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#its always relevant
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kristensdexscore · 9 days
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if i ever see someone say kristen "doesnt try" or "doesnt care" again im going to forcibly cancel their dropout subscription
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megabuild · 6 days
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Does anyone ever think about how everything 3rd life etho loved (his base his tree his pets) all got burnt like things being set on fire and burning down were such a big part of his 3l character that he started naming his videos after it and then he died on fire. And then ll happened and bdubs was like okay well let's make our base out of nether wood so it doesn't burn down ever because you deserve a place to be safe. And when they can't do that they make it out of snow. And they replant the dark oak tree and do their best to protect it even when scar threatens it again. And bdubs teaches him that axe hits disabled shields so he can protect himself. And then bdubs dies and etho forgets that axe hits disable shields and gets killed by one. And then in double life his house burns down and he dies in lava believing that bdubs betrayed him and sent him to burn again after protecting him for so long. Has anyone thought about this before? I didnt think so its okay. Walks away. Turns back around to say something. Decides against it and walks away again
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autisticlancemcclain · 3 months
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Could you explain your position on Shallura? Since Allura was established as a teenager when she started dating Lance and Shiro was very clearly an adult. I can understand the bi shiro headcannon but the shallura thing worries me
i am going to remind yall that i have been in this fandom since 2016. and in the early seasons, allura was not established as a teenager. in fact she was coded as older, as closer to shiro's age -- there was a specific divide between her and the younger paladins that she did not have with shiro. they made her younger (both explicitly and in mannerisms) as the show went on. and i do not give a fuck about voltron like...post s4 and i didn't even watch s7-8. so like. especially with older fics, im going to enjoy shallura.
#also this is less relevant and i was going to put it in the main post but i cant find the words for it#but i found your last sentence kind of condescending. “the shallura thing worries me” as if i am your little project and things arent going#to plan. as if you are the Knower Of All Things and i am straying from my path lol. twas odd#and this is a controversial thing to say i know it but like#we take fandom way too seriously. if someone decides in fic to make two characters the same age to ship them or whatever. do we really need#to get the torches and pitchforks. like i can understand discomfort when people ship like shiro and pidge or something but. also. i feel#like you can just block and move on?? like i dont ship sheith bc they are brothers. to me. but also i dont think sheithers should be#harassed or any dumb shit like that. i think its so so whatever like theyre Lines man theyre moving lines#at the same time i understand that peoples headcanons can be reflective of their worldviews (like when racism/transphobia/sexism shine#through someone's headcanons/characterization) but how much scrutiny is too much? when do we get to remember that fandom is a place to#work with the FICTIONAL? where you can change details without consequence? i saw a fic where keith was the older sibling and shiro was the#younger once. it was a good fic. how come we can play with ages but only when the Fandom Council approves?#i guess this is a really long and clumsy way to say like. you do not own the fandom nor do you get to dictate my work. and while there#is always room for necessary criticism please also think critically before you post your criticism#anyways#rant#ask
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etoilesbienne · 7 months
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meadowmusing · 4 months
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My favourite unintentional effect of the casting for the new PJO TV series is Percy's new looks, which make him look similar to Will Solace. Nico is going to be like "dont worry guys I'm definitely over percy alright" and goes and dates the apollo-flavoured percy
Nico is not going to be beating the "still down bad for percy jackson" rumours any time soon lol
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poorly-drawn-mdzs · 1 year
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Concept: LQR big naturals but also with the flattest ass. Make him a titty dorito
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Lan Qiren Breasted Boobily down the stairs of Cloud Recess
[First] Prev <–-> Next
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maaaxx · 8 months
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Crack modern atla au but where zuko is still chasing down aang but instead of him trying to capture him, ozai owns a car dealership and he sends zuko to contact aang about his cars extended warranty
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oifaaa · 1 year
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Tim drake hired the joker to turn him into joker junior so he a had an excuse to just straight up murder and b so he could beat Jason in the joker trauma olympics. It backfires because Jason still doesn’t know his name or care about him and instead sees it as another failure of bruce.
Tim getting ready to be a clown in more ways then 1
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falmerbrook · 1 month
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Snow Elf culture?
