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hermioneismyrealname · 1 year

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Zomvivor (soon 2023)

OK!

So we have a thai zombie drama coming up.

GOOD!

I'm looking forward to it mostly because of the cast like Boun, Nunew and Boss are gonna do their darndest to act the heck out of their roles. They deserve an opportunity like this to showcase their skills. (Can't find the imdb to get the names of the rest of the actors because I can't place names to faces (wish me luck for my exam))

HOWEVER,

I DONT WANT ANY OF THIS "EVERYONE SURVIVES" BULLSHIT

I will be severely critiquing the writing choice and the plot points. As a zombie apocalypse preppy, I have taken it upon myself to watch too many zombie movies to analyze and shout at the TV screen when something stupid happens. My laptop and this series will have no exemptions. I will look at

Decisions made by the characters based on emotions and current circumstances

Character flaws (written in purposefully and accidentally)

The type of zombie... yes I have a chart

The consistency of the zombie (whether they evolve or they have an abrupt and(or) one-time change to fit some plot hole the writers didn't think of)

The development of the plot (whether the character were able to make a decision to progress their advancement of the story)

The evolution of the characters (from beginning to the end, I.e. Train to Busan or All of Us are Dead)

Use of surroundings (potential for weapons and protection)

Rationality of the situation ( i.e. would this happen with this type of zombie outbreak)

Whether this is Train to Busan or World War Z (antagonist(s) aspect)

Established backgrounds (characters, environment, etc...)

Likelihood of events (outcome of rational decisions)

Origin of the outbreak (I love or hate this part; no in between)

Plot twist (would there suddenly be an evolution in the antagonist or deus ex machina for ep 11 plot curse)

Ending (is the ending feasible or even remotely believable) (satisfying in terms of logistics. I've seen and survived banana fish and merlin, emotional satisfaction is a luxury I can live without. There are always fix-it fics people)

LEAST IMPORTANT (to me)

zombie makeup or acting. I know they are doing their best and working the hardest with what they've got but not all dramas have the resources or time to be making the best chewed up face or train the best limp run for all the hundreds of actors they're employing.

AND MOST IMPORTANT (to me)

Who dies and why? (Dont want any cheap deaths. If they are going for cheap though, I want it to be tragic... like Ash Lynx or Arthur (bbc merlin) tragic. I said "survived", not "moved on from")

Before you ask, "Hermione, why can't you just enjoy the series for what it is?"

I used to be a beta reader. I trained myself to look for faults in every aspect of my life. Not healthy? Couldn't care less; it gets me an A in my exams. Plus zombie apocalypses are one of the few things that I enjoy scenario tripping. Give me a situation in a zombie apocalypse and I'll get an answer to get out of it... or into a safer environment during the happenings of the outbreak. So, if I want to enjoy this series, there better be some established dumbass characters in the series so that for any stupid decisions made, I can excuse due lack of competency. I will sincerly support the actors because I love them to bits, but I will be fucking critical.

Also heard about Prem's "The Box" and I am looking forward to it but I will have to watch it with someone. Zombies, I can handle. Ghosts? Eh, not so much. Not that they bother me. They always add cheap jump scares which reminds me.

Levels of intensity (the situation that presents itself i.e. the stakes)

I will not tolerate jump scares. They are cheap and worthless. However, Thailand has a good reputation for horror so on top of my high standards for horror, I also have high expectations.

Edit: just saw the trailer, or the trailer for the trailer if you will

And I already have a few things to say but I'll keep it limited because it is not the full trailer.

Abandoned building with students. After school dumbassery I'm assuming however, the rest of the hoard was also wearing school uniforms so section of the school under renovation then. All of us are dead format, plausible.

Their separation and gathering intrigues me

I can understand someone (I think it was Zee) getting a wooden 2x4 which is great, but I also saw someone with a bloody bat. Now, that person could have been in the sport supplies so, I'll give it a pass.

The blocked off areas don't surprise me as this has been established as a construction site of some kind, but does get me ticking is the clumsy stacking of materials I saw. Barricade or not it was not well put together.

