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#it's not. really a fic but whatever
benjaminthecoathanger · 3 months
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okay, because i saw a poll earlier and i thought the choices weren't clear enough and also the answers i saw to it annoyed me and also i'm curious:
NOTES:
I am including having watched gameplay of a game and not having played it as having watched the source material
In this context if you are writing fic/making art and you are not being commissioned to do so. This is purely for funsies
You getting into something because you saw a post/gifset/video about it and then watched the source material does not count. That's just how you get into new things.
Goncharov does not count because it's not real. I'll break kayfabe here I don't care.
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treasureplcnet · 6 months
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assorted bodies doodles (transcript of that messy relationship square under the cut due to my handwriting/incoherency)
TAKE THESE W A GRAIN OF SALT i am like 90% joking:
hillinghead -> hasan, and vice versa: immediate mutual respect
hillinghead -> whiteman: he's incredibly smart, deceptively cunning but very kind. but he is also so annoying oh my god--
hillinghead -> maplewood: "please someone explain science fiction to me"
whiteman -> iris, and vice versa: two friends secretly think of the other as the sidekick
whiteman -> hillinghead: annoying him is quickly becoming a favorite pasttime
whiteman -> hasan: will not admit it but he wants parenting tips from her
hasan -> whiteman: has slipped a parenting book to him
hasan -> maplewood: deja vu about their future weirds her out a little, but she trusts her
iris -> hillinghead: fond of him from the time they spoke in the prison. enjoys fucking with him
iris -> hasan: SHE'S THE GOAT
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flowercrowngods · 2 months
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It's unreal. The light is streaming in through the windows, the curtains still drawn to block out the midday heat, tinging their living room in golden hues that match so well with the light grey fabric of their new sofa.
Eddie should probably snap out of it and head over to the windows, open the curtains and let the light in, and with it the warmth and fresh air of a surprisingly wonderful day.
It's March, he hears the echoes of Steve's giddy voice a week or two ago. Everything's better in March.
Eddie didn't agree then, and he's not sure he agrees now, but he must admit there is something magical about this moment.
Still he remains rooted to the spot, leather jacket heavy on his shoulders, his hands hidden in the sleeves of it, just in case this really is a dream. Just in case someone will come in and snap him out of it, take away their couch and leave an eviction notice.
It's dumb. But Eddie doesn't deal well with things that are unreal. Things that he knows aren't meant for him. Things that he knows he only gets in this one play-through of his life, while millions of other Eddie Munsons are out there in parallel universes who never get to even lay eyes upon a couch this nice. Let alone buy it. From their own real adult money.
It's a corner sofa, the fabric light grey, and he remembers it being harder than it looks. Solid. Just perfect for both their fucked up backs, scar tissue pulling if they sit wrong for too long, phantom pain and muscle aches coming in hot when all they want is to just relax and enjoy a lazy evening.
Eddie bites his lip, trailing his eyes along the pristine fabric, the pillows lining the back of it, the flawless stitches keeping everything in shape.
They have a couch now. A sofa.
It's so fucking unreal.
He drops to the floor right then and there, sitting with his back against the wall, and never once taking his eyes off their sofa. It feels important to look at it for a while. It feels important to wait for Steve. It feels... It feels like maybe he'll ruin everything if he goes and sits on it now.
And it feels really fucking big.
At some point he hears the front door opening, their lock going so smoothly now that Steve fixed it with some graphite, and the sound makes Eddie smile. That's another thing that's unreal. The key barely making any noise, the lock not rattling, the door not creaking and cracking. Eddie pulls a strand of hair between his lips, the smile feeling too silly for this room, for this home, for everything he gets to have now.
For all the tiny things that matter now. All the tiny things he gets to have, turning the key's smooth slide into an allegory of everything he ever wanted but never dared to hope for.
The slide of curtains, the click-click-click of the window handle being turned to let the air in. The breeze of fresh spring air dancing around his nose.
It's all a little much. It's so fucking addicting.