*pulls up a chair*
Perhaps...
A wee disclaimer that I'm not particularly good or creative with developing cultures or societies, but my brain has just latched on to the snow elves in a way where I can't stop myself. But anyway
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I developed a lot of this because of a big ass draft for a fic I've been writing on and off about Gelebor and Vyrthur, so a lot of my headcanons are religion heavy. I'll start there:
Gelebor seems to place Auri-El and the Chantry of Auri-El as having significant importance to the Snow Elves over the other gods/temples. He's probably got a bit of bias in that regard since he's devoted his life to Auri-El, but in order to differentiate their religion from the other elven ones I like to think that their religion in general worshipped Auri-El as not even just as the figure head of their pantheon, but almost monotheistical, while the other gods (Trinimac, Syrabane, Jephre and Phynaster according to Gelebor) were like minor divine figures or just legendary heroes even more than in Altmer myth, depending on the interpretation. My idea is that if their culture had been allowed to continue on, it would've eventually become monotheistic, but by the arrival of the Nords they were in a bit of an awkward transition period with it.
I also like to lean into the sun motif with Auri-El that they established in Dawnguard and with Auriel's Bow, partially because it's another thing to make their depiction of him more unique, and in part because it makes some very juicy irony for Vyrthur. Some ideas include:
- The more religious folk tend to pray at noon when the sun is at it's highest. - The two biggest snow elf festivals happen on the summer and winter solstices. As far north as they are, the summer solstice is during a time of year where the sun barely sets and the winter one is during a time of year where it barely rises. The summer one is more jovial and celebratory, with a grand feast. With almost 24 hours of daylight, the festivities last up to three days straight, with folks commonly staying awake for over 24 hours. Most of it is spent outside, with the celebration being focused on making the most of the weather and daylight hours to spend as much time in the sun and the light of Auri-El as possible. The winter festival is as large scale but lasts longer and is lower-key. It also involves a feast but features more winter foods and meat and alcohol. It is more pensive. At this point in the year, there is no full daylight, and so this season is seen as a test of one’s faith and mental fortitude. This festival acts as a break from this trying time, taking time to relax, build community (a strong community will allow them to make it through the winter and strengthen their minds), and bond with family and friends. It is about a weeklong break, where leading up to the festival everyone works harder to prepare for it and allow themselves to have the break. There are activities and festivities, but they remain indoors for the most part and are smaller. - I've referenced this before, but with long winters with little sunlight (due to harsh weather and short days), they see that time of year as a reflective test of will and faith.
Due to their proximity to dragons, it was hard to miss the connection between Auri-El (/Akatosh) and dragons, and so their depiction of Auri-El is either much more influenced by the iconography of dragons, or is a dragon (although their depiction of dragon Auri-El is much more benevolent than the Nord/Atmoran one). I got the idea for this one from this Reddit post (i know I dog on Reddit a lot but this one has got some fun stuff in it, even if it's a bit out there)
^On that note, later in the timeline (post Dragon War (the timeline is very fuzzy on when this and the Night of Tear happens. They are both sometime vaguely in the late Merethic Era I believe, but it's unclear which happens first or how long each conflict is)) some Snow Elves see a sort of unreturned, unofficial comradery with dragons, seeing themselves as both on the receiving end of the Nord's/Atmoran's brutality (disregarding whether it was warranted or not in the context of the Dragon War).
Ok here's some more general cultural ones:
I mentioned my reasoning for this in this post, but I like to think their general settlements were not as permanent, with a larger focus on wood and building into the sides of hills (good for warmth), while their temples tended to be made of stone and much more permanent. This is why there are so few identifiable Snow Elf ruins across Skyrim. Their cities and towns were easy to wipe out, scavenged for resources, or were in good places for Nordic cities (perhaps Bromjunaar was originally the site of a Snow Elf city?), and their temples were either very hidden (e.g. the Chantry of Auri-El) or eventually converted to Nordic temples.
