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doctorloup · 9 months

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ACTUALLY FUCK IT, I WILL ELABORATE, STRAP IN, BITCHES

Let me first make the following statements - 1) I come not to bin Caesar but to praise him. WOE.BEGONE is beautiful chaos, an erratic smorgasbord of musical talent, and complex characterisation. I respect this craft, I see how much work has gone into it and I am deeply impressed. Multiple ten-minute plus long fucking musical numbers, season finales with three whole songs in them. The memetic virus that is Old Brush Valley. Wild. 2) However, apart from respecting the music, I massively bounced off this podcast the first time I tried to listen to it, because I found the protagonist such an awful damp weasel of a man. I do not like the wet cat men so beloved of tumblr. I find them deeply annoying. No shade on you all but your kink is not my kink etc. I bounced off it so hard that I actually confused it with Ostium which I listened to around at the same time, and I would describe as fun and poignant, but really rather heterosexual. Woe.Begone is not remotely heterosexual. It is gayer than Quentin Crisp in a little Sailor Suit, gayer than the letter Bram Stoker sent to Walt Whitman saying "I am six feet two inches high and twelve stone weight naked". Gay as Elton John in a feather boa riding up Brokeback Mountain on a bear while sniffing poppers and quoting Oscar Wilde. I should have known. I should have guessed from the fans being absolutely feral nightmare gnomes. They reminded me of the Stellar Firma fans. That shrieking bucket of wild kobolds snorting ketamine and downing tide pods vibe. That should have been a warning. But they asked nicely and they politely invited me into the discord server and like a fool I humoured them. I gritted my teeth at the horribly flawed characters and I stuck with it….

Spoilers follow.

::deep breath::

MIKE WALTERS? Stupid idiot motherfucking Mike Walters goddamn fool multiple murderous alternately callous and arrogant shithead or wet as depressed otter’s pocket sociopathic-ARG-playing biggest varmint in the west cowboy motherfucking MIKE WALTERS WHAT THE EVER LOVING FUCK DID I JUST LISTEN TO? WHAT IS THIS CASUALLY/DELIBERATELY VIOLENT SLAPSTICK TIME TRAVEL FUCKING COSPLAY MURDER FEST? COWBOYIFICATION? Okay I understand this is a clever way for the VA to distinguish between characters played by the same guy, weird fetish aye but I’ve seen worse BUT WHY THE FUCK DOES NEARLY EVERY OTHER CHARACTER DO IT TOO JESUS FUCKING CHRIST ON A BISCUIT IN GRAVY I ALMOST STARTED DOING IT MYSELF MULTIPLE TIMES I HAD TO DRINK TEA AND THINK OF ENGLAND TO STOP MYSELF SAYING GET ALONG LITTLE DAWGIE shit here we go again help RULE BRITANNIA WHAT WHAT YOU WON'T GET ME YA BASTARDS

AND ANOTHER THING: IN THE HISTORY OF NARRATIVE NO PROBLEM HAS IN ANY WAY EVER BEEN SOLVED BY RAISING THE DEAD jesus doesn’t count anyway that was consensual NON-CONSENSUALLY RAISING THE DEAD AND THE FACT THIS ENTIRE CLUSTERFUCK STARTED WITH THAT SHOULD BE EXTREMELY TELLING HOLY FUCK every time I hear him talk I just want to shriek OH MY GOD WHY CAN’T YOU GET THERAPY WHY DO YOU KEEP REPEATEDLY RETRAUMATISING EVERY VERSION OF YOURSELF I JUST DON’T UNDERSTAND EXPLAIN TO ME WHY ANYTHING YOU EVER DID FROM EPISODE 1 ONWARDS WAS EVER A GOOD IDEA AND YET I COULDN’T STOP LISTENING, SOMETIMES OUT OF SPITE, SOMETIMES OUT OF A HORRIFIED DESIRE TO SEE WHAT HE FUCKS UP NEXT it was like listening to a car crash in slow motion sweartaefuck.

HOW CAN SO MUCH ABJECT HYPOCRISY, USELESSNESS AND NAKED SELF-INTEREST BE CRAMMED INTO THE BODY OF ONE, AND I USE THIS WORD LOOSELY, MAN?? NOT TO MENTION THE FRANKLY HETEROSEXUAL LEVELS OF TOXIC MASCULINITY FUCKSAKE AND WHILE I’M HERE HEY LETS TALK ABOUT THE OTHER CHARACTERS. Edgar “Inexplicably Evil Gluten-free Postman”, Anne “I support my transfemme sisters but fuck this may be too far”, Marisa “Where in the holy fuck do you keep getting that tank?!” Ng, Matt “I thought you were too sensible to get involved in this nonsense but boy was I wrong”, Ty “No amount of apparently learning to respect boundaries will make up for this level of affably psychotic ‘For Science and the Greater Good’ leering viciousness” Betteridge, Я осуждаю тебя за то, что ты оставил свою собаку с Майками Борисом, Felix “Criminal Offence Against Oreos”, Hunter “Somehow worse than the protagonist, apparently that’s possible” Hartley, Sylvester August “Actually this character isn’t absolutely terrible, which is weird for a Harlan character, I’m usually immediately sus of anyone he plays carry on sir“ Baxter. HAVE I JUST GONE TO THE very helpful thank you WIKI SO I CAN ENSURE I HAVE VENTED ABOUT EVERYONE I WANT TO in this fucking TRAUMA POLYCULE YES I HAVE

(Hey one second voice actors I hope you know I adore you even those of you who are CLEARLY COMPLICIT in this unstable lunacy anyway it was cool waiting to see which of you would voice the FUCKING MONSTER PEOPLE) 14/10 absolute fucking masterpiece, I look forward to the next episode so I can SCREAM LIKE A BANSHEE AND CALL DOWN THE WRATH OF EVERY HARPY IN EXISTENCE TO WREAK SHREDDING VIOLENCE ON MIKE. FUCKING. WALTERS.

#NO TAGS NO MASTERS except this one NAE QUIN NAE KING WE WILLNAE BE FOOLT AGIN

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msmoonfire · 5 years

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Candle reading made easy

Hey loves, I don’t want to make this post suuuper long so imagine me blowing a welcome kiss to all of you and let’s get started...

The generic practice of reading fire is called pyromancy.

We can break a candle reading session down to 3 main parts:

Observation (flame watching)

Gathering & understanding (decoding fire’s messages)

Final question & Goodbye (ask if there’s anything else you should know before leaving, thank and salute fire/salamanders)

During the observation phase, watch for:

Length of the flame 1-2 min to know WHEN-the timing = PAST

Shape of the flame 2-3 min to know WHAT-the actual matter = PRESENT

Direction & behavior of the flame 3-4 min to know HOW-the true nature of it = hints at the FUTURE (see where the fire is pointing to know what type of matter it is; concentrate on the opposite direction telling you how to counteract to solve or banish whatever it might be; it also indicates what elemental energy is strongly supporting/protecting you in taking action as well as in related spellwork)

Presence/Absence of Smoke 2-3 min to understand the SOURCE of your awareness

*Keep a compass handy!

Salamanders/fire will try to communicate with you as soon as you light the fire/candle so pay attention from the very beginning. Fire energy is impulsive, blunt, active, carefree and wild. This type of divination detects negativity like WOW because it easily speaks the brutally honest truth regardless of how you feel or what's happening. It brings up issues that we refuse to deal with. Again, it’s pure blunt energy. Because of its wild nature, fire will also charge us with optimism and explosive determination to overcome problems and bad news: typically after pyromancy we feel motivated and “ready to go”.

Length

Long-extra long: something has been bothering you for a very long time now (trust your intuition, probably for years) which you never actively faced; you’ve been quiet for too long; unsolved problems from the past are challenging your patience; relevant stuff that had to be cleared much earlier

Medium: Something that has been lurking in the back of your mind for 1-3 months, a plan or an idea that could change/shake your life but is not currently a priority to you; it might be something you heard from another person or a vague thought

Short: something intense that happened within the last couple days, a very recent thing is bothering you and has almost caught you by surprise; unexpected news from day to day, a new sudden event that physically or emotionally shook you

Shape

Double: Two things that were generated consequentially or have a common link, two entities/people united by a common theme

Super-thin line: Something you felt or suspected but never had proof of evidence about, a subtle suspicion, a doubt, an insinuation; a sneaky or secretive individual

Regular: Something/someone that you accept and is part of your routine, your own mindset, something very close and not disturbing; a solid milestone in your daily life

Round: One thing in particular that constantly “fills you up”, makes you feel complete, full, exploding or either extremely delighted; a person who represses/suppresses you, someone ghosting you on purpose just to humble you or to make you feel lesser

Behavior

Steady: things are happening in the background, far from the “public eye” and without you even realizing; you - and people around you- are calm, clueless, peaceful and the surroundings seem safe; good vibes are in the air but definitely keep your eyes open and intuition awake

Shaky, wiggly: things are visibly happening before your eyes, making you confused, uneasy or giving you mood swings; anxiety; you are able to feel bad vibes around you: take control of the situation and protect yourself Weak, petite & almost extinguished: matter/person X is now annihilating you before the eyes of everybody, but still no one defends you; seek help in others, protect yourself and take action to win this ripe, suffered battle

Directions

EAST: AIR - communication, mindset, mental/spoken/written things, logical reasoning, ideas, plans, spring, morning, sunrise, masculine... WEST: WATER - emotions, unconscious, gut feelings, passivity, illogical reasoning, intangibility, blue, flow, moisture, fall, sunset, feminine... SOUTH: FIRE - action, guidance, strength, activity, blood, warmth, creativity, masculine, red, impulse, summer, noon... NORTH: EARTH - stability, firmness, art, finance, grounding, material things, tangibility, stillness, death, birth, winter, midnight, green... (+ ALL YOUR PERSONAL KNOWLEDGE about the elements and how they can be interpreted, what meanings they have in our lives and their specific correspondences)

Smoke

Absence: you are the source of awareness: your body and soul have sent you signals about matter X and you had an inner awakening which led you to this reading

Presence: someone else enlightened you with their words and made you fully aware of matter X; something popped up as an obvious proof that you weren’t expecting to find: this has awakened your inquisitive mind and led it to this reading.

