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marinaiguess · 1 year

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the vocal themes from frontiers describe a specific theme on their lyrics and it gradually turns from fear to acceptance (i suppose) i’ll be talking abt these (in the order of their “appearance” in game): i’m here, undefeatable, break through it all, find your flame, vandalize.

(also spoilers)

i’m here is a lot about doubting and reassurance. it starts with sonic “leaving the life he knew before” “finding the truth of who he’s meant to become”, revealing a degree of uncertainty. despite the fact sonic has always moved forward, “to new horizons”, he “fights this fear, with his life”, fights the fear of losing his friends. but in the next pre-chorus, it seems like he can hear his friends (“don’t be afraid, i will be with you”) who are trying to reassure him and give him the strength he needs to keep on fighting. in the end, he still moves forward, but now he’s more assured as “the way ahead’s becoming clear.”

undefeatable is about a strong sense of confidence that overshadows the real emotions sonic is feeling (a topic touched by the next song as well). that’s mostly fear. sonic seems to be handling everything well so far, even saying that “think im on 11 but im on a 9, guess u dont really know me” which shows he really believes he is “undefeatable” and that makes sense, especially since he is in his super form for the first time since the beginning of their adventure and is certain the chaos emeralds will help him complete his mission (he doesnt know yet that the emeralds disperse after visiting a different island). however, he keeps repeating “face your fear” and it serves as a reminder to himself that he cant avoid this emotion. “i used to never know/this feeling’s just a ghost” is him trying to persuade himself that this fear is momentary and that he has to focus on the battle to keep moving forward.

break through it all is about accepting and overcoming the fear. sonic still tries to convince himself to keep the fight going (“dont look down”) but at the same time he’s calling out to his enemy (”show yourself”). that’s when he’s found most of his friends but has yet to find tails. he wants to end this and quickly, so he doesnt wait for the enemy to appear on its own. now he knows that he “cant hide from what he feels”, he’s still afraid but more determined (”no more compromise, this is do or die”) and ready to risk it all. half of the chorus is sonic’s friends hyping him up, telling him that he “wont fade out, cuz the fire in him never dies” and that he shouldnt stop cuz they have a mission. sonic has been listening to them and he knows they have been with him this whole time, so he accepts that they will be okay cuz they are fighting alongside him (”we wont stop until the battle’s won”) and until the end of the song, sonic talks on behalf of all of them.

find your flame is about the ultimate disappearance of that fear. theres no fear overshadowing what he has to do (”take a seat, im on a mission”) and he’s carrying his friends with him in this one (”we wont back down”). sonic has surpassed his frontiers (”im here to go beyond my limit”), he is at the worst state possible (cybercorrpution) and is eager to end the fight, even more now that hes reunited with his little bro. (”i’ve been waiting for my moment to strike”). he has no inhibitions, he’s not restraining himself, he’s not feigning confidence but he is filled with it (all the pre-chorus indicates that).

now, heres an interesting take (which ofc may be completely wrong but oh well): “will the whole world know your name/ when we dance with destiny?” is a line asked by sage, trying to understand sonic. “im never gonna stop believing” is tails’ response as he tries to prevent sonic from doubting himself. he is the only one who has been with sonic for the longest time, the only one who “has been there and has seen it”, sonic’s willpower and strength, so he reminds him that “he’ll find his flame” (it connects with the conversation sage and tails had regarding sonic’s abilities). and now, sonic is sure that this is “the end of the show” and that he’ll find his flame thanks to his friends.

vandalize is about the aftermath. sonic was betrayed (”you promised to help me rebuild/you caught me off guard”) he is in pain. this whole adventure has left a mark, it has vandalized his heart. from losing his friends, to finding them, to not being able to save them, to having to find the chaos emeralds again and again while fighting the cyber corruption and then getting betrayed but also barely managing to make it out in one piece yet not being able to save everyone (rip sage). there’s no fear. just determination, certainty. and pain. even when the physical pain stops, the emotional damage (LOL) has been dealt. no matter what happens next, this adventure has left a mark on sonic.

#thats all i guess #(Not me singing bring you back while writing this down)#im bored to edit this further so #here you go people #what do yall think #sonic frontiers spoilers #sonic frontiers #sth #sonic the hedgehog #miles tails prower #sonic and tails #sage the ai #im here #undefeatable #break through it all #find your flame #vandalize

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toranekooo · 2 years

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what was i thinking when i said im gonna redo my carrd. making the first one was already a headache argh

#୨୧ * mio speaking #pls again look away #i cant talk abt this on main bc no one would get it lmao #also. edit resource post should be up in around 2 hours #i will delay it further if pressed #lucia pettiness arc #give me the strength to actually remake my carrd bc im so bored of the pastels

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stargirlrchive · 5 months

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TOLERATE IT

older!ghost x reader — i realized after i finished, i did not mention simon’s name once, but this was written w him in mind lmaooo

cw: angst, no comfort, break up? ish, friends w benefits and complicated feelings, simon self-sabotaging, im in such an angsty mood! edit: this has been sitting in my drafts for over a month and i don’t know if i like it

your nails dug into your palms as your eyes filled with tears. you were drowning, he was drowning you. you had known it for a long time now. this, whatever it was, wasn’t working. not anymore.

not when you had bled yourself dry, spread yourself too thin for him, just to receive nothing in return. worst of all is he had told you so from the very beginning. but some naive, stupid, part of you thought that would change. that he’d change for you.

stupid, stupid, stupid.

“what did you except?”

his voice was ice cold, indifferent and… bored. as if you pouring your heart out to him mere seconds ago meant nothing.

you realized then that you had been terribly wrong. mistaken the way he held you, and kissed you, as something more. “i just figured-”

his eyes blazed with frustration, “figured what, hm? that i’d eventually soften up? grow to love you?”

yes.

“i don’t know. would that be so difficult?”

“yes.”

your face twitched, unable to mask how deeply that hurt. your throat tightened with regret. regret of ever tangling yourself with him, regret with voicing your feelings.

“you knew what i wanted from this arrangement. you had agreed. we were on the same page.”

the regret and melancholy that had ebbed and festered in your heart turned to anger. blinding, burning rage.

“i had told you, made it so very clear that nothing long term would come from this. i can’t give you that.”

that rage was threatening to consume you.

your voice shook with anger, but the look on his face took the crack in your voice as one of sadness, weakness, “you won’t give me that. it’s not that you can’t.”

he said nothing, because you both knew it was true. “look, kid-”

“don’t-” your voice rasped, “don’t call me that.”

his fingers clenched in frustration, breathing through his nose as he tried to collect himself. he had never heard your voice grow that cold. not towards him and it made his bones ache.

“it’s nothing personal. i’m just not want you’re lookin’ for. not for something constant, and if things were different, if i was a different person then maybe. but im not.”

your eyes burned, a few stray tears falling but you were quick to wipe them away. yes, you had come to an agreement prior to this. but things had changed, the way he looked at you, and held you.

the whispered words in between your tangled limbs had proven that. he lingering touches and soft eyes.

he must’ve been one hell of a liar if he didn’t mean any of that.

stupid, stupid, stupid.