I love this journal in general for gleaning ideas for Snow Elf headcanons for, but one interesting this is the use of "Old Ones" and "Young One". They're treated like established titles. From that I like to think they place a lot of emphasis on the respect of those older than you. The social hierarchy and whose opinions are most valued is heavily influenced by age. Folks call anyone older or more revered “Old Ones” as a term of respect, and anyone younger than them “Young Ones”. Old One is almost never used in a demeaning way, but Young One can be (not always). Typically, “Old Ones” is used in the third person (e.g. you wouldn’t refer to someone directly as “old one”) whole “Young One(s)” can be used as an epithet for someone directly or in third person.
When thinking about death/"burial" customs (needed for some scenes in the fic I'm planning), you have to consider that there probably wasn't a lot of land in a place like Skyrim where someone can be buried. Nords intern their dead in crypts or burn them to get around this, and I like to think Snow Elves participated in something akin to sky burials (at least sometimes). After preparation, the departed's body is left outside on a ledge, cliff, or the temple balcony to be scavenged by birds. This is seen as a metaphorical return to Aetherius, while their soul literally returns to it. They do this even in poor weather or deep winter. If it doesn’t thaw and rot/be scavenged until months later, so be it. The length it takes to rot is considered indicative of how long it takes for the spirit to let go and move on (not in a bad way though. It’s interpreted more in the way of the soul or body grieving). It's seen as if they may wish to wait until spring to finally rot if they want to experience one more warm, sunny day.
Food (I mostly wrote this in my notes in the context of the Forgotten Vale and Chantry of Auri-El, but I think it could work elsewhere as well to an extent): Plant-based food is grown in gardens in the spring and summer, and that that is able to be stored is carefully preserved through the fall and winter. Winter foods include some nuts, dried vegetables, and dried and preserved/fermented grains (like wheat, barely). These foods must be eaten slowly throughout the winter to last, and winter diets are more meat based. Summer foods include apples, cabbage/lettuce, leeks, tomatoes etc. Snowberries can be found in the wild out of season of most other fruits, and provide fruit in very early spring. Occasionally, fungus from caves is harvested, but this is seen as a delicacy (foreshadowing).
Ok, that's it for now. I gotta go to bed. Thanks for the ask!!!! :D
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ariennebeak · 9 months
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what about them. top 10 questions science can't answer
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leemontoast · 3 months
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Ok but it is the funniest shit ever to me that everyone is like oh no we are gonna have to start everything building from scratch again and Fit and Ramon(and probably inevitably Pac and maybe Richas too) have an entire fucking castle
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bidokja · 11 months
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
#orv#orv analysis#orv meta#orv spoilers#mine#ask#there's also the meta that he is described with these (stereotypically) pretty features as they are about to try and 'sell' him to a crowd#which feels to me like a very pointed way to convey how 'beauty' is commodified. how audiences like 'attractive' characters more#note: made some edits to add in a couple of sentences my brain forgot in the moment so make sure u reblogged those if u do#tag edits for further commentary that isnt strictly relevant to the point i was making:#do i think that this face censorship was executed as well as it could have been? nah.#not that it was like. done Badly. it's followed through to a certain point. its established enough for me to make this post at least.#but i do think it is the one thing in the web novel that SS didn't capitalize on.#like. they still stuck the landing but it was not as picture perfect of an execution as the rest of the metaphorical stuff in orv#also. this (not the face censorship specifically but the 'hes just some guy' point of it all) is one of the big reasons i think that-#-visual adaptions of orv can never quite work. they can do the best that they can with that medium but a lot of nuance is lost-#-simply by virtue of it being a visual medium#i personally think the only way a visual medium could work would be one where they commit to the power move of not showing kdj's face#(until a certain point (of view) that is)#his face is always facing away or out of frame or hidden by someone or something else in the way#commit to the fucking allegory or simply perish
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spartalabouche · 1 year
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taiturner · 1 year
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⤷ insp.
