#if you see 4 different versions of this post no you didn't | Explore Tumblr Posts and Blogs

yourfavoritehouseplant · 5 months

Text

I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person.

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga.

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom.

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done.

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me.

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World.

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him.

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character.

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”.

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance” THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along.

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

#the autism won again you guys #revolutionary girl utena #james somerton #shoujo kakumei utena #utena #anthy #hbomberguy

2K notes · View notes

hoeforhao · 9 months

Text

🏷 Kidult ▪︎ Choi Seungcheol Fic ▪︎

↷ pairing: dad!seungcheol × fem!reader (feat!jeonghan)

↷ genre: heavy angst, fluff towards the end, mentions of childhood trauma, sort of arranged marriage? cheol and reader have a daughter together, lots of dad seungcheol content!!!

↷ summary: can trying to relive the childhood you never got to experience, through your daughter be the reason of your husband's irk?

↷ part: 1/4 pt.2, pt.3, pt.4

↷ w.c: 2.5k

↷ author's note: part 1 is here finally!! will try to post part 2 by the end of this week, and part 3 will be a bonus smut which will be published on cheol's birthday♡

If you want to be added to this fic's taglist, drop a comment under this post ; my ask box is open too♡

Motherhood was truly a blissful chapter of every woman's life. Seeing your child growing up in your arms, her little legs stomping through the grass to join her playmates, often tumbling down on her way, her father going completely nuts over the itty bitty scratches on his princess,made you feel a joy not even billion dollars could buy.

But that's definitely not something you believed in before getting married to seungcheol or even when you announced to all of your family, that you were about to birth a small little version of your husband and their son.

While his child swelled in your belly, his ignorance and indifference towards you, swelled in your heart. Although it would be downright selfish to say that seungcheol didn't take care of you during your pregnancy, but you surely weren't that naive to not understand it was all for the wellbeing of his daughter.

Well some people unlike others are just destined to go through life like a soldier, bound to only their duty without the luxury of enjoying worldly pleasures - that's what you've been telling yourself since your childhood, all throughout your marriage but now...now it's different.

As selfish as it may sound, your daughter Hana's childhood now gave you a newfound hope of reliving those years of your life that you never got to cherish....being as carefree and jolly like a two year old, sleeping every night with a teddy tucked under your arms without any thoughts about how to deal with this cruel world.

You were so consumed in your thoughts that you failed to notice the cinnamon pie set in the oven being slightly overcooked along its edges.

"Shit shit shit you cannot mess this up y/n!!! Cheol and Hana are crazy over your cinnamon pie and the last thing you wanna do is disappoint your daughter and his father" you mentally cuss at yourself while taking out the pie pot from the oven as quick as possible....mildly burning your fingers in the attempt.

A thud of the main door shitts your concentration from your burned fingers to your hall, which is now being adorned by Hana's giggles upon seeing her father.

"Dada is home princess! What has my girl been doing all day without her daddy huh" seungcheol literally throws his coat on the couch before hopping towards his beloved daughter, taking her up in his arms in one quick lift and peppering the little ball's mochi cheeks with kisses.

"I played a lot with momma today daddy, and you know you know we even threw a birthday party for Bella hehe" Hana started blabbering out her entire day's routine to her father, sitting on his lap, her head resting on his chest,as seungcheol kept on playing with his daughter's silken locks.

"That's why my cupcake is all dolled up right now huh, I see" seungcheol's arms wrap around Hana's waist tightly while patting her hair. "Do I look like a princess dwaddy?"

"When does my Hana doesn't look like a princess, baby! You're royalty, my little highness" you were watching such a dreamy cinematic sequence of a perfect loving family being played out infront of you, from behind the kitchen counter....the catch being you were just a part of this trio only for a show to others.

"Daddy daddy can we go to the park tomorrow pwease" your daughter surely knew that her puppy eyes was cheol's biggest weakness and that's what she used everytime to make her father tend to all the tantrums.

"Anything for my babygirl. But first you've to stop looking at me with those eyes or dadda's heart will burst from cuteness babie" hana's adorable beads were now paired with her dad's dimples making your heart swell at the view. Two of your cutest dumplings.

"Come on now enough talking you two! Who wants to have the first bite of the pie?" you break off your glare from the duo and bring out the piping hot plate of freshly baked crust from the kitchen and set it on the table before them.

"Me me me" "No me" "No daddy me. Won't you let your princess have the first bite" one pout from Hana and seungcheol melts into a puddle, stuffing her small cheeks with the first bite of the pie by himself. "Next time dadda will win for sure!!!" a small hmph leaves your 27 year old husband's lips.

"So when are we going out tomorrow?" you press your lips into a smile like an excited puppy, putting a halt to the father daughter's playtime...your eyes glistening up at the thought of the beautiful day ahead.

"We'll leave after breakfast" seungcheol's stern voice echoes around the hall, awaring you of the void of emotions he has dug out only for you, his wife and the mother of his child.

"Oh okay! Come on Hana it's bedtime bub." you swing her up into your arms, marking your steps towards her bedroom. "No mowmmy I wanna play more with daddy please"

"No baby. We gotta wake up early tomorrow for the park right? There you can play with dad all throughout the day. Okay love?" you plant a goodnight kiss to your daughter's temples before tucking her into her soft Cinderella sheets.

"My cute round munchkin" one last loving glance at Hana and you put off the lights of her room to let her drift into the happiest dream ever, without any tension of the cruelties of the outside world.

Changing into a soft satin robe and tying your hair up into a bun, you finally settle yourself under the duvet of your shared bedroom with seungcheol, your back facing him, wishing ever passing moment, that at least once he wraps you around his arms. But you know better, that he never will.

ㅤㅤㅤㅤㅤㅤ ・・・・☆・・・・

"YAH CHOI HANA WALK SLOW!" screaming at

that poodle of sunshine waddling away in utter haste, you try to match her pace, literally all breathless and panting.

After a fruitless attempt to follow your spawn of Satan going absolutely haywire about being in a park with her daddy, you curve up your back, sweating like a pig looking for some air ; a pair of cold petite hands lands on the crook of your neck.

"Who the fuc - oh my god Mr notepad ass what are you doing here!!" your face instantly harbors the biggest smile upon seeing your childhood bestfriend after literally months.

"Come on girl, you meet the heartthrob of the town, and this is how you greet him? Girls swoon over m - ah ouch y/n lord my future gen " hearing jeonghan blabber 'bout being a hot cake was downright torture for you, when the man literally had no cake to offer!!!

"Yeah yeah sure that's why you used to ask me to find you a girl, pheww!!" a big smug visible clear in your eyes.

"sigh Is this how you welcome your bestfriend after almost an year??!!" han knew that him giving you those angel eyes will make your composure melt in a matter of seconds and that's exactly what happened.

"Oh come on! I was joking! You know I love you, you little bunny" you instantly wrap your arms around han's waist tightly, while pouting like a puppy yourself, as he returns the gesture in a blink.

"Except the cake part tho, hehe!" a slight pinch lands on his butt as you free yourself from him to walk to the ride's counter, hand in hand. Your heart was fluttering like a flock of doves, because you could let your true self take control only when with jeonghan, from laughing like a five year old, being a naughty tease to smiling wide like the sun. Why so? Because apparently seeing you letting your inner child out in the open, irked your 'husband'.

"Oh the main question! Why are you here? That too at a theme park!!!" shooting an interrogative glare towards jeonghan you march away through the crowd like a happy squirrel.

"I'm here with Nabi, and my little bunbun Byul. She literally manipulated me into taking her to this park. ME! THE YOON JEONGHAN BEING MANIPULATED. CAN YOU BELIEVE THAT! I guess she learnt it from her dad only" jeonghan blurted out almost an entire verse within seconds, and you felt nothing but sheer joy being reunited with the only who who cherished your presence, after so long.

"There they are" you look over the thick mass to see Seungcheol and Hana standing by the ride, her little pinky entwined with her father's dainty yet strong digits, while pulling onto jeonghan's arms to run towards your family.

Cheol's face turns slightly dark watching you beaming with joy being arm tied with another man, that was not him. He knew jeonghan was your bestfriend from the time your wedding bells rang but....there was this feeling in his heart against Han, that he could never justify.

"Hey Seungcheol. How you've been? Grown quite buff huh!" Jeonghan playfully slaps Cheol's muscles, earning a sort of irritated groan and a tight smile from him.

"Looks like someone's jealous!" you lean your body over jeonghan's shoulder, whispering into his ears which lands you into being tickled by him like crazy, in public.

"Okay okay I'm sorry, s-stop!" Han's devilish hands finally leaves your body, as yout chest heaves up and down, breathless from laughing an entire year's worth.

"Umm hmm" cheol clears his throat as he tries to break off the *not so desirable scene rolling out infront of him* "we should get Hana going on the ride now, she's growing quite impatient"

"Omg yes so sorry baby mom got distracted" you take Hana from her father's grip. "Cheol cheol let us get on the ride too na? Pls!!! Pls!!" pulling onto your husband's biceps, being in a trance of happiness and forgetting that he's Choi Seungcheol and not your buddy, Jeonghan -

"Stop behaving like a kid y/n! You're twenty seven and a mother to a two year old! Fuckin act like one" each and every word that left cheol's lips carved out a new wound in your heart. Though he's right anyways....you don't deserve to fool around like a happy child....you never did....

