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#is about nonexistent
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Character: I think boys are pretty
Fandom: oh! They're gay! That's canon!
Different character: I have no interest in romance or sex. I don't understand it. Relationships confuse me. They seem pointless to me. I have no desire to be in a romantic or sexual relationship. I am an aromantic asexual.
Fandom: well, I guess you can interpret them as aroace...I don't see it though.
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sunshinebunnie · 1 year
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I woke up and chose violence today….. 🤦🏼‍♀️🫠🤦🏼‍♀️🫠🤦🏼‍♀️🫠
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sentientstump · 3 months
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salmen🚶🏻‍♀️🚶🏻
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rocketkit · 6 months
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fourth scene from a nonexistent fic
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vanwizard · 2 years
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okay i will admit i enjoyed these three in the like. one scene they were actually all on screen together.
sofia voice shut up and get the fuck out goncharov, i’m gonna fuck your wife now.
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infinityinakiss · 7 months
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lokius is so funny, because here's this middle aged dad that loves key lime pie and wears the same outfit everyday, and there's loki, the god of mischief and chaos, arguably one of the most unpredictable characters, looking at mobius like everything he says is surprising.
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dazesanddoodles · 1 year
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crazy how they’re actually dating in canon right now
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aueua · 11 months
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bien!
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stromblessed · 6 months
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Mizu was wrong to let Akemi be taken because they both deserve better
First, a confession. When I saw this for the first time:
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I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.
When Akemi does this:
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I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.
So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?
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Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.
Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.
Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.
Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.
But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."
"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.
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One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.
In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.
Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.
Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.
Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.
Mizu had the power to help Akemi, and simply chose not to.
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Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.
Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.
All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.
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asongoficyhot · 7 months
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I feel like the fandom doesn't really acknowledge how funny PB and Marceline's relationship is.
Like on the one hand you have a scientist, world leader and Most Eligible Bachelorette in Ooo. And then there's her girlfriend who plays bass and lives in a cave.
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lab-gr0wn-lambs · 1 month
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hot garbage 👇
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ghost-bxrd · 15 days
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Tim can’t breathe. He can’t breathe.
He thought— the Tower was bad enough. He hates being kept out of the loop, especially for “his own protection”, but he never thought—
It is Robin who had been threatened. Robin that Batman had been taunted with. Enough times, and with grisly enough descriptions of what might happen to him, that Bruce sent Tim to the Titans as a last ditch effort to keep him well out of reach of Gotham and its newly minted crime lord.
But Hood took Bernard, and Tim can’t breathe. Can only stare at the grainy picture from an unknown number, showing his boyfriend tied up and gagged in someone’s— Hood’s, probably, oh god— bed.
Tim wants to throw up.
Please god, please no.
— sneak peek of “Modern Day Cain”
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idk man i just think lucy, as narrator and protagonist, convinces the audience that l&co is a teen supernatural adventure story with hints of romance, but that is true for her and only her. for george it’s a criminal minds/house md case of the week narrative where he solves ghost mysteries with his sword carrying sidekicks. for inspector barnes it’s a political drama about the inner workings of the british bureaucracy. for flo bones it’s a sitcom. and to lockwood, life is a romantic comedy in which he is the star
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s1llycilantro · 9 months
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Saiouma on my Flim homework?? YEAH.
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aroaceleovaldez · 9 months
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actually one of the details that frustrates me the most from TSATS, relating to how much the book completely erases or absolutely bastardizes neurodivergence, is how Percy's cameo is characterized.
One of the consistent things aspects of Percy's relationship with the education system throughout the series is that Percy is smart, and he does try in school, but he has a learning disability. The only reason he gets bad grades is because he has a learning disability and the way the modern american education system is built is inherently at odds with that. In the first series we actually have explicit references to Percy doing better in school when he's in environments that actually accommodate for his disabilities! It's not that he's not trying, he's disabled.
So it is so disheartening and horrible to see Percy characterized in TSATS as just being disinterested in school, and his failing grades being made a joke about implying him ditching classes because he just doesn't care. That's the number one ableist thing ADHD/dyslexic students hear! Implying that they "just don't care" and dismissing their disabilities. It is so horrible to see that joke being made in the Percy Jackson series of all franchises. Especially when you add that on to the rest of the quite frankly ableist characterizations in TSATS and how much the book erases Nico and Will's disabilities/neurodivergence.
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ayyyy ok here's some extra Laughingstock Sillies from the past week or so. it aint much but its honest work
(human!Barnaby's design is partycoffin's - from their pokemon au! he's beautiful....)
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