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#just thinking.. no actual writing
evidently-endless · 15 days
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i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
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pheedraws · 16 days
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thinking.. about jamie and danny.. :)
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lgbtlunaverse · 4 months
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There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.
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descendant-of-truth · 9 months
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Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity
Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.
But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works
In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED
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thatpunnyperson · 11 months
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According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.
And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.
Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.
So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.
Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.
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inkskinned · 3 months
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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.
i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.
in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.
i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.
i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.
plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.
the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.
we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.
i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.
a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.
today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.
loved beyond thinking.
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nibbelraz · 5 months
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Tumblr media Tumblr media Tumblr media
A writer and His number one fan hater
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satelliteduster · 1 year
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oh my god i forgot to post my absolute favorite strip from gay comix (issue #2, 1981)
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becauseplot · 8 months
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qPhilza perching on people because bird
qFit: Mans is built like a brick shithouse—he can totally balance Phil’s additional weight. The first attempt is a bit shaky, sure, but nowadays Phil swoops down or hops up onto Fit’s shoulder and all Fit really has to do is jut out his elbow to give his friend a little more space for his talons to work with. Bam, he’s perched. Works out about 9.9 times out of 10, though Phil delights in trying to catch him off guard.
qEtoiles: He doesn’t have Fit’s bulk on his side, so he’s not as sturdy, but he is strong. The landing is usually a little rough since Etoiles has to work a bit harder to counterbalance the additional weight, but he always finds that center of gravity in no time flat. Phil usually perches with one talon on each of Etoiles’ shoulders since he’s not as w i d e, just so Phil can have a little extra grip. At some point, Etoiles tries fighting a mob while Phil is perched on him, and that goes exactly as well as you would expect.
qForever: Honestly, with all of the hard labor Forever does for his big builds, Phil was expecting him to do better, but the first (several) attempts end up with Forever stumbling over and knocking Phil off of him from his wild arm-pinwheeling. They eventually figure out it’s more doable if Forever himself has something to lean on (a wall, a chair, the butt of his pickaxe) and Phil puts one talon evenly spaced on each shoulder. Phil learns some new swears in Portuguese in the process.
qMissa: Flattened. Full-on face in the floor, mouth full of grass, wind knocked out of his lungs at Mach 5 the first time Phil tries. Phil apologizes profusely, but Missa—once he can breathe again—just rolls over onto his back and asks Phil if they can give it another try. It takes a long, LONG time, but they figure out that if Phil plants his talons on Missa’s shoulder pads and leans forward while Missa leans back, they have a small little window of time where they achieve balance. The best part? Phil gets a perfect view of Missa’s goofy little grin every single time.
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comradekatara · 3 months
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ty lee is by far the most underrated atla character imo. as far as minor principal players, it’s easy to disregard her as the least fleshed out fire nation kid, the most underdeveloped. her role as a foil to any of the main characters is vague, and many people just assume she’s there to bring some sort of levity and humor to azula’s plotline. she’s dismissed as the pretty ditzy girl, or even (shudders) “the bimbo.” but when you actually make the effort to consider what we do see of her, to extrapolate from her few yet crucial scenes anything regarding her underlying motivations, you quickly realize that one of the most layered, multifaceted, compelling, intriguing, ambiguous, and perhaps even straight up insane characters in the entire show has been hiding in plain sight all along. and also that that’s the entire point.
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whomst-the-hell · 1 year
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“Tammy Thompson,” says Robin, voice choked.
“But Tammy Thompson is a girl?” says Steve, feeling the full effect of Russian drugs and not seeing what Tammy Thompson has to do with him being rejected right now.
“Steve.”
“Oh.”
So maybe he does see what Tammy Thompson has to do with him getting rejected right now.
Ok.
“Did you OD over there?” fear is audible in Robin’s voice.
He steels himself.
“You know… I was never looking back. At Tammy, I mean.”
“That doesn’t really- Thanks, I guess,” Robin sighs.