And then Steve. Socked feet coming to a stop beside him, a hand landing in his hair, a voice that's so endlessly warm and fond and maybe a little worried sounding from above him, "Hi, angel."
"Hi," Eddie says, tearing his eyes away from their couch to meet Steve's. The sunlight from the windows hugs him, making him glow. Eddie smiles. He smiles and smiles and never wants to stop.
Steve hums as he leans down to press a kiss to his forehead, and Eddie weaves his arm through Steve's legs, holding onto his knee.
Everything feels a little less silly now. Like every time Steve doesn't question his little moments of sitting on the floor and just staring at things.
"We have a couch now," Eddie says, because it feels important to point out. Because Steve isn't looking at it.
"We do," he hums. "I got the call earlier. Thanks for helping with that, baby."
Eddie nods again, leaning his cheek against Steve's knee and trailing the couch again with his eyes. It looks brighter now that the curtains don't turn the room into something out of a sepia-type movie anymore.
Steve's hands comb through his hair, massaging his scalp a little with his nails. It's nice. It's warm. It's pretty.
And it's so unreal.
"I'm twenty-four," Eddie says then, and some part of him wants to carve that into the fabric. He won't. But maybe he should carve it somewhere else. "And I own a couch. It's a little crazy."
Steve comes to sit down beside him, their shoulders pressed together and he links their hands, resting them in his lap after a brushes a kiss to Eddie's knuckles.
"Why's it crazy, angel?"
He shrugs, resting his head on Steve's shoulders and curling into his warmth some more.
"Most of my life I never thought either of those would happen, y'know."
Another hum, followed by another kiss to the crown of his head. Another smile.
"But you did it," Steve whispers. "You made it. And we've got a couch now."
"We've got a couch now."
Saying it out loud doesn't make it feel any realer. It only makes his heart race and his eyes prick.
"I love you," he says, finally looking away from pretty grey fabric to meet prettier hazel eyes. "I love you so much."
Steve leans in, kissing the tip of his nose. "I love you. Thank you for buying a couch with me."
And it occurs to Eddie then that Steve understands him. Sitting there on the floor with him, hearing his words and listening to those unsaid, understanding Eddie on such a fundamental level that it should be scary. And it is, sometimes.
But he's not scared now. Because they have a couch. And they have pretty curtains that keep the light outside and still turn the room into something magical. And they have a lock that only needed a bit of graphite to let the keys glide smoothly.
And they have each other.
They stay on the floor until Steve's stomach growls, and they eat dinner with their backs against the couch and Eddie's feet in Steve's lap. They hold each other close after dinner, just breathing each other in as the breeze blows around them.
In the end, Eddie is the first to sit on the couch, with Steve standing between his legs and giving him a scalp massage in silence. In the end, Eddie buries his face in Steve's stomach to hide the tears, and Steve lets him.
Because this is real. And he gets to have this. They both do.
🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid@hotluncheddie @gutterflower77@auroraplume@steddieonbigboy @n0-1-important@stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround@pukner@i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic@bitchysunflower @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @awkwardgravity1 (lmk if you want on or off, for this story or permanently)
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earl-grey-teacake · 25 days
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This might not make sense to anyone but this photo makes me want to write a Victorian AU. (Some people had a childhood obsessed with boats, trains, sea animals, the Triangle Shirtwaist Fire, etc. I had the Victorian era.)
Hear me out. This would make a fantastic romantic comedy.
Logan in frilly, lace Victorian era clothes with lace gloves and parasols. Suitors vying for his hand with letters and gifts. Alex is very much “I love Love” and George being “no one is good enough for Logan.”
Lewis is amused “he’s a spitting image of his grandfather (Nico) it’s no wonder he’s popular.” George screaming and throwing the request letters into the fireplace.
Alex is chaperoning Logan and Oscar on their first walk of their courtship. It should be a time for the young couple to get to know each other but it’s really a three-way conversation about why George is there as well.
Oscar: Uhm I might be new to this but I didn’t know both parents would act as chaperones.
Logan: Ignore him. He insisted on coming
Oscar: Does he not trust me? Have I offended him in any way?
