Tumgik
#i just need to post more in that fandom
viivdle · 1 month
Text
me when someone i follow likes my post
Tumblr media Tumblr media
8 notes · View notes
magnusbae · 11 months
Text
To illustrate this post by @mayahawkse I would like to visualize to you the difference:
A post in 2023:
Tumblr media
A post in 2014:
Tumblr media
A zoom out of the same post:
Tumblr media
This is what a community looks like.
See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.
It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.
Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.
If you want more of something, reblog it.
32K notes · View notes
thevioletcaptain · 1 year
Text
i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.
it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.
it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)
it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.
10K notes · View notes
cyellolemon · 1 month
Text
Tumblr media
Also super quick labru thing because i needed to draw t4t labru but i didn't manage to draw any better than that sryyy
2K notes · View notes
swift-kwikster · 2 months
Text
Tumblr media
Don't think I posted this here??
919 notes · View notes
Text
tim drake would rather die than kill innocent people and tim drake killed hundreds of supervillain henchpeople with long-range detonation explosives that one time are two separate headcanons that, contrary to what the fandom discourse would have you believe, can actually coexist at the same time.
there’s even a psychologist term for it.
it’s called compartmentalization!
508 notes · View notes
messiahzzz · 3 months
Text
friendly reminder that creators within fandom (whether it be gifs, edits, meta, fanfiction or fanart) choose to take time out of their day to provide you with new content for free.
it’s easy to take it for granted since it only requires a few seconds/minutes to scroll through your dash, but it’s important to remember that behind that there are often hours, if not even days, of work and dedication.
735 notes · View notes
snugglebunnies · 1 year
Text
you don't understand how normal i am about the mario & luigi series' FIRST game featuring prince peasley, a character who not only remembers luigi's name, but chooses to forget mario's all while continuously treating luigi like the extra special one out of both the brothers
like. this game emphasized the whole "haha luigi's a loser" mentality nintendo rly latched onto. in the start of this game he is repeatedly being forgotten and belittled and dragged along this way and that
Tumblr media
and then all of a sudden this PRINCE shows up and starts giving luigi all this special attention like? AH. the idea that luigi's self esteem is already so low and then all of a sudden he's having roses thrown in his lap, nicknames given to him, and thanks/compliments left and right
Tumblr media
not to mention the. ahem. butt stabbing scene...
Tumblr media
and the aforementioned deliberate choice of words on peasley's part when referring to mario. he recognizes that luigi is hardly referred to by name and extends that kind of lack of recognition to MARIO instead of luigi, for once!
Tumblr media
and luigi reciprocates hardcore! 
he starts greeting/saying goodbye to peasley by waving his hat, blushing around him, collapsing to the floor and sobbing when peasley puts himself in a dangerous situation, and rushing to hug him at the end of the game
Tumblr media
and there’s other little things: like how peasley is straight up winking as he goes to catch luigi from falling 
Tumblr media
and in the remake, luigi keeps peasley's rose under his hat! 🥺
Tumblr media Tumblr media
in conclusion: i think their relationship is really important for luigi's self esteem and character arc and more people should witness and recognize their very canonical romance. thank you. <3
4K notes · View notes
Text
It is funny to me how Harry Potter is literally the main character, yet people tend to go like he didn't suffer that much or he wasn't "abused"; Like, how can one misunderstand the literal main character of the damn franchise?
He wasn't abused; yes okay. He absolutely did not grow up inside a cupboard; the tiny place that is mostly reserved for brooms or cleaning supply. He absolutely was not treated inferior to the other child who lived in the same house. He was totally was not treated like a "freak" or a "stain" that his family was ashamed off. He grew up inside a cupboard while there was a literal unused bed in the same house. And you want to know what that screamed to a child, a baby — who slept inside a cupboard while there being a perfectly usable room right there? You are worth nothing and we don't love you and we are ashamed of what you are.
He wasn't starved, or at least he was fed; Yeah, no. We see it from the first book. How Vernon was no food for you and in the cupboard you go — and by the looks of it, that was like his most common punishment. And then, in the second book — you practically see it happen. He was locked, inside a room with only a can of soup that he shared with Hedwig. Now, tell me what it would do to a child — to be given food through a cat flap, and fun fact? Harry got to eat less than people on war rations; in short? He was starved, yes.
He wasn't abused physically so it's not abuse; As for people's thinks abuse isn't abuse until it's physical (which is inherently wrong because abuse isn't only physically, fyi); Harry has learned to dodge Vernon and he states that, very proudly when his uncle tries to grab him. He dodges a flying pan and states that fact, again very proudly as if it is the norm; do you know how heavy pans are? And do you know what would happen when one hits you? If you want an even clearer proof; Vernon Dursley strangles Harry in Ootp. There you go. Also, in the first book, we clearly see Vernon encouraging Dudley to hit Harry. Read between the lines and actually try to understand what that signifies.
And favourite part; When he wasn't treated like a prisoner, or a freak— he was their servant. And that is very much canonical. Tending Petunia's garden during summers and drinking from the water hose in the garden because of how hot it was? Having to wake up early so he can tend the kitchen and when he wasn't doing all that he is locked away. And it is all canon.
In conclusion, Harry— not only grew up to think that he was inhumane, undeserving of love, a freak that didn't even get to have his own bed because someone like him didn't deserve it, physically harmed enough times that he dodges them out of reflex and also the Dursleys' glorified servant; that is not even taking into account what Harry went through in Hogwarts. And after all that if someone tells me; this child, right here — didn't go through much then well, maybe read the books again?
428 notes · View notes
Text
Worlds most tragic victim to male pattern baldness
Tumblr media
350 notes · View notes
marukane · 2 months
Text
if anybody is still into bmc in this good year of 2024 please interact with this post in some way i need mutuals who share my hyperfixation of getting back into it
394 notes · View notes
dollypopup · 2 months
Text
I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
309 notes · View notes
anonymouscheeses · 6 days
Text
Tumblr media
They are everything to me.
#hyperixating on THESE two is kinda painful. like wdym half the fandom doesnt like them. they are so awesome??? sickos...#hazbin hotel#hazbin hotel charlie#charlie hazbin hotel#hazbