can do All The Backstory first, then All The Current Timeline story, and that's such a fun way to eke out many many many rereads of a story that like all of Wells' works I will reread until I have chunks of them memorized (anyone who has read my works surely has found whole undigested bits of hers bobbing around in there because I do this so much; I found the phrase weary past bearing in something of mine the other day and was like oh that's moon when ember first shows up i stole that whole emotion wholesale out of the third raksura book yes i did).
Little side notes: Love the aroace qpr vibes with Kai and Zeide, also sort of enjoy the lowkey genderfuckery that comes with a demon who has his own gender then inhabiting bodies that had different genders. Great magic system too, and I love that we first get introduced to how Kai's pain magic works as a like totally fait accompli chunk of didactic worldbuilding and then in a later chapter we get to see the flashback of him inventing it and understand why it works the way it does, that was also so well-wrapped-up.
Anyway-- Definitely recommend this one but probably it is best if you can do it like I did, in one big binge-read. It took me probably three hours and I was trying hard not to read it too fast.
Yeah. Anyway. People assume I'm a big reader. I was, as a kid. I am not now. This is the first new book I've read since probably the spring sometime. I don't casually read things i only read them if I'm going to add them to my Pantheon of Rereads, and that goes for fic too mostly.
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aroaceleovaldez · 4 months
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they girlbossed Sally Jackson
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souldagger · 9 months
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so normal about the gender fuckery of the Polish murderbot translation (lie i am on the verge of tears)
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genericpuff · 5 months
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yeah i don't think this is the kind of advertising rachel needs right now-
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julescarstairs · 6 months
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But seriously though, all in all, I think that Sword Catcher was phenomenal. It’s easy to see why CC took her time with this project, because there’s been time and effort and, I imagine, countless amounts of research put into each and every aspect of the story: the setting, the characters, the plot, the magic. The lore and religion. The history. The intricate social web of Castellane and its surrounding neighbours: Marakand, Malgasi, and especially Sarthe (as we see in the closing end of the story.) It’s a far cry from the modern angst of the Shadowhunters world (which I do so love) but it’s so refreshing to read up on an epic fantasy world with such a familiar writing style behind it. If you haven’t already guessed from my spam, Conor takes the cake for my favourite character, and reading all the fandom analyses of his personality and the consequences of his upbringing only drives home why I love him so much (also because his character design is stunning. I’m in love! What can I say?.) But I also adore each character in our lineup, if I’m being honest. CC has taken the time to develop and give each and every character — From Kel and Lin, to the Ragpicker King’s ragtag team, to even the one-hit-wonder characters of the Malgasi procession — their own flair, their own depth. Because each character is so well loved and thought out, their dynamics and interactions feel authentic and humane. Sword Catcher took me for the ride of my life and is easily one of my favourite reads of 2023. For the plot, the world, the character dynamics and the very discreet, underlying promise of romances to come in the future books.
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rayyreads · 22 days
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Y’all have no idea how exited I am for The Sunshine Court….
Like.. I am in the middle of graduation exams rn and I CANT EVEN CONCENTRATE BECAUSE I CANT STOP THINKING ABOUT THIS BOOK AND I AM SO EXITED FOR SATURDAY AHHHHHHHHHSJSJDJSJSJSJ😭😭😭
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evansbby · 3 months
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yall I read this book when I was like 12-13 and it was a “sweet valley high senior year” book and yesterday I found it again and reread the whole thing in 3 hours and honestly??? THIS BOOK IS WILD LIKE IT SAYS FOR AGES 12+ BUT IT IS SOOOOOO WILD OMFG!!!
I kinda wanna do a review on it 😭😭😭 like I think I understand why I write fanfics the way I do… it’s bc I was reading these types of books when I was young lmfaooo
I would love to do a review on it here if anyone would be interested in reading? Like it would be a fun, full of pictures type review post where I summarise this wild af book YOU GUYS PLS WOULD U BE INTERESTED
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theriu · 5 months
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Brace yourselves.
(I know I am.)
This weekend, I shall begin blind reading the book (my first experience of the Twilight books or movies outside of internet memes and general information osmosis) and recording my insights. I think I will post them in chapter chunks, for organization and so as not to overwhelm my dashboard with Twilight content (the horror).
For those wishing to tag along on what I hope will be an entertaining ride (for you all if not for me), or for those who wish to continue in blissful denial that the Twilight series exists, I will be tagging my reports with “river reads midnight sun”! If this endeavor does NOT prove sufficiently entertaining, I give myself leave to spare myself further agony, because why should the clown cry in public if no one is there to laugh at her tears? So basically ya’ll can continue my self-inflicted torment by interacting with the posts or sending asks or whatnot you heathens.