"I'll call Nabi and Byul too. Both of them can enjoy their visit that way then" jeonghan steps in to somewhat chase away the cloud that was near to pouring down over the four of you "and Byul is herself quite fond of her bestfriend Hana anyways. They would love this set up" Han's lips curl up into a forced smile as he walks off to fetch his own family.

"I i'm sorry" you let go off Hana's tiny fingers, as soon as jeonghan leaves,leading her to the ride's entrance. "Hold on tightly to the bars, okay? Mom will be right here" your soft sweaty hands cup her cheeks before she turns around to go get seated on her most awaited part of the day.

Seungcheol's face is painted with guilt and regret, as he watches over his small family - while her daughter is glaring brighter than the sun with soulful joy, his wife is standing all gloomy beside the long sheep haired guy he have always envied.

"Mommy the ride was amazing. You know Byul was scared hehe. She was holding onto my arms" your daughter waddles down the metal stairs, her bestfriend following soon after, both of their faces all sweaty and glinting from the little adventure.

"N-no i was not, i i just tried to k-keep Hana safe" the two year old blurts out, trying to protect her pride, while her dad scoops her up into his arms, drying off her face with his shirt.

"Yes you're my strong and brave bun, I know that baby" jeonghan places open mouth kisses on his daughter's face, shifting her to her mother's arms gently, placing a gentle kiss on his wife's forehead in the process.

Such a beautiful family. A word that would never fit your own -

"I - I'm taking the girls to have some ice cream" seungcheol breaks the silence that has now creeped up onto your face. "Wanna j-join us, y/n?" no matter how much he tries to act cool or indifferent, the words he threw at your merry face just few minutes back, refuses to leave his mind, engulfing his form in severe shame and agony.

"No I would like to stay back. You three go ahead" the change in your tone was clear enough for even a stranger to notice....and jeonghan has known you for twenty whole years.

"Nabi you accompany the girls and seungcheol. We two will be waiting for y'all by the carousel" surprising right? How jeonghan was the one having your back and not your husband!!!

"Seungcheol was being an absolute dick back there you know. A very annoying, lumpy and dumbass dick " han's hands curl up against your shoulder as he pulls your head to rest on his nape, while both of you were seated on a bench shining under the dreamiest luminaire.

"Hmm" you hum into his skin, warm salty drops slowly making their way down his silk shirt "or maybe he was actually right"

Pulling yourself up from Han's embrace, you focus your eyes onto your lap, while fidgeting with your fingers, when you feel a warm pair of hands cupping your cheek, fingers pushing off any drop of water that dared to pass by your supple skin.

"Just because someone doesn't appreciate your presence in their life and treat you as nothing but a person their daughter calls 'mom', doesn't mean that you are allowed to downgrade yourself" his hands traveling down your face to now engulf your palms into his, "You have every right to be yourself y/n. I know how you've been fighting all your life, how you never had anything what people call carefree childhood these days....don't let anyone murder the soulful kid within you. Understood, Ms Thumper Paws" jeonghan settles his speech with a finishing pinch on your dumpling cheeks.

"Aye aye sir! Noted!!" you finally flash him with the smile he has been trying to bring out since 'someone' decided to slash it.

To both of your oblivion, seungcheol was watching his wife, his partner being all giggly like a beaming ray of sunshine, her bunny teeth making its way out for the world to see, but-

not in his arms, not on his jokes, instead because of her bestfriend....the person he has always been jealous of, for making you smile so wide and bringing out the adorable kid in you!!!something only he wishes to do you for you.....

all this while the caramel ice cream he brought for you melting away in his hands, as he takes in the sight before him with gritted teeth and hurt eyes

2K notes · View notes

drvscarlett · 23 days

Text

Let Him Cook Pt 6

Charles Leclerc x Masterchef! Reader

Let Him Cook Series 1, 2, 3, 4, 5, 6

A/N: Thank you for that anon who gave me a message for the next part of the series. This one is dedicated for you!

taglist: @bookstore-of-dreams@barcelonaloverf1life@ririyulife@minseok-smaus@mehrmonga@sltwins@charlesgirl16@six-call@spideybv28@casperlikej@weekendlusting@janeholt3 @evie-119@leilanixx @randomgirlnumber-13@itsjustkhaos

Cookies and Grand Prix

Y/NCooks just posted a photo.

Y/NCooks Now that my masterchef duties are done. Its my first time going to a grand prix as Charles' girlfriend. I hope you like cookies

User1 OMG IM GOING TOMORROW!!! OMYGODDDDD

Y/NCooks I'll give you a cookie when I see you! User1 Ohmygod, this is the best. You are the best!

User3 I'm envious of everyone going to Monza this year, Y/N is giving out cookies

User4 The details are everything on those cookies

CarlosSainz55 Im technically a former ferrari driver so can I claim a cookie?

LoganSargeant can i have one too? Y/NCooks this is for everyone!! Make sure to drop by Carlos and Logan! Maxverstappen1 Expect me around! User5 Everybody is a ferrari fan!

"Okay mon amour, so there will be a big crowd when we arrive" Charles briefed you as you get closer to the venue "Make sure to stick close to me."

"Yes honey, I know. Hold your hand and don't let go"

Charles has been extremely stressed and he thinks it might not be a good idea to bring you to Monza for your first GP as a couple. However, you couldn't pass up the opportunity. You have seen how the people cheered for Charles when he won in Monza, the crowd was electrifying. You wonder what will happen if it happens again this weekend.

Besides, you have a basket full of cookies that you prepared to give for those fans of Charles that you will meet.

You were immediately greeted by a huge crowd calling out Charles name. It was no wonder that there was several security guards waiting at Charles' designated parking lot.

It was normal for Charles to stop to take photos and to sign some merch. What surprised the duo was that the fans were asking for Y/N and her cookies.

"We really waited for you guys so we can get some cookies" one of the avid Tifosi said

"I really hope the cookies give ferrari luck"you agreed.

There was a buzz in the paddock as you gave away several more cookies to the different fans you encountered. You managed to give Carlos and Logan since they were also waiting at the parking lot. You were so carried away talking to everyone that you didn't realize that you already ran out of cookies.

"Oh no, I didn't save cookies for your other friends" you concluded upon reaching the garage.

"That's okay mon amour, I'm sure they would understand that there is no more cookies" Charles assured.

And like a comical entrance, a man in full Red Bull gear enters the sea of red uniforms.

"What do you mean no more cookies?" Max asked "I did not just go through all the security details to not have cookies"

"Oops."

Grill the grid: eggs

It was a fairly easy challenge, the media team thought. They believe that there will be no harm to let the drivers cook since its just a simple hard-boiled egg.

There was a stove, a pot, 2 bottles of water, eggs, vinegar, salt, and pepper on the table. They also thought that it will be funny to put unnecessary spices and ingredients on the table so there is grated cheese, spring onions, cinnamon, carrots, and etc..

The drivers entered the room looking confused at the different set up of the Grill the Grid.

"We're giving people what they want, today were actually allowing the drivers to show off their cooking skills with this special episodes of grill the grid"

Charles is obviously happy. He was already raving about how there are different versions of eggs that he tried at home because of Y/N.

"I have already tried doing poached egg, soft-boiled eggs, french omelette, american ones" Charles enumerated "I think I'm the best at making scrambled eggs"

"Its just scrambled"

"There is a technique there" and Charles continued to ramble on the different techniques that he has used to achieve the perfect scrambled eggs.

On the other hand, Oscar is attempting to make a hard boiled egg. He admits to the camera that he did not have any experience of it but he definitely knows how it taste (obviously).

"So Oscar what is your game plan here?"

"Well, I'm planning to boil the water and I think I should add some vinegar and then maybe sugar and salt so the egg will be flavored" Oscar stopped as he heard the giggling on set "Wait am I wrong?"

"No, no, just continue"

"Okay so I think I'm gonna let the eggs cook once the water is rolling then I'm gonna wait for 15-18 minutes because I don't wanna serve raw eggs" Oscar continued.

The staffs are a bit shocked by the length of time. It was beyond overcooked but they wouldn't say anything to the Australian driver.

It cuts to Max who seems to be pretty confident with his skill. Its a simple egg, how hard can it be?

"Of course, we have to get the water boiling and then I'm going to put it in for 5 minutes and then get the egg out" Max explained.

If Oscar has a long waiting time, Max was immediately dropping the egg even before the water is boiling because Max believes that the water is hot to the touch.

"What happened, why is the egg still runny?" Max wondered

He cut off the egg and there was still slimy white and the yolks were uncooked. There was a frown on his face as he looked back at his pot, he thinks he is being sabotaged.

"I'm gonna do it again"

Yuki was excited to do the cooking challenge. He insisted that he will not just make a hard boiled egg but he will also showcase a soft-boiled egg. The staffs were ecstatic to see him running around to get iced water for his eggs.

"I make these weekly so I'm really confident that it will turn out well"Yuki has a permanent grin as he fishes out his soft-boiled egg.

"If you want a soft-boiled egg, boiling water with the bubbles and then 8 minutes on the clock. Then you put it in an ice bath and then peel it" Yuki narrates.

He opens his soft boiled egg and it showcases a jammy yolk and soft whites, the perfect kind of soft-boiled eggs. The studio applauds at Yuki's efforts.