“i don’t believe you.”

you sniffed softly, looking at him and you were sure the devastation was clear in your eyes. “because if everything that passed between us, if you were able to fake that. you’re a monster.”

“you knew what this was when we started.”

you missed the way his fingers dug into the armrest of the couch. shaking your head as you stood up. “get out.”

he felt the chill of your words wash over him, and the part inside him that yearned for you, desperately begged him to speak up. to tell you that this was all some big misunderstanding.

stupid, stupid, stupid.

what he was doing was stupid. but it was for the best.

you deserved better, and he’d never be able to give that to you.

yes you would.

he forced the voice back, swallowing roughly before standing up. grabbing his things as he watched you try not to fall apart before him.

the words of ‘i’m sorry,’ heavy on his tongue, but he couldn’t bring himself to say it.

his footsteps heavy as he left your apartment. his heart aching the further he walked away and it comforted him a bit to know you’d never forgive him again.

there would be no hope, no one to hurt or disappoint and he could live with that. knowing that he let you go before you could begin to hate him.

#simon riley #simon riley x reader #simon riley x gender neutral reader #call of duty #cod

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i-am-a-l0st-gh0st · 12 days

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School au! It's valentine's day, and the reader has prepared a letter with a plushie that was a limited edition plush merchandise from lyneys favorite content creator magician. They wanted to cowardly confess through a letter, as they were worried of that destroying their best-friend relationship, even writing at the end of the letter "if this makes you uncomfortable or you'd wish to never speak of it again please just ignore this letter.".

Yet... When the time to give it came, they saw lyney had received quite a few gifts, but what broke the reader was when someone tried to suddenly kiss lyney. They got angry, furious even, the frustration taking each thought from their mind. They left the classroom and went outside, not wanting to look at this any further. Even if the girl was just being pushy - the sight itself hurt em. They decided it was a stupid idea to confess at all - knowing how many people liked lyney... He most likely wasn't going to pick the reader - at least that's what they thought. They sat outside near the school court, forgetting in their frustration that the place they were sitting it was see-able from their classroom. They crumbled the letter and sat there, head hanging low, as they skipped the class.

I should be over all the butterflies- Lyney x Gn!reader

Im still into you t/w- kissing summary- as shown above

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Taglist form!

The sun shone brightly as you walked to school, bag in hand filled with things for Lyney. It was Valentine's Day, the day you were going to confess to your best friend. You may not have looked nervous but you felt it, your stomach was filled with butterflies and your palms were getting clammy. Maybe this is a bad idea?

As you stepped onto the school grounds you could see many people confessing their love, some being requited while others not. You hadn’t seen Lyney yet but hopefully, he didn’t have a crowd of people like others did.

Lyney was quite a popular boy, you were merely a shadow. Or that's what people called you. You followed him around like a lost puppy, wondering when he would get bored. He never did. Well, at least he said he never did. You started to worry about what would happen if this went wrong… Would he ever see you the same way? Or would he just see you as rubbish?

Inside the classroom, people were gathered around one spot. And you knew that spot as Lyney’s. Many girls, boys and other people were surrounding him trying to get his attention by giving him the most extravagant gifts. There were chocolates, and love poems and cards. All crappy valentines Day stuff. You were the only one who knew him well enough.

You didn’t bother trying to push into the crowd, you would only get tread on. You stood from afar watching him try and turn down the people politely. He was never one to make people upset or angry. Once he’d accidentally made you cry because he scared you by jumping out of a corner. The amount of times he apologised, and he still apologises today.

A girl in the sea of people leaned closer towards Lyney begging to be kissed. When he didn’t respond she kissed him herself. You didn’t stick around long after that, the tears in your eyes blocked your vision anyway. God, you knew it was stupid… Lyney would definelty pick one of the many people laid out for him. It hurt to think about. you’d loved him for so long. You scrunched up the note on the gift and threw it on the ground.

Not even 5 minutes later someone grabbed that bit of paper off the ground.

“Mon amour, what are you doing out here?” You knew that voice anywhere. “And what is this bit of paper with my name on it?”

Before you would react he opened the letter reading your love confession. You could see a tinge of red forming on his cheeks.

“You love me?” His face was almost bright red now

“I thought it was kinda obvious?”

“You kept it well hidden y/n.”

You felt him get closer, the heat of his body warming you. His hand softly grazed you cheek sending a slight shiver through your body. “May I kiss you?”

The butterflies were back and were not staying still anytime soon. Your words couldn’t quite form properly all you could do was nod. His lips softly pressed against yours, while he placed his hand on your right cheek pulling you in closer not letting you go. Lyney’s hands were soft making you feel more at comfort. The way he kissed was nothing like you saw in romance movies. He was so gentle with you, you didn’t mind that at all.

His hands moved to your waist pulling you in. The kiss felt like an eternity but was over just like that.

“Woah…” You couldn’t form the right words to tell him you loved it.

Taglist

@pandragonsoul @atsukawolfcat @keeyisbored

#genshin impact #genshin #genshin x reader #fluff #gn reader #genshin fluff #genshin angst #angst #lyney #lyney genshin #genshin impact lyney #genshin lyney #lyney x reader #lyney x gnreader #lyney oneshot #lyney fluff

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earl-grey-orange-tabby · 3 months

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my aftg fan cast

disclaimers:

a lot of these, especially in the next part, aren’t actors, so this is less a fancast and more of a “i have a horrible imagination and need to visualize characters so they feel more real to me” list

if they don’t look like what you picture, agree to disagree! i love seeing other ppl’s perspectives of what the characters look like and i hope you do too

without further ado,

neil josten - benjamin wadsworth

okay listen just because i picked the most used neil fancast DOES NOT MEAN THE REST OF THIS LIST IS BORING!!! he’s just so neil-coded to me in deadly class! i even put him into a photo editing app to change his hair and eye color and he still fits!!! plus the top right pic is exactly how i imagine a nathaniel smile.

andrew/aaron minyard - vlad konoplev

i’m gonna give credit to @kalu_aftg on tiktok for this, because i saw this actor in their tik tok. he’s in a russian series called my biggest secret (i watched a couple clips but i haven’t seen the show)

but come on!!!! this is andrew minyard!!!! and always with andrew fancasts it’s difficult to see them as aaron but i feel like this could go both ways, especially in the bottom right pic. identical, but different vibes, yk?

dan wilds - kiersey clemons

i first saw kiersey clemons in new girl as kc and she feels so dan! then i saw the pic on the top left and i was like YES! this. is. dan. she seems very sweet and friendly but i know she could give a great game face.

nicky hemmick - conor husting

even his pics give off major nicky vibes. he also has a very similar hair length to what i picture nicky with. fun fact: he’s also half-mexican on his mother’s side which is strangely accurate lol!!

allison reynolds - jessica lord

i’m gonna be honest i just searched up “blond actresses 20’s” and that top left photo popped up and it was just so so so allison!! i included a couple pics of her in the ballet movie “find me in paris” because i couldn’t find a lot of pics of any of these actors in active wear and this felt close enough.

kevin day - nicholas galitzine

honestly i got this idea from an instagram live he did where he was yelling about being 6 foot and my brain was like “that is kevin day IN THE FLESH”. i originally saw him in bottoms and he totally cracked me up.

matt boyd - daniel ezra

like come on!!! his smile is so bright and inviting, it gives off such strong matt energy. he played spencer james in all-american and i haven’t watched it but ive seen ppl say good things. bonus: he’s the only one i could find with any form of a face guard (even tho nick galitzine also played a football player in bottoms lol)

renee walker - sydney park & lana condor

okay SO my criteria was soft-looking people that can look sharp in other pictures, and i came up with these two! it’s kinda hard to picture renee without the pastel/white hair but let’s suspend disbelief.

seth gordon - young david beckham

speaking of suspending disbelief, LMAOO. just hear me out, okay. seth was a fifth year, slightly older than the rest of them, so i was looking for that + blond buzz cut and this is the result!

and that’s all! i have more so i’ll probably make a part two, but im having trouble finding a nathan because it’s so hard NOT to picture nathan as a redhead but that means he probably won’t look like benjamin wadsworth.