Also, fun(???) fact: I looked up the wordcount because my WORD this book is SO THICK, and turns out the original Twilight was 118,975 words. Midnight Sun is (drumroll please) . . .
240,095 words.
I trust you lot to remind me later that I did it for the vine (or whatever the current equivalent is).
~River
P.S. The hat and jacket have nothing to do with the book; I was just wearing some of my steampunk gear around on errands and it happened to make a really cool picture. XD
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maaaxx · 3 months
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dont get me wrong i am more excited for this atla remake and the inevitable renaissance part 2 than i have ever been for anything in my life. however im also terrified of what changes this is going to bring to the fandom. Obviously the 2020 renaissance brought a lot of new and good things (zukka, a ton of amazing fics, etc). But more people joining the fandom means new people joining ao3 and interacting with fics and authors and artists too. Even in the few years that i've been active in fandom i've noticed a dramatic shift in how people interact with artists and authors especially. And I can't see this not getting worse as more people whose main social media experiences include tik tok and instagram coming to ao3 and tumblr. Like these people are used to content creators who revolve their content around what their audience wants because its their job, and I know this isnt going to translate well to the culture around ao3 writers especially when unconsolidated comments and 'advise' is already a problem for a ton of authors. And for people who dont understand that fics and fanart are supposed be transactional in the sense that you need to leave comments and kudos and reblog stuff when they're used to simply liking something *maybe* being enough. Idk whats going on with other fandoms, but I do know that these things have been an ongoing issue for the atla fandom and like I said, I can't imagine having another 'renaissance' and this stuff not getting worse.
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koszmarnybudyn · 9 months
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Wow i actually drew my ocs??? Crazy.. crazy indeed, anyway have some gay pirates that i created at twelve.
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melhekhelmurkun · 1 year
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Watched The Shining by Kubrick last night, and I can honestly understand why Stephen King hates it so much. It’s definitely not the best adaptation of the book at all, and the film really did destroy all the characterization the book goes through for each of the characters.
He might’ve been a bastard and a drunk, but Jack Torrance did love his wife and son, and the book does show that. It’s only towards the late middle and end that he really goes psychotic, and that’s mainly because of the hotel itself essentially possessing him and bringing out the worst of him. I am in no way excusing his actions, because he is an attempted murderer and an abusive father, but he did love Wendy and Danny, and he wasn’t a psychopath. Ultimately, it was his love for his son that stopped him when he managed to catch up to Danny, and it was what made him try to kill himself in an attempt to save his family. Unfortunately, at that point the Hotel was too powerful, and it didn’t matter if Jack was alive or dead; it just needed his body. The movie really failed to show his descent into madness; it just jumps right into crazy, with nothing to show the man he was before everything at the hotel happened. It also failed to show that the Hotel - the ‘manager’, as was stated - was truly what was behind everything. Had the Torrances not gone to the Overlook, would Jack have snapped and killed his family? It’s a possibility, but a low one - it’s more likely that Wendy would’ve ended up divorcing him, or he would’ve carried out his suicidal thoughts.
Wendy Torrance was not a weak woman - she not only had the courage and drive to stand up to her husband when he went batshit crazy, she locked him in a pantry, stabbed him, and went up multiple flights of stairs while very badly injured… and then she lived to be happy afterwards! She survived having her back broken by her husband when he tried to kill her, and lived a happy life afterwards! I can name maybe three people in my life who I am confident could do that. Kubrick’s decision to depict Wendy as an emotionally fragile woman was just demeaning to her character. Shelly Duvall did an incredible job, however, and I respect her immensely for it. That’s not an easy role to be put into in any way, especially not when you’re working for a nightmare of a director who decides that the best way to get results is to psychologically torture the star actress. She depicted the movie version of Wendy perfectly. I was cheering for her the whole way.
And then there’s all the other changes which I can understand from a filmmaker’s perspective as being more logical to making a movie, but they did change the story quite a bit. Having Jack use an axe rather than the roque mallet was an understandable change, as it was more recognizable to the public as a dangerous weapon, however… it meant that most of the important scenes, such as when Wendy’s back gets broken, never happen. You can’t exactly do that with an axe, can you? But that scene is one of the most impactful (pun not intended) and important to the book, at least in my view, since it shows her resilience and her love for her son, as mentioned in the above paragraph about her character. The choice to use the axe also meant that that Dick Hallorann died when he should not have.