Hopefully you’ll get inspired by this post and learn something useful to spice up your divination practice:) I thank you so much for reading, xox msmoonfire

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starlit-pathways · 3 years

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rules: tag people you would like to know/catch up with❤️

thank you so much @faeinthefog for tagging me, you have such incredible taste???? (as always) also, brb adding piranesi to my already-too-long tbr list

...speaking of lists that are far too long!! *cracks knuckles* let's get down to business!!!!

last song: excluding my many varied writing playlists, then probably eclipse by moonbyul or love poem by iu, including my writing playlists then this was my last listen

last movie: the prom. didn't personally vibe with it but i know it meant a lot to some (personally, i feel like a lot of what it was trying to do has already been done better by other films—like ek ladki ko dekha toh aisa laga). it had very pretty colours in it?? and i definitely wouldn't pass up the chance to play emma in an actual musical, but i feel like the story itself is too much of "aaaaand THIS is how the Gay Struggle™‬ applies to the average straight person!!!" which I don't even mind in a story that's done WELL (again, see ek ladki ko dekha toh aisa laga, or even one of my favourite books; the seven husbands of evelyn hugo) but i don't personally feel like it was done well enough here to pass it off

currently watching: oh no. a LOT. uhhhh okay let's try counting

1) godless—a miniseries on netflix which is v. good and very beautiful; essentially a story about fatherhood, masculinity and the loss/lack of it in a historical "wild west" type setting (it's a lot more diverse than it sounds. i promise.)

2) the fresh prince of bel-air—i shouldn't have to describe this one to many people lol, but it's basically a comedy about a quick-witted, very street-smart boy who goes to live with his very wealthy and privileged family in bel-air. it's very funny, and very heartwarming but i'm only a couple episodes in so far.

3) my mister—i'm only a few episodes into this drama myself but. damn. it's a show about two very broken, wearied people whose lives are falling apart in different ways (a very principled slightly older man, and a very... alternatively principled younger woman), who find each other and help each other heal. i've seen their relationship described as "everything but romantic", though the subject of romance and the nature of their relationship is questioned in the show and sometimes by the two characters

4) taskmaster—this one's just FUN, and also quite honestly pure chaos. i'm trading favourite shows with a friend, and damn if i'm not having a blast with this one. it's basically about a group of comedians who get given a set of tasks/challenges to do, to see who does them best—it has the exact same vibe of the joke "how many comedians does it take to change a lightbulb?". if nobody watches anything else of the show, i implore them to at LEAST watch this tree wizard clip. it's a masterpiece.

5) rick and morty—probably not my favourite type of show (monster of the week's not my usual style), but still good if you're it's intended audience. trading this with another friend, and i'm very much enjoying the experience of trash-talking all of the adult characters every episode with them.

6) mr. iglesias—this one's a very new addition. am also watching it with a friend. comedy about found family in a classroom full of underprivileged kids and the one teacher who really cares about them. i like it! i love marisol a lot as a character and mr. iglesias is very wholesome

re-watching:

7) the untamed—i'm going to be watching this show in some capacity for the rest of my life. i'm on my seventh watch by now and it never diminishes in quality. it's a truly epic introspective character exploration, about a quick-minded, entirely chaotic and very free-spirited man who dies and comes back in quite literally the opening moments of the show. you get to see his descent from being the world's envy to being the world's villain. it's a wonderful fantasy series about perception, the nature of morality, of family (born, raised and chosen) and about building a better world. did i mention that the main character is—as far as chinese censorship laws would allow—very bisexual and the story very heavily features a love story between him and another man? this was the edit that got me into it (it has spoilers but without context it won't make any sense anyway)

8) healer—what a drama. this is all about the power of information—how being informed and making information available can heal a nation that was built to be corrupt. starring a character who is basically a man who is a much poorer batman (kind of like a batman for hire?) with superman's love life (the show's got one of the best and most valid love triangles i've ever seen—and that's coming from somebody who typically HATES love triangles with a burning passion) and a woman who is feisty and strong-willed but not in an overbearing way? as well as amazing action, from somebody who normally can't stand action. i love the chemistry between the two romantic leads and just. i love the three leading characters, and a great deal of the periphery ones a lot. this show is absolutely incredible, would highly recommend

9) it's okay to not be okay/psycho but it's okay—a show that says neurodivergency and found family rights!!!! it's a very healing and introspective drama, but equally very intense/gripping/interesting? the chemistry between the two leads is astounding, and i just really love the amount of empathy this show has? it's truly stunning to watch and experience. starring an absolute badass of a woman, who acts almost entirely on impulse and communicates with the world through storytelling and fairytales, alongside a very kind and nurturing man who doesn't know how to communicate when he's miserable and an autistic man, who struggles deeply with his own fight for independence (i wasn't too sure on him at first, but he grows into just as much of an equally important character as the other two and i loved his arc).

currently reading: the earthsea quartet, by ursula le guin—i'm really loving it! it's probably not one of my favourites (yet), but she has such an interesting way of building up her world, and there's such a strong sense of compassion in every word she writes.

also i've recently found and fallen in love with this fic series. it's very nsfw and modern au's aren't usually my thing for historical (or even semi-historical) fiction/fantasy, but there's just something about sex worker!wei wuxian and translator!(and also secret fashion nerd!)lan wangji both being absolute disasters and also really cute and really repressed but also being neurodivergent and disabled characters (i'm SO here for autistic!lan wangji, traumatised!wei wuxian and chronically ill!yanli all being happy) and getting therapy that really appeals to me.

currently craving: crisps. always. of the salt and vinegar variety (this specific variety especially), of course, but there's never a day that passes when i'm not craving crisps

this was really fun!!! now for the worst part of this............ tagging. OKAY. so... please know that nobody is under any obligation to do, or even acknowledge, this—and also, if i missed you, you see this and you WANT to, then consider the act of seeing/hearing this a formal invitation

@ethereal-sserendipity @lillb5678 @genericfandomusername456 @mars-aria @ikatella @juliedohbigny @multiplequestionmarks @itiredwriter @myrim-anna-rose @gaysofmyheart

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steve0discusses · 4 years

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Yugioh Episode 30 Season 4: The Dead Joey Shuffle

Lets ignore everything happening on planet Earth right now and talk about old ass anime, shall we? Yes, my sky turned a horrible end of the world yellow/orange color for an entire day because of a LOT of fire in my state. But thankfully, the winds have changed, the sky is blue...and I can write about Yugioh again.

Last we left off, Tristan, Tea, and Yami stumbled across two fresh corpses. Now, when Joey died a season or two ago (I honestly can’t remember when), we had my favorite storyboarder at the helm just sweeping emotion all over the field and the intense weeping for Joey Wheeler lasted for like 30 minutes. Yugi freaked out in the puzzle headspace for like half an episode and nearly gave up playing cards again, Yami punched a wall and then put a duel disk on Joey’s arm like a funerary send off to the afterlife, Tea started losing her mind and begged Yugi to drop out of the tourney so Yugi wouldn’t die, and Pharaoh was like “yo Tea, Yugi can’t talk right now can we do this later????” And then Tristan, out of nowhere, just started shaking Joey and screaming at him to wake up (and I think he punched him in the face and it got censored? Yo that episode is wild.) Joey got plugged to some Kaiba Corp med bay that had like 2 dozen weird sensors attached to his chest and feet to keep him alive. Serenity was like hyperventilating in the back, just a LOT of stuff was happening all at once.

But this time, with an ordinary animation team, these three kids are so distracted by the other corpse, that they only cry just a little bit before being like “woah what?”

And like this is their second time. Maybe they’ve gotten used to Joey being dead? Maybe they got it all out of their system and are now a lot more accustomed to the fact that they all must die. Several times.

Confronted with this Agatha Christie brand debacle, Tristan makes an incredible reach that is also completely correct. Like this is such an amazing incredible reach.

