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tteokdoroki · 3 years

Text

an ode to winter | dabi.

♡ pairing: dabi/touya todoroki x fem!reader.

♡ word count: 14.1K

♡ rating: mature, 18+, mdni.

♡ genre: manga war arc!au, single-parent!au, unplanned pregnancy!au, angst, fluff, smut.

♡ summary: touya todoroki had broken a lot of things, your heart, promises, your window a few times, but you swore he'd never leave your child feeling that way. but when he wants back into your life, will he take no for an answer? And do you even want to say it?

♡ warning(s): please read ! heavy smut, ( literally 5k of it ), MANGA SPOILERS IN THE EXTENDED ENDING, mentions of pregnancy, mentions of semi-toxic!relationships, struggling with parenting, blackmail ??, unprotected sex ( wrap it before you tap it, losers ), handjobs, oral sex ( female receiving ), fingering ( female receiving ), choking, branding, squirting, spit!kink, needy touya lol <3

♡ author’s note(s): OK so this started out as a fic for my bestie @ozzy-bozzy but then turned into this long ass vent fic bc i do be struggling!! i’ve barely written for touya so apologies if his character is off. special thanks to @bakugous-trauma for beta reading n @doinmybesthere for the summary and beta reading and thanks for 4.7K MWAH <3

♡ masterlist | requests

the snow had fallen heavy that day, its flakes dancing along the window panes while you’d brought her into the world. you hated the cold, the way it nipped at your nose and stung at your cheeks, how it could freeze over a heart so badly that it would take years to thaw it out. you’d complained about the ice sheets that frosted your windows to the doctors, the ones on the roads too, but they’d simply wrote it off as your anxieties related to bringing kori home for the first time in such weather.

funnily enough, your daughter much resembled the cold in many ways. you’d named her ‘kori’; meaning ice, since her hair was white as the crisp blanket of winter outside and her eyes a piercing shade of aqua marine, that for a while, had no meaning written behind them except for a cool curiosity that you knew didn’t come from your side of the family. she wasn’t warm either, the first time you held her, her flesh against yours was almost a painful spark of frostbite— you expected that it was related to the lineage she came from too.

you thought that you’d resent kori when she was born; for the struggles that her new life had brought to you. you’d given birth alone and afraid, having lost friends and contact with your family due to keeping your pregnancy a secret. if they had known who caused you to end up in this situation in the first place, you were sure you’d have lost them all anyways. you hadn’t a chance to attend maternity classes due to the hours you worked in order to ensure yourself and your child’s financial security. although, prior to her arrival, dabi had told you that if you chose to give your daughter the todoroki name; you both would be looked after when the right time came.

and like a fool in love, you’d believed him, avoiding the apologetic gazes of the doctors and midwives who’d delivered your baby as you filled out her paperwork and birth certificate. one nurse even asked you if you wanted to contact endeavour for support, and you couldn’t blame her— the rumours of your child potentially being that of natsuo todoroki’s had spread fast through the hospital and it was a given, figuring his bad boy college reputation. natsuo and his ventures into the college life were no stranger to the media, so it didn’t surprise you nor the doctors to believe that this wasn’t the first time a girl had given birth alone to a todoroki child. you suspected that if there were any, enji todoroki would have paid them off.

so you let them believe what ever false truth that might have plagued the hospital walls about yourself and your daughter— not having the heart to tell them that you’d probably receive a much larger sum of money to keep hush about the child that you mothered and the child who’s father belonged to endeavour’s deceased, eldest son.

so you realised, thumb held by the chubby hand of your sweet infant girl; that you couldn’t hate her for the mistakes you’d made and the mess you’d become tangled up in— you could only promise to do your best in raising her despite the odds and difficult circumstances, you could give her the life and childhood that her father never had but most certainly deserved.

“miss yn...”

your midwife; himari enters the room, calling for you— tearing your gaze away from the hypnotising sea-foam eyes belonging to your daughter, the way she looked at you only reminding you of dabi. you’d told him once that his eyes always took you to the mediterranean sea, to which he’d laughed and mentioned you’d never seen it before. when the pair of you realised that this was true, the boy with the black hair and intoxicating stare made an oath to you, that he would take you there someday so you could bask in the warm sun and dip your toes into the clear oceans. you only hoped that this oath still remained true.

“miss yn...” himari tries again, this time stepping further into your hospital room. your thoughts had carried you so far away that you hadn’t realised how close she’d gotten as she lingered by your cot. her hands lay flat against her pale blue uniform, nails you note—neatly trimmed— and a smile that would have made you feel comfortable had you not known she’d volunteered to care for you because she too believed she’d be paid off by endeavour. you almost felt bad that she thought the silly lie was true and that she had a shot at a big time bonus but it was funny to think that no one would believe her when she eventually took to the news to claim that she cared for the next heir of the todoroki empire. “it’s says here, that kori is scheduled for feeding— i was wondering if you wanted to continue breast feeding or try pumping a bottle or two today?”

chewing on the inside of your cheek, you hum with hesitance. feeding kori was something you’d never discussed with dabi, some of the nurses had assured you that it was possible for you to do both— so that you could grow closer to your daughter and form a tight bond whilst also giving the opportunity to others to feed her when need be. there weren’t many others, but you figured that dabi might want to give bottle feeding a whirl when he finally returned from the league business. the business that had made him miss his little girl’s birth.

kori gargles from hunger in your arms, drawing your attention back to her tiny form. a stray strand of hair curls against her forehead from underneath her blankets and swaddling— the end you notice has a slight tint of red to it. the icy shell around your heart thaws. glancing back up to himari; you grin with a decision in mind. “i’d like to try breast feeding again, we can use the pump tomorrow.” you say, voice quiet.

“do you need any help getting her to latch?” your midwife asks, aiding you into a comfortable position to feed kori.

“no,” you smile after getting settled, pushing down your gown to expose your breast to your little girl. “i’ve got her, i can take care of her.”

you say the words more so to yourself than to himari, a hidden reassurance that you’re more than capable of raising your daughter on your own.

for now at least.

that winter, dabi never came home.

the snow melts, the flowers bloom and the seasons change. your daughter grows with the swift transition of the weathers too, her hair is a little longer now but the small curl of red against her forehead remains hidden and the same. her eyes open wider, still that deep shade of ocean blue, she can sit up on her own, throws toys out of her crib and her favourite movies are bambi and bambi two. they’re the only things that she watches, which you hate, because they remind you of her. an innocent child who loses one parent and is left in the care of the emotionally closed off other.

you hadn’t realised how much you would need dabi, but still he is nowhere to be seen.

raising kori on your own proves a challenge, especially now that she’s a little bigger— it was easy after she was born; she was quiet and only made a fuss when she was hungry or needed to be changed. went down easy too, that was until her wails reared their ugly head as soon as the colder parts of winter hit. no matter what you did, the girl would cry for hours on end until her face would hurt from how scrunched it was and her fingers would turn red from the grip she had on your hands.

since her birth, you and kori had to move three times due to the noise complaints about her consistent crying throughout the day, evening and night. by the time february rolled around, you’d ended up in an apartment not so far from dabi’s old neighbourhood— it was a shitty area with high crime rates and an eerie feel to it that made you clutch your purse tighter when you walked home from the late night shifts— you had never had any intentions to raise kori in a dump like this, you wanted a better life for her than what dabi had, but your shabby two bedroom apartment in the dark side of town would be enough for now.

the rent was cheap since your current boss at the local grocers market was close friends with the building manager, but your boss was also a sleaze who thought offering you an extra 10% off of your weekly shop and an expired coupon for the coffee joint down the street would be enough to get into your pants. he was just another thing on your list that you hated about the world, about the current life you lead but you needed to keep him close to keep your rent low and a roof over your head.

besides, it had been a few days since you last saw him at work— the asshole was probably taking a few days to himself while you and your colleagues practically ran the store.

you can’t leave kori with a sitter; they never worked with her. your daughter was far too temperamental for the average person and would spend one night with her before taking their pay and quitting. the only person able to handle your beloved little girl was the old lady who lived two floors above yours, mrs. yamamoto. she was a sweet woman, widowed by fifteen years and had taken a liking to kori that one time you’d helped with her groceries when she couldn’t make it out in the february winter after your little girl was born.

it seemed kori liked mrs yamamoto as well, she was only ever quiet in the woman’s presence and you put it down to how high she had the heat up in her apartment. one time, it was up so high the power in the building went out for an entire night— which was hell for you since kori wouldn’t stop bawling. however; you appreciated the help, you’re sure that without the help of the elder woman you would have been far under the surface— drowning in regret.

but sometimes, it’s easy for the darker emotions to slip through the cracks— take a choke hold over your sanity. there would be nights where guilt would consume you and tears would flow heavily down your cheeks while your daughter slept. it was hard being alone, no one to confide in about the troubles of parenting or to reassure you that you were doing a good job at taking care of your child.

it didn’t help that winter was coming up again, kori’s first birthday fast approaching. the sudden milestone only made you wish that dabi was around more — it hurt you to know that there was possibility he’d run out on you and his responsibilities as a father but part of you believed that your lover was better. the eldest todoroki son appeared way too excited throughout your pregnancy to leave you with nothing.

despite not being able to make it to appointments due to his criminal nature, dabi had somehow manged to find the money to get you a 4D ultra sound of your baby, telling you a few odd jobs here and there allowed him to scrape the cash together. you never asked what it was that he did, afraid of what you might find in the eyes of the man that you loved so much.

why did you allow yourself to love a man who wouldn’t have given you the time of day if he hadn’t broken into your home? his seafoam eyes a glowing shade as he threatened your life through shards of broken glass and then wails of cop sirens outside. were you just as broken as he? had you not realised it yet? you could blame this whole mess on the fact that he kept coming back, but you always let him back in. dabi was a broken man who only knew blood and grit and grime and you were the girl with a chance to lead a normal life— yet you poured all of your heart and all of your soul into loving him because you were so sure that you could fix him.

and every single time you’d convinced him, convinced yourself that what you had could be normal and domestic— dabi would slip between your sheets, pinning you to your bed with your name heavy on your lips and the emotion of love painted into the turquoise flecks in his eyes. they burned with passion while his heated cock sunk between your plush thighs and welcomed him into your warmth. the moans you’d share while your skin slapped together, creating a bubble of safety where you were the only two people on the world.

dabi made promises against your swollen lips as his fingers swirled hidden messages of desire into your slick, puffy clit. he couldn’t give you the ring, the wedding or the house with the white picket fence and dog barking at the post man in the front yard— but he could give you every part of him from the good to the bad, the beautiful to the ugly and he would seal that promise with a throaty groan of ‘you are mine and i am yours...’ into your ear as you came together.

but it seemed that like all things, dabi’s promises were broken like shattered glass— never meant to be kept or eternalised. the shards cut your delicate fingers, the pain numbed as you were left to pick up the pieces and be strong for the small life you were now responsible for.

you were careful to not let the door fly in and hit the wall opposite as you unlocked it, stumbling into your two bedroom with kori’s chubby legs locked around your hips and bag full of groceries in your other hand. “look princess,” you coo down at your daughter sweetly, watching as she drools all over your staff lanyard from work. “we’re home!” bending down, you dropped the produce off by the door before heading off to your living room area, propping kori in front of her toy mat.

smiling down at her, you brush the pure white hair that curls over her cobalt eyes and kiss her freckled cheeks— heart swooning at the way kori giggles in your arms. she’d been on her best behaviour the entire week, keeping out of trouble with the staff at her daycare and mrs yamamoto in the place upstairs, so it was only right that you treat her.

“you hungry babygirl? want mommy to make your favourite, hm?” kori is barely old enough to talk aside from a few babbles and repeats of mama but that doesn’t stop you from asking.

“mmmamamamaa!!”

you press another kiss to her baby fat cheeks before heading to the kitchen to prepare her favourite dinner— spaghetti. ever since kori started eating her solids, she hadn’t been a picky eater and you noticed that her appetite much resembled dabi’s, who couldn’t afford to be fussy about any of the meals you’d made for him before he disappeared.

making the sauce is easy, a dish you’d prepared from when you were a child and used to cook with your parents— you retrieve the ingredients from the groceries and pull out the stuff you’ll need to cook them. you mince the vegetables easily like you’d been taught as your mind gets away from you.

you wish that dabi was here to enjoy the domesticity of your current life— maybe him being around would lift the dark cloud over your life. sometimes it hurt to know that he would be missing out on moments like this and you could imagine him sitting by the couch while kori played with her toys and you cooked for them both. in this world, he’d laugh at her fascination with colder toys and magnets— make a joke about how much your little girl resembles him and kiss your cheek when you served them both up their favourite meals.

tears pool in your eyes at the thought of your wish never being granted and that’s all it takes for you to slip and cut your finger while chopping up the garlic. “fuck!” you boss, dropping the knife and squeezing your hand around the wounded digit. you know that the clattering of the knife has scared kori, and from the way she looks at you, you can already tell that she’s seen you injure yourself. “god, fuck...that hurt.”

there’s a pause in time, while you rinse your cut under the tap, cold water soothing the sting before kori starts to wail like her life depends on it. in a rush, you grab a tea towel in hopes that it’ll stop the bleeding and head straight for your baby, hoping that you’ll be able to soothe her. by the time you reach kori, her eyes are red with tears and snot dribbles from her nose down to her chin while she babbles loosely all the new words she’s learned— in a whiny tone.

“baby, don’t cry mommy’s got you,” you murmur to her, reaching out to the little girl with open arms. your heart breaks at the way her bottom lip wobbles in a watery pout. kori crawls into your arms, white mop of soft baby hair buried into the junction between your shoulder and your neck— her tiny body shakes with awful heaves and cries while her tears dampen the old hoodie of her father’s that you wear, effectively ruining the fabric. “come on honey, it’s okay! momma didn’t mean to scare you...”

she snivels in your arms, quiet for only a second while you walk around the apartment bouncing her. walking kori up and down seems to soothe her for the most part, a trick that worked when she was first born and had her horrible crying fits. “good girl, mama’s got you...” you continue to soothe her, brushing a finger under her white lashes to remove her tears. all is well for a second and it seems her tantrum has calmed, until she grabs onto your wounded finger and makes you curse in pain again.

“shit!”

“m-momma-!” kori whimpers, face creasing in pain as her cheeks start to heat up again. you fear that if you don’t do something soon she’ll bust a lung from crying.

you shake your head in an attempt to calm her down, baby sobs striking right through your body and resume bouncing her, hoping that it’ll work. “shhh kori, honey, it’s okay— mommy’s okay and so are you...” in the process of comforting her, you somehow trip over the discarded knife, sending it flying into the cabinets across from the island and making another loud noise that further spooks kori.

at this she screams bloody murder, the sound of her little chest heaving giving you a splitting headache. you were tired, tired of your daughter’s crying , working long hours with no help and raising a child all on your own. you were tired of the pain spreading through your head and your body and your heart. you needed an out or break at the very least.

you should feel guilty for what you’re about to do, heading for the nursery with a heaving baby in your grip. you can’t think of anything better to do than put kori down for a nap and hope that her crying tires her out— you do your best to pry the little girl from clinging onto your clothes and tuck her into her crib as she sniffles, quickly backing out of her room before she can call for you and make you feel even worse than you already do.

you close the door quietly behind you, somewhat sliding down it while your own sobs take over your body— shaking you violently as you hug your knees to your chest. you don’t know how long you sit there, biting your lips and holding onto in your whimpers while tears stream down the apples of your cheeks, but eventually

you find yourself drifting off with dreams of your happy family.

you jump awake a few hours later, surrounded by a thick darkness from the sky outside. the hum of the city streets helps to bring you back down to earth as you rub the sleep from your puffy eyes and blink away the exhaustion. you don’t quite remember when you’d fallen into a slumber but you figure that kori must have eventually, judging by the quietness that surrounds your apartment.

the blanket of the night allows your guilt to burn brightly in your chest— you shouldn’t have left her alone. scrambling to your feet, you stumble over to the kitchen counter and grab your phone to read the time. 11:06pm. it’s just about time that you check on your daughter, but with two steps of heading to the nursery and you’re met with foreign sound that doesn’t quite fit in with the usual creaks and squeaks of your apparent.

happy gurgles belonging to your baby creep out from underneath her bedroom door, low humming or singing to accompany her sweet sound. humming that you don’t recognise. with a pang of fear to your heart, you reach for the knife on your kitchen floor as a weapon of defence— this would go down nicely with the police. a single mother on self defence...yeah, that could work out.

the knife shakes in your hand as you approach kori’s nursery, barely steady even when you push open the door.

“...touya?”

nothing could prepare you for what you’d see after walking into that room but when your eyes fall witness to your love standing in the centre of the room with a little tuft of white hair cradled to his bare chest. the air around you tingles with warmth as if dabi has heated the place up with his quirk and your little girl curls into him as if she’s known him all her life. but she hadn’t, he hadn’t.

all at once, your heart heals just as it breaks— it’s been so long since you’ve seen the villain that you can’t help but notice all the changes in him, the way his eyes droop a little more with exhaustion and his hair dusted with a the slightest bit of white. he was noticeably thinner too, maybe from being away from a warm bed and good food for too long...so a half of you was relieved that he was home, the other— hurt and betrayed.

“hey beautiful,” dabi’s timbre voice fills your entire being, stimulating your senses into a dull tingle. his lips a drawn into soft smirk as he rocks kori back and forth, your baby’s eyes flutter with the gentle indication of sleep. “how’ya been?”

if you weren’t frozen in shock, you would have given the villain a piece of your mind. how dare he...after all this time apart from you, from his daughter...ask how you were doing? your eyes flutter to the open window behind the oldest todoroki son, as if you need to look away from him to convince yourself he’s real and he won’t disappear when you look back.

proven right by meeting the cool, chartreuse sea of his eyes— your throat runs dry as all you’d ever dreamed of saying in this moment, flees from your mind. “what are you doing here?” you say, trying to sound firm even though your voice falls through.

touya stays quiet, twirling a long finger through the small curls on his—your daughter’s head. “i was in the neighbourhood.” he mumbles, gaze tearing away from you to focus on the content infant he has in his arms.

you should feel angry, you should be screaming and kicking at dabi— forcing him out of your home with your child safe in your own arms but your body doesn’t will you to. hurt seeps through your veins at the casual aura in his tone. of course dabi would treat the situation as if it never existed and that he’d been with you the whole time. the pain of seeing him with her as if he’d been in kori’s life from the very start wraps around your heart in a poisonous grip and squeezes hard until you’re choking back a sob, letting it sit in the base of your throat.

you refuse to break in front of him.

“you need to go. you need to put her down and you need to leave.” you attempt to assert yourself in a harsh bark, almost making dabi jump. he’d never seen you like this before, but then again he hadn’t seen you in a year. he could only imagine what motherhood had done to you, especially facing it on your own. touya hesitates, kori shifting in his soft grip— one he didn’t even know that he had as a villain but you steady yourself and repeat your words. “touya, i said you need to leave.”

“why? so you can fall asleep and leave her crying on her own again?” the villain spits out, harsher than he intended. he watches your face fall and your body curl in on itself and he feels bad. dabi had promised you a lot of things since realising he loved you, and not hurting you like his father hurt his mother was one that he’d just broken. relenting, the dark haired villain eases kori from his pec and tucks her into her crib.

there’s a beat of silence and then. “i’m sorry.”

“you should be.”

“yn,” he sighs, running a hand through the light roots of his hair as he leans over his child’s crib. the young father tilts his head, scanning kori’s face while he identifies every characteristic she has from the family he’d done his best to free himself of. “i’m sorry, it’s just— just that she was cold and crying, so i took off my shirt and held her and she warmed up and—“ dabi pauses his quiet rambling, finally looking up from the slumbering baby tucked away into powder blue silk and locks eyes with you. “and she probably has my mom’s shitty quirk. and i can’t get over how much she looks like them, how big she’s gotten.”

touya finds his shirt after admitting that, throwing on the thin white material before closing the window he came through. he moves with the swiftness that comes with his job, and it’s almost peaceful to watch. you stay plastered by the door, torn between falling right into the palm of his hand and demanding the answers that you and your daughter deserve.

it makes you feel a little sick when he gazes down at kori with pride, it makes you queasy at how easy she was to handle to him. touya todoroki doesn’t know half of what it was to raise his child...but did that make you a bad mother? was there something he shared with kori that you didn’t? dabi hadn’t known what it was to love someone other than himself until he’d met you, but you’d spent your entire life around family and friends who took care of you and made you feel cherished every day. you had all of that before you had dabi, and you’d given it all up for him.

shouldn’t you be the one to easily put your daughter down for a nap? to soothe her tears? and for him to come so briskly into your lives and take care of it all when he doesn’t even know what you’d been through, hurts most of all.