That man, the chef with the Shine, was more important to the book, I think, than any character. He was the first to tell Danny that he wasn’t alone, that there were more people out there who had the same abilities he did, and that it wasn’t a bad thing. He was the one to tell Danny of the strange happenings at the Overlook, and to tell him that the visions might be scary but ultimately he didn’t think they could hurt him - which ended up being a major part of Danny’s choices. The main part of the reason Danny went into room 217 (237 in the movie) was because he remembered Dick telling him that the visions couldn’t hurt him, that all he had to do was look away when he saw them. And then there was how Dick came all the way across the country to help Danny when he was called. He pledged to help that boy if needed, and when he was needed, he came immediately, and ended up saving the remaining Torrances. His refusal to let that boy and his family die was such a big part of the story.
I can also understand the decision to turn the hedge topiary into a hedge maze. Making bush animals move is not at all easy, especially for a movie made in the 80’s. However, the animals were also fairly important to the story; they were the first real visual of Jack’s descent into madness, and then later a big factor of his possession by the Overlook; when he refused to believe that he’d seen them move, he essentially shut down any possibility of belief that there was something wrong at the hotel. By the end of the book, we sort of find out that the hotel itself was influencing his willingness to believe that, but his initial refusal did push that along. Once someone has made up their mind about something, even something they’ve seen with their own two eyes, it’s often very difficult to get them to change it, especially in a scary situation. The topiary was the first big turning point in Jack’s psyche.
Then there’s the decision to change his death scene - having him freeze to death after getting lost in the hedge maze and suffering a mild heart attack. It was… definitely a choice? In the book itself, after Jack ‘kills’ himself (again, the Hotel was possessing him fully at that point and no longer needed him alive, just needed his body, so him fighting back and bashing his own face in really did nothing in the long run but was a rather important scene - see the paragraph on Jack Torrance for clarification) the boiler in the hotel begins to overheat. The Hotel (possessing Jack’s body) goes to release the steam from it to prevent it from exploding - the problem here is that Jack was told by Watson that the boiler would blow long before the pressure gauge reached its red zone, because it was so old. But since it was not Jack present in that body but the Hotel itself, it had no idea about this and believed the boiler was now safe, as it had managed to reach it before the needle hit the red… and then the boiler exploded. Having Jack freeze to death in the hedge maze (and thus forcing us to experience that absolutely ridiculous final scene where we see him frozen) was a much less final and impactful death than that of the boiler exploding. With the explosion, his body was destroyed, and so the ‘manager’ of the Overlook was destroyed (the ghost/demon). It was a finale; the evil perished, the good guys got away, and everything was right in the world. With the freezing, it was much less final, and much less satisfying.
Objectively, if you separate the book from the movie, the movie wasn’t terrible. I did like it, and I had a lot of fun watching it. But as an adaptation, I found it VERY lacking. I can understand why King hates it so much.
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that-sweet-thief · 1 year
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just finished binge-watching season 2 of shadow and bone. my thoughts are mostly in disarray but the cringe is real.
this was an off-paced, haphazard fanfiction. it'd be just fine if the writers weren't paid for it but they actually are, so it's just... wow. I'm at best mediocre when writing in english and i reckon even i would do a better job of writing dialogue.
anyway, here's a list of my thoughts on the show, though it's more of a word vomit than a comprehensive series review:
no ivan or fedyor. immediate downvote for that alone. ivan should've survived so we could have a heartbreaking moment between him and fedyor across the two sides of the battlefield. i guess they thought there were too many characters and couples to juggle already. or maybe the actors weren't available, who knows.
costume design took a surprising turn for the worse: for example, nina's and zoya's dresses were eyesores. how anyone could make these two very attractive women look that frumpy i've no idea but they've managed. i liked sankta neyar's costume, sturmhond's coat aaand that's about it.
the settings were more varied, so glad we've seen a little of bhez ju. the introductory map-to-location shots were very helpful for people who haven't read the books, namely my gf who fell asleep halfway through the show. also, if the music had any tracks that weren't already from the first season i'll be incredibly surprised, it's that repetitive.
they've messed up nikolai as a character mainly because the actor misunderstood his assignment, though i don't know what else he could've done with the mess he was given. while he's still sympathetic, lovely and witty, paddy's nikolai thinks of sturmhond as just another disguise, rather than who he really is, to the point of gifting said disguise to mal. that's irreconcilable with my understanding of nikolai, whose real mask is the bastard prince.