#aftg #all for the game #andrew minyard #neil josten #dan wilds #matt boyd #renee walker #seth gordon #kevin day #allison reynolds #nicky hemmick #foxhole court #fancast

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alexa-fika · 3 months

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Killer Timeouts ( Kidd x sibling!Reader x Killer)

A/N Im determined to do at least one from all of this list of prompts, once again send love to @me-writes-prompts for delivering this,also let me point out idk how many of these we have done but none of them have been in an pffice so far 😂. Honestly I think it’s A COOK, is it a cook, a simmer or a lukewarm?

Also 💖 Anon, I see you and your request 🫦, exited for some Vinsmoke action

Prompt: "Can you stop and pay attention to what I'm saying for once?" "Oh, I didn't see you were here."

Divider’s by @/saradika

“-And I really think we should not get down on the next island; there are a lot of marines there, so we should lay low until our….Kid!” They growled, frustrated that their brother had sat tinkering with his arm all the time they had been talking, most likely ignoring every word they had said

“Can you stop and pay attention to what im saying for once?!”

“Oh, I didn’t see you were here.”

“What the hell, Kid! I have been trying to tell you our plan for our next stop for the last fifteen minutes!”

“You talk a lot, you know that?”

“And you ignore a lot, you know that?”

“You’re boring.”

“Oh, I’m sorry, dear brother have my plans to keep us from being captured far too boring for you?”

“Your plans are always boring.”

“That’s because your ‘plans’ simply involve killing everyone on sight!”

“That’s why they are good plans.”

“You infuriating piece of crap! I should throw you overboard!” They growl, stomping their way only to be stopped by someone slipping their arms under their arms, wrapping them around their chest, holding them back from approaching their brother any further

“Killer, let me go; he needs a good beating!”

“I think you guys need some space.”

Killer’s voice rumbles calmly, holding Reader back from causing another fight between the siblings

“Is this what y’all do when I’m not around, fight?”

“I wouldn’t have to if that Emo-wannabe would just listen to me!”

“The hell did you say?!”

“You heard me!”

“You’re both so stubborn; both the same.” Killer sighs

“No, we’re not!” They both scream angrily, glaring at the masked man

Killer rolls his eyes

“Off we go, Reader; lets go somewhere else and take some time to calm down.”

“Ugh!”

Killer walks out of the room, dragging the reader by the back of their shirt, ignoring them as they suddenly start fighting against his grasp as Kid cackles, flipping them the bird

“C’mon,” he said, dragging them away

“Just one punch, Killer!”

"No," Killer replies calmly

"You two can't act responsibly, so I'm keeping you separated.Sit," he says, pointing to the stairs leading to the ship's wheel.

“But-

"Sit." Killer repeats, cutting off their protests

“You’re in time out for the next hour.”

“An hour?! An I just sitting here for an ho- wait, the hell you mean timeout?!”

"Yes, you two are acting like children, so I'm treating you like children." Killer replies

“Come on!”

"Sit, or im making you stay in the ship for the next island," Killer repeats, pointing towards the stairs

“But im the strategist!”

“Okay, then you’re on guard duty on our next stop then, you’ll be in cleaning duty while you stay on the ship.”

“You can’t assign me those roles!”

“Want to try me?”

“No..” they mutter, pouting, knowing the masked man would find a way to get their stubborn ass to do those tasks; he had been dealing with the siblings' antics for years, so he had become an expert in handling them, and their little bouts

“Then sit down,” Killer replies, knowing he holds the upper.

Their pout deepens as they plant themselves on the ground

“Can I at least get my notebook and planning sheets?” they whine, only to turn into a groan as the blond man quickly chucks the items, chuckling as Reader simply glares at him

Yall I think Grammarly change one pf the readers to The reader so if you see it let me know, I couldn’t see it when I was editing so maybe it’s not there but hey if you see it

Taglist:

@imaginarydreams

@amethystviolin

@h0n3y-l3m0n05

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binzlovenicetingz · 9 months

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Idk if your taking requests for will or Luca but can you do one where the reader is saving themselves for marriage but is scared which will/Luca would leave them. Im sorry I’m feeling angst, fluffy. Not having a good day😭

hi hi yes i am taking requests imma a little slow with replies due to work but i will try my best and I’m sorry you weren’t having a good day. feel free to message anytime 🤎

I’ll give this one to Luca. You were honestly so scared to tell him that you were saving yourself for marriage because 1) that was still considered old-fashioned by some of your friends and 2) you didn’t want to lose him. the thought of your relationship with ending because you didn’t “put out” was always in the back of your mind every time a kiss getting too heated and you’d feel his need growing before you pulled away. If he was upset about it then he never showed it or was really good at hiding it

you shared this with some friends who shared story after story of their partner leaving or cheating because there was no sex. there advise only sent you spiraling further because what if Luca gets bored of waiting? he was a hot chef with tattoos and beefy arms, there wouldn’t be any issues with him finding someone who would be willing to give up all of themselves to him, you just weren’t one of them.

you thought that you were keeping it all together but Luca noticed a change in you for a while now. Opting to watch and listen until he started to ask what was wrong but you would push it off quickly, a small smile on your pretty lips wasn’t fooling him but you wouldn’t talk him and he could force you too

until one nice, his first night off in awhile and he just wanted to spend it laying in bed cuddled up with you. instead you were scrolling through your instagram, showing him every post that had a woman in a bikini or some tight athletic shorts, asking him if he thought this one was pretty or that one. he entertained you the first time but now Luca couldn’t stand seeing another influencers edit tits being shown.

with a tired sigh, Luca sits up, eyeing you carefully while you continued scrolling “what’s this really about, love?”

“about what?” you don’t look up, scrolling and liking post after post.

“what you’re doing now” Luca reaches over, taking your phone from your hand ad your quickly protest.

“you can’t just take my stuff like that!” you huff but quickly stop when you see the remorse on his face.

“I know and I’m sorry but I need you to focus on me, angel, please.” Luca gently cups your cheek, eyes filled with admiration and worry. “just..talk to me, please.”

you were a goner. instantly you were wrapping your arms around him, tears flowing and you tried to tell him about your insecurities, the worries and thoughts that go through your head.

