my thoughts on the first two episodes of s16
I don't even know where to begin, so let's start with just opinions: I loved it. Honestly, I've wanted sunny to delve into the characters for years, so this is all I've ever dreamed of. The differences in direction are also stunning and very visually interesting. idk it's great
If you've read my meta post on s14 and s15, you know what I think about the direction of the show, and season 16 is following exactly what I had expected in that regard imo.
It's not just how it revolves around nostalgia and "legacy/history" though. It also manages to do so in the direction and editing style of these two episodes.
Many choices surprised me here: we all know the zooming in during the pulse scene, but also the tendency to move the camera to reveal a previously unseen part of the environment (which has happened... three times! in inflates), the camera following the characters through the environment (dennis going from kitchen to living room, charlie moving from the new room to the entrance) which reminds me of the camera work in charlie work, roller rink and jumper (when they battle for the casaba specifically), all moments that have been praised for being "different" regarding to usual MO for sunny, and many close ups which usually aren't something that's used a lot.
Many times the usual sunny music came on and it felt almost jarring (POSITIVELY!!! intentionally wrong) because of how serious the moment had been. Like old lady house, you know?
So, to me, this is the first season without a structure. Nothing is sacred, especially not the past (dennis and mac get rid of the couch they've rented for 15 years [don't have to explain why 15 is important right], mrs mac wipes her butt with the "legacy of war" [aaah we'll come back to this], frank gives up the gun which is called his legacy and history, etc).
It may seem like s16 is being episodic and "back to past form" but I think that couldn't be further from the truth!! This is a new sunny, and the characters have continuity.
I have a feeling that by the end of the season those new room and bathroom will be used, because there is no "return to status quo", and to pretend there is would just be denial. Frank knows about the rooms now. But ehh anyway.
Something else that really surprised me these new episodes was Mac.
If you know me you know that I think Mac is pretty much the structure. He's the man who carries.
In a season with no structure, Mac is off.
He's unable to see any subtext no matter how obvious (buys literal nuts, doesn't see what Donald means), he's once again in complete denial about everything, he often guesses the complete opposite of what's actually intended ("consider it an offering" "of war?" "of peace- what is going on with you dude?" / "frank just shot us" "AWESOME!"), hyperfocused on the past, on legacy and history, (on winning a prize in risk e. rat?), he honestly seems to embody everything that Big Mo was fighting against.
This isn't entirely new for mac, he's displayed these traits before, but it seems much louder right now and intentional.
Especially if you consider, for example:
"I think it's time that I started sucking down the words of the Bible. And instead of looking for pieces of ass, I'd just look for peace."
Now, here's what I think happened.
He did get unraveled in s15. Not in the sense that he wasn't him anymore, but in the sense that he lost faith in the church, and is now trying to find something else that can "fill him up".
In a continuation of the identity themes in s15, I think Mac doesn't know who he is anymore, and is looking for any sense of meaning. Especially clinging to the past, even if the past was worse.
"This place has a dark past. Murder, betrayal, beheadings."
"Well, you know, it's a castle, Dee. You know, people were going crazy in castles all the time. And beheading people... well, that was just their way of solving problems back then, you know."
Even the letters Mac is so fixated on, written during world war II.
So if the past is war, and the future is peace, Mac is stuck in the past. So he still embodies the structure, it's just... we're not doing things that way anymore.
We may be redefining what legacy is. The gang thinks it's your past, when really, it's your future. It's what YOU pass down. (god stop me from quoting hamilton but... it's planting seeds in a garden you never get to see. cmon it's perfect. anyway)
And when you're so focused on the past, you miss what's happening right in front of you, you don't realize you have everything you've ever wanted right in front of you (like Mac with Donald...).
So what we're doing right now I think, is actually pivoting.
But... a pivot is also "the most important thing that everything else is based on or arranged around".
I don't know, maybe it's not farfetched to say that it's Mac and Dennis. Being codependent, they revolve around each other, they're each other's pivot.
Dennis is changing, which throws Mac off balance.
What else... uhh the lamp thing, definitely lampshading. And Charlie insisting on the return of the status quo and saying his investment was only "ten dollars a unit", to me that's again the seasons we used to get.
The teeth thing is a lot like the soup... they're being used incorrectly. He should keep them in his mouth... obviously.