Y/NCooks just posted a photo

Y/NCooks since the episode is out, here is the list of photos sent to me by the crew. Guess which is which.

User2 OHMYGOD, THIS IS SO FUNNY!!!

User3 LOOK AT OSCAR'S REALLY OVERCOOKED EGGS

User6 i was seriously laughing when he said 18 to 20 minutes User7 For real, man thinks he is tenderizing meat

maxverstappen1 i demand a part 2

Charles_Leclerc "its so easy" maxverstappen1 shut up. i have been cooking now kellypiquet p is getting tired of eggs every morning user9 max is really serious to train himself on how to make eggs

User14 I just know that yuki is the one with the best looking egg, so smooth!!!

Y/Ncooks yes!!! User17 charles is the one with the unsmooth peeling Y/NCooks the man can't have it all, i guess

LandoNorris thank God they didn't send you my photo

Y/NCooks lando, i dont think anyone grabbed a photo since the fire department was called CarlosSainz55 you did what???? Charles_Leclerc and they call me as someone who can't cook when we have Lando here being a fire hazard LandoNorris Y/N THAT WAS SUPPOSED TO BE OUR SECRET User22 atleast team papaya are both needing lessons.

The cookie prank.

Max was still upset that he didn't get to have cookies in Monza. He was really looking forward to it so he wasn't the least suspicious when he allowed Charles inside his home since he brought him cookies.

It was wrong of Max to put down his defenses.

"I'm gonna get some water, you want anything?" Max asked

"No, I'm just gonna get comfortable here with your cats"

Charles stood in front of the cat litter box and he pulled the ziplock bag that he has. Inside the ziplock bag was another set of cookies that looks like cat poops. He laughed quietly as he sets up the scene.

"Max, do you know about that coffee made from poop?" he asked the Dutchman

"Of course, Kopi Luwak" Max replied "Why did you ask?"

Max walked out of the kitchen and he can see clearly how Charles picked up a poop from the litter box. He almost dropped the water that he is holding upon seeing that.

"What if we use cat poop instead" Charles wondered

"CHARLES WHAT ARE YOU DOING?"

The pure mortification in Max's face when Charles started eating the poop. It seems like his friend lost his mind after driving in Ferrari for all these years.

"You should try some"

"Y/N, CHARLES IS GOING CRAZY" Max immediately placed you on a call "I THINK HE NEEDS THERAPY"

"Woah slow down Max" you were out on a grocery run and now Max is screaming at your ear

"Hello mon amour"Charles greeted on the other line.

"HE LOST HIS MIND, HE STARTED EATING MY CAT'S POOPS"

You made a mental face palm as you remembered how Charles insisted that you make very realistic cookies that looks like poop. Charles never opened it to you that he will be using it to prank Max. You started laughing at the shock in Max's face.

"Max, those are cookies" you defended

"THEY ARE CAT POOPS, CHARLES LECLERC IS EATING CAT POOPS"

Oh what would you do with these boys.

#let him cook #charles leclerc x reader #f1 x reader #charles leclerc fluff #f1 imagine

343 notes · View notes

wakkass · 6 months

Text

I drew Zuko to complement this post.

In general, Katara and Zuko's designs were the only ones that confused me in season 3. So it was important for me to draw them and feel them in my own way.

While Katara's was a redesign of sorts, Zuko's is more of an interpretation.

I like his clothes in canon, this lightness in outfit contrasts very well with the massive armor from season 1. But something in the details was not right, and now I’ll tell you what confused me. I drew the figure without references and screenshots at my own discretion, and here’s what changed:

1. Hairstyle. I'm not a big fan of the season 3 hair, especially the filler strands. Hair in front of the eyes covers the character's face and prevents him from seeing emotions. So I drew his hair from the end of season 2, or at least I tried to. The hair is nice there, the face is open, and the beauty is there.

2. Collar. I drew it from memory, and was extremely surprised when I looked at the original. I see two problems. Firstly, the guides of the two collars for some reason go in different directions, not supporting each other:

Secondly, there are too many thin lines at the neck, which crush the already fragmented collar:

Why are they? Why not make the gold border wider or remove it altogether? They are almost invisible, especially if the character is moved away, so there is no point in them. I didn't remember these strange details. Yes, my version has gold on the sleeves, but it's wide enough to stand out even from a distance.

3. Robe. I remembered that the hem of Zuko's robe was also gold. It's funny that the line is not in the original; it would have nicely separated the color spot of the robe from the pants.

4. Boots. I remember that FN boots have a crease line, and Zuko was the only one whose boots were a single design. This is not bad, but I forgot about it and made a dividing line

#atla #avatar: the last airbender #zuko #atla zuko #prince zuko

734 notes · View notes

venelona · 3 months

Text

@fransweek Day 4 - Lazy

Saying 'hey so my old Nightmare stuff, its canon for Midnight Sans now actually' is different from going back and changing it to actually reflect that, so behold~

See original/older version here! Did you know I almost didn't post it because I thought no one was gonna like it? And it became one of my most popular frans posts? Ok-

#undertale #sans #frisk #frans #sans x frisk #frisk x sans #undertale au #frans week #fransweek #fransweek 2024 #frans week 2024 #midnight sans #midnight sans x frisk #nudity #?

357 notes · View notes

dannyphannypack · 1 year

Text

Writing ASL: Techniques to Write Signed Dialogue

Hey, guys! I've been reading a lot of DC Batfamily fanfiction lately, and in doing so I realized how little I see of ASL being represented in written text (love you, Cass!). I wanted to briefly talk about tactics to writing American Sign Language (ASL), and ways that these techniques can help improve your writing in more general contexts!

SOME THINGS BEFORE WE GET STARTED

I will be discussing everything in terms of ASL! If you have a character who uses Chinese Sign Language or even British Sign Language, the same rules will not necessarily apply! Don't be afraid to do some extra research on them.

Do not let this dissuade you from writing a character who signs ASL! This is by no means the end-all be-all to writing ASL dialogue, and I do not intend this post to insinuate that by writing ASL the same way you write English you are deeply offending the Deaf community. If this is something you're interested in though, I highly recommend experimenting with the way you write it! Above all, have fun with your writing.

Related to 2nd rule, but still very important: not everyone will agree that sign language should be treated/written any differently than English. This is a totally valid and understandable stance to take! I do not hope to invalidate this stance by making this post, but rather to introduce an interested audience to how ASL operates in the modern world, and how that can be translated into text.

ADDRESSING SOME MISCONCEPTIONS

ASL is the same as English, just with gestures instead of words.

Actually, no! There is a language that exists that is like that: it's called Signing Exact English, and it's an artificial language; i.e., it did not come about naturally. All languages came from a need to communicate with others, and ASL is no different! It is a language all on it's own, and there is no perfect 1:1 way to translate it to English, just as any spoken language.

2. But everyone who signs ASL knows how to read English, don't they?

No, actually! Because it's a completely different language, people who sign ASL and read English can be considered bilingual: they now know two languages. In fact, fingerspelling a word to a Deaf person in search for the correct sign does not usually work, and is far from the preferred method of conversing with Deaf people.

3. Because ASL does not use as many signs as we do words to articulate a point, it must be an inferior language.

Nope! ASL utilizes 5 complex parameters in order to conversate with others: hand shape, palm orientation, movement, location, and expression. English relies on words to get these points across: while we may say "He's very cute," ASL will sign, "He cute!" with repeated hand movement and an exaggerated facial expression to do what the "very" accomplishes in the English version: add emphasis. Using only ASL gloss can seem infantilizing because words are unable to portray what the other four parameters are doing in a signed sentence.

4. Being deaf is just a medical disability. There's nothing more to it.

Fun fact: there is a difference between being deaf and being Deaf. You just said the same thing twice? But I didn't! To be deaf with a lowercase 'd' is to be unable to hear, while being Deaf with an uppercase is to be heavily involved in the Deaf community and culture. Deaf people are often born deaf, or they become deaf at a young age. Because of this, they attend schools for the Deaf, where they are immersed in an entirely different culture from our own. While your family may mourn the loss of your grandfather's hearing, Deaf parents often celebrate discovering that their newborn is also deaf; they get to share and enjoy their unique culture with their loved one, which is a wonderful thing!

YOU MENTIONED ASL GLOSS. WHAT IS THAT?

ASL gloss is the written approximation of ASL, using English words as "labels" for each sign. ASL IS NOT A WRITTEN LANGUAGE, so this is not the correct way to write it (there is no correct way!): rather, it is a tool used most commonly in classrooms to help students remember signs, and to help with sentence structure.

IF THERE'S NO CORRECT WAY TO WRITE IN ASL, THEN HOW DO I DO IT?

A most astute observation! The short answer: it's up to you. There is no right or wrong way to do it. The longer answer? Researching the culture and history, understanding sign structure, and experimenting with description of the 5 parameters are all fun ways you can take your ASL dialogue to the next level. Here are 3 easy ways you can utilize immediately to make dialogue more similar to the way your character is signing:

Sign languages are never as wordy as spoken ones. Here's an example: "Sign languages are never wordy. Spoken? Wordy." Experiment with how much you can get rid of without the meaning of the sentence being lost (and without making ASL sound goo-goo-ga-ga-y; that is to say, infantilizing).