Luca holds your close, letting you cry out but also soothing you. he couldn’t understand what you were trying to say but you softly whispering, “please don’t leave me” crushed him. after a few minutes, you felt yourself calming down while Luca gently rubbings small circles on your back.

“I’m not sure where this is coming from but I’m not leaving you.” he says gentle yet firm in his words, he makes sure your focus on him, “all those other people you showed me, there’s nothing compared to you, okay?”

you nod slowly before he places a kiss on top of your head. a sign leaving your lips, it was now or never, “I..um..Im-Im a virgin and I plan on keeping it that way until I’m married.”

Luca was slightly taken aback by your sudden confession and he must of looked surprised because you were quick to continue, word vomit claiming you as it’s next victim.

“I-I know it’s probably weird that I’m not putting out or whatever but this means a lot too me and I want to know that I’m g-giving myself to someone who truly loves me. so if you wanted break up or something then just do it now because I heard that if I don’t sleep with you soon, you’re going to find someone who will give it up easily to because that’s just something that’s gonna happen and-“

“whoa, who told you that crap?”

you shrug like a child caught but you still shared the name of some friends who told you those cheating stories. you can tell Luca was annoyed by that but he was quick to reassure you he’s not the type and that you might need to rethink some friendships if they aren’t being supportive of you.”

“I meant what I said, y/n. I’m not going anywhere”

for the first time in a while, Luca was able to see your perfect smile.

Satisfied that you were able to talk to him about your problems and work through them together.

#chef luca the bear #luca the bear #chef luca x reader #the bear #I want luca NOW #will poulter #the bear headcanon #will poulter imagine #chef luca imagine

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pansear-doodles · 8 months

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i like statistics ty for this

i might make a video essay based on my observations but no promises

im just collecting data here and opinions (your opinions are anonymous so dw about it), so im not tryna start ship wars or tell people what they can't and can do (unless you ship the really weird ships like the incest then all i ask from you is to kindly fuck off from my property- this is helpful for me to block those people actually)

i didnt expect this to reach this many people but i guess the rot really brained us up with gay ppl

im probably gonna make ship polls to narrow things down further but im afraid of being excessive LOL

the google form is still accepting responses if you wish to edit or submit your thoughts to me

some observations so far:

sunstone is extremely controversial (and iterator ships in general), most reasonings being that its toxic in their eyes

regicide is extremely controversial for obvious reasons

there's a good number of people who hate the incest ship(moon x pebbles and surv x monk) and iterators x slugcats (GOOD. PLEASE KEEP IT THAT WAY.)

artihunter is the most popular ship (combining the statistics of most shipped, least shipped and essay responses). its not controversial and the rare responses who say they dont like the ship mainly stem from reasons of being overrated/becoming stale, and view the two platonically (there is one response saying that the ship has caused the deterrence of mentor and mentee dynamics between the two (honestly i would have to agree))

fishstick has similar reasonings with artihunter, but since its the secondmost popular ship overall there's slightly a bit more flak and the fabling "too far apart from the timeline" (artihunter doesn't have this since they're right next to each other in the timeline giving people the idea of them possibly meeting) and general vibes

stemming from artificer being the most popularly shipped, artisaint and artimand seem to appeal a lot of people

a good chunk of people switched from artihunter to another ship after realizing they like that one more (good for them!)

several people dont like nightlight, with their reasonings being that its boring

there's actually a good number of people who believe nightcat isn't as interesting as a character based on fanon

there are people who dislike other ships because it contradicts with theirs (rivulet ships are primarily a victim of this)

people ship the slugcats more than the iterators

people who don't ship the iterators see them as family or buddies

people don't ship monk because they see monk as a child (major consensus) or give off aroace energy

on the iterator side, cw is the least shipped iterator (ui being close second)

and now for the graphs

hahahahaahahahahahahahhahahaa

perpendicular reasonings

this does explain things a bit

bro no shame but dw i shipped first before playing the game too

i was not exaggerating

i think i made this accidentally not clear enough (if say a character adopts another existing character like artificer adopting monk then that counts for yes)

THIS IS SHIPPING SUBCOMMUNITY BITCH!!! GET YO NONCOPIUM ASS BACK TO RUBICON!!! /lh /j

the SLATS!!! are in love

fun! ofc! thats how its meant to be

#no id #rw shipping #shipping #rain world #rainworld #rainworld downpour #rain world downpour

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hms-no-fun · 10 months

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Currently struggling a lot with getting very excited about a project, writing a lot, editing that writing until it's way more polished than what I can come up with off the cuff, and then being too intimidated to add to the document anymore since the previous good writing still gives off this looming intimidation if that makes sense? The more I write the greater the fear is I'll crash the story into a ditch that reveals the premise can't work. have you had that "its not all coming together shit theres a snag thats really important that i missed" moment? I realize it's pretty inevitable for that to happen, but whenever I write myself out of a moment like that I always second guess that I'm still overlooking something important or taking the easy way out. I know it's probably just all about pushing through but I worry that by pushing im just further diluting the original spirit of the project? Sorry for the all over the place ask, hope you have a good day :3

this is always a tough situation to navigate as a writer. happens to me often, and it has taken me a very long time to come even remotely close to being able to deal with it productively. believe it or not, i actually have quite a lot to say about this, so prepare for that below the break.

first of all, no, it's absolutely NOT all about pushing through. i find "pushing through" can just as often make the problem worse. keep in mind that i can only speak to my own experience and process, so any advice i might give here should only be taken insofar as you personally find it useful.

this is a form of writer's block. there are many different types of blocks, each with their own causes and hypothetical treatments. a big part of becoming A Writer as such is learning the difference between them, and developing methods for dealing with them on a case by case basis that don't involve substance abuse. don't do cocaine. that's step one.

most of my blocks are in the vein you describe. i'll be writing a scene that feels good, until i cross a threshold somewhere and suddenly the whole thing feels dead in the water. the first thing i do when this happens is stop writing. it's hard to stop when you're on a roll, i know. life is short and it's hard enough to write even on a good day, but sometimes you can just tell that you're on the wrong track and at that point you're probably not gonna be able to write your way back on.

once stopped, i check the basics. have i eaten recently? am i hydrated? have i taken my medications? these are rarely my problem (i keep a big water bottle with me at all times and my gf makes sure i'm fed), though you never know how useful a snack break can be. most of the time if the problem isn't with the text, it's that i've been writing for too fucking long and i need to clock out. learning to clock out is SO hard. but as i've been getting into the habit these last couple months, while i generally write less per day i ultimately end up writing more over time. i can feel my brain cooking when i've been writing too long. it's a muscle like anything else. if you did a bunch of overtime shifts at a more physical job, you'd need time to recover too. your body isn't a machine, your brain isn't a computer, and living things are inconsistent. it sucks but you'll have a better time all around when you learn to work with your body instead of against it.

another question is, have i showered recently? i find showers tedious and boring. also i still have depression even though my life is a lot better than it used to be. i lived on my own for a very long time as a deeply closeted self-hating trans woman, so my hygiene habits are not always up to sniff. as much as i hate to admit it, showers help. i can't tell you how many times i've sat at a godfeels chapter or video script and just felt fucking miserable, only to come back forty minutes later from a shower, full of creative energy. i despise self-help shit. just not a fan of the culture of positive attitude wellness check stuff because you can't self examine your way out of your class position. sometimes the problem is that you're broke. sometimes life fucking sucks and you just don't have the art in you, and that's okay. there's a common misconception that if something bad happens to you, at least you can make an art to get through it. but in my experience it's actually a lot harder to make art about bad times when you're still in them. most of the time it takes months if not years of safety and recovery before you can really face it head on artistically. so like, be nice to yourself. it's not your fault that you live in a society.

but also sometimes literally you just need a shower or to eat some leftovers or to go to fucking bed. i hate it every time that is true because i want my problems to be real and philosophical and not just some dumb body thing that happens to everyone. alas, no one can escape the quotidian obligations of simple mortality.

