#just going with the one where literally the only difference is originally the scene did Not end with them making out | Explore Tumblr Posts and Blogs

cleabellanov · 3 months

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"But Lokius isn't even canon! Stop making everything gay!"

...

The Loki series isn't just about romantic relationships and shouldn't be seen as so. However, there is a lot of subtext. Maybe this ship is not canon, but it was intended to be seen as so by the fans.

If Lokius isn't canon, then why were the last two shots of the series showing Mobius and Loki?

If Lokius isn't canon, why would there be so much touching and scenes so physically close to one another? (believe me I know they're friends. that just offers a solid base for something more)

If Lokius isn't canon, why is there an OFFICIAL track named like that?

Why is said track played or incorporated in different scenes of the series? like

-the first McDonalds meeting with Sylvie,

-the back-in-time conversation with Kang

- the ASCENSION to the throne?

Why is the Sylvie and Loki kiss never mentioned, by the producers, in the series per se, or even in the season 1 recap?

Why is Mobius the only one looking at Loki when he leaves down to the temporal loom?

And the other way around, why did Loki only make eye contact with Mobius in that scene?

Why is Mobius the only one to notice there is something wrong when Loki is still trying to fix the Loom?

Why did Mobius/Don on the original timeline, mention he's single, trust a complete stranger, invite him for a drink, AND offer to sell him a quite personal jet-ski?

Why did Loki, the LITERAL GOD OF MISCHIEF stutter and fix his hair and coat for no one else but Mobius (who by the way is just a jetski salesman on that timeline)?

Why is the timeslipping Loki had to go through directed to Mobius twice, him being the the only one he doesn't need a TemPad to "recruit"?

Why would Loki bring up Thor and Jane if it wasn't to mirror him and Mobius? (because, as he already was talking to Sylvie, he certainly wasn't implying it's about her. They were arguing, AND Mobius was implied in the conversation. Loki defended him in front of Sylvie, in case you forgot.)

Why would Mobius's voice be the one to echo back to Loki on his throne? let time pass time pass time pass

Why the RAINBOW?

WHY DID LOKI LOOK AT MOBIUS RIGHT BEFORE THE FAMOUS LINE "IT'S ABOUT WHO"? (important mention: Sylvie was behind him when he said that. why didn't he just turn around when saying it? nope, they know what they're doing)

Why is the shot cut to Mobi after Loki's "it was more about what I wanted" line?

Why the shot where 7 characters could've been showed (Mobius, Loki, Sylvie, B-15, Casey, O.B., Victor Timely) there are only 2: Mobius and Loki?

Why is Mobius the only one to tell Loki he can be someone good, and the first one Loki actually believes despite his tendency to do the other way around in the past?

Why does Mobius finally find insight, and reinvent his whole life at the TVA because Loki helped him do so? (they're not even the first Loki variant he faced, but something clicked this time)

Why does the bloody sleeve, representing Loki being hurt by Sylvie just because he "wore his heart on his sleeve" disappear on episode 2? (because he finally understands who he needs to be next to)

Why did Mobius risk his life on the first episode?

Why did Loki go to past Mobius for the final advice, not to the present one, not to Sylvie?

Why did Loki ultimately sacrifice his life for the ones he loves?

And why is Mobius left alone, with the door locked, after Loki leaves in the Loom's radiation?

Why would there be so much endearing looks, and smiles at each other, if not for a conscious acting choice?

Why why why why why if it isn't canon?

Nothing is for nothing. Especially in television, where everything counts from the light to the angles and the way the lines are spoken.

We don't need to see two characters kiss to know they are made for one another. In fact, I think implied canon is so much better for now, because it leaves free interpretation for the fans, and nothing to strike on for the haters.

Of course, that doesn't change the fact that the ending is still tragic, although it holds its sweet from bittersweet. But remember: there aren't tragedies without love.

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theeoriginals · 6 months

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Idea: Reader is part of the scooby gang (an adult doing them a favour or something - pls not a teenager it makes me cringe) and Klaus catches her staring (because obviously) and is cocky and flirty and likes riling her up

i just like you | klaus mikaelson

author's note; this was so fun omfg i love him sm

warnings: honestly sort of grumpyxsunshine but somehow klaus is the sunshine here ? teasing, taunting, klaus is a flirty menace, reader is super in denial, implied that reader is a vampire hunter but it's not really important, also this exists in some sort of strange canon universe so don't read into it too much, fluff, making out, a steamy-ish scene at the end, but it doesn't get too graphic so don't worry! no use of y/n!

She doesn’t like owing people favors. She doesn’t like when other people owe her favors, either, but people seem to think that trading things off is the best way to live, and she’s hardly got the power to change something so universally accepted.

She doesn’t like owing people favors, but in this case, it’s not something she can renegotiate. Alaric saved her life, and the least she could do is help him out with something.

Her view on that changes very quickly when he looks at her and tells her they want her to make a deal with the devil. In fact, she’d rather Alaric had just let her die than ask her to do anything with or for Klaus Mikaelson.

“I would quite literally rather die than do that, Ric,” She deadpans, givin him a completely unamused look that makes him grimace.

“No, I know, I know,” He holds his hands up, a desperation to his pleading tone. “It’s a lot to ask of you, but no one else can deal with him like you do. They’d end up dead, or something,”

“Why do you think I can deal with him any differently than you, or Damon, or something? I hate him just as much!”

“Oh, well, that’s just not very nice of you, darling,” The man in question drawls, smirk audible in his voice as they look over to where he’s sitting on Alaric’s couch, looking like he practically lives there. She supposes he technically did, for a minute. “Hate is such a strong word.”

She gives him a saccharine smile, tilting her head. “I’m so sorry, Klaus, did I hurt your feelings? I didn’t know that evil hybrids who kill anyone who breathes wrong could have feelings.”

Klaus’s smirk only widens at her visible ire, and he props his chin up on his hand as he looks at her. “I have every feeling for you, sweetheart,”

Her eyes momentarily widen to the size of dinner plates, and then she quickly schools her expression back into a flat glare, snapping her gaze away from him as she huffs unhappily. “You want me to deal with that all day, Alaric? By myself? I thought we were friends,”

“We are friends,” He stresses, shooting Klaus a warning look that the Original dutifully ignores. “That’s why I’m asking you to do this. All you have to do is make the drive up to Whitmore and get the rest of Isobel’s stuff– we need to see if she has any information on the cure, or anything like that.”

“Doesn’t Bonnie have that professor guy that was telling her a bunch of stuff? Can’t we just go to him?”

“Damon doesn’t trust that guy,” Alaric says. “And before you ask, no, you can’t make Damon go. He and Klaus will kill each other if they’re in the same vehicle for that long.”

“He’s right about that,” Klaus says, still happily in his place on the couch. “Damon’s got such a temper these days. Can’t even handle a joke anymore.”

She scrunches her face up, giving him an incredulous look. “The only jokes you make are about the time you tried to kill Elena,”

“How would we cope if we couldn’t make jokes about these sorts of things?”

Her incredulity only deepens and she drags her gaze back to Alaric pointedly, earning an exhausted sigh from the teacher. “Klaus,” He starts, that same desperation still in his voice. “Can we all just play nice? For once we have something to be united about– could you possibly not jeopardize everyone’s lives again?”

Klaus heaves a sigh, standing from the couch in a swift movement and crossing the short distance to where they stand. “Certainly. I’m nothing if not professional, you know this.”

“Uh huh,” Alaric deadpans. “Can you be… professional enough to not provoke her into leaving you stranded somewhere, or something?”

“I’m sure we can work something out,” The hybrid drops his gaze to hers, bright eyes alight with mischief. “So long as she stops pouting.”

She huffs, dutifully not pouting. Narrowing her eyes, she offers a hand out to him, ignoring the amusement that sparks in his eyes at her formalness. “It’s for the greater good of all of us, right? I’m sure I can suffer through anything for that.”

Klaus shakes her hand firmly, and she ignores the way it feels like he’s laughing at her. “I’m sure you can.”

──────

“I take it all back, I’m going to murder him, and then myself.”

“Hello to you, too. I take it it’s going well?” Alaric’s voice comes through the speaker of her phone as she walks beside Klaus, ignoring the crowds of college students they’re pushing their way past to head to Isobel’s old office.

“Oh, it’s going so well, besides the fact that our vehicle just broke down as soon as we got to Whitmore.”

She can practically hear Alaric’s wince of sympathy through the phone. “Can’t Klaus just compel you another vehicle?”

“You would think so, but I already tried that, and he said it wouldn’t be very cooperative of him to take advantage of people. He’s apparently all for the teamwork these days,” She shoots him a glare, face twisting into one of disdain when all he does is give her a wide smirk. “Alaric, I cannot be stranded here with him. It was one thing if it was a few hours, but I cannot survive any longer than that.”

Alaric breathes out her name on an exasperated sigh, and she tries to ignore the slight pin prick of guilt that stabs at her because of it. “Have you called a mechanic or anything?”

She bites the tip of her tongue roughly. “Yeah. They’re coming to tow it, and they said it’ll be like, tomorrow morning at the earliest before it’s done.”

“Can you survive the night? For real? Or do you want me to drive up there and get you?”

She nearly blurts out that she won’t survive, that he needs to come get her as soon as he leaves work, but she stops herself, eyes drifting to Klaus, who seems to be awaiting her answer as well. Sighing tiredly, she shakes her head, even though Alaric can’t see her. “I’ll be fine, I’m just being dramatic. Don’t worry about me, alright? I– Klaus and I will handle this. It’s no big deal, I promise.”

“Are you sure?”

“I’m positive,” She reassures, stopping at the steps that lead to Isobel’s office building. “I’ll text you later tonight after we’ve had some time to go through some of the stuff, okay?”

“Okay. Thank you,” He sounds infinitely less stressed at her reassurances, and the guilt she’d been feeling dissipates easily. “I’ll talk to you later.”

She echoes the goodbye and quickly pockets her phone again, immediately turning to Klaus to give him a glare that she can’t even really call a glare because of the complete and utter lack of any real heat behind it. Gesturing widely to the building before them, she sighs. “Let’s get this over with.”

The office is devoid of any lingering students, and she wonders if it was done on purpose. The only person there besides her and Klaus is the girl at the desk, and she racks her brain for the girl’s name, because Alaric had told her earlier before they left.

“Hi,” She starts, stepping in front of Klaus slightly as they approach the desk. “Alaric called earlier and said we’d be coming up to get some of Isobel’s research, I think?”

The girl stands, a small smile on her face as she nods. “Of course. I’m Vanessa, I was Isobel’s intern.”

Vanessa, she internally scolds herself for not remembering, before giving her name back in return. “And this is Klaus.”

The Original offered a charming smile, and she saw some degree of recognition flutter in Vanessa’s eyes as her smile grew wider, equally charmed and awed. “Lovely to meet you, Vanessa,”

“You’re Klaus Mikaelson, aren’t you?” She breathes out, shaking her head in disbelief as she leads them to Isobel’s private office. “Isobel was fascinated with the story of the Originals, but there wasn’t ever enough information to figure out what was true and what wasn’t.”

Klaus hums, practically preening under the attention. “Such are the consequences of living as long as I have. I can hardly remember what’s real and what’s not,”

Vanessa’s face lights up with an idea, and she steps towards Klaus excitedly. “Would you mind if I asked you some questions? It would do our research a lot of good to have something new,”

“Oh, well–”

“We have a lot to do,” She quickly cuts in over their voices, offering a sharp smile to Vanessa. “But if we have time later, I’m sure he’d love to give you a tell-all interview.”

Vanessa’s smile dims slightly but she nods, gesturing for them to go into the open office. “It’s all in there. Let me know if you need my help with anything.”

“We will definitely do that,” She says, ignoring the twitch in her fingers as pushes Klaus into the office ahead of her. “Thank you so much!”

She shuts the door firmly behind her and lets out a sharp sigh, her eyes fluttering open where she hadn’t even realized they’d shut. She finds Klaus staring at her, and immediately looks away, ducking past him to head for one of the packed boxes in the office, collecting dust. “What?”

Klaus makes an amused little hum in the back of his throat. “Oh, nothing,”

“There’s clearly something,”

“There is, but I don’t think you’d enjoy hearing it from me,”

She halts her movements, hands falling limp on the file folders sorted neatly inside one box. Turning to look at him over her shoulder, she raises a brow. “What are you talking about?”

“I’m curious as to what Vanessa did to earn your disdain,” He says, shrugging lightly, keeping his voice purposefully aloof.

She rolls her eyes, returning to pilfering through the box, skimming the labels on the file. “She was distracting you. We came here to do something, and we need to do it. That’s all.”

He makes that irritating noise again, and she pauses once more, this time turning to face him fully. “What? What is so funny about that? Might I remind you, we need to learn about this cure for you just as much as anyone else.”

He smirks, picking up a box from the floor and putting it on the table in front of him. “Of course. But only if you admit you were jealous,”

She feels the blood in her veins freeze as she stares at him, and she knows there’s a dawning look of horror growing on her face. “Excuse me?”

“Just admit that you were jealous of that poor girl in there, and I will do as much research as you want me to. It’s very simple.”

“Jealous,” She echoes, her voice faint the longer she looks at him. “You think that I was jealous because some college kid was treating you like you were the lead singer in her favorite boy band?”

“Maybe not her favorite boy band, but certainly her favorite Original,” He corrects, grinning deviously.

“I wasn’t jealous!” She yells somewhat hysterically, face twisting as her pulse races. “I– I have no reason to be jealous, I would never be jealous, I’m not– I’m not jealous! Just– shut up!”

She waves a hand in his direction, ignoring the warmth in her chest that stings like embarrassment. “Just– shut up, and– and leave me alone! Do what we came here to do,”

Klaus holds his hands up in surrender, still smiling like the cat that got the cream. “Whatever you say,”

──────

They’ve booked a hotel for the night, despite the fact that she’d sooner sleep on the street than stay in a hotel with Klaus Mikaelson. But he graciously offered to pay for it, and she was determined to pretend like their conversation earlier had never happened and that meant acting like absolutely nothing was wrong.

It meant letting him order them room service, and sitting quietly while they ate. It meant letting him tease and taunt her like he normally did, and working overtime to give him the normal reactions she would have– a glare here and there, a not-so-nice name everywhere else.

Except now it felt like it was all wrong. It felt like she was being even more obvious than before. All because he called her out. Because he was right.

Just out of sheer principle, she couldn’t ever tell him that. The last thing he needed was that particular ego boost, from her of all people.

Their relationship has always been antagonistic, but Klaus has never been nearly as harsh as she has. And now that she’s spent the last six hours thinking about every single interaction they’ve ever had, she feels somewhat stupid for not even letting herself contemplate the idea that she could one day be jealous over Klaus Mikaelson.

But even in that same vein, she understands why it never crossed her mind until he pointed it out. It was non-negotiable, having any sort of relationship like that with Klaus. She’d been friends with Alaric since he first met Isobel, she couldn’t just go and sleep with the guy who killed his girlfriend, let alone have feelings for him.