“you don’t even know her,” you start, tremble to your bottom lip as the sob in your throat builds up and threatens to burst. “you never saw her after she was born, never cut the cord, never knew her weight. you don’t know how tiny she was when she came into the world, you don’t know because you didn’t come!” with each word, stray tears manage to escape from your tired eyes, but you’re too fixated on dabi to bother to wipe them. it hurts to cry, it stings even as they stream down the apples of youth cheeks but you don’t move.

“yn, sweetness, i—“

“i know how much she weighed when she was born, four pounds and thirteen ounces. she was so tiny i was scared that she would break—“ you’re gasping now, almost choking yourself out on the pain that burns brightly in your lungs and claws its way up your throat. “i know her favourite foods, what fabrics irritate her skin, her favourite stuffed toys, how she likes to be swaddled in her blankets at night or that her curls make her face itch but they’re practically untameable.”

you start to heave, losing breath with every word and dabi does nothing but watch, keeping an eye on kori to make sure she stays sleeping as he steps towards you. “i know that i love her more than i’ve loved anything in my entire life, despite how much i suffered alone bringing her into this world. and i know that i named her kori after the ice that frosted the windows of my hospital room while i waited for... you.”

touya remains emotionless while you descend into madness, letting you cry it out. “i’ve been watching...”

you want to scream, beat his chest and blame him for how insane you’ve become. “watching isn’t enough touya, she needed you. i-i needed you.” you whimper, falling limp against the door frame as your hands move threateningly towards your hair as if you’re going to rip it out from the root. “...you couldn’t come and visit? not once i-in the eleven months that she’s been alive? not once while she’s been breaking me down and giving—“

“giving you a hard time? i tried, i took care of you from afar...i’m the one who made your boss disappear. the one who put his hands on you.” dabi sneers towards the end of his once gentle words, standing a breaths width away from you. you hate that you crave the same touch from him as he gave to kori, but you’re still so mad at him.

eventually, it all becomes too much and you succumb to the tears that wrack your exhausted body. you sway with each choked wail that tumbles from between your chapped lips and dabi surges forward to catch you after kicking the knife from earlier away, letting you sink into the warmth of his embrace. he feels like home, smells like safety and not a word is uttered as he brings you to the floor and cradles you like he did with his daughter.

dabi doesn’t need to say sorry when he shows you through how close he holds you to his heart.

when you finally calm down, dabi lifts you bridal style to your bathroom and draws you a bath with the salts and lavender extract from the cupboard above the sink. neither of you speak except for when he softly offers to help you undress— to which you decline— and when he tells you he’s going to fix something to eat.

you knew damn well that the villain could not cook, he hadn’t been when he was little since endeavour took away the entirety of his childhood and you’d only taught him the basics when he was still on the run and stopped by your place from time to time. his favourite thing back then had been to watch you cook to the weird music you kept playing, hips swaying to the beat and a sparkle in your eyes— but you didn’t do that anymore, he could tell those days were long gone.

dabi orders in takeout in the end and you have half a mind to curse him out for using your money— but the day’s events have exhausted you beyond your wits end, so you eat with him in silence atop your double bed after dressing in an old shirt of his. “stay the night.” is what you tell him, scared that he’ll leave. he puts his cigarette out on your balcony. the doors usually stayed locked so kori couldn’t crawl out on her own but you opened it for him since dabi liked to smoke and you hated the ash.

he promised to quit back then, and he hadn’t now.

“i’ll stay.” dabi says, throwing the butt over the ledge and stripping his clothes as he follows you to bed. he decides not to mention he wanted to stay anyway. you peel back the covers enough for him to slip in behind you, heated arms wrapping around your waist and settling on your tummy, where he rubs small patterns into your skin. the villain’s chest is overwhelmingly warm against your back— reminding you of the days where you would spoon and he’d wait with baited breath for kori to kick.

both of you lay together, wide awake in the dark for goodness knows how long. touya’s breath balmy against the nape of your neck and if you focused hard enough, you could feel his eyelashes fluttering against your skin. he pretends to sleep, refusing to acknowledge that his proximity to you affects him in the worst of ways— evident in how his prominent hard on presses against the swell of your ass.

rolling over, your heart skips a beat at the way your love’s eyes still manage to glow brightly in the dark— ignited by the flames of his quirk and emotions of angst from the past.

they flicker as he looks to you, pale skin illuminated by the silver moon slipping in from your balconies, scars as enticing as ever. tentatively, you reach a hand out to cup his face, not kidding the apprehension that paint his matured features even as you run your fingers down the scars on his jaw. “been a while since we’ve been like this,” is all you can muster up, leaning forward to press a kiss to his cheek while your free hand snakes between your bodies in an attempt to pleasure the man.

fear strikes you right in the chest, leaving you panting as dabi flips you onto your back quickly, pinning your wrists against the bed. “don’t,” he growls, almost feral in tone and in his eyes. “don’t do something you might regret in the morning.”

you lay still, staring at the man above you in an attempt to read him. doing so had always been hard, but tonight you can see every detail of his life and every part of him. the fear of being his father and disappointing another group of people, a broken man torn between the people he loved and the life he led— you could finally see him. you wondered if it hurt him to be away from you and his child, if he ever thought of you.

you take a deep breath, fabric of the sheets fuzzy in your ears as you shake your head up at him. “i could never regret being with you,” you sigh, dabi’s gaze lowering. “i just need you...”

your proclamation is all the permission dabi needs before he ascends on your neck, almost whimpering at the taste of your skin against his tongue. you know that he’s avoiding your lips, scared that things may not feel the same if he kisses you there— as if your love might have fizzled out from the months that you’ve been apart. the villain’s mouth is hot against your skin, sharp teeth sinking into the column of your throat— it’s not hard for him to find the spots that make your back arch and body tingle, the dark haired man would be embarrassed to admit that he had your body mapped out in his brain. you were all that he thought about in the months between then and now.

you miss his lips, but you fear that if you push your love to far he’ll clam up and withdraw from you completely. you can’t lose him while you have him now. in the meantime, your bodies press against one another hotly, burning while dabi paints shades of blue and purple deeper than his eyes against your flesh before lapping at each love bite with an odd tenderness people wouldn’t think he possessed at first glance. as he works, touya loses grip on your wrists, allowing them free roam across the expanse of his back.

your nails leave light tracks across his back, trailing up from his muscled back to the nape of his neck— curling in the white roots of his hair in an attempt to tug him up to your lips. “baby,” the old pet name tumbles from between them before you can catch yourself, laboured from where you’re short of breath. “please kiss me, please..”

with newly mussed hair, dabi is still for a moment before leaving one last mark at where your jaw meets your neck— wet tongue lolling over the fresh bruise while his large palm move back to cup your head. a thumb belonging to a scared hand runs over your bottom lip, pulling the plump flesh down while he watches your face for a reaction. “are you sure that’s what you want, beautiful?” the villain chuckles into the dark of the night, pink muscle running over his own lips to wet them in anticipation. “you want your man to kiss you?”

your senses go into overdrive, desperate for any kind of contact from the man above you— he feels so close and yet, a million miles away, even with his body making its way between your thighs and your chests pressing together eagerly.

“touya—“ you breathe, barely able to finish your sentence before the man himself delves deep into your mouth. his lips move with hesitance at first, sucking on yours slightly and parting for air more often than he should but you grip him by the whites of his hair firmly and tug him further into the kiss. your tongue dances along the seam of his lips, prying them open as you seek permission for entrance— dabi groans lowly as you tug on his roots and force your way into his mouth, tasting him as if it were your last time.

you swallow each of his moans that mingle softly with your own, while your tongues dance together messily— the kiss were and sloppy as if the two of you were out of practice. your worries fly out of the window from there, it’s good to know that neither of you had been with others during your time apart instead you feel like a teenager making out with their highschool crush for the very first time. dabi’s hips rut into the plush bed beneath you both and you can tell that even the slightest touches are riling him up beyond belief— it’d been almost a year since he’d felt you against him in any way and it didn’t help that you were so ready to accept him.

that you still wanted him.

whimpering at the thought, the villain pauses against your lips to catch his breath— panting softly. you can feel him pulling away, questioning if he deserves to be with you after everything he’d put you through. so, cupping dabi’s jaw, you let your free hand slip between your heated bodies and glide your fingertips along the waist band of his sweats.

“yn, i ain’t so sure about this,” dabi sighs, body twitching at the proximity of your hands to his hardness, his eyelids flutter shut and lock away his beautiful blue eyes— holding fear, insecurity and desire. “what if ya’still regret this later on?”

smiling up at him, you thumb at his cheek and work your hand deeper into his pants, past his underwear. “you’ve been away too long baby, i would regret not being with you more,” you coo up at him just as you grasp at his hardened length, watching as dabi shudders in your grip. his cock leaks hotly against your soft palm from going untouched for so long, your fingers explore him— tracing down the thick veins on the underside of his length. “let me make you feel good tonight.”

“fuck, sweetness. talk pretty with that filthy fuckin’ mouth of yours.” touya breathes heavily against your mouth, both of yours falling open in hot moans. cheekily, you run a thumb over his tip, circling the slit at the top. dabi collapses on top of you, burying his mop of salt and pepper hair into your neck as he drives his hips into your hand at his own leisurely pace. “y’better live up to those words—shit, don’t go letting me down, princess.” jade orbs finally open, heavy with lust and desire as the air around you tingles with a newfound desire to make each other feel good, settling on the planes of your marked and scratched skin.

your grip around dabi tightens while he fucks into your closed fist, wet sounds filling the room from where he leaks at his bright red tip— almost hot as his hands that dance up your sides and tenderly touch at your hips. so unsure, yet so needy. clear, thick precum guides the movement of your hand as it slides up and down your lover’s girth— he’s much bigger than you remember, swollen with an impending orgasm and dabi stutters when you reach further down his boxers to grip at weighty balls full of his seed, just about ready to burst.

he howls from deep within his chest, the noise only muffled from the drool that glides across his tongue before the villain’s wandering and scarred palms stop at your rib cage, settling just under your breasts. you don’t bother to stop pleasuring him even as his quirk ignites, blue flames burning right through your night shirt to expose your skin to the cool night air. without even a second thought, dabi’s mouth ascends on your tits, taking one into the hot cavern while his free hand seers marks over the other.

the thought have being branded by your man makes your hips jump and your hand squeeze his cock in your grip— a reminder of what’s to come later on. his strawberry tongue rolls across your hardened nipple and you yelp in surprise with the sudden feeling of cool metal across the exposed flesh. “y-you have your tongue pierced?” you squeal as dabi repeats his actions, loving the way you arch your back into his mouth and your heart rate speeds up.

“never know when a bit of metal’s gonna come in handy, sugar tits.”

you barely have time to formulate a response before your boyfriend’s mouth is back on you, biting and sucking and marking your raw flesh like a man starved of his last meal— you don’t let up either, quickly pumping his cock as he continues to leak, painting your hand with teases of his incoming release. you’re sure that his sweatpants and the sheets below you will be stained with his arousal from how much precum oozes from his dick, slicking up your hands and creating the perfect flashlight but you don’t dare to think of anything else but the way dabi’s face twists with pleasure as he desperately thrusts himself into the softness of your palm.

his cheeks flush red, globs of drool connecting the roof of his mouth to his tongue while his eyes grow fuzzy at each step he takes closer to orgasm, the very drool from his mouth covers each of your breasts as dabi switches between them— creating a layer of wet against your supple skin that shines under the moon. you flick your wrist around him, faster, harder— giving the villain everything you’ve got to make him feel good.

“shit pretty girl, y’gonna make me...cum,” touya shakes in your grip, eyes crossing and tongue becoming lazy against your marked up chest. his salvia pools against your skin while he pants and fucks your wet hand as if it were your pretty little cunt clamping down on him. “fuck, fuck, fuck. don’t you fuckin’ stop, don’t you dare fuckin’ stop...”

he barks out the demands, but there’s a neediness to his tone and whine to his voice that makes you grin with pride, even if you’re barely there from having your nipples stimulated beyond belief. “cum for me touya, please, wanna feel you come undone for me.” you beg him, ever so slightly and it’s just enough to push the villain over the edge, sending him into an earth shattering orgasm. you don’t dare to stop as you jerk him off, guiding down from his high as his cock twitches from release and paints your knuckles with the thick white of his seed. he mewls contendly into your breasts, slowing his hips while the world of colours dance behind his cerulean eyes.

“here with me yet?” you murmur to him, grasping his wild locks to tilt his head up towards your face— dabi looks so blissed out but the smirk on his raw and bitten lips tells you the night is far from over.

pressing a searing kiss to your sternum, your boyfriend’s pierced tongue makes yet another appearance as he trails the muscle down your soft tummy— biting your navel as he goes. “never left gorgeous, but don’t you fucking dare think for a second that this is over, y’got that?” he sits up quickly, grabbing hold of your doughy thighs and using them to pull you down the bed. the pads of his fingers start to burn marks into your skin, dancing along your legs and stopping just above the waistband of your underwear. “gotta stretch this cunt open before i give you my cock, remind you of who the fuck you belong to.”

spreading your thighs nice and wide, you release a breath you hadn’t realised you’d been holding as dabi’s hands finally come into contact with your slit, prodding at your slick folds from over your panties. lowering his face between your open legs, your boyfriend hums in satisfaction as he peels your sticky panties away from your pussy. “why, babydoll, you’re so fucking wet down here. this can’t all be for me, can it?” touya teases you, hot breath fanning against your unused sex while his fingers play with the string of your slick that coats them. “y’must’ve missed your man badly for your lil cunt to look this fucked up, s’pecially when i haven’t even touched’ya yet.”

you shiver and nod weakly, willing to say or do anything to feel more of your boyfriend against you. “s’all for you dabi, o-only you could get me this wet, n-no one else could take your place...” you mewl, hips bucking into the air while the man himself watches you grow needier and needier, hormones expelled into the air. dabi grins, leaning into your core once more to press his nose into your wetness, sniffing your spiked panties like the dirty man he is— only to then lay his pierced tongue flat against your folds, tracing your hole with the muscle while his nose bumps at your clothed clit.

“saved this all for me, huh? you’re so loyal, sweetness. waiting for me all this time…” he kitten licks at your cunt until you’re writhing amongst the already solid sheets, forcing his spit into your hole from over the thin fabric of your panties, creating a more prominent outline of your puffy lower lips as your thighs quieter around his head. they threaten to close as he works on you through your underwear— teasing and prodding at your sex to see if you respond the same way to his touches as you used to.

you force your shaking through his black and white locks, grabbing hold of his roots in an attempt to pull dabi back to your heat when he lifts his head from between your thighs— pushing your lips into a pout. “no, no no, baby, please— need you to eat my cunt, want your mouth on me, please!” you cry out, but you’re quickly pacified by his scarred hand which cups your pussy— seat of his hand grinding into your clit.

“god, if i had known you were still this eager to fuck me i woulda come home a long time ago, babydoll.” he chuckles, licking up your inner thigh and biting down on the plush flesh. “need’ta get rid of these though, they’re getting in my way.” the villain gestures to your panties, making you watch as his quirk burns it’s way through the silky material until it’s nothing but ash against your sheets. you gasp as soon as your cute little pussy is exposed to the cool air, missing the warmth of touya’s pink tongue against it. “better.” he sneers, eyes bright and glowing in the dark with a new sense of feral desire.

thick digits press into your tight hole at the same time touya takes to sucking on your swollen clit, forcing their way up your velvet walls in search for your pleasure spot. dabi chuckles against your sticky folds as you begin to whine, hips rolling up into your lover’s face while his tongue draws rough patterns onto your bud. you’ve missed him, missed this. the nights where the villain dabi would sneak into your home, becoming your touya todoroki between the four walls that you shared— where you would spend nights seeing stars by his hand or his cock and he would make you his over and over again. the memories have you clamping down on his digits like there’s no tomorrow, greedily sucking them in as he strokes at the walls of your sex and makes your whole body shake.

touya works hard at pleasuring you, apologising for his absence through slurping the juices from your folds only for you to gush and paint his scarred chin with more of your nectar. the way you taste makes him dizzy, he could spend the rest of his life between your thighs and never miss the outside world like he did before tonight. he wants to be good for you, make you feel good too and it’s not enough to feel the ecstasy roll off of your heavenly body in waves— he wants all of you, mind, body and soul to belong to him.

you can barely breathe, leaking with every swipe of his tongue against you and every twist of his fingers inside of you. you can feel everything at once, the euphoria crackling across your brain, high on the way touya makes you feel. “god, t-touya, don’ stop...feel so fucking good…” you heave in a drawn out moan, barely able to tell what’s up and what’s down as the villain pulls his fingers from your slick hole and replaces them with his tongue ( only after they’ve pushed down on your g-spot over and over again ).

“you’re not the one giving orders, sweet stuff, oh no.” dabi reminds you sloppily, looking like a child with no table manners as your nectar smears across his face. for his own satisfaction, he delivers a harsh smack to your pussy, watching as your entire body jolts and jumps up the bed. “your cunt is mine and i’ll do what i want with it, show you how much i missed it.”

his possessive words almost set you off, the knot in your stomach growing tighter with every pinch of your nub and every swirl on his tongue inside your walls, committing every ridge to memory. your body burns and you’re not sure if it’s from dabi pressing against you so hotly or because of the desire that fuels the fire inside you.

“yours, yours, yours!” you chant like a mantra, high pitched and whiny— your voice mixing with the crude sounds of your own pathetic cunt, that grows louder when dabi spits on your clit to add to your wetness. he lets it drip between your folds, fingers to busy with stimulating you to catch it before it slides between your lower cheeks, opting to use his tongue on you instead.

“ya’like that don’t you? missed your whinin’ pretty girl, fuck, even missed making you a fucking mess.” you keen into his touch, babbling incoherent praises to the man between your legs as he spreads you wider by the ass with one hand and forces his fingers back into your cunt with the other. his fingers curl into a come hither motion, repeatedly pressing down on your spongy spot as he sloppily makes out with your puffy nub— taking only one, two, three strokes to make your eyes roll into the back of your skull and your orgasm to wash over you.

your body convulses, shaking as you’re hit hard by your release— juices gushing all over your lover’s face even as he refuses to let up. “t-touya no...no no...can-can’t,” you whinge, tears clumping in your lashes. dabi spreads your lips again, using three digits instead of two to continue stimulating your clit until another release builds up inside your lower belly— clear liquid gushing out of your abused pussy and staining the sheets below.

he hums proudly, pressing a lasting kiss to your fluttering hole before reaching up to your lips to do the same, barely allowing you the time to catch your breath— chest heaving while you come down from your high. “so pretty when you squirt for me like that, sweetness,” dabi moans into your mouth, allowing you to taste yourself on him. but as soon as he comes, he’s gone— rolling you onto your stomach and lifting your hips so your ass sits in the air for him. “gonna take my cock now, kay?”

“kay,” you mumble into the sheets, brain too fuzzy to resist as the villain manhandles you the way he wants.

after shoving down his sweatpants, the eldest todoroki grips the peachy soft flesh of your ass— smacking it a few times with his heat activated palms to watch the flesh jiggle and his handprint sink into the skin. you lean back, watching over your shoulder as his cock stands at full attention, hard from seeing you come undone on his fingers and tongue. it burns bright red at the tip, another fat glob of precum making it shine and making you dribble with anticipation. “y’such a fuckin’ slut, my beautiful slut… hungry for my cock even after i’ve wrecked your lil pussy so bad,” dabi says with a cocky lilt to his voice, the very tone making your hole clench around nothing. he taps his sticky cockhead against your slit, running it up and down your cunt three or four times— groaning as it slides between your cheeks. the sensation causes your back to arch as you wail, fingers gripping the bed covers so tight that you almost cause them to tear. “don’t you worry baby, ‘m gonna make up for lost time, you don’t have to miss me anymore.”

there’s a double meaning to his words that you don’t ask him to elaborate on, too caught up in the way he teases your hole as he dips his length in— only to pull it right back out. “don’t tease, need you badly,” you plead, earning yourself another harsh spank to your raw ass cheeks.