tamar & tolya were better realised than expected. along with the exclusion of the soldat sol cult, their zealotry's scrapped which is a big win for them. i enjoyed their scenes, great casting too. though, as an ardent kanej fan, i cannot in good conscience support the blink-and-you'll-miss-it tolya/inej moment. tamar/nadia had maybe a minute of screen time but better than nothing.
sankta neyar was a pleasant surprise, great idea to show how powerful durasts can also be. people often disregard materialki so this was refreshing. what i liked about her is how formal, collected, old-fashioned she both appeared and acted, as if her manners and speech style were leftover from a few centuries ago, kudos to her actor tuyen do.
the crows' arc was... lacking in some way. maybe it's because pekka rollins' attitude towards kaz and his group is very different than how it was established in the books, here he was way too proactive and less secure in his position in ketterdam for some reason; anyway rollins' framing of the crows felt off to me.
the crows' character dynamics are interesting and the saving grace of the show, all kanej and wesper scenes were great. seriously, the tension of kanej & cuteness of wesper nearly destroyed me.
they did helnik dirty, of course, but that was a given.
freddy carter outperformed everyone this season, i really think out of all of them he's given the best performance, sometimes even better than ben barnes and that's practically heresy coming from me, his devoted fan since ages ago when i first saw narnia.
i kinda dig that they brought in a tidemaker (fruszi) who's practically an early version of zoya for the darkling's side but her death felt cheap. i mean, the crows arriving to help out nikolai and his team at the very last second was already eye roll inducing, but then nikolai shoots her in the neck? cheap. also, if she and zoya came to face off that'd be interesting since they share so many similarities. i personally don't think it will but if the series continued along with the darkling's canon resurrection, i wish she'd lived and replaced elizaveta, she certainly seemed devoted enough.
david and genya made me cry. that's all i have to say on them.
baghra... where do i even start with her? baghra's nonchalance, her one-eighty about deciding to help alina find more amplifiers is stark raving bonkers imho. yet at least most of her scenes weren't as bad as they could've been, her proving to mal he was the firebird and her saving genya as well as alina actually came across better than the ultra passive, constantly berating version in the books. her death felt less dramatic but more spiteful, though aleksander's reaction to her death was appropriately heartbreaking. ben & zoe sold it so well, my eyes actually welled up.
speaking of sasha, his death is soooo badly executed, it's impossible not to be pissed off at the way they filmed it. even the books were more sympathetic to his demise and alina herself showed much more empathy for him at the end. it's genuinely disturbing how they framed it, makes alina seem more like a villain than the reluctant hero she used to be. i guess it fits with the surprise ending: how she kinda becomes what she sought to destroy, poetic irony and all, but still...
aleksander's whole arc this season makes him seem more desperate and pathetic and so, less of a tyrant: he doesn't even take control of the country or more than a small group of grisha let alone become tsar, instead the apparat rules over ravka on behalf of the lantsovs till nikolai is coronated. he and his people constantly lose to some clever last minute thwarting by alina's allies. the only thing scary about him is the nichevo'ya, the shadow monsters, which in the books are entirely under his control and that of course makes it all the more terrifying. here though, sick and tired and dying, he's merely desperate and fearful. the lack of wins on aleksandr's part really defeats the purpose of the writers' continuous attempts at making him simply the most terrible, horrifying and supreme villain of gregverse.
nope, can't get over it, aleksander practically died in her arms in the books, here she just looks down at him like she's the villain. i guess she now is. oh and mal's retort to sasha about dying in her arms was somehow a foreshadowing, see, but sasha doesn't get that because he's evil, see? gosh, so patronising.
since they've constantly emphasised this season how it was the fold's and thus sasha's fault that grisha were persecuted (not that this explains the ceaseless mistreatment, endangerment and more often death that grisha face everywhere they go, of course, nor does it explain his backstory) i gathered they'd go for a retcon but i didn't imagine they'd exonerate baghra, the apparat and tie the border wars with shu han and fjerda to the fold's existence entirely. the reason the war broke out in the first place was because those countries' fundamental approach to grisha was to kill them or worse. that is what grisha persecution meant. and now... what, the war is over, just like that? i have no words.
also, the exclusion of the "don't let me be alone" line. now that I think about it, those writers should be fed to nichevo'ya.
alina, alina, alina... sure, she's a self-insert, so her motivations don't make sense anyway, but as sweet as jessie is and how hard she tries, show!alina is now an equally awful mess as book!alina. the two things i liked about her this season were her manipulation attempt through the tether and the ending where she goes a bit darkling. the latter, i really like. i wrote a fragment of a power reversal fic before but never put it up, might just do that now.
i'll admit: it's rather funny how mal dumps alina after losing his amplification because he doesn't feel the same way anymore. he doesn't know if it was him being an amplifier that made them love one another. see how easily he turns away from alina? if i were aleksander, I'd be laughing at her from the grave.