I think that is to say that they're probably gonna find their way back to the structure, like, that it was simply used incorrectly. Like if Mac and Dennis got together for example, that wouldn't be something scandalous and against the structure at all, because it was already built in. Nothing changes. It's like the circle of life, like... it's all a circle (or a hole!), and they're just going round, ending up exactly where they started. Maybe. (!!)
Also ep2 calls back to tends bar:
"You figured out the one thing I wanted more than anything else in the entire world and you got it for me."
And this dialogue
"should we just attack him and take it?" "no he'll mow us down like Scarface, we can't come at him like that, we'll spook him."
"you give that dog the best day of his life, and then you turn off the lights when he least expects it..."
Reminds me of season 14. One last classic season before you "turn the lights off" (but dee and dennis never meant to kill frank! just like big mo wasn't the finale). It also reminds me of season 12 now that I think about it, I mean... "turning off the lights", DDL... yeah.
Also reminds me of chop
"He came back! My dog came back!"
"How the hell is that dog still alive?"
"Yeah, Mac, why don't you just put that poor thing out of its misery?"
"Put him down? What, are you crazy? This is my dog, Dee. I love him."
And!!!!
Wait, speaking of "history".
-"I'm the one who stayed, I'm the one who takes care of you, how could you do that?"
[...]
-"it's okay, I'm not mad at you. it's fine."
"I love you."
"I love you too. I love you too, you know that."
"I made a mistake."
"you did make a mistake. I didn't mean to upset you"
This dialogue resonates to me as very applicable to Mac and Dennis (so much dialogue tends to 😭), because you know who else "gave away their history"? Dennis, when he went away. Mac stayed, Mac takes care of Dennis... (well, now I'm just hoping we'll finally get a north dakota mention)
Aaaand idk what else. It's never wise to try to read meta when so little of the season is out yet... also I'm tired and rambly and I know a lot of this will be wrong but uh. There's a lot of macdennis in the air. And I also think both Mac and Dennis are at their very lowest points, and they need each other, or things may go south.
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back on my wolfwood bullshit! i'm using a lot of the same ideas from my other post so i'll try not to repeat myself, but as i said, a major theme of wolfwood's arc is autonomy and freedom, and the idea that having freedom to choose also comes with the responsibility to act and make good choices.
throughout trimax, wolfwood is in a strange position. he's beholden to higher powers - the eye of michael, knives, even vash in a way, while also simultaneously having a lot of freedom to act, particularly in the moment. the things that control him are more like swords of damocles - present, inevitable, but not immediate. he's constantly struggling to figure out what he should do - take knives out, kill vash, and more generally, things like his profession as assassin. he's very torn about the choices he makes (or doesn't make) and the life he lives because he's dissatisfied with his position, and there isn't an easy way out.
there are a lot of parallels between midvalley and wolfwood. midvalley, similar to wolfwood, was forced into a place he really didn't want to be in. he's hyperaware of the danger of his situation, knows he's expendable to knives, and that knives has so much power - how can anyone escape it? so he has to ask himself - how is he going to spend the time that he has? should he risk his life or play it safe? we know what he decides - he's likely to die either way, so he might as well try to get his way, release himself from knives' control.
midvalley pretty easily identifies wolfwood as someone who is allied with vash, who has no true loyalty to knives. he says they have no reason to fight - midvalley and hoppered have officially moved against knives and made their choice. is wolfwood going to resolve himself, follow what he truly believes - in vash, against knives? or will he keep playing the game of someone who doesn't have their mind made up, still working under knives thumb? (midvalley has always called wolfwood chapel, right up until this moment - he's breaking through the pretenses, acknowledging that he knows what wolfwood really is).