“shut the fuck up and let me fuck you,” the words are harsh against his tongue, but dabi utters them softly as he relents to his wishes. his cerulean gaze flutters down to where your bodies begin to join, his large hand gripping his length before he starts to push into your dribbling entrance. “god, you’re s’fuckin’ tight, you might as well be a virgin.” pussy spasming at his words, you leak against touya’s cock, creating a lewd squelching sound as he pushes more of himself into you. the weight of dabi’s thick girth causes painful, yet delicious burn which he eases by rubbing soothing circles into your clit once more. “been s’long, i outta fuck you open again, huh?”

“uhuh, take me again touya. make me yours, all over again.” you slur over the spit drowning your tongue, eyes fluttering shut when the villain’s hips surge forward his dick brushes against your cervix. his rough, calloused palm grabs your neck from behind, forcing you down into the sheets while he bottoms out inside of you and pushes the last of his cock past your entrance. the two of you groan in unison, touya sitting heavy inside of your walls before you muster up the energy to say. “move.”

he doesn’t need to be told twice, whilst dabi was enjoying the feeling of being engulfed by your soft, warm insides— cock twitching in relief from time to time— he finds it within him to pull back from your selfish cunt to thrust into you with all his might. the force pulls a broken squeal from between your bitten and bruised lips, your hips pushing back against dabi to keep him inside of you. the pair of you move in sync, bodies dancing in a sensual grind between lovers that moulds your cunt into the shape of your boyfriend once more. “oh fuck yeah baby, oooh, missed your cunny s’bad…” dabi yowls loudly, listening for the squashy sounds of your sexes moving against one another. “christ, you like when i talk about your pathetic little pussy like this?”

you bite down on your lower lip, embarrassed by your own bleats of pleasure when he degrades you like this. annoyed by your lack of answer, touya grabs onto your hips and pulls you off of his cock, only to slam them back into you seconds later. his pace is unforgiving and relentless from there, forcing your body up the bed with every thrust into your core. “yes! like it, love it, missed your cock so bad touya!” you cry, holding onto the sheets for dear life as his dick drags along your pleasure spots and his hands burn marks into your ass and hips.

weakly, you attempt to match his thrusts. circling the meat of your ass back onto dabi and squeezing around the head of his girth every time it plunges into your sopping pussy. your arousals mix as he pounds away at your hole, a thick string hanging between your bodies and dribbling down your inner thighs, tainting innocent skin. the wet noise reverberates across the room, creating a passionate symphony with dabi’s deep, pitiful moans.

even though it had been a while since the two of you had been intimate like this, dabi still knew all the ways to get your body going. he took you from behind but still let his marred hands wonder and explore the planes of your skin, pinching here and there, marking your body as his to use and his alone. there’s love hidden beneath his rough touches, little signs that he missed having you so close to him— having you split open on his cock while you dripped on his pelvis and ruined your bedsheets, was his own way of unleashing his pent up emotions of love, anger and despair onto you and you wanted it. you wanted his good and his bad while he fucked you like his life depended on it, balls deep inside the pussy of the woman he loved was where he was most vulnerable with you.

“s-shit, sweetness, you’re such a pretty mess, so fucked up on my cock, can feel you clamping around me like my greedy bitch should.” you’re stuffed so full, clenching every time touya drives his cock deeper into your gummy cunt, head prodding at the sensitive bundle of nerves inside of you. he’s losing his mind at how you choke out his iron hot girth, clear liquid seeping down your thighs at every thrust. “you’re my beautiful brain dead baby, letting me fuck you like this, yeah? missed you baby, missed this,” despite his words, touya is no better than you, mind hazy with thoughts of you creaming around him because of how good he’s made you feel. him, and no one else. you saved yourself for him after all these months, the least he could do was bring you to cloud nine.

he does so by angling his thrusts up to meet your pleasure spot every time, howling your name in the way he knows you like just to feel your hot cunny spew more of your juices out against his tummy. “missed you, thought about this for months,” you lament, elbows that kept you up finally giving out as your body tiredly collapses into the sheets— dabi’s balls still clapping against your ass. he follows you down into bed covers, chest pressing hotly against your back as the jackhammers into you from behind. “thought about your fat cock in my tight pussy, t-touched myself to you...made being alone worth it, made waiting for you to come home worth it. ‘cause i get to see your beautiful face when you fuck me…” you barely register what you’re saying, babbling incorrectly while the temperature of your body rises with your level of arousal.

behind you, touya’s cheeks burn with a new feeling. deep down, all he wanted was to be validated as a lover to you, he’d always been deemed as the bad guy incapable of feeling anything for anyone other than himself. but you, you had proved him wrong so many times and he still found your words hard to believe. yet, it felt good to know how much you loved him. snaking a hand down to your face, the villain squishes your cheeks together and brings you up to his own face despite the arch to your back— he keeps up his sinful pace, your lower cheeks bouncing with every push and pull of his length while he drips a globule of his saliva into your pouting mouth. “shut up,” he grunts harshly, although love is written across his cobalt eyes.

you smile up at him dopily, keeping eye contact with him as you swallow gratefully. “anything for you,” his hands slip from your squashed cheeks to your throat, cupping it as he holds you against him. more arousal pools in your lower stomach, turned on by the thrill of him being able to end your life right then and there, all it would take would be one flame but you know more than anything that dabi loves you and would never hurt you. “i love you, touya todoroki. i a-always will.”

your admission makes dabi’s heart stop in his chest, heated pants tickling your ear as he continues to take you and claim your body as his. with newfound vigor, he links his free hand with yours that lays against the bed and rams his cock into your core as hard and as fast as he can, determined to make you cum. “i—oh fuck, i love you too, sweetness…” the arsonist can feel the way your cunt flutters around his girth at his confession, tears building up in your eyes once more. god, you were so pretty like this, arched for him perfectly in the moon, stars illuminating every curve and dip on your body— showing off the stretch marks from where you’d carried his child. everything about you turned him on in the best possible ways and everything about you that turned him on, also turned out to be everything he loved about you.

your stupid big heart, your stupid big eyes when you say that you love him, your stupid smile when he used to kiss you and hold you and even now when he fucked you. touya todoroki was in love and in the worst possible way but he couldn’t say he regretted a single moment of it, not when you stayed true to him after all these months of being apart. you raised his child and you loved him all the same and a part of him is grateful that you never turned your back on him like everyone else he’s ever loved.

so the least he could do is make love to you, push his creamy cock into the depth of your core while kissing down your spine to watch you shudder oh so cutely. it’s messy and sloppy and the pair of you should feel nasty for the stench of sex in the air, lingering against your skin. but you don’t, how could you? not when love and adoration tingles in the air as well, it’s messy because of the unadulterated emotions you feel for one another— deep in vulnerability is where dabi grinds his cock slowly into you, hitting all the right places that make you scream his name into the night. makes him mumble incoherent praises against your bruised neck and squished cheeks as he lewdly licks a stripe up the column of your neck to behind your ear.

you gush around him and he grunts with ecstasy into your ear, tightening that knot in your stomach as you both step closer to your highs. “you like the way i fill this cunt up, huh? yeah? when i hold you like this, when i fuck you like this?” dabi mutters to you lewdly, holding onto his sanity by a thin thread as his own release sneaks up on him. “tell me you like it...fuck sweetness, please.”

“i love the way you fuck me touya, fuck! only you can make me feel this good,” you moan to appease him, bouncing back against his cock while his hips begin to stutter and your eyes begin to cross. it’s true, you love belonging to him, being able to bring him such pleasure and you know he feels the same way. the villain prods at your g-spot over and over again, stealing your breath away as he pulls you up and into your chest, changing the angle of his hips to bring you to the last hurdle. “baby—ohmygod—-touya! ‘m sososo close, don’t stop...don’t stop, gonna cum, give it to me, give it to me please!” you chant, eyes fluttering shut as you lean your head back against his shoulder and search for his hand, voice rising with every octave as you get closer and closer.

“fucking cum for me sweet girl, shit, cum all over this fucking cock.” dabi manages through gritted teeth, grasping your hand while the pace of his thrusts grow inconsistent.

that’s all that you need to hear before the damn breaks and arousal floods through your entire body courses through your veins. white dances behind your eyes in flashes as your release flushes out of your pussy and drips between touya’s balls, coating them in a layer your honeyed slick. you slump against your boyfriend, not able to mutter a word as you convulse in a silent scream and squeeze both his hand and cock alike.

gently, he pushes you down to the bed and pulls his cock from your intoxicating heat— his free hand clasps around his cock, palming himself towards a swift release. “yeah, oh fuck yeah, fuckin’ love you baby,” he cums on your back and your ass, thick, potent and milky seed landing on your flushed skin before he collapses beside you and exhaustion settles in his bones.

you black out for a few minutes after, fingers still intertwined but dabi manages to slip out long enough to retrieve a washcloth that's damp and warm to clean you both up with. you wake up just as he crawls back into bed with you, kissing your hairline while he makes himself comfortable. “almost thought i’d killed you for a second,” the villain jokes, slinging a loose arm over your bare waist and pulling you to lay on his chest.

“you couldn’t, even if you tried.” you counter sleepily, drawing star shapes on your boyfriend’s naked stomach. a comfortable silence sweeps over the room, despite the thoughts that linger on your mind. looking up at dabi, you notice him drifting off but still can’t help the words that slip from your lips. “why didn’t you ever come back?”

you feel dabi’s chest rise and fall with a deep sigh, fingers coming up to scratch at your scalp— something that used to help you to sleep when you were together before. “i was figuring out a way to get out of the league, to be with you and kori.” he says after some time, catching your eye as you give him a confused look. “shigaraki doesn’t know about her, i never told him. but i knew from the moment we found out about her, i didn’t want her to be a part of the life i’m involved in and knowing how the league works, they’d find a way to make use of her.”

you stay quiet, not knowing what to do with the new information and dabi’s reasoning for staying away for so long. on one hand you were grateful to him for keeping your daughter quiet and safe but part of you still wished he’d given you a sign to let you know it’d all be okay. grabbing your chin, he forces you to look up at him—passionate flames burning in his eyes. “i need you to trust me on this one sweetness, i promise nothin’ will happen to you nor kori. so long as i’m around.”

“pinky promise?” you ask him sweetly, feeling the truth to his words.

you hold up your pinky to the villain’s face, smiling through exhaustion as he rolls his eyes down at you. “pinky promise, babydoll. now get some shut eye, kay?” touya links your pinky with his, scoffing when you make him kiss them.

“g’night, touya.”

“sleep well, babydoll.”

the bed is cold when you wake up the next morning.

the panic sets in quickly, speeding up with the chirping of birds from your balcony outside. you shouldn’t be tearing up over the childishness of a pinky promise. he always made you promises but never actually kept the and as quickly as dabi had waltzed back into your life, he had left you alone and in the cold once more.

gathering yourself together, you stumble out of your bed— avoiding any mirrors that may show the cascade of marks dabi had left against your skin from the previous night. you feel embarrassed and ashamed that you let him back into your life so easily, especially now that you had kori to think about. tears start to well in your tired and puffy eyes as you head to the kitchen, thinking that a mug of coffee will calm you down before you prep your daughter for the day.

but as you wander out of your room, the familiar sound of your baby girl’s laugher drifts through the air— seemingly coming from the kitchen. the sweet melody calls out to you and suddenly your casual stride to the kitchen becomes a brisk walk so you can reach her faster. “kori? baby? did you climb out of your crib again—?” you call out to her, stopping in your tracks when you round the corner.

dabi stands in the middle of your kitchen, still shirtless, with kori balanced on his hip— in one hand he holds a small blue flame, which you’re sure he believes is safe enough for kori to play with while the other steadies your baby girl while she claps and squeals. a first. you’re not too sure when the last time you’d seen her happy was, but you figure her father’s presence had something to do with it.

“i was going to make you breakfast, but the little shit woke up and i didn’t have enough free hands to make you a grilled cheese.” touya smirks over at you, diminishing his flame to grasp kori’s hand and use it to wave at you. she squeals happily, curls bouncing and eyes lighting up in a similar way to her father’s. your heart melts at the sight of them being together, seeing the mannerisms that they share and how joyous they seem. they both grinned the same way, shared the little twitch in their noses and even their sneezes. kori todoroki was an exact replica of touya todoroki, right down to the tiny red curl she had lost in her white locks.

“you know, i thought you’d left,” you make your way across to the island where dabi sets his daughter down and check her temperature— just in case her sudden change in mood is down to any sickness. “the bed was cold when i woke up.”

“didn’t i make you a promise last night, sweetness? i’m not going anywhere,” the arsonist reminds you, wrapping his arms around you from behind while you wipe at kori’s pudgy baby cheeks and give her the once over again. “if you’re checking the kid’s temperature, she's usually pretty cold because of my mom’s quirk. something ice related will be coming through, but she must’ve inherited your strong constitution. guess she has a normal body temp when i’m around ‘cause it balances her out.” while dabi explains the inner workings of kori’s incoming quirk, she claps and babbles excitedly from her place on the island— making a game out of throwing her toys off of it. all of dabi’s logic makes sense and you seem a little more relieved knowing how to take care of her from here.

picking her up, along with her stray toys, you set your baby down by her playmat again and switch on some baby-safe cartoons while you fix yourself and dabi some coffee, kissing all over kori’s face beforehand. he had whined when you pulled away the first time to give your daughter some attention, it was almost comical how the big bad villain had pouted then. “i wonder if there’s anything of mine she inherited or if it’s all you and todoroki genetics.”

“well, her pretty smile certainly didn’t come from me, babydoll.” dabi muses with a light chuckle, arms trapping you against his chest once more as you continue to make you both some much needed caffeine. the coffee machine whirrs as you sway together in the early morning sunshine, warmth from the sun brushing against your skin and touya’s hair tickling your neck before he presses kisses over your fading love bites while kori’s annoying shows play in the background. everything feels complete and at peace. you feel like a real family. “i could get used to this, this life with you.”

you spin in dabi’s arms, cupping his cheeks and taking in his face for the millionth time in the last twelve hours. “then stay, or at least visit some more now that you’re back. you may not feel it, but kori and i need you. everything has always been better when you’ve been around touya… and i mean that. stay.” you stare at him with pleading eyes, standing on your tiptoes to stare him down and communicate just how much you needed him here with you both.

and for once in his life, touya todoroki feels the most loved he’s ever really felt. here in this shitty two bedroom apartment with his angelic little girl and his beautiful girlfriend during the winter season— touya knows this is right where he needs to be. “i’ll stay, for as long as you’ll fuckin’ have me.”

“forever, then?” you ask, eyes lowering to your boyfriend’s lips.

“forever it is, babydoll.” the villain nods, following your gaze before leaning down to capture your lips with a promise written into your sweet kiss.

extended ending

you thought that the best kind of weather was when the sun peeked out from behind the clouds but the air around you was still as cold as a december’s day. the breeze is enough to make your nose run just a little, but occasionally the warmth of the sun’s rays radiates across your skin like a warm blanket, balancing it out.

it was the kind of weather where people didn’t know how to dress, some wore mismatched shorts and jerseys whilst others were decked out in scarves up to their cheeks and sandals where their toes flopped out. it was the kind of weather that reminded you of dabi and kori, they were your warmth and your cold, they balanced each other out and made your family whole.

kori sits on your right hip as you push the car door closed and wave goodbye to an accomplice of your boyfriend’s— your driver for the evening. your little girl’s curls are combed back into two even pigtails, dark blue bows in each one while the red lock of her hair ( now, much longer ) curls against her forehead stubbornly. she looks so pretty, all fancied up a dress that dabi had chosen for her on this particular occasion, the lace irritated her only slightly but the decapitated endeavour plushie her father had gifted her served nicely as a distraction.

you bounce her once, cooing down at your baby before you look to the hospital in front of you— a look of determination in your eye. ever since the night touya had visited you and swore to stay, he’d kept his word to the best of his abilities. being a villain was still a major factor in your relationship, he came when he could stayed if his job permitted it— taking care of your daughter when your shifts were long and even going as far as to learn his and kori’s favourite recipes to cook on the nights where you couldn’t or you didn’t fancy take out.

in the last few weeks his visits had become slightly more scarce with shigaraki becoming more and more demanding, but touya’s plan to leave the league was slowly coming to fruition along with endeavour and the hero society which had both carved a life of struggle for the three of you.

your boyfriend being busy had given you more time to reconnect with the friends you had lost over the last year, meeting up with those from college, mina and tsuyu ( who’d simply thought you’d gone off the radar ) for kori’s first birthday. they absolutely loved her and your sweet girl loved all the attention she was getting. you even had the chance to reunite with your parents, who were more remorseful that you felt you couldn’t come to them for help than the fact that you’d gotten pregnant during college.

of course, they all asked who the father was and you simply told them that he had died ( which was half true ), using the excuse that you were embarrassed to be widowed and with a child at your young age.

shaking your head, you enter the hospital and recite the words that touya had made you practice the night before. you were here by endeavours orders and needed to see mrs.todoroki. your lover had used some sort of hack to put you on the list of visitors for his mother but one look at kori was all the guards and staff needed to let you through. a few nights prior to today, dabi had asked you to do one thing for him before it all went down, kissing your knuckles over some sushi take out.

so despite your nerves, you would go through with this for him, especially if it meant your family could be together. some guards escort yourself and kori to rei todoroki’s room, leaving you with a curt nod and slightly more polite wave to your daughter. the room itself is slightly bleak, a chair and some blue cushioned sofas positioned in an L-shape parallel to the blanketed bed. there’s a tv in the top left corner which and a set of draws underneath where a clear vase sits— containing blooming blue flowers.

rei looks up when you enter, grey eyes flashing with confusion despite the blank look on her face as kori babbles happily in your arms. “who are you?” she whispers, hands retreating from her flowers and folding neatly in her lap.

“oh! i’m yn, your son’s fiancé and this,” you beam kindly, further entering the room and being sure to lock the doors behind you. you nod your head down to your daughter who waves around her endeavour plushy— paying no mind to the situation unfolding. “this is our daughter, your granddaughter...kori todoroki! she’s just turned one and daddy thought it was about time she met you, isn’t that right pretty girl?”

“dada!!!”

rei blinks and you smile again. “she’s a daddy’s girl,” you explain and lift your hand to snow the small sapphire engagement ring on your ring finger. touya had proposed last night as well, certain your plan would work out. “and quite frankly, so am i! how can i not be when your son treats me so well.”

nodding slowly, the wife of endeavour looks down at her hands which you note, nervously fiddle with a stray petal. “so, natsu and you—?” you can see her trying to work it out, curiosity written across her features. you could see why the woman might think kori was natuso’s child— they looked a lot like each other just by first glance but rei was missing an important feature. the colour of kori’s eyes.

“oh no, your other son. the eldest one.” you correct her with a sinister shake of your head. swiftly crossing the room to set your daughter down in rei’s lap. you watch with an evil air of satisfaction as rei todoroki freezes with fear, as the mistakes her family paid out to touya suddenly come to the forefront of her mind. she wobbles with kori still in her grip and you shoot her a dark glare— reaching over to fix her flowers in their vase. “touya picked these out, always said that you loved them. such a pretty shade of blue, no wonder why they’re your favourites, right?”

