Bruh emotional support ghost kid? Well thats what they are calling him
Suicide cases in gothem are about to fucking plummet boiz cause this one weird blue eyes, black haired boy is now heading to your location.
How does he know where to be? Having a bad day and are all alone? No the fuck your not cause don’t turn around now but theres some shiny blue eyes coming at you from that dark ally. Oh shit hes here to drop some information about you and your lost loved ones that he should know. Oh god the closure. How could you have been afraid on this sweet, creepy, boy who just helped you find your way.
Meanwhile Danny is chillin in Gothem cause the GIW hate it there (none of they equipment actually functions in Gothem so it’s either super haunted or actually not haunted at all). Then all of a sudden he gets approached by a random ghost begging for his help because their sweet baby girl is about to do something horrible. Oops now all the ghosts are following their most loved ones around just to make sure they are there to rush to Danny for help when all else fails. Now hes getting to fulfil his protection obsession double time because one hes helping protect people from themselves and two hes protecting everyone in Gothem by stopping people from becoming villains for revenge. Plus he gets to see first hand how hes making a difference because all those people he saved are sending him some good vibes from all across Gothem.
Thank god he followed Jazz around so much to slightly absorb some of her phycology knowledge over the years. Plus it was actually pretty interesting so she gave him her old text books. Shes also helping him deal with the rare events where he can’t save someone. Just a moment too late or he stops them but they later succeeded in the hospital. Neither are his fault. Now only if he could convince his core of that.
Anyway why Gothem you ask? Amity Park would have been just as good tbh but imagine Batmans face when he finally gets to be face to face with the emotional support ghost boy. Why is he here? Bruce is fine. Batman is fine. Hes not gonna do anything crazy. It’s just a hard time of year. Around their death always gives him grief. But hes an adult and can manage it.
“You know they are so proud of you.” The boy states. As if it’s clear as day, even though it’s Gothem and never a clear day. Batman blinks at him, stunned for a moment. “What?” This boy can’t possibly know that. No one will ever know that, Bruce can only hope. “They see their home, full of such life. That big house that felt so empty, so cold, to them as well for years. Then you filled it with Family and Love like they had always wanted for you. They are so proud of what you have turned it into. Somewhere full of life and warmth.” A small smile graces his face as finally “you have made your parents so proud” and its all he can do to contain himself. Emotions are running high and sue him because he really did need to hear that ok. The boy suddenly looks to Bruces right with a confused face “aren’t all basements like that though?” Before Bruce can even get a word in hes gone. Just vanished before his eyes.
If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.
And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?
Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.
And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.
But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.
After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.
And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.
And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.
This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.
But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.
He wants to go home.
And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.
And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.
And it's not happening.
But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.
And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.
But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.
And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.
There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.
And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.
This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?
And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.
Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.
And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.
"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.
"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.
And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.
That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.
It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.
arthurs relationship with the strange and unknown is something so personal to me
arthur is from our world, in a world where magic doesn't, or well, shouldn't exist, but that doesn't stop him from searching for it, he sees some weird writing on the walls of saint denis and hears rumours of a vampire roaming the streets of saint denis and decides to go looking for it, and he finds a vampire, something that shouldn't exist in this world,
he comes across a weird building made out of sticks and plants and inside is a cauldron filled with strange liquid and he drinks from it (which is insane) and he wakes up outside of the building, fully healed and just walks away,
he meets a man who talks strangely and asks him to look for these weird symbols built on the sides of mountains, he takes note of these weird symbols and once he's found them all he returns to the house where the man is gone and a woman with a baby is there and the baby looks like the man from before and is confirmed to be the man who was there before, he's shocked sure, but he just goes along and accepts that he just met a time traveller,
he can encounter ghosts, men who live with wolves, a man talking behind a giant cave close in who claims to be a giant, giant bones, aliens above a dead cult, etc etc etc
his attitude is basically, "so, that's a thing," and he accepts it, and he makes conversation with the vampire, or the giant, or the man who claims to be the devil, the man who hides in a tree, and he treats them normally as if it isn't something that's so strange and I just think that's really, really beautiful
One September day, B. Wooster found out about Jeeves' disappearance from Aunt Dahlia's telegram.
Early summer of 1940. Bertram Wooster was completing his studies at an aviation school. At the same time his faithful valet, Jeeves, temporarily went to the service of the already mentioned relative at Brinkley Court and became the second jewel in the staff of servants besides the highly talented cook Anatole.