Alex: He doesn’t trust any suitor. It’s a miracle we made it to the courting stage. They usually don’t make it past the request letter.
George: They are ill-mannered idiots who do not need to be given the time of day!
Alex: So Oscar, you mentioned horses? Logan loves animals.
I want to write this but I need to finish other stuff before I do.
Let me know what you think or add to it.
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mishy-mashy · 2 months
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Bruce is actually really attractive, and I have enough reasoning to make a list
He's:
Tall (. Tall enough to hit his head on the vault doorframe)
Long-legged
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Has a straight nose bridge
Has high cheekbones (more noticeable in 2nd pic below)
Has a strong jawline
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Sharp eyes, but they aren't small (plus eyebags if you're into that)
Overall, he has strong, attractive facial features
Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)
Even has a thick, muscly neck
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He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)
(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-
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-and in the panels where we first get his name dropped, he's got those shoulder blades too-)
The one time we see him smile, and he actually has a scary one
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Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute
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Other than the physical appearance stuff, he also:
Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)
Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO
Put up with Kudo's experimenting and testing over Yoichi's transferable Factor
Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.
Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.
Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?
Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor
He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.
Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.
These two made their choices based on what they valued and saw the Factor needed.
Is logical, analytical, and calm.
He tried advising Midoriya on their Abilities in One For All, especially his own.
Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).
Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.
We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.
Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya
While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.
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Bruce was also the one to start talking, while Kudo just kept quiet.
He actually communicates a lot
When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.
(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])
When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.
He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".
Is strong-willed and loyal.
He followed Kudo, even to death, carrying on the cause he started until it ended with him.
Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.
AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.
Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.
Not only is Bruce attractive, but he's got good character. THE END.
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stergeon · 4 months
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enbarr, sometime in 1186:
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ok so @frozenartscapes made this addition to my post about byleth and edelgard writing each other letters all the time, right:
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well i kind of lost my mind and now we're here.
i'm sure this meeting is salvageable :0) hubert's sanity, however,
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reds-skull · 4 months
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Concept art for the new AU I've been working on... I'm really liking the vibes it's giving me
top one is a metaphor taken literally (and just me being edgy in general cause why not)
second and third are the Ghost version of this painting I made of Soap a while back
Forth is something I made like a month ago and didn't want to post by itself. It's from the same AU, but uhh not exactly...
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vecnuthy · 5 months
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Steddie western au that I might turn into a little multipart something || wc: 846 ||
Steve knew that going to the stream was stupid. The last drop of water had fallen from his canteen to his tongue eight hours ago, though, and the desert sun was ruthless in its gaze.
This land was difficult and unforgiving. It bred people who were cut from cloth as soft as suede but embedded with glass shards, and Steve had been cut so many times. His body and soul bore the scars from his father, his mother, his former fiancée, his former friends that either wanted him to be something he wasn't or tried to force a change onto him. People did what they could to make it, but Steve refused to accept those terms and vehemently stood against those conditions. And they knew it. Knew he was a good guy. Knew they could push him, provoke him, that he'd eventually bite back, wrap his own shard-flecked scarf around their neck and pull if necessary. Steve had lost too many fights, but he'd started winning them, too.
The tracks on the ground weren't terribly fresh, compared to what he and Wendy left in their wake, but something felt off to Steve. Stopping there would mean life, could mean death, but not stopping certainly lead to death.
"We'll be quick, girl," he muttered to his horse as he dismounted, pushing aside the sense of unease in his stomach.
His hands dipped into the babbling brook ahead of Wendy, then he drank. Deeply. Felt the cool water go all the way down his throat and crash into his empty stomach. He made the next handful splash over his face and sighed in relief, breathed in the smell of scrubby grass and dirt.
The cloth around his neck came off, and he dipped it into the water. The wind was warm and dry, but it sent a chill through him as it licked at the sweat-soaked hair against his neck. He tied the rag back on, eyes sweeping the land and seeing nothing but the trees along the water then vast openness beyond.
Steve grabbed a piece of jerky and his canteens. Wendy grazed as he filled them and chewed.