“please leave.” she looks up at you pleadingly, shaking like a leaf in the breeze outside. oh how you wish your fiancé was here to see this but he had more important things to do.

rolling your eyes, you grab the remote to switch on the tv— pinching kori’s nose affectionately to make her laugh again. “come sit with me rei, let’s watch some tv to help you calm down.”

the woman nods weakly, barely moving an inch as you take a seat beside her with a smile. you skip channels a few times, pride swelling up in your chest when you finally land on the right one, touya’s broadcast flashing across the screen. he sits leisurely in a chair, shirtless with all of his beautiful scars on display— a painful reminder of his childhood and what he’d become. “i, touya todoroki, was born as the eldest son of endeavour. today i’ve killed over 30 innocent people until now, some to protect my family. my daughter, who i have not been able to see due to my father. i would like to let everyone know why i’d end up committing such a hideous act.” he speaks such calmness and clarity, and you can’t help but feel emotional at how he stands in front of the world.

kori grins, leaping up at the sight of her father on the screen and claps her hands. “dada!! dada!! lookie s’daddy!!” she squeals while rei struggles to breathe, panic set in her eyes.

you put a hand on the woman’s shoulder, offering her a sweet grin in an attempt to calm her before the oncoming storm. “keep watching, mrs.todoroki, touya said we’d be one big, happy family after this.” the words are sugar coated and sickly sweet, carrying the dark meaning across to your fiancé’s mother.

looking away, your heart swells while touya tears down the hero society and spills the truth for all of japan to see. you were grateful to the man he’d become— loyal to you, to your daughter and the dreams that you had. the satisfaction of seeing the real villains of the world fall was much greater than any hush money enji todoroki could ever offer.

fin.

— TAGLIST:

@husband-to-tomura-shigaraki @grace-todoroki @toshiuwu @whet-ones-write

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mimzy-writing-online · 3 years

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Writing Toph Beifong, Advice from a Blind Writer

I’m Mimzy, an actual visually impaired writer and blogger who talks a lot about writing blind characters accurately and sensitively. A while back someone sent me an anon asking how to write Toph more accurately and sensitively.

Anonymous asked: Hi there! Your blog has been super-helpful already - I thought I knew a bit about writing with blind characters, but it turns out there was a lot to learn - but this is more specific. I'm writing a The Last Airbender fanfiction, and one of the characters is Toph. I think the fandom has done a fairly good job of respecting her blindness, but what are some things you'd like to see when people write her? I want to represent the character as best as possible; thanks in advance!

It’s taken a while for me to answer because I have a lot of thoughts about it as both a blind writer and someone who has read a lot of atla fanfiction. So here we go:

Before we get started, I want to mention some things:

One: I have an entire series for writing blind characters that continues to grow with time and the most up-to-date version can be found pinned as the top post on my blog. There will be a time-stamp for when the post was last edited and a long series of links to all relevant posts on the subject.

Here’s a quick link to that post, but again, all you have to do is click my blog url and you’ll find it immediately.

Two: I’ve noticed something amazing about the atla fandom and I would like to thank you for it. I’ve noticed a lot of bloggers have taken to writing image descriptions for both the fanart and memes you post in the fandom, whether it’s OP including the description or another blogger adding it themselves. I’m not sure I’ve ever seen a fandom so consistently doing this and that’s incredible. Realizing how many different blogs were picking up this habit has warmed my heart.

I’d like to see writers use her other senses. There’s soooo so much more to her O&M (Orientation and Mobility) than earth sense.

Beyond sight and earth bending, there’s hearing, touch, smell, taste, sense of direction, hot vs cold, sense of pain, sense of where your body parts are in relation to the rest of you, sense of internal well-being, etc. Before Toph had mastery of her earth bending, she had to have mastery of those too.

Toph also must have very strong opinions about certain smells, sounds, tastes, and textures. Toph is opinionated about everything, and when so much of your understanding of the world depends on senses that most people are ignoring in favor of some other sense you don’t have, it gets frustrating. I’m sure that tree looks pretty but the smell is terrible. Who cares if this fabric looks pretty, it’s scratchy, do. not. like. at. all.

But also in positive ways too. Oh, that flower arrangement looks bland and monochromatic? Who cares, it smells sweet and honey-like. Weird dark cavern with high ceiling and no light? The harmonics are awesome.

Every character probably has a certain sight or image they’re particularly fond of: Katara watching snow fall, or Aang enjoying how small the world looks from up on Appa, or Zuko enjoying the sunrise every morning during meditation. In that line, Toph must have some things personal to her that she enjoys.

I imagine she likes the taste of foods familiar to her childhood, the smell of whatever flowers grew around her home, and the texture of certain kinds of dirt Example: loose dirt probably isn’t the best for seeing, but I think she would enjoy how it feels to run her fingers through it or maybe enjoy the way it softens her perception of the world the same way sighted people like to see colorful, bright lights reflecting off puddles in the middle of rain.

If you struggle with this, that’s okay. I recommend taking some time to think about it for yourself, to find what tastes and smells and textures and sounds you enjoy the most, what makes you feel safe and at home, what brings you comfort, and relate that back to Toph.

In a Modern AU, I want to see Toph have a cane. Even in a Modern AU with bending included in the world building, I think Toph would benefit from having a cane.

The cane has a lot more function than bumping into things. A big part is that it signals to others that you are very obviously blind. Which is a big deal because sighted people are really, really bad at spotting the blind person.

(psst, please stop saying ‘the blank look in her eyes’ because I swear to god it’s been killing me inside for years.)

Also, even in an AU with bending, I think Toph would like the advantage of tapping her cane to create a stronger, more distinct vibration than a small shifting of her weight on her feet. It would have more control.

You could give Toph a guide animal, buuuuuuut, um, Toph is not a guide dog person. Like, there are some people who definitely prefer a guide dog, and some people who definitely prefer a cane, and some who definitely prefer no mobility device at all. Toph does not have the vibes of someone who wants to be both responsible and reliant on an animal when she’s so insistent that she can take care of herself on her own. Toph likes animals, but not that much.

Although, yeah, only 10% of the blind community use mobility devices, so cane and guide dog users are the minority of the blind community, but I stand by the vibe that Toph would love the independence of a cane. Also, it’s almost never ever done. Modern AUs never seem to touch much on Toph’s O&M skills with canes or guide dogs.

I wrote a whole post on everything you need to know about canes, what orientation and mobility is, how you learn O&M, what kind of canes exist, how to use them, how to describe the sensory input a cane gives you, and everything I know about guide dogs from past research.

Honestly, you could give Toph (or any blind character) a cane in any AU, because I fully stand by the theory that canes are a piece of technology that has been invented, lost, and reinvented again and again.

I wrote “I found a piece of lost blindness history” a few months ago after a visit to see my grandparents. My grandmother told me how her blind aunt found a way to write letters by hand to send to my grandmother when she was a child. I speculated on how the long cane has probably been invented and then lost and then reinvented over and over again in history, as well as giving a little history on the growing popularity of guide dogs in the 20th century following World War 1.

About the “blank look in her eyes,” I have a theory to the exact cause and nature of Toph’s blindness.

I know it’s common to think that the milky green color of her eyes is why she’s blind, though I’m not sure how many realize that milky green color is caused by severe cataracts. At least, cataracts is what I assume to be the reason for the color of her eyes. However, people with cataracts still have some remaining sense of light and shadow perception.

Only 9% of the blind community is completely blind, seeing absolutely nothing. The rest have some remaining vision, even if that’s only light and shadow perception or the perception of vague movement.

The percentage of people born completely blind is even smaller.

Toph says that she’s never been able to see, which would lead me to guess that the initial cause of her blindness was a defect with the visual processing part of her brain. I also theorize that the cataracts developed slowly over her very formative years and that she likely wasn’t born with them. For that reason, I think it would have taken a few weeks or months for her parents to realize there was something wrong with her eyes.

Here is a post about the developmental years of blind children and how their life would differ from both sighted children and from someone who went blind as an adult.

What is it like to see nothing?

It’s a concept that sighted people struggle with and I completely understand. I myself didn’t understand the concept of “nothing” until someone explained it as this:

“Imagine trying to see out the back of your head.”

Which, genuinely, imagine that. Try that. Because here’s what I found. There’s no part of my body that can help perceive that. I don’t have eyes there, nor do I have a part of my brain that can process that. Because of this, there is no sense of light or dark, no shape or shadow or movement or depth that I can perceive. There is nothing.

And honestly, it gives me a headache trying to think too much about it.

Toph doesn’t see black, doesn’t have a mental image of it. When people talk about light and dark, Toph has nothing to base the concept on. The closest relation she has to that is silence versus sound, or her earth sense when she’s in the air on Appa versus when she’s on solid ground. But it’s not the same.

I would like to examine the way the show tried to describe Toph’s earth sense, that black void with ripples of white stretching from her feet and outwards. Television is a visual medium so of course their explanation of Toph’s earth sense would be visual, but that’s not what it’s actually like in her head. More accurately, it’s like touching the back of your head to something and feeling what’s solid behind it and what has more give. A wall versus a pillow for example. Slamming your hand on a flimsy table and feeling it rattle under your palm. And for someone so adept at using that sense, she feels not just the table surface under her palm, but the individual rattles down the four legs, how uneven those rattles are because the legs are carved decoratively instead of solid planks, and how the foot of each leg bumps against the ground, and how the floor vibrates in response to the impact, which she feels in both her feet and hand.

About Toph’s Relationship with Her Parents

It’s not something I see touched on much. There’s been a lot of focus on Zuko and Azula’s relationship with their parents and the abuse, as well as exploration of Sokka and Katara’s trauma with losing their mother, and Sokka looking up to his warrior father while Katara struggles with her abandonment issues.

Please don’t take this as a critique, because there are a few valid reasons for this and I would like to give you some insight on how to explore Toph’s relationship with her parents.

For starters, the show had a lot more reason to focus on Zuko and Azula’s parents, with Fire Lord Ozai being the primary villain and Zuko’s greatest abuser, and Azula’s dependent worship of her father in response to Ursa’s neglect and favoritism of Zuko, which was likely Ursa’s response to Ozai’s favoritism of Azula. Their parents are huge driving motivators for why Zuko and Azula make the decisions and mistakes they do, why they are at one point in the show the villains themselves. (And why I think Azula should get a redemption arc and some healing.)

Katara’s trauma of losing her mother and blaming herself is a huge factor in both her response to the war, her relationship with her bending, and her motherly nature with her friends. The show has to explore that. Just as it has to explore Sokka’s problems with toxic masculinity in response to being the man of his village, and his desire to be a great warrior and leader like the father he idolizes.

The show needs to explore that to make the plot move forward, and it benefits from these being two sibling sets with different responses to their upbringing and different sibling dynamics, setting them up as foils for each other.

The show also wouldn’t benefit by giving Lao and Poppy Beifong more screen time. Their established character were two nobles who kept as far out of the war as possible and prospered monetarily for it. Poppy was polite and demure and Lao liked to lead the conversation. Unless the gAang decided to return to Toph’s home, those characters had no reason to pop up anywhere in the show. And if they did, they would be a hinder to Toph and her part in the plot as both Aang’s earth bending teacher and as the greatest earth bender in the world, tossing Fire Nation soldiers eight ways to Sunday.

So truly, I understand that there’s not a whole lot of canon material (comparatively) to go off of when developing this, but I will offer some insight on what is there in canon.

Toph’s relationship with her parents is explored in that it maps out why Toph doesn’t want to be mothered by Katara, why she wants to prove how independent she is, but there’s very little on screen interaction between Toph and her parents.

Toph deeply loves her parents. I think that plays into why she doesn’t want Katara mothering her, because she has a wonderful mother at home who she loves and wants to better understand her, but she had no friends growing up and no older sister, which are the roles she needs and wants Katara to fill. If Toph wanted a mother figure, she would have latched onto Katara. Look at how Zuko never sought out another mother figure but did find a father figure in Iroh as he began to heal from his childhood trauma and separate his self image from his father’s acceptance.

Toph is in a complicated situation, she loves her parents but the way they’re raising her is hurting her in the long run. But Toph can see that their actions are because of their immense love for her. She can see how they would do anything for her. While she never had any examples of how other noble children were treated by their parents, who might have been distant or disinterested or always away for their social and work lives, she was remarkably loved by her parents. Her father put careful thought into her tutors and checked in on her progress. Her mother feared for Toph’s emotional state when she was kidnapped (even if she was incorrect about how Toph would respond), showing genuine empathy for her daughter.

I think their over protective nature became the love language Toph best understood them by, and part of her reasoning for not revealing how capable she was, was because she wanted to keep experiencing that love and care for as long as she could. But it’s not a love language she would put up with from anyone else.

I would like to point out Toph’s genuine excitement to see her mom again in the season finale of Book Two, how badly Toph wants her mom to understand and accept her for who she is.

My thoughts on what Toph can’t do: read, swim, see in the sand, fight things mid-air.

For how incredibly powerful the show makes Toph with her earth bending and the O&M she taught herself through it, they do touch on some of her weaknesses when they come up and find a useful way to showcase them.

The Serpent’s Pass was an excellent example of Toph’s vulnerability in water. From her fear of not being able to see on Katara’s ice bridge to not being able to swim and needing Suki to save her, Toph’s weaknesses putting her in danger added to the excitement and “sitting on the edge of your seat” feeling while watching the episode without turning her into someone who was helpless. She was just in a position where her normal defenses were useless.

Just like the earth benders in the metal prison in the ocean, or Katara having little water in the middle of a desert where her friends needed that water to survive more than she needed it to fight, making her vulnerable later in the show when the insect-wasp things attacked. Just like fire benders being weaker at night, or powerless during a solar eclipse, or a sighted person being lost in the dark. Those were just situations in which the tools you were accustomed to relying on could no longer help you or were taken away.

The show was clever in that it didn’t make her inability to read a direct threat to her safety, but rather as a clever plot device for her to be alone when the sand banders attacked and have to choose between fighting them to save Appa, or holding back an entire fricking building by the tiniest spire on its very top from falling into a void leading to the spirit world. It also showed her weakness to not being able to see or fight as well in sand. Which the show later made an effort to show how she’d improved on that problem in Book Three when she was surrounded by nothing but sand at Ember Island.

Like improving her ability to see in the sand, I would like to see a character teach Toph to swim, or at least float, so that she never feels helpless again. If she took the initiative to improve her sand bending so much, I’m sure she would have learn to swim eventually.

And on the note of reading, I’ve seen some speculation on how Toph could learn to read, whether it’s through using ink that has some percentage of earth mixed in, or developing the sensitivity to feel out the different weight, consistency, and texture of ink on paper.

I would like to bring your attention to Louis Braille, the blind Frenchman who invented Braille while studying at the Institut National des Jeunes Aveugles, the world’s very first school for the blind in Paris France (established 1785). Previously Louis was learning to read through a method in which each letter was pressed into the paper to leave an imprint that someone could feel out with just their fingers.

Louis Braille concluded that raised lettering was impractical because-

1. It is difficult to read, the letters had to be printed in huge font to be fully felt out and printed on thick paper.

2. Thick paper means higher quality, more expensive. Larger font means more paper is needed for a single text.

3. This made it inaccessible due to expense and the sheer volume of a text.

4. If today’s Braille books are hard to access and giant compared to traditional books, I can’t imagine how inaccessible those raised letter books really were.

The subject of Braille, the start and controversial near downfall to Institut National des Jeunes Aveugles were discussed in a post about writing a blind character during the Victorian Era.

I’ve heard others complain in the past about fantasy universes in which a sighted person invents a solution to allow the blind to read, when the most effective and longest lived method was invented by a blindman over two hundred years ago and is the standard taught in schools today.

And while I couldn’t easily explain it or how it works because I can neither read Braille nor speak Chinese, I can tell you that Chinese Braille exists and works only slightly differently from the Braille western languages use. So, again, modern AUs especially would benefit from enabling Toph to read Braille and use a computer and phone with screen reader.

But just as easily you could choose not to have her learn to read but rather have sighted people read things aloud to her. Whether it’s in a professional setting as an adult having an assistant who reads and writes for her, or as a cute, fluffy little moment between Toph and another character. Both are just as genuine to the blindness experience.

Blind Jokes

If you ever get around to reading my post about blind jokes, I’d like you to remember that it’s primarily written for people writing original characters and that Toph canonically makes blind jokes, so to take away from that would not be true to her character.

Does Toph’s Earth Sense Negate her Blindness?

It’s a question I’ve seen raised before and discussed by both abled, disabled, and blind people. There are multiple perspectives on it, but my own take on it is that Toph’s earth bending does not negate her blindness, but rather functions very much like the process of learning to use a cane.

She had a tool, a teacher, and she learned to use that tool. Instead of a cane, it was seismic perception and her teacher were blind badger-moles. She spent years learning to earth bend as they do and then continued to take it to new heights as she explored fighting with it on her terms against sighted fighters.

Come to think about it, I would love to see Toph teach another visually impaired or blind earth bender who to see and bend as she does.

Is Toph Good Blindness Representation?

This question was posed to me in the comments of my master post, and my answer was something like this: “Toph is good representation, but she can't be the only type of representation we get. She's the best we had 15 years ago, but there are a million ways to nuance the blindness experiences. Toph's experience being born blind, having very over protective parents, being a small girl in a patriarical and wealth influenced society, having no friends growing up. Those are all great aspects of blindness to show, but there is so much more to explore. As for her blindness and whether or not that's negated, that's also nuanced. She has limits, she's not all-powerful, but she is the best earth bender hands down. More or less, I love Toph, she's a great character, give me like a million more blind characters who are completely different from her.”

I want to see accurate and well-written blind characters become much more common in modern media, and that’s why I started this blog. So if you decide you want to write your own blind character from scratch, feel free to come back and look at some of my other stuff.

End Notes:

I want to thank the anon who sent the original question because it never occurred to me how much the atla fandom would benefit from a post like this.

You should follow my blog. Along with advice about writing blind characters, I write general writing advice and answer questions about writing, college, plot development, character analysis, and living with blindness. I curate writing advice from fellow writeblrs, write my own image descriptions for writing memes, post about mental health and working/living with ADHD, disabilities outside of blindness, and LGBTQA+ topics.

#avatar the last airbender #toph beifong #atla toph #atla #blind character #writing advice #writeblr #fanfiction

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teebarnes · 3 years

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✨ | I'm Fallin' For You, Darling.

Click [100 Followers Fic] for the rest of the 100 follower fics :)

Pairing: Chris Evans x female!reader

Summary: Both you and Chris have quite the relationship, it all started the day you gave him a marker.

Word Count: 3.5k

Warning(s): Fluffffff, Angst for sure, talk of anxiety (not a lot but also a lot).

A/N: Thank you guys so much for 100 followers! It means the world, I hope you like this one as much as I do. (Sorry that's a lotta words).

⤑ Click here for my taglist so you can be notified when my new fics are posted.

Any Likes, Comments & Reblogs are super duper appreciated :))

When Chris Evans is nervous, there is only one thing that calms him down. And that one thing is you and the fact that you allow him to doodle on your hands all the time.

The premiere of Captain America: The Winter Soldier was the first time you saw Chris so nervous. Him constantly rubbing his hands together or bouncing his leg underneath the press table and the times when he'd fiddle with the hem of his shirts. These were things you noticed Chris did when he got nervous, and it seemed that you were the only one who witnessed them.

The third day into the film's press tour, you decided to take matters into your own hands. You knew what it felt like to be anxious, the feeling settling within the depths of your stomach or the constant avoidance of looking out to an audience. Sometimes you'd excuse yourself a few times throughout interviews just to catch your own breath.

The whole TCA: TWS cast sat along the stage of the comic-con panel. The hosts introduced you all, crowds cheering loudly when they saw everyone.

You took your seat next to Chris, who was already fiddling with his plastic water bottle that he'd been gripping so tightly on, you could already see the indents on the bottle. You smiled, looking out to the audience waving back to some of your fans that you could see holding signs up for you in the crowd. It was, in fact, times like these that your anxiety shot right out the window, replacing that anxiety with happiness and admiration of your fan base.

Five minutes into the panel talk and questions were directed to Scarlett and RDJ. You knew you wouldn't be talking anytime soon as, of course, like all other press tours, the interviews were heavily coordinated. So before you'd have the chance to speak, Sebastian, Anthony, and the Russo brother would go first. Sitting back in your chair, you took a sip of your water, your eyes following down to where Chris was bouncing his leg. Then, setting your water back onto the table, you pulled yourself and your chair closer to the table, reaching over across Joe Russo, who observed what you were doing.

"Could you pass me the marker, please, Joe?" you whispered to him; he smiled, nodding handing you the marker. "Thanks", you whispered again.

You returned to the comfort of your seat, Scarlett and RDJ still bantering. You look forward to the audience and give a tiny little smile to the fans who were waving at you. Your eyes looked down to your arm; you wrote a little message on your forearm, so he knew what the pen was for.