Due to the straitened financial situation of Uncle Tom, who complained more and more about the increasing taxes, the dearest aunt had to take forced measures and fire a few servants. She wanted to make a small sacrifice, and it might have been enough if one day her stingy husband had not cut the already small wages of the remaining servants. Many of them had applied for dismissal after that, and they were quite understandable.
This radical decision, although to a lesser extent, also affected Jeeves. Nevertheless, he continued to be a professional. He fulfilled his basic duties and often helped her, and her old friends get out of troubles.
Within a few months of Jeeves' work, they had become friends. Bertram almost felt like a third wheel in this idyll when he came to visit and boast of his achievements. Aunt Dahlia treasured her new valet and his unrivalled intelligence, and often jokingly promised in letters to her nephew that Jeeves would be returned safe and sound.
That was why she was seriously worried when Jeeves went missing. One clear day in early September, an elderly relative had let him go to London on his own business. In addition to this, it was Jeeves' duty to check on their good old Berkeley Mansions flat from time to time and keep it clean, so he planned to finish his business by evening and stay in the city overnight. He was supposed to return early the next morning. But that never happened. Not in two days. Not in three.
That night London was bombarded.
Something seemed to snap and collapse inside Bertie when he learnt that the search for Jeeves had been fruitless. Neither his relatives nor his club could shed any light on his mysterious disappearance.
The dark thoughts from which Bertram had fled during the day caught up with him at night. He would toss and turn on the hard bed, thinking of Jeeves's fate and replaying happy memories of their past, and in the daytime, tired and broken, he would give his duty to his country.
The whole situation seemed strange and unreal to him. The only thing that was found out for sure was that no one appeared in the apartment that miraculously survived the monstrous raids that day. It was dusty.
A couple of months had passed since the tragedy that divided Bertie's life into before and after. The war continued. He was learning to adjust to his new reality.
Sometimes he managed to carve out some free time and pop into London for a bit. The city where he had lived more than a third of his life was in ruins. The familiar places where he used to meet his friends and have a good time were empty.
Your humble servant avoided going into that very flat. There were too many vivid memories of that place, which painfully and mercilessly squeezed Bertram Wooster's poor skull. Indeed, the most precious person in his life had been living at his side all that time.
But still, as the sole and responsible owner of his property, he had to overpower himself. He had to go in and make sure that everything was all right. And one such day Bertie found himself there, in their former cozy home.
He walked in and looked around the living room: a layer of dust covering almost everything, furniture wrapped in covers, and only a few of his own things that he had left or forgotten here. The piano was covered with a cloth. Unbearably quiet and lifeless. There was nobody else to keep order here, nobody else's hand to create the home comfort. Sorrowful feelings pressed upon his chest.
He looked all over the flat. Almost all of it. There was only one room left to check.
After a moment's hesitation, Bertram pulled himself together and went into Jeeves's room. He had only glimpsed it from inside before. It was modest and not as spacious as his bedroom. Wooster sat down on the perfectly made bed, looking at what little was left of his dear friend, guide, and philosopher. His eyes rested on the various books dusting the shelves and cupboards.
He recognized one of them. It was the volume of Spinoza's writings he had given Jeeves for his birthday. No doubt Jeeves had read it all. As the rest of the books in the room. Bertie remembered his politely grateful smile and how he had clearly decided that this fellow deserved a whole library of those Spinozas.
He got out of bed. The code of the Woosters did not allow him to touch other people's things (even if those things belonged to a man who might never come back into his life), but something outweighed the young master's unwavering principles that day.
He didn't even notice how he left the flat with the book in his hands.
Of course, this sort of talisman invariably occupied a place in his suitcase. Though he had endeavored to handle the book with care, it had become tattered with the passage of time. Bertram often held it in his hands, flicked through the pages, ran his eyes over the neat pencil notes of its former owner. It calmed him a little in the most difficult moments of his pilot practice. He didn't understand anything about philosophy, but he treasured this book too damn much.
When they reunited, they were about a year away from the end of the war. The house with their previous flat was in a state of emergency damaged by the recent bombing raids, so Jeeves looked for a new flat for them while his employer was still undergoing treatment.
It happened some time later after their move-in. Jeeves was doing his household chores while the young master followed him around and chattered about anything that came into his head. It would have annoyed anyone, but not Jeeves.