THAT SAID! this stuff isn't usually my problem, and often i find that what's solving the problem when i do step away to eat/drink/shower isn't even the specific activity, but the act of stepping away at all. getting my mind off it for a sec. when i hit a block that doesn't feel completely insurmountable, i like to back away from my computer and pace around a bit. then i'll stare at my big whiteboard with a marker in hand and just let my mind wander. i don't even write anything half the time! but the mere act of trying to compartmentalize the problem into something brief enough for shorthand helps me spot the pain points.

one of my favorite books is Zen and the Art of Motorcycle Maintenance, which despite what you might assume from its title is NOT a self-help book but instead a work of philosophy from 1974 taking the form of a travelogue. what Robert Pirsig explores in this book is what he calls the Metaphysics of Quality. basically he's trying to understand the split-second judgments we make of things we like and things we don't. i absolutely do not have time to go into the specifics, just know that his Quality refers to the abstract certainty you have when something is Good or Right or Correct or Qualitatively True. like how you pull your hand away unconsciously when you touch a hot stove, but for ideas. you just Know.

a scene that really sticks with me from that book (probably the most famous scene) is when Pirsig describes needing to fix a mechanical problem with his motorcycle only to be stopped dead in his tracks by a stripped screw keeping him from removing the engine cover. he talks about being so focused on the obvious solution to the primary complex problem that, on encountering a smaller, simpler problem that has to be dealt with first, he finds himself completely stuck, calling this "a zero of consciousness." it's a problem so annoying and minuscule and stubbornly unsolvable that you just want to hit the thing with a wrench and throw it in a river. addressing this new problem, this block, requires an adjustment in thinking. and here i'm going to quote a pretty lengthy passage, but don't worry, i'm typing it out by hand with the book in front of me so there's no time saved on my end:

Consider, for a change, that this is a moment to be not feared but cultivated. If your mind is truly, profoundly stuck, then you may be much better off than when it was loaded with ideas. The solution to the problem often at first seems unimportant or undesirable, but the state of stuckness allows it, in time, to assume its true importance. It seemed small because your previous rigid evaluation which led to the stuckness made it small. But now consider the fact that no matter how hard you try to hang on to it, this stuckness is bound to disappear. Your mind will naturally and freely move toward a solution. Unless you are a real master at staying stuck you can't prevent this. The fear of stuckness is needless because the longer you stay stuck the more you see the Quality-reality that gets you unstuck every time. What's really been getting you stuck is the running from the stuckness [. . .] Stuckness shouldn't be avoided. It's the psychic predecessor of all real understanding. An egoless acceptance of stuckness is a key to an understanding of all Quality, in mechanical work as in other endeavors. It's this understanding of Quality as revealed by stuckness which so often makes self-taught mechanics so superior to institute-trained men who have learned how to handle everything except a new situation. Normally screws are so cheap and small and simple you think of them as unimportant. But now, as your Quality awareness becomes stronger, you realize that this one, individual, particular screw is neither cheap nor small nor unimportant. Right now this screw is worth exactly the selling price of the whole motorcycle, because the motorcycle is actually valueless until you get the screw out. With this re-evaluation of the screw comes a willingness to expand your knowledge of it. [. . .] What your actual solution is is unimportant as long as it has Quality. Thoughts about the screw as combined rigidness and adhesiveness and about its special helical interlock might lead naturally to solutions of impaction and use of solvents. That is one kind of Quality track. Another track may be to go to the library and look through a catalog of mechanic's tools, in which you might come across a screw extractor that would do the job. Or to call a friend who knows something about mechanical work. Or just to drill the screw out, or just burn it out with a torch. Or you might just, as a result of your meditative attention to the screw, come up with some new way of extracting it that has never been thought of before that beats all the rest and is patentable and makes you a millionaire five years from now. There's no predicting what's on that Quality track. The solutions all are simple-- after you have arrived at them. But they're simple only when you know already what they are.

this is, in brief, my entire creative philosophy when it comes to writer's block. i share such a lengthy passage because i think it's useful to underline that we're not talking about a problem that is necessarily unique to the labor of writing. this process is a human process. it's just that with writing, the nature of the block itself is often much more difficult to identify than a stripped screw.

there's a couple things i do to try to identify what's got me stuck. a lot of times what happens is that everything in a scene felt good until it didn't, and then everything after that moment fell flat. so i'll go back and read the whole thing and just try to feel the scene. is everyone in character? is their dialogue too quippy, or too aggressive, too expository? are we in the midst of a conversation that has simply gone on way too fucking long? i know it can be torturous to reread your own stuff but idk what else to say except get used to it. especially when you're still early in the drafting phase! like if you know you're not gonna release this thing imminently, there's no reason to be precious about the stuff that's good or to beat yourself up over the stuff that's bad. i know that compulsion to try to Get Everything Right The First Time is strong, but it's completely unsustainable.

sometimes the block is that i just don't feel like writing narration. i've always sucked at grounding a scene with descriptions of the place. lately i'm trying to get away from relying solely on descriptions of staging/blocking, but it's hard for a bitch like me who mostly prefers writing dialogue. i've gotten a lot more comfortable with putting notes between dialogue exchanges like [character moves, looks at picture, has a dramatic thought, other character fiddles with object]. it can feel like cheating sometimes but it's not. there's no such thing. no one will know the route you took to get to the end. they will only see what you show them, when you decide to show it to them.

sometimes the block is in some minor or major betrayal of the story's spirit. the (Terezi) & Jade scene i talked about in this ask is a good example. i hit a point where nothing was working anymore. no one would talk to me. the light was gone. i can always tell when i made the wrong choice. it's such a particular sensation. as though i'm walking and i realize i no longer recognize the road i'm on and must've made a wrong turn somewhere. the solution to this particular block is introspection, retracing my steps, because the wrong turn isn't always obvious. maybe it's that someone in the scene is being too mean, or that i've failed to accomplish what the scene exists to do in some way, or that someone's made an uncharacteristic choice that now everyone in the scene is arguing about and it's like, man, this is taking too long, i'm not enjoying this anymore.