The thought alone made her stomach swirl with guilt, but she was determined to not let Klaus in on any of her inner turmoil, considering he’d get some insane satisfaction out of the fact that it’s all his fault.

By the time they make their way to the private bedroom in the ridiculously grand hotel room Klaus had gotten them for the night, it doesn’t really register in her mind that they not only don’t have any sort of pajamas due to the fact that this wasn’t supposed to be an overnight trip, but the only bedroom in the suite has one bed.

It doesn’t register in her mind until she’s already in bed, resigned to the fact that she’ll be sleeping in her t-shirt and underwear, and Klaus makes his way over to the bed like it’s no big deal.

“Hey, hey, what the hell are you doing?”

He raises a brow at her, gesturing to the bed. “Going to bed. We’ve got an early morning ahead of us if you have any chance of making it back to Mystic Falls alive.”

She rolls her eyes at his taunting recollection of her complaints, and she holds up a hand, keeping the blankets tucked carefully around her hips as she sits up. “Why wouldn’t you get a room with two beds?”

“Because it’s one night, darling,” He drawls, signature smirk twitching on his lips. “But if you have some particular feeling that would make sharing a bed with me uncomfortable, then I–”

“No!” She cuts him off, feeling like she was just backed into a corner. “No issue. Just– keep your hands to yourself.”

He winks at her, and she ignores the way it makes her heart race. “Wouldn’t dream of it,”

She shuffles back down into the bed and turns onto her side away from him, suddenly too conscious of the fact that she doesn’t have any pants on, and that if someone had told her this morning she’d be pantsless, in bed with Klaus Mikaelson, she probably would’ve punched them and then spent the rest of her life dreaming about it.

It’s only slightly humiliating.

Once Klaus is settled in the bed, presumably undressed to the same degree she is if the shuffling she’d heard a minute ago was anything to go by, he turns the lamp off, encasing them in darkness.

After too long, her hip starts to ache the longer she lays on her side, and she knows there’s no chance she’ll fall asleep with it throbbing like it is, so she resigns herself to the fact that she’s going to have to move.

Careful of her spacial awareness, she turns onto her back, and then onto her other side, unable to stop her eyes from landing on the shadows of Klaus’s profile.

She lets out a small breath, shakier than normal, and clutches her hand against the pillow beneath her head.

“You’re staring,”

She groans quietly. “I am not,”

“You know, I don’t know if I should be honored or not that you don’t act like this with anyone else.”

She squeezes the pillow again, brows furrowing on her forehead. Her curiosity piqued, despite her best interests. “What do you mean?”

“Well, you’re horrifically antagonistic on a good day, and downright murderous on a bad one. But you don’t ever lose your temper with anyone else like you do with me,” He observes, voice unintentionally quiet in the privacy of the darkness. If she didn’t know any better, she’d even say it was laced with fondness.

Pressing her face into her pillow briefly to try and collect herself, she lets her eyes trace the curve of his nose, and his prominent cupid’s bow, backlit by the moon shining in the window. She wonders what he looks like beneath a full moon. She wonders if his eyes shine that burning yellow-gold color the entire night.

“You do it on purpose,” She mutters, trying to keep her tone from sounding as childish as it does in her head. “I’m not stupid, Klaus. You like riling me up.”

She hears more than sees his head turn towards her, but she feels the burn of his eyes on her face like the summer sun.

“Did you ever consider that I just like when you talk to me?” He asks, sounding entirely more vulnerable than she ever thought he was capable of being.

Her breath stutters on an exhale, and she knows he can hear the way his words make her entire body trip up. Despite being unable to truly meet his eyes in the dark, she searches for them anyway, seeking out the truth that may lie in them.

He murmurs her name, soft and sweet between the sheets wrapped around them, and she can’t stop herself from pushing forward into his space, draping herself across his chest as she presses their lips together.

She’s instantly satisfied to hear the shocked noise that spills from his lips, but it’s the last coherent thought she can form once he mirrors her utter desperation.

He steals the breath from her lungs, barely letting her gasp between his greedy kisses, his hands pulling her further into him, leaving her practically on top of him.

His hands slide up the fabric of her shirt, grabbing at the bare skin there, groaning at the feel of her moving beneath his touch.

“Klaus,” She gasps out, panting at the spit-slick sounds of their lips together in the quiet of the hotel room. “Klaus, I have to–”

She forcibly pulls herself away from him, unable to even blame him for the way she let herself get so caught up as she catches her breath, looking down from where she’s propped above him.

They fall silent, matching each other’s frantic but slowing breaths as their spilled-over tension finally seems to simmer out.

A huff of a laugh comes from beneath her and she frowns slightly, looking at him. “What?”

His hands clench where they’re still gripping her waist, and she visibly shivers at the rough touch. “You were jealous, weren’t you?”

She instinctively slaps a hand against his bare shoulder, wondering how she hadn’t noticed he’d taken his shirt off when he got into bed. “You are such a dick,” She shakes her head, but she’s already leaning back in to kiss him again despite herself.

Klaus is quick to meet her halfway, craning his neck up to kiss her again, and she lets out a sudden yelp as he flips them around, pressing her into the mattress beneath him. “Let me make it up to you,”

She’s nodding before he even finishes speaking, and she thinks, tells herself, that she can’t be faulted for how quickly she forgives him after that.

#klaus mikaelson #klaus mikaelson x reader #klaus mikaelson fluff #klaus mikaelson angst #the originals #the originals fanfiction #the vampire diaries fanfiction #the vampire diaries #klaus mikaelson smut #alaric saltzman #tvd #tvd fic recs #the originals fic rec #the originals imagine #elijah mikaelson #rebekah mikaelson #kol mikaelson

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firstkanaphans · 2 months

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I know this post is only for like two people, but I’m going to make it anyway. So, my obsession with Dead Friend Forever finally reached critical levels and I resorted to binge-watching The Hidden Character just to get more content. For those that don’t know, The Hidden Character (which they literally call “THC”) was the reality show Be On Cloud used to cast DFF. It is bad. Like really bad. And not in a it’s-so-bad-it’s-good-type way. It’s one of the most exploitative pieces of media I have ever watched. I walked into it with a favorable view of BOC, Mile, Apo, and Pond (the CEO), and walked out of it hating all of them.

A small collection of things that happened over the 11-episode run:

Everyone was told that they had to share every single aspect of their life with the viewers or they would be eliminated. And, in fact, the first person eliminated was told that it was because he wasn’t being open enough with the audience. They filmed these boys—one of whom was only seventeen at the time—talking explicitly about their sex lives. Which is, of course, fine to talk about. It’s not fine to air it on television! Even some of the games themselves contained sexually suggestive content (i.e. Which do you prefer "eating" with—your hands or your mouth? If you were to cheat on your significant other, would it be just sex or a full-blown affair?)

During the first part of the show, everyone had a secret that the other players were supposed to guess. One of the player’s secret was that he used to be homophobic. (Questionable casting for a company that only hires men, but I digress). He was praised for having changed his mind. In contrast, JJay’s secret was that he was raised in an abusive household and had once hit his father. Pond crucified the poor guy for this. He made him sit there in front of the whole cast sobbing and apologize for hitting his dad who was an abusive asshole.

After the first half of the show—which served absolutely no purpose at all—we finally move onto the acting portion. This is, after all, supposed to be a talent competition. The judges were so mean. Especially Apo. He was like the Simon Cowell of BOC. There was no constructive component to their criticism. The fact that any of these people are still acting is honestly unbelievable. I would have gone home and cried myself to sleep and then never stepped foot on a stage again.

At one point, each of the groups was assigned a scene from KinnPorsche to act out (because BOC very clearly owns no other IP). One of the pairs was given the scene where Porsche gives Kinn a handjob in the bathroom. I wish I was kidding.

The judges constantly told the contestants to make their scenes feel new and different but any time the actors actually tried to change anything, they complained it was “too” different and the original script was already perfect so who were they to think they could create something better. Once again, Apo and Mile, the original actors of these scenes, are the ones judging them! Like of course they like their version better. What is even happening??

And finally, the whole fucking thing was rigged for Ta to win. Like don’t get me wrong, I love Ta and I think he did a great job, but he was the only one who came into that competition with a built-in fanbase and the winner was chosen by popular vote.

It was all just…baffling. Especially from a company that claims to be trying to change the industry. Like if you want the industry to stop being so exploitative to its actors, maybe start with yourself? It also makes those condescending “how dare you watch our shows just for the NC scenes” press releases they do every week even more annoying.

I have no clue what the reaction to this show was while it was airing but god I hope they never do it again. It literally makes me feel so weird watching DFF now. I feel like those poor kids are being held hostage. Maybe CEO Pond’s been the one under the mask the whole time 🔪

#y'all help #did anyone else watch this or was it all just a fever dream?#the hidden character #dead friend forever #like don’t get me wrong I will continue to watch dff because i’m obsessed #and because i want to support these actors and what they were forced to go through #but idk if I’ll be watching much from boc after this

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blugerine · 9 months

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I’m just now realizing the geniusness of the dance scene in season 2 and how taking a “comedy” show seriously reveals so many new things about it.

NOTE: I have no idea if Neil Gaiman wrote this scene with the intention of it being interpreted in this way, but I really think it sheds so much light on why Aziraphale and Crowley’s relationship seems like it went nowhere but downhill ever since season 1.

I feel like because New Omens is marketed as a “comedy show”, viewers usually go in with the intention not to take things too seriously (except for the more emotional beats that are signaled by somber music and intense acting *cough cough*), but as a result of that, we (or at least, I did) missed out on seeing some scenes differently because we originally wrote it off as “just a silly bit”. I definitely did that during the scene where Crowley performs the “apology dance” in front of Aziraphale because he left him alone to take care of Gabriel. I kept thinking about that scene over and over again in my head because it always seemed much more intentionally childish to me than any other goofy scene we see the husbands get up to in season 2 and even in season 1, and I just realized now a reason why that might be the case.

When Crowley comes back to the shop and has to apologize to Aziraphale, the first words that come out of his mouth are “I’m back”, and both him and Aziraphale know those words aren’t enough for Aziraphale to take him back, so what’s the next best thing? The apology dance! When Crowley initially resists the idea of performing the apology dance, Aziraphale reminds him that he’s done the apology dance numerous times in the past, listing all the specific years over the centuries to really get his point across until Crowley relents. After Crowley begrudgingly finishes the silly dance, the audience share a good laugh, Aziraphale is content enough to accept him back, and the fight they just had all seems so “stupid” now in comparison to the bigger fish they have to fry.

Now, what’s the problem in this scene? Or rather, why is this scene such a big deal in regards to why they broke up at the end of season 2? That’s because it’s, again, another example of how they always DANCE (quite literally) around the actual problems in their relationship that result in them constantly breaking up. And this has been happening for CENTURIES, time and time again, they always default to pushing their problems under the rug, letting bygones be bygones. They believe they’re forgiving and forgetting, but as Aziraphale keeps recounting all the years he’s done the apology dance, it’s very clear that they’ve actually never forgotten any of those previous instances of frustration and words of venom they’ve hurled at each other. Instead, they’ve opted to pretend they’re over it, onto “bigger and better” things to do as a distraction. The only time they start conveniently bringing up past wounds is when they have YET ANOTHER breakup scene.

The dance is performed so childishly because of the childish way they deal with the problems that arise in their relationship. Despite knowing very intricately about the infinite vastness of the universe, of mankind’s greatest strengths and weaknesses, they were not made to view themselves as having human emotions, and they were not trained to make compromises that did not threaten their very existence. Crowley and Aziraphale both started as angels, and Crowley wanted God to compromise with him about keeping the universe around for more years than She had planned. But God doesn’t take suggestions, so Crowley’s angelic status was quite literally burned from him as he was sent down to Hell, which traumatized him greatly, and made Aziraphale exist in fear of the divine punishment that came to those who disobeyed God.

As such, Aziraphale and Crowley have so little understanding of how to compromise in a healthy manner, because the first time one of them tried to do it, it ended terribly for both of them, and they subconsciously vowed never to do it again. That’s why, when one of them wants to apologize, it’s almost like a child’s idea of what one is. There’s no addressing of why Crowley’s so desperate to abandon everything and run away, or why Aziraphale is so adamant on staying, even when it clearly hurts him to do so. There’s NO reasoning or compromise. There’s NO talk other than “I was wrong, you were right”. It’s either your side or my side, or we never see each other again.

Aziracrow represents a very realistic on-and-off relationship, where two broken and codependent individuals cannot compromise for fear of divine punishment or even just fear of losing the one that means the most to them. And their little dance? It’s just one of the many times they’ve tried to ignore their very real and important relationship (and character) issues, and it just continues to rot away their relationship time and time again. It’s like putting a bandaid over an infection, but they’re both immortal and everything’s working against them to actually work on healing that infection from the inside out.

So yeah, the dance scene is fucking brilliant because no one saw that coming until you actually finish season 2 and think back on it. Again, maybe I’m just being delusional reading into a scene that wasn’t a big deal, but if Neil did write it with this intention, then I think the way he disguises meaningful insights into broken relationships, tortured characters, and religious trauma through the use of comedy to be really. fucking genius.

And really sad.

I think I might cry a bit after this actually.

(Also, hello, I still have no idea how to use tumblr 💀)

Edit: Just made a couple clarifications here and there! Also, thank you so much for all the positive reception 😭!!! Reading all your reblogged tags gives me so much serotonin agsjdgs it feels so nice being in this fandom so far ❤️

#you better hope the apology dance doesn’t happen in s3 because that means they’re avoiDING THEIR PROBLEMS AGAIN and REPEATING HISTORY #good omens 2 #good omens #good omens analysis #good omens 2 spoilers #aziraphale #crowley #aziracrow #ineffable husbands #neil gaiman #good omens spoilers #ineffable spouses #good omens brainrot #good omens broke me

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shigayokagayama · 1 year

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incomplete list of weird/interesting manga-anime discrepancies

-you know the bit where they break into the girls highschool in episode 2? yea thats chapter 56. spliced into the middle of chapter 4. its supposed to go before the bit with the ghost family as a lead up to the mogami arc with mob starting to consider evil spirits as just as much “people” as living humans are. all things considered its kind of weird how well it fits its anime placement

-ritsu in the manga gets introduced in the same chapter as teru. you dont see mobs family at all for the first few chapters. infact i dont think his parents appear until like. chapter 25????? every interaction you see between mob and any of his family is completely made up for the anime

-in the manga during the claw arc instead of reigen sending them away all the lackeys just stood there awkwardly during the fight w the scars fdnjksndkjgnd

-mogami arc got GUTTED my god. the part where the fake psychics tried to murder minori got removed, shinras role in the arc got reduced to basically nothing, they move mogamiland ritsu to a bridge like 50 feet away instead of having him walk right over mob, mob only gets beat up like twice, the cat lives, the boxcutter bit is totally removed, the fight with the spirits is made a lot more abstract and less graphic. like im glad this one took the hit instead of the separation arc bc i cant imagine that arc ever being effective as one episode but wow.

-putting the “mob finding his family dead” thing at the end of the episode instead of in the middle of a chapter where it originally was was an objectively hilarious move

-rip the scene of teru outsmarting all three claw guys and saying “say old man have you ever been tortured before” unfortunately all scenes of teru being competent are not plot relevant and must die. also teru can make shadow clones

-hey remember those weird satellite people in claw keeping the viewer updated on where all the characters were in that infinite arc?

-mob with a gun.

-mob getting briefly knocked out while fighting toichiro and dimple possessing him then getting kicked out was replaced w toichiro just throwing him out the window or somethhing???

-toichiro saying that he only kept the super five around as spare batteries and draining serizawas power getting cut was a personal affront to me

-every single emotion mob cycled through in the anime got a 100% meter. the kid was super emotionally unstable in that fight

-that old man whos house they went to whos wraith made everyone asleep that they exorcised? yea they anime team made that up. they never went to his house in the manga, he just went to spirits and such for a shoulder massage

-manga reigen got 0 money for helping the yokai dude. it wasnt on the table. also most of the stuff he was saying was lifted from a video game serizawa played which he pointed out. also serizawa thought getting arrested was a type of spell

-takenakas general meanness was significantly toned down manga takenaka was a huge bitch

-in general the alien arc was a lot funnier in the manga? like the scene where reigen crashes they had reached a dead end on an extremely narrow path and were driving in reverse while tome and takenaka were screaming at each other in the back and inukawa was 5 seconds from snapping and killing everyone in the car. these might be my favorite pages in the entire manga they as so fucking funny

-originally when tome said she wouldnt keep climbing reigen suggested mob carry her with telekinesis (which horrified her) and mob said he was too motion sick to use his powers (obvious lie) but could carry her instead which got her to get up

-mezato asking mob to sign a t shirt for the psycho helmet cult in exchange for relationship advice got cut

-i cry every day that the sequence of ???% waking up didnt get animated it set a very different tone than the anime did. the anime was like. slow build up of dread. the manga was immediately bone deep horror i was literally sitting in my room yelling “WHAT???” over and over again at my computer as i clicked through it

-shigeo and mob conversation cut down significantly, all the references to the body improvement club being mob making a new self rather than embracing who he really is and being scared that all the friends hes made wouldnt like the real him removed </3

-the scene where reigen takes his shoes off is made a lot less somber and depressing. it feels less like “oh he knows hes going to die” and more like. triumphant? in the anime

-100% shigeo kageyama is an anime addition they added specifically to ruin my “the first time we see mob 100% is to fight dimple and the last time is to stop himself from fighting dimple” observation

-anime teru generally seems like hes in a better place than manga teru? manga teru seems very melancholy and like he doesn’t really know what to do with his life or his place in the world (which seems to put shigeo off) but anime teru is like wanna go shopping ^_^ *sips tea happily*

-manga shigeo deliberately threw the cake directly in reigens face and my fury over them making this ambiguous will last until i am dead

#maybe someday ill go through and do my simultaneous rewatch/reread #but for now take the ones i can presently remember #mp100 #mob psycho 100 #long post #pic

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stars-in-a-jam-jar · 8 days

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Moar Buddy Dawn Shit in relation to this post

Buddy was dead for about 10 to 15-maybe-20 minutes. Kristen and Gorgug at the top of Freshman Year were only dead about 3 to 5 minutes and they still got some form of time in the afterlife, (side note: Gorgug not knowing what Orc Heaven looks like and being Deeply Fucking Terrified and shellshocked by the entire experience is So Juicy To Me, like. Something that should by all rights be familiar to him being foreign. Of deep spiritual significance, but not in the way it was 'supposed to be'; he didn't even know how it was 'supposed to be' at the time or after he learned it, he's still not really sure if it was ever a 'supposed to'.) so I'm quite sure Buddy experienced Something beyond the grave and chose to leave it for this nameless aspect of Ankarna. The version of her which exists as a result of her complete death and incomplete resurrection/preservation.

In that 10 to 15 minutes, Buddy passed into the place he was going. Perhaps some cornfield out on the edge of Helio's domain where Helio figured 'I'll get to him or he'll find me sometime, there's literally infinite time here'. Perhaps as a petitioner on the Astral Sea- wait, no, I'm thinking about Rolling With Difficulty cosmology, the Astral Realm is not a sea in Fantasy High. (also go listen to Rolling With Difficulty) Regardless of if he went to the afterlife the adults all told him he'd go to if he'd been a good boy or to some more limbo-like place, he had just enough minutes for the reality to sink in that he's Dead. He's dead and the feeling of a hand gripping his shoulder as if to hoist his assailant high enough to slit his throat presses like a cold weight on his skin. As if this body has skin, no, he's just a solid soul given form in this place.

So jarring. Resting dead in some corner of the cosmos like finding the one empty room at a big loud party where you've mostly been taking things in, sticking close to people you know, not doing anything you're not supposed to. Sitting down on the unfamiliar furniture or swaying idly in place as you listen to the murmur of this foreign world around you. Only it's not like that, not truly at all. You're not at the party anymore, the echoes of your life aren't some thing you're taking a break from to rejoin or building up the nerve to excuse yourself from to get a proper change of scene. There is no going back or moving forward.

He's dead. Buddy Dawn is dead.

How many minutes did it take him to lose composure? Did he even? When the ultimatum was posed to him, did he harden his heart to any regrets about abandoning his original faith, or did he relax into knowing he could live again, in service of something that reached for him and he reached back towards?

Why was he so chipper saying 'Dang, y'all, I worship a nameless god of rage.'? He didn't sound horrified by his decision in much the same way he didn't sound in touch with reality when he said 'Sometimes I raise my hand and magic that burns folks to a crisp comes out, but that's just the lord Helio working through me.' His death didn't change him so much as it fixed his gaze onto something new.

He is still a Cleric. Through and through. His soul needs a divinity to latch onto. And this is the first time he has latched onto a divinity wholly and completely for himself. He was not taught how to live for himself. He was taught how to live and die for a cause. For Helio. He earns a nice afterlife via sacrificing his autonomy to whatever the church tells him is good and right.

But he doesn't want a nice afterlife.

He wants another life.

And he no longer has faith that Helio will deliver him from any hardship, because even after he's just barely grasped how dead he is and has been for the past 11 minutes, his soul is wrent into an ultimatum by a different power. Go back to his body and continue living under a new banner, or be trapped in a dark, solitary purgatory which his soul may never be free from.

It's an easy decision, really. Barely requires any thought, only following a feeling. He no longer wants to stand by the god who allowed him to die so unceremoniously and so unfairly. He honestly feels more betrayed by Helio than he does by Kipperlily. Kipperlily hardly made any promises to him, just asked for him to be the party's cleric. He never expected her to do that, sure, but... His whole life he was promised that every bad emotion he ever felt in response to every wrongness in his life would (should, must, has to) simply evaporate away in the golden light of the corn god. And it's been an eternal 12 minutes, but he only feels worse and worse.

And if all Helio could promise him was a flat expanse of farmland overseen by someone who didn't even properly greet him when he walked in (if the celestial bureaucracy were even doing their jobs and funneled the soul of Helio's cleric to Helio instead of some cosmic waiting room or other), but this nameless deity can promise him a life for himself? Then by god he's taking that ultimatum, come back to life, sit up with a slightly surprised little smile and announce to the world (as he has been taught is right to do when you are devoted to a god) 'I worship a nameless god of rage!'

And he'll be happy with this choice-that-is-not-a-choice which he was betrayed and coerced into. Because it truly feels self indulgent to choose anything. To choose ragefully living for himself instead of obediently dying for an unfulfilling promise. He'll choose the intensity and the darkness because the gentle constant pressure cooker of walking in the light gave him nothing but sunburns and a slit throat.

#fantasy high junior year #fantasy high junior year spoilers #i love him #buddy dawn #kristen applebees #gorgug thistlespring #fhjy #dimension 20

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daytaker · 4 months

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NightBringer Satan is a Gift.

I understand everyone has their own opinions on how good/not good NB is as a game or a story or whatever, but in my opinion, Satan's characterization is soooo enhanced by it. I know that this isn't an opinion that everyone shares, but to me, Satan felt emotionally artificial sometimes in the original game (more on that below).* He felt kind of awkward and like he wanted to connect with MC but something was blocking the kind of connection they develop with some of the other brothers. (Disclaimer: I've only done season 1 of OG, so I can't speak to how he's characterized later on. I know, I know, shame. But I'm trying my best.) Getting to see what Satan is like when he doesn't have any control over his emotions makes the stiffness and artificiality make more sense to me, and they become admirable because we get to see just how hard it is for him to get everything under control.

I think they did a really good job with the pacing of his development in NB too. Satan in Lesson 1 and Satan in Lesson 19 are different, but there isn't a moment where he suddenly starts controlling his emotions better. I think there's a lot going on behind the scenes with him as far as his emotional growth and self control are concerned.

Also let's not forget some very important things about Satan that make him, IMO, one of the most interesting characters to work with as a writer:

Satan was never an angel; he had no fall from grace.

Satan was created from Lucifer's wrath---he is literally the product of trauma and self-mutilation.

Satan is significantly younger than his brothers.

He spent the first year of his life more or less trapped in a castle with his deeply emotionally wounded brothers.

He has a deep resentment towards Lucifer that sometimes defies reason---he wishes he didn't dedicate so much of his time and energy to him, but it's basically a compulsion.

He hates his deep association with Lucifer, and he hates that he has a lot in common with him.

And these lead me to some headcanons that live rent-free in my brain every day of my life.

Satan sees himself as a reminder of the Great Celestial War and everything his brothers lost in it, including Lilith.

He is divine retribution against Lucifer for his failure, for leading his brothers to failure, for letting his sister die.

He acts as a counterbalance to Lucifer's pride by bearing the weight of the shame that Lucifer can't fully accept now that he is the Avatar of Pride. Even if Lucifer pushes it out of his mind, Satan never forgets that he failed in the worst way possible.

His biggest aspiration is to become a full and complete person outside of any association he has with Lucifer. He feels like some sort of parasitic tumor that exists only in opposition to his brother, and he wants desperately to escape that role that he feels he was born into.

Anyway, Satan is great, hail Satan, all that good stuff. Did you know I have a lot of thoughts and opinions about Satan? I know, shocking. For more of my takes here's my fic about him (on AO3).

*I think Satan almost metaphorically represents certain elements of autism---emotions that don't come out the way you intend, masking and its limitations, hyperfixations that are barely under control. In Fandom Discourse(TM) there's sometimes a level of focus on more 'cutesy' autistic traits that we find endearing in characters, like social obliviousness and gleefully indulged hyperfixations. But emotional control, emotional masking, emotional seepage, emotional artificiality---these are also real and messy and often times they aren't cute and they're uncomfortable to see in yourself or in someone else. I really don't like diagnosing characters so I'm not about to claim Satan "is" autistic, but as someone who has been called essentially 'spectrum adjacent' by doctors, I relate to the awkwardness and the desire to appear normal despite knowing you're not and emotions spilling out in ugly ways---um. That got really long and personal.

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number5theboy · 10 months

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I just want to talk about how TUA’s pilot episode uses specifically the Phantom Medley, ‘I Think We’re Alone Now’ and ‘Istanbul (Not Constantinople)’ as interconnected character (re-)introductions, because they are so, so good.

So, the Phantom of the Opera Medley gives us our first, mostly silent introductions to five out of the seven siblings. Everyone is doing their thing: Luther is on the moon, Diego is being a vigilante, Allison is at her movie premiere, Klaus is released from rehab and instantly relapses, and Viktor is playing the violin part of the medley by himself on a stage. It establishes what each of them has going on in their life, and it establishes that all of them are alone. The Medley is an instrumental arrangement of several songs from the musical adaptation of the Phantom of the Opera, which is an interesting choice in itself, being a story about a brilliant, reclusive, and unhinged genius who harnesses a young girl’s talent for his own personal gain. There is more to it, but this is the relevant part, for obvious reasons. This is also the scene where we see the siblings find out about the death of the shadowy figure that nurtured their powers and abused them for selfish reasons. If the medley had used the lyrics of the musical, the first song used in the medley – the main theme – has as its key lyrics the following: “The Phantom of the Opera is there, inside my mind.” And isn’t that something for the adults introduced to this melody, whose puppet master messed them up so badly during childhood that that still lingers in all of them, a throughline of that first season?

To this first introduction, ‘I Think We’re Alone Now’ serves as a re-introduction. It’s the same principle: a musical montage that focuses on each sibling to an overarching song. The theme of being alone is carried through, but this time, surprisingly, they’re not lonely. They’re not unified, they are certainly not getting along, but you get a feeling of their shared past. There is something that tethers them together. And where in the Medley, only Viktor could hear the music, because he was playing it, this time, the music is fully a part of the world. They’re all listening to the same song. They’re alone, but they’re not. They’re alone together, which is a step closer than it was in the Phantom Medley. And while the first montage focuses on what they were doing, established their occupations, this montage just gives us them…being. Existing, without anyone watching. Not their father, not the other siblings. We get such good insights into their personalities. Luther’s un-awareness of his own body leading him to accidentally punch the plane model. Diego’s array of dorky dance moves. Allison’s hesitance before she gets more and more into the song and allows herself to let loose. Klaus dancing with the ghost of his father. Viktor’s dancing being contained and unassuming. The title line, ‘I think we’re alone now’, just perfectly fits, and it’s a great example of visual media recontextualising a song’s lyrics. The original song is about sex, specifically the prohibition and taboo of teenage sex, and with the framing of the show, the lyrics instead become as literal as they could be. “Children behave / That's what they say when we're together / And watch how you play / They don't understand,” becomes about their childhood, about how they were never allowed to be kids, how they had to obey their father’s whims. And now he is gone, and they are alone, and it is good. Kind of. Sort of. While that iconic slow zoom-out visually shows that, their unity, despite all their differences, it is also all of them inside the Umbrella Academy. Them, and Grace, and Pogo, still in an environment that Reginald made. Reginald is still inside their minds. He is gone, but the structures he built, the damage he did to them is not. It’s this moment of catharsis, this instant where each and every one of the siblings allows themselves to be, to live, just for a moment, brought together by Luther playing a song loud enough for everyone to hear, where they think they’re free of Reginald’s abuse, and the rest of the show is them finding out that the death of an abuser doesn’t erase the effect he had. And then the music gets disrupted by someone quite literally crashing the party. But he crashes it from outside the house, because he is the one least concerned with (and, in this season, very clearly least affected by) Reginald.