Emotion is your friend. ASL is a very emotive language! If we were to take that sentence and get rid of the unnecessary, we could get something like "ASL emotive!" The way we add emphasis is by increasing the hand motion, opening the mouth, and maybe even moving the eyebrows. It can be rather intuitive: if you mean to say very easy, you would sign EASY in a flippant manner; if you mean to say so handsome, you would sign handsome and open your mouth or fan your face as if you were hot. Think about a game of Charades: how do you move your mouth and eyebrows to "act out" the word? How are you moving your body as your teammates get closer? There are grammar rules you can certainly look up if you would like to be more technical, too, but this is a good place to start!

Practice describing gestures and action. ASL utilizes three dimensional space in a lot of fun and interesting ways. Even without knowing what a specific sign is, describing body language can be a big help in deciphering the "mood" of a sentence. Are they signing fluidly (calm) or sharply (angry)? Are their signs big (excited) or small (timid)? Are they signing rushedly (impatient) or slowly? Messily (sad) or pointedly (annoyed)? Consider what you can make come across without directly addressing it in dialogue! Something ese about ASL is that English speakers who are learning it tend to think the speakers a little nosy: they are more than able to pick up on the unsaid, and they aren't afraid to ask about it.

Above all, don't be afraid to ask questions, do research or accept advice! New languages can be big and scary things, but don't let that make you shy away. Again, there is nothing wrong with deciding to write ASL the same as you write your English. I've personally found that experimenting with ASL dialogue in stories has aided me in becoming more aware of how to describe everything, from sappy emotional moments to action-packed fighting scenes. Writing ASL has helped me think about new ways to improve my description in more everyday contexts, and I hope it can be a big help to you as well, both in learning about Deaf culture and in pursuing your future writing endeavors. :)

P.S: I am quite literally only dipping my toes into the language and culture. I cannot emphasize how important it is to do your own research if it's someting you're interested in!

P.P.S: I want to apologize for my earlier P.S! What I meant by “I am … dipping my toes into the language and culture” was in direct regards to the post; what I should have said is “this post is only dipping its toes into the language and culture.” While I am not Deaf myself, I am a sophomore in college minoring in ASL and Deaf Culture, and I am steadily losing my hearing. Of course, that does not make me an authority figure on the topic, which is why I strongly encourage you to do your own research, ask your own questions, and consult any Deaf friends, family, or online peers you may have.

#dc batman #batfamily #cassandra cain #ASL #american sign language #deaf #deaf culture #tayscreams #writing advice #writing

2K notes · View notes

ofswordsandpens · 3 months

Note

just finished episode 6…. truly don’t know how to feel about these changes. would love to know your thoughts bc i’m just kinda baffled by some changes tbh

Mixed feelings as always:

Percy's dream slapped. I loved Kronos's actor. It felt perfectly eery. No notes.

No percabeth late night convo on the truck. This doesn't surprise me given we sort of did that on the train already, but now there's just another iconic book moment that we'll get bits and pieces of, but never actually get to see in its entirety/original setting.

I did vibe with the glass prism tool for the iris message and it was pretty cool. The Percy + Annabeth argument was great but I'm gonna be honest, Luke being like "you're arguing like an old married couple" was laying it on a tad thick to me idk idk. I know I'll probably be in the minority there lol but I think it would have liked the line better if Percy and Annabeth got more embarrassed to his statement but they both reacted to it like :/ so it just felt heavy handed on the show runners part more than anything

Lotus Hotel vibes? Lackluster. Uninspired. It just didn't capture that outrageous paradise for kids feeling from the book because they turned it into Hermes' hangout so there's a whole bunch more adults than kids. Basically felt like if you took the movie's version and turned down the energy of it by a mile lmao. (Which is also ironic given RR's post about it today).

And of course the kids immediately know what's happening so like. No fun mystery. No Percy figuring it out. Just them being like "omg we need to be careful" and then immediately separating from Grover lmao.

Okay. LMM's Hermes.... it wasn't bad. Thankfully there was no singing. He was fine. It's more or less that turning the Lotus story line into a Hermes' storyline was like an "okay, I guess we're doing this" thing. I mean I guess we finally introduced something for the non-book reader's to pick up on that Luke might not have the best relationship with his dad (and consequently the gods). But like, nothing about this storyline is something that isn't introduced later on in the books. Nor was it better or more interesting than the original lotus storyline in the books.

Again, its the constant replacement of everything fun and silly and absurd in the book and turning it into a very serious moment, is just like, killing the energy. Seriousness is good. Silliness is also good. The book balanced it greatly. The show struggles here.

Glad we got a Pan mention tho!! Finally!

But um 4 pearls, so no dilemma about who to save. A part of me is relieved because the show's created like 3 other sacrifice convo scenarios so its gotten bit reductive, but Sally being a part of the equation is an entirely different dynamic and now that dilemma is theoretically gone. (unless he loses one of the pearls?)

And Percy's missed the deadline?? Right?? So like? I really don't know what we're doing anymore. In the book the deadline was pretty strict lol. Here I guess the deadline was like, a loose suggestion? Percy's walking into the middle of the god's battle field with master bolt in his hand? Idk.

Overall things in the show feel messy and way less cohesive. They seem to know that certain things from the book are important but not necessarily why, or they'll introduce events or plot points strangely late or way too early.

#to summarize: always ending the episodes now with this :/ expression on my face #pjo show crit #there's more but just #yeah

290 notes · View notes

thepromptfoundry · 3 months

Text

The prompt theme for February 2024 is a Fannish Fest February!

Come, join in the party, celebrate your fandoms, fandom history, and community!

If you use this list, please tag me here @thepromptfoundry, I’d love to see your writing and art!

Feel free to combine different days' prompts with each other, or combine them with other seasonal events. Respond to as many prompts as you want or as interest you, don’t worry about missing or skipping any. Remember, this is supposed to be fun!

If you have any questions or musings, check our FAQ, and if you don't find your answer, shoot me an ask.

Plain text list below the cut:

1 Your First Fandom 2 Your Current Blorbo 3 A Character Who Deserves More Love 4 Your Favorite Bit Of Fannish History 5 Characters Swapping Clothes 6 A Fannish OC (yours or someone else's) 7 Patching A Plot Hole 8 A Fanfic Trope You Always Love 9 A headcanon with canon support 10 A headcanon with no canon support 11 Cosplay 12 A Character Who's Totally Not Dead 13 If The Characters Found The Fanworks 14 Your OTP (or OT3+) 15 A Crossover 16 A Fanfic Trope You're Very Picky About 17 A Ship You Don't Ship, But Do Respect 18 The Sequel We Deserve But Never Got 19 Different Versions Of The Same Character 20 A Friend's Blorbo 21 A Fandom You Didn't Expect To Get Into 22 A Non-Human Character Made Human 23 A Human Character Made Non-Human 24 A Rarepair 25 How You Would Do A Gritty Reboot 26 A Villain Who's So Good At Being Bad 27 Your Smallest/Least Active Fandom 28 A Bit Of Backstory 29 What The Future Holds (Post-Canon)

#prompt list #the prompt foundry #fannish fest february 2024 #art prompt #art challenge #writing prompt #writing challenge #fandom #monthly challenge

279 notes · View notes

withoutyouimsaskia · 2 months

Text

Sometimes It's Fated (Sandman Short Story Part 1)

Part 2 | Part 3 | Part 4

GIF: Originally posted by @tavners

Pairing: Morpheus/Dream of the Endless x AFAB reader

Summary: Reader Self-Insert. After restoring the Dreaming and locating the missing dreams and nightmares, Morpheus turns his attention to finding you, the human he believes fate has chosen for him. (Title inspired by Placebo's "This Picture".)

Warnings: Minors DNI. Dark!Morpheus. Soulmates. Angst. Obsessive and possessive behaviour. Tension. Home invasion. Voyeurism. Implied masturbation. Dream manipulation.

Word Count: 2.6k

A/N: Wow, this took way longer to finish than I had originally planned. My head's been all over the place with trying (and thus far failing) to find a new job. The themes are very different to what I've written before; I hope it reads okay. Please let me know what you think. All my love, Saskia xx

Sandman Masterlist

---------------------------------------------

Fate.

A phenomenon that governed every particle of matter within the known universe and even those beyond.

Some considered it a comforting concept that excused them from the burden of decision making, citing: "I'll leave it up to fate." For others the phrase was a cursory, throw-away comment or a romantic line they heard in the lyrics of a song.

The real truth of the matter was that Fate was a trio of immortal beings, goddesses, with sight so potent that they knew the past, present and future of every individual to have lived. The mythology of the Greeks, Romans and Norse hadn't been too far off with their stories of the Moirai, Parcae and Norns but of course, no humans really believed there to be any realism in myths. They were just stories. It didn't matter either way; they existed and had influence regardless of what the majority believed.

For beings such as The Endless siblings, the presence of Fate in the cosmos was not only real, but also something that affected even themselves.

For the King of Dreams, an eventuality had been prophesised long ago by The Kindly Ones that spoke of a bond that was to be forged between himself and a mortal.

Lord Morpheus, in his pride, had tried to be above such a foretelling, even questioning its validity because the notion of a mortal accepting his version of the universe seemed wholly implausible.