You see, he had been abroad for a long time. However, he was not on holiday. Against his will, he was assigned important tasks and missions which he had to fulfil if he did not want to lose his freedom, his successful career, his reputation, his family, and friends. The special promise of making one particular person's life unbearable also left him no choice.
Every day, Jeeves felt like he was sitting on a powder keg: at any moment, a surprise inspection could come through the doors of his headquarters. A highly undesirable event for a man who kept fake documents, weapons, and encrypted data transmission devices in his flat. But all possible escape routes had been carefully worked out and memorized: Jeeves was always prudent. Otherwise, he had to have time to take a special pill before he found himself tied to a chair in a small interrogation room.
Keeping his charm and politeness, he was effective in getting the right information from the right people. His knowledge of psychology and accumulated experience of working with people helped him in this.
Jeeves' missions were rarely close to failure. His life depended on it.
The slightest mistake could have been fatal to him. Of course, he had learned much about the country during his training to pass for a typical Frenchman. His French had been practically flawless even before, which only made his life easier. But still somewhere in the back of his mind was the fear that he would be exposed for the smallest inaccuracy.
Jeeves lived under a false identity with a fake life story. He changed outwardly and inwardly. His gait, the way he spoke, his body language, his facial expressions. He had complete control over his body. Especially his gaze, which could tell a lot about his thoughts. It was exhausting.
After a long time of living in this way, he began to have trouble sleeping: he slept very little and sensitively or could not fall asleep at all.
He rarely had any dreams during the restless hours when he was able to fall asleep. Sometimes he had nightmares. But they were not about him. They were about Mr Wooster. Same scenario: church, flowers, closed coffin. Then it would slowly open from the inside. And Jeeves would wake up in a cold sweat.
On sleepless nights, he was also tormented by thoughts of his former employer. Where was he now? Was he all right? Was he even alive? How did he feel about his disappearance? Would he want to see him again...?
Jeeves felt his mind, which he relied on in the most critical situations, begin to fail.
Meeting his employer again and doing the household chores for him, he felt himself slowly getting his head in order. He was enjoying the much-anticipated company of Mr Wooster. It soothed him and made him feel at home.
Jeeves opened the closet to put the ironed clothes in it. The young master standing next to him had been lost in the chatter and missed the moment when he should have pulled him back. In the next moment Jeeves had pulled the ruined book out of the wardrobe the same way as he pulled out foreign clothes. By the title of the book, he thought at first that his master was interested in serious literature. But on closer look and leafing through the book, he realized that it was his own.
Bertie watched it silently with his eye wide open. He couldn't just get rid of it, but at the same time he was ashamed to return a book in such a terrible condition to its owner. He planned to buy the exact same one soon, but until then, this volume of essays would be safely hidden away. But here his innocent secret was revealed. Jeeves looked at him with a silent question in his eyes.
He tried to justify himself, but this particular Wooster was a bad liar. Especially when the pent-up feelings were starting to overwhelm him. Jeeves often let his employer fool him about little things, but they both knew very well that it was actually impossible to do this. A couple of precise laconic remarks and B. Wooster found himself disarmed. He took a breath of air and began to speak.
Jeeves listened patiently to his poor master with a mask of calmness pulled over his face and dared not interrupt.
He was sorry. He was deeply sorry for the pain he had caused Mr Wooster and his dear people by his forced departure. However, Jeeves spoke little and reluctantly about what he had been doing in recent years and did not tell anyone about the very reasons for his disappearance. This information could have caused a lot of trouble.
And Bertram realized it. His Jeeves could not just disappear for no reason, he was sure of it. But sometimes, in the deep sleepless night, a wild guess would cross his weary mind. What if Jeeves had run away, had simply abandoned him? Of course, Bertie had scolded himself for such thoughts in the mornings then. And today when Jeeves prepares breakfast for him, reminds him to take his medicine, and helps him to dress, that idea seems to him on the verge of sanity. But then he was quite capable of finding irrefutable evidence in all sorts of little things. At that time, he did not know what to think: the search for the injured had ended, Jeeves remained on the list of missing persons.
Bertram stood before him and could find no more words. But words were no longer needed. Jeeves looked at him with bright, penetrating eyes and the silence that settled in the room was filled with peace. Jeeves was truly touched. He felt a huge boulder fall from his soul.
It seemed now, as his employer lowered his head dejectedly and hid his wet eyes from him, they had the perfect moment to dot the «i».