WHY DO THEY HAVE THEIR SHIRTS HALF OPEN??!!! THIS REALLLY PISSED ME OFF BECAUSE SAFETY! OPEN CHEST DOES NOT INCREASE MOBILITY, JUST ALLOWS MORE CHANCE OF A SCRATCH.

SKIRTS NEED TO BE CROPPED! THATS GRABBING MATERIAL! RIP IT UP FOR FUTURE BANDAGES AND LESSEN THE CHANCES OF GETTING YANKED BY THE UNDEAD

AS SOON AS THE ZOMBIES START TO GROAN IM CUTTING MY DAMN HAIR! SEE ME IN A PONY TAIL? NU UH! I'm not having my hair tugged by rotting fingers. Keep it short and out of your eyes. Beauty standards can wait until there are people alive who give a shit about hair health.

Why didn't they cover the glass windows with a plastic sheet of some kind?

There were other stuff I could point out but meh I should be studying for my exams but yeah looking forward to it.

Also saw "The Next Prince" trailer. Two things.

1) Zee, bodyguard should have taken care of the threat right then and there, not have a romantic chase scene with the prince. Disarm the guy (which you should know how to do) and then make sure that he won't get up again (which you should know how to do). Basic bodyguard training, especially a bodyguard to the Prince!

2) I want Nenuw's Prince character to be an asshole. Yes, I love him as the adorable loveable fluff ball, but this this time just this once, let him be the asshole.

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tackypies · 9 months

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gale's commentary on wyll is so funny. "that's why i wouldn't be a warlock, bc you get tied up in all sorts of shit." yeah gale? so he's like you, getting involved with forces you shouldn't be fucking with? like powerful and forbidden artifacts? huh? HUH????

#bg3 #baldur's gate 3 #i love him but also. my dude. my pal. in the romance subplot you literally wanted to [REDACTED]#gale dekarios #gale of waterdeep #gale

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kaladinkholins · 5 months

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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

#blue eye samurai #mizu x taigen #mizu x akemi #mizu blue eye samurai #mizu x akemi x taigen #blue eye samurai meta #also if you ask me PERSONALLY. based on my own analysis which you can read above. personally i'm placing my bets on option b (mizutaigen)#and this is simply bcs i think mizu deserves nice things and that includes getting dicked down and pampered and worshipped #whoops who said that #also mizu deserves to live a life where she can hand taigen's ass to him on a daily basis. ykwim.#BUT i am def open to a change of opinion regarding the mizuakemi rship as the story progresses #i just dont want the writers to reduce akemi into nothing but a love interest for mizu #the only way i can see a happy mizuakemi endgame scenario is if blue eye samurai becomes purely an angsty romance story #in which case then yes i fully endorse the akemi ending <3 #but that would probs require a whole genre overhaul? bcs currently the show is firstly an action-epic where the romance is just a subplot #but even tho i dont reeeeally want a mizuakemi endgame i still DEF want mizu & akemi to be romantically and/or sexually involved plsss <3 #like they cant have that slow-mo shot between the two of them as their first encounter and NOT DO ANYTHING W IT!!!#also i want mizu to be at LEAST a little sapphic plsplspls #shut up haydar #meta dissertations.pdf #haydar's fandom posts #i wrote this whole thing while delirious and covid positive

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batsydoodle · 3 months

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I wouldn't go as far as saying fanfiction rotted my brain but it certainly engraved ''truths'' deep enough in there that most times i consume official batman media with romance sprinkled in there i have a ''oh RIGHT! he's straight, i forgot about that'' moment. Like what do you mean Bruce isn't canonically bisexual?? Just look at him, that is the most Bi man I've ever seen! I'll accept repressed, but straight?! Unrealistic.