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opheliaweeps · 11 months
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so I just finished reading ‘the oleander sword’ by tasha suri. I’m at work, so I finished the book, stared at my laptop for a minute, then came to the bathroom to cry and write this post (yeah, I’m in the bathroom right now. I’ve been crying for five minutes).
I’m crying because reading this book (which is book #2 of suri’s trilogy ‘the burning kingdoms’) has been… cathartic almost. the plot is high fantasy and political unrest, but the setting, the worldbuilding and careful nuances of the story are based on historical india, the country and myths and history I grew up with. somewhere inside me, the young girl who never saw a book that had a character that looked like her is sobbing in grief and gratitude and vindication, because an author like her decided to write this story. and it’s everything.
I’m crying because the relationships in this series are complicated and heartbreaking and human. siblings, friends, lovers, and the tangled webs in between - they’re so beautiful to read about. the pain of betrayal and bittersweetness of love, in a time when nations are at war and the characters are torn between their duty and their heart (an age-old story, the original tragedy). the delicate details that show the madness of corruption, the humanity in even the most twisted of villains, and the pain in hurting those you love so that they can live.
I’m crying because not only does this book speak to my desi heritage, it’s a queer story, setting a princess rebelling against her dictator-emperor of a brother and a temple-elder of a conquered nation of flowers and eldritch worship on a tumultuous path. their bond is fraught because of what they must do to serve their own countries, honour warring with the desire and love for each other in their hearts. a sapphic desi-high fantasy series - that’s something I never thought I would see.
I’m crying because the side m/m romance is pure tragedy and yet, it’s so beautiful it hurts to read. while the main heroines are separated by treachery and prophecy and gods of old, coming back to wage war for their glory, these two boys are separated by something much simpler: death. one dies (for his honour, for the men he leads, for his sister), and the other lives. the other lives to grieve and push forward, and isn’t this the oldest story? someone must always leave first, but we are never prepared, and I was not prepared for this death. because the one who lived had already lost so much, bled out for an empress he is bound to and her brother whom he loved. and he was taken away from him.
I’m crying because I love the world that has been built here, the stories woven and characters that suri has breathed life into. I’m crying because of the story, the pain, and the representation I never thought I’d see. but most of all, I’m crying for the love that this story holds, and the hurt that always follows bliss, because no good thing can ever be felt without unwanted anguish to sweeten these brief, tender moments.
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charmwasjess · 6 days
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Still reading The Living Force. I'm actually much farther in now than when I took this pic over the weekend, before I got kicked out of the winery for throwing the book across the room--
No, no, I kid. In fact, there's lots to like about this book. Much of it is warm, funny, and full of Jedi details and lovingly crafted little scenes given to more obscure Council characters. Depa and Mace continue to shine.
I'm still... very much struggling with some aspects, some inconsistencies and contradictions that I can't tell are there on purpose to make a point in the narrative, or just unsuccessful writing. But I'll try to post an actual write up shortly when I'm officially finished.
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aroaessidhe · 1 year
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2023 reads // twitter thread    
The Art of Prophecy
Wuxia inspired epic fantasy
about a spoiled prophesied chosen one who’s never been in a real battle
the greatest war artist of her generation takes things into her own hands and decides to train him, but things go wrong and they both have to go on the run
martial arts, bounty hunters & assassins, some steampunk vibes, mentor relationships
no romance!
this is so fun and funny I loved it.  the MCs three awesome baddass women and one pathetic teen boy and i love them all
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smalltownfae · 1 year
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I cannot stress enough how you should 't read Lonely Castle in the Mirror for the mystery. All the bad reviews I saw for it are from people that were too foccused on the mystery. The mystery is easy, especially if you know your fairy tales. The book is about characters connecting through their shared insecurities and trauma. Of course the kids weren't that invested in solving the mystery when they had time and a safe place where they could be together for a while. It made perfect sense to me. Plus, I knew the solution to the mystery all along and figured other parts as I got more information, which also makes sense to me because the characters are kids with less common knowledge than me, an adult.
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