It was quiet. Water gurgled. Wendy's hooves crunched grass. She shook her mane and seemed at ease.
It felt off with no evidence as to why.
They couldn't stay there, he knew that. Shouldn't linger, he knew that. But his bladder was heavy. He took the pistol from his holster, cocked the hammer, saw Wendy's head pick up at the sound. She watched him move toward the evergreens.
Her hooves shuffled.
Steve stopped, the pistol raised at nothing. At anything.
It didn't feel right.
He only moved forward once Wendy's head dropped back down to the grass. He stopped once he reached a tree and listened hard for several moments.
Nothing.
Pistol still ready, he undid his belt buckle and started to undo the front of his pants to relieve himself.
Click
He froze, blood running colder than the creak behind him at the unmistakable mechanical click of a hammer.
Steve turned his head to the side, eye to eye with the cold black barrel of another's pistol. His heart rabbited in his chest, breath coming fast. He only saw the person's hand at first because the rest was still hidden behind the tree. Steve dedicated a split second to noticing the black letters on their fingers before his instincts kicked into overdrive, and Steve knocked the gun away. A resulting shot rang out, but Steve held on to the guy's wrist, snapped his own pistol in front of him, and darted around the tree, only to be met with an apparent second gun and two big brown eyes pointed directly at him.
"Don't," the other man bit out. The lower part of his face was covered by a black bandanna, but his eyes were hard, determined.
"Why not?"
Steve couldn't help but cringe at his less than ideal position. His gun in his left hand touched the guy's chest. His assailant's right arm pressed his own gun against Steve's cheek. Steve dug his thumbnail into the guy's left wrist, which probably wasn't the smartest thing to do, but it gave Steve a sense of satisfaction in how he winced in pain.
"I'm not the one who pulled the gun. All I wanted was water and to take a le--"
"What allegiance do you have to the Harringtons?"
Steve's face twisted in confusion and annoyance. Why would this guy be asking about his parents?
"The mark on your horse," he clarified gruffly.
Steve clenched his jaw. Wendy's flank still had the family's symbol painted on her.
"None at all. She was the only thing worth taking."
The man studied him, searching his face for something, then his eyes grew bigger. "You're the son," he said himself, clarity painting his voice.
Steve continued to stare the other man down, saw how his sharp eyes crinkled -- he was smiling. Heard it in his voice when he asked low and dangerous, enticing, "Want some revenge?"
Revenge.
Yes. Steve wanted revenge.
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the-ace-with-spades · 11 months
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Unhinged buddie fic idea again -- Tia Pepa starts setting up Eddie on dates but with a bit of an AU twist.
Tia Pepa starts setting Eddie up on dates. Which Buck is fine with. Obviously. Why wouldn't he be? Eddie is his best friend, he wants him to be happy. He's also straight and maybe Buck liked having him all to himself but realistically, that couldn't last forever.
Whatever. He can get over it. Or he can at least pretend he got over it.
So Eddie is complaining at the firehouse about another set-up date and Buck tries to be positive and encouraging and says something about how Eddie could at least give them a chance - even if every word is said through gritted teeth.
And Eddie is appalled and says something along the lines of, "Maybe my tia should be setting you up, if you're so open to the idea." And everyone from the team claws at the idea, teasing Buck about being single and wanting to marry into the Diaz family through Eddie's cousin or something (which, a bit too close to the truth, ha).
Eddie finds the idea so hilarious that he tells Pepa about it. And regrets it not a minute later when she says, "Why not? I could set your Buck up with someone nice."
This actually makes Eddie grit his teeth, there's just something that makes him itch, even just thinking about Buck going out with any of the women Eddie went out with---Just no.
What he doesn't know is, Tia Pepa goes over his head on this --- just calls Buck (because of course she has his number, he's family and Eddie's and Chris's emergency contact). She sweet-talks Buck into it over the phone, telling him how Eddie told her about how he's single and how she knows just the right person for Buck and it'll be nice to keep Buck close in the family if it works out.