Hire Tristan as your detective, hot damn. There are like 7.8 billion Orichalcos-possessed people on this planet right now trying to kill Joey Wheeler and Tristan actually called the right one.

Yami never tells us who he blames, but it’s OK, because the show immediately cuts over to Dartz’ silicon valley fortress to tell us without telling us. So while this animation team isn’t as insanely extra as our previous animation teams, they still know how to edit their cuts to work alongside their dialogue just fine.

(read more under the cut)

Lets take a little while to just take this in. Someone took a while to make it, so rather than look at it for half a second before it passes--please lets count the number of floating streets in this scene.

So before when I talked about the history of San Francisco, I mentioned the old Embarcadero, which was a double decker street wrapped around the peninsula. (we still see parts of this double decker set up on parts of the highway to this day.) But what if--they actually have no idea that the Embarcadero was a thing before it fell down in an earthquake?

What if they just...wanted San Francisco to be vaguely cyberpunk in this universe and that floating freeway was supposed to be futuristic and not just an 80′s throwback?

Because there’s 3 streets stacked on top of eachother right here and yo there is no where in the city built like this. This is a Gotham situation where the poors live on the lower levels and the rich just kind of hang out on the top. We have too many Earthquakes in reality to ever support this setup but Yugioh...wow. They went for it.

Also, our art deco architecture isn’t quite in this style as Dartz’ mansion. Mind you, this isn’t full deco, and the structure has more of an ancient world vibe. But...while San Fransisco does have a lot of deco, it’s just different (sorry you’re not really here for the architecture but youknow, I’m an artist so I do think a lot about why concept artists may have gone where they went)

++++++++++RANT ABOUT SF DECO VS COMIC BOOK DECO FEEL FREE TO SKIP++++++++++++++

So I’m not going to dare say this is a mistake on the Yugioh team by any means, since Deco is Deco and who knows when Dartz built that building. But like I’ve seen the SF skyline many times in this show and it’s got some funky shapes in it that are just sooo off to me. They keep drawing a more Futurist New York. Truth is, we don’t have that many skyscrapers in SF.

Most of the pictures you see of scaling buildings are of this one area around the financial district--everything else is...pretty short. So in those photos they very carefully crop out all the really squat as hell buildings on either side of it, to give the impression that our city is super tall, much like a dating app.

And, as far as Art Deco Gotham-esque skyscrapers go, we got ones like this guy:

Where at a glance it’s like...that’s barely deco (and barely that impressive. This is 1/3 the height of the Empire State building.) Compared to a lot of cities in America, our skyscrapers aren’t as...clearly deco from far away? We don’t have the huge ass humps and long ass gilded lines of the Empire State building or the Chrysler building. You only really get those details when you zoom in.

Our other skyscrapers are kinda understated or modern in comparison. And the reason why we just don’t have many deco skyscrapers is because...our ground ain’t good for building skyscrapers at all, so it took us kind of a while to build up.

Like we got this tower that we built recently (the first skyscraper they built in SF in a good while) and they decided to name it the “The Millennium Tower” which...I know...good job, team, clearly you wanted to get cursed. Well the tower started leaning about 3 or 4 years ago, like well over a foot from it’s original spot, it’s just tilting and sinking away, and people are freaking out because it’s surrounded by other tall buildings so they’re like “damn it we’re gonna dominoes.” The people in charge were like “well...we don’t know why it’s leaning...but I’m sure it’s fine” and it’s like “the ground. It was the ground...you dumbasses” not to mention that it’s clearly cursed by at least one angry Egyptian Ghost but...what do you do?

I would absolutely watch the Yugioh spinoff season about the Millennium Tower and the SF tycoons that got possessed by a ghost and have to play card games to keep their tower from squishing all of San Francisco. Yo you should hire me, Yugioh, I got IDEAS.

Man...Yugioh predicting the future, how did they call the ill fate of The Millennium Tower????

But anyway, most skyscrapers in SF are kind of boring because they have to be sturdy as hell. But, they have some neat modern shapes (like the Transamerica Pyramid--in the shape of A PYRAMID that hasn’t shown it’s face once this entire Egyptian influenced anime)

I mean, come on Yugioh, it’s right there.

Also the hell is this weird UFO on this picture I lifted off of google?

Like I think it’s 4 jets?

I may have lifted this from an alien website, so forgive me, q-anon for lifting your image, I’m trying to talk about architecture in my Yugioh blog.

In fact the only building I (and google) can think of that is both really tall and deco-ey is this one:

And it’s a Marriot hotel built in the late 80′s. And honestly, it looks way more 1980′s Las Vegas than it does Deco. (It honestly looks like photobashing but made real, this is a weird building.)

And I could be wrong and overlooking a very important structure, but most of the city’s really cool art deco buildings are in the form of theaters, libraries, churches, schools, and houses--which are only a few stories tall. They’re gorgeous buildings with cool and different silhouettes, it’s just not very big.

Like I believe this is an old high school?

also a lot of our “art deco” has no idea if it’s victorian, deco, or art noveau so they’ll just hit all of it to see what sticks. It’s a lot more eclectic than other places where Deco is typically more...straight-lined. I kinda hate defining art styles as masculine or feminine but honestly it’s the quickest way to really hit home the difference between a Bruce Timm art deco that you’d see in a comic book, (which is very New York inspired) and what we have in San Fransisco which is really decorative and decadent.

The Yugioh SF just has no curvy nonsense and that really sticks out to me.

Ornate swirls get shoved Everywhere. Willy nilly. Just everywhere randomly. And it sits next to other structures that are modern and simplistic. It’s very San Francisco to have this old world next to new world.

And it makes sense. SF is the other side of the continent from New York, and about as far West as you can go from the movement going on in Europe. So...we made our own take and tl;dr the art deco in our city doesn’t look like Gotham at all.

And, while it’s not as grand or dark or iconic, it’s a good thing. It’s what helps make San Fransisco look really unique compared to other American cities--the fact that we're...short and eclectic. Our district with the skyscrapers is where it’s kinda boring, actually--the good stuff is when you get away from that. Where every little building has a spunky wild personality.

But in a show like this you gotta make it seem more grand and less homely so--they scaled up the buildings a lot more than we really have and homogenized all the stylings into one (and they axed every Victorian swirl because they don’t want to draw that). They really just turned SF into comic book New York--especially since I’ve only seen like...one steep hill since we got here.

It’s fine, and it makes complete sense why they did it, (I’m more confused as to why most of California is a Nevada desert so I can easily forgive a San Francisco without the right Deco) it’s just a very different energy.

and honestly...it’s an energy influenced by the tone of the show. Everything has a very dark blue-gray palate, and it’s because it’s literally the end of the world, Joey has died, everyone is sad...maybe it would be out of place to have a building that looks like it sparks joy? The harsh and cold lines do add to the gravity of the situation.

Maybe I would have done the same thing? In the end, the legibility of your story matters more than the accuracy of your story--especially when it comes to TV. Which is somewhat a controversial statement, and there’s exceptions when it comes to cultural stuff. But while the culture of San Fransisco was erased (a culture that they did draw in the beginning of the season! they did show alcatraz, a trolly, and the golden gate!), it is at a point in the show where...all of humanity is being erased anyway. Could also be symbolic? Maybe?

+++++++++++++END OF THE ART DECO RANT+++++++++++++

So anyway, stepping away from lovely buildings and into this gross ass abandoned park, Yami decides he’s gotta get himself to this gaudy ass Batman building ASAP.

He can ride a horse but he absolutely will not ride a motorcycle. Or touch Joey Wheeler’s dead body.

Which is wild because apparently there’s a Yugioh spinoff where all they do is ride motorcycles??? But from what I heard, Yami is not in it. Which is the most wild thing.

So uh...you know how much I love art details, lets take a long look at this one.

AH no.

Nope nope nope nope.

I hate this logo. It looks like an emperor penguin’s eyebrow thingies. Like a face with just four huge eyebrows.

Not sure why we randomly have a new logo. It’s nearly the end of the season, we’ve already shown the Orichalcos logo so many times. Was this episode made earlier in development than the rest? Is that why there were like - I dunno, put this random logo here... Maybe we’ll figure out the rest of the logo later?

I don’t know. This weird logo feels so out of place.

And then because I’m thinking about buildings...maybe it’s influenced by our Shell building?

Maybe? Or not? Just saying you got a round thing with radial lines hovering over a trellis...the possibility is there that they were inspired but had to edit it down for animation? Eh, I’m reaching desperately for anything that looks like San Francisco at this point.

Anyways, the front door of this building is an elevator (????) and in a somewhat confusing set of cuts, out of this elevator comes the murderer herself.

And she’s dead.

SO HAPPY I didn’t have to watch that card game but like...c’mon. There’s no way Mai would lose to Raphael.

Maybe that’s why they couldn’t show it? Because she’s the only person on this show who uses a themed deck with cards that actually sync with eachother? (outside of Pegasus’ toon deck and Grandpa’s voltron deck ((sorry it’s name isn’t voltron, I’ve forgotten the name of the robot that you build out of other cards. Exodus? Exodysseus?