Five gets his own musical (re-)introduction, and he gets it seven minutes before the end of the episode. Different from his siblings, we get to see his personality before he gets his musical key scene. And we meet him as a kid first, his arrogance, his powers, the use of teleportation to knock a guy out with a stapler. He then appears to inadvertently interrupt the first moment of unity his siblings have had in decades. He brushes off their father’s death. Casually reveals that Reginald has been dead to him for 45 years. It doesn’t matter to him. He has other things on his mind, but of course he doesn’t tell them, why would he? The arrogance is still there, his powers too. He’s insufferable, the viewer understands, and different. Different because he looks like a kid, a literal embodiment of the Umbrella Academy at its height, all knee-high socks and blazer, frozen in time, while at the same time having lived a very different life from his siblings. That’s all the viewer knows of him, by that point. And then ‘Istanbul (Not Constantinople)’ happens, and the understanding of the character shifts abruptly, as do the stakes for the entire show. While the introduction scene with the Phantom Medley and the re-introduction scene to ‘I Think We’re Alone Now’ are about these different siblings, apart, but maybe closer than they think they are, united by the loss of their father, ‘Istanbul (Not Constantinople)’ shows you that this one has a completely different set of problems from his siblings. Namely, he is being tracked down, a wanted man, a very skilled killer. The two montages are so calm in comparison to the breakneck (pun intended) pace of Five’s kill spree. He takes out half a dozen men armed with machine guns by outfoxing them, killing them with a wide variety of items in a wide variety of different ways. While ‘I Think We’re Alone Now’ contrasts the Phantom Medley, ‘Istanbul (Not Constantinople)’ contrasts the Five previously established in the show, especially his childhood self, and shows how his skills have developed. The innocence of the school uniform is quickly lost when he uses its tie to strangle a man to death. The first line in the song is ‘Istanbul was Constantinople / Now it’s Istanbul / Not Constantinople / Been a long time gone, Constantinople.” It’s about how something is technically the same thing – a schoolboy, perhaps – but time has irrevocably changed it, and it can never go back to that old version, because it hasn’t existed in a long time. It’s about Five, and it’s about the apocalypse, and the Commission, but it’s not about Reginald. ‘Istanbul (Not Constantinople)’ is the only non-diegetic song of the three discussed here, as in, it is not part of the show’s internal universe. The song is not playing in a jukebox in the diner. It doesn’t partially exist in the universe, like Viktor’s violin being the violin in the medley, or Luther playing the vinyl in the house. It is so different in principle and execution from the other two scenes, but it is still a scene meant to convey an understanding of the character, just like the other two are.

And despite it being purposefully and obviously different, I still think that ‘Istanbul (Not Constantinople)’ belongs to the other two scenes, that they form a united whole of introductions to the Hargreeves siblings. The diner scene rhymes with the other two, I think, in its marked differences, but there are threads that tie them together. How the violin is a key instrument in both the Phantom Medley and ‘Istanbul (Not Constantinople)’. How the medley shows the Hargreeves in the lives they had carved out for themselves away from Reginald, ‘I Think We’re Alone Now’ positions them in the house they grew up in, in the Umbrella Academy, Reginald’s domain, whereas ‘Istanbul (Not Constantinople)’ is set in a place where the kids defied Reginald. How the theme of loneliness and being alone threads through all of them. How the songs are, in order, partially diegetic (siblings apart but tied together by their past), fully diegetic (siblings enjoying the same thing despite being physically apart) and non-diegetic (the one sibling that is apart from them in age, time, space, part of his upbringing, you name it). How pertinent the lyrics are in each case, even the ones that aren’t technically in the song. I just think all three of them are brilliant needle drops that add so much to the story, the understanding of the characters and their relation to each other, just in the microcosm of this one pilot episode. Also they’re all incredible bangers.

#my meta #tuamre #Soundtrack #i love all of these scenes SO much they are so good at showing and showcasing these characters

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eetherealgoddess · 3 months

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i found your works recently and I FELL IN LOVE <333 if you feel up to it would you be able to write about a foreign exchange reader with any tr boy possibly ending in smut?

Thanks for the support! I love when you guys send requests and love!! I hope you enjoy this! ♡︎♡︎♡︎

Shoutout to @deadxyeyes for our brainstorming that led me to this idea!! The original idea we talked about was a bully au but then while I wrote the story, it became different and my brain just went on autopilot.

ꨄYou’re Never Leavingꨄ

Oneshot - Yandere Foreign Exchange Student Au

❦You catch Kazutora’s eye❦

Hanemiya Kazutora x Reader

Not fully proofread

MY TR FANDOM WORKS ARE ONLY ON TUMBLR, AO3, AND WATTPAD UNDER EETHEREALGODDESS! REPORT IF YOU SEE IT POSTED UNDER ANYONE ELSE BUT ME!!!

Pretend it’s all in Japanese bc you learned the language, except when you speak to the people from your home.

I apologize if I get any Japanese etiquette or culture wrong, I literally have to research the culture for some of my fandom stories so if anything is wrong, please excuse my ignorance.

I’ve only been an outsider to foreign exchange students visiting America when I was in high school. The reader will be from wherever you are and this will take place in college. I did a little research on studying abroad but I can’t promise complete accuracy!

Notice:

✩Y/n is 18+. I picture her as a black female but you can see her however.

✩Some parts of the story may not be realistic or factual. After all, this is a work of fiction.

✩Although it's a dark 'romance,' I do not condone any of the behavior displayed.

✩Dark content such as: gore, violence, triggering topics, graphic scenes, vulgar language, explicit sexual content, etc.

✩There may be scenes that involve non con and/ or dubcon so don’t read if that makes you uncomfortable

✩That being said, this story is for 18+ only.

Enjoy!

You’re Never Leaving

Preparing years in advance for this wonderful opportunity, you finally reach the end of your second week at your new college in Japan. Excitement fills your senses as you take a selfie to send to your friends back home while sitting in the study room of your dorm. Your plan is to complete a whole year, having saved up all the money you made from working in high school for this very moment.

You’re currently sitting in a chair with a foot propped onto the mini wooden table in front of you. Your laptop open on an incomplete assignment you had been working on for the past hour, deciding to take a break. Your eyes meet the door when you hear a click, watching as a man you haven’t seen walks into the room.

You analyze his features, attempting to ignore your thoughts that begin to race at the attractiveness of the guy who entered the study room. You grab your laptop and set it on your lap after setting your phone down, continuing the paper. You keep your eyes on the screen as the brunette with blonde strands sits in the seat placed beside you.

“You’re one of the new exchange students in the dorm right?” He greets, a sly smile as he leans back in the chair, crossing his legs once his feet were placed on the table. He eyes you up and down, observing your features as well as your different aura. You turn away from your screen to acknowledge him with a friendly smile.

“Yes, I’m Y/n.” His smile seems to widen at the mention of your name.

“Y/n, Y/n.” He says, your name rolling off of his tongue as he plays with it. “Pretty name. Hanemiya, Kazutora. Call me Kazu. Say, aren’t you bored of your homework?” One of your eyebrows raise.

“Depends on where you’re going with that sentence.” You respond, giving a sly smile of your own. In all honesty, no matter where you're in the world, completing papers has never been your favorite thing to do unless it was something you were interested in.

“Let me show you a good time?” He offered, a hand raising as well as one of his eyebrows.

You give a look of contemplation with a finger on your chin. Deciding that you can postpone the completion considering it’s not due for another one or two days, you shrug.

“Sure.”

Once you packed everything, he walked you to your dorm room to grab your purse and set everything else you had aside, locking the door behind you once you got all your things. Throughout the night, he took you to different bars and clubs as well as the other hot spots in Japan, you both taking pictures with each other as you enjoyed your time together. You hadn’t known but you had already caught Kazutora’s eye from when you first moved in. The unexplainable attraction caused him to search a little more about you, though he couldn’t find much besides a few selfies on your social media.

He decided to get your attention so he could get to know you, take you out and see you in a more laid back setting besides school. He didn’t regret it, you both having a blast with each other as you drank the night away and danced. He pointed out different foods for you to try as well as feeding them to you which caused giggles that he already loved so dearly to spill out of that pretty mouth. He just knew that you’d be perfect together, your personalities fitting very well. He feels a connection he had never felt before with his one night stands and past girlfriends. Yes, he knows it’s ridiculous to be this infatuated with you and you only just met, though he can’t control how he feels.

The end of the night finally came and he walked you to your dorm. Usually he’d be in the girl’s bed, already getting to know her intimately, though he had wanted to go a little slower with you, deeming this a perfect opportunity to obtain an official girlfriend at some point. Yes, he’s moving fast but it’ll be worth it when you’re in his clutches.

“When are you free tomorrow?” He asks.

“Anytime after the morning. Gotta call my boyfriend.” You respond. His delighted expression drops when he hears the mention of your boyfriend.

“You have a boyfriend?” He questions in disbelief.

“Yeah! He’s so sweet!” You say cheerfully before dismissing yourself politely, giving him a ‘goodnight,’ before walking into your room.

He stares at the door for a moment before he turns red with embarrassment and anger. This can’t be right considering the obvious connection you two seemed to have. He can’t be wrong. How could you have a boyfriend when you had so much fun together? This is your fault for acting so casual. Your fault for leading him on. Your fault for seducing him. A vixen you are. A sneaky little serpent who tricked him. He walks away from your room to enter his own.

Over the weekend, you hadn’t heard from your new friend. A little concerned considering he stood you up the next morning, not answering your messages or calls. You let it go with slight disappointment, going on your own adventure as you toured the area, video chatting with your friends a couple of times and taking memorable pictures.

When the week began, you still hadn’t heard from Kazutora until he walked up to you during a break.

“Sorry I stood you up. Something important came up. Let’s make up for it tonight.” He says, giving a charming smile.

“That’s okay. I’m cool with that, but let’s have a chill night. I have to wake up early in the morning.” He nodded in response before you both separated and went to your designated classes.

When the night came, you both met up in the same study room you met. He brought some alcoholic beverages which caused you excitement because it helps you stay awake. You drink as you both converse and complete assignments together. As time went on, drink after drink you began to feel drowsy and hot, sweat building as the clothes on your body began to feel tight.

“You okay there?”

Kazutora had been studying you the whole night after he gave you the spiked drinks. He made sure you kept drinking by innocent friendly contests with the shots filled with aphrodisiacs, along with sleeping medication.

“I-it’s so hot in here! I’m burning up, man.” You whine as you take your sweatshirt off, too intoxicated to care that you’re only wearing your bra and pants. He smirks as he eyes your chest, ready to grab them though holding himself back to make sure the plan goes accordingly.

“Come ere.’ Let me help you feel better.” He says, motioning for you to come toward him. Your eyebrows furrow as you try to hold your head up.

“W-wait, Kazu. I c-can’t get up.” You whisper, your eyes closing as you lean against the chair only to open your eyes wide and try to hold yourself up. You look at the floor with confusion as a heartbeat forms in your panties, wetness beginning to stain.

“It’s alright, I got you.” He chuckles, standing up from his chair and picking you up, setting you on his lap cowgirl style as he sits back in his chair.

“You’re so pretty, angel.” He states, using his thumb to caress your cheek which causes a shiver to go down your spine. You grab onto his shoulders as you feel a bulge form through his pants. Barely holding yourself up you try to push back, the sensation of your whole body weakening slightly scaring you.

“I-I don’t know what’s happening.” You say as tears form. He brings your face closer as he uses his other hand to rub your back.

“Shh. It’s okay. I’m gonna take care of you.” He says as he unclasps your bra with one hand. He tosses it to the side as he eyes your hardened nipples.

“K-Kazu?”

“Relax. Everything’s okay, baby.” He flicks his tongue against your nipple, causing your breathing to pause as you look down at his mouth. He continues his kitten licks before closing his lips around the nub, sucking as he traces your back with the tip of his fingers. You couldn’t help but release a quiet moan as your hips moved against his bulge. Both of your arms wrap around his head as you lean into the sensation, grinding drunkenly as your head falls back. He continued to rub your back and suck your nipple as one of his hands moved into your pants, fitting into your panties as he parts your lips with his fingers, pressing against your clit.

Everything felt intensified, causing you to be sensitive by even the smallest touch. Pleasure engulfs you as you grind against his finger, fingers tightening in his locks as you moan shamelessly. He rolls his finger as he stares at your eyes, both of you making eye contact when your head hasn't fallen black with your eyelids closed.

“Feels good?” He whispers against your nipple, slightly nibbling. You nod your head causing him to stop moving his finger. You look at him with confusion.

“Tell me how good you feel.” He demanded with a husky voice. God you want this so bad, he can see it all over you. He just needed to hear it. Yearning for your praise.

With your hands placed on his face you lean over near his ear and whisper, “It feels so good, Kazu.”

“Yeah?” His face pink with an intoxicated look of lust on his expression, eyelids heavy without his usual smile. You nod, “Yeah.”

He continues to roll his finger against your nub, placing his lips back on your nipple as you grip his head and roll your hips. Your mouth stays slightly open as your head falls back once more in awe.

“Take my cock out. I wanna show you how hard I am for you.” He pulls his hand out of your pants as you comply, moving back to where you're kneeling on the floor in between his legs. He sits as if he’s on a throne, watching you pull his erection out after unbuckling his pants and pulling them down along with his briefs.

“See that? See what you do to me, Y/n?” You eye the length quietly, observing the veins and how the thick girth pulsates. Your pussy tingles as you feel more juices spill, leaking in your underwear as you become more turned on by the second. An intensifying heat spreads throughout your body as you lean against his legs for balance, still going in and out of darkness.

“Show me a good time.” He smirks as you nod, gently wrapping your fingers around the length. You lower your head, circling your lips around his tip, sucking lightly around the lining of the mushroom. His cock twitches in response as he gives a slight moan. You close your eyes as you fit his entire girth into your mouth, easing down your throat as your lips meet his base.

“Fuck.” He whispers, pulling his phone out as he aims it to your face, eyeing the angle through his phone as he makes sure to get your bare titties in there once he presses record.

You begin to bob your head slowly, saliva and pre cum dripping out of your mouth as you wet his dick, engulfing it in warmth as he moans, lifting his hips slightly when his head hits the wall of your throat. Too occupied with his cock you open your eyes, too high to register that a camera is in your face. You don’t care. You don’t care about anything right now. You only care about receiving his nut like the good little vixen you are.

Tired of recording, he presses the button to stop it as he sets his phone down. Using a hand to grab your head as he lifts his hips once more, pushing you all the way on his cock.

“Good. So fucking good.” He breathes as he pulls his hips back and begins fucking your mouth. Easing in and out as he accelerates. You begin to hold his thighs as he roughly thrusts his hips, becoming sloppier as time passes. Edging himself, he pulls you back abruptly.

“Take off your pants and get on me.” He says, ready to explore that pussy. You drunkenly comply as he helps you before snatching you off the floor.

“Show me what you can do.” He states, guiding his head to your entrance before you ease down, moaning as his girth stretches you out.

“Shit!” You hiss as his head immediately meets your g - spot. You grab onto his shoulders as you pull your hips back and drop down, grinding as he holds your thighs, helping you as he picks your body up and slams you back down, speed accelerating.