another example from A1 is the second half of the solo. i'd had most of the jasprose scene, the karkat-calliope-roxy scenes, and the vrisrezi-jade scenes written since i posted the A1 chorus. where i ran into trouble was that i needed to get jane, jake, and (terezi) to show up. my original plan was to have them arrive one by one, thus allowing their individual dramas a moment in the spotlight before being subsumed into the group. not a bad idea in theory but in practice it was fucking tedious. here we have a bunch of characters already immersed in the scene captured by the intrigue of Jade being enigmatic, and then some unawares jagoff wanders in and suddenly everyone has to stop what they're doing and be like "hey hello how are you what's up" and then they explain how they got there and then they ask what's up and it's such a DRAG. honestly i would say the majority of my creative blocks by volume are moments when the story really wants me to just cut to black for a smoke break and come back when somebody gets mad enough to throw a punch. i mean that's the the development of A1 in a nutshell. originally everyone was gonna start the track locked up in space-jail on the hopebringer, jade would show up all apologetic and say what she expects padua's deliberation to be, then the whole cast would see her throw a fit over a decision she knew was coming, they'd all be absolved of guilt and let free, then they'd all argue about who's staying or going with Jade in the morning, they'd split up to go pack their stuff and then...

well that was exactly the problem. i wanted to get all the pertinent things out of the way. jade's code switching, voidthought, some EWL teases. give the whole cast a chance to react to it. i thought that would be expedient, because it got the Plot out of the way and gave time to characters for Feelings. if that version of the scene had come at the end of chapter 8, it might have worked. but i realized that as soon as jade's audience was no longer captive, i had no fucking clue what to do with them anymore. we already knew who would go with jade, so acting like that's some kind of mystery is just lame. i started writing A1 from a place of desiring informational density & a quick pace, because we've got places to go and things to do. but if the real purpose of A1 is to explore why these characters choose to go with Jade, then that needed to be done with a lot more care and precision. that's when i decided to let Jade spend two days underground making the earth right again, so that she has to come to everyone individually rather than the other way around. and it muddies her motivations, if you don't mind the pun. it puts her at an appropriate remove from the others. i ultimately wound up conveying all the same information as in the original version, but i did it in a way that was more appropriate thematically and artistically. it wound up being longer road than i anticipated, but this is a long story and in this case the longer road was better for the journey.

take the chapter where Jade visits Roxy. i needed some time with Roxy alone to set the scene, since she's the first person Jade decides to visit and i like writing about the insides of trailer homes. i wanted to get some politics from Jane in this chapter, so hey, why not throw in a televised speech? oh, and then i can have some tucker carlson types remind us that Earth C is a fucking mess. i wrote all that, and it was good, but it was just Roxy watching tv. i tried to get into Jade's arrival and couldn't. so i went back and realized, oh, Roxy should be yelling at the tv the whole time! now we get Jane's politics, Roxy's reactions to those politics, as well as bits and pieces of context re: Jane's relationships with Karkat and Roxy. now when Jade arrives, we can play with the question of whether she heard the speech from outside Roxy's door, and why neither of them was physically at the speech in the first place. there's tension and imbalance in Roxy's state of mind when Jade does arrive, so we're more inside her perspective than we usually are, which in turn helps us identify with her when Jade starts infodumping about antimemes.

so often for me, working through a block is a matter of doing a better job utilizing what's available to you. going back to the A1 solo and trying to bring Jake, Jane, and (Terezi) into the scene. i finally returned to it after a couple months of being sick and dealing with life problems. i was frustrated because i'd hoped to be several tracks in to 3.2 by now, and instead i was confronted with just how much more of this thing is left and how long that might take if i couldn't pick up the pace. this thing NEEDED to get done.

and then i remembered that Jasprose is literally right there.

and that was it! problem fucking solved! i had jasprose drop all three of them into the scene completely unceremoniously using manic teleportation through a fenestrated plane, and from there the entire rest of the chapter erupted out of me in a single go. it's such an obvious solution to the problem that you as reader probably assumed it was the plan from the very beginning. but it's like Pirsig says: the solutions all are obvious-- after you've arrived at them.

then there's the problem of overwriting. i actually did i think four different versions of the opening to the A1 solo. the first person narration was a late addition. i tweaked that scene so so so many times. it kept feeling close but not quite. when i did the thing where i reread to find where the block happened, instead of actually reading the thing i just kept finding spots where i could write more. i can extend this anecdote. this line could be better. maybe a comma here would work better than an ellipsis...

this can be good because sometimes what's blocking you is that you skipped over something that needed more time. maybe some information or a dramatic emphasis that gives the stuff you can't yet write the momentum it needs to get going again. but i've gotta be real careful doing this, because i can do it forever. and then, as you describe (hey look, i'm actually talking about your specific problem now!), that hyper-polished section sets everything else up to fail by comparison.

i think the trick is knowing the difference between when a scene needs an editing pass vs when a scene just straight up isn't working. when it's not working, sometimes you do just have to throw it all out and start over. but if it's good enough that you feel like all it's missing is better dialogue and some more description, then you can hold off on that polish until the rest of the thing is done. this conundrum is most common at the beginning of a chapter or story in my experience, precisely as a result of the process i've been describing this whole time. when you hit a block and retrace your steps, you can always find things to fix. so it's sort of natural that any given chapter becomes less polished the further along you get in to it. that's why it's so important to understand the differences between all these different types of blocks, and to remind yourself that literally nothing you've written is finished until the moment you've made it public.

a big part of getting the A1 solo out the door was me swallowing my desire for perfection in every exchange and saying, no, this is good enough. it's not 100% what i want, but it's close enough that it just isn't worth the effort it would take to get there. sometimes there are scenes that are worth that effort, but they are always rarer than you think and they're never the ones you'd expect. i will freely admit that there are a lot of characters expositing their motivations in this chapter. i tried to embed as much of that in humor or drama as i could, but sometimes you just have to shrug your shoulders and walk away and hope your readers will be nice to you.

of course the funny thing is, once i finished the chapter and had all the panels sketched out and wiped my hands clean of the whole affair, janet needed two weeks to make the images. so i ended up having time to polish up a couple of those things that i felt were lacking after all. but those additions were radically small and intuitive, because i'd divorced myself from the raw production and had committed to so many directions that i *couldn't* change much. i'm so used to writing for release that i don't know what to do with myself when my part of the job is done before i can kick it out the door. i've come to find that waiting, taking breaks, walking away and coming back, do wonders for your ability to egolessly examine your work and identify what's wrong. sometimes you just need a day or two to sleep on it.

and sometimes you realize that you've really just over-written a scene, out of preciousness or insecurity or whatever else, and the result is so much bigger than everything else you want to do that it's more expedient to just scrap it. i hate when this happens, man. i did this with an early version of the A1 chorus, when Jade is stuck in space alone and shouting about how unfair her life has been. you know sometimes there's an emotion in a scene that's addictive. some bit of pathos that you just feel down to your bones, fuck me man, this is so GOOD, this is so JUICY, this shit has QUALITY. it's so good you don't want it to be finished. so you keep writing it, and writing it, and you rewrite it, and you add to it, because you really want to squeeze every drop of emotion you can from the thing. and then you wind up with a bloated melodramatic mess that's so overplayed you've annihilated everything that compelled you to write it in the first place.