(using the overhaul translation here bc it's much clearer!) midvalley basically says that wolfwood does have power, but at that point in the story, he's mostly just going along with what's safe, as opposed to midvalley and hoppered. midvalley is aware that wolfwood might have similar goals to him. as someone who, like wolfwood, fears knives and what he can do, midvalley criticizes wolfwood's passivity or inability to fight for what he wants.
still, we see that when midvalley does act against knives he dies. immediately. both him and hoppered made their choice, and it didn't end well for them. maybe they knew it'd be that way. still, it's a poignant reminder to wolfwood about the power of choice, and the risks that come with it. he has to confront what other people are willing to risk and ask himself if he can do the same.
then we get to volume 8. wolfwood, who spends so much of the story agonizing over his choices, is finally resolved. he goes against knives and frees vash. he chooses not to kill unless absolutely necessary. his autonomy is realized at the price of his life. and that's the equation he has to figure - save myself, and damn everyone i care about? be dissatisfied with myself, my life? or save what he loves, do what he wants, and risk himself? wolfwood is keenly aware of his own morality. he has so much he wants to protect, and he can't do that if he's dead. i think one of the reasons he's able to take a stand against knives is because of his relationship with vash - he knows that there's someone with similar goals and values who will fight to protect humanity after he's gone. he goes out having taken care of chapel and livio, and trusting that vash will handle knives. he can die peacefully knowing he's assured the safety of his family.
by volume 10, wolfwood is showing everyone who he is and what he stands for, for better or worse. he was willing to fight - and willing to die - to do what he believed was right. trimax shows, again, and again, that there's often no easy answer, no easy way to live, no easy choice to make. that's sort of the idea that's communicated with the bird imagery - a life of freedom is a life of struggle. it's not a new idea, ofc. but we see with wolfwood - the right thing and the safe thing are often not the same. what are we willing to do? how far will we go? what will we sacrifice? and what will leave us most satisfied at the end?
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VERSE — THE H.UNGER G.AMES ( tw for canon typical themes )
The Aftons are from District 3, where Michael grew up watching his father contribute to its technological industry. There was little room for individual innovation, only mass production based on the Capitol's demands, but that didn't stop William from working on his own inventions in private: he and Henry Emily began to create new achievements in robotics.
By carefully pulling the right strings, William managed to attract Capitol attention, causing their inventions to grow in popularity among its citizens, which was shockingly unique for a concept originating in the districts and elevated status for the Aftons within 3.
Loose concept centers around robotic/animatronic technology that could be used for "menial work," but rises with a strong focus on entertainment. The Capitol loves a good show!
This relatively stable foundation is shook when Michael is reaped. Hopes weren't very high, given the lack of winners from 3 and Michael's uncooperative tendencies ( he quickly became known for what was deemed a reckless temper ).
During the games, he operated alone for the most part, too distrusting of potential alliances. He didn't risk the bloodbath, so he had to scrounge and fight for it, but he eventually acquired some supplies: most notably parts for traps.
Michael decided to use anything he could find to rig various traps using a lock and release method shown to him by his father: springlocks. A simplified version to be achievable within the games, but good enough to catch other tributes
This was late in the game, so he only made a few kills with it, but it was undoubtedly how his win was achieved.
The officials didn’t take well to it, appalled by Michael’s use of technology growing in Capitol popularity mocking what was allowed in the arena and the fact that they let this tech take off. Something clearly learned because of district innovation, something now punishable to show that it will not be tolerated again.
Michael had barely been pulled from the arena when the Afton household was barged into, killing Evan as punishment for Michael’s actions ( didn’t kill William because of his value as a manufacturer and intended to silence both of them with Evan’s death ).
When Michael sees his remaining family again, they are struck with grief, it’s only then that he is told what happened, met with bitterness in his father’s eyes instead of relief, the man who seemed to encourage violence and control angry with the results, Michael using something that should’ve been a source of pride to win and being met with resentment.
The atmosphere in their new house in Victor’s Village is tense at best, explosive at worst. Michael suffers extreme PTSD, paranoia, and nightmares from the games and his brother’s death… he isn’t a very cooperative or sociable Victor either, though intense guilt holds potential further punishment over his head, keeping him relatively at bay and complying with Capitol demands, although he isn’t very good at it.
His father does take advantage of the power that comes with a family with victor status, also heavily holding this over Michael’s head to control him both as a means of making sure they aren’t killed and so Michael doesn’t ruin his chances of rising through the ranks again.
William does eventually spiral into… the other side of the Afton family business, simplifying the concept of remnant into developing a highly enhanced drug/technological alterations that strengthens the body and extends the lifespan… using young victims… idk hunger games science- ( as for when Michael finds out about this/what it unfolds into that’s open for now )
Michael as a mentor. Losing a lot of will to keep going but still fighting for the kids to live despite it being a losing battle. Themes and motifs.