You both breathe heavily in each other’s ear, moaning and cursing as his hips meet yours, rutting against you desperately as he bites down on your neck.Your hands reach around his neck as you grip his shirt, scratching through the fabric with your nose scrunched and eyebrows furrowed. Eyes rolled back into your head as you bounced on his cock.

“Yeah! Just like that.” He grunts, fingers gripping your skin, nails piercing as they leave indents, his mouth hanging open as he leaves open mouth kisses on your shoulder. The effects of the medication begin to take you as you almost faint on his cock, drowsy by the sensations as they overtake you before he wakes you by pushing you back and using one of his hands to grab your neck.

“Stay with me, angel. S’ fucking close.” You groan as his cock repeatedly hits your g-spot.

“So deep, Kazu.” You whisper as a moan follows, a warmth building in your core before he slams you down one more time, the pressure causing you both to finally release, his semen shooting deep inside you as he holds you down against his lap while you grind out your orgasm.

“You did so fucking good, Y/n. My beautiful girl.” He holds onto you tightly as you begin to fall asleep on top of him, unknown to what awaits you in the morning.

You grunt as the constant ringing of your phone wakes you up, your hand grabbing your throbbing head as you slowly sit up in your bed. Your eyes are squinted as you read the contact name, confused as to why your boyfriend is calling you so early. You answer with a croaked out, “Hello.”

“How could you do this to me? To us?” He exclaims. Your eyebrows furrow with confusion.

“What do you mean?”

“Look at what I sent you!”

You immediately put him on speaker as you comply, opening your chat. Your eyes widen and your hand goes to cover your mouth as you watch yourself sucking a random person’s erection, furrowed brows as tears form. You try to remember when this could’ve happened and how but you had no memory before today. Just distant memories of your first week in Japan.

“Derrick, I-I don’t know or remember, or even how this happened! You have to believe me, please!” You cry out, scared of losing the love of your life. The one you planned to marry. Tears threaten to fall as your hand shakes over your mouth.

“I didn’t know you were such a slut, Y/n.” You gasp as the line goes dead. You attempted to call him back but you were only met with his voicemail. You check the group chat with your friends to respond to all of the notifications, only to see the same video one of your friend’s said Derrick had sent to them. They shamed you and apparently blocked you. You searched their social media and couldn’t find anything.

You begin to cry, your life feeling as though it has fallen completely apart. You only hope that they won’t send the video around to anyone else at home, not that you knew many people personally. You skip your classes and sulk in your room, curtains closed as you weep for the rest of the day. You contemplate getting out of the bed when you hear a knock at your door.

With a blanket wrapped around your head and body, you opened the door to tell the visitor to go away. Of course, Kazutora doesn’t listen and walks in anyway, pulling you into a hug as he asks, “What’s wrong?”

You explain to him everything, anxiety filling your mind from your violation. You talk to him about how scared you are because of the unknown person you had sucked off, stds being a fear as well as just feeling shame in general. You couldn’t believe you allowed that to happen. He explains how it wasn’t your fault and he’ll go with you to the doctor’s. He embraced you and allowed you to cry on him. He knew you needed him. Heknew that you just needed a push in the right direction. He knew that there was nothing truly wrong with you considering it was just him. He’s clean anyway.

He was prepared for the tears and pain though he knew it would be worth it once you're in his arms. After a month of healing, you both became a couple, Kazutora asking you out in a romantic way. He had patience throughout the relationship, wanting you to be comfortable in your own skin once more. A year passes and you decide to stay in Japan, having nothing left in your old country. Having attended therapy, you both live on happily, though you are still unknown to the truth that ruined your life in the first place.

#yandere tokyo revengers #yandere reader #yandere au #yandere x you #yandere x reader #yandere #tokyo rev x you #tokyo revengers #tokyo rev x y/n #tokyo rev smut #tokyo rev x reader #kazutora hanemiya #kazutora x reader #college au #foreign exchange #student #college #toxic love

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dr3amofagame · 6 months

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I find it strange that a lot of people are coming forward and saying that the staged finale was a bad play for one reason or another but it really isn’t and I don’t understand where the hate is coming from.

yeah i've seen some of this the last few days--staged finale has always been somewhat "controversial" in the lorehead scene, so a measure of disagreement/discourse about it makes sense. especially bc it was honestly a very big change to what people thought was the story and required people to go back and reevaluate a lot, which. people are naturally resistant at doing

but while obviously i think that some healthy discussion about these things is good, and i feel like i have seen a level of...misunderstanding? about it?? which has gone into the ways that people disagree

staged finale refers to the decision to stage the finale. that's it. staged finale just asserts that based on preexisting foreshadowing and based on the sheer level of suspension of disbelief in order for genuine finale to be real, it made more sense for the finale to be staged than for it to have been genuine. how the finale was planned, when the finale was planned, and to what ends it was planned are all things that you can disagree on w/ other staged finale believers/supporters while still being a staged finale believer/supporter, ykwim? if you believe that c!punz faked his betrayal to c!dream, then congrats! you believe in staged finale. oftentimes i see people say things like "i don't believe in staged finale, i think that c!dream faked the betrayal and all and always had c!punz on his side but i think that the reason behind why he did it is [X]" and it's like. staging the finale is one (1) event, not a comprehensive explanation for everything c!Dream does. that would be more in line with something like the "strategist dream interpretation," which in itself does have different readings as well.

people have listed all of the inconsistencies in the staged finale before, but just to summarize--the guy literally could've dipped when everyone came to "defeat" him, c!tommy leveraging his own life is basically no leverage at all when the mans has the revive book, skeppy cage is a joke, c!dream revealing all of his plans when they were maybe 10% carried out (the entire damn attachment vault was empty of items besides stuff that was literally faked, his own damn stuff, and stuff that he stole recently from c!tommy such as the Axe of Peace and the discs) is ridiculously stupid, why the hell does he have blackmail against c!punz included in a bunker that c!punz clearly had access to???? the list goes on.

(as someone who took awhile to be fully convinced in staged finale, what really tripped me up was the stream punz did the day before: here's a post breaking it down that definitely helped me to see it in a different light.)

as far as foreshadowing goes, just off the top of my head: the original prisoner is a constant question from the day of the prison's creation, being something that's even highlighted on the day of the staged finale itself. c!Dream saying he has "the biggest house on the server" and how it's full of redstone. the entire conversation he has with c!punz, obviously. his holding back on the favor with c!techno, the connection between the revive book and the prison that he establishes the day they begin prison construction.

from a logical perspective, the plan as c!Dream establishes it doesn't make any damn sense. c!dream had opportunities to escape that he didn't take for illogical reasons (if the only reason why he allowed himself to stay in a fucking possible kill chamber was to keep c!tommy from committing suicide, then? what about the revive book? what about the fact that he literally kills c!tommy just a few months later????) -- a level of plot contrivance is expected in the medium, but for a lot of people this was just. Going way too far. Unless he literally lost his whole mind (which, to be fair, was the persona being played) there's just. really no other way to make sense of what was going on there, if it was all genuine.

the other argument is a narrative one--people claim that the story established by a genuine finale is cleaner than the story of the staged one, and honestly. it's like. like that's...a feature, not a flaw? the reason why the genuine finale worked isn't because it was logically believable. dream is Dream Manhunt. he's famously hard to nail down, famously good at escaping sticky situations, famously a man that can outsmart his way out of crazy disadvantageous situations--like. just in terms of minecraft skill, i'd wager that most people would think that dream would've technically been able to pull off an escape even when facing down the collection of enemies that were there. like he had 2 stacks of pearls.

narratively, though, the staged finale has a story that's quite appealing on the surface. the "story" of the events from the spirit speech onwards is one that revolved around the idea of "attachment." c!Dream rejects attachment in favor of control in the spirit speech when he says he refuses to let his love for his dead pet control him anymore, and he focuses on the ability to use the discs to control c!Tommy. the fact that c!Dream's relationships deteriorate at this time seems to support this point, and c!Tommy's strength in his relationships being what saves him and damns c!Dream ties everything off into a neat bow. c!Tommy wins because he has friends and c!Dream loses because he doesn't, moral of the story established, hip-hip-hooray. And so it goes.

but when we look at this more in specifics...? it does start falling apart a bit, doesn't it?

although c!Dream supposedly begins his rampage over his existing emotional connections with the spirit speech, his reputation had been in shambles long before that point. c!Dream-as-villain is first established as part of the greater story in the lmanburg revolution, and that's a title that he never really sheds (this point being emphasized in inconsolable differences and the book c!Wilbur has c!Dream write.) Dethronement happens within a day of Spirit Speech, iirc, and on that day c!Quackity specifically points out that c!Dream has no one on his side but c!Punz. the moments where he is more specifically isolated go back to events such as november 16th, where his alliance with c!Wilbur involved blowing up L'manburg, his deal for the revive book, which involved his publicly betraying Pogtopia, or his opposing Manberg to the literal Manberg cabinet. etc. all of these events in the Manberg/Pogtopia era had c!Dream's loyalties erode to end up as just c!Wilbur and later c!Schlatt for the book, two dead men. (and i say eroded loyalties as if pogtopia really believed dream was on their side, like, ever? like he was never trusted in their ranks, even by c!Tommy, who was definitely the person he worked the closest with outside of c!Wilbur.)

if we look at Dethronement itself, it doesn't actually fit the pattern of "c!Dream cuts off his attachment to people in order to make himself uncontrollable" -- in fact, what it does fit the pattern of is. Staged finale? Faking an end in a relationship with people that he does consider important to him, making a public appearance of betrayal + anger to mask an existing connection, drawing attention to their being enemies to hide the fact that they're actually friends--that's not c!Dream cutting anyone off. That's just the exact same ploy that he uses to make people think that c!Punz betrays him (only c!Sapnap and c!George ended up deciding that Nah We're Gonna Kill You Now. Fuck You It's Coup Time. so that's how that ended up.)

Otherwise there's...the Badlands, who were perfectly happy to agree to joining the coup on the day of dethronement if it got them more power and land. c!Techno, who c!Dream wasn't an ally of until later on with the favor established and then doomsday, and who was someone c!Dream was quite openly wary of + afraid of due to his combat skill. c!Dream was alone literally before exile even happened, his remaining "attachments" of c!George and c!Sapnap turning against him like the day he goes on a whole spiel about ohhoho from today onwards i DONT GIVE A SHIT ABOUT MY ATTACHMENTS !!! I ONLY CARE ABOUT THE DISCS !!! like congrats you don't even have a chance to cut off any attachment at all dingus they all hate you and want you dead already.

further, with c!punz, he literally says that they're more than just employer/employee in the infamous conversation they have about planning a betrayal. if the whole point of the story is "attachment good," then why is it that what takes down c!dream is...his one remaining attachment? if his fatal flaw is that he didn't trust people enough, why is it that he loses because he trusted someone too much? it's not like c!tommy had any attachment to c!punz--c!punz explicitly "has a reason" to betray c!dream because of money. he helps c!tommy because dream "should have paid [him] more." none of that reflects that spirit of "attachment" that people claim was c!dream's downfall.

(not to mention how the people present in the staged finale to take c!dream down included people who literally hated c!tommy's guts. like. what brought them together wasn't the power of friendship, it was the power of we hate this green bastard.)

this isn't to say that c!Dream didn't have some relationships that go up in flames because he starts acting particularly cackling evil villain (with the green festival being the specific moment where he really goes full in with that persona, going from someone that was framing himself as having a Reasonable Complaint to literally the joker as soon as he gets the disc from c!Tubbo. It's purposefully played as a "mask off" moment that is meant to make him look like a crazy fucking villain in front of a large audience--whether or not you think that was a choice that he made in character or not, the way his personality changes as soon as he receives the disc is jarring.) In particular, his relationships with c!Puffy and c!Sam come to mind--c!Puffy burns the house she made him when she decides that he's too evil (but, uh, c!dream really wasn't even there for that and didn't ever have a particularly close relationship with her) and c!Sam is among those whose opinions of c!Dream become drastically more negative around the period of time that spans green festival->doomsday->staged finale. but it's important to note that c!Dream's relationships on the server aren't...great, at the time of spirit speech. They're uh, really fucking bad, actually. dethronement only makes them even worse, and all of this happens pre-exile. c!Dream had significant reason to be paranoid and afraid for his life long before exile happens, which is Quite Significant, Actually, when you consider that that paranoia is literally what goes into his decisions to carry out the staged finale + put himself in the prison (which isn't the case for genuine finale, where he's more motivated by a desire to control the server without being controlled himself.) staged finale does solidify c!dream-as-villain for a lot of people, but it never would've worked if people didn't already see him as a villain in the first place. c!Dream doesn't make people hate him with the staged finale; he uses hatred that he already knows exists to put himself in what he sees as a safer position.

and look we could go into a whole discussion about manberg/pogtopia c!Dream (which i do think is way overdue to be fair considering that that's where the paranoia + isolation that motivates him post-november 16th comes from in the first place) but this post is long enough already and i still have to figure out a better way to articulate my thoughts on the matter. anyway. carrying on:

people still have different feelings on why he carries out staged finale in the first place, but what we do know for sure is that it was meant to protect punz and protect the revive book. by firmly establishing that c!punz and him were on opposite sides, he keeps the revive book safe and both of their lives safe by extension: as long as no one would kill both of them at the same time, they had a means of reviving the other if need be and obviously had the information on how to raise people from the dead secure. which was important to them. and otherwise...c!Dream is paranoid. c!Dream is very, very paranoid, and this paranoia goes back at the very least to when he learns about the revive book. the prison, for all the dependence that it required of him, was tailor made (and the construction process controlled by dream every damn step of the way) to make sure that whoever was in the main cell would be safe from external threats. the security of the prison and the prisoner was the POINT. i've seen some assertions that staged finale implies that he predicted everything that happened after he was put in prison and...no? i'd say that c!dream's behavior indicates him being thrown off by c!sam as early as bad's prison visit, c!sapnap's prison visit for sure. c!Ranboo being banned from visitation pretty damn obviously fucks him up, tbh. he has c!punz explicitly out there to keep an eye out on the server while he's in the prison, where he was meant to remain for a period of time that was supposed to be much shorter than how long he ends up being there. likely because, you know, he was supposed to have a consistent and reliable source of information with the outside world in the form of c!Ranboo, and c!sam wasn't supposed to fall off the fucking rails as soon as the prison started. people have also talked about how having the staged finale be true means that c!dream doesn't lose, which...i mean. gestures at the prison arc? that whole thing is a loss so catastrophic it literally destroys him. he's never the same after the prison happens. the false betrayal of c!punz is deliberately like ironically described to c!sam, who was the REAL betrayal that fucking. ruins him. he loses SO MUCH over the course of the prison, which was something he literally designed to keep himself safe from external threat. as far as losses go, i definitely find that a lot more compelling and a lot less contrived than watching c!dream go "whoop de doo guess i have to die now" when he's like 3 pearls away from making a clean escape in the disc vault, tbh.

at the end of the day, i think having some conversation about staged finale is fun! and it's always good to reexamine what you believe to make sure that it still holds water. but i've really not seen much staged finale crit that makes the genuine finale feel favorable as an explanation: logically, it makes a lot less sense. narratively, it relies on a story that the audience wants to be true and acts as a "clean" explanation for everything while not actually taking into account a lot of what was ACTUALLY going on for c!dream (cutting off attachments for the sake of control versus watching people turn against you and becoming increasingly paranoid, for example). and believe them or not, the content creators involved have always asserted that staged finale was the plan from the beginning, not any form of retcon. (and we do know that people have been dodgy about stuff like the "original prisoner" literally since the week that c!dream was imprisoned, so take that as you will.) (okay to be fair theyve been dodgy about the original prisoner since the day that the prison began to be constructed, but the QnA from that first week of imprisonment sticks out to me in particular because cc!Sam had the biggest fucking smile on his face and staged finale would've been planned out and then carried out in entirety by the ccs and the c!s by that point.)

this is a longass post but uh hopefully it makes sense, lmao. tried to touch on most of what i've seen recently 😅

#my asks !!#long post #c!dreamisms #also like. im making this post from the perspective of someone who always saw staged finale as really cool #but really wasn't 100% convinced until like ehhh halfway through the prison arc roughly?#like im not claiming any credit as a believer from the beginning it took me awhile #so like. i get it.#i think for me a lot of it was also just a lack of faith in the ccs' planning and writing and feeling that narrative contrivance #could be explained through the ccs being less experienced writers + the sheer level of what they were carrying out #but you know. staged finale canon now and im not gonna sit here and pretend that im the smartest person in the room #when these guys definitely overachieved in terms of what i was expecting them to pull off #by making a plot twist that was THIS BIG and conning the whole damn fandom and server in one #like nah they deserve their W actually lmao

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chorus-the-mutate · 7 months

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This is an edited repost of the Erzsebet Bathory character analysis I wrote yesterday that I refuse to let go to waste. I tried doing the right thing and tagging all of the necessary trigger warnings only for this post to be completely hidden from the Castlevania Nocturne and Erzsebet Bathory tags. Since I can't afford to tag the proper trigger warnings without being punished please do not read this post if discussions of rape or sexual assault triggers or upsets you in any way. I don't take these topics lightly and they are vital to this analysis of Erzsebet Bathory.

