what do you think mulder thinks of diana fowley after biogenesis through amor fati? i don't think we really see anything on screen/in text (though i think it says a lot that he didn't have much of a reaction when scully came to his apartment & instead focuses on scully & their relationship lol)
yeah there’s basically NOTHING in the text but tbh i think finding out for certain that she was working with CSM really kindaaaa snapped him out of some things…mulder doesn’t give a fuck what people do to him, obviously, but it’s a different thing entirely to find out that your ex is involved in something like that. like there are MILES from “my partner makes me feel like shit and is maybe pretty abusive” and “my partner is like 3rd on the call list of a eugenics group that treats women like test subjects”
like, scully was right, diana was monitoring MUFON women and collecting data on them. she was heading up the tests on cassandra. she probably knew the truth about samantha the whole time. just nasty nasty shit.
she’s the villain in the amor fati dream: the dismissive symbol of abandonment that offers another path.
one of the most interesting scenes of diana’s character to me, is in the sixth extinction, when she comes to see mulder in the hospital. and she knows what the effects of the artifact are, that he can hear what she’s thinking. that, therefore, he knows who she works for and what she’s doing. (imagine your ex-husband/wannabe boyfriend/obsession finds out you’re lying to him because he can read your mind….shit is crazy!)
and she tells him that she knows he knows. but that he also knows that she loves him.
and she does love him. there’s no reason to lie about that then, she knows he would be able to tell.
scully knows it without hearing it, that’s how she gets diana to save mulder’s life, ultimately. she comes to her and begs. tells her to please just think of him, who he is, who he was when she met him, who he is now. in the end, because of scully weaponizing how diana feels, diana can’t go through with it. she gives her life to help him.
diana seems to be one of those influences on mulder that’s only really all that significant when she’s close by. it’s like how all the tension in the beginning builds up to him getting in her car when she tells him to, leaving scully, when diana is there instructing him.
i think being able to know who she truly was and her true intentions and allegiances, prior to her death, really goes a long way in the way he responds to losing her.
don’t get me wrong, i think he’s upset. you can kind of see the shock cross his face when scully tells him. but he stays focused on his goal, which is to express to scully how important she is to him, in the wake of how discarded diana always made her feel.
mulder loved diana and grieves that she was killed, he doesn’t have it in him not to, but mostly he…wanted something from her, right? he wanted that approval and “affection” and to please her. he wanted her to believe him. the first thing that she says to disarm him (in the end) when she can tell he’s uneasy, is, “hey. i’m on your side.”
learning who she really is, it’s easier not to crave her approval so badly.
(this is the crux of amor fati’s “last temptation.” it’s diana saying: you’re childish. you are going to fail. your path is not your own. “you have to let go, fox.” and it’s scully countering: we need you. this is who you are.)
(it’s why he responds in the end by telling scully that it’s her that’s the voice of truth.)
and then in death, diana’s not…there for him to want anything from!! so it’s like, again, yeah he obviously feels the loss, this was someone who meant a lot to him for over a decade. but also it’s likeeeeee freeing in a way? it makes things simpler in a way? (he’s able to communicate all of that to scully instantly after hearing diana is gone, after over a year of the tension hanging around it)
if you asked him about diana now, or even a year later, i think he’d be like…damn that’s crazy! 😭😭 mulder doesn’t have an awful lot of object permanence you guys sjdjsjfj
when scully comes to tell mulder that diana was killed, and he says to her, “you were my friend, and you told me the truth,” the language matters so much. that’s what scully called diana, “i know she was your friend,” and he turns it back onto her. you were my friend. you told me the truth.
in my opinion, it’s not that he doesn’t love and grieve diana, but that there’s a freedom in knowing the truth. knowing who someone is, and their intentions. knowing who has your best interest at heart. knowing where you stand in the world, what you want to do.
that’s really what allows for the openness and lightness of s7, in the wake of diana’s absence. mulder’s always seeking, always learning.
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Prompt 268
Fright Knight sighs, running a clawed hand through his hair in an attempt to stop the flames from flickering into being. It had been far too long since he had taken a human-ish form. His human-ish form. Ugh. He didn’t exactly care for his human form after so long as a ghost, but needs must he supposed.
Especially with the whole, we’re going to punch a backdoor into the literal daycare part of the Infinite Realms and be surprised when literal toddlers go exploring.
Well, at least it got him off of guard duty for a bit, which was relieving. Not that he didn’t love the darkness, but it got boring in the shadow of his sword for literal centuries with nothing else happening. He was a warrior for Realm’s sake! Borderline an Ancient in both power and age! He wasn’t meant to stay so still for so long.
So while ghostling wrangling wasn’t exactly in his area of expertise, he could definitely gather them back up to the Realms. And deal with the curs who had decided to attack literal babies.
The Daycare area was already understaffed due to just how large it was, and the one in charge of this section had practically sobbed to the Council (In another world they would have been put on hold for a century in line for their concerns, and then more once a Sarcophagus was opened, but they had told the other ghosts in distress, causing others to let them go up in said line) how they were almost certain they had felt at least one core form Outside the realms thanks to the breach.