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mildly rabid ember knight trivia
so i've been compiling a (slightly obsessive) mini wiki to write ember knight fics over the past year or so, since last i checked the fandom wiki page is a little... lacking? (then again, that was like back in december, so it may have improved since then.)
anyway, i figured i'd post some of the more useful bits as a resource in case anyone else is interested ✨
spoilers for both gilgamesh (the prequel) and ember knight, up to episode 80ish? i read the raws (sort of) so pls proceed with caution if you are not keen on that.
General World Notes
mechanics of an apprenticeship
the general populace are just considered citizens of the empire.
up from that is a knight-in-training, who is still considered a citizen. it's not clear to me exactly what this entails, but in gilgamesh, i believe tludia says that she mostly did menial tasks for the knights? and it seems the woodion apprentices were receiving training from fadiyan for this in the beginning.
a selection process is held after this; there are different proctors in different regions. if you pass that, next is knight's apprentice - these people are no longer citizens (ek 5). our delightful protagonist is mucking around in this stage rn.
a typical class seems to focus on training + gaining a good understanding of honor through knighthood lessons
these knighthood lessons seem to be directed by your peers, but the knights do comment on the presentations
noteworthy is that their class (2nd special class) functions differently than most - in anticipation of war with the eastern continent, the second special class is intended to also perform knights' missions while training (ek 8).
it's not too clear yet what happened to the first special class, but its survivors are introduced in ek 70 or so (forgot the exact number sry)
knighthood - "you either try to become worthy of the title, or are given the title because you are worthy" (ek 8)
slightly unrelated and possibly just speculation, but it seems that training the next generation is looked down upon (not sure if this is for all apprenticeships in general, or just for training the knights-in-training).
when tink gets assigned to teaching the knights-in-training, kandentia says "the trainee camp?! are you out of your mind? or did you not recognize his talent? he shouldn't be wasting his talent in a place like that!" - gilgamesh 112
knighthood as an institution
there are two types of knights - order knights and free knights. the five teachers & fadiyan in ember knight are all order knights, meaning they go through rigorous training and are therefore more consistently strong (gilgamesh 20 // i know zius mentions this in ember knight too but i don't have an ep for that).
free knights, on the other hand, are simply given a title - it seems to be bc they're exceptional/for political purposes, but uhhh don't quote me on that...
on honor:
knights are controlled through honor. they can't break their word and can only participate in wars/fights with permission from the emperor. but know that honor has no meaning if no one is watching... (gilgamesh 22). some spicy quotes:
"there is no set standard for honor. it can be different for each person. something that is dishonorable to me may not be to waron." tink, gilgamesh 67
"honor, for a knight, is in some ways more important than their lives. and entrusting it to another is to give up all personal values, even the emperor, and granting them a chance to command with absolute authority." ram, gilgamesh 88
AND GEAS. OH GOD LET'S TALK ABOUT GEAS.
geas is a knight's weakness. it is the method in which the emperor controls knights; knights swear one oath to the emperor, and another is bestowed upon them as a set of conditions that they must follow.
honestly, this isn't really something that has consequences, except for those that knights enforce upon each other after the devil knight.
recently tho there have been reported cases of (usually weak knights) developing supernatural abilities after swearing by their geas. like with narin weapons, it seems understanding how to use this power is instinctual once bestowed. zius's event horizon would be an example of this.
"truth be told, there's no price to pay even if the oath is broken. if anything, i guess there may be something to be gained by keeping it that way. i think the supernatural power of the knight may also have something to do with it" - zius, ek 61
this is also backed by an otherworldly being that intervenes when ram tries to destroy the world - he explains that the world is incomplete, so when things transcend the limits of the world a new rule/law (translations are not very clear on the difference) is established. a knight's strength is considered one of these things that is capped, and then he vagueblogs abt geas (gilgamesh 116)
anyway it's all v sus <3
quotes abt important qualities of a knight:
"never forget. knowledge is mightier than power. only one who knows that... can become a knight." fadiyan, ek 1
"you know you're the strongest here! and that teamwork is vital for knights...!" luzian, ek 1
"facing an opponent you could not defeat... the worst situation possible... you did not succumb. you kept your head held high, and chose to act in a righteous way. that is the true virtue at the basis of knighthood, and the most important skill you can harness." ludika, ek 18
"one cannot become a knight with strength alone. without the ability to persuade, even the strongest knight cannot lead. a knight must have their own sense of justice that is persuasive.