This post also contains major spoilers for this first season of Castlevania Nocturne.

This may seem presumptive of me to say but this thought has been stuck in my head for several hours: Erzsebet Bathory is the most rapist adjacent villainess I've ever seen without her actually being a rapist.

The first and smallest point against her is how often she mentions virgins. I know that Erzsebet's initial mention of virgin sacrifices is supposed to tie into the origin of her alter ego and consumption of Sekhmet but it's super fucking weird that it played into why she wanted to sacrifice Maria.

Next point against her is the lawyer's daughter. I'm not sure if this lady was a virgin but when she's first brought to Erzsebet she's already terrified and too dazed to fight back. It's obvious that she doesn't want to be there and that even if she did that she can't really express that desire. But Erzsebet still takes this lady out of a literal gilded cage, sits down and sits this lady on her dress to admire her despair before drinking her blood. The next time we see the lady she's still dazed. The only differences are that she's dolled up and seems more suggestible. Even with hundreds of people in this ballroom scene the lady is literally ignored by everyone except for Erzsebet who dances with her and parades her around for her own amusement. Everyone else knows that Erzsebet likes to make her victims suffer and they still refuse to acknowledge the lady because Erzsebet has made it clear that she's her possession. Hell the only person who is unhappy enough with Erzsebet to go rogue at this point is Olrox and he STILL IGNORES THIS LADY. When the lady is dragged outside to be fed on again without anyone batting an eye it reminds me of a rapist roofying their target and proceeding to do everything in their power to seem interested in their victim's well-being in order to take them to a second location. And no one speaks up since Erzsebet is the Harvey Weinstein, Prince Andrew or Thomas Jefferson of the vampire world; the embodiment of people in power getting away with abuse until the damage has already been done.

The last and biggest point against Erzsebet is the entire scene where she turns Tera into a vampire. For me personally that is just an allegorical rape scene and it's executed very well. Erzsebet makes her entrance at the abbey as a lioness of a woman, a literal predator who wants to take Maria as a sacrifice and turn her into a vampire to ensure Emmanuel the Abbot's loyalty. Tera protests and offers herself to Erzsebet instead. This is such blatant coercion that Tera refers to herself as the ram Abraham sacrificed to God instead of Isaac. And the only question or concern Erzsebet has at this point is if her sacrifice should be a virgin. The only reasons she accepts the sacrifice are Emmanuel's genuine love for Tera and the fact that Tera is a powerful sorceress. Once Erzsebet settles for Tera and physically lifts her to her level no one can stop her. Maria gets knocked out for trying and Richter gets bodied immediately after. Their only option is to get the hell out of there once Annette makes an opening and Richter rightfully runs for his life. Even Maria, the only person that could look back and see Tera turn, is knocked out and that feels like an intentional writing choice to give Tera one last shred of dignity. Erzsebet holds Tera really close in this sort of hug as she feeds on her and once she's fed she literally sits Tera on her lap for her turn to feed. Then Erzsebet cuts herself and the blood starts dripping down on Tera, starting at her skirt, going to her blouse and reaching her face. At first Tera doesn't react but then her body responds to the blood and she feeds even though she doesn't want to. Even though no one wants this for her. And that is exactly what it's like when someone has an unwanted orgasm. Tera's body is protecting itself the same way a victim of assault would and that paired with the blood on her skirt being reminiscent of the blood on a woman's thigh in the aftermath of an assault hammers home the rape allegory. It's very sad and uncomfortable to think of Tera's turn to vampirism this way but the thought lingers hours after like a grimy film on my brain.

I 100,000% believe that Erzsebet would have been an actual rapist if Netflix Castlevania didn't romanticize Lenore raping Hector and ending their relationship on friendly terms. Not to mention Sumi and Taka's sudden shift from allies to sexually assaulting Alucard out of spite. Castlevania Nocturne seems to shy away from rape and sexual assault in favor of allegories or moments so brief that I missed them unlike its predecessor. So I'm blaming the gratuitous depictions of sexual assault in Castlevania on Warren Ellis, the creator of Netflix Castlevania, who doesn't work on this show for a very good reason.

Everything from her size as Sekhmet to her tendency to torture women and girls before killing them contributes to the allegory of Erzsebet being the vampire equivalent of a rapist. She exudes power and not only does she enjoy making others feel helpless she's also great at it. She is a sadist without honor, willing to parade her lady victim of choice around vampire high society or hang a young girl on hooks to drain dry rather than let any of them die a quick death. The dragged out, needless suffering Erzsebet inflicts along with her preference for women and virgins frames her feeding as something more sexual in nature than the other vampire nobles who simply indulge in their gluttony. Even Olrox feeding on his former boyfriend isn't framed sexually, it's framed as a desperate, romantic gesture to keep his lover alive. And every vampire I remember from Castlevania has their feeding framed as a tool for political power or sheer, simple gluttony. Even the vampire general Cho was shown to be more of a tyrant or a general sadist clinging to power in Japan than a deviant.

Erzsebet's sheer sadism actually contrasts quite well with Dracula's humanity and restraint. He understood humanity, only feeding to survive or strike down the merchants who slighted him. (He probably also used feeding as a tool for political power but I don't think we saw that directly.) Dracula ultimately came to understand humanity so well that he fell for Lisa Tepes, the exemplar of what it means to be human. And that love is why I believe he respected Lisa's wishes and let her keep that humanity instead of turning her into a vampire. And after Lisa's death Dracula stopped feeding entirely, hoping to extinguish his life and take out as many people as he could because he believed that humanity should've been better. He believed that the people who lived alongside Lisa would've stood up for her and they betrayed her out of a mix of fear, religious reverence and apathy. Meanwhile Erzsebet doesn't care about humanity, seeing people like the lawyer's daughter as possessions or people like Tera and Emmanuel the Abbot as pawns to further her own rule. She might be taken aback by Drolta's death once she learns of it but there's an equal chance that she wouldn't even bat an eye.

So what do these points of analysis mean for Erzsebet and Tera's future dynamic as master and pawn? The one thing that's certain is that Tera has been fundamentally changed, forced into an unprecedented nightmare scenario that will drag her down a dark path. But I'm an optimist and I believe that Tera will ultimately be redeemed. She may never be human again but her humanity, her love for her son and daughter will save her soul. Ultimately I hope that Tera lives and recovers from the trauma of Erzsebet turning her. I hope that she goes home to her children and is taken in with open arms. But if Tera dies she will die as Tera, not as a pawn, and that is because Erzsebet could never kill her humanity.

#castlevania nocturne #castlevania nocturne spoilers #please heed the preamble #this post still discusses dark subject matters so I want you guys to be careful #erzsebet bathory #tera #tera renard #tera castlevania #dracula vlad tepes #anti lenore #sumi castlevania #taka castlevania #I really want to know what you guys think #and please forgive me if I've read way too much into Erzsebet #I just can't stop thinking about her lack of regard for most anyone #this could contribute to the colonization allegory with Erzsebet but I don't have the background or education to contribute to that talk #long post #ash rambles

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meraki-yao · 4 months

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Translation of a Bilibili Video Analysing the Paris Love Making Scene

HOLY SHIT THIS LITERALLY TOOK ME ALL DAMN DAY

Preface from me: PLEASE NOTE THAT THIS IS NOT MY ORIGINAL CONTENT! THIS IS JUST MY TRANSLATION OF THE FOLLOW VIDEO MADE BY 搭火箭都要追剧 A CHINESE RWRB FAN. I REPEAT, THE CONTENT IS NOT MINE, I'M JUST A TRANSLATOR (that being said I did a little bit of commentary, anything in brackets is my own thoughts)

All photos are unedited screenshots taken directly from the video

Preface from OP: The content of this video is very subjective and shallow, if it's different from your opinions, you're the right one (a Chinese saying which basically means "this is just my thoughts don't come at me") and it's most likely to be very different from any official BTS.

Didn't translate the first part because 1, I can't really translate it well due to cultural references 2, I... don't really agree with it, but did like 90% of the video

Also since it's about the Paris love-making scene, there's sexual content, you have been warned

For the moment when Alex slips his hand under Henry's shirt

When Alex slides his hand across Henry's naked waist, his fingertips, the most sensitive part of the hand is touching Henry's bare skin and stirring his desires, which is why Alex's body tenses: he clenches his jaw and takes a deep breath in.

In contrast, Henry is absorbed in the romance of it all. He's been in love with Alex the whole time and finally, the man of his dreams is here with him, touching him.

For the couple of shots where they stand naked with Henry touching Alex

1, Close Up Shot of Henry's hand gliding up Alex's arm

Henry told Alex that he's in good hands, therefore Henry's the one to lead this dance and set the atmosphere, so most of the light is on him, with the bright spot being shone on Henry's wrist which leads the audience to focus on that point

He starts with his fingertips running along Alex's vein, but the brightest spot doesn't follow the movement of his hand and stays focused on his wrist and the lower part of his thumb while the rest of his hand is in darker lighting. This is to strike a contrast and to put the focus on Henry's hand and therefore his movement. The reason only part of his hand is illuminated is because his entire hand is lit, the frame's lighting loses its balance and looks abnormal, and won't match the more subtle, softer tones of the romance in the movie

A highly saturated orange/golden light is chosen, which increases the feeling of content and ambiguity (I don't that sounds weird but it's the closest word I can think of, but a more accurate description… Imagine the use of steam in a shower sex scene) which also hints that this is going to be a lovely night

The use of light and the contrast of brightness on different parts also serve to convey Henry's emotions and internal thoughts. Even though their first night in Alex's room and their hook-up during the polo match were both really intense, but it was more about the surging, frantic sexual desire between the two. Now Henry doesn't actually know how Alex will react and is somewhat worried about it, which is represented by his fingers in darker lighting. But at the same time, Paris is the first time Henry can be so physically close with his long-time crush and be extremely honest/vulnerable with him, and later understand and feel each other on a spiritual level (… Woah.). He feels contentment from that, which is what the brighter area conveys.

In this single shot, the bright and dark areas are fairly equal, which also means these two emotions are in equal conflict at this moment

Then Henry's hand slides up towards Alex's shoulder and he switches to touching him with his fingertips, which, with its sensitivity, means Henry can feel any tiny change on Alex's skin. He feels Alex's excitement and comfort, which in turn makes him happy and bolder, which is also conveyed in the change of the light in the frame: the fingertips that were previously in dark lighting gradually shift into the brighter area, representing his worries fading

2, The following shot of Henry facing Alex's camera right, Alex's back against the audience, camera left

The light is still on Henry which means this shot is still conveying Henry's feelings

There's a clear contrast of light on his face which makes his face seem more 3D (again sorry for the weird translation but I can't find any other words) and attracts the audience's attention more.

The contrast is also represented in Henry's characterization. To explain this, we need to understand what a cognitive schema is: cognitive schema is a psychological concept which can be summarized as when a person is exposed to an object, event or person, they will use precious experience and knowledge to make a general judgment and description of them thus predicting their next actions. So in the case of Henry, at first since he's a prince, the audience and Alex, using their cognitive schema will assume he's prim and proper, when in reality he's horny (ha), flirtatious and adorable (so in conclusion, he's actually a babygirl)

Henry then lingers his hand on Alex, and glances at Alex with a flirtatious smile, enjoying Alex's shiver under his touch.

3, Shot of Alex facing audience camera left, Henry back against audience camera right

The light is now mostly on Henry's back, increasing the romantic atmosphere of the shot.

The light is also on Alex's torso and cheek forming a light contrast, which turns the audience's focus onto Alex. The larger dark area indicates he's being led by Henry in this situation, and he doesn't really know what Henry's gonna do, therefore his nervousness is the dominating emotion, represented by the dark area.

But he's also enjoying Henry's touches, which is why the light is still mostly on Henry but also partly on Alex now, almost like an extension of the contentment that Henry feels

The lamp that in-universe is providing the lighting is on the right side of the frame. If a similar light source isn't placed on the left side, the left side of the frame would seem too cold, which would destroy the atmosphere previously created. Therefore a mirror was placed there both for spatial balance and to create a reflection of the lamp's light, creating a small light spot on the left, balancing the coloring and lighting of the shot.

To the right of the mirror where the light can't cover is a small cupid statue. The statue not only adds to the romantic atmosphere but also indicates what's about to happen, as cupid symbolizes love and sex. Cupid is also a mischievous God who enjoys pranks, which also somewhat describe the boys' relationship: cupid shoots out the silver/lead arrow of aversion and revulsion that leads to their misunderstanding and subsequent hatred, but the shoots out the golden arrow of fall that led to them falling in love with each other and living together happily ever after.

Alex keeps watching Henry's hand as his hand slides down and looks back up when Henry touches his chest and takes a deep breath. Henry smiles brightly at Alex's reaction.