You scooted a bit closer to Chris just enough so you could hand him the pen. You lightly looked over to him; your hand went underneath the table and across to rest on Chris' lap. It was right there when his leg stopped bouncing. You held the pen in your hand, waiting for him to take it from you. Chris looked up turning his gaze to you; you gave him a smile nodding.

His eyes directed back down to where your arm was. He read the note you had written for him, 'Use my arm to doodle. It helps with anxiety :)'. He let out a smile, all the while letting out the breath he'd been holding in.

You looked back up and over to Sebastian, who was now talking; you felt the pen slip out from your grip, the marker clicked and the coldish ink embracing the surface of your skin.

One of Chris' hand rested firmly on your forearm to keep it from moving, and the other used to doodle. That was the first time in the history of you knowing Chris to be calm and content. No bouncing his leg or fidgeting. He was completely aware of everything instead of his growing anxiety.

It was after that moment Chris slowly began to fall in love. He never expected someone to notice his worries and do something about them. But, the way you sat there while he doodled on your arm didn't phase you at all, you wanted to support him, and you showed him that you did.

Years later, It became a force of habit, the tiny hugs you'd give Chris just to slide a marker into his pocket before going on stage. The small slight movements he'd make before he took your hand into his so he could draw.

You'd become someone who knew him better than he knew himself. The many dates he took you on lead to you moving in with him. The small moments you both had messing around on set and loving him in the silliest of moments meant eternity to the pair of you. You knew that you had fallen in love with Chris Evans, and so was he. You both just didn't realise that the moment would be a forever moment. If you hadn't offered him a marker that day, where would you be?

It was now the premiere of Avengers: End Game and the last press tour you'd have for a while. Today's interview consisted of a comic-con panel, the same panel you happily let Chris doodle on your arm five years ago.

You both sat together, his hand protectively on your thigh. You were speaking into the mic as a fan had just asked you a question about possibly seeing your character in the future of the MCU. Chris sat there attentive to your voice while he drew on the top of your hand. It was a little duck with a Boston Red Sox hat holding a heart.

Once you had finished answering the question and someone else began to speak, you looked back down to see what Chris was drawing. You squinted in wonder; looking back at Chris, you wondered why he was drawing this. Coincidentally, you had drawn a duck on him one day in between an interview—a duck holding a heart wearing a NASA cap. Chris looked at you with his cheesy smile. Oh! he was up to something, you thought. Chuckling, you watched him colour in the small heart with a red marker. He was, in truth, quite a good artist; you managed to take a photo of all his doodles over the years. But this one, this doodle was a bit different; it meant something more to you.

After you had both finished the panel, you were set on getting a new tattoo. Kissing Chris' lips, you told him that you'd see him at home. Chris had asked you where you were going, so you said you were going out to dinner with your mum in town, which was true you just left out the part of you going to get another tattoo. Your parents were in for the weekend for reasons unknown and wanted to see you before they left, so you had already planned to see them. He nodded, kissing you once more before departing ways.

You both were always so sentimental, and you knew as soon as you saw that duck in a red sox cap holding a heart on your hand that you wanted it to be a forever doodle. That day, when you had drawn a duck on him, he went and got it tatted on his hand the same day. The first tattoo visible on Chris' body, the only tattoo that wasn't hidden under his shirts. In contrast, most of your tattoos were on your arms and wrists; this was another tattoo among the few others you had on your hand, others being the original six symbol and some writing of your favourite quotes.

Before you knew it, you were sitting on the chair in your private tattoo artist's studio, getting the duck tattooed on you forever. The tattoo was a reminder of memories both you and him had experienced together.

The red sox hat, being where he took you on your first date five years ago. To a Red Sox game, of course. You didn't have anything to wear to represent the team, so Chris kindly offered you his Red Sox cap to wear; five years later, Chris had to purchase a new hat because you kept his one. Of course, he didn't mind; he loved to see you dressed in things that were his; the hat was one of them.

"I don't have anything to wear", you sadly pouted at Chris, looking at him in his Red Sox jersey and cap.

He looked down to you as you stood next to him, holding his hand softly, looking out to the stadium. He smiled, taking his cap off and placing it over your head.

"Now you do", he smiled, leading you down the stairs to your seats. You weren't really a fan of baseball. Still, once you had experienced your first game, oh man... it became a routine for both you and Chris to attend every game the Red Sox were playing at.

The duck, the furry little animal you had brought home a few months after you had first moved in with Chris two years ago. In all honesty, you wanted to get a turtle, but as soon as you saw that slight yellow fluff waddling around at the pet store, you wanted nothing more than to take it home with you. Chris couldn't say no to you, so the duck became your baby.

"y/n?" Chris came around the corner where you'd sat yourself talking to the little duck... Chris had been looking for you for almost fifteen minutes when he found you sitting there with the pet shop worker.

The excitement in your eyes told him that you had forgotten all about the turtle. You looked up at him smiling, patting the empty seat next to him. He sat watching you pet the small baby duck with your thumb lightly. "I'm naming him Alfie" you smiled brightly, looking back at Chris.

He took the duck out of your hands and chuckled, "Alfie, it is".

The red heart...

A reminder of how much you both loved each other. Something that had never gone away, the love both you and Chris had continued, it grew stronger over time, of course with a few hiccups here and there but never enough to break that love. But this, the tiny little heart being tattooed onto you, was one similar to the heart that homed your middle finger on a ring. The rose gold ring he gifted you when he asked you to be his girlfriend four years ago.

You rested your head on Chris' shoulder as both of you watched the office. A new series you'd been watching together, it was a few months after your first date with Chris, and you both were head over heels with each other.

"Hey y/n", he whispered.

"Mh?"

"I'm fallin' for you darling."

You lifted your head from his shoulder, looking up at him, "You're what", you whispered softly, you heard what he said, but you just needed to hear it again.

He brought the small box out, opening it to reveal a rose gold band hearts making up the band. "I said I'm falling in love with you", he smiled before continuing ", Be my girlfriend?" he sweetly asked.

You chuckled, letting him slide the ring onto your middle finger. "Of course", you whispered back to him before cupping his face. You both looked at each other, you saw it, you saw the life you'd been wanting. It was with him.

"I love you".

Sitting at the dinner table with your parents, you briefly looked down at the now wrapped tattoo on your hand. You had thanked your tattoo artist for another fantastic job; the new ink was precisely how Chris drew it on you earlier today. Your parents were eating away and so were you.

"It's great to see you again, Hunny", your dad spoke.

You smiled, nodding. "I've missed you guys so much."

"What's on your agenda for this weekend?" you spoke again, taking a bite of your food. Your mum and dad took one look at each other before your mum stopped to talk.

"Your dad and I are going to old friends party", she smiled at you. "party", you chuckled. "Since when do you guys party".

"it's an engagement party, I mean... do you have some parties we could go to" your dad joked.

"First of all... no." you laughed, cringing at the image in your head of your parents dancing and drinking. "But that's nice. I hope you both have fun, wish whoever a congratulations for me" you smiled.

"Oh, we will", your mum outwardly said. You took a second to squint your eyes in curiosity to your mum's tone. "Mhkay".

It was the end of dinner, and you had parted ways with your parents, taking a Cab to the home you shared with Chris. "thank you, driver," you smiled, hopping out of the cab walking up to your driveway. You giggled, seeing Dodger patiently waiting for you at the front door. "Hey buddy", you smiled, opening up the door for him to jump all over you.

Closing the door behind you, kneeling down to cuddle your pup. Dodger wagged his tail giving you kisses. "Shhhhh", you chuckled lightly, "were you waiting for me, huh?" you watched Dodger roll around on the floor. You stood up, taking your shoes off, leaving your keys on the hook. "C'mon, baby", you whispered, gesturing for Dodger to follow. You both walked down the hall, Dodger by your side.

You could hear the snores coming from your room and knew Chris was already sleeping. You opened the door, looking down at Dodger "go keep my spot warm for me, please", you sweetly asked your pup, who did just that. You watched him gently jump up onto the bed and curl up on your side of the bed.

Walking further down the hall, you went to take a shower. Changing into the PJs you left on the warming rack in the bathroom, you followed back out to check on Alfie, who would be sleeping in your office. Once that was done, you head into your and Chris' room. You took off your slippers and ushered Dodger to sleep in his bed. You kissed his head before he left. "night, bubba".

You slide in next to Chris, who had his back to you. Covering yourself with the blanket, you slide one arm around his bare torso pulling yourself closer to him. He was so warm, and you loved it. Chris groaned, turning over. He smiled sleepily. "Hey hon, how was dinner?" "It was good", you kissed his lips, "That's good," he said, pulling you into his arms to cuddle.

"Hey babe"

"mhhh", he mumbled in a sleepy voice.

"I love you."

"I love you too".

The next day you were doing a panel with the marvel cast. Like any other day, you answered questions, so why did you feel this one would be different. You were a bit nervous today, like you had woken up wrong, or you were waiting for something to happen. You didn't know if that was a good or bad thing.

You were talking to your audience. It was a large panel today consisting of the MCU cast, if not all of them. Maybe that's why you were so nervous; the bigger the cast panel, the bigger audience to speak to. "Make eye contact and hand gestures y/n," you thought to yourself right before you begun to answer the fan's questions. You start to use your hands gesturing when a fan had asked you about your character's personality.

Chris smiled, watching you intently; fans noticed. But as you were gesturing, he noticed the tattoo. He had to double-take when he saw your hand, leaving a small on his face. After you finished your question, he leaned in. "I love your tattoo, babe", he whispered; his comment calmed your nerves a bit as you chuckled ", just following your lead."

You both lean back into your seats as Joe and Anthony Russo began the next half of the panel. You were already forty minutes through... only another forty to go.

Anthony spoke, "As you may know, this will be the last you'll see of your favourite actors and actresses for a while..." Joe turned to the entire panel. "So we put together a little something of your time over the last decade" Joe turns back to the audience. "So sit back and relax."

The panel turned their chairs to watch the big screen, the lights dimmed, and the video rolled. It was a decade gag-reel of everyone in the MCU; Chris had pulled your chair closer to his; he knew you were nervous, for what reason? He didn't know, and neither did you. He should've been the nervous one; he was about to do something in front of the entire audience he had been planning for months.

Your head rested on Chris' shoulder, laughing with everyone else as the embarrassing footage rolled through. There was more footage of you and Chris than anyone else, but again, you were too clouded in worry. You didn't overthink about it.

Then there it was, a clip you didn't know existed—a video of you dancing with Scarlett and Jeremy on the infinity war set. You were being videoed from afar, but Chris comes into the frame making funny faces before pointing at you. You blushed a bit, laughing lightly.

"You see her", Past Chris spoke to the camera. "One day, I am going to marry her" he wiggles his finger over to your past self, who was still dancing around like an idiot. You swear your heart stopped, so ultimately, you started bouncing your leg. The video stopped, and the lights came back on. There were hushed voices; you knew they were looking your way, but you couldn't tell why.

You turned your chair, trying to avoid whoever was looking at you. Not noticing anything, nobody was talking. You had turned your head to look down to the end of the panel where The Russo brothers were. They were all looking in your direction, including the whole cast panel. You jumped slightly when Chris caught your leg mid-bounce; you turned to look at him, his eyes dazzling before you. Oh, that smile, you knew that smile all too well. Chris was smiling like a little kid.

Chris tapped you on your thigh, which caught your attention, so you looked down. This is it; this is the same feeling you felt when he first asked you to be his girlfriend. You burst into tears after reading the message on his arm; Chris' forearm rested in your lap while holding a black marker in his hand. You sniffed, looking softly at him. He was now in tears too. Taking the black marker from his grip, you clicked it; resting your hand on his forearm to steady yourself, you answered his question.

'Will you marry me, y/n?' the question written in his bold writing stared right back at you.

You always had your answer 'of course.'

You closed the lid on the pen, and Chris opened his hand; your engagement ring sat in the nook of his palm. He slides it onto your ring finger right next to your rose-gold one. You smile blinking through the tears, you turn to him, and Chris had already stood with his arms in the air.

"SHE SAID YES"

The whole audience got up cheering; he leaned in, cupping your cheeks, both of you laughing through your kisses. He had lifted you into his arms, spinning you around. He set you back down; you wiped the tears from your face laughing while wearing your t-shirt. At that point, you knew everyone was in on your proposal; you turned to your cast members, who were all clapping.

"Give a round of applause for the future Mr and Mrs Evans!" Joe spoke.

You went around hugging everyone who had gotten up just to congratulate the pair of you. One by one, your friends embraced you in their arms.

"Congratulations", two-voice spoke from behind you, "oh my god, you idiots", you chuckled, pulling your parents into a big hug. Chris stood next to you as your dad pulled him into a hug. "Your fiancé sends her congratulations", he laughed, referencing the conversation you had with them last night.

Chris looked down at you, "They had texted me last night what you had said. I'm surprised you didn't catch on", he laughed. "I- I didn't know... I was curious after mum said it so suspiciously but didn't think," you mentally face-palmed yourself.

And like that, the panel was concluded. Everyone congratulating you and Chris before leaving. Chris had set up a little engagement party back at your house; everyone was enjoying their time having fun. You sat on Chris' lap still in shock, his arms wrapped around your waist "you didn't see that coming, did you?" he smirked, looking up at you.

"No... no, I didn't" you laughed sweetly. Your hand ran over Chris' forearm where it still had both his and your writing on it. "That was the best proposal ever" you looked at him, smiling, "I'm glad, darling" you both leaned into each other, lips connecting softly.

"I've fallen deeply in love with you, Mr Evans".

"I'm still falling for you".

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Chris Evans Taglist: @buckyswintersoldiermask @lharrietg @buckyfan12 @afraid-to-be-me @fairityretro

#teebarnesfics #chris evans one shot #chris evans x female reader #chris evans x y/n #chris evans x reader #chris evans fluff #chris evans x you #chris evans #chris evans fic #chris x y/n #chris x you #cevans #chris evans angst

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aeempress · 3 years

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Apritello Express Evidences, part 1

Greetings, Apritello enthusiasts and attention! Here comes a loong post is written by totally nerd. You've been warned. Here we go.

The thing is that Apritello is a double-edged sword. The series shows us established friendship of these two, give us a lot of content with them. We can see development of relationship through interaction between the characters, their reaction about the situations they are put in. We can sense their synergy and bound through the show.

Donnie and April have incredible chemistry, and both options, brotp and otp seems fine to me.

But let me tell you why I ship them.

Apritello is the kind of pairings, which consists of small details, hints, that's hidden, but if you're sharp and attentive one, you will notice that. Apritello has a strong foundation: the best friends trope.

And from the very beginning, it works as planned.

When I start watching show, I could say that April and Donnie are best friends. It is worth noting that April is like an older sister to the other brothers, more of a sisterly figure than a friend, but with Donnie she behaves somewhat differently, namely, as best friend. Obviously, she sets him apart from his brothers, although girl tries to pay attention to all of them equally. And Donnie behaves as well.

Dee's battle shell designs for April needs as well as his. His shell transform into comfy spot for taking ride for April. Special and only for her. Because his bros are not supposed to use it (at least, he carries no one on his back), Donnie carries them by his techno-bó or his limbs.

This tiny detail shows his special treatment to her. April is a very, very special occasion to D. Don does care about her comfort, he accept the way she is. Donatello does not try to prevent her from participating in their affairs because he respects her decisions and is pleased that April can be shoulder to shoulder with him.

D is glad to be at her service.

Yeah, Dee's still playing cool, he has image to perform as tough and coolheaded guy. So Don doesn't show his intentions, interest and feeling to other people (he's tryin', but fails). Because his actions matter. They are always small, hidden, but meaningful.

April, in return, trusts Dee and depends on his tech, even knowing what his inventions are the opposite of success (usually).

Go on. Look at Donnie's facial expressions and body language when April is near.

Donnie seems more relaxed when she's around, happier. His emotional response is always different from his brothers ones.

Oh, and look, he wanted to be first to give her a high three.

They worry about each other. Look at Don. He does worry about her way more than his brothers. Yeah, they all want to protect her, but Donnie is more expressive.

Mayham has no particular sympathy for the brothers: he is afraid of Raph and behaves aggressively, he is indifferent to Leo and Mikey. Mayham immediately takes a liking to April. And then the details come back: he let Donnie touch his neck. The most vulnerable place for any living creation, for a second. Let him to study an important vial without any hesitation. Mayham depends on April trust for Donnie. When everything goes wrong for Don, the little doggie comes to his rescue, just as April would have done. Is the hint transparent enough?

We can see links with "A mystic library", wherе Donnie begins to look for solutions to save April's pet. Yes, this may seem like his next leap, "sit down, I'm smart, and now I'll solve all the problems, watch and learn," but Don says one phrase that opens up the veil of the second plan, what happens behind the scenes. "My illiteral colleagues and I was conducting a mustic research, with a life of the beloved pet, hanging in a bounce".

Strange wording, Donatello. Beloved pet? Not yours, as we can see. I can say, that everything in this sentence is true, but Donnie and Mayham has something more.

Continue. Next episode "Origami tsunami". Interactions are kept to a minimum, as April herself appears for a maximum of 5 minutes in the series itself. But devil is always in the details, dear friends.

When April was attacked and hung up, the only one who excitedly called out to her was Donny. Raph is furious that the thieves have escaped, Leo is frustrated that their plan has failed, and Mikey is worried about the salami.

Yeah, we didn't see his worries about her when she fell, because Donnie is on the mission and must be coolheaded turtle, and second, he's calm because now April life is safe and sound, out of the danger.

Dear passangers, Apritello Express arrives to the next station - episode "War and Pizza".

Bare facts:

1. April has Donnie's number on an emergency call.

2. "Anything for you"

3. Donnie is the reason why Alberto knows April's name.

No one calles April by her name (except for Donnie, while phone call, but Alberto wasn't nearby) it was "Captain O'Neil" by her chief, her badge seems blank. And yeah, you can say, that's just economy of budget, but I assure you: in the first episode we were shown the name of the delivery guy. The animators were not lazy bones and wrore "Stewart" on his badge. So if something isn't there, then it either shouldn't be there, or it really isn't, that's how this show works.

So, the reason explained in the episode. When Al has short circuit, parts of its new code flashed through its mind.

Info about April was in its memory, in its code. Alberto was a lame animatronic, and it seems somewhat outdated. I do really doubt about Alberto is being something smartass machine with complicated AI like Freddy's Pizza's ones. Quite questionable. Donatello fix Al's brain and wrote code, synchronize with his remote control. He put information about Cap O'Neil into animatronic's head. All this pictures are kind of massage: "You was created for birthday celebrations. You are machine, and there concepts of "life" and "birth". Do great party for this birthday kid and April won't be like this". Or, something like that.

So Alberto did - do a memorable party. And he do what his creator programmed him to do, but in his way.

4. In other words, Alberto was a tool to impress April. Don flaunts himself in front of her, stating how he did the upgrade while doing the upgrade, even though April is fully aware of his tech wizard. And his abilities supposed to help Cap O'Neil to finish the birthday party, so she will stay at her job, not fired. All thanks to Donnie and his upgrade Alberto. (Or not)

By the way, Donnie was the last to leave April in ruined "Alberto's". And it's not an isolated case, it is a pattern.

5. They understand each other without words.

First, Donny came at her at the speed of light. Second, she hadn't even finished speaking before Dee was taking Al apart. Third, their chaotic, well-coordinated work? Donnie was a distraction (although he wanted to just take a break from the battle or let Alberto's guard down, while April just knocked him out). Donnie and April are great team, and sometimes the DonniexApril team is much more precise, coordinated, and interdependent than the DonniexBrothers one.

D&A feel each other and anticipate each other's actions, their skills complement each other, creating an incredible synergy of their interaction. They act as a whole, while it's not always possible with his brothers, even though they're family and know each other the way more Donnie know April. And Dee hasn't trained with cap O'Neil.

Donatello didn't show his crush for April. No puppy, loving eyes, no lovey-dovey speeches, no planning schemes (at least, the audience don't see one) . He just want her attention, but stays cool and hidden. D is already her BFF, but still.