It's been a long day.
Of course, this book stayed in their new flat and became a symbol of something important for them. Bertram, Jeeves' poor love, had indeed taken desperate measures then.
However, Jeeves pointed out that such measures would no longer be necessary.
It's been incredibly difficult to hear from Palestinians in Gaza, not to mention center their experiences and platform their voices. Because ever since Hamas violently kicked the Palestinian government out of Gaza in 2007, it's denied Palestinians the right to free speech.
(Here's Palestinian human rights activist Hamza Howidy sarcastically wondering why Hamas isn't stopping the theft of humanitarian aid when it had the power to arrest him for a social media post within 4 hours.)
I'm working on a series of posts of Palestinians to platform. I came across this thread from someone who used Snapchat to talk to people in Gaza, so I thought I'd post it here in the meantime.
I've seen videos of Palestinians talking about not being able to evacuate because "Hamas has closed all the roads," a video of a Palestinian telling the IDF that Hamas has a car blocking the Salah-al-Din road (the evacuation route) and is pointing guns at people and telling them to turn around. But even as someone searching for Palestinian voices and looking for information about this, I hadn't heard that Hamas had been killing civilians trying to evacuate. (And probably reporting their deaths as part of the daily total.)
I mean, just the fact that the Gaza Strip is run as a separate country from the rest of Palestine is a huge barrier for Palestinians. It's hard to be accepted as a full member of the UN when your country functionally has two or three different governments.
(Confusingly, the PLO is considered the government of Palestine internationally. Abbas is the president of both PLO and the Palestinian Authority, so it sort of works as long as nobody has an election. But the fact that Palestinians have been denied an election for 18+ years, because Abbas keeps cancelling elections and Hamas is Hamas, is also a pretty big fucking problem.)
But it's also true that a huge number of the people in the Gaza Strip, while obviously having a big problem with the Israeli government, have at least as big of a problem with Hamas.
And for all of our decades of talk about Free Palestine, in the progressive movement, we pay shockingly little attention to that.
it feels cosmically unfair that i think about writing all the time want to write all the time and sit down to write all the time and i come up with two sentences at best. there should be some reward system i think
So. I love this. The way Yuri snickers at Flynn showing his real self. The way he, without hesitation, says "yeah" to the idea that he would die in Flynn's place.
But the most important part of this entire thing, which was changed in the dub, is how Yuri specifically jokes that Flynn is trying to abandon him, and Flynn returns and tells Don he had no intention of abandoning Yuri.
Yuri does not hear this. Flynn knows that. But Flynn uses the exact same term Yuri used earlier, as if it's his answer to Yuri and saying no, I would never abandon you.
For reference:
Personally I just... love the weight of it. How Flynn will say something about Yuri that Yuri won't hear, but he still speaks it out into existence because it's how he really feels.
Just because Yuri won't hear it doesn't mean he won't say it, and in a way that's even more powerful. He's not looking for the credit of saying it. He's not looking to be recognized for saying it. He's not only expressing how he feels about Yuri somewhere that Yuri himself will hear him.
They're just his real, honest feelings, and he'll admit them even if Yuri's not within earshot.
I was rewatching hbomb’s video for the millionth time yesterday and the line “I don’t know why anyone would make video essays like this unless they were strictly in it for the money” stood out to me because if you replace “make video essays” with “write poetry” that perfectly describes my thoughts about Rupi Kaur.
rant about dib and him being white-passing in the show (while still being mexican) under the cut
#breakingmysilence i actually like that dib is pasty and mexican at the same time (in the series). i like that if you look at him you will literally never guess that he has any bit of culture in him. i like that he's whiter than snow at first glance. and i like that he's still mexican nonetheless. because people like that exist, i look white but that's because im mixed, my dad was puerto rican with the features and everything. he tried to get me more into our culture but my mom's side of the family wouldn't let him. thats off topic but you get it. ive gotten into arguments with people over my skin because i told them i was puerto rican and they thought i was rcta or some bullshit. they thought i was literally lying. that's what i thought when i heard that dib was mexican. until i thought about it more and i was like "oh. thats how people feel about me. im enforcing stereotypes that people have to look their race to be their race" and i accepted it immediately. because we don't, we don't have to look our race to have the privilege of identifying with it, we don't have to grow up in a household that's stereotypically assigned to our race to say that we are that race, we can't control that. it's not about that. its about our genetics and that is it. if you're half black, you can say you're black. if you're chinese you can say you're chinese. even if you dont have those features you still are. it doesn't matter what you look like. i feel like we don't get that enough in media, which is why i like that dib looks white so much.
tldr: we don't choose our features or our skin tones, just because somebody LOOKS white doesn't mean they are and i like that we get that with dib.