Alex then becomes intoxicated by Henry's touch as his sexual desires take over him

When Henry picks up the key that means a lot to Alex, Alex clenches his jaw. The highlight in his eyes allows the audience to immediately catch the change in his eyes that's filled up with lust.

So to conclude this part, a lot of attention was given to the placement of props and the lighting: the saturated golden creates a romantic but steamy/foggy (meraki seriously can't find the right word) setting, which is a filmmaking technique often used by Wong Kar Wai, in fact a similar lighting was used in "In the Mood for Love" (Matthew is a true fan)

For the shots of them kissing on the bed

There's a red mark on Henry's chest which OP explained in an earlier video that would have been caused by Alex grabbing there when thrusting forward

There's another possibility which is Alex getting excited when being behind Henry but he doesn't really know what to do so all he can do is grind against Henry. But Henry feels and sounds divine, and Alex gets impatient so he leaves marks on Henry's arm and chest

To prove her hypothesis op did an experiment with her own arm: she chose her arm because just like the part of Henry's chest that's marked, part of the muscle curves (into the elbow just as the chest muscle curves into the armpit) it's not a easy place for fingers to exert force, thus can draw a closer, more subjective comparison.

Experiment process: open uses her other hand to grab onto her arm and pull backwards forcefully, to 1, observe the shape of the mark and if it's identical to that of Henry's, 2, observe the time needed to create the mark in order to be the same as Henry's

As shown in the photo, the (faint) red marks are approximately the same shape, width and redness as the ones on Henry's chest. It took 28 seconds to reach this. This approximates the time taken by Alex to "do stuff" (I think she means prep?) from Henry's behind

With how loving and gentle Alex is with Henry it's not that likely that he started groping Henry's chest from the beginning, so the conclusion is when Alex was trying to "move forward" when he was behind Henry (I seriously don't know if she means prep or like, doggy style) but doesn't really know what to do and groped Henry in his nervousness, and this failed attempt lasted at least 28 seconds.

OP thinks the failed attempt was done in front of the window with Henry bending over, gripping the back of one of the chairs, and deduced from the DNC scene: the boys were originally chatting in bath robes on the couch with the curtain mostly closed, but when Zahra barged in, the blackout curtain was out, leaving just the mesh layer closed. There was a bathrobe on the far side of the couch and another in front of the window. So presumably after the talk, they went for another round, Henry ditched his robe on one side of the couch and pounced on Alex (similarly to how he did on Alex's couch), they tumbled around and switched position and ended up in front of the window, Alex remembered he failed attempt in Paris and wanted to make up for it so he pulled open the blackout curtain but left the mesh layer closed, and then he got to work. (...tbn personally I think this is a stretch?)

Henry thinks Alex is adorable but he's also really intoxicated and wants to get down to business asap, so he grabs Alex's neck and presses Alex towards him, kissing from Alex's lips to his neck. He kissed Alex's neck because from their first hook-up and the way Alex immediately stretched his neck to give Henry space when he kissed his neck then, that this is the quickest way to stimulate him. Which is why you can see a faint hickey on Alex's neck

As they kiss they walk towards the bed. During their first hook-up, Henry pushed Alex onto the couch, so now it's Alex's turn to pounce on Henry, which is what we see in the shot: Henry falls onto the bed first, then Alex follows. Alex is really happy and a bit proud that he can drive Henry crazy like this, while (and I quote directly) Henry can't think of anything anymore, and has "please hurry up and fuck me" painted on his face

The mark/hickey on Alex's neck takes the shape of an inverted triangle, with the vertical side and the diagonal side (left down right up, in math it's a positive slope) being more red, which means those two points experienced the largest amount of force

Red Mark on Henry's Chest

Screenshot from In the Mood for Love using a similar lighting

Red Mark Result from OP's experiment

Blackout Curtain Closed on DNC Night

Bathrobe (presumed to be Henry's) on the far side of the couch

Bathrobe (presumed to be Alex's) near the window, Blackout Curtain Open in the background

For the process, deduced with the shot of them laying in bed during the afterglow

The trajectory of sweat on Henry's temple runs downward vertically. If he was fucked lying down, the sweat should run into his ear canal horizontally. Which means he was fucked in a sitting position. For example in the polo match hookup, Henry's sweat is visible in the form of drops running vertically down his face. Also in the afterglow, the sweat also seems to be splattered, which required Henry to have vigorously moved either up and down or front and back. So yeah this further proves that there was a cut riding scene.

Alex also has sweat on his face, and his fringe is wet. So riding should have happened right before they lied down and started talking.

So the process deduced by OP is 1, they tried doggy style in front of the window and failed 2, what was shown in the movie 3, doggy style on the bed 4, riding (OP wasn't aware of the details of the extended Paris love-making scene, but all RWRB fans in China know that there's doggy style and riding that got cut, this is OP's deduction of the order)

Even without looking at the sweats and marks, from the way Henry's signet ring is turned in the movie you can tell that something's deleted, since before Alex intertwined his fingers with Henry, the letter H was facing outwards, and when their hands join the movement causes the ring to turn and for the letter to face inwards. But then the next shot with Henry's hand on Alex's shoulder shows the ring worn normally again, which means something in between was deleted or reordered.

Hickey on Alex's Neck

Henry's sweat in the afterglow

Henry's sweat during the polo hook-up

Alex's sweat in the afterglow

tagging @sanneannelies7 and @na-18dia who mentioned wanting the translation in my original post

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bestygogirl · 3 months

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BEST YGO GIRL: ROUND 5, ALL GROUPS

Group C Finals!

please use this as an opportunity to say why you like a character, not why you don't.

Propaganda under the cut!

Anzu Mazaki

the original It Girl, very underrated anzu masaki is stubborn. she’s all about friendship and she believes in you soooo much. she’s the type to give you a lecture while picking you up because she’ll never leave you stranded but you should take better care of yourself. she has dreams of being a dancer and takes that risk in moving to whole different COUNTRY to follow her dreams. vote for anzu!!! This is ANZU. Yugioh's most dedicated friendship philosopher!!! The one who knew the power of friendship before anyone else did!! Always backing up her guy friends even when (especially when) they're up their own asses about card games!! Not the mom friend bc she's reckless and nuts in her own special way!! The girl Yami confided in when he couldn't even confide in Yuugi... who sees through everyone's bullshit into their true feelings.... who said "learning how to love yourself is a game we play our whole lives"..... She is THEE GIRL. Literally iconic. Foundational to the whole damn text!! She didn't haul ass after a bunch of goofy card game geeks supporting them through 343 chapters and suffer through endless early 2000s Anzu-bashing fic to NOT win this tournament!!

Isis Ishtar

gorgeous, very caring sister, strong duelist, and the only woman to ever make Seto Kaiba squirm

anyways. not only as mentioned above is she the first woman to make kaiba squirm, but she was by all means going to beat him if not for the millennium rod's millennium interference. yami marik admits that she's a strong duelist with a strategy that's been working for literal years-- and given that she's not like, a professional duelist, thats pretty impressive

she also recently got some really cool meta bumps and let me point out that an "ishizu deck" now includes obelisk the tormentor-- which we knew she had prior to giving it to kaiba, but i think it only solidifies my opinion that she very much could wield an Egyptian God Card, an exclusive little club for top tier duelists

as a character she presents herself with an amazing amount of poise and grace, shes compassionate and kind and stays with mai and serenity even though she only just met them. shes struggling through living the past 5 years of her life drowning in guilt for her family's tragedy just because she wanted to make her little brother happy and shadi is a fucking liar. shes foretold her own death and marches towards it grimly but with so much love in her heart. and even then shes 20 years old and holds an important position in the egyptian government that typically requires a doctorate degree AND has been dealing with mariks off-and-on bullshit entirely by her lonesome. she also likes to flex her fortunetelling a little which is awesome i think she should do that more that scene where she tells the guy exactly how the stele is being transported was so everything

speaking of shes got such an attitude. "is it your destiny to waste my time?" iconic. never seen before will never be seen again. watch the duel between her va and joeys its so fucking funny

shes excult. shes doesnt flinch in the face of god nor death. seto kaiba and yami marik respect her. shes so sad and so sweet and battle city couldnt have happened without her.

also her parallels with kaiba are what motivate kaiba to give yugi the card he needed to beat marik.

kaiba, in duelist kingdom, was ready to jump off a ledge if yugi didnt let him through to face pegasus while trying to save mokuba out of sheer desperation to save his little brother. he KNOWS what that dedication feels like and the iron kind of will you need to have to make that kind of gamble. isis is being so fucking legit with what shes saying and he respects that and her judgement enough to change his mind and not only watch the duel, but give yugi a card that eventually helps him win, even if he has no real confidence in the odds. but theres a CHANCE, which is the same thing he taught her when he beat her in a duel. the layers its her faith that moves him to act. which is so crazy

anyway vote isis shes my best friend forever and a real rep for all the 20 year olds who honest to god did not sign up for this bullshit

#best ygo girl poll #round 5 #yugioh duel monsters #isis ishtar #ishizu ishtar #anzu mazaki #tea gardner

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eleanorfenyx · 4 months

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I have finished Mysterious Lotus Casebook, and here are some of my thoughts! (Obviously not spoiler free)

The cases are absolutely batshit insane and I loved it every single time they were like 'we totally collected this evidence that incriminates a secret suspect, just believe us and also don't question when the fuck we had the time to do this or when we figured out that we needed to look for it'. 10/10 no notes, that's a hilarious way to have a genius detective. Show us nothing, tell us everything, YES king.

That being said, I could have done with a lot less standing around having the supporting cast repeat whatever Li Lianhua and Fang Duobing announce, maybe in an attempt to make sure their genius is clear for the audience? I get it, but at the same time it felt a little too hand-holdy for me, especially in scenes where LLH and FDB had already discussed their findings between themselves before presenting them to the concerned bystanders. I can read between the lines (or else understand what has just been explicitly stated) without having every conclusion filtered through a slightly different sentence structure to make sure I got it.

Di Feisheng amnesia arc my fuckin beloved

Di Feisheng destroying his 'father' and freeing everyone in Di manor in a vicious act of catharsis that tied nicely into the main Nanyin bug-mind-control-thing narrative my beloved

Di Feisheng my beloved

The amount of times I was like...genuinely surprised he and Li Lianhua didn't kiss is both embarrassing (because I do in fact understand censorship and what I sign up for with these dramas and yet and yet) and numerous enough that I could...possibly...theoretically..write a 5+1 fic of every time I want them to kiss about it. No one hold me to that but it's something I think I'd like to do.

Re: the above point: because what the FUCK was that ending?!!! EXCUSE ME?! I gotta FIX THAT SHIT.

There will come a day when the strength of my hope for an unambiguously happy ending in a queer(-coded? is the source originally bl or is this its own thing?) wuxia drama is rewarded....but it is not this day. I must fix this myself.

Jiao Liqiao's laugh is one of the most annoying things I've ever heard. I was reaaaaally hoping someone would just up and stab her during one of her little evil laughing fits. At one point I was shouting "KILL HER, KILL HER" at my screen because I could NOT take anymore of her (unfortunately, I did in fact have to take more of her).

I still think her insistence on being obsessed with DFS is hysterical when he is so VISIBLY only interested in LLH. Explicitly STATES that his only life purpose is to fuck fight LLH again. Babygirl (derogatory) he is so fucking gay let's get you a nice knife to the gut instead, okay?

I thought the whole Shan Gudao plot was interesting, going from looking desperately for his body -> putting him to rest -> hunting for his murderer -> finding out he's alive/the mastermind behind everything going wrong (which I was proud of myself for realizing before the reveal, I'm normally bad at that) -> thwarting him with sass and superior martial arts at every possible turn -> killing him stone fuckin dead with beginner level skills because he's so up his own hole he can't see that's what's happening - was really fun!

He also has a SUPER annoying laugh he can fuck off

OH OH OH MARTIAL ARTS SKILL OF TRANS YOUR GENDER?! I MARRIED HER SO HER AFFAIRS ARE MY BUSINESS NOT YOURS??? ASKING YOUR WIFE FOR HER FORGIVENESS AND UNDERSTANDING AS YOU LAY DYING AND SHE GIVES IT TO YOU?????? OKAYYYYYYY

The twist at the end that LLH is the one with royal blood was so funny to me. Like it's a good twist and I love that Shan Gudao was just quite literally always a fuckin try-hard loser in ways he didn't even know, but also it was SO funny. Granny coming in clutch at the last fuckin minute with secret knowledge she just literally never shared.

LLH is such a smooth motherfucker. Shame about his insistence on dying when quite literally everyone (bar the people who suck) is begging this man to just live. Just LIVE DAMN IT!!!!! I really liked it when FDB begs him to just consider his own life as important for ONCE and remember that people care about him because YES his self-sacrificing and committment to Chilling Out Farmer Style was not the mercy he thought it was!

LIVE AND GROW OLD WITH DI FEISHENG YOU DAMN IDIOT (the likelihood of me resisting the urge to write at least the one fic for them is zero to none)

Unironically love spitting up blood as a plot device and this show is no different. The Drama. The Panache. The desperation of everyone around you because you have BLOOD coming out of your MOUTH and you are FAINTING. Poison acting up? Spit blood. Someone bitch slap you with their magical palm ability? Spit blood. Get stressed? Spit blood. Get stabbed? Spit blood. It's always good!

Okay I think that might be all I've got for now, if I think of anything else I'll add them in a reblog. I thoroughly enjoyed it, would definitely recommend!

#mysterious lotus casebook #my thoughts #for whatever they're worth #it was nice too because unlike say Word of Honor I didn't mind the overarching plot about the jianghu #and the magical cures/objects that everyone is racing/fighting each other to get to first #WOH was just plain boring outside of the interpersonal relationships in my opinion #but in this there were only a few times I really just did not care about the latest fetch quest and wanted to get back to the relationships

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kindestegg · 1 year

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Analyzing all the differences in the storyboards posted by Yasmin Khudari and the final product! - Part 1: No Collector Edition

Hello everyone!! Today I bring you a different kind of meta post than usual... I'm sure some of you are already aware that Yasmin Khudari who worked on The Owl House has posted quite a lot of storyboards for episodes in season 2B and For the Future as well. I will reblog this post with the link to her site later (as if I believe correctly the issue with posts with external links on them getting shadowbanned still is not fixed).

But for now! Under the cut, I will point out every difference between the storyboards and the final cut and what this could mean! There's a lot of exciting stuff to go through, so much so in fact that I will have to cut this post in half to showcase the Collector related storyboards elsewhere because there is just! So much ground to cover! And the 30 image limit would burst!!! (I know this because I've literally tried.)

(A small side note... I have elected to sometimes to not show picture evidence of things changing because we do have a 30 images limit here and I want to hopefully talk about all the changes!)

Starting with Season 2 Episode 12, Elsewhere and Elsewhen, we have this cute little scene of Lilith cutting some branches out of the way while Luz follows her and does a little twirl. I imagine this was just cut because it wasn't very necessary, but it is cute as hell.

In the final episode, they cut directly to the scene where Lilith is looking at her book showing the Pools of Time entry.