The same thing is claimed in 5B episode - Mascot Melee. Donnie has no problems with interaction with idol of his childhood - Atomic Lass. She'd put Leo in a stupor, but Donnie? He playfully challenges her to a dance duel. Yes, he adores this character, who may have become his measure of the attractiveness of others to Donatello, determined his type. But still, he's playing all cool and confident guy, he's really smooth with girls, so you will never see a puppy loving eyes from him. Only two things can betray him at this point: his voice and his body language. Remember, how's soft his voice became for Atomic Lass? Now I want you to remember the scene before, in turtle tank, when April sent guys a meme.

D is the first to respond to the message, despite the fact that Mikey is sitting closest to the screen. And the responding is a little too emotional for this situation, don't you think?

And this face of his. And he comments it. He likes her sense of humour.

The only difference between April and Atomic Lass is that the first one is a real girl who is a friend of their family, practically a member of it; and the other one is just a fictional character. It is easier to say about love for a fictional character, because it brings less problems for a teenager, especially when he is living with three brothers and a father who likes to tease as well. Donatello needs to be careful and outline the area of emotions he could show, so that he does not get hurt.

Now, dear passangers, we are returning to the previous episode, shall we?

Donnie presents to his brothers his precious Turtle tank, but she's gone, and it's really necessary to find out, who has taken her. And the first person to suspect is April.

Something is odd, don't you think? Yeah, Raphael has taken tyre for their "Midnight special", Leo claimed that Donnie's stuff is common, but they are D's beothers. It's natural for family to borrow(stole) stuff of each other. But this trend was not observed in April. She would never steal anything from Donnie, much less steal anything from him.

Actually, there is a good, logical and solid explanation here. April was number 1 in Donatello' suspect list, because he simply told her about Turtle tank. His brothers didn't know he were working at Moon buggy, except Mikey (Orange helps Dee get the vehicle from Repomantis), but they didn't know what exactly Donnie was working for. They didn't know he build the Turtle tank, he kept it a secret, to surprise his brothers. But April knew.

- Alright you! Where's our turtle tank?

- Hi, DONNIE. You have 9 seconds to say, why are you just broke my door.

- Someone's stole Donnie's turtle tank.

- Haha-ow, I see. As your best friend, you naturally suspect me.

- She gets it!

- Oh-ho, don't give me that! You're the only one could taken it!

The only one, because she knew about it.

As Splints said in this episode - "April is not a snitch"

Donatello does trust April and share with her both, sorrows and joys. But we are not shown this directly. We do not see the action itself, we do not see their calls and conversations on the phone late at night, we only see the consequence. We have no choice and take it as a given.

And the way she cooled him down? Fast, efficient, and Donnie seems to used to it. Moreover, she slapped everyone, but still, she throw Don out of window the last. However, why such a large time delay between him, being slapped and him, was throwing out of the window?

And my favourite scene. It was obvious that Donnie had taken the hardest hit (judging by his scream and the way he was putting his knuckles back in place). Don then claims that their inner circle is secure, Mikey tries to make amends for everyone, and April agrees, blowing them a kiss and closing the window. Cute and mean, isn't it? (You're cute! but mean! why do I always go for your type?! - ep. War and Pizza)

Nota bene: Donnie wouldn't apologize to April. Tough, not caring badass boy image, remember? Even to best friends. It's hard to him to express his feelings by using words, he cannot do it in proper way. But he has Mikey, who is so alike inner him. Michelangelo apologizes not only for himself, but for D mostly, because D starts suspected April.

Let's continue: the episode 8B: Hypno Part Deux

• Donnie put "Donnie's blocker" at April's phone to protect her.

It's common thing that your friend install some programs or apps on your device. But you will always ask your friend to do such a favour, and you will always know about what, when and where were installed on your phone.

And April didn't know Donnie had done something with her phone. It was a real surprise for her, to see blocker with "Donnie says no-no-no".

And you know, the interface of his app. The way he tell this current phrase. Donnie could put a huge banner "THE APP YOU WANT DOWNLOAD TO IS A REAL PIECE OF GARBAGE", as usual antiviruses do. But no, voice interface. It makes the app more personal and thoughtful. Because when Don made gifts for his brother, the program was voiced by a computer-generated female voice. Yes, the tank's interface is voiced by Donatello himself, but his voice sounds more like Google than the real Don. And, we talking about HIS BABEY, for a second. Bit still, the point remains.

• Also, Dale.

Dale is nerdy boy in purple, wow, how convenient for making a parallel with certain purple turtle.

But thing is, April doesn't like Dale. He's clingy, remora guy, who has a little obsession with April, even he's not harmful, still, such behaviour freaks girls (and not them only) out. Her classmate is usually tell her what April O'Neil is "his favourite person" and he loves her. There is little that is attractive about this behavior.

So, there is nothing new and unpredictable here that Dale was rejected. Because April didn't, doesn't and won't like him because of his lame personality and strange behaviour. Our girl in yellow do right thing: she clearly sets personal boundaries and does not allow any dubious personalities to invade them. So that's the reason she refuses to go on a date with him at the end. He's weird, obsessed, and she doesn't like him.

Donatello, as far as I concerned from different versions of TMNT, was always a little obsessive with some things. And, you know, putting a blocker inside your best friend's phone seems a little weird, because it's, in simple words, violation of privacy and personal space. And there are people who may regard this as stalking or sorta.

Yeah, for the most part, he gets away with it, not only because April's focus is in a different area, but also because their bond is stronger than April's with anyone else at school.

She has known him for years. Donnie is her best friend. I can't say that it's fine to her when Dee violates her personal space - her phone, but April can accept Donatello's personality in general.

And he does really have good intentions. Donnie installed this blocker, developed by himself only for one reason: to protect personal space April from fishy apps from nowhere, from being hacked and etc. Don knew her too well, how much she depends on stupid apps that will distract her. He also knew well, that he can't be with her 24/7 to fix problems with April's phone, so Dee put a part of himself to prevent any harm in the future.

And again, "Donnie's gifts"'s vibes. Donatello genuinely cared about April, because he wrote, coded, developed, designed, and dubbed it, turned on the database, and installed it all on April's phone. 'cause, you know, writing programs in general is a bit of a hassle, but writing an antivirus is much more difficult, because viruses are changing, and questionable applications are finding ways to bypass. Do you feel how much effort Dee put in for her?

But Donatello didn't mean to fix April, as he tried to do with his brothers. Purple turtle accepts this girl the way she is, and tries his best to play smoothly with April, by adjusting, not being passive aggressive jerk. It's his outstanding way to show his caring nature, soft side.

Remember, small but meaningful actions.

Maybe, Donnie also can foresee that April may be forced to download some suspicious program, but still, it work: he managed to prevent April being hypnotized, even if couldn't be physically with April at the this moment - Dee was working for Repo Mantis, building dog's paradise for Todd. That's why, by the way, Leo and Raph were dragged into this whole situation. Mayham would teleported literally anyone to help his hostess. Donnie just wasn't at the Lair at the moment.

And on this note, we'll take a break for now. Stay tuned, expect parsing of the series, there's a lot to discuss.

Part 2

Part 3

#rottmnt #rise of tmnt #rise of the teenage mutant ninja #rise donnie #rise donatello #rottmnt donatello #hamato donatello #april o'neil #rise april #rottmnt april #aprilxdonnie #rottmnt apritello #apritello #lonnnnnnnng post #sorry not sorry #zero regrets #apritello express

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kdramafeminist · 4 years

Text

Performative Badassery & Women in Kdramas

When I said I wrote an essay, I meant essay. This is a long one! Grab a snack and venture below the read more. I’ll see you at the end!

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You know the feeling. The drama begins. Our female main lead walks onto screen. She’s a successful businesswoman, a hotshot detective, clever lawyer, smartass retail worker, etc, etc. She stares down a random man to prove she’s the powerful one here. Or kicks some ass. Or rattles off a bunch of demands to her workers. Or talks fast to show off her intelligence.

Then she meets the male lead. There’re fireworks. Slowly we find our female lead has a softer side. Good to know. 3-dimensional and complex characters are important. It’s nice to see women on-screen who are both capable and emotional. Kick ass and feminine.

But slowly... something starts to go wrong. She seems to be crying more than showing literally any other kind of emotion. And is it just me or is she getting saved and manhandled and flustered quite a lot for a woman who we were told was so well put together? Sure, the circumstances are extreme. But they’re extreme for the male lead too and he seems to be managing just fine for some reason. Also, if both of them are ordinary people with no on-screen fighting experience, how come he’s so great at throwing fists out of nowhere and she’s busy keeping hidden or needing rescuing? Exactly how many times can one person just faint like that without anyone checking to see if she has a medical condition?

By the drama’s end our lead has gone through trials and tribulations. She’s fallen in love too, I’m happy for her. But... now that the story’s ending and she’s getting in one last chance to show us she’s a “badass”, why am I left feeling hollow? She’s showing us how tough she is but... we ALL spent this whole drama watching her have absolutely no agency or such a little amount that she might as well have been trying to put out a fire with a water-pistol. It’s almost like her previous badassery (in whatever form it may have been - I don’t mean badass only in terms of being able to throw a good punch) was just a façade. A way to hook in female viewers like me who want to see something more than a wilting wallflower or one-trick Cinderella. But the tiniest knock and the cardboard house collapses.

And no matter how many times we get throwaway lines about her being “the smartest/toughest/scariest/most capable one here” it doesn’t ring true compared to the actual character we’re watching.

Rom-coms, melos and sagueks especially (but many more genres besides), have a real problem when it comes to performative badassery in their female characters. The writers give us a female lead they claim is hyper competent, but the reality is totally different. Any plot that features romance, almost always features this. Honestly the way the start of the relationship in dramas actively MURDERS the female character’s agency could be its own essay so I won’t go deep, just know the two are 100% linked.

The “Faux Action Girl” Problem

A Faux Action Girl happens when a writer wants the popularity that comes with having a cool action girl character, or they want the praise that comes with writing a lead that breaks gender norms, or they want to be lauded for writing a FL whose more capable & progressive than the female kdrama lead we’d imagine, but they don’t end up actually giving us her. Instead we get the fake or faux version. The reasons are usually a combination of:

Relying on outdated tropes. Wrist grabs, damsels in distress, a girl fainting so she misses some vital plot related moment to increase runtime etc...

Sexist worldviews. As a by-product of being Korean which is still a heavily sexist country because of the holdover of Confucianism mixed in with the Christianity westerners brought over that leads many writers to (often without even realising) inserting moments that inadvertently reduce their female leads because they think that’s what correct or natural for the female character based on their opinion of women in general. Even if it doesn’t actually fit the type of character they’ve set out to create.

Executive meddling. Producers who think their demographic wouldn’t be able to handle a real badass but also know their female viewers want more complexity and agency in their FLs these days and so give us the paper-version instead of the 3D model.

This character’s more “badass” traits are nearly always just an Informed Ability (the writers tell us via other characters what she can do but never actually show us on-screen these same things) or we only ever see her utilise them once/twice at the beginning and maybe if we’re lucky once at the end, but never again.

It really hurts.

The “Badass Decay/Chickification” Problem

Sometimes she really is a legitimate action girl though. She’ll be a cop whose good at her job or an ordinary citizen whose well-versed in taekwondo. She has actual moments on-screen to prove herself.

Well. She has moments in episodes 1 and 2. Then she almost always goes through Badass Decay/Chickification. Which means that writers (& producers) believe that if we don’t see her having a softer side, she’ll become unrealistic or unlikeable.

They fix her. So she becomes more vulnerable. As the only girl on the team (usually), she becomes the one who ends up injured more often or needs rescuing most. Her life begins to revolve entirely around her romance and nothing else. (Meanwhile the male leads gets to have the romance and keep his side-quest - have you noticed that? If the FL is really lucky she gets to keep one side-quest too, maybe a dream job or solving some family mystery. Never more though.. only men get to be complicated here). Once she was competent... now it feels like she legitimately had a personality transplant.

Is this even the same person we began with?

The “Worf Effect” Problem

Worf Effect is when the danger/power level of a villain is shown to the audience by making him successfully attack/hurt/ruin the plans of someone that the audience knows is skilled. This isn’t a bad thing alone and writers use it all the time. We need to acknowledge the villain as a proper threat and this is a useful way to do it!

But in kdramas it’s something used almost always against the lead female character. The one we’ve seen is intelligent, or strong-willed or quick-witted.

And because it’s always her, this character begins to look weak. If this writing trope is abused, her reputation as the "biggest, toughest" etc. begins to look like it never existed and we’re back to her having an informed ability.

That this is something that happens to the female characters not only more often but almost exclusively is a sign of sexism. Plain and simple.

Competent, Real Badass Female Characters Aren’t Scary

If you’re going to sell me a capable woman, give me her.

Not someone who has one very unique, specialised skill but otherwise can do nothing else except for that one time when her one skill is useful.

Or has built up her own empire, implying a certain level of smarts, business ability or networking skills, but then once she’s removed from it she becomes so utterly useless it begs the question how she built that empire in the first place.

Or has a rep as the detective whose taken down the toughest guys off-screen, but whatever skills she used to do that seem to disappear the moment anything really challenging happens on-screen.

I’m not saying she needs to win all the time. Of course she doesn’t, how boring is that? All I’m asking is that when she loses, it’s in keeping with the character I’m supposedly watching. A woman that can kick ass can still be outwitted. A clever woman can be physically beaten. A street-smart girl can be foiled by rules and regulations. A leader-type can be beat by someone whose more unconventional.

It’s not difficult to write someone like this. I know the writers can do it because every male lead is written this way. I’ve never once, whilst watching a badass male lead lose, get beaten and cry, thought “oh no, his badassery was fake all along!”

Because when he loses it makes sense. It’s in character. There’s a solid plot reason behind why it happens.

Meanwhile my ladies who are meant to be able to kick ass and take names somehow just got kidnapped out of nowhere?

Make it make sense!

Consistent Characterisation is Good Writing

I get wanting moments where one is injured and the other fusses over them. I love those moments! All I ask is more imagination taken to get us to that point. Make it in-character. If my taekwondo black belt is kidnapped, I want to see her really fight. I want the kidnapping to be shown as genuinely tough on the people trying to nab her. Imagine how much more satisfying it would be to see her fight off all these bad guys, yet still end up losing? How much more heart-breaking?

We’d be so much more invested in the mind games or politics the villain is playing if the female lead we’ve been told is good at that stuff is playing the game just as hard. When she loses it’ll hurt more.

Writers need to stop being afraid that her remaining capable in some way diminishes the masculinity, attractiveness, prowess or “hero” status of the male lead. Trust me. It doesn’t. Ever.

It’s not a case of either/or. We don’t think less of the male lead because his partner is as capable as him in whatever way that may be. Instead, we think more of them both. Once a romance begins, the heightened worry both characters have for each other should only make both of them stronger in whatever area they’re skill lies in. Not just make the man a sudden defence wall and the woman a worrying mess.

I’m sure everyone who reads this can immediately think of at least one drama with a FL who is a Performative Badass. I know I had about ten in mind as I wrote this.

There are exceptions. Cases where the badass gets to stay a badass. Usually these cases happen in genres without romance because like I said above, those problems are linked. But I can think of a few romcoms/sageuks/melos where it happens too.

But those are the minority.

Women in kdramas. Give them agency. Make their characterisation genuine, not just a bit-part for the sake of a cool trailer. Not just one moment someone can edit into a “badass multifemale” video edit - only for us to watch the drama from the clip and discover we’ve been sold a lie.

How satisfied would we be?

Writers! Give us a story we enjoyed because of the excellent characterisation. A new female character we can add to our lists of faves. Women who proved themselves as consistently badass as their first scenes claimed. Women in kdramas who, no matter what problem they faced, don’t become echoes or paper-thin versions of who we were promised.

Actual, complex, layered, enjoyable, KICK-ASS AND BADASS female leads.

Wouldn’t that be a miracle.

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PS. This is an open notice that it’s OKAY to reblog with added commentary/thoughts/rambles of your own. I would *love* to see it if you have anything to add.

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(Disclaimer: This essay was written with a specific female character type in mind. I am not saying every FL needs to be a badass or hyper competent. Soft, shy, physically weak female characters exist and can be just as realistic and complex. There’s a few I can think of who I adore. Instead my essay is very specifically about characters who are *meant* to be badass from the start but then... don’t end up being. So, yeah, before anyone claims I’m some angry feminist who needs every FL to be some tough martial artist or something. Absolutely not! Diversity is amazing and interesting. All I ask is that when I am told I’ll be getting a badass in a drama I get her. Not have my heart broken by the fake wilting flower I find in her place. Ok. End disclaimer. ^^)

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Also I’m tagging a bunch of you because you reblogged my post saying you wanted this so here! TY for making it to the end ^^

@kdramaxoxo @islandsofchaos @storytellergirl @vernalagnia-blog @lostindramas @salaamdreamer @planb-is-in-effect

#kdrama #kdrama discourse #kdrama feminist #women in kdrama #badass women #strong female lead #though to be clear I am an angry feminist lmfao #how does a woman living in this world not be tbh

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reynie-muldoons · 3 years

Text

'The Dance of the Celestial Orb' liveblog!

for real this time lmfao

book and show spoilers below

I'm ✨nervous✨ please let our children be okay

0:10 this Sticky arc hurts me so kuch

1:35 this music is BUMPIN

2:22 I just wanna know how she got under there without the dude seeing her

2:47 "all systems go" for the Improvement.... yikes 😬😬😬

2:55 she didn't wait even 5 seconds after they left, the door was still closing when she popped up 😂 can you imagine if one of them doubled back right at that moment

3:18 they look like the dudes from that veggietales movie, I think it was Esther- the island of perpetual tickling?? Anyone??? 😂😂😂

4:00 Kate vented.......

4:51 "not a rat" yeah no shit

5:07 if not for the suspense, I would be jamming out lmaooo

6:10 Mr. Benedict is looking at the shoreline, is he about to watch Kate dive in???? Because I mean that's where she's gotta be going

6:20 "memory challenges"? Is Rhonda talking about Milligan's amnesia, or has short term memory been affected as well??

6:29 .....thank you for answering so efficiently 😂

6:42 "I buy it. I completely.... buy it." RHONDA THAT'S NOT HELPFUL AHSKSHDJKD

6:56 can you imagine seeing your friend go down in a sub then hours later seeing the sub float up in fucking PIECES

7:06 KATE! KATE! KATE! KATE!

7:06 please let it be reunion time

7:25 oh hello that's a drop

7:38 *to the tune of Bezos I* come on Katie u can do it pave the way put ur back into it

7:51 she craves that mineral

8:06 Sticky, my child

8:20 oh my gosh they went out and LOOKED FOR HER I care them 😭😭😭

8:23 SHE KNEW HIS DREAM SHE KNEW HIS DREAM TELEPATH TELEPATH TELEPATH

8:34 STICKY STOPPPP

8:40 "jumping to conclusions is a failure of character" wow that really is something Curtain would say

8:52 angry Reynie. He is in rare form

8:54 "and you helped put her there!" OOOOOOOH I SCREAMED

9:03 "I shouldn't have yelled" okay but you kinda should have Sticky needs a wake up call

9:06 "dont apologize. I like this side of you." IS THIS THE START OF REYNIE AND CONSTANCE HAVING THE BEST SIBLING RELATIONSHIP

9:22 "if you really cared about me, you'd want me to be happy instead of standing there telling me who I am" oh Sticky my dude I am NOT digging the manipulation

9:36 Reynie pulling out the BFF card!!! Also Reynie digging in his feet because he knows he's right!!!! That's great setup for his arc as a strategist later

9:48 "I'm telling you, Kate's fine." Narrator: Kate was not, in fact, fine.

10:03 "they'll notice." Sticky has made one (1) good point.

10:11 oh dear god are they fingerprinting this bitch

10:19 all this equipment, has no one walked up to the cliff and looked down???

10:23 HAHAHAHA WAIT THEY ACTUALLY HAVEN'T

10:27 "we've been out here all night" that means Kate has been clinging to a cliff by her fingers and toes ALL NIGHT????

11:04 babe I know it's been a long night but maybe wait a second for them to actually leave before you climb back up

11:15 BUCKET NO

11:22 she has to go get it. There's no way someone wouldn't find that shit, it's in plain view

11:37 "WAS"???? WHY ARE WE SAYING WAS????? NO PAST TENSE HERE MILLIGAN'S FINE

11:43 "I only wish we could've known him better" NOOOPE NONONO WE'RE NOT DOING THIS

11:47 Rhonda back at it as the voice of reason!!!!!