Obviously, Buck is skeptical --- there's just one Diaz he wants to be with and he's unavailable --- but then Pepa keeps on going how she knows just his type and how he's not going to regret it and just one date never harmed anyone and, well, Buck caves in because he's weak against most Diazes it seems.
He doesn't tell anyone about it. Not even Eddie. It's probably just going to be one date that he'll ruin like he always does and the girl will tell Pepa all about it and then Pepa won't even bother to set up another poor girl with him.
He gets a text with the place and time, a small hole-in-the-wall place that's just about Buck's thing, and an ominous message with Addy will wait for you there, look out for a red bandana.
And Buck is expecting some cute girl in dungarees and with a bandana holding up her hair but when he enters the place, it's almost dead and there's just some elderly couple, a group of teens, and a guy. A guy in jeans, a white t-shirt, sunglasses, and with a red bandana tied around his neck.
Turns out Addy is short for Adam, not Adelina or Adriana like Buck thought.
Adam is also gorgeous. Dark hair, chocolate eyes, tan skin, fit and strong. Addy has a six-year-old daughter, is no longer in contact with his ex-husband, works as a nurse in the ER, loves quiet indie places, and would love to travel the world every chance he has.
When after the date --- which goes on for so long the cafe's owner has to ask them to leave because they're closing --- Buck calls Pepa to tell her how it went and when can't really make his mouth produce words, she just tells him, "I told you I know your type, mijo."
Needless to say, Eddie finds out about that fast because Addy is his cousin and texts him for ideas for a second date with 'his friend Buck.'
His brain resets. Then restarts. Then resets again.
He did not know that about Buck. He would've known that about Buck.
He's calling his tia before he knows it and demanding answers.
Eddie, well, Eddie is fuming inside but Buck seems happy and Addy seems happy and they're both good guys so he shuts up whatever unreasonable, surprising anger he's boiling with and helps Addy prepare a date --- tells him about the water show in the aquarium he was planning on taking Buck and Chris to.
But the day of the show comes and Buck isn't answering his texts and he's just walking in circles around the kitchen table and before he realizes what he's doing, he's packing Chris into the car and, "Oh, look at that, what a coincident we're meeting you here."
He feels like an absolute madman when Addy tells him, when Buck and Chris are distracted by colorful fish, "If you didn't want me to date him, you could have just said so."
And a couple of days later both Pepa and Buck are at Eddie's for dinner and he feels like an absolute asshole when Pepa tells Buck Addy doesn't want another date. For about five minutes, that is, because after that Pepa looks Eddie straight in the eyes, he swears, and says brightly, "Don't worry, I know plenty of young single men that are just your type, Evanito."
The history repeats, obviously, and Eddie uses Chris to just 'run' into Buck on his date with another of his cousins. At some point, his cousins probably start to warn each other about it because they stop talking to Eddie about Buck's favorite activities and foods.
But they tell Buck the date places. And Buck tells at least one person on the team, always, and Eddie might be a madman but he's a madman on a mission so he always tricks the info out of someone -- Chim is usually the easiest and Hen won't admit but she likes to gossip about people's love lives. He even manages to trick Bobby into telling him where Buck is on his next date under the disguise of concerned 'Buck sure is going on a lot of dates lately,' etc. and Bobby actually falls for it and Eddie feels guilty about it until he hears Buck is going on a date with his godawful cousin Marco.
(Meanwhile, every time Buck 'runs' into Eddie on a date, he's cursing the universe and its stupid, obvious signs... Like, he knows he's in love with Eddie, the universe can shut up and stop screaming at him.)
Eddie is at Pepa's again and she comes back from where she was talking to someone on the terrace and silently sits down opposite Eddie with that look and says, "So, that was Marco."
"Yes, exactly. Marco. How could you set him up with Marco of all people?"
"Well, I'm running out of candidates because someone keeps on scaring them off."
Eddie doesn't look her in the eyes. He's truly become a madman since the whole thing started happening but like hell he'll admit it.