But he could not truly stop himself from wondering about you, reaching out to see if he could feel your presence in the minds of the dreamers he hosted.

It wasn't something he indulged in with frequency. More of a once-in a-decade interval. Enough to appease his curiosity.

Of course, this was put on hold during his imprisonment at Fawney Rig.

Morpheus had had much to contemplate during this period. The damage his absence caused to the collective subconscious, the decay of his realm, the loss of freedom and dignity. There was also a chance that you had been born and died in the 106 years he spent in captivity.

What if he was too late and had lost the chance of discovering who you were?

It was a nauseating prospect that scraped and scratched a space deep within his being; bleeding him of his remaining stores of hope that were so significantly depleted after the death of beloved Jessamy.

Despite the nasty emotional wound, finding you was a charge that he assigned at the end of his priorities after his escape.

Recovering his scattered tools, restoring the Dreaming, locating his absent creations, unravelling the mystery of Rose Walker and confronting Desire all had needed to come first.

The latter interaction had left Morpheus with a seething rage that was currently propelling him down the boards of the dock that sit above the Ocean of Dreams.

The dense mist in the air is buffeted by his movements and the only sounds are the tread of boots, the creak of wooden slats and the lap of water.

With each step, the liquid becomes choppier as it reacts to its master's mood and by the time he has reached the end of the dock, the surface of the water roils fervorously, completely in line with Morpheus' dangerous temperament.

The words of Desire's final silken-toned taunt echo in his mind with grating persistence.

"Oh, poor Dream. I really got under your skin this time, didn't I?"

He is loathe to admit there is truth in the question.

There are moments where Morpheus ponders the turn that the relationship between them has taken. How Desire went from being his favourite sibling to someone one shade shy of an adversary. Their faultless adeptness at provoking his temper and manipulating the events that encircle him would be impressive if not for the danger posed to humanity.

The agitated water eventually draws focus to how out of control he and his emotions have become. Morpheus knows he must get them in check, and quickly, for he knows the consequences all too well should he ignore it.

He clenches his fist and swallows it all down, pushing it deep inside his belly until the crackling entropy of the anger is fully dispelled.

Morpheus then sweeps his coat out behind him as he sinks lithely into a crouch. Trepidation nips at his heart and tugs his attention to a sobering thought.

This foray into the water may be fruitless.

You may be long gone and there would be no way of ever knowing you.

His nostrils flare as he takes a deep breath; he has run out of excuses to not look, even if he is afraid of the outcome.

Long, delicate fingers dapple the surface of the inky ocean. The waves still at the touch, obedient to him with instancy.

He repositions to full height and reaches into his coat to find the pouch of sand stashed in the pocket. A handful of twinkling grains slip off his palm into the ocean, lighting the water it touches to a luminous green.

"Find my soulmate," Morpheus commands silently.

The intention is set. He steps off the dock into the water.

At first, like every other prior attempt, there is no sign of you. Morpheus floats submerged in the tepid liquid, filtering through the hubbub of countless other dreams and nightmares.

Then there is a pull.

It is faint yet indisputable. Warmth explodes in his chest and he groans inwardly from the delicious sensation of relief.

You are alive, and you are dreaming.

A path of radiance appears in the water, a line that shows your connection, and provides a location for him to hone in on.

Morpheus dives deeper without hesitation.

As he reaches the edge of your subconscious, he rejoices that he got a handle on his emotions. He wouldn't want your first perception of him to be one tinged with rage, however unaware you were of him, with your soulmate being the source.

He hesitates for a moment before entering the dream you are in and is somewhat taken aback by what he finds.

A room comprising of four blank walls, a floor, a ceiling and a door. There is but one other feature; a window, and its view is as non-descript and inoffensive as the internal space.

You stand by said window, head turned from him.

Despite being unable to see your face, he sees your anxiety with immediacy. It is an aura hovering about your body, being sucked into your lungs with every fast-paced breath.

You begin to throw glances towards the door. Morpheus filters through the layers of the dream. No one is scheduled to come across the threshold.

The more he observes, the more questions arise in Morpheus' mind.

What was making you so affected? What were you expecting to happen?

There's nothing in the scene that is intended to be unpleasant yet you are reacting in a way that most observers would characterise as unsettled.

Morpheus, despite not yet knowing you, doesn't like to see you this way. His dominant instinct is to end the dream but he quashes the desire to review the bigger picture.

The empty room dream was symbolic of a beginning.

It clicks into place.

What you were feeling, even if on a purely instinctual level, was the anticipation of meeting your soulmate and starting your new life.

Morpheus steps into the frame, just a couple of paces behind you.

You feel his presence instantly, eyes full to the brim with tears as you whirl around with a soft gasp.

You see him.

The tears spill and patter onto the white floor.

Morpheus reaches out, overcome by his need to provide comfort.

You disappear.

-------------------------------------

Morpheus is sat on his throne. He pores over the book he had located in the Dreaming's library a little over a week ago that contains the details of your life. It is something he has taken to doing when the impatience of waiting for you to fall asleep becomes too keen.

Your subconscious has him enraptured, watching it every night as if it is a stage show. Each dream he delves into is like the tug of fingers on a loose thread, your psyche has begun to unravel before him.

Everything from whims to cravings, hopes to fears. Your temperament, the things that delight and irk you. What drives you and demotivates you. He consumes it all with an insatiable hunger.

Based on the projection of yourself that he sees, there is no doubt that he is attracted to you.

All that prior haughty disregard for the Fates' prophecy has been cast aside like a negative thought in a meditation session. Morpheus is a romantic. A believer. He is ashamed to have even doubted your coming.

He wonders if it would vex Desire to learn of him finding his soulmate and by extension, the prospect of companionship, perhaps even physical intimacy or love.

It is all too easy to imagine the sickly sweet grin they would smile at him, shown to be fake by the almost imperceptible contempt glinting in their golden eyes.

Would his triumph drive them to distraction?

It is this smug sentiment that spurs his next decision. He wants more. The next logical step is to find you in the waking world.

He rises from his throne, a sure hand ready to bring forth his pouch of sand when he falters.

Tears pool in his eyes.

His mind is suddenly marred with the memories of what happened in 1916. The agony, mortification and rage that followed. He couldn't go through that kind of treatment ever again and the waking world expanded the risk of it transpiring.

"No," he says resolutely. His sadness turns to resolve, the hard line of his grimace matching those set in his brows.

He will not let the actions of a group of mortals dissuade him from going to you. And besides, he has researched everything he can about you from within the safety of the Dreaming.

He takes a measure of sand and uses it to materialise within your bedroom.

It is obvious from a quick scan of it that deliberate attempts have been made to ensure the space is cosy and calming.

Two marshmallowy pillows support your head. The cotton sheets have been meticulously tucked to avoid drafts. A lavender reed diffuser fragrances the air with a subtle scent. There are no devices or screens visible.

Everything has its place. A coaster supported glass of water within reaching distance. Touch activated lamp in case of emergency. The diary lined up with the back left corner of the bedside table, pen placed parallel in the spine dent. All clothes are in the wardrobe or stashed in the laundry basket.

Morpheus moves to the curtain-shrouded window and delicately moves the dark, heavy fabric to catch a glimpse of the outside world.

The scene is sepia stained from an old streetlight positioned right outside your home. It explained the choice of curtains.

You stir slightly from the change in environment and Morpheus allows the curtain to fall back in place. He remains stationary until your breathing returns to its previous pace. It is imperative that his presence remains undisclosed. He knows that mortals do not take well to home invasion.

Then, your right hand slips out from the duvet cocoon revealing a cushion cut ruby ring on your middle finger.

He smiles exultantly. The similarity between the jewel and his own now-destroyed dreamstone was undeniable.

The Fates were making it transparent.

You were the one.

Morpheus approaches the side of your bed now. In your momentary discomfort, you had moved your head, making your whole face visible to your uninvited guest.

He bends gracefully so his face is closer to yours and observes you with an intent fascination.

Even in the gloom, Morpheus asserts that your features are even more captivating now that he is able to look upon them in person and is certain that if he could guarantee an absence of fear then he would fall to knees and worship you right there.

Fingers stroke a lock of hair splayed across the pillow and his thoughts turn darker still, imagining what he would do with you if he could get you alone in the Dreaming. How he would seduce you with words, and then pleasure your body with his own until you were senseless.

Getting you there would be so easy, all he needed to do was move his hand up and touch your skin and -

Morpheus stops himself, deciding that now is not the time for an introduction. He will wait until tomorrow. You need to rest. It will be quite the revelation for your sweet mortal heart.

Morpheus whispers a promise, "We will be together soon, my precious soulmate."

He leaves after taking one last look at your peaceful form.

When he returns to the Dreaming, Morpheus discovers that the visit has riled him way beyond what he thought possible.

It was supposed to sate his curiosity and answer some questions.

It has done the opposite.

His craving for you is sublimely intense, opiate-like in its ensnarement.

He needs to possess you. To have you all to himself. Everything would fall into place. Loneliness, disillusionment, jealousy; they would never darken his outlook again. You would heal him, he is certain of it.

He paces restlessly in the low light of his private chambers as heat ripples beneath the surface of his being, charging him with pure sexual lust.

He hungers for the moment when you feel the same about him.