#batman #bruce wayne #this post is brought to you by:#superbat #i have a permit for this post *get a crumpled paper from my wallet with just 'IM BI' hastily written on it*#brucie wayne can be as straight as he want but i know what BRUCE IS #bruce havin romance subplot with women is good and fine but in my heart of hearts he should also be kissin men or atleast thinking about it #benny babble

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jiangyanlissidepiece · 9 months

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AU where the OG plot is derailed because a young Ning YingYing heard some rumors about her Baba and is determined to correct them

And Shen Jiu is saved and also lots of cute father-daughter moments

#ning yingying #shen jiu #original shen qingqiu #Ning YingYing & shen jiu #svsss fanfiction #svsss #scum villain #scum villian self saving system #idk maybe also a romance subplot too #bc Ning YingYing would def be the kid to play matchmaker #scumplane #maybe??#or like #liujiu #cute ning yingying #she’s baby #I want those peak lords to GROVEL ngl #shen jiu deserved better

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broken-heart-raven-queen · 1 month

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Ok, I'm gonna point out some random fact that maybe it's not important but just to be sure TSC SPOILERS ahead.

In the book is said that Jean's legal name is Jean Yves Moreau. Now, please, sound it out.

When said out loud, his name sounds a lot like "knives" , maybe it's a weird coincidence or maybe his parent's did it on purpose, Idk.

But the point that I want to make is that we all know that Neil is the Butcher's son AND Jean's forever lost partner. And Jean said that his family exists to serve, knives are tools that serve butchers to do their job.

#maybe I'm crazy #maybe I lost my mind #maybe is the Jeaneil subplot #maybe is that I really want to write my fanfic #aftg #all for the game #aftg brainrot #nora sakavic #neil josten #jean moreau #jeaneil #tsc #tsc spoilers #the sunshine court spoilers #the sunshine court

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shelfperson · 11 months

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aight, look, if they make mike and vanessa a thing in the movie i won't be too mad. IF. AND ONLY IF. they inject those fuckers with so much collective mental illness the sun explodes. i want through-the-roof bisexuality. NAY, homosexuality. she has to be evil. btw. as a treat. to me.

#look broseph we all know #that mike is gay #and vanessa is gay #but if the movie just HAS to throw in a romantic subplot #we can at least have them be gay for eachother #it can be done #no girlboss shit either i want mutual meowmeowification #vanessa is seeming promisingly autistic but only time will tell #fnaf #five nights at freddy's #fnaf movie #mike schmidt #michael afton #fnaf vanessa

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noahmullariii · 2 months

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My weirdest headcanon is that at the end of 4th year Remus bites his leg off during a transformation. It's the first moon after his mum's funeral so he's extra distressed and the wolf isn't having it. Pomfrey is terrified when she finds him all mangled and cold from blood loss, and it's the first time James, Peter and Sirius aren't allowed to see him right away. Pomfrey magically sews his leg back together, of course, but like all his werewolf injuries it doesn't heal quite right. Now Remus has to hide his newfound limp to avoid suspicion. It makes Severus question him even more than before though, especially with Professors making up new excuses for Remus' absence after that since, you know, his mum's illness can't be a reason anymore. It also makes James, Peter and Sirius work faster on their animagi master plan cuz "bloody hell he chewed off his leg!"

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tacobellabeanburrito · 2 months

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Thinking of… Ace Attorney choir Au. Maybe Band Au as well.

Phoenix? Obvious tenor. Theatre kid and art kid? TENOR.

Y’all would think Miles would be the tenor, but nope, he’s an obvious baritone/bass. More baritone than anything but he can hit those low notes.

Larry? I want him to be a bass sooo badly but no, he’s either a baritone or just straight tenor. LITERALLY STRAIGHTEST TENOR TO EVER TENOR. Everyone always assumes he’s gay and he gets worked up about it.

Maya is a mezzo-soprano, obvi. I wanted her to be an alto or straight soprano but I don’t really think it fit her. People’s vocal parts literally fit what they look like. She is a mezzo.

FRANZISKA IS AN ALTO. End of story.

Klavier is such a tenor it’s not even funny. He wants to be a baritone/bass sooo badly. But he has like, one of those really strong tenor voices. There’s no way he hasn’t sung Santa Fe.

Apollo is a baritone… That’s it.

ATHENA. ATHENA. WHAT IS ATHENA. Brother I really can’t decide. Has the tenacity of an alto but the mostly bubbly personality of a soprano. I’ll stick her as mezzo for now.

PEARL? SOPRANO. TRUCY? MEZZO-SOPRANO. Need I say anymore?