i want to be clear that this isn't wasted work. nothing you ever put to the page, no matter how ultimately useless it might prove to be, is wasted work. the way i see this whole process, top to bottom, is that there's this thing. i don't know what it is, but it's there. maybe it starts with an image, or a line of dialogue, or a relationship, or a natural vista, whatever. it can be anything. what matters is it's a sign pointing you in a direction. it's something that has Quality that you can feel with such potent immediacy that you have no choice but to write it. the act of writing is something of an expedition, because the real magic of it comes when those disparate signs start colliding with one another. an image becomes a scene, a house, a world, a universe. sometimes these signs lead to dead ends, but with experience you learn to tell the dead ends from the rough patches. you learn how to make your own way. you do this by listening to what this thing is telling you. every story i've ever written has known better than me what it wants. i can impose so much onto it, i control 90% of the process at least. but that other 10% cannot, should not be quantified or controlled but simply understood. if you try to bottle the flame, you'll just end up snuffing it out.

no artist really knows why they do what they do or how they're able to pull it off. they can tell you their methods, their process, their coping mechanisms, they can write ludicrously lengthy diatribes on tumblr in response to an innocuous ask, but you can't pin down the soul of the thing. Quality is ephemeral, because it's first. it happens before you've had time to think, like putting your hand on a hot stove. you just know. and you have to trust that knowledge to carry you forward, not second guess it too much, not try to wrangle the thing into a shape it doesn't want to assume. sometimes this requires writing scenes that you don't love, because it's easier to build a messy bridge between the moments that drive you than it is to perfect every single moment out of an artificial commitment to like, Being A Good Writer or whatever.

a lot of this is just practice. you get better at communicating with your creative impulses. but also i think it helps to internalize that nobody sees the rough drafts, nobody sees the duct tape. and nobody knows the perfect vision you'll be convinced you failed to meet. nobody has ever made a perfect thing, and no one ever will. who wants to be perfect, anyway? godfeels wouldn't be what it is if i wasn't willing to let it be messy. if i'd tried to do it better, it never would have gotten done, and nothing i'm doing now would have even conceptually gotten to exist.

also, it's okay to abandon shit when it stops feeling good. i have so many unfinished books kicking around from my 20s, dude. i feel bad about some of them, but ten years not finishing books is still ten years spent writing. it's actually quite rare for good ideas to result in finished works, because good ideas are cheap and they're not all for you. but you gotta keep trying anyway because sooner or later you'll catch a spark that has real gas, and if you've done the work you'll be ready for it. it'll feel like destiny. it'll feel like magic, how matched that idea is to your skill level. but it won't be magic, it'll be skill. if you hadn't put the work in to know how to follow that intuition, it'd be just as dead an end as everything else you never finished. you do the work so that when you get lucky you can take advantage of it. so in that context, writing is quite low stakes. if it's not good enough, fuck it, try something else!

anyway i hope there's some decent insight buried in here somewhere. thanks for such a good question!

#sarahposts #writing advice #writing tips #homestuck #godfeels #zen and the art of motorcycle maintenance #robert pirsig #metaphysics #writer's block #creative block #art block

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amigac0debasic13 · 4 months

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hey guys. Do u even care about what I have to say. Thats right baby. It’s a mini rant. Young Garmadon edition and the horrors of white boy Star Wars core.

Okay so. Erm.? I don’t like garmadons child design in the show. This guy is way too twink coded as a young adult for me and that’s wrong. He’s a beast. And also))??? Lots of paragraphs on Wu depression. Thats the synopsis now look below for further horro r

Hello??? Dang man tatooine is calling ???? IM. SORRY THAT WAS MEAN. I’ve always felt like the spinjitzu bro books did a better job with his design, but brunette just isn’t it. Black hair. Right now. Make it naturally white but also make him fucjing stupid so he dyes it with Ink because he doesn’t want whit4 hair cause he’s DUMB.

Look alive. Make him wear a ponytail and give him the black dyed hair COWARDS.

Anyways that parts over. Now I’m going to talk about my issues with how people draw him in his human form a lot.

I feel like the twinkification is real. All human designs I’ve found of Garmadon that don’t use legos ambiguous yellow color are pasty white and this madness must STOP!!! I think if u wanna make him a cracker it’s ok. It’s fine. But it is a little boring seeing the same designs scatter my Garmadon picture wall(/J I DONT HABE THA)

‘And also while I’m at it, I’m gonna be real and say that any design for wu in the series is pretty good. Still mad he looks like a normal guy. TBH. Many fan designs give him more dragon like traits, and I think that’s so cool, but I’ve always had a specific idea I’ve never seen executed personally. I think Wu would chop his horns off if he had them permanently out.

Wu clearly isn’t a fan of just showing off his dragon or Oni traits. He straight up doesn’t do it, even as a kid (he should honestly be shown with those traits cause he really doesn’t give a fuck as a child) and I believe that his tormented old man position (see the many drawings and tweets from the shows authors and writers) he wouldn’t exactly be drawn to having his traits on display. The completely reasonable solution? Scar himself permanently by wacking them off with a blade. Sounds like something he’d do in young adult hood. His horns being out insinuates he can’t just shapeshift to make them go away, so erm!! Pretty smart solution ngl!!!

‘’Now it’s time for Wu trauma oooooooo!!!!! Oh my god part of his soul is GONE????

In one of the spinjitzu bro books Wus soul is forced into a little puppet. At the end of the book, the puppet is still alive and moving. When the ninja ask to see a puppet show before Wu recounts this, he has a physical reaction.

so. Wu is having a great time. Also, in one of the comics (forgot the name and I can’t for the LIFE OF ME remember where I read this) he confronts. Basically the embodiment of his fears. Basically he doesn’t want to become like his SHIT father who is literally god. leave him ALONE.

So. Uhm. In conclusion. Whirlwind (wus canon nickname) and Softie (Garmadons canon nickname) need to get their shit together <33333333

#ninjago #lego ninjago #my rants #rant post #wu ninjago #ninjago garmadon #lord garmadon #young garmadon #very specific tag but ok #who made that #young wu #THERES ANOTHER???

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mejomonster · 4 months

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Okay so hello friends I discovered this site today, when trying to find an app/place to write with low distractions:

So its got: dark mode, light mode, you can set a timer (good for a writing sprint), you can set a word goal, it shows just your writing and word count at the bottom, it has a tool to export your writing as a txt file when done. Its features appear the same on laptop or phone, useful if you're like me and sometimes type on the phone.