11:59 "I have never met a more competent swimmer" throwback to "the baaAAAYYYY"

12:10 MR. BENEDICT'S FACE HAHAHAHA HOLD ON LET ME TAKE A PICTURE IM DYING

12:11 NUMBER TWO, NOT HELPING

12:14 RHONDA'S FACE HAHENDJDKDN

12:33 "we will go rescue him" because of COURSE he would

12:36 Rhonda is his best wingwoman omfg she's so consistent

12:54 MISS PERUMAL??????

12:56 MISS PERUMAL!!!!!!

13:00 SHE KNOWS HE'S RIGHT GAKSHDBDHEKSNND

13:09 "how hard can it be? It's an island!" PFFFFT

13:16 oh SQ baby boy please get out of there

13:25 "I certainly have my own suspicions" he said, looking at SQ why are you looking at SQ like that

13:31 SQ GET OUT OF THERE PLEASE IS2G

13:36 here we fuckin go

13:43 the captions have the f in forest capitalized like it's this special place

13:43 new hc that the Forest is a magical place like pixie hollow

13:57 TWO THINGS: 1. YES stand up for yourself baby!!!! 2. Shepard Quaid? Interesting! I don't think we ever got SQ's full name in the books, I hope TLS made that decision!

14:08 your "father hat"??? Oh my gosh shut the fuck up right there don't even continue

14:16 oh yeah real fuckin cute put on your "steward of this institution hat" and call that a good reason to be a shit person

14:43 "No." GOOD FOR HIMMMM GOOD JOB SQ

15:03 Kate's struggling right by the shore where a certain someone would be returning after a very hard swim, it would be a great time for a meeting wouldn't you think

15:09 KATE THE GREAT

15:11 "THE TRAPESE GODDESS" I WILL REFER TO HER AS NOTHING ELSE

15:26 sorry but that green screen of her falling was kinda funny

15:28 soooooo is someone, a very certain someone, gonna catch her...??????

15:36 YEEEAAAAAAAHHHHHHHH

15:43 IS THIS IT????@?@?!?

15:46 awww poor baby girl you can tell how tired she is

15:46 just putting this out there- they look so good in frame together

15:46 the actor who plays Milligan is fucking huge in stature so I wasn't sure how that would go but it looks so good

16:00 THE WAY HE'S LOOKING AT HER WITH HIS HAND ON HER SHOULDER I CANT DO THISSSSS

16:20 "keep going." 😭😭😭😭😭

16:23 "you dont understand." Ohhhh I think he does

16:25 "I think I do." What did I tell you, he's got your back babygirl

16:45 I'm so glad she's talking this out, and with Milligan of all people

17:01 it makes so much sense for Kate to feel alone in that situation, and when Kate feels anything less than positive she goes and does something, whatever that something is.

17:05 "So.. I...." "fell off a cliff and nearly died." Thanks for putting things into perspective Milligan

17:05 Milligan is such a good dad stop

17:19 "most of the way" is an understatement LMFAO

17:29 I'm so glad we know the intimate details of Milligan's illustrious swimming abilities 😂 out of all the new things wfrom the show that one wasnt on my radar

17:52 leave it to Milligan to come up with an escape plan off of an island with no water vessel with four kids in tow

18:08 THEYRE SO CUTE 😭😭😭😭

18:08 lowkey I'm super surprised they didnt take this opportunity to have Milligan's arduous swim force his memories out and have the father daughter bonding time they deserve. I hope they give that moment ample time to flesh out.

18:13 BUCKET!!!

18:13 wait that shot is so artsy hold up lmfao

18:13 this looks like someone's photography final hahahaha

18:26 THE TENDER MUSIC STOPPPP 😭😭😭

18:41 Sticky is still on that jumping to conclusions bs he got from Curtain

18:44 WETHERALL'S WIDGET 😭

19:31 "Kate... she's in danger..." NO SHIT SHERLOCK

19:36 "and it's all because of me." Not just because of you but love to see you taking responsibility

19:52 once again I am asking WHY ARE YOU TALKING ABOUT THIS IN THE OPEN

20:26 "Kate. She has changed." "Not really. She's always been who she is." "Her clothes. She changed clothes." PFFFT HAHHAHA they really took a moment of self-reflection and made it so much better

20:55 AYYYYY KATE'S DEPENDENCY ARC CONTINUESSSSS

21:35 yikes yikes yikes

22:16 I love that Mr. Benedict got closure in telling Miss Perumal that her words stuck with him

22:40 the way she just knows Reynie took the position of leader 😭😭

22:54 SHE WROTE HIM A LETTERRR

23:02 "Would it be possible to get this to him?" Ma'am what part of undercover spy don't you get

23:54 it's still really weird that we are now in a position where Reynie is the one who is not trusted and Sticky is the one in Curtain's favor

24:13 and here we see Curtain's thinly veiled anger issues shining through

24:21 "the little things matter. Every minor detail, it all matters!" CALLBACK TO MR. BENEDICT TELLING THE CHILDREN THAT THEY ALL MATTER

24:55 "I can tell with complete accuracy when a person is lying." first of all, no. second of all, I cannot wait for him to talk to Constance.

26:33 why is Mr. Benedict graphically explaining the children's potential trauma so funny to me

26:40 "you're catastrophizing." "Yes. I am. Quite severely. Thank you." WHY IS THIS FUNNY

26:58 MADGE!!!!

27:16 she's so prettyyyyy

27:33 GOOD JOB MADGE!!!!!

27:36 wait did she just take the LETTER??? she's delivering the LETTER?????

28:05 WHAT DOES "OKAY FINE" MEAN??? REYNIE??????

28:22 it's sad because it's true 🥺

28:24 "I miss my teacher from the orphanage" the best lies are the ones rooted in truth 🥺🥺🥺

28:48 roll credits

29:16 Reynie honey Orion's Belt isn't on the ceiling

29:29 the way he was so confident that he had it right 😑 Curtain Stop Being a Pretentious Fuck challenge

29:52 our babygirl is so smartttt

29:55 did Milligan plant his prints 😳 oh no OH NO

29:57 MARTINA???? WHATSUEJHDKD

29:57 is this the replacement for when they pin cheating on her????

30:03 THE KEY CARD!!!!

30:11 MADGEEEE

30:21 "one attacked me as a small child" honey you are a small child

30:24 "it did not win," she said, smiling menacingly

30:40 "so we dance again" WHY DID THE MUSIC REV UP WHEN SHE SAID THAT HAHAHAHA

31:01 ✨woodworking is a passion✨

31:58 "was it functional?" "Well I guess that depends on how you define functionality" RHONDA'S FACE IN THE BACKGROUND HAHAHAHA

32:10 OH HEY MARTINA

32:17 wait 🥺

32:22 that has to be SQ :)

32:28 hi sweet boy

32:34 please tell me they did that shot of the sandwich because Madge is about to take it

32:39 LMFAOOOOO

32:44 hi good girl!!! Enjoy your snackies

32:50 oh god oh no the LETTER

33:25 oh wow we're doing this NOW??

33:52 and here we see another example of Curtain's thinly veiled anger issues bubbling to the surface

34:10 hey what if you uhhh weren't such an asshole

34:33 that man's voice is buttery

34:52 REYNIE'S TRYING TO TELL SQ????

35:02 and they're talking about this right in front of the office door, WHY??

35:24 AND THEY'RE TALKING ABOUT THIS RIGHT IN FRONT OF THE OFFICE DOOR, WHY????

35:55 he's letting him go 🥺🥺🥺🥺

36:14 why does that look like a body bag

36:17 oh my gosh it definitely is a body bag, hey Martina

36:25 yep, that's about what I expected

36:36 "whoever did this to me, they're gonna pay" oh girl do I have some bad news for you

37:12 ahhhh, so Martina is the burnt out gifted kid who keeps going out of spite and sheer force of will

37:12 everything makes much more sense now

37:30 ohhhhh my gosh feelings time

37:44 "I think it's awesome." "Yeah. I know you do." THE SHIPPERS ARE THRIVING

37:54 THEY REALLY WANT TO MAKE THIS AS PAINFUL AS POSSIBLE HUH

38:10 "it's the least I can do" that's an understatement 😬

38:14 AAWWWWW SHKSHSLSBDK

38:20 "I don't know what I'd do without you, Wetherall" STOPPPPP

38:30 HEY BUD UH MAYBE CLOSE YOUR DOOR???

38:38 he's been writing letters to her every night and now he finally gets one back 😭😭

39:34 so Miss Perumal wrote this letter with the intention of it being sent to him, right- why did she write it like that?? 😂

39:34 they've gone to such lengths to communicate in code but the letter kind of undermines that- it was written in such a way that an onlooker would know Reynie was a spy but wouldn't know what he was doing or why. No wonder SQ was pissed

39:41 KATE!!

40:10 BREAKING NEWS: local bastard man treats everyone like shit

40:15 ohhhhh SQ bud please be careful

40:30 "always have time for my son," he said in a clipped voice that implied that he does not have time for his son

40:35 ohhh he's getting RIGHT INTO IT HUH

40:41 you mean to tell me he's never asked about Mr. Curtain's work?? Ever???? Somehow that doesn't seem right to me

40:57 hey uh what if you didn't talk down to SQ at every opportunity

41:02 "would you care to reconsider that answer, son?" "No." DIG THOSE HEELS IN SQ!!!!

41:22 I'm really not digging that Curtain is using the guise of openly expressing his feelings to communicate his anger and his unasked question. Not cool bitch head

41:33 the fact that he didn't answer SQ's spoken question kind of also answers his unspoken question

41:45 "I knew there was something off about that girl. But espionage?" "How do you so convincingly fake a tetherball obsession?" I love that this entire conversation could be about Martina or Kate interchangeably

42:34 WELL THAT'S NOT GOOD

42:36 IF IT WAS THAT EASY TO FIND WITH BINOCULARS HOW HAD THEY NOT BEEN SPOTTED UP UNTIL THIS POINT?!!?#? HOW????

43:05 Kate advocating for Martina with the Society 🥺🥺 the interaction I didn't know I needed

43:58 "I definitely don't like to leave anything unfinished." "That's true, I've seen you eat." PFFFFT

44:05 YESS YOU GO STICKY USE YOUR ACCESS FOR PRIME INTEL

44:19 "well, you can't succeed without me, so..." baby girl you have no idea how right you are

44:28 please let that be Milligan PLEASE LET THAT BE MILLIGAN

44:32 YEAAAAAHHHHH

44:35 I simply adore him

44:45 "would you mind helping me down, please? I'm stuck." Your honor I would die for this man

44:54 oh shit, Martina's tryna sleuth it out herself.. this can't end well

45:04 is she about to find Kate's marbles or something?? Callback to the book?

45:26 the absolute MURDER in her eyes

45:31 FUCKIN YIKES

45:41 "the clothes of someone who had given up" ASEJDGEIDNDLFK

45:47 well that's not good

46:00 WELL THAT'S NOT GOOD

46:04 PLEASE let them be on their way already, please

46:14 THEY MADE A BLIMP????

46:17 Goodyear is QUAKING

46:35 why the fuck is Number Two in red, that's upsetting on principle

THEYRE JUST ENDING IT THERE???? goddamnit!!!!

How surreal is it that next week is the finale?? Idk if I'm ready for that????

#mbs disney+#mbs liveblog #the dance of the celestial orb #the mysterious benedict society #charity's talkies

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faintingheroine · 3 years

Text

Wuthering Heights Reread - Chapter 3

This chapter is a bit overwhelming, since it is the chapter that is comprised of the most diverse parts and has the iconic ghost scene, but I will try my best.

“While leading the way upstairs, she recommended that I should hide the candle, and not make a noise; for her master had an odd notion about the chamber she would put me in, and never let anybody lodge there willingly. I asked the reason. She did not know, she answered: she had only lived there a year or two; and they had so many queer goings on, she could not begin to be curious.”

Heathcliff has forbidden people to lodge in Catherine’s room, which is unsurprising since it is more or less kept as it was during her childhood.

Zillah has been at the Heights for a couple of years since she had taken the job from the unnamed housekeeper who left a couple of years after Linton’s coming to the area. Zillah claims to be incurious about the goings on at the Heights which does fit her apathetic character but which raises the question of whether she had let Lockwood to lodge in the room solely for the sake of charity as this would imply or she was curious about the haunted room.

“Too stupefied to be curious myself, I fastened my door and glanced round for the bed. The whole furniture consisted of a chair, a clothes-press, and a large oak case, with squares cut out near the top resembling coach windows. Having approached this structure, I looked inside, and perceived it to be a singular sort of old-fashioned couch, very conveniently designed to obviate the necessity for every member of the family having a room to himself. In fact, it formed a little closet, and the ledge of a window, which it enclosed, served as a table. I slid back the panelled sides, got in with my light, pulled them together again, and felt secure against the vigilance of Heathcliff, and every one else.”

I was able to properly visualize the oak-paneled bed for the first time in this reading. Apparently this type of box-beds were fairly popular in Northern Europe to keep one warm during the cold winter, but here the bed encloses the window which might defeat this purpose.

This bed is the symbol of Catherine’s childhood and Catherine and Heathcliff’s connection within the story. Its solitary state and it enclosing the window may symbolize them having no one but each other and the outside world. It also resembles them lying in a coffin together which is effectively what happens at the end.

“The ledge, where I placed my candle, had a few mildewed books piled up in one corner; and it was covered with writing scratched on the paint. This writing, however, was nothing but a name repeated in all kinds of characters, large and small—Catherine Earnshaw, here and there varied to Catherine Heathcliff, and then again to Catherine Linton.”

These carvings basically both summarize and prophesy the story. Earnshaw-Heathcliff-Linton is Catherine’s life story, the reverse - Linton-Heathcliff-Earnshaw - will be her daughter’s, the potential “Catherine Heathcliff” actually being realized through Heathcliff’s own machinations. Only in Wuthering Heights a teenage girl experimenting with her potential husbands’ surnames can have a prophetic, almost mythical significance.

“It was a Testament, in lean type, and smelling dreadfully musty: a fly-leaf bore the inscription ‘Catherine Earnshaw, her book,’ and a date some quarter of a century back.”

“Quarter of a century” is most likely close to the truth. Catherine’s diary entry that is featured in the text must be from November 1777, 24 years almost to the month before Lockwood reading it in 1801.

“Some were detached sentences; other parts took the form of a regular diary, scrawled in an unformed, childish hand. At the top of an extra page (quite a treasure, probably, when first lighted on) I was greatly amused to behold an excellent caricature of my friend Joseph—rudely, yet powerfully sketched. An immediate interest kindled within me for the unknown Catherine, and I began forthwith to decipher her faded hieroglyphics.”

Catherine is characterful and rebellious even in her first introduction. She is also effectively portrayed as an antagonist of Joseph.

Note the use of “hieroglyphics”, Catherine’s childhood memories are given the status of something mysterious and important, just like with the carvings. I love this.

“‘An awful Sunday,’ commenced the paragraph beneath. ‘I wish my father were back again. Hindley is a detestable substitute—his conduct to Heathcliff is atrocious—H. and I are going to rebel—we took our initiatory step this evening.”

We first hear Catherine through her own voice which is significant. She is thoroughly sympathetic in this anecdote, acting like a typical tomboyish character except for her harming the religious book given to her by Joseph. She is thoroughly empathetic and caring towards Heathcliff, and I don’t think that this should necessarily be negated through her narcissistic identification with him. They have a beautiful friendship and they are each other’s only allies in a loveless and cold household.

“All day had been flooding with rain; we could not go to church, so Joseph must needs get up a congregation in the garret; and, while Hindley and his wife basked downstairs before a comfortable fire—doing anything but reading their Bibles, I’ll answer for it—Heathcliff, myself, and the unhappy ploughboy were commanded to take our prayer-books, and mount: we were ranged in a row, on a sack of corn, groaning and shivering, and hoping that Joseph would shiver too, so that he might give us a short homily for his own sake. A vain idea! The service lasted precisely three hours; and yet my brother had the face to exclaim, when he saw us descending, “What, done already?” On Sunday evenings we used to be permitted to play, if we did not make much noise; now a mere titter is sufficient to send us into corners.”

Lockwood’s religious dream about Jabez Branderham is clearly influenced by him reading this. In this reread I really noticed how much Lockwood’s two dreams are a consequence of what he read in Catherine’s diary.

Mr. Earnshaw was known to be quite religious, but he did let the children play on Sundays. We must remember that Heathcliff was his favorite though, I am not sure if he would let that if it were Catherine only.

Hindley’s first line is actually “What, done already?” rather than what I posited it to be here. I was mistaken. Still the diary entry introduces us to Hindley’s character and this introduction reflects his character and his role in the story pretty efficiently. He is a tyrant but a fairly incompetent one.

“You forget you have a master here,” says the tyrant. “I’ll demolish the first who puts me out of temper! I insist on perfect sobriety and silence. Oh, boy! was that you? Frances darling, pull his hair as you go by: I heard him snap his fingers.” Frances pulled his hair heartily, and then went and seated herself on her husband’s knee, and there they were, like two babies, kissing and talking nonsense by the hour—foolish palaver that we should be ashamed of. We made ourselves as snug as our means allowed in the arch of the dresser. I had just fastened our pinafores together, and hung them up for a curtain, when in comes Joseph, on an errand from the stables.”

Hindley insisting on perfect sobriety and silence is clearly ironic.

Hindley and his wife’s relationship is clearly portrayed as sexual here. Hindley doesn’t actually care about Catherine and Heathcliff’s religious education, he just wants to be alone with his wife. Catherine and Heathcliff are disgusted by this display of affection which is fairly normal considering their ages.

Catherine and Heathcliff isolating themselves does resemble the isolation of the oak bed.

““Maister Hindley!” shouted our chaplain. “Maister, coom hither! Miss Cathy’s riven th’ back off ‘Th’ Helmet o’ Salvation,’ un’ Heathcliff’s pawsed his fit into t’ first part o’ ‘T’ Brooad Way to Destruction!’ It’s fair flaysome that ye let ’em go on this gait. Ech! th’ owd man wad ha’ laced ’em properly—but he’s goan!””

I love the books’ names, especially “The Broad Way to Destruction” being the name of Heathcliff’s book. If Wuthering Heights is ever adapted as a Kill Bill style duology, let the first film be named “The Broad Way to Destruction” and the second “The Helmet of Salvation”.

Catherine remembers her father as better than Hindley, but here Joseph praises how he was physically violent to the children. This is a reflection of how Catherine’s nostalgic view of the past may be better than the way things actually were, as it always is with nostalgia.

“‘Hindley hurried up from his paradise on the hearth, and seizing one of us by the collar, and the other by the arm, hurled both into the back-kitchen;”

Graeme Tytler notes how the kitchen is the place of punishment or the residence of the servants, but also the most resilient part of the house; a lot of significant events happen in the kitchens of WH and TG, and the kitchen is the only part of Wuthering Heights that will not be shut down after Cathy and Hareton’s marriage.

“I reached this book, and a pot of ink from a shelf, and pushed the house-door ajar to give me light, and I have got the time on with writing for twenty minutes; but my companion is impatient, and proposes that we should appropriate the dairywoman’s cloak, and have a scamper on the moors, under its shelter. A pleasant suggestion—and then, if the surly old man come in, he may believe his prophecy verified—we cannot be damper, or colder, in the rain than we are here.’

I suppose Catherine fulfilled her project, for the next sentence took up another subject: she waxed lachrymose.

‘How little did I dream that Hindley would ever make me cry so!’ she wrote. ‘My head aches, till I cannot keep it on the pillow; and still I can’t give over. Poor Heathcliff! Hindley calls him a vagabond, and won’t let him sit with us, nor eat with us any more; and, he says, he and I must not play together, and threatens to turn him out of the house if we break his orders. He has been blaming our father (how dared he?) for treating H. too liberally; and swears he will reduce him to his right place—’”

An important question is whether this scamper on the moors is the same one as their fateful visit to the Grange. There are many indications of them being one and the same. They both feature the dairywoman’s cloak, they are both on a Sunday, they both happen after the children are banished from the sitting room, and they both lead to a difference in the situation of Catherine and Heathcliff’s friendship. But on the other hand Nelly presents Heathcliff’s demotion as happening before their visit to the Grange. I don’t know. It probably is the same incident since the Grange incident is arguably the most pivotal event in the book and it would be fitting if this were the anecdote that Lockwood read before his encounter with the ghost. And there are many details pointing to them being the same incident. But it is still debatable.