"You know, Eddie, if you don't want Buck to date any of your cousins, there's an easy solution that will solve this dilemma and will let us keep Buck in the family."
"Pepa---"
"Tell you what, I'll set one more date for him, tomorrow at seven at that ice cream sandwich truck Chris likes," she says, raising her eyebrows pointedly. "You decide if his date stands him up or not."
He never ever again wants to see Buck going out with any of his cousins.
Which doesn't mean he isn't a coward. He doesn't tell Buck. He tries to leave the house three times, changes his clothes about six times, and by the end of it, he's late.
Buck is easy to find between people, towering over most.
Buck smiles when he sees him but it doesn't quite reach his eyes. "Let me guess, he decided it wasn't worth it and backed out last minute," he sighs. "And Tia Pepa sent me a personal cheer squad to humor me up and pay for my ice cream."
"No, he's here," Eddie says because the it's me doesn't want to leave his mouth.
"Oh," Buck says, and his shoulders don't look so slumpy anymore but he still doesn't look, well, happy. "Where is he then?"
Eddie makes an elaborate wave with his arm and deadpans, "Ta-da."
There's a moment when those big baby blues blink at Eddie dumbly and Eddie swears Buck stops breathing for a few seconds before finally managing to push out, "Oh."
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autisticlancemcclain · 4 months
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Could you explain your position on Shallura? Since Allura was established as a teenager when she started dating Lance and Shiro was very clearly an adult. I can understand the bi shiro headcannon but the shallura thing worries me
i am going to remind yall that i have been in this fandom since 2016. and in the early seasons, allura was not established as a teenager. in fact she was coded as older, as closer to shiro's age -- there was a specific divide between her and the younger paladins that she did not have with shiro. they made her younger (both explicitly and in mannerisms) as the show went on. and i do not give a fuck about voltron like...post s4 and i didn't even watch s7-8. so like. especially with older fics, im going to enjoy shallura.
#also this is less relevant and i was going to put it in the main post but i cant find the words for it#but i found your last sentence kind of condescending. “the shallura thing worries me” as if i am your little project and things arent going#to plan. as if you are the Knower Of All Things and i am straying from my path lol. twas odd#and this is a controversial thing to say i know it but like#we take fandom way too seriously. if someone decides in fic to make two characters the same age to ship them or whatever. do we really need#to get the torches and pitchforks. like i can understand discomfort when people ship like shiro and pidge or something but. also. i feel#like you can just block and move on?? like i dont ship sheith bc they are brothers. to me. but also i dont think sheithers should be#harassed or any dumb shit like that. i think its so so whatever like theyre Lines man theyre moving lines#at the same time i understand that peoples headcanons can be reflective of their worldviews (like when racism/transphobia/sexism shine#through someone's headcanons/characterization) but how much scrutiny is too much? when do we get to remember that fandom is a place to#work with the FICTIONAL? where you can change details without consequence? i saw a fic where keith was the older sibling and shiro was the#younger once. it was a good fic. how come we can play with ages but only when the Fandom Council approves?#i guess this is a really long and clumsy way to say like. you do not own the fandom nor do you get to dictate my work. and while there#is always room for necessary criticism please also think critically before you post your criticism#anyways#rant#ask
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itchyarts · 4 months
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After a few years of therapy and overly intense world threatening situations I'd like to think they'd have fun hanging out, making bad jokes to cope with being half dead weirdos is my kind of comedy.
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mstormcloud · 4 months
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I think applying tropes commonly found in Sonadow fics to other sonic ships is very funny
Like today I saw the cute posts by Blu-ish about how hedgehogs circle and headbutt eachother when courting and how Sonic and Shadow would do that and I agree.
However I think the implication that mobian hedgehogs do this is HILARIOUS when applied to ships that only involve one hedgehog.
Like Silver starts circling around Espio one day and lightly shoving him with his hip or his shoulder and Espio is like: ???? What are you doing??
Or even Blazamy like- Amy keeps circling Blaze and the less Blaze reciprocates Amy does it more to try to get Blaze to react. Blaze eventually just tries to politely tell Amy to stop cause it’s hard to hold conversation while she’s moving all around.