It’s Exodia isn't it? Wtv. 2020′s been a real long one, all y’all.)) )

(don’t ask where the smoke came from, we don’t know. Maybe Yami felt like making it to be more aesthetic. It is a fun visual tic to the show.)

So Yami goes into this elevator instead of anticipating that this is obviously a trap. Like most would just decide to take the stairs instead, but Yami loves falling for a good obvious trap every once and a while (or, in the case of this season--each and every single time a trap is placed in front of him) and so this takes him directly to the fightclub roof of yore.

Ah. We started this season on fightclub roof, in like...2010 or whenever I started this season. Feels like forever ago. How long has the year of 2020 been? 20 years of my life? 40 years of my life? Was I in fact never born before 2020 started? I honestly don’t remember anymore who I was before this year happened. Probably because I inhaled just a hell ton of wildfire smoke and now my brain is a bunch of jelly beans rattling around in a jar.

Anyway, Raphael just hands Yami (by hands I mean throws aggressively) Joey’s dragon card.

A little unsure why he’d do this since...this is the weapon to destroy Dartz. Why are you giving it back to the Pharaoh? But apparently, Raphael did that to prove that he is the murderer of Mai, who murdered Joey and...youknow...the stuff that we know but would be pretty difficult for the people in this show to follow.

Mai’s voice actor seeing “Mumbo-Jumbo” and being like “Well if I’m doing this, I’m going to commit.“

WE ARE NEVER DUELING DARTZ.

I refuse that a duel with Dartz, in fact, ever happens in this season.

Kind of surprised whenever I see there’s still people left. SF is basically abandoned in comparison.

Thing is...that’s just SF on a holiday weekend.

And then, because Tristan’s in the middle of the street, the rest of the party has to try and run him over.

It is really funny to me that Seto went out of his way to ditch these people so MANY times, but keeps ending up around them again and again, and each time in a wildly different vehicle, each and every time it’s when these guys need a lift...he’s very quickly turning into the group’s soccer mom. Should’ve gotten a minivan.

And then this happens?

I’ll just leave this here:

I’m sure that fanfic writers everywhere rejoiced when Seto reached out a hand to catch Joey’s face from hitting the pavement. In all this was a bizarre animation and now that I’ve figured out my blender settings for the new update, I can finally cap little segments again.

Just don’t you dare flag me, tumblr. Hopefully segments less than 10 seconds long are fine.

Like there was this part where they had to just drag around Joey’s corpse over this rail, and it was Mokuba and Tristan just prying him up there like he were a potato sack and like...

...Joey’s gonna wake up with so many rail-shaped bruises! They do not treat him gently!

Then back on fightclub roof, Raphael made me do a bit of a double take when he accidentally implied the existence of another bean within that Pharaoh bean.

And no, Bakura did not show up at this point.

I would LOVE IT if Pharaoh biffed it a second time and Bakura suddenly took the reigns and was like “Oi loves! that was bloody easy!” but I...have a feeling that this team didn’t actually watch the episodes where Bakura is just vibing in that puzzle piece.

If this never comes back to bite Pharaoh in the ass...

It might never come back guys...I don’t know. How do these writers have this much self control to ignore Bakura for like a full season. How do you do it? I can’t hold a plot twist in for even like 5 seconds. How....how do you do it?

Anyways, now that Seto has Tea who has a map, they walk up to the entrance (I honestly forgot if they drove or walked because knowing this show, Seto would absolutely ignore the car. Either way, the Ferrari isn’t necessary anymore. Written right out of the script. Cars are hard to draw. Get rid of it)

You know, Mokuba’s seen an awful lot of corpses for a kid! Like 20ish corpses if you count the 2 times the Big 5 biffed it. Really should have left him with Rebecca! Youknow, the other kid the same age as him!

But it’s fine, we gotta train Mokuba to suppress that trauma deep, deep down like a proper Kaiba.

Youknow when I started this series I was like “I don’t get why everyone talks about the Kaibas so much, these two seem kinda like whatever” but now I’m on like S4 and like...I’m SO concerned about the Kaibas. With Yugi...whatever...he’s gonna be fine, but the Kaibas? Oh boy. Either one of them could go completely evil and I’d buy it.

And probably root for them.

And I know they won’t go full tilt, I’m pretty sure--but like...they COULD. I can’t say that about the rest of the cast.

Everyone’s made it!

Even joey’s weird coma/dead body for some reason!

Lol also I love this random sci-fi tech water tower next to Tea. What is that?

My drought senses are screaming, is that a huge ass water tower the size of a 4 story building next to Tea? Chances are, it’s got a jet in it or something because this is Yugioh, but...man. At least it doesn’t look like one of those rusty New York rooftop water towers. This show just completely not getting what SF looks like.

Whatever, he can resurrect the leviathan, maybe Dartz can make water?

Youknow, all you have to do to make California worship you forever is make rain. Screw this lizard nonsense. The man can power water. What’s he doing with this stupid snake?

But youknow, Yugioh just never really figures out how to harness the weather. They CAN and they do it all the time. But, do they use it for their benefit? Like freakin never.

Anyway, that’s all for now. I went on a looong rant about SF but maybe I’m just sick of my own house? Been a lot of fire and quarantine over here. It’s been messing with my head a fair amount so thanks for bearing with me and my weird ass update schedule (remember when I used to be productive? Was that just a dream I once had?)

But if you just got here, here’s a link to read these recaps in order, from the beginning way back in S1.

https://steve0discusses.tumblr.com/tagged/yugioh/chrono

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sunbirddtellsstories · 4 years

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I was rewatching one of my favorite episodes of Xiaolin Showdown lately and I’ve been thinking of Jesse’s/Jessie’s character. I really like her a lot. I was always fascinated with that character from the moment I first saw her. Clay was my favorite Dragon, so to learn he had a sister??? Who was a biker girl??? And a BAD GUY?! Like, it was crazy! I loved the episode, and I still love it to this day. I love the lore, the aesthetic, the Black Vipers, the story, and the ending with Jesse under a starry desert sky flying off into the moon leaving behind a magical rainbow trail behind her? Like, tell me that’s not awesome!

So, since I’m bored and have Xiaolin on my mind, I’m gonna rant about her for a little bit.

First off, Jesse’s listed in the credits with the male version of the name, aka Jessie without the “I.” And the first thing I thought about when I mulled over this choice for a name was that it reminded me of Jesse James, who was a famous outlaw back in the days of the Wild West. So it was maybe a crew choice to give her that name as a shout-out to her criminal nature, and because of that, I like to think that in the show’s universe, Jesse used to be Jessie but dropped the “I” the day she left the Bailey Ranch. You know, to show that a) she was starting a new life and leaving her old persona behind and b) maybe to challenge the stifling old gender norms she was relegated to at the ranch. I mean, Daddy Bailey, as cool as he is, did ooze vibes of toxic masculinity in the one episode we saw him. If he was hyper focused on making Clay the manliest man, then it makes sense that he’d push Jesse to be the girliest girl.

But like, Jesse’s her own person, man. She’s hotheaded and stubborn and determined, and she’s got enough grit and pride in her to say “You know what? Screw this. I’m not happy here, I’ll never be enough for you, and life is too short to live in a place where you’re either ignored because everyone’s paying attention to your brother or being pressured and prodded into being something you’re not.”

So she left. I mean we never got a backstory on that (and I would have loved one, trust me), but she left, and she left on bitter terms too, considering Clay’s instinctive animosity towards her on sight. Like, no “hey, how’s life” or “where have you been.” The first thing he did after recognizing her was to call her a varmint. A nuisance. A lowlife.

That’s....uncharacteristically harsh, Clay. You’re supposed to be the sweetheart of the group, and the first thing you do when you see your baby sister after who knows how long...is to insult her?

Wow. There’s a story there. And if we don’t get any background on it, then maybe I’ll write it later? There’s always fandom, kids! And fanfic. And fanart.

But Jessie really does fascinate me as a character. Like even more than Ashley, or Wuya, or Shadow, or even Kimiko! Out of all the (very few!) female characters in the Xiaolin lore, she’s the one I’m interested in the most. It’s everything about her you know? It’s her backstory, it’s her personality, her skills, her likes and dislikes, the way she chooses to live her life, the way she’s constantly double crossing everyone around her - even her brother! No one is safe from her except for her loyal Vipers, who must also like her and trust her a lot too, since as soon as there’s a brief void in the leadership role, they automatically welcome her and her alone back into it, instead of squabbling over who should be the leader of their biker gang. For all their trouble and deceit, the Black Vipers stick together.

Probably because they’re all they’ve got.

I mean the girls live in a MINE! (An abandoned mine, like seriously, how cool is that?!) and they’ve got pet vultures, and know every inch of their hideout, and the place is falling apart in some areas but it’s HUGE and awesome and it looks wicked cool so it balances out.

But that alone implies that none of them have actual houses or trailers or apartments or condos where they actually crash. None of them have a home to go home to.