For now, all he can do is stand and touch himself while thinking of your face, an act that has been carried out repeatedly in the days since he found you in the Ocean of Dreams.

An erotic idea enters his mind.

Your subconscious is still in the Dreaming; he knows the feeling of it intimately.

Perhaps he could bring you a dream mirroring his own current fantasy.

To give you a taste of what was to come.

A gift that only he could bestow.

The mere thought of it turns him on even more. His back arches and his eyes roll back as he choses the words through which he would deliver the offering.

"Dream of me," Morpheus murmurs breathlessly. "Dream of me."

He repeats the phrase until he is unable to continue, moans taking over the darkened space around him.

-------------------------------------

It is dusk the next day when Morpheus returns to the waking world.

The instant he touches down on the Earth's surface, he knows exactly where to go. The metaphysical connection between you is as strong as the energy pulsing through a ley line.

The city he is directed to is thrumming with life but the side street he stands in has been spared from the furore.

It is fortuitous that he is permitted to be unobserved for Morpheus is struggling now with the urge to get closer.

Providence is pulling him in and also locking him out.

He walks up to the door and then an invisible force makes him back away.

He doesn't even try to fight it.

The Fates hold all the cards. Morpheus is beholden to their each and every whim.

It is surprisingly liberating.

He is dancing in the cross hairs. Blinkered by the tie the universe has fashioned for you.

All he has to do is wait.

The door to the building is pushed open.

-------------------------------------

Taglist: @herfantasyworldd

"Fate. Up against your will. Through the thick and thin. He will wait until you give yourself to him."

295 notes · View notes

cochineal-leviat · 5 months

Text

Sweet Dreams, Stardust

Okay, so I have a lot of feelings about In Stars and Time. But let me say first, wow, this game irreversibly changed my brain network. For anyone who is considering buying this game, please do. I don't think I've had a story touch my heart and mind like this for a long time. And that goes without mentioning the stunning visuals and entertaining battle system. (Be careful, though, because this game handles heavy topics regarding mental health)

If you're still hung up on buying it but are curious, there is a free demo on Steam if you like to try.

Thank you, @insertdisc5, for this gem of a game. I will be turning it around in my head like a microwaveable gourmet meal for months to come.

Technically the illustration has no spoilers (unless you count Siffrin having a good nap as a spoiler). But I will be going into heavy spoiler territory under the keep reading since I need to get my thoughts on this game off my chest.

And a monochrome version because you know me, I can't help myself. Even in black and white art pieces, I will put in some colour.

And a very tiny Loop

Initially, I was going to do a piece with a theatre stage and the cast (Siffrin, Mirabelle, Isabeau, Odile, Bonnie and the head house maiden) taking a bow and finally leaving the spectacle to a life not controlled by a script and Wish Craft. But it was more fitting to put my feelings into creating a peaceful scene. Like, oof, I needed this very badly. I used sepia to make the painting warmer and added some more details like headcanons. The stars/colours might be remnants of Siffrin's transformation. Or maybe they were always there, but he never paid attention to it. Who knows.

I'm going to keep this brief. Otherwise, this post will take way too long.

I adore Siff's character. It's perfect for a game and narrative such as this. I saw a post not long ago on Tumblr going into depth about how their role as the rogue and not the hero works so well, so I won't linger on it for long. But how they would rather listen and fade into the background perfectly aligns with the player's experience of being the silent observer. (And the nodding off that changes into zoning out. It took me way too long to realise that small but essential narrative change) Oh, and the portrait change! It flew over my head until I was staring at the game menu. I was so confident Siffrin had a mischievous grin and not a frown. I always feel slightly surprised when the party asks for Siff's opinion or mentions that they have been too quiet. I felt Siffrin's excitement like my own when he got excited at finding clues to end the nightmare they were in. So I knew it would end up falling on their face because they were too excited. I just had this bad gut feeling the whole time during Act 4.

And oh boy, speaking off acts. I thought it would have been the standard 3. Boy, I was wrong. Whenever I felt I was nearing the end, I was thrown back at the start with more mysteries than answers. It made exploring the game intriguing since there is almost no information about it online (at the time of writing this post). There is the Discord, but I didn't know about it until I finished it.

This game has a lot of secrets, and I had a lot of fun uncovering them. The looping mechanic works so well in discovering little details and further leads. (even though my stubborn arse kept trying to do everything in the least amount of loops as possible. I thought the ending would be different if I exceeded a 100. My final number is 59. I am still not sure if I should be mad about it not being a rounded number like 60 or that I went over the 50 threshold)

However, it is a good thing that only some mysteries were solved. Like, what's up with colours in this world? Everyone sees in black and white, and the idea of shades and colours is only spoken of in scientific studies. They do exist and are not a part of the disaster that happened to Siffrin and their land. But there is definitely something mysterious about it. I adore how the dialogue reflects this, as the characters do not speak of shades or colours. Isabeau expresses surprise to see a streak of red colouring the sky in Act 6. It makes you think about how colour is perceived and how you describe it. (The lore inside this game is immaculate. I eat this shit up)

We never find out the name of the country north of Vanguard or what it was like. We can only infer that the beaches had black sand, with shells that shine like stars, high-reaching mountains, forests and plains. Which is vague and yet intriguing enough to make you wonder. It connected me to Siff and King because I also wanted to know. I was desperate to know. I needed to know. But in the end, we never will know because that is not the story's point. Siffrin even says in the game, that King should let go because he is hurting everyone and everything, including himself, in his desperation to preserve Vanguard. This is all the more ironic when Siff accidentally does the same with his family and the loops. I might gush more about what the country might be like and their technology in another post. This game makes me want to theorise. This is the first time I've wanted to write and post theories. ISAT fucked me up good.

Which, by the way, was genius. Siffrin and King are mirrors of each other. Siff does not have King's disastrous ambition, but their love/obsession will be the downfall of both of them. They have more than being each other's countrymen in common, and I imagine Siff despises that.

I love the fact King's question to Siffrin before the showdown was/could never be answered. Usually, in a game such as this, you must figure out how to solve everything, especially for the big bad. But that was never the goal. King is a delusional monster who will not stop before achieving his dream. He will raze everything to the ground and hurt many people because he must succeed. It is what he desires. Nay, the universe wills it. What a witless excuse that can easily be made into someone's truth. Especially to somebody who is driven mad with grief.

How King's character's done is so excellent. Because, at first, I wasn't scared of him at all. He was just the big bad, and I felt nothing much but the glory of victory when Siffrin outsmarted him by looping and making sure Mirabelle learned the shield spell that would protect the party from freezing in time. But each time you fight him, you get more frustrated until Siff figures that talking to him might be fruitful. It does, but unfortunately, you and Siffrin leave yourself emotionally and mentally vulnerable. King stops being a one-dimensional villain and changes into an actual person. Someone you can sympathise with and possibly mend peace with without fighting. You and Siffrin opened his heart for a kindred spirit and got hurt.

King stopped being a monster and became human. And while monsters are wretched, humans have intent behind their cruelty. I felt so betrayed, so angry, but most of all - terrified. I felt it when Siffrin spiralled when fighting King again after their actions caused such a catastrophic turn of events for Bonnie. Every time after that, the fight with King felt tense and nerve-wracking in a dreadful way. Because even victory could not soothe the dread I felt. (The track 'It's finally over" will forever haunt me. I already feel anxious whenever it cycles to that when I listen to the playlist)

He was not, however, the final villain, even though everything that happened was King's fault. You were always your greatest enemy (or Siffrin in this case, since you are supposed to be Siffrin). I never could have guessed that the whole reason why Siffrin could not escape the loops was because Siff accidentally wished to never let go of their friends. This reminds me of Modaka Magica, where (spoilers for the OG anime) Homura goes back in time so much that the universe ties itself around Modoka, making her a waiting egg whose wish and magic will be massive when she becomes a magical girl. The one thing Homura was trying to prevent.

(Siffrin and Homura are identical in that sense. Shy characters who are loyal to a fault but are rendered into something cold, bitter and cutting by their traumatic experiences. Only Siff has people who care about them and would do anything to save him, too, whereas Homura never lets go, making the world a worse place to live in. Yes, I did go into doomed Yuri. That anime lived in my mind rent-free in my mind for years)

The Head House-maiden not being the villain was also a great touch. I am used to the apparent antagonist turning out not to be the big bad and the trusted, friendly character ending up being the evil one. Twist villains no longer work when everyone expects them to be villains.

That was my biggest theory as I played. The second biggest being that Loop is someone who enjoys Siffrin's suffering. I am so glad that was also not the case. They are apathetic but not cruel. Never intentionally, anyway. They were like the player, urging Siffrin to go deeper into the mystery to solve it. Ultimately, I chose and made cold and cruel decisions simply because I wanted to see what would happen. So yeah, I warmed up to this cosmic star thing as the game went on and even started trusting them. Act 5 really is a punch in the gut. I am so sorry, Loop. Thank you for coming through in the end.

Oh man, this is so long, and I haven't even gone into the main cast. I will leave that for another post. They are such great characters, as are the people of Dormant and the House. (Don't think I don't see the wordplay in this game. Very clever)

Going into this game completely blind was the best experience I could have had. I felt anxious, happy and scared so severely that my neurons were rearranged. I don't know if there are more endings (aside from the obvious action of attacking Odile in the True(?) ending of the game), but I am taking a break from it to make art and write for this game before I dive back into despair-o-land.