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obihoe · 7 months
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i think its so crazy the way having power as a shinobi always seems to be such a double edged sword on naruto. like on one hand, u need it, its a tool for survival and it earns u respect from ur peers. but on the other .. it can also lead to the exact opposite. if u have too much power it can lead (or contribute) to isolation and becoming ostracized from ur community bc it makes people fearful of u .. this is applicable to madara i think and to naruto and gaara as well. madara isnt ostracized only bc of his power, it is also his lack of skill in forming bonds bc he has trust problems but his power is a major contributing factor. he is feared for his power (but also admired) and the more he gets isolated, the more he starts building his own identity around it as well and starts thinking its the only thing valuable abt himself. naruto as well is feared for his power as a jinchuuriki even tho he is also a bit of a special case since its only the grownups that know abt this so his peers ... they ostracize him for the opposite thing. he's a failure at the academy and a difficult learner so he gets no respect. it is only when he starts gaining more power (or controlling it better) and using it for the sake of the village that he gets everyone's respect and acknowledgement. he's a hero even all of a sudden. but gaara is an even more extreme case. gaara is also a jinchuuriki and he's ostracized for it to such an extent that he does not get to build bonds at all and in a bit similar fashion to madara starts self-identifying only over his power. both him and madara end up consumed by their power but while madara decides to use it for the sake of saving the world, gaara just fully decides to just live for himself, fight for himself and love only himself ... madara also becomes a bit self-absorbed but its not something he does purposefully i think. gaara just goes, well, everyone fears me and despises me anyway, so i might as well give them a reason. my only purpose in this world is to kill ... i have no other reason to live. i forgot where i was going with this but .. something something isolation, objectification and dehumanization from others on account of ur power and it leads to the person internalizing it and seeing themselves also as either below or above being human .. madara perceives himself to be above it, he develops a god complex and comes to think that he is the messiah who will solve the world's problems (with power) and gaara seems to perceive himself to be beneath it .. as a tool and a servant. both to his village and to the bloodthirsty voices he hears in his head.
#gaara#madara#naruto#posts#.. had a whole other chunk of text here that i deleted bc i thought it wasnt that relevant to the topic of thr post#but i still think its interesting so i'll put it in here#when i said gaara hears voices .. i was going to say mdr doesnt but then realized that thats not true? mdr also hears voices#presumably. he heard kuro zetsu speak to him in his head during their first (well majority actually) time that they spent together#in the cave. mdr seperates him from himself when he gives him to obt. and he seems to believe that to have been the moment of his creation#anyways but i think its so interesting how both him and gaara have a seperate identity with them that benefits from this?#they benefit from their corruption. the ichibi benefits from gaara's bloodlust and hatred and kuro zetsu benefits from mdr's power lust#and they both drive them to further pursue it ... there is something in there i think. something abt how experiencing isolation etc#will make u susceptible to ill-natured manipulation or influence. from the outside#gaara apparently can handle having to live with shukaku after he gains his first bond (naruto). and he isnt susceptible to it anymore#mdr wouldnt have gone down his path either if his bond w hsrm hadnt fallen apart#naruto is saved bc he does not give up on trying to find bonds. putting aside how it kinda sucks for him to have to prove his worth#to his village first. it is ultimately abt him never giving up. always trying ... and eventually finding the right people#to bond with#mdr never finds this up until the end of his life ... and its the reason he cant find his peace ever before#but i also think its interesting how both kuro zetsu and the ichibi .. i mean they dont outright manipulate their targets#theyre moreso just feeding into whats already there .. its why mdr/zetsu work great together narratively i think#but it also applies to gaara as well. gaara wants to shed blood bc he wants to share the same kind of pain he has experienced#just like mdr wants to gain power/become god cuz he longs for control and is fearful of depending on others#and both the ichibi and kuro zetsu want that as well. the ichibi hates how the humans have treated him. he hates being confined to#a jinchuuriki's body. he wants to be free. and if he cannot be free he will use his host to go punish the humans who did that to him#and kuro zetsu well ... he wants to be powerful i guess. but he moreso wants mdr to think that he is#so that he can become host to kaguya who will explode the fucking shit out of him#there's more even .... gaara seeing himself as a tool to others since he believes the voice to be his mother's .. and mdr seeing himself#at the center of everything cuz he thinks that the voice is his own. mdr bc of this being even more self-centered#but then also more altruistic. bc he's the savior. running out of tags here unfortunately but yeah .. much to think about
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