And why would they? I mean, you don’t just wake up one day and choose to live a life of crime. The show always likes to hammer in the fact that the world’s not black and white. Everyone’s got some good chi and bad chi in them. Everyone’s a shade of grey. And that includes the Vipers. And something tells me that they’re a darker shade of grey than most girls, and not entirely by choice either. Girls don’t just wake up and become bad guys. It’s a lot more complicated than that.

I worry about these girls. All of them are so young, early-late teens at most, but they’ve each got a criminal record and have scored enough infamy to be known all through the American Southwest. That’s kind of awesome. But mostly really, really sad.

Sadly we don’t get much personality from the girls, but I wish we did, I love the quirks in their character designs like WallEyed Short Girl and Tall Freckled Mopey Girl, and even Belle! Yes, the redhead has a name, and it’s Belle. Personally she’s my favorite design out of all four Vipers. The bright red hair paired with the turquoise in her necklace and hat is simple but unique. And her sass! And the fact that she’s like the ONLY XS character with brown eyes. Aaah! I love her so much!

But even with their lack of screen time or even voice lines, there’s enough evidence to infer that these girls are each other’s family. They’re sisters. They’re partners in crime wherever they go, from the arid deserts of Arizona to the neon casinos of Nevada, from the white sands of New Mexico to the empty-hearted prairies of Oklahoma, and hey maybe even as far west as Baja California!

And of course, Texas.

It’s interesting that even though she cut all ties with her dad and her brothers and her mom (I mean, if she even has one), she still wanders through Texas. The last thing she screamed at Jack as he took off in a huff with no Wu was “Don’t Mess With Texas”! She may have turned her back on her family and the ranch, but she’ll never turn her back on her home state. That’s kind of beautiful. It’s nice to think that the big bad biker chick who rules over a gang that kidnaps people and robs them blind....still has a soft spot.

But I mean, of course she has a soft spot. She’s a person, right? Good chi and bad chi coexisting together in a single human being. She’s got dreams, right? Secret wishes that keep her up at night, keep her going when the chips are down, keep her going when things get hard for her gang and she has to be the one to stay strong and lead them through it despite being a KID...yeah. It’s abundantly clear that Jesse is an adventurous soul. I mean, you gotta be if you spend your days riding through the desert and running from cops, and your nights sleeping in a creepy, abandoned mine that goes on for miles underground. That’s certainly not a lifestyle for the faint of heart, but Jesse seems just fine with it.

Because as crazy and as sad as her situation is, a teen girl with no home and, thanks to her record, no happy future to speak of, she’s happy where she is. Probably the happiest that she’s ever been in her life. She certainly has a lot more freedom, and values that freedom to Hell and back (probably.) She’s seriously gotta love the sweet, simple feeling of going wherever she wants and doing whatever she wants. Stealing from people probably gives her such a thrill, and with the jumps she made with her bike during the Showdown in her one and only episode...yeah, our girl’s an adrenaline junkie. Fer sure.

I wonder if she’d ever leave the desert at some point in her life. I mean, being an outlaw is cool and all but it’s definitely got a lot of drawbacks, and it isn’t very sustainable. And, I mean...people change. Maybe someday she’d just grow out of the lifestyle. Maybe one night she’d sit her Vipers down for one last talk, pass her leadership over to Belle, give them all one big hug and wish them luck, get on her bike and just...leave.

I wonder where’d she go then. Definitely not back home. Probably not with Clay. Being a Xiaolin hero, going to monk school, fighting over Warts...that’s his life, not hers. And I mean, she does have that inferiority complex, which aren’t exactly easy to grow out of. Maybe she’d secretly feel that she wasn’t good enough to be Xiaolin. But she definitely wouldn’t want to go full evil and switch to the Heylin side.

Jesse’s not Xiaolin, or Heylin. She’s just....Jesse. And that’s why we love her so.

I think she would wander. She’d wander all over the US, through every last state, seeing all that there is to see. Some places impress her. Some do not. Some remind her far too much of her home back at the ranch and some are so alien and foreign that her heart almost breaks from the loneliness. Sometimes she falls in love. Then, she falls right out of love, never unexpectedly, but only sometimes by choice. And after a few hours of heartbreak and self care, she’s back on her feet again, hunting down her next adventure. If she sees a Wu, she contacts Clay, and waits for him and the others to come. It’s easier to talk to him now, so they talk often. She sends him a pretty postcard from each city she visits. And with each message, she writes an animal fact about a local critter, just for him.

Home is....it’s not home anymore. Daddy Bailey, Mama Bailey, even Patrick...they don’t consider her family no more. At least that’s what she believes. She never writes to them. She doesn’t see the point. As far as she’s concerned, they all said what they had to say the day she left the ranch. Soemtimes she’s overcome with the temptation to give them a call and see how things are. But no matter how hard she tries, she always hangs up as soon as they answer.

It’s too late to fix what I broke, she tells herself.

And sometimes, she believes it.

But no matter what gets her down, Jessie’s a tough girl. She’s smart and clever and knows how to get by on her own. Her independent nature was hard-earned. She can take care of herself. So she does. And she wanders. And she sees the world beyond the desert.

Hey, remember that one line during her episode where she says “the only thing better than riding is flying,” or that out of all the Wu she could have kept for herself - out of all powers she could have had at her disposal - she opted to keep the Wings of Tinabi, aka the flying Shen Gong Wu?

I like to think that Jesse, like her brothers, is a smart cookie. But while Clay’s got animal facts and Patrick’s got computers, she’s more of an engineer. I mean, she’s got to keep her rides in tip top shape right? And those weren’t ordinary motorcycles either. I wonder if she was the one who designed the Black Viper’s iconic bikes. Maybe she built them all from scratch. Maybe they all did.

And maybe building bikes isn’t all she’s good at. I like to think that as Jesse gets older she takes on a whole new kind of project. As soon as she gets enough material and enough space to house her new baby, she gets to work on something she’s always been wanting to make in the back of her mind but never could before. It’s more complicated than motorcycles or cars or even tractors, and there’s a lot to lose if something goes wrong. But Jesse’s a risk taker, and a dreamer. And above all, she believes in herself. She has to. She’s always had to, because no one ever else did. Not until she chose to be her own biggest fan did she ever have someone in the stands cheering her on. She can do it. Of course she can. She’s Jesse Gotdang Bailey, and she can do anything.

I like to think, after a while on the road, exploring every last corner of America, and hey, maybe even Canada and Mexico, she finally gets around to building herself a plane. Wheels and steel are a beautiful combination, but wings? Wings can take you anywhere. They offer a freedom like no other. Hundreds and hundreds of people over countless generations have looked up at the sky and wished to be up there. And Jesse wouldn’t be any different from them.

I like to think that she finishes it right as she reaches adulthood. I like to think that she actually goes legit - for once - and gets herself a pilot’s license. I like to think that she gives her new ride a bright coat of paint, puts on the last finishing touches, gets herself a viper tattoo as a way to honor the occasion, and takes off towards the Xiaolin Temple the very next morning to show Clay how far she’s come.

And I would like to think that on the side of the plane, in beautiful rainbow lettering, is the name she chose for her new aircraft:

The Wings of Tinabi.

#sunbird writes headcanons #jessie bailey #jesse bailey #xiaolin showdown #xiaolin showdown clay #clay bailey #the black vipers #character analysis

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seraphcelene · 5 years

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TV: Roswell, New Mexico - 1x04: Where Have All the Cowboys Gone?

My thoughts are so random on this episode. There’s alot of threads being tackled and not all of them jive together. In the last two episodes watching Roswell has felt like watching three different shows all at the same time: there's a murder mystery, a family drama, and a YA high school romance in New Adult-ish clothes (omg, the genre collision). Then there are the B-plots: sexual orientation in the military and immigration politics. Trying to pull the narratives together into a cohesive whole makes for a jarring roller-coaster ride.

So, cowboys ...

Immediately, the title of episode four brings to mind stereotypes of the American Cowboy taming the Wild West. He's (always a He) gallant, tall, laconic, capable, stern, tough, emotionally unavailable, and physical.

Our candidates for cowboy hood are as varied as the stereotype is flat: Max, Michael, Kyle, Liz, Maria, Isabel, Master Sargent Manes. The problem of this line-up is the problem that the episode posits: Where Have all the Cowboys Gone? The fact is that they are missing. The stereotype is absent in the selection of characters provided. Looking back over the episode, they're knocked off one by one.

Spoilers!!

"There's a reason God put a cage around your heart."

Michael has none of the rugged, noble qualities associated with the cowboy. If anything he's more of a Drifter or a Desperado. That becomes very obvious in the light his awesome exchange with Maria:

"You drink just enough to burn off that Dramatic Cowboy Angst and then you start a fight before you have to pay."

It's SO Micheal and I am really enjoying the antagonism that exists between Maria ad Michael. The original pair had a similar, but less malicious vibe. The characters were romantically entangled, after all. Michael Vlamis's Michael Guerin is SO much more nuanced and troubled. Heather Hemmen's Maria DeLuca still carries some of Maria's quirk, but she is also very self-possessed and incredibly sharp. I still think the character is woefully under utilized, but we got to see some of her bite tonight and it was awesome!