Which had understandably put everyone at an uproar.
So here he was slipping between shadows to do reconnaissance and take stock of if any Ghostlings had left the city. And gently scruffing those he comes across in exasperation because what are you doing, ghostling? Look at the mess, what would your caretaker say?
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To Theresa, Kal'tsit sort of represents the vastness and wonder of the world, the fact that she can do so much and be part of so much and yet not be tied down by it.
From the way Theresa writes this (in a really flowery and romantic sort of way), this seems like an aspect of Kal'tsit which she greatly envies, how Kal'tsit has done so much and seen so much and is still unfettered. Perhaps it was only a dream of hers that she would never get to experience, but I get the impression that deep down she wanted to be able to witness the vastness of the world and see all the sights of the world that Kal'tsit had told her about, and have the same sort of freedom that Kal'tsit had, and she specifically wanted to do it "alongside you (Kal'tsit)."
Meanwhile, Kal'tsit is in some sense a deeply lonely person. She feels that she has no place that she can call home, and she feels that she has "none of the same kind."
I get the impression that Kal'tsit is similarly sort of envious of what Theresa has, that she has a place to call home, that she has close ties and responsibilities to the people of Kazdel, and she has a family that she is close to.
For Theresa, I sort of interpret that much of the ties and connection to her home she had was a sort of burden for her. Perhaps not necessarily in the sense that she actively regretted having all these things that tied her down, but more in the sense that, given her personality and ideals, they would ultimately and inevitably lead to her death. The Black Crown and the entire weight of Sarkaz history that comes with it (for which it is implied that eventually the crown will cause its holder to become overtaken by like the collective anger of previous Sarkaz). This, combined with her duties and her desire to avoid as much death as possible, led her to decide to pass the crown onto "not a Sarkaz" Amiya and face her death with a smile, in order to bring about peace.
For Kal'tsit and Theresa, both of them saw what they desired in each other, but ultimately, Theresa's life ended in tragedy, and as much as both of them tried to provide to the other what they wanted, neither of them really got what they wanted in the end. (Except for brief glimpses of it through the other. Perhaps that would have to be enough.) Theresa, although her goals were to unite Kazdel and furthermore all the other nations of Terra under one banner, and to see what the rest of the world was like, she was never able to experience a life outside of Kazdel. Similarly, although Theresa had tried to provide a place for Kal'tsit that she could call home, she never really thought of Kazdel or Rhodes Island or anywhere else as a place she could call home after Theresa's death (although this is sort of changing with the way the current story is going.)
One of the things about this that intrigues me the most is that the Kal'tsit/Theresa dynamic is a sort of reversal of how the Sarkaz are often framed in story!:
It's mentioned in quite few places that Kal'tsit has "special feelings" for the Sarkaz. There's quite a few reasons for why this is, a major one has to do with how the Sarkaz are often framed as "rootless people"; their homeland has been destroyed over and over, many of them have been forced to leave Kazdel, and because of this she feels a sense of kinship with the Sarkaz, because she has a similar sort of rootlessness.
The way that a Walk in the Dust seems to frame it, in some ways, the Sarkaz still have it better than Kal'tsit does. One of the ways in which AWITD examines its theme of "homeland" is that basically every character interrogates the concept of one's home or homeland in some way, and what it means to them. Old Isin is searching for the lost glory of his homeland, everywhere the Emperor's Blade stands is the dominion of Ursus, the Sarkaz mercenaries think of Kazdel as they die, the Duke thinks of his motherland Ursus as he dies etc. In explicit contrast to all of this is Kal'tsit, who has no place she calls home at all. The way AWITD frames it, the Sarkaz mercenaries may have never been to Kazdel, but they still have somewhere they consider home. Kazdel might be a "nation of rootless people", but it is still a physically existing, (mostly) extant nation, and it still has people to belong to it and consider it their home, but Kal'tsit, she has nothing, nothing at all.
In contrast to Kal'tsit, Theresa defies the concept of Sarkaz rootlessness. What ultimately caused her death was that she was too weighed down by her ties to the Sarkaz and the weight of thousands of years of Sarkaz history burdening her down. No matter how much she might have wanted to run away and see the world, or how much she daydreamed about otherwise, there was nothing else she could do but face her end at the hands of her own people with a smile.
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Ghost doesn't have a soulmate. So when people ask – of course they do. After all, who wouldn't want to know his ( ❝ You got a mark? ❞ ). He answers accordingly – an abrasive comment that he's repeated so many times over the years, it comes out easily, indifferently, but is disheartening to hear for anybody who makes the mistake of trying to pry the information out of him.
Every inch of his body's been catalogued, he says; no black-and-white evidence of a symbol or a word anywhere that's tying him to a specific person. And why would he want that? To be cosmically bound to someone he's never even met? It's bullshit: only feeds the idea of a clockwork universe where free will is an illusion.
You don't bring up then, how your mark matches the one he keeps hidden somewhere in the tattoo sleeve on his left arm.
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