“No, I- hm. I wasn’t looking at Tammy because… because Eddie Munson sat in front of me in Ms Click’s class.“
“Steve?” Robin looks confused, but there is a hesitant kind of hope blooming on her face.
“And he always wore those rings, you know? And they’d, like, shine in the light. And he had all those fucking chains so even when he managed to shut the fuck up, he was never quiet and- and- fuck. “
“Steve.” Robin’s eyes are wide, understanding dawning on her face.
They sit, facing one another across a bathroom stall, smelling of blood, sweat and vomit. They aren’t alone anymore.
They never will be again.
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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becca-e-barnes · 11 months
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I need more of needy Bucky who loses control from the feeling of being inside your pussy. I need him to fuck me like a rag doll and to carry me over his shoulder around the house like his personal flesh light.
Fuck, this has always been one of my very favourites to write. I really like to imagine that he struggles to last but he can keep going after he finishes 🙈 it's my lil filthy fantasy
But imagine spending the morning in bed with him. You both wake up around 6am and you spend the first little while just touching and chatting before a couple of hours of sex. Now it's maybe around 11am and after lying there together for a while, you're both in the mood for something to eat.
You pull a robe around you and that's just about as much as you manage before Bucky's scooped you up, carrying you to the kitchen.
"You don't need to carry me everywhere!" You tease, remembering that he'd carried you up the stairs to bed last night too.
"I know. But. Carrying you means. I. Can put you. Exactly. Where. I want you." He peppers kisses over your face and neck, tenderly capturing your bottom lip between his before he sets you up on the kitchen countertop.
There's no point arguing with him so you sit there quite happily. He makes up a quick pancake mix, washes some berries from the fridge, preps the coffee machine and sets the little dining table for the two of you.
Somewhere in between, you got a little distracted, perched on the counter scrolling on your phone. You hadn't noticed the way he's looking at you.
He's so caught up in the little things; the way the light hits your shoulder, the curve of your hips, the way the silhouette of your nipples are visible against the satin robe.
"Look at you, sitting there all sweet like your cunt isn't so fucking full of me."
That's got your attention.
You squirm a little, your body fluttering at how shamelessly vulgar he's being but nothing's stopping you from doing the same.
You spread your legs, exposing the slick mess coating your inner thighs. It's a mixture of your own arousal and Bucky's cum, dripping out of your sensitive cunt.
Your fingertips trail lazily over your exposed sex, your skin glistening in the natural light before you bring your fingers to your own lips, sucking them clean, giving him a little bit of a show.
"Tastes amazing, sweetheart." You groan, noticing the growing bulge in his thin pyjama bottoms. "But I lost track of how many times you came inside me this morning. You came so deep, most of your cum won't have dripped out yet. Bet I'm still totally stuffed full."
He sinks to his knees in no time, settling his head between your thighs, breathing in the faint smell of your arousal. His tongue presses flat to your sex, trailing from your hole to your clit and back, gathering as much of your combined release as possible.
He groans, low and pathetic, allowing his tongue to dip inside you as deep as he can bury it. He savours every drop of cum he earns back from your body.
When his tongue alone isn't enough, he slips a finger into you, followed quickly by a second, curling them against your sensitive inner wall.
"Bucky baby, please don't make me cum again." You groan, your fingers tangled in his dark hair but you know he's not giving you that choice. Not when his free hand is furiously stroking his own cock, desperate to ensure that when he's finished licking his cum out of you, he can flood your cunt with another load.
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findafight · 1 year
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Robin and Steve playing a dnd character together because Steve said the only way he'd play is literally with Robin. They take turns each session for who speaks but always planning together. It's a teenage human, gangly and uncoordinated and a bit of a loner. Everyone sort of lets the "two people playing one character" issue slide, as they want to play a game with their friends.
Robin and Steve have wildly different character voices, and sometimes announce which way they are walking before stumbling in that direction, and also mutter to themself in character. when it's Steve's sessions to talk he flits with the NPCs Eddie plays, but Robin is just a little aggressive to them. The personality changes are kinda weird but everyone is just happy they're playing.