Maria is pretty obviously our shaman in this storyline, guiding and insightful. Last week, she pointed Liz in the right direction to start her Rosa Treasure Hunt, this week it's all about revelations in the palm of Isobel's palm. Genuinely psychic, which I was so pleased to see, Maria has an odd place in the story. More connected to Rosa than to Liz, layer of remove sets her up as an outlier to all of the central action. She isn't a confidante like Kyle, dragged into the central narrative via his second romantic lead status and Liz's loose lips. In service to tonight's plot, Maria's reason for her beef with Isobel catty and high school as it sounds (I don't like you cause my BFF doesn't like you: the enemies of my friends are also my enemies, yada yada yada) acts as an entry point into a new facet of Isobel's character.

Reflections of Katherine Heigl slowly unfolds over the course of season one from this confident, sophisticated mean girl into this really lonely, needy TEENAGER was a highlight of the original series. She was clearly the best actress on the show, as later evidenced by her work on Grey's Anatomy, and I am still really disappointed that her career hasn't gone further -- you, guys, she has all the talent. Lily Cowles does a great job managing a similar trajectory, but her portrayal still reads a little disingenuous. She's missing the vulnerability that Hiegl exposed in Isabel so very well. Isobel's "carefully curated Pinterest" exterior (so aptly described by Maria) masks a woman desperate for security and stability and acceptance.

Isobel's utter pre-occupation with why Maria doesn't like her takes her down a pretty dark path. That attempted dreamwalk smacked so much of a mental rape attempt that it took me aback. Isobel's gifts make her good at violations. I didn't recognize it in last week's episode because the aggressiveness was missing. Isobel's interaction with Maria was very personal and very intent and intentional. The power dynamic though, interestingly, gets shifted pretty quickly. As Maria's psychic abilities peel back the mask that Isobel wears. It swings back again when Isobel literally shoves her abilities at Maria, demanding that she open her mind.

Isobel is obvs nobody's cowboy. She doesn't reflect the good, kind, true, upstanding hero. Her powers make her good at subterfuge.

Quickly, Kyle is way to urbane to be a cowboy. He's the town doctor: helpful, kind, smart. Master Sargent Manes is the villain. Nuff said.

Despite his very square and manly jaw and how well he fits the physical image, thus creating an expectation for us of how he will be and how we read him as a cowboy (with the hat and the boots and his thumbs in his belt loops), Max is definitely NOT a cowboy. Max is the love interest. Stereotypically, he read's as the girl in the triangle. Max is emotionally available, needy, and pining. He's laid his heart out for Liz only to have it repeatedly crushed. She does it again in this episode, admitting only that she feels something and that alot of that is terror.

In the final scene between Liz and Max, it was almost as if they were having two different conversations across time from the opposite sides of a relationship. Max, at least in his head, has been in this whole relationship with Liz that she never even knew about let alone participated in. His part of the conversation is about investing in and saving a relationship that doesn't, and never has, existed. Once again, Max declares his love for Liz and though she is able to acknowledge the feelings that he has, Liz isn't quite ready to meet him there.

So, who's left? Where HAVE all the Cowboys Gone?

Well, arguably, Liz, as much as she talks, is our laconic, capable, tough cowboy. The plucky go-getter heroine, smart, tough, distant, and capable. The entire opening scene in which Rosa describes Liz, words Liz echoes to Max, are descriptors that are traditionally coded masculine. Liz wears her distance as a badge, one that she isn't willing to let go of. I love that Liz has such a sense of herself. In that last scene, Liz is looking into the possibility of a future relationship with Max, she's still in the early exploratory phase of the relationship and is faced with a Max who is demanding more of her than she has to give. This is SO different from the original star-crossed love affair of the original series in which Max and Liz fell hard pretty instantly and equally. The shift in this iteration, the rebalancing of their affections definitely lends itself to a more grown-up narrative. Or at least, let's be honest, in this regard for Liz. While Max may still be hovering on the edges of some school boy crush for a girl he really no longer knows after an absence of ten years, Liz is living in an adult reality where love is never that simple.

Random Thoughts:

a) "People are the worse drug. They all hurt you in the end." The mystery of Rosa continues! Max does some dumb, melodramatic things and makes Jenna suspicious cause he's TIRED of hiding how much of a special snowflake he is! And then Roswell turned into a lifetime after-school special with the big reveal that Sheriff Valenti (the former) was having an affair with Liz's "teenage, drug addict sister"! Cue close-up, melodramatic tunes, and fade to black cause what can you say after that! Of course, all we've really mostly seen is Liz making one wrong left turn after another. She likes to get worked up, ratchet up the tension, make sweeping declarations inditing persons and then figuring out that okay, maybe, she might have been wrong. It's like a total soap opera.

b) What's the likelihood that crazy Alien Conspiracy Guy IS, in reality, an alien? Hiding in plain sight and all.

c) "You have exactly cinco segundos to get out!" Have I ever mentioned how much I love Spanglish? Well, any language mixing with English, really. I totes love it.

d) Master Sargent Manes remain an asshole.

e) Heart attacks out of nowhere, what up, Car Accident Kid and Papi Ortecho?!

f) I love that all of their powers have a physical limit and come at a price. It's not easy and there are repercussions.

g) Consensual, non-shamy, adult sex!! YAY!!!!

h) "I don't want to talk about him with you while I'm not wearing a bra."

i) And the finale reveals!!!! 1 - Michael killed "those girls." Does that include Rosa or just the other two? I get the feeling it was NOT Rosa, but that Michael's guilt is pushing him to become scapegoat for the sake of the family. After-school special Episode 2. No joke, it got really dramatic. 2 - The lights come back up in the city and there was, if my eyes don't deceive me, an imprint of a space ship over the city. What the actual fuck?!

#tv:miscellaneous #Review: TV #roswell new mexico

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outfitandtrend · 2 years

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lilmajorshawty · 6 years

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Decans Series(Venus) Episode Nine🌴🌴🌴(Sagittarius)

Sagittarius decan one(Jupiter): these natives are a force of nature-often the typical wild boy and girl, they have a natural and raw energy about them but also can seem rather detached and impersonal. They love the idea of connecting but often readily disconnect from anything that’s to engaged to quickly. They live for the chase-anything that’s unattainable but also anything that’s playing to hard to get for too long is a bit too much of long foreplay for them. In some cases they can have fast moving hearts-but more so the heart of a nomad is their truest self. They love being free and want someone they can be free with-for them love isn’t all about having something to ground them it’s about having the feeling of being limitless-seemingly above the clouds all in one person. They can be rather instinctual and often don’t like to involve their mind to much in their romantic liaisons. Romantically they’re relaxed but also emotionally present! They’re often the backbone for their partners-sexually there very passionate and love to roughhouse with their partners and even more then Aries they love a good fight.

Dress style: MASCULINE both sexes can have a natural and almost unbothered look to their appearance. The hair in most cases is thick and at times wavy. I’ve noticed it to be either dirty blonde or dark black. Men tend to have beards while women tend to have playful expressions on their faces.

🦍Gorrilaz Saturnz Bars

🦍 arctic monkeys red right hand

🦍stuck in the sound lets go

Sagittarius decan two(Jupiter+mars): these natives are like a carnival, they’re impulsive yet curious about the world. They have a strong presence about them and in some cases can have a heavy more animalistic shadow hiding behind. They often pursue everything with their upmost passion and fury-at times forgetting to use logic in their hunt. They have very youthful and childlike hearts often easily filled with wonder and nativity to it all. They view relationships in a more easy going light and tend not to sweat the small stuff. For them it’s about the adventure not necessarily the destination. They’re very physically inclined and love to touch their lovers as much as possible. They have a hard time holding on to anger or anything ill intended in the relationship and are typically forgiving! They hate doubt and tend to want everything to be laid out on the table rather than festered upon. Love for them is an all or nothing experience anything other than that for them is a bore. Romantically they are insatiable-they want you in every way-and there is no negotiating.

Dress style: punk rocker kids, the old indie aesthetic with a bit of the old school skater look to them. The jawlines are pronounced and the hair is often thick and coarse with a defined forehead. The eyes look like chaos and you can never tell if their agitated or excited.

🦍Blockhead the music scene

🦍Ratatat loud pipes

🦍Chinese man I’ve got that tune

Sagittarius decan three(Jupiter+sun): these natives are bigger that The Sun itself-bright and warm like a summer day. They can be overwhelming with their immense vitality-they tend to approach life and romance with a wild zest, as if they’re drinking it all up with a straw. Often times they are blunt and earnest rarely avoiding the more nitty gritty aspects of the courting stage. They’re no stranger to love and have a deep desire for it in their lives. Albeit they do get frightened by the idea of giving themselves to someone indefinitely, they do still crave the idea of belonging to someone. Of course in true solar fashion they desire a great deal of love and affection and want to feel like they’re the best there mate has ever had-they want a romance full of the drama and also full of the growth that comes after the drama has played out. They are extremely protective of their lovers and also deeply sexually jealous of anyone who wants what’s there’s. They can be show offs but also big ol babies when it comes down to it. Romantically they are very intimate and do crave a lot of sex! The libido runs very hot and for those that aren’t ready they can be very energetic.