Gumshoe is an obvious bass. Lots of basses are himbos and he’s no exception.

As much as I want Kristoph to be a tenor because he thinks he’s so insufferably above everyone else, I have to pick him as a bass. Nobody expects it, they all expect him to be a tenor. He has a beautiful bass voice.

SIMON IS A BASS. FULL BASS. Nothing more to add.

Dahlia is a soprano and Iris is at least a mezzo-soprano or alto. Dahlia’s one of those really bitchy sopranos who never takes a mezzo-soprano part. Iris always bears the brunt of the mezzo-soprano/second work because Dahlia makes her.

Small edit to add the Investigations Crew…

Lang is at least a baritone/bass. I can’t imagine him not being one like come on.

Kay is an alto. Full alto. TRUE ALTO.

Sebastian is a tenor. No, I will NOT take criticism.

Ema is an alto. No question about it.

I think I got mostly everyone? Those are the main ones in the choir. Some of them are in band, orchestra or guard (Miles is in band, Maya is in guard and Kristoph is in orchestra)

The teachers would be, yk, the usuals. Idk Von Karma can be the principal. Lana is the orchestra director, Mia is the choir director and Diego is the band director. Idk, Ray and Justine are still there too. Raymond is baritone and Justine is an alto.

MIA AND LANA ARE OBVIOUS ALTOS. DIEGO IS ALSO AN OBVIOUS BASS.

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yangsejongs · 20 days

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because i can't let things go i'm thinking about the qot finale and it's still frustrating to me. baekhong spent 14 episodes falling apart and getting back together and lost all that progress to her surgery and subsequent amnesia...what was the point of all that relationship development if they were just going to have a blank slate to start over? was the relationship development just for hyunwoo's benefit, since he is the one that kept his memories intact? (and i understand why it is relevant for his character since, at the beginning of the drama, he hated his life and hated being married to haein and changed on those points.) but if haein was going to get this life-saving surgery, survive, and forget everything, why not have this happen in an earlier episode so she and hyunwoo get a chance to rebuild and we get to see them deal with the mistakes of the past as they work towards their chance at rekindling their love? idk

#queen of tears #anyone else feel kinda cheated that they gave haein just two episodes to sort of figure out her feelings towards hyunwoo post-surgery #i was not expecting her to recover all of her memories in one go but like...come on...if it was going to be portrayed as a slow recovery wh #not initiate it sooner #i think this drama needed 20 episodes to fully resolve every plot and subplot it started #otherwise with 16 episodes aunt beomja's romance was superfluous and that screen time could have been given to baekhong idc #OR AT LEAST TO FLESH OUT MOH SEULHEE'S MOTIVATIONS #DID SHE JUST WANT MONEY??????????? LIKE???????????/#anyway....#WE WILL BE WATCHING AGAIN BC I LOVE MY BAEKHONGIES THAT MUCH

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mori-no-majou · 4 months

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tbh I think I’d be a lot more entertained by the way Wish is getting canned if I thought Disney was actually going to learn anything from it. like ‘maybe 2D animation is still a worthwhile medium’, or ‘maybe we shouldn’t be scrapping almost-finished projects the studios we keep buying are working on’, or even ‘maybe it’s time to start putting more effort into the thing that made us famous in the first place instead of continually deprioritising that in favour of Star Wars and the MCU’. but instead I’m like 99% sure they’re gonna twist it into ‘movies with BIPOC leads don’t sell’ and go right back to making movies about rich blondes. as usual

#urusai majou #ultimately I think ‘disney is currently owned by a guy who hates animation’ is the Entire problem here but w/e #hnnnnrgh I wanted wish to be good so bad you guise. I was so excited when the trailer dropped #I remember when the internet was ragging on her dress not being puffy enough and I was like Holy Shit An Actual Cotehardie And Surcote #incidentally I don’t think the more bad-faith criticisms are gonna help either #lyrics that sound suspiciously like they were written by ai is a valid concern. ‘there’s no romantic subplot’ is not #but no bookie in the world would take bets on which one disney’s more likely to listen to #le sigh

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