“we cannot be damper, or colder, in the rain than we are here.’” - This is heartbreaking and points to why Heathcliff and Catherine had connected so much with the moors. The “inside” didn’t have a place for them.

What I like about this diary entry is that apart from the possible relation to the Grange incident there is nothing extraordinary or exceptional about it in the context of the book. It is probably a typical day at Wuthering Heights. It probably sounds familiar to people who were raised in an oppressive and abusive household.

“Alas, for the effects of bad tea and bad temper! What else could it be that made me pass such a terrible night? I don’t remember another that I can at all compare with it since I was capable of suffering.”

I just like the “bad tea and bad temper”.

“I began to dream, almost before I ceased to be sensible of my locality. I thought it was morning; and I had set out on my way home, with Joseph for a guide. The snow lay yards deep in our road; and, as we floundered on, my companion wearied me with constant reproaches that I had not brought a pilgrim’s staff: telling me that I could never get into the house without one, and boastfully flourishing a heavy-headed cudgel, which I understood to be so denominated. For a moment I considered it absurd that I should need such a weapon to gain admittance into my own residence. Then a new idea flashed across me. I was not going there: we were journeying to hear the famous Jabez Branderham preach, from the text ‘Seventy Times Seven;’ and either Joseph, the preacher, or I had committed the ‘First of the Seventy-First,’ and were to be publicly exposed and excommunicated.”

I think this is a very well-written account of how dreams work. Especially the first sentence of the paragraph, yes sometimes one dreams while also being half-awake and still half-aware of one’s surroundings. And the way he rationalizes the illogical stuff in his dream and directs the course of the dream according to that rationalization is great. The portrayal of dreams in the novel is ahead of its time.

“We came to the chapel. I have passed it really in my walks, twice or thrice; it lies in a hollow, between two hills: an elevated hollow, near a swamp, whose peaty moisture is said to answer all the purposes of embalming on the few corpses deposited there.”

And here, my friends, is why Catherine’s corpse didn’t decay. No, Heathcliff wasn’t hallucinating, her corpse genuinely didn’t decay. Catherine Earnshaw’s corpse is a bog body. She was buried in the churchyard and the peat almost buried her grave. The reader doesn’t even have to independently know the concept of a bog body to come to this conclusion, the author explained how it works here.

“The roof has been kept whole hitherto; but as the clergyman’s stipend is only twenty pounds per annum, and a house with two rooms, threatening speedily to determine into one, no clergyman will undertake the duties of pastor: especially as it is currently reported that his flock would rather let him starve than increase the living by one penny from their own pockets. However, in my dream, Jabez had a full and attentive congregation;”

This kind of points to a hypocrisy, people were really particular about Heathcliff and Catherine going to the church as children but not enough to actually aid the pastor. On the other hand there are less mentions of the characters going to chapel in the second half of the book which might be related to the dilapidated state of it, but it also might be a coincidence. I will pay closer attention to it when I reach the second half of the book in this reread.

“Jabez had a full and attentive congregation; and he preached—good God! what a sermon; divided into four hundred and ninety parts, each fully equal to an ordinary address from the pulpit, and each discussing a separate sin! Where he searched for them, I cannot tell. He had his private manner of interpreting the phrase, and it seemed necessary the brother should sin different sins on every occasion. They were of the most curious character: odd transgressions that I never imagined previously.”

This religious dream is the most puzzling part of Wuthering Heights since it doesn’t seem to be directly related to anything else in the novel. But it bears some significance for the rest of the novel: It heightens the impact of the ghost dream since it is now not the only dream Lockwood has dreamt. It is clearly a reflection of how much Lockwood was effected by Catherine’s diary entry with his dream being about an overly long religious service. It is also related to the rest of the novel with its themes of forgiveness, revenge and the misuse of religion.

I would like to hear the odd transgressions Jabez came up with, I bet they were funny.

“The four hundred and ninety-first is too much. Fellow-martyrs, have at him! Drag him down, and crush him to atoms, that the place which knows him may know him no more!’

‘Thou art the man!’ cried Jabez, after a solemn pause, leaning over his cushion. ‘Seventy times seven times didst thou gapingly contort thy visage—seventy times seven did I take counsel with my soul—Lo, this is human weakness: this also may be absolved! The First of the Seventy-First is come. Brethren, execute upon him the judgement written. Such honour have all His saints!’”

I love how the transgressions here are an overly long religious service and yawning. This religious dream was much less serious and obviously allegorical than I remembered. It is interesting that Lockwood was the first to use violent language.

“With that concluding word, the whole assembly, exalting their pilgrim’s staves, rushed round me in a body; and I, having no weapon to raise in self-defence, commenced grappling with Joseph, my nearest and most ferocious assailant, for his. In the confluence of the multitude, several clubs crossed; blows, aimed at me, fell on other sconces. Presently the whole chapel resounded with rappings and counter rappings: every man’s hand was against his neighbour;”

This is foreshadowing of the cycles of revenge in the rest of the novel, where the victim of the vengeance isn’t always the original wrong-doer.

“What had played Jabez’s part in the row? Merely the branch of a fir-tree that touched my lattice as the blast wailed by, and rattled its dry cones against the panes! I listened doubtingly an instant; detected the disturber, then turned and dozed, and dreamt again: if possible, still more disagreeably than before.”

I did forget about this passage. I remembered this as a “dream within a dream” situation but no, the two dreams are clearly two separate dreams, Lockwood remembers waking up and sleeping again.

“I thought, I rose and endeavoured to unhasp the casement. The hook was soldered into the staple: a circumstance observed by me when awake, but forgotten.”

Heathcliff soldered the hook of the window of Catherine’s room after Cathy had ran away through it to see her dying father for one last time.

“I must stop it, nevertheless!’ I muttered, knocking my knuckles through the glass, and stretching an arm out to seize the importunate branch; instead of which, my fingers closed on the fingers of a little, ice-cold hand!”

The absence of any blood on Lockwood’s hand or the glass not being broken are indications that this was a dream after all. This does not necessarily mean that the ghost is not real, she could have haunted Lockwood in his dream just like she had presumably done when Heathcliff had slept in the room. But in this reread I have given more credence than ever to the idea that this was a mere dream of Lockwood’s and the ghost is not real. Lockwood’s first dream is clearly influenced by Catherine’s diary entry and so is the second one. In the diary entry Catherine was a sad child wandering on the moors in the cold, and that is also what she is in the dream.

“The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, ‘Let me in—let me in!’ ‘Who are you?’ I asked, struggling, meanwhile, to disengage myself. ‘Catherine Linton,’ it replied, shiveringly (why did I think of Linton? I had read Earnshaw twenty times for Linton) ‘I’m come home: I’d lost my way on the moor!’ As it spoke, I discerned, obscurely, a child’s face looking through the window.”

It is interesting that in the diary entry she yearned to leave Wuthering Heights and scamper on the moors, and in the dream the ghost tries to get in Wuthering Heights.

She is “Catherine Linton” because she had only become truly lost and left Wuthering Heights when she had become a Linton. For all of the disorder and violence of Wuthering Heights Catherine feels that she belongs to there. Which is what some children in abusive households might feel, since this is what they are used to.

“Terror made me cruel; and, finding it useless to attempt shaking the creature off, I pulled its wrist on to the broken pane, and rubbed it to and fro till the blood ran down and soaked the bedclothes: still it wailed, ‘Let me in!’ and maintained its tenacious gripe, almost maddening me with fear.”

Despite his mamma’s boy antics Lockwood has a latent potential for violence, throughout Chapter 2 he wanted to beat up someone. Now that he has encountered someone both weak and scary he becomes truly violent. This scene is also the first indication of how dark and violent Wuthering Heights really is and especially of how violence in it is depicted so nonchalantly rather than being sensationalized and especially focused on.

“ ‘How can I!’ I said at length. ‘Let me go, if you want me to let you in!’ The fingers relaxed, I snatched mine through the hole, hurriedly piled the books up in a pyramid against it, and stopped my ears to exclude the lamentable prayer. I seemed to keep them closed above a quarter of an hour; yet, the instant I listened again, there was the doleful cry moaning on! ‘Begone!’ I shouted. ‘I’ll never let you in, not if you beg for twenty years.’ ‘It is twenty years,’ mourned the voice: ‘twenty years. I’ve been a waif for twenty years!’ Thereat began a feeble scratching outside, and the pile of books moved as if thrust forward. I tried to jump up; but could not stir a limb; and so yelled aloud, in a frenzy of fright.”

20 years is interesting. 20 years ago Catherine was a 15-16 years old engaged to Edgar. This is probably a reference to how Heathcliff had run away about 21 years ago, which is interesting since later in the book the scene adult Catherine returns to is their first separation when she was 12, but here she seems to be haunted by her engagement to Edgar and Heathcliff running away. And 20 years ago, at the time of the engagement, Catherine was 15 years old, not an adult but certainly not a child in the way the ghost is. Is it simply an indication that the ghost lacks logic? Does it point to how Catherine had never really been able to grow up after the age of 12? Is it a reference to how dying at the age of 18-19 she never really had the chance to grow up? Is it proof that this is just Lockwood’s dream after all?

This scene is actually kind of frightening. Not when you are reading it in a Gothic novel in 2021, but it probably was mildly terrifying when it was 1847 and you weren’t expecting to encounter it. It could be fairly scary in an adaptation with the right cinematography and music and to be fair to Lockwood I would be horrified if it happened to me.

“At last, he said, in a half-whisper, plainly not expecting an answer, ‘Is any one here?’ I considered it best to confess my presence; for I knew Heathcliff’s accents, and feared he might search further, if I kept quiet.”

Heathcliff does not truly expect the ghost to be there, which is interesting.

“With this intention, I turned and opened the panels. I shall not soon forget the effect my action produced.

Heathcliff stood near the entrance, in his shirt and trousers; with a candle dripping over his fingers, and his face as white as the wall behind him. The first creak of the oak startled him like an electric shock: the light leaped from his hold to a distance of some feet, and his agitation was so extreme, that he could hardly pick it up.”

This is just a really good scene. It paints a very vivid picture.

A conservative older man on YouTube referred to Heathcliff’s face being as white as the wall as proof that he is white. As I have explained here this is clearly just a literary device to emphasize how scared and shocked he is. At most it might prove that he is not very dark skinned, but many non-white people can get pale when sick or shocked.

“Oh, God confound you, Mr. Lockwood! I wish you were at the—’ commenced my host, setting the candle on a chair, because he found it impossible to hold it steady. ‘And who showed you up into this room?’ he continued, crushing his nails into his palms, and grinding his teeth to subdue the maxillary convulsions. ‘Who was it? I’ve a good mind to turn them out of the house this moment?’

‘It was your servant Zillah,’ I replied, flinging myself on to the floor, and rapidly resuming my garments. ‘I should not care if you did, Mr. Heathcliff; she richly deserves it. I suppose that she wanted to get another proof that the place was haunted, at my expense. Well, it is—swarming with ghosts and goblins! You have reason in shutting it up, I assure you. No one will thank you for a doze in such a den!’”

It is easy to find Heathcliff’s physical mannerisms and reactions overly melodramatic and extreme and even I do sometimes, but I think in this case his anger and shock are wholly understandable.

Zillah might have left or been fired because of this reason. If I recall correctly she isn’t there when Lockwood visits the Heights in Chapter 31.

Did Zillah really wonder about whether the room is haunted? I think that she probably did. She might have wondered about it because it is shut up or she might have heard gossip about it.

“Scarcely were these words uttered when I recollected the association of Heathcliff’s with Catherine’s name in the book, which had completely slipped from my memory, till thus awakened. I blushed at my inconsideration: but, without showing further consciousness of the offence, I hastened to add ‘The truth is, sir, I passed the first part of the night in—’ Here I stopped afresh—I was about to say ‘perusing those old volumes,’ then it would have revealed my knowledge of their written, as well as their printed, contents; so, correcting myself, I went on ‘in spelling over the name scratched on that window-ledge. A monotonous occupation, calculated to set me asleep, like counting, or—’”

Lockwood is a well-drawn character and his mental processes are very well-described in this chapter. I love how he tries to save face here, it is really relatable.

“‘What can you mean by talking in this way to me!’ thundered Heathcliff with savage vehemence. ‘How—how dare you, under my roof?—God! he’s mad to speak so!’ And he struck his forehead with rage.”

Heathcliff is offended by the slander against Catherine or maybe he just can’t bear her being mentioned in any way.

“Not liking to show him that I had heard the conflict, I continued my toilette rather noisily, looked at my watch, and soliloquised on the length of the night: ‘Not three o’clock yet! I could have taken oath it had been six. Time stagnates here: we must surely have retired to rest at eight!’

‘Always at nine in winter, and rise at four,’ said my host”

Yet more discourse about when to go to bed. Yet another difference between Lockwood’s habits and the habits of the locals.

“‘Always at nine in winter, and rise at four,’ said my host, suppressing a groan: and, as I fancied, by the motion of his arm’s shadow, dashing a tear from his eyes. ‘Mr. Lockwood,’ he added, ‘you may go into my room: you’ll only be in the way, coming downstairs so early: and your childish outcry has sent sleep to the devil for me.’”

Regardless of what the reader thinks about Heathcliff in general, this is a very poignant scene.

Heathcliff is weirdly helpful to Lockwood in this chapter. And it isn’t just because of the ghost thing either, he tells him to spend the rest of the night in this room even before hearing about the ghost. Heathcliff isn’t unnecessarily horrible to people who are unrelated to his revenge and he doesn’t actively dislike Lockwood.

“A sensible man ought to find sufficient company in himself.’

‘Delightful company!’ muttered Heathcliff. ‘Take the candle, and go where you please. I shall join you directly. Keep out of the yard, though, the dogs are unchained; and the house—Juno mounts sentinel there, and—nay, you can only ramble about the steps and passages. But, away with you! I’ll come in two minutes!’”

I find Heathcliff ironically calling the company of oneself “delightful company” interesting. It might point to his growing unsatisfaction with solitude or the fact that he is never truly alone because of Catherine’s spirit.

I like to think that he is subtly making fun of Lockwood’s encounters with the dogs here. He might be nicer and more sentimental than usual in this scene but he won’t just pass up the chance to make fun of someone.

“I obeyed, so far as to quit the chamber; when, ignorant where the narrow lobbies led, I stood still, and was witness, involuntarily, to a piece of superstition on the part of my landlord which belied, oddly, his apparent sense. He got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears. ‘Come in! come in!’ he sobbed. ‘Cathy, do come. Oh, do—once more! Oh! my heart’s darling! hear me this time, Catherine, at last!’ The spectre showed a spectre’s ordinary caprice: it gave no sign of being; but the snow and wind whirled wildly through, even reaching my station, and blowing out the light.”

Lockwood is surprised by Heathcliff’s superstition which belies his apparent sense. Heathcliff isn’t visibly “mad”. He is rude and asocial but normal at the first glance and can function normally. He has a very specific obsession with a very specific thing.

This scene is our first introduction to Heathcliff as a romantic figure and I have to admit that I find this scene to be one of the rare truly romantic moments in the book. I really like the saying “my heart’s darling”.

“There was such anguish in the gush of grief that accompanied this raving, that my compassion made me overlook its folly, and I drew off, half angry to have listened at all, and vexed at having related my ridiculous nightmare, since it produced that agony; though why was beyond my comprehension.”

A rare instance of Lockwood being truly empathetic and not making a show of it.

***

The three paragraphs following this are really good slice of life depicting all the characters at the Heights slowly waking up and resuming their occupations. I am not quoting them since I don’t have much to say on them, but I really like the movements of everyone and the general activity in the farm house.

It also makes one realize how irrelevant a character Lockwood really is. We assume he is more relevant to the story and the characters than he actually is because he is the one telling the story. He is probably relevant to Heathcliff and Zillah because of the ghost incident and he is obviously the friend of Nelly, but he is nothing to Joseph, Hareton or Cathy. He is a curiosity as a rare visitor, but he isn’t actually relevant to their lives or their stories in any way.

“He stood by the fire, his back towards me, just finishing a stormy scene with poor Zillah; who ever and anon interrupted her labour to pluck up the corner of her apron, and heave an indignant groan.”

I do kind of pity Zillah here. She is trying to do her job and being scolded at the same time. I think she either left or was fired because of this.

“And you, you worthless—’ he broke out as I entered, turning to his daughter-in-law, and employing an epithet as harmless as duck, or sheep, but generally represented by a dash. ‘There you are, at your idle tricks again! The rest of them do earn their bread—you live on my charity! Put your trash away, and find something to do. You shall pay me for the plague of having you eternally in my sight—do you hear, damnable jade?’”

I think “bitch” is the word being censored here. Ironically, as one of the book’s first reviewers remarked, this actually ends up bringing more attention to the word. Heathcliff expects everyone in the household to work, male or female, but it is important that he uses not one but two sexist insults against Cathy here, “jade” is a word meaning “bad-tempered woman”.

“‘I’ll put my trash away, because you can make me if I refuse,’ answered the young lady, closing her book, and throwing it on a chair. ‘But I’ll not do anything, though you should swear your tongue out, except what I please!’”

I love Cathy.

“Heathcliff lifted his hand, and the speaker sprang to a safer distance, obviously acquainted with its weight. Having no desire to be entertained by a cat-and-dog combat, I stepped forward briskly, as if eager to partake the warmth of the hearth, and innocent of any knowledge of the interrupted dispute. Each had enough decorum to suspend further hostilities: Heathcliff placed his fists, out of temptation, in his pockets; Mrs. Heathcliff curled her lip, and walked to a seat far off, where she kept her word by playing the part of a statue during the remainder of my stay.”

It is interesting that Heathcliff cares about decorum? I am guessing that he doesn’t want to lose a tenant by beating up a young woman in front of him.

“My landlord halloed for me to stop ere I reached the bottom of the garden, and offered to accompany me across the moor.”

Heathcliff being helpful.

“It was well he did, for the whole hill-back was one billowy, white ocean; the swells and falls not indicating corresponding rises and depressions in the ground: many pits, at least, were filled to a level; and entire ranges of mounds, the refuse of the quarries, blotted from the chart which my yesterday’s walk left pictured in my mind. I had remarked on one side of the road, at intervals of six or seven yards, a line of upright stones, continued through the whole length of the barren: these were erected and daubed with lime on purpose to serve as guides in the dark, and also when a fall, like the present, confounded the deep swamps on either hand with the firmer path: but, excepting a dirty dot pointing up here and there, all traces of their existence had vanished: and my companion found it necessary to warn me frequently to steer to the right or left, when I imagined I was following, correctly, the windings of the road.”

Nice description of the road. Sometimes you should just stop and appreciate it.

Some critical essays point to this loss of signs as a mirror of how Wuthering Heights itself doesn’t provide an interpretive framework for the reader. It certainly gives the feeling of uncertainty and being lost in the narrative.

“The distance from the gate to the grange is two miles; I believe I managed to make it four, what with losing myself among the trees, and sinking up to the neck in snow: a predicament which only those who have experienced it can appreciate. At any rate, whatever were my wanderings, the clock chimed twelve as I entered the house; and that gave exactly an hour for every mile of the usual way from Wuthering Heights.”

I know that Lockwood is “ridiculous” but I really relate to him here.

“My human fixture and her satellites rushed to welcome me; exclaiming, tumultuously, they had completely given me up: everybody conjectured that I perished last night; and they were wondering how they must set about the search for my remains. I bid them be quiet, now that they saw me returned, and, benumbed to my very heart, I dragged upstairs; whence, after putting on dry clothes, and pacing to and fro thirty or forty minutes, to restore the animal heat, I adjourned to my study, feeble as a kitten: almost too much so to enjoy the cheerful fire and smoking coffee which the servant had prepared for my refreshment.”

“My human fixture and her satellites” is very telling of how Lockwood perceives servants.

This is foreshadowing of how relatively normal death is in this place.

It is funny that two chapters in a row end with a drink being given to Lockwood as refreshment.

@dahlia-coccinea

#wuthering heights #wh reread #wh reread 2021 #chapter 3

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