Ao3 you either give me a filtering system in my history, or an option to get the history page to be infinite scrolling, because I need to find that one fic I read between February and March of last year
what do you think mulder thinks of diana fowley after biogenesis through amor fati? i don't think we really see anything on screen/in text (though i think it says a lot that he didn't have much of a reaction when scully came to his apartment & instead focuses on scully & their relationship lol)
yeah there’s basically NOTHING in the text but tbh i think finding out for certain that she was working with CSM really kindaaaa snapped him out of some things…mulder doesn’t give a fuck what people do to him, obviously, but it’s a different thing entirely to find out that your ex is involved in something like that. like there are MILES from “my partner makes me feel like shit and is maybe pretty abusive” and “my partner is like 3rd on the call list of a eugenics group that treats women like test subjects”
like, scully was right, diana was monitoring MUFON women and collecting data on them. she was heading up the tests on cassandra. she probably knew the truth about samantha the whole time. just nasty nasty shit.
she’s the villain in the amor fati dream: the dismissive symbol of abandonment that offers another path.
one of the most interesting scenes of diana’s character to me, is in the sixth extinction, when she comes to see mulder in the hospital. and she knows what the effects of the artifact are, that he can hear what she’s thinking. that, therefore, he knows who she works for and what she’s doing. (imagine your ex-husband/wannabe boyfriend/obsession finds out you’re lying to him because he can read your mind….shit is crazy!)
and she tells him that she knows he knows. but that he also knows that she loves him.
and she does love him. there’s no reason to lie about that then, she knows he would be able to tell.
scully knows it without hearing it, that’s how she gets diana to save mulder’s life, ultimately. she comes to her and begs. tells her to please just think of him, who he is, who he was when she met him, who he is now. in the end, because of scully weaponizing how diana feels, diana can’t go through with it. she gives her life to help him.
diana seems to be one of those influences on mulder that’s only really all that significant when she’s close by. it’s like how all the tension in the beginning builds up to him getting in her car when she tells him to, leaving scully, when diana is there instructing him.
i think being able to know who she truly was and her true intentions and allegiances, prior to her death, really goes a long way in the way he responds to losing her.
don’t get me wrong, i think he’s upset. you can kind of see the shock cross his face when scully tells him. but he stays focused on his goal, which is to express to scully how important she is to him, in the wake of how discarded diana always made her feel.
mulder loved diana and grieves that she was killed, he doesn’t have it in him not to, but mostly he…wanted something from her, right? he wanted that approval and “affection” and to please her. he wanted her to believe him. the first thing that she says to disarm him (in the end) when she can tell he’s uneasy, is, “hey. i’m on your side.”
learning who she really is, it’s easier not to crave her approval so badly.
(this is the crux of amor fati’s “last temptation.” it’s diana saying: you’re childish. you are going to fail. your path is not your own. “you have to let go, fox.” and it’s scully countering: we need you. this is who you are.)
(it’s why he responds in the end by telling scully that it’s her that’s the voice of truth.)
and then in death, diana’s not…there for him to want anything from!! so it’s like, again, yeah he obviously feels the loss, this was someone who meant a lot to him for over a decade. but also it’s likeeeeee freeing in a way? it makes things simpler in a way? (he’s able to communicate all of that to scully instantly after hearing diana is gone, after over a year of the tension hanging around it)
if you asked him about diana now, or even a year later, i think he’d be like…damn that’s crazy! 😭😭 mulder doesn’t have an awful lot of object permanence you guys sjdjsjfj
when scully comes to tell mulder that diana was killed, and he says to her, “you were my friend, and you told me the truth,” the language matters so much. that’s what scully called diana, “i know she was your friend,” and he turns it back onto her. you were my friend. you told me the truth.
in my opinion, it’s not that he doesn’t love and grieve diana, but that there’s a freedom in knowing the truth. knowing who someone is, and their intentions. knowing who has your best interest at heart. knowing where you stand in the world, what you want to do.
that’s really what allows for the openness and lightness of s7, in the wake of diana’s absence. mulder’s always seeking, always learning.