Everything is going well until the big bad of the short campaign they're all playing knocks them into a wall. Not hard, but hard enough they're scrambling and flailing and...splitting in half. By their own description. Immediately they start, with their respective character voices (they are committing to this bit) bickering about whose fault it is. And about what they should do now their cover is blown.
The table is silent.
Robin and Steve have been conning everyone the entire time. They're playing twin halflings, who alternated who sat on each other's shoulders pretending to be a human because they were goofing off the day they joined the party and were too embarrassed by the mix up to correct anyone about it until they had to. Their voices and personality changes are brilliantly embedded as not Robin and Steve not being able to keep consistent, it's because they've been playing different characters. It's brilliant. It's horrible. Everyone fell for it and the reveal essentially pauses play because everyone starts yelling at them.
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batty-pham · 6 months
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Danny working in retail.
Dead end job.
He always ends up at the nightshift.
Everyone thinks the bags under his eyes are because he can't sleep.
He gets told all the time that he "looks like death" and he always just replies "thanks"
He just sorta stands in the dark corner and customers don't notice him, but they sorta inherently know he's there and avoid him, but he moves and they about shit their pants.
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gojo-mochi · 4 months
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CW: Breeding kink, Creampie
Men who mean it when they say “Just the Tip…”
“Just the tip, baby, I promise…”
And he does mean it, truthfully. You were sore from last night activities and didn’t think you could handle another pounding again. Your boyfriend still found you extremely attractive as you lay there on the bed, headband pushing your hair back, wearing one of his t shirts, and shorts that were currently being pulled down. It was the morning and you haven’t gotten up to shower yet but he didn’t care.
Your pussy throbbed in anticipation and your legs start to close together once your shorts were finally out. He soothes your worries away by lifting up your foot and kissing on the inside of your ankle, parting your thighs and settling down in between them.
“Just the tip, I mean it, ok?” You murmured, as he fist out his already hardening cock. He smiles down at you, adjusting the pillows behind you so you could lay down more comfortably. “Of course, love. I really am just putting the tip in..”
He gives you small kisses on your forehand, down your nose, cheeks, and on to your lips. Then he leans back as watches as he sinks in his cock, true to his word, he only sinks in the tip, watching as your pussy swallow about an inch of it. Your poor pussy was still a bit swollen and slick so he easily pushed his way in without problem.
You sigh out, biting your lips, waiting for the painful but pleasurable stretch to come. But it never did, your boyfriend only grunted as he kept pushing his tip in and out of your pussy. Loving the lewd wet sounds it was making, getting his tip all shiny and wet. Your pussy fluttered each time he push in a bit, almost crying at the fact that he wasn’t pushing it all the way in. As your hips buck up a bit to try to get more of his cock inside you.
He laughs and smirks down at you, placing a hand on your hips to hold you down. “Now, now… I don’t wanna hurt you, love.” He cooed, still playing with your pussy. Rubbing his tip along the inside of your thigh, smearing your own arousal all over your skin.
“I still wanna fill you up though. Seems like some of my cum from last night spilled out…”
He murmured, almost talking to himself. As he align his cockhead back into your cunt. Making sure the tip was fully engulfed, then he started to fist his cock. Moans and grunts came from the back of his throat as he jerk himself off with his tip still inside of you.
His other hand still placed on your hips to make sure you wouldn’t move. You could only watch as his hands get more and more faster as he reach his limit. Soft curses fell from his lips as he climax inside of you, pushing in little bit deeper to make sure that all of his cum were spilling inside. A few more shake of his hand and you felt your poor pussy get filled up with his hot seed once more making a mess.
You glance up to see a feral look on your boyfriend’s face. As he looks down at his handiwork, admiring your fully breed pussy. He moves away from your thighs, closing them together as he settles down beside you on the bed. One arm wrapped around you to keep you close and one arm going in between your legs to cup your pussy with his hand.
“Just wanna make sure that my cum stays in there for a while this time.”
Nanami, Sanji, Gaz, Higuruma, Killer, Mihawk….
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