Anywho, thank you for coming this far and reading my ramblings. Have a fantastic day or evening further! o(*'▽`*)ブ

327 notes · View notes

thechekhov · 4 months

Text

Dungeon Meshi Quick Reacts: CH.21 (Giant Frog)

Hello! It's been a while, but tumblr seems to have fixed their ctrl+z deletes-the-entire-post bug so I'm down to attempt this once again.

Let's dive right in and see what I remember!

I'd forgotten how much I love the imagery of this manga. Kui-san, teach me the secret of drawing spiral stairs.

Get you a man that looks at you the way Laios looks at tentacles.

For a second there, he looked like got GOT. What the heck was that?

How dare you come between a guy and his sword that is technically a terrarium for a little monster buddy?!

An absolutely accurate depiction of wizards.

Adventurers and their emotional bonds with their weapons....

We're not gonna talk about those tentacles that looks like fleshlights, huh.

This is absolutely the stupidest fight......... in a good way, I'm not complaining. But that begs the question - why are the frogs trying to their their WEAPONS? If they were hungry I think I'd go for Chilly-billy, as he's the most snack-sized in the group. Are they protecting the tentacles from getting slashed?

"Pokedex, tell me the thing I need to know!"

NOOOO YOU'VE FAILED US, PALADIN OF THE INFO-DUMPING OATH!

I'd love to see the minute and a half it took for him to cut, strip, and TIE THOSE FLESH STRIPS WITH TWINE. The rest of them are just going through it, playing tug of war.....

talk shit, get..... eat....?

D...did being in its mouth not affect him in any way?

Y'all really had time for this on what looks to be a 3-4 foot wide staircase with zero guard rails. An ideal camping spot.

boys will be boys. This is the only version of that statement I will accept.

...........Marcille. Don't. Don't be that easy. Prove to me you're not a pushover.

Going to Disneyland in family tshirts be like.........

(oh lord I didn't even notice Senshi's beard poking through......... and Chillchuck just being in a bag of leftovers................)

.............you can't NOT love these idiots. They really have such huge adventuring party energy.

Y'all are gonna show up to fight the dragon in cutscene DLC clothes, this is the best outcome possible.

oh wow she really went there!!!!! yes!!!!! fucking excellent.

oh.........oh I see.

Listen, I'm sure your girlfriend will love you no matter what Marcille--

Also, as you may have noticed, I'm reading a slightly different translation now. I can't say I totally love the spelling changes. Is this the official transcription of their names? Might be interesting to know if Kui-san had input on them..... Farlyn? I think Falin sounds more accurate but........

#chekhov reads dungeon meshi #dungeon meshi quick reacts #dungeon meshi #delicious in dungeon

269 notes · View notes

fellthemarvelous · 4 months

Text

Staged and Good Omens: The discontinuity of a story within a story within a story.

I'm watching the third season of Staged again right now, and I think I've figured something out.

The discontinuity that people are talking about of Good Omens 2.

Staged 3 was a very modern version of A Christmas Carol. Ep 1. Is there a version? (David and Michael work with Simon again) Ep 2. Who's Playing Who? (Scrooge, episode was a farce) Ep 3. Past (Michael and David are co-dependent af) Ep 4. Present (Michael and David fail to write a script) Ep 5. Future (David tells everyone they are doing a live show) Ep 6. Knock, Knock (Simon gets even, ending is sad but not really because they are just taking a break and breaks don't last forever, and Simon gets a job offer based on his script for Knock, Knock, the one story he didn't write.)

The epic trainwreck that is David and Michael's live version of A Christmas Carol is actually a hit, but everyone else has to convince them to stop the show because it can't go on forever. So they end it with Michael and David agreeing to take a break from working together even though it makes both of them sad.

But the whole premise of Staged was that everything was filmed on iPads, computers and cell phones. And it was submitted to Simon so he could piece it together.

Simon Evans wrote Staged as a love story between David and Michael. Simon writes what he sees and finds ways to incorporate fiction into reality. He saw them on Good Omens together and he saw the chemistry between David and Michael, and he turned it into a comedy about these two eccentric actors who clearly love each other. And they agreed to star in it.

They improvised most of it, but Simon laid out the framework of the plot for them to follow, and then he let them be themselves.

The entire show has layers upon layers of meta weaved into it.

Anyway, my point is...

This post is one of several that covers the different ways discontinuity seems to occur during Good Omens 2. The evidence is very compelling.

I'm not here to point all that out because I don't have the strength of some of the meta writers in this fandom, and they're already on top of it, but if we look to Staged as an example, what is the plotline that Good Omens 2 is following?

Good Omens 2 is a modern version of.... Ep 1. The Arrival Ep 2. The Clue (A Companion to Owls) Ep 3. I Know Where I'm Going (The Resurrectionists) Ep 4. The Hitchhiker (Nazi Zombie Flesheaters) Ep 5. The Ball Ep 6. Every Day

What are the stories happening around Aziraphale and Crowley? They're the focal point of season two, but what else is happening?

Neil Gaiman has said that everything means something. They aren't just showing us these things by accident. There is a story happening outside of Crowley and Aziraphale's relationship. And we are all looking closely for that person doing a very odd thing just out of sight or objects being moved around without knowing how they got there in the first place.

There was literally an entire scene in Staged where they are trying to figure out who is playing Scrooge and Simon is so anxious that he keeps moving his plant between two different spots in the room. It also ends up with Georgia accidentally planning her own birthday party because David is in Tokyo. But then they cut at one point and you learn David was actually in his bedroom and not a hotel room in Japan and Georgia didn't really just plan her own birthday party. That chaos was scripted. David has to change clothes, they have to go several minutes back in the scene they just did, but as Anna points out, the sun is not in the same place it was when they started the scene. And then Michael loses his shit at Simon and storms off.

You think that's the reason Simon left, but then we get the episode where Georgia tells David Michael wants to write the script and then tells Michael that David wants to write the script. She does it so she can get them alone in a room together because people love watching them argue. They find out she set them up about six hours later. They are hungry and hot and annoyed and mad at her so she gets Simon to come back to work with David and Michael. Simon comes back from cosplaying as a dentist, brings the food Michael ordered hours ago, and sits down to write. Michael gets pissed off at Simon again because Simon forgot the prawn crackers, so he throws his food at Simon.

Some of these are of the past. Some are of the present. They were all filmed at the same time though so you don't know what happened when or why.

These scenes are all cobbled together. They tell a complete story though. The order just isn't exact.

The story we are seeing in season 2 isn't the real story. It was happening around Aziraphale and Crowley, but with them at the focal point, you get a romantic comedy and it distracts you from what's going on in the background.

There is more than one story in season 2. It's basically a jigsaw puzzle that we can try to piece together, but we won't know what's actually happening until we get the much needed context of season 3.

There are clues all over the place in Good Omens 2. The story is being told through so many other methods except for the one that makes the most sense to us because someone doesn't want us to see what's coming, so we get distracted by Nina and Maggie, Jim, Aziraphale and Crowley.

We know Muriel and Saraqael are up to something. We know Shax and Furfur are up to something. We know the Metatron is up to something. What we don't know is where God went. We hear God's voice in Companion to Owls and we hear God's voice speaking through and with Jim when Crowley orders him to tell them what is going on. It ties directly to the first time Crowley and Aziraphale ever worked together.

We know that Aziraphale is going to Edinburgh and he knows exactly where he's going because he and Crowley have been there before. It challenges the concept of good and evil because Crowley does the good thing and gets sucked into Hell. Right next to Gabriel's statue.

We know that Aziraphale picks up a hitchhiker even though he doesn't want to, and it turns out to be Shax. She reminds Aziraphale of the time that Furfur caught them working together. There were zombies and human magic tricks and Aziraphale uses sleight of hand to save Crowley from being dragged back down into Hell again.

The episode titles of Staged 3 all represent different chapters of A Christmas Carol. But it was more than that because Michael is upset with David for doing adverts without him after they were both asked to work together at first. They love each other and they love working together, but it's preventing them from doing other things they want to do. Hence the break from working together.

It's a story within another story within another story.

And I think that's what we are witnessing in Good Omens. Things aren't happening in the right order. Beyond the sadness of Aziraphale and Crowley splitting up, there is still the next apocalypse to deal with. The story we are getting in season two isn't happening sequentially. It's being manipulated to hide the signs that things are already underway by giving us a love story as a distraction.

And it works very damn well. Because the love story was beautiful.

Staged 3 ending

Good Omens 2 ending

#good omens #good omens meta #good omens theories #i am in no way saying that this is the answer #but it hit me while i was watching staged #staged #david tennant #michael sheen #aziraphale #crowley #ineffable husbands #michael and david

227 notes · View notes

dropthedemiurge · 3 months

Text

Love for Love's Sake | Things You Didn't Notice #4 | Fight with Homophobes

Honestly, I wanted to dissect these scenes right away but then we got the rest of the show uploaded and the emotions overshadowed me. But now we're diving into informal Korean speech, swearing and slurs! It's going to be a fun post, let's go :D

Disclaimer: I'll be writing down both English and Korean slurs strictly in educational manner, obviously.