Of particular note: you can only backspace through a word, not further. I'd suggest trying to write for a while before deciding how you feel about it. I was initially annoyed, since I couldn't delete a sentence I disliked and could only really fix small scale initial typos. But I just started typing // when I didn't like a prior line so I could just go delete it later in editing, then I continued writing the sentence I'd want instead. After the first several minutes, I decided I kind of like this feature. Why? Because it got me to WRITE. I couldn't really second guess myself much, because re-reading and editing wasn't an option during writing. It will be an option LATER, but not during this writing sprint. Justwrite as another feature, doesn't really let you scroll up. Annoying to me, somewhat, since I couldn't scroll up and double check I was remembering certain details right. But it makes up for it again in getting me TO WRITE. I wrote 3000 words an hour in Justwrite. Just because I HAD to move forward and just tell the fucking story. A lot of what I wrote was good stuff! And I left myself little // to find and fix bits I wanted to work on more. And maybe useful in a story sense, I found my scenes felt they were flowing in pacing better. Possibly because I had to write them timely enough to remember what I was writing ToT (I don't have the best detail memory) so scenes couldn't dawdle long enough to get super stuck or linger on something for an amount of time that would start getting a reader lost or bored. In summary: the particular quirks of not allowing much backspacing and not much upscrolling? Make for faster writing, and a bit more of an incentive to keep a writing flow going while its fresh in your mind.

Anyway I wrote 7000 words today thanks to this site (and the app version on my tablet).

I really appreciate Low Distraction writing tools since seeing even just words underlined or editing tabs above a document quickly gets me distracted. Some current favorites: justwrite (site and app), https://novellla.web.app/ (I like this but I prefer the computer version as the phone version has no night mode), Writer Lite (a phone app I love for organizing writing as it works very minimal distraction but lets me change fonts and organize chapters and notes and projects and check word counts by project/chapter/entire directory - in that app I've written 192,000 words this year, it backs up to google drive and I have not explored exporting options yet but its definitely my favorite phone app for writing project organizing), notepad (when Im om my computer Im not kidding - the lower the distractions the more likely I'm going to use the tool), and honorable mention app.gethermit.com (its a useful site for sharing writing to someone to look at with password protection, and its also got projects/chapters organization, I both appreciate that it includes spellcheck and also hate that it's spell check means I NEVER write on the site I just use it to quickly store a copy paste writing backup online so I can open it up on another device).

#rant #justwrite #reference #writing resources #writing app #anyway its a free site im gonna HIGHLY recommend

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askamnesiamoonjumper · 2 years

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edit: HEY EVERYONE LOOKING AT THIS POST GO READ AAU FIC RIGHT NOW BC IM TIRED OF THIS POST BEING IN MY NOTIFS 24/7💥💥💥💥

Ok sorry about that now back to your regularly scheduled program: A!au toh au when??

Yeah hi I was bored n thinking about this idea and also wanted to do a style study for toh, (ignore that I had to use bases for the bodies I couldn’t draw them😭 my lines where too shaky I’m not the best at tracing stuff so I cheated a tiny bit) I had originally thought of this idea ages ago in a doodle where they all went to hexide and it was more a high school au if anything but now that the show is further along I thought of a more fleshed out idea for this hypothetical au!

Technically this could count as just a regular Ahit toh au BUT I based it off of ideas and hcs in aau so yeah I’m sticking with that

Also the characters aren’t one to one with toh characters it’s more just a “how would these characters and their story translate over to toh universe” thing but most characters can be tied to a toh character as being based on/in the role of if that makes sense like I said it’s a bit of a mixing pot with the characters

Uh yeah info about the basic idea for the characters/story:

The whole story with prince and Vanessa instead of prince getting locked in a cellar to die van curses him instead, but somehow idk how yet he ends up turning the tables and splitting the curse with her. I like the idea that prince is from his respective time period as Ahit and falls through a time pool so we get the same concept of this guy is old and from a long time ago just with skipping over the death ghost part so yeah he gets sent to present Snatcher is basically the eda character he has the curse and takes elixir (which I hc is blue bc haha Ahit reference)

If it’s not obvious from her design Vanessa is the belos of this au lol Probably instead of the emperors coven it’s something like the Queen’s court? I think it’s got a neat ring? Anyway yeah uh not much to say about her she’s basically the same lol, also I like the idea she uses illusions to hide her appearance and also to manipulate mj and the citizens 👀

mj is basically a combo of s2 Lilith and Hunter! He’s a grimwalker made by Vanessa to replace prince basically he’s made to be her perfect fairy tale Prince Charming that loves her and would never ever betray her <oblivious But yeah same idea as Hunter of being made as a clone of someone else BUT they’ve got a more similar role to Lilith in which they end up befriending the main cast and living with them Also included their “golden gaurd” design not sure what to call it? Moon prince? Moon something idk lol you guys might could help with that but yeah that’s the fit they got when with van also we got blood Amy too in which Vanessa gives her curse to mj after finding his palismen (she eats them belos style ofc lol) speaking of I still need to draw the palismen but I have some cool ideas!

Dels idk what to say besides uh she lives with snatcher n we still got the qpr going ofc lol sorry I don’t got much on her 💔 though I DID consider making her a star child to go with the twilight god thing but I also considered making eclipse a star child because the design is similar plus gives an excuse for him to be here without the fusion plus I think Vanessa using eclipse sounds cool it makes sense he’s prince in canon so like ofc she’s drawn to him but yeah still thinking about that

Time twins are our luz stand in, hc timmys jacket is snatchers like luzs jacket is eras bc I think it’s cute lol dont question why he has it idk I didn’t have the time pool idea at the time and bow is kinda like the willow/gus of the group and mu is the amity? Mu being a bully at first until joining the friend group n stuff and bow being the sweet straight man to the rests antics

Drawing time twins with round ears was cursed Anyway mu is a hybrid still, She’s half witch half eberwolf species! Cooking cat and Sam get to be her bio parents here instead of adopted so that’s cool

Shapes is the Vee stand in and omg they where really fun to design

I like the idea of the changelings/council being titan trappers? Considering they’re a cult? I think it sounds cool so maybe like shapes sneaks in with a disguise or like the trappers take them in or the trappers are basilisk in this universe? Idk considering no one in the cast is a titan it wouldnt really make sense so like maybe they are basilisk or basilisk hunters? Still chewing on the council lol sorry

Sorry I’ve been putting it off BUT curses!: basically same logic as canon they go by eda and belos logic respectively so van is a creepy skeleton cryptid ass monster and snatcher is a animal beast! BUT he’s not a bird like eda or Lilith ,and also not a snake though that would fit in being a more obvious choice, he’s ACTUALLY a ferret! Mostly bc I thought it was funny but it stuck lol they are furry and noodly so it works, plus I’m a sucker for the monster has innocent name but is actually terrifying trope lol, also idk about blood moon? They get cursed yeah but I don’t think they get transformed into anything mostly bc I have no ideas for them lol plus it’s more focused on the illusion hypnosis whatever abd not the curse itself

Anyway on to covens/magic specialties! The kids are obvious because they have the uniforms lol but I’ll still list them anyway: Time twins: Oracle/illusion Bow: beast keeping Mu: constructed Prince: Oracle/bard Snatcher: Oracle/potion Delilah: plant/healing Mj: bard Vanessa: illusion Shapes: abomination

But yeah that’s kinda it lol I do plan to add more doodles or ideas later but yeah hoo boy these took forever but it was a fun style challenge plus fun to design everyone!

Sorry if these notes are kinda all over the place oof I didn’t bother to double check them so sorry if it sounded rambley

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