to be able to do something on your own, unswayed by outside forces. that is justice.
don't mock others for how they think. it's not your way or the highway." - zius, ek 20
world map
there's an official map at the end of gilgamesh 75 and a fan map here, produced by 0l0lmono. some notable locations:
west bridge - where knights fight against demons (the inhabitants of the eastern continent. they're not really demons, just a different race, probably). tink was once assigned here and demoted (gilgamesh 20 & 23), and waron replaced him at some point (gilgamesh 64)
the capital - the knights' stomping grounds. knight accolading is held here.
a note on the timeline between gilgamesh & ember knight
so... we know zius was knighted 5 years ago in ember knight, and that he met & fought with waron a couple months after being knighted.
meanwhile, in gilgamesh 106, when waron fights hinsher, she thinks there should be about 5 people who can beat hinsher, and zius's silhouette is displayed. it's clear she'd already met him at that point, then, and not recently either, since she'd been stationed at west bridge for a while - so ember knight is at most, let's say, 4 years out from the end of gilgamesh.
given the slight time skip at the end in which tludia's hair grows out, i have been informed by a friend that this would take about 2 years, so if we take that to be accurate ember knight is probably only two years after the events of gilgamesh.
(not that this matters too much, but thought i'd put it out there if anyone needs or is keen on constructing a better timeline.)
Factions Crash Course (past & present)
Malto - a religion of sorts (gilgamesh 20). here, knighthood means nothing, and magic power is everything.
lower ranks shave their hair off (gilgamesh 26); they are extremely cult-like and used very coercive tactics to force knights & knights-in-training alike to join their ranks
tludia was in fact expelled by tink to avoid this fate (gilgamesh 103)
they aim to discover and record everything there is to know about magic, starting from the 2nd great mage all the way down to the great immortal (gilgamesh 37)
in truth, the organization was created to protect the existence of magic after the first great mage went down the wrong path (gilgamesh epilogue)
at the end of the events of gilgamesh, malto is dissolved and their research propagated through the world
Oni - an elite group of warriors from the eastern continent. oni training starts at age 7 (gilgamesh 64). their throats are slit so that they cannot talk, and they are not taught to read or write so that their secrets may die with them.
they typically communicate through sign language
they are named after the notch of an arrow. unlike the western continent (where ember knight & gilgamesh take place), they attach onis (knocks) to their arrows rather than carving it into the arrow directly; the replaceable nature of the oni is where their name comes from.
Dragon's Descendants - the masked bandits. zius confirms in one episode (nooot sure which but it's probably late 70s) that they are not actually descended from dragons; it's simply their tribe name.
notable members include liamin and laurun - and, based on the naming scheme and hair/eye color, probably lauzun as well.
they seem to be seeking revenge for the destruction of their village under the knights' sanction. i think six or so years ago (?? don't quote me on this one tho), darang and a couple other knights slaughtered most of their tribe and burned the entire village down.
it's a fascinating parallel to what they have done with nagyunn!
not too clear what their connection with the real najin was, but many fan theories speculate that fadiyan had originally ordered najin to join them as a spy.
five years ago, laurun worked with zius & regia to research zius's geas-induced ability. he mentions that the dragon's descendants have been, for a long time, swearing oaths that granted similar abilities, and that the knights are late to the game (ek 65)
Free Knights - i'm going to take a moment to list them separately as a faction, bc it's clear atp that the free knights have their own agenda. the schism first started, according to darang, back in the war conference abt what to do with tink's body (final ep of gilgamesh), and she blames regia for it.
for his part, regia tells zius to his face that whatever happens, it's the order knights' karma coming for them. i wouldn't be surprised if they're colluding with the dragons' descendants in some way, but it's a little early to say.