But later Blaze talks to Silver and is like: “I have no idea what she is trying to do…perhaps she is finding a weakness in my stance? Should I fear her hunting me for sport???”
And Silver is like: uh. Well. I think she’s hitting on you? It’s a hedgehog thing.
And Blaze just freaks out because WHAT DO YOU MEAN AMY WAS FLIRTING WITH HER
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Damn those pilots can sure twenty one!
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soybean-official · 1 year
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Listen i love the Dadgil fluff as much as the next guy but let's be real here neither Dante nor Vergil are even remotely suitable to take care of a small child
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lunarharp · 5 months
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pretty & cute witch men
#witch hat tag#orufrey#i'm not drawing as much or as well as i'd like to be doing. i'm trying to get through a comic i've been really wanting to do#but i'm just finding it so hard. disheartening. btw the 2nd one relates to some official art of qif wearing a dress like the girls#and the 4th one relates to how i've been drawing EXTREMELY SMALL for years. idk how to explain it but i always clicked 'fit to screen'#and so all my art EVER has looked bad when you zoom in bc it's already like size 1 zoomed in to the MAX pfhgguguhfpfhGHAHHHHH#i was so confused allll this time why brushes always look different for me than what they're supposed to#'wow this brush is so jaggedy..really rather jaggedy...calling it the Jagged Cai Special..bringing it out for those jaggedy moments..#really quite jaggedy i must say...' and it's literally not jaggedy#but now i have to get used to how all those brushes that i'd gotten used to indeed look how they're supposed to finally. Alarming#I have simply been working out absolutely everything by myself for years and that's why my technical progress is slow#ppl say my progress is fast and i certainly have improved much since i began doing all this but#like..it took me a year and half to start using a program where i could Colour In The Lines aka the..whatever it's called. whatever..#just on my lonely confused solemn journey to express gay love better than yesterday.. -_- *picks up my pack n continues through the snow*#btw thank you sm for people's kind words enjoying my narumitsu art & fic over the christmas & new year period <3
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peachcitt · 4 months
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from: thirteen by @anna-scribbles
art by me :)
start from the beginning // read the november chapter // read the most recent chapter (january)
hey listen. look me in my eyes. have you read thirteen by anna scribbles. i think you need to read thirteen by anna scribbles. i think if you want your life to be forever changed you need to read thirteen by anna scribbles. i think if you are a person who is breathing and alive you need to read thirteen by anna scribbles. thank you
#thirteen#miraculous ladybug#ml art#emilie agreste#adrien agreste#miraculous ladybug fic#ml fic#ml fic rec#my art#THIS IMAGE HAS BEEN HAUNTING THE INSIDE OF MY BRAIN EVER SINCE I READ THE NOVEMBER CHAPTER BACK IN NOVEMBER#now. listen. in an ideal world i would've done this way back in november but uhhhhhhh i don't know what happened. suddenly it was december#and now it's february! not sure how that happened. anyway my goal is to be making a piece of art for each chapter to convey#just how fucking INSANE this fic makes me feel. like how crazy and insane and awesomely constructed it is. anna just GETSSSS ITTTTTTT#(and is using her 'get it' ability to hurt me bodily)#like with every chapter i read i am just assaulted with this intense desire to Make An Image which is not really an impulse im used to#since i don't draw a ton but anna's voice is just so evocative of images in a way that just. inspires every creative impulse inside of me#i took forever to read the december chapter but the moment i read it i already had an idea of something i wanted to draw for it.#my idea is. well. complex for me to say the least but as i told anna i am determined to make my skills match whatever i need to do because#the way she writes it is literally haunting me it is shooting me with a gun it is so something i have no idea how to handle#except i guess to repeat her themes and ideas and imagery in a collage of sorts#i don't know that's what my october chapter comic felt like- a collage. and this one does too in a way even though it's very different#i just like connecting the dots. and then smashing the dots together in an image#anyway. read thirteen. it is changing me all the way down to the dna
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