Dress style: they dress very classy! On occasion their outfits always look like something out of a fashion book but they also tend to wear a lot of traditional outfits. Many are strongly attached to their families culture and can wear tribal wear. The hair looks soft and is often very earthy. They eyes are curious in nature and look innocent yet like that of an old soul.

🦍Aloe blacc I need a dollar

🦍Kanye West I am a god

🦍Kanye West feat jay z ain’t not church in the wild.

Venus in Sagittarius v1(vibe they give off)

Venus in Sagittarius v2(vibe they give off)

Venus in Sagittarius v3(vibe they give off)

#mine #sagittarius venus #decans series venus #jupiter #mars #sun

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jennmeck-blog · 4 years

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I make my students do it...so why shouldn’t I?

We’re currently discussing this history of hip-hop in dance history 2. I tend to refrain from sharing all of my thoughts and opinions to allow for others to create their own, BUT hip-hop is my jam. Also, transitioning to online learning gives me more of a reason to express thoughts via blog, so here we go.

After discussing the origins of hip-hop and all of the elements involved (djing, mcing, graffiti, dance), we’ve moved on to discuss globalization and masculinity within this form. I am hoping most of you reading this know that hip-hop developed out of extreme situations in the Bronx in the African American and Latino communities. If you didn’t know, you do now. The disco jockeys were the creators of the beat, the vibe, and the culture. Breaking is considered the original dance style due to the relationship they had with the DJs and the MCs. All of them together are the culture. However, if you were on the west coast you were also experiencing new forms of dance that became a part of this movement: Locking and popping (not pop, lock, and drop it). Funk styles that kept it groovy.

So, if this form is so connected to the sociopolitical events in the Bronx in the 1970s, how can people from other countries really know and understand what it’s like to live, experience, and breathe hip-hop? The intercultural body. As Halifu Osumar suggests in “Global Breakdancing and the Intercultural Body”, you don’t need a language to understand the culture. We speak with our bodies and if you know the culture you know the systems and procedures. Embodied movement is a thing. In hip-hop dance, there is room to express individuality within a set foundation. That foundation is known by anyone and everyone who lives the culture. If you know hip-hop, you know the rules of battling and, therefore, can battle without verbal communication, which is essential to surviving the street culture.

As a woman who loves the style of breaking, it’s hard for me not to get a little heated when I read about masculinity in hip-hop, especially in the article “Getting off: Portrayals of Masculinity in HIp-hop Dance in FIlm” by Sara Labosky. Not because I’m offended or don’t see the necessity of “masculine” qualities in breaking to maintain aggressiveness or power, but because I’m sad that women had to fight so hard to be a part of something that has always felt welcoming. As a white, gay woman I have felt accepted by this community, for the most part. But as a woman, in dance in general, I have felt that I can only use my strength and power in silence. Of course, there are now badass women out there who have challenged the stigma of women in breaking (shout out to the one and only Teena Marie). There is so much more involved in the sexualization and masculinity in hip-hop, but that would be a dissertation, not a blog.

We also discussed Rennie Harris (bowing down as we speak) and his incredible contribution to hip-hop. He blessed the concert dance community by bringing the street culture to the stage in a way that was powerful, thoughtful, and pure genius. He really connected to African roots, personal experiences, and made sure to present all of the elements essential to the hip-hop culture (djing, rap, breaking, popping, locking, socialization, and freestyle). He’s not the only artist to explore this transition, but he was one of the firsts. Of course, there’s Doug Elkins, Raphael Xavier, and the new genius Ephrat Asherie. I am going to leave you with only a part of Harris’ “Rome & Jewels” to chew on and digest.

https://www.youtube.com/watch?v=NBx4NDCflR8&t=2028s

Also, here is “Wild Style” that was frequently referred to in some of the readings from this week.

https://www.youtube.com/watch?v=GaXMfw0IJOo

Jenn Meck is signing off!

#rennieharris dance hiphop masculinity dancehistory ballstate Iwillneverdyemyhairblack interculturalbody

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modamonster-blog · 6 years

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Dior Cruise 2019

Here we are again…spring, er, summer? Just. It’s hot out. My cat is draped across my lap, my mini fan is on, I’ve turned off f.lux and am burning my retinas with the power of blue light, it’s time to watch the Cruise 2019/Resort 2019/Cruise Resort 2019 (pick one goddammit!!!) fashion shows.

I’ll be reviewing some of the top designers, and then maybe a few indie ones as well. London Men’s Fashion Week is happening now though…should I even bother, you tell me.

First up, is the Dior Cruise 2019 show.

As always, I will link the Youtube video below, as well as Dior’s page with all the looks. Follow along with the video for the overall review, then see my BEST and WORST look choices.

Overall Review:

I love~ the horses and the original concept/theme of this show. Mexico, rancheras, wild west, all concepts that could be modernized beautifully and pay homage to the Mexican roots of ranching and cowgirls. I think the girls on the horses are so cute in their little matching dresses, colors innocente, and wide brimmed hats contrasting to their amazing control and synchronization, the vibe “barely tamed”. Like many of the other looks in this show, I really am not sure if these were supposed to be costumes or not. The set was, well, cool, I’m not sure how the rain presented. Reading about the set on Dior’s page is a good idea. The runway, I thought, perfect. Maybe the horse show was a little drawn out but I’m a sucker for it. I liked it, fuck you.

Within the first few minutes of the walks, I could already say that I hate the prints for this line. From far away they look like tacky animal print. The kind you might find on a $40 couch at the thrift store that your grandmother is sewing a couch-cover for. Maybe it’s the color palette, but they just don’t look right. Especially with the broad pea-coats, which reminded me of a less fashionable version of Carol Burnett’s brocade curtain dress…

And ugh. The hats. THE HATS. Yuck. Bucket hats and bucket boots…Those boots could be nice if paired differently.

A quick positive before I continue tearing this apart (I’m so sorry), I think the models were styled really well as far as jewelry is concerned. The recurrent asymmetrical earrings looked so slick. They ALL pulled off that look so well and I think that this is a difficult thing to achieve…asymmetrical earrings often look kind of pirate-costume to me, and this looked elegant and classy. The accessory section on Dior’s Cruise 2019 page says that the accessories are inspired by female Mexican rodeo riders…the jewelry is a tribute that was done right!

Dior (namely Maria Grazia Chiuri) really seems to struggle with creating slightly masculine looks that involve skirts, and the theme of this show did nothing for that struggle. This combination resulted in a very dated looking outcome, and I did not see the Mexican rodeo rider inspiration, coming off more like dowdy white women. Alternatively, the more feminine looks were costume-y.

Maria Grazia Chiuri is known for her embroidery designs, yet in this show almost all the looks that featured her skills in such were muted to the point that it looked old. The embroidery is done well on the belts (though I don’t like them) and the bags (adore).

At around 7:54 models start coming out in tennis shoes. With those skirts they looked like hippie tomboy middle schoolers. The shoes in this show are killing me because they could’ve been styled so well…but were missed. I don’t know if you noticed but there are silver stars stuck into the bottom of all them. I love the little things.

The prints in the latter half of the show are beautiful, show real artistry, and I like that a lot of them were done in black and white. I have to say as soon as they walked with those jackets and shorts, plus high top tennies, I thought, maybe not all hope is lost for this show.

But then the tiered skirts came out.

Note that another designer came out with tiered skirts for Cruise 2019 and they looked great. I considered them. (And when I say that, I mean, formerly tiered skirts disgusted me so much I would Never even consider). So why is it that a lot of the looks for this show were done better by other designers, previously or this season? Just disappointing.

Can I be honest. 11:18 I started skipping around. I mean at this point it just gets so blah…meh…why I am watching…

The last two looks were obviously to be remembered. But even after watching (struggling) through this show twice, I forgot almost immediately what the heck they were.

The original concept was beautiful and important. How it played out with this designer made it costume-y and tacky. While there were small bits and pieces that sometimes connected the looks, ultimately it wasn’t cohesive enough. The color palette was rough and the silhouettes were mostly unflattering. I think there is a way to honor a culture, like Mexico and rodeo and female riders, and make it distinguished and respectful, also fashionable. Dior failed in that aspect.

I have to say I’m pretty disappointed in Maria Grazia Chiuri. She is all about female empowerment and it is awesome to see a woman leading the creative department at Dior. I wish that she could’ve been more conscious with this theme. This show had some looks that I loved, and a lot of looks that were boring, dated, or awkward. I’m really hoping that in the future, she as a creative director finds a groove bringing what she excels at into Dior without compromising the style.

BEST LOOKS

Looks professional, effortlessly masculine but still a feminine look, and doesn’t look like a costume. Many of the other looks failed the skinny black tie and white dress shirt, but this compliments it freely! Small, simple embellishments work well with Dior. Still deciding on those boots. Been staring at them too long.

The colors in this are great and finally make those green boots look good. Maria Grazia Chiuri’s embroidery shines here. I was almost put off by that tulle addition on the bottom of the skirt but it’s working for me, it ain’t wrong.