Character Notes
age hell
so... we have like. next to no official character age data. here's what we do have from gilgamesh tho!
waron is placed between hinsher and tink here, but god knows if that means she's between 22 & 31 or if she's been 22 & 531. (also - although it's labeled as ???, after the events of gilgamesh it's probably safe to say that ram is around 2000 years old.)
i'll talk about the knight characters first. here, tludia was a knight-in-training. i'm not sure if tanshirin was a knight's apprentice or a knight-in-training, though she does become a knight post-timeskip at the end of gilgamesh (which would put her at around 23-24 when she was knighted). tink was considered a genius but still young for a knight at age 22.
so we can see that ages can vary for characters. going off vibes alone, i would put the ember knight apprentices as younger than tludia, but probably still in their late teens, so all in the 16-19 range probably.
as for the ember knight teacher knights: it seems to be common to be knighted in your early 20s. ludika, zius, and fadiyan are all from the same apprentice class, so they're probably 27-30, i'd say? waron and darang are almost certainly older, though i'm not sure by how much; going off vibes alone i'd say darang is probably only one or two years older than zius & ludika, but who knows. no idea where to place fidorance because we haven't seen any of his past yet.
finally, i wanted to point out nepherin, the dragon. she's 600 but still a child. it's been hinted at in the raws (ek ep80-82?? somewhere around there) that dragons' development is not chronological, but instead contingent on their understanding of the world; the more they understand about their place as a magical being and the rules of the world, the more mature they will become. since nepherin was raised by an absentee human father, it seems she hasn't developed any of this awareness yet. so the youthfulness says less about dragons than it says about her, i'd say.
strength rankings
or my best guess of it, anyway. masked bandits not included, but they do seem to be better trained than their knights' apprentice peers.
kandentia/event horizon zius
waron
fidorance (probably)
darang
ludika
fadiyan
gatekeepers (senior apprentices)
marsha
paimel/wadrin/nuljin
normal zius/yulnia
other apprentices
nagyunn
random notes on how people refer to one another
take everything here with a grain of salt bc i can barely read the korean alphabet and do not have the best understanding of honorifics/speech patterns.
Fadiyan:
the kids never actually call her fadiyan - instead, they call her knight-nim (기사님)
ludika simply calls her deer/doe (not sure which is more accurate), but can be seen calling her fadi in flashbacks
Ludika:
fadiyan calls her 'crybaby' and ludi theyre gfs fr
the woodion apprentices initially also call her knight-nim, but begin to clarify that as fox-nim after episode 10
zius & fidorance call her fox (no honorifics)
darang calls her ludika (no honorifics) - i think this implies they are closer than the others...? dont at me akefhweewf i didnt watch enough kdramas for this
Darang:
zius & fidorance call her raccoon
Waron:
zius & fidorance: black hen, but have both referred to her as waron to others
ludika: has called her waron to others, not sure what she calls waron by to her face tho
darang: waron-ssi
Fidorance:
waron & zius: wild dog
darang: haven't seen it yet, but probably fidorance-ssi
Zius:
ludika, waron (probably fidorance too): qilin
darang: zius-ssi
Apprentices:
ludika mentally refers to them as 에송이 (stripling, greenhorn, children) and 병아리 (literally "chicks", translated to "little baby chicks")
fidorance also calls them chicks in ek 35, i genuinely do not understand if there is some other implication here
Nagyunn/Najin:
lauzun & nagyunn both address najin as jin-ah (진아) which is supposed to denote affection, i think
it's interesting to note here that while pretending to be najin, nagyunn has always just called him lauzun. ouch.
after ~ep 24, the woodion apprentices (nagyunn included) start calling him jun instead of lauzun tho
najin simply calls nagyunn by name in ep 2&4, but calls him gyunn-ah in flashbacks (ep 3 & 9)
Miscellaneous notes:
tyr & nagyunn both refer to the knights as [animal]-nim (ex: raccoon-nim, qilin-nim), while lauzun & luzian do [name]-nim (ex: waron-nim, fidorance-nim). i've been told this is mostly up to personal preference, and in fact calling them [name]-nim might be more formal??? but i did not get a super clear answer on this.
nagyunn sometimes refers to knights by their full title (color + animal, ex: cerulean qilin zius) rather than [animal]-nim. notably, i've only really seen this in the episodes where he's pretending to be a spy for the skeleton, so that may be related.
zius has called both ludika & fidorance by name when they were arguing (ek 44) - it seems he tends to pull this card during emotionally tense situations?
Bonus: Knighthood Trivia
kandentia became the youngest knight ever at the unprecedented age of 14 (gilgamesh 146)
hinsher was the first female knight (gilgamesh 128)
zius graduated at the bottom of his class (ek 64)
and that's a wrap!
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