"Fuck. You two are always so fucking close together. (to Myungha) Are you also a faggot (homosekki)? Wow, Kyunghyun's skills are so good." "Why are you so vulgar? What's wrong with being homo?" "You're really crazy. Are you criticizing me?" ... (Myungha kisses Tak Junho) " Ah fu— You damn faggot!" "We both kissed. I'm not the only one who's homo. You're homo too~" "You did it yourself, you faggot!" "Ah, our Junho keeps saying 'homo'. Tss, slurs are forbidden." "Shut up, you faggot." "If you call me homo one more time, I can steal your lips for real. (Junho is silent) Ha, afraid you'll be robbed?"

Honestly, I like the translation in subs this time, I just wanted to give you a more technical version (and to show you the difference, because in Gaga subs the f slur is also used by Myungha but it's not exactly that)

So, as far as I noticed, the slur in Korean is a derivative from the term "homosexual" - thanks to the similar sounding, it became "homosekki" (from sekki - asshole, bastard, bitch etc). This is the word Junho keeps using in almost every sentence. And the socially accepted common term is now "gay" (at least, the cast and couple from Korean reality dating show "His Man 2" refers to themselves as 'gay' and not 'homo').

Myungha uses the original term, just "homo", which also gained a negative connotation but doesn't include a 'sekki' swearword. So he keeps saying "homo" to talk back in the language Junho used, only less derogatory. We'll see later but it's amazing, because both Myungha and Sangwon confidently used this word about themselves (Sangwon even went further and proudly reclaimed the slur itself).

Still, Myungha did threaten gangster Junho not to even call him "homo" or any similar terms. And here's the moment which made me laugh: in the next scene with Sangwon, Junho was angry ranting about Myungha, but he caught himself using the slur "homosekki" and quickly changed to the modern and neutral term "gay". LOL

Which is what Gaga subs failed to show it to us. Again, let's see more technical translation:

"I'll go after Tae Myungha and Ahn Kyunghoon soon, just so you know. Those fa– Those gay bastards must die. That fucker Tae Myungha kissed me in the lips, shit. Isn't it fucked up? It was disgusting." (Sangwon, pouting) "Wow, really? It must've been nice." "Jeez, you asshole. You're not a victim so you dare talking shit." "I'm being serious, though?" (Junho, appalled) "What the hell are you talking about? You're not a faggot." "I am a faggot, though?"

One, why is it so funny that the first reaction Sangwon had, hearing about Myungha kissing someone in a fight, was: awww :( i wish it was me :((( you so lucky :((

Second, it's hilarious how the gangster ends up the ONLY person who ever uses nice and modern term "gay" once in this show because our protagonists both hit him back with the derogatory terms (Sangwon even attached the slur to himself, when he only liked girls before falling in love with Myungha at first sight, what a legend).

Let's wrap it up with slurs and check out another small detail: informal speech in Korean.

(Sangwon to Myungha)"Why would we fight here?" (Yeowoon to Sangwon)"Hey, watch your tone (don't use informal speech)" "Was I talking like that with you?" "Talk curt (informally) only with me." "I'm already being curt (talking informally) with you."

This one is definitely a cultural thing that always gets lost in translation (but "being curt" is a nice way of putting it). There are two general styles of speech in Korean: Formal (존댓말, jondemal) and Informal (반말, banmal). Of course, it's a lot more complicated in the language, but I'll paint briefly the differences that are pointed out in the scene.

I talked in previous posts about properly addressing your senior in korean (usually by title/position). To convey respect to your senior, you also use 요 (yo) at the end of the sentences – and both Sangwon and Yeowoon talk politely to Myungha. UNTIL Sangwon uses the rude version of a question, without polite ending ("Why would we fight here?"), to which Yeowoon protests and tells Sangwon that it's banmal, informal speech, and he should only use it with him.

Because with your friends, same age people (Yeowoon and Sangwon in this case) or people younger than you, it's normal to use their names with different intonations (Think Myungha's "Yeowoon-ah, Yeowoon-ie") and talk informally.

(Yeowoon to Myungha) "I asked who it was." "You're being curt (that's an informal speech)".

Fast forward – Yeowoon loses patience and demands Myungha "I asked who it was", question without polite ending as well. To which Myungha cheekily says "that was an informal speech", reminding Yeowoon of his own remark to Sangwon.

Fast forward again – and now I have to take back my previous statement from another post that Yeowoon never called Myungha by his name because I found the rare case of him doing it xD

"Tae Myungha is so frustrating." "You're speaking informally more often these days."

Again, a youngster! calling his senior! by his own name! Not using the polite ending! The horrors of informal speech. He's not being too rude but he's sulking therefore he's rebelling. Though I can swear, again, Yeowoon hears Myungha's scolding and resorts back to speaking politely, and from now on, he'll keep using 'senior'.

If you survived until the end of this post, congratulations! The second half probably wasn't needed but in case you're learning Korean or you want to know why these seemingly normal phrases are being considered "curt" out of nowhere, I hope you understand it now a little bit better :)

// Previous messages translation + other language moments here //

#love for love's sake comments #watch me writing my own course Learning Korean with Kdramas on tumblr #but that fight dialogue scene was just perfect i couldn't resist #the exchange and usage of different terms was funny and the scene was hilarious on its own #sangwon and myungha are my heroes #love for love's sake #love for love's sake meta #bl meta #korean bl #korean drama #love supremacy zone #dropthemeta #korean language #linguistics #language

165 notes · View notes

elitadream · 8 months

Text

🎆 Sing for Absolution: behind the scenes 🎆

Hello everyone, and welcome to this summary on how the story was visually built! If you happen to come across this post and would like to read (or reread) the collab @drones-of-innocence and I have created together, just click on the title above and it will take you right to it! 🤗

With that said, let's begin! :D

As some of you already know, this was an idea that Drones had for a long time. It was brought up during one of our many conversations a few months ago, in which she briefly described the plot and sent me a condensed version. I- immediately and completely fell in love with the concept, so much so that I couldn't keep still. 😂💘 I practically begged Drones to let me draw a few frames for it, and she happily gave me permission. At first, what I intended to do was make about 3 or 4 thumbnails, like I had done with One Step Closer.

I returned with 22.

And from there, we both decided "Okay. Yeah. Let's make this official. 🙌💯" LOL

What's interesting here is that, as you can see, some frames didn't make it to the final cut! 🤓 And inversely, new frames were eventually added as the collab progressed. Out of all the sketches that were either abandoned or later deemed superfluous, my personal favorite would probably have to be this shot of Kamek. 😈

From the rough thumbnails I had presented, Drones helped me select the best and most eloquent ones, and I also changed a few other things along the way. For example, one panel that was entirely redone was frame 3 (where Mario enters Peach's room), because the initial composition didn't allow for the reader to see the setting very clearly, and I felt that the establishing shot needed to be wider.

Many of the drawings were also ultimately flipped to give the visuals a more coherent direction and better flow, including this one!

I decided pretty early on that the palette should be made of cold hues, seeing as these events happen to take place at night and that a warm overlay wouldn't adequately have conveyed the more ominous and solemn tone of the story in my opinion. 🤔💁‍♀️

Oh! And I almost forgot: using cold colors for the backgrounds and characters was also very convenient because it helped make the magical effects (the fire, the spells, etc- all the bright, warm and/or complementary nuances) really stand out, which resulted in a more interesting and visually striking contrast overall. 😌🎨

As I do with all my illustrations, I started by cleaning the sketches and adding a unifying background filler for all the frames. Then, I selected the colors I wanted to use (a gradient made of a mix of navy blue and purple) and worked on each drawing individually. Even with simple tones, we can observe the sheer difference that shading makes! 👀😉

There's a visual element that appears in the story and which I had borrowed from Drones before, and that would be Peach's healing magic.^^ ✨ I remember I was fascinated by the idea when I first discovered it in Un Fiore Per Te, which had prompted me to ask her if I could feature it in a piece where the Princess is seen using said power while at Mario's bedside in one of my other tangents. 💞

I kept the effect similar on purpose in Sing for Absolution, so that the slight reference would be easier to catch! 😊

And last but not least, there's that cheeky little Fire Flower! 🤭🔥

As mentioned in a previous ask, the flower actually signifies a lot in this case as it somewhat embodies the deeply affectionate bond between Mario and Peach, glowing brighter and closing its eyes in happiness when the two are close. 💖

While admittedly not the first drawing I made in which a Fire Flower appears, the one that actually inspired both Drones and I to include this symbolic power-up in the story was one that I made all the way back in February for Valentine's Day. 🥰 The subtle yet direct reference can be spotted twice in the text, linking this piece to the collab and establishing a bit of a chronology as well. I was very honored that Drones added this small detail, and I very much look forward to working on more ideas with her in the future! 😁🤝

Big thanks once again to all of you dear friends and followers who have commented and given their thoughts on this projects. Drones and I can't thank you guys enough for your interest and enthusiasm!! 😇💗

ALSO ALSO- I have shared here my visual side of the collab's progression, but Drones intends to give her own side of the story's development soon (explaining some of the themes and narrative elements a little more in depth), so make sure to stay tuned and check her blog as well! ^-^ 💫

#Mario #Princess Peach #Mario x Peach #Mareach #concept #story #collab #Sing for Absolution #fanart #fanfic #elitadream #drones-of-innocence #creators on Tumblr

250 notes · View notes