Another subtle difference likely cut for time, Lilith originally would sniff the seaweed brought by her palisman that ended up on Luz's head. In the final episode, this little action is absent.

Something that was not cut but rather added this time! In the storyboards, Lilith only goes "Eh?" when she thinks she failed in finding the time pools, whereas in the final episode, she goes into her whole spiel about how she "triple checked all her calculations, her equipment is first rate". It's possible that while the moments seen before were cut, this was added instead.

There is also another slight divergence in dialogue. In the final episode, Lilith's monologue goes: "Maybe the blood was too dry? Is it not algae blooming season?" Whereas here Lilith wonders if the map was outdated or if the oak was a bit more of a pine before wondering if it's not algae blooming season.

And finally, there is a moment that was also cut from the finale episode where Luz is wowed by the discovery of the prehistoric Boiling Isles, but finds out she can't breathe in there. This would explain why in the final episode she is heard coughing before pulling her head back out.

I do think it's a shame this was cut as it would better explain why she was coughing and would be a neat little nod to the fact the air would have been different in that era of time.

Next, we have another set of boards for Elsewhere and Elsewhen, this time showcasing Luz and Lilith traveling with Philip to the head. I'm excited to get to this one because this has some juicy changes I want to discuss.

And our first change already shows exactly what I mean: there is no mention of The Collector in these boards. Instead, both Luz and Philip are seeking something called "The Song of Stars".

And equally, Luz doesn't refer to it as a "he" who can tell them how to clear the mist, but rather just something that can grant them power.

Is it possible that at the point in time these boards were getting done, the Collector was not yet meant to be a character? Maybe the Song of Stars was rather some kind of powerful spell, something that would grant Philip a power similar to the draining spell.

Smaller detail but just something I thought was cute: In the original boards, Luz did not say "snap snap snap" out loud, so I'm glad that was added in the final cut. It's cute!

But you know what did not make the cut? Philip being a suck up to flatter Luz and Luz being absolutely adorable about it. He calls her crab language "beautiful" and says both her and Lilith are very brave and that they're like warrior princesses, which sure makes Luz happy. Oh, if only her happiness could've lasted.

A blush and happy tears!! My god girl!! I am so sorry your idol turned out to be a douche! You deserved to have kept that happiness!!!

I do have some theories as to why this was cut. Could have been reworked for time, or could have been that they didn't think people may get the reference (this reads like a Xena Warrior Princess one to me at least), or even that it might seem odd for him to have that concept...

I do think the blush here is interesting, we have seen characters in the show blush in contexts that aren't romantic such as when they are embarrassed, looking up to someone or think something is cute. So this isn't too odd, Luz is meeting what at the current time is a big idol for her and he is saying very nice things to her, which would understandably get a strong reaction.

Minor change: Luz goes "what!" in the original storyboards before asking if Philip uses glyphs too. Again, very minor change, but! Cute!!!

Interesting change here: In the original boards, Philip does not comment that it took years for him to find the glyphs and that it was almost as if the world wanted to hide them from him.

Instead, he comments he "didn't realize there was one for light as well".

This is REALLY interesting to me, because it also makes me wonder if the subtle theme of it being ambiguous whether the Titan's consciousness lingered and somehow hid the glyphs from Philip or if he was just that disrespectful and stubborn towards the B.I culture and wildlife that the only way he could rationalize his hardship was through the world being against him... was way less present in an earlier draft of the story.

He also does not comment "a warrior and a scholar, truly impressive" at Luz after she tells him she also found a glyph in a snowflake, just being quiet instead. I think that part may have been added to make more thematic sense with Lilith having a small quiet moment of looking weirded out by Philip's flattery right after.

Another minor detail: Luz also blushes in this storyboard when gushing over teaching Philip the light glyph, but this is absent in the final cut. I wonder if this was done so people wouldn't get the wrong idea, or, rather, if "my idol is so cool" gushing would be considered to be something that wouldn't be worth blushing over.

Another instance of The Collector being replaced by The Song of Stars. I find it funny in a silly way that it's in all caps, makes me think of how RPG games will write important key items or boss characters in all caps.

And that's all for the differences in this episode! But before we move onto the next, I wanted to talk a bit more about the Song of Stars because this all just... fascinates me? Coupled with that one storyboard we have seen from The Owl Beast nightmare that showed what seemed to be three figures instead of one, I wonder if back then they were toying with the idea of the celestial magic opposing earthly magic from the titans and the collectors as a species being the reason why titans are gone, but they didn't think to actually have a collector as a character back then, only have them as some distant threat and adding to the lore. The song of stars could have been some kind of powerful spell or weapon left by then way back when, perhaps even what killed the titans.

Maybe we will know once the series ends and we can ask all about the cut storylines that ended up being discarded in favor of the current one. I certainly want to know!

For, Them's The Breaks, Kid, now, we have one minor dialogue change. Eda adds a "honestly", when she says she thought there'd be more (to her misdeeds). Maybe they took it out because she WASN'T being honest? LMAO.

This is an interesting cut line: In the storyboards, before saying she'll be separated from Lilith, Eda says her parents "will kill her". While we know this is classic Eda hyperbole, I think this is interesting because to me it may have been cut due to the fact that this could be seen as odd when her parents have been shown previously to be pretty understanding... or maybe there is more to the Clawthornes than we think of.

I'm definitely not saying Dell and Gwen would be abusive, fucking hell no, but Gwendolyn has at the very least been pretty overbearing on Eda at times, and has made Lilith feel left out, presumably even before the curse if Lilith's desperation to stand out above Eda is anything to go by. Maybe, even without meaning to, Eda and Lilith's parents were pretty strict about getting them a good enough education and nudging them to join the Emperor's Coven. I mean... where do you wonder their aspiration to it came from?

Or, again, I'm just looking too much into this and this line was cut precisely because this wouldn't reflect Dell and Gwen well.

Small detail, in the storyboards, Eda said "I'll do anything to make up for this" instead of just "I'll do anything". I think it's possible they cut this because it made more sense to imply she'd do anything to stay rather than "make up for" things she wasn't truly sorry for.

More small details! Faust doesn't say "no child is beyond redemption", but rather "no one". This is interesting to me because it would imply Bump's life philosophy extends to adults as well, and in my opinion nods to the goodness in his heart.

Also! In the storyboards Eda doesn't laugh nervously, just raises her hand at Bump.

"IFWOT" also used to not have its name be said in the storyboards when Faust explained it to Eda and Bump, instead he simply called it a "special training program for gifted students of the Isles". I think this was more of a change to let us know of the name really, and it's possible they didn't have the name when it was boarded.

And finally, Faust was I guess supposed to laugh offscreen when he walked away, but this is absent from the final episode. I guess they either thought he might not be the type or they just forgot to add it, after all it would require someone to remember to record the line and add an offscreen sound effect.

Another set of boards for the same episode also shows Lilith and Eda in their studying together.

For starters, instead of Lilith saying "Trials for the Emperor's Coven are just around the corner", she says "The Emperor's Coven will be here *any* day" in the storyboards, which to be fair isn't a big difference, specially since the storyboards afterwards continue the same way with Eda pointing out seven months isn't any day/just around the corner.

Also something interesting, when giving Eda her question, Lilith specifies a potency the Leadfoot potion would have. Does this imply that potions can be mixed with varying potency, making some purposefully weaker or purposefully stronger? Maybe as a way to create balance?

Also it is barely a real difference, but I thought it'd be criminal to not let you all know Lilith is described to be "slightly envious" in the storyboards when stating that Eda is correct lol

She also had EEE on her dialogue before saying "imagine us both getting" on the storyboards which I'm sad didn't make it in!

Also there was no dialogue for Lilith pointing to the clock in the original storyboards! I'm guessing they added "look we're gonna be late" as a way to clarify what pointing anxiously at a clock meant lol

The storyboards then cut to way later in the episode, with Raine having transferred to Hexside and Eda meeting them in the cafeteria. Another slight dialogue change is Raine used to simply say their parents were surprisingly cool about it, rather than they hated the cold on the knee like they do in the final product.

It is very faint, but there is also a cut frame of Eda blushing at Raine while smiling here. Very cute!

Raine also used to take a sip while saying "give me the rundown of this place" while cutting that sentence in the middle and going "blegh" because of the taste, rather than in the final cut where they say the full sentence and then take a sip.

I think this may have been cut simply because it made the pacing of the dialogue way too awkward.

And finally, Raine used to laugh at Eda commenting on how much she liked the apple blood, which I think is just cute.

Next up, Labyrinth Runners! We have three different sets of storyboards for this one to get through!

First of all! After Bump takes a fighting stance, the coven scouts look at each other and shrug, which was cut in the final version. Guess they'd usually not think much of Bump huh...

Another set of storyboards shows us a pretty different look at the scene where Adrian has Gus held inside the gym: First of all, for some reason this set of boards is missing all of Adrian's dialogue, which makes it hard for us to infer just how much changed about that from the storyboards to the final cut, but we can see a glimpse of a different storyline with Gus' one line in all this:

"I'll never join your coven"... does that mean, originally, Adrian would try to force Gus to join the illusion coven, and Gus was resisting because he probably figured out by now getting coven sigils is bad news? But then again, I can imagine this was cut and quickly reworked into something a little less convoluted and more straightforward: Gus wouldn't know yet just how bad joining a coven is and about the draining spell, and Gus DOES specialize in illusion, so it could look odd that he is resisting this much.

There's another set of boards of when Hunter wakes up at the infirmary, and sadly this one is also missing dialogue. But we can still infer some differences!

First of all, after Skara tells him it's not an illusion and he is in the healing homeroom, Hunter opens his mouth briefly, maybe speaking words of relief or just sighing in relief really.

Also minor thing: it's a bit hard to tell with how these storyboards are with missing chunks, but it seems like Willow would have walked up to Hunter to defend him without him having to have brought up Gus' breathing exercise.

And for the last board in this, uhm, I don't... think this was meant to make it into the final cut but. LOL. LMAO.

Moving onto King's Tide!

Originally, we would've seen Luz use her safe fall spell when dodging Belos' attacks!

Also, instead of saying that it took him years to figure that (combining glyphs) out, Belos instead says it took him years to "harness their strength"... and he does NOT say anything about it being almost as if the titan was hiding it from him. Hmmm. Perhaps, more fuel to the fire of the theory that back then, there was no subtle implication of either the titan's consciousness lingering or Belos attributing his own disdain and lack of care to the titan?

This also curiously alters the next bit of dialogue: he still says "though you're still decades away from beating me", just earlier. And soon after, he says "that was almost impressiv-" getting cut out when Luz sends fire out at him. Not gonna lie, I almost wish this was kept because I like the idea of Belos getting cocky and immediately getting blasted, unable to finish his sentence. But oh well!

Speaking of dialogue differences!

Here, Philip says "And I'm giving you a chance to be saved, Luz. To go home!" instead of "And despite our differences, I want to help you, Luz. I can send you home." I consider this more or less the same, really, but it is an interesting change. He leans more on the saving aspect here.

And there is a pretty big cut scene also with how Luz responds to "I don't want to see another human life destroyed by this place".

Here, she snaps that he's the one destroying things, and wonders what it is all for, and then asks "what do you think they DID to you?"

Only after this, in the storyboards, does she go on to her "you're such a hypocrite" lines.

To me, this is a bit of a shame for having been cut out, because I feel like it brings up a good point about how Philip self justifies his wrongdoings by believing that the Boiling Isles residents are all inherently bad by the way they simply are, and that this divergence he cannot understand could somehow justify the drastic violent measures he takes.

I think it could have been this was cut for time, or maybe the crew thought this addition would be a bit confusing for some audiences to understand the implications it is trying to set up. It IS indicative of a bigger exploration of Philip's psyche after all.

Another incredibly interesting change: in the storyboards, Luz used to not have the petrification spell continue crawling up her, and is able to shake it off okay. I imagine they changed this to maybe make the situation look more dire and up the stakes a little, otherwise the scene might be too stale and anticlimactic with just Luz being able to keep talking and not having time ticking down on her life.

She also shuffles to her feet and is able to stand up while facing him, while in the final episode she can't get up due to the petrification spell still crawling up on her. Not gonna lie, I almost wish we did get this one, because the way she controls the situation with Philip here kind of feels more satisfying like this, while in the final product, you're busy going "shit shit shit LUZ OH NO".

She also used to cry a lot more on the boards when begging for the deal... I wonder if they added the petrification continuing really to just hammer home the desperation and make her crying have a "reason", though uh... hot take, I think she has reason enough to cry considering the Draining Spell threatening to kill everyone.

Also! Belos used to "chuckle" as the boards call for it when he was about to shake Luz's hand, but he doesn't do so in the final cut.

And finally for this batch: there's a small cut moment of Belos saying "you" with pained effort at Luz after she fucking booms him and gets the sigil on him, and she fucking STARES back with the most ominous badass look. I'm kind of sad that didn't make it in. Yeah it's minor but I like every time it's very clear Luz is being a thorn on his side and he is actually really fucking bothered by it actually.

Next batch of storyboards for this ep shows the fight with Belos on the bridge! First difference I can think of is that Luz was supposed to say "Philip" very quietly before getting jumpscared by him showing up behind her. It may have been cut similarly just because of them not getting audio for it or something or it not being necessary.

Bigger dialogue change: Instead of saying "we don't belong here", Belos says "I wanted to save you", which adds more fuel to the fire that they used to put a lot more emphasis on Philip's psychology of seeing himself as the one who gets to decide who is saved and seeing himself as a savior and martyr, and also someone done wrong by the demon realm.

I can't really know for sure why this was reworked and why more emphasis was put on rather Philip seeking to relate to Luz in their humanity. A lot of these boards seem to put even more emphasis on them as foils, standing up as equals against each other, and I do kind of lament we lost that? I mean, don't get me wrong, I can totally see that STILL lingers in the final product, but it feels way stronger in these.

By the way, if you're wondering, Luz does not say "I'm nothing like you" here either, it just cuts right onto Willow grabbing Belos with vines.

Also! When the gang shows up, they used to have no dialogue about how they're here to help and all, just cutting to Luz saying "you guys!!" (in the final product, she says "You guys are literally the coolest"). I do like the final product more, it's cute and adds more I think.

This one deserves to get shown: there's a cut little moment after Amity covers Luz where they look at each other and blush and it is! So cute! Why did it not make it in!! WHAT! Just because it "isn't the time to be gay"? Bullshit! Yuri time is all the time!

But for something that wasn't in the boards but made it in! Hunter protecting Willow was added in the final product!

And that is it for King's Tide... and so I ask that you tune in next time for when I analyze the For the Future boards!! I am VERY excited to get through those, specially because even between the roughs and cleans for a scene, there's so many little differences!!! And I want to talk about it ALL!!

#the owl house #toh analysis #storyboards #toh storyboards #luz noceda #emperor belos #philip wittebane #eda clawthorne #raine whispers #sorry for tagging all these characters but theyre all pretty relevant here!#commander's orders

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