I love this. The print looks good in that blue, and the blues look good with the black. The bag with the gold chain is so perfect for this color blue. Listen I am in love with the colors, but also the silhouette. The rounded shoulders and chunky boots give a balance, and despite the almost ridiculousness of the print, hat, and bling bag, it remains subtle. Love.

I’m noting here that these were about the only three looks that I liked.

WORST LOOKS

Oh my gosh, I don’t know how I can describe how much I dislike this one. She looks like an extra for the Matrix movies. I would like this a tiny bit more if the boots were black in pair with this look…For some reason they are really setting me off. Like an itch. Unsatisfying. A few good things, the hat: cute; The bag: love.

All the tops in this style in this show look awfully ill fitting and ruin any good part of a look. Paired with these…jeans(?) especially. The two different prints look terrible, and here is where black does not look good with blue. So tacky. The tops also look plastic-y…what’s that all about? I might like that print if it wasn’t shiny, maybe more form fitting, tucked into the pants? I don’t know.

That bodice…my mind says “soap” and I don’t know why but that’s what it’s saying and I don’t like it.

The culmination of everything I hated about this show in one outfit.

Last note:

This model has a fantastic walk and face. She is amazing…totally rocked all her looks. Who is she?? And where have I seen her before?

Video: https://www.youtube.com/watch?v=whY-5h4w6Ok

Dior Cruise 2019: https://www.dior.com/couture/en_us/womens-fashion/ready-to-wear/cruise-2019-show (this is where I get all my photos

#dior #christian dior #dior cruise 2019 #dior cruise #2019 #fashion show #review

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mexcine2 · 7 years

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The Amazing Colossal Irishman -- Get Outta Town (1960) poster

Although I generally choose subjects for these essays which—in addition to providing fodder for my witty commentary—are reasonably competent in both an artistic and marketing sense, today’s poster doesn’t necessarily fit that criteria. This poster isn’t especially inspired and doesn’t seem to have that “hook” that might pique the ticket-buying interest of movie audiences. However, Get Outta Town is a sentimental favourite and the poster is worthy of examination.

As noted above, I have a soft spot for Get Outta Town (the movie, not the poster so much). Clearly a low-budget vanity project for actor Doug Wilson, the film has nice noir-ish feel to it, the location shooting adds verisimilitude, and the vernacularised title* draws attention (apparently the working title was “The Day Kelly Came Home,” which isn’t bad; the picture was re-released in 1964 as Gangster’s Revenge, which sounds like a generic translation of a Japanese yakuza movie title).

*[ Get Outta Town was the first in a planned trilogy, to be followed by Fuhgettaboutit and Whatsamattayou. Alright, that’s totally not true. As far as I know.]

Most of the behind-the-camera personnel behind Get Outta Town don’t have extensive Hollywood credits. Executive producer William B. Hale might be the same “William B. Hale” who made a 1950s documentary on the Watts Towers entitled “The Towers,” but this is unconfirmed. Co-producer/director Charles Davis is only cited by IMDB as the director of one other, later independent film (assuming this is the same Charles Davis); cinematographer Larry Raimond has a handful of credits spanning nearly 3 decades. Scripter Bob Wehling seems to have had the most work experience, directing a couple of features and doing some acting in additional to his writing chores. Co-producer and star Doug Wilson has a handful of TV appearances on his resumé, and IMDB also indicates he was a film editor, although no credits are provided.

[To be fair, technical credits on episodic Fifties television series are not well documented, so at least some of these people could have been hard-working professionals, just not on theatrical features. As an aside, Get Outta Town’s on-screen credits are in the familiar “Sixties TV sitcom” font, which subliminally reinforces the television-industry connections of the cast and crew.]

Get Outta Town carries a 1959 copyright date by “MCP Film Distributing Co.” (the production company is listed variously as “Albex Films” and “Davis-Wilson Productions”) and was released in 1960 by Sterling World Distributors (the 1964 re-release was handled by Beckman Film Corp.). A fair amount of “paper” can be found for Get Outta Town, including the one-sheet poster illustrated here, lobby cards (I think I even own one), and an insert.

The poster for Get Outta Town (which spells the title Get Outta’ Town, although the film itself doesn’t have the apostrophe) isn’t horrible, but is rather bland. The yellow background was, for some reason, a popular motif in some Fifties-Sixties cinema posters: perhaps the designers thought it was eye-catching or made the artwork “pop” more than a white background would. To me, it signifies “cheap indie film,” though, but I suppose that could be a conditioned response based on the number of posters I’ve seen like this, as opposed to a strictly artistic evaluation.

[More yellow-background posters, from a quick scroll thru www.wrongsideoftheart.com: Carnival Rock, Because of Eve, Cage of Evil, Curse of the Faceless Man, Eighteen and Anxious, Fingerprints Don’t Lie, Girl Fever, Girl on the Run, Liane Jungle Goddess, Red Lips, Right Hand of the Devil, Teenage Zombies, The Violent Years, Wild for Kicks, The Naked Road, Teenage Thunder, Operation Conspiracy, New Orleans Uncensored, Five Guns West, The Party Crashers, Chained for Life, The Incredible Petrified World, The Woman Eater, Voodoo Island, and many more. The titles alone give you an idea of the class of movies that used the garish yellow background in this era.]

The main image is, of course, of producer-star Doug Wilson. He’s big, burly, with muscular arms and a hairy chest revealed by his unbuttoned shirt. There’s a sort of John Wayne-ish vibe about this portrait, and it was probably not coincidental. I’m of two minds about this. First, the art does convey the impression of a tough, action-oriented, even working-class protagonist, perhaps a truck driver or an oil rig worker or a longshoreman or a construction boss, etc. (this is somewhat at odds with the tone of the film itself, which is more of an urban crime picture). On the other hand, Doug Wilson stars in the movie but he’s not a movie star, so a gigantic painting of him, mostly devoid of context, might not be the best sales tactic. He’s looming over a cityscape, there’s a dead body and two women, but mostly this is DOUG WILSON, TOUGH GUY. Take it or leave it.

Two women are pictured on the poster. The poster’s text (to be discussed shortly) suggests these are the protagonist’s “two girl friends,” and we can surmise that Lefty is the good girl (modest top and skirt combo, tasteful necklace) and Righty is the bad girl (spaghetti-strapped gown with a fringed hem, bare shoulders), but they are both awkwardly posed and both share the same shocked and apprehensive expression. They’re his “girl friends?” They seem to be regarding him fearfully, not affectionately. Maybe it’s awe of his massive masculinity that makes them look that way.

Thus, while the artwork and design aren’t crude or confusing, the exact nature of the film is hazy. Perhaps the text can clear this up? But if you’re relying on the printed words on a poster to educate your audience about what to expect, you’ve got one strike against you to begin with.

The Get Outta Town poster’s text is relatively on-point. “Kelly turned the town upside down the day they killed his kid brother!” Got it: revenge motive for town-inversion. “He took the law into his own hands!” His own big, meaty, tough-guy hands. How would you describe Kelly? “A two-fisted Irishman with two girl friends!” One girlfriend for each fist, it seems.

[Doug Wilson is credited as “Kelly Oleson”—I don’t remember if his heritage is explained in the film itself, but “Oleson” is a “Danish-Norwegian patronymic surname,” according to the unimpeachable source for everything, Wikipedia. Even if you spell it “Olson,” it’s still Scandinavian, not Irish. But I guess “two-fisted Irishman” sounds better than “two-fisted Scandinavian.” Unless of course you’re Scandinavian.]

The poster indicates the film has an “All-Star Hollywood Cast.” You keep using those words. I do not think they mean what you think they mean. Perhaps you do know, you’re just hoping we don’t call your bluff. “All-Star Hollywood Cast?” Doug Wilson was in an episode of “Rawhide.” And two episodes of “Science Fiction Theater!” Jeanne Baird did a lot of television in the Fifties and Marilyn O’Connor played “Rita—Saloon Gal” in an episode of “Tombstone Territory.” The rest of the cast is a mixture of people who made a few other appearances (mostly on television) and those whose sole IMDB claim to fame is Get Outta Town. So we’ll give them “Hollywood Cast,” but I’m calling shenanigans on “All-Star.”

The text on the Get Outta Town insert poster is significantly different than the one-sheet’s. The top tag-line is hilarious: “ ‘Squirrel’s’ Tongue Slipped!” No, it’s not an erotic movie shot at a furry convention, “Squirrel” is the name of a minor character in Get Outta Tongue. He let something slip, you see, “...and Kelly’s Fists Went Into Action!” [btw, “Kelly’s Fists” would have been a good alternate title for the film.] “This Irishman cleaned up gangland when police didn’t!” Also “His love for two girls solved a nasty crime!” However, it also caused considerable heart-ache.

The poster for Get Outta Town isn’t bad—technically speaking, the art and design are professional—but it’s not unique or compelling, especially given the no-star nature of the production. In a way that’s too bad, because the film itself is rather enjoyable in its way.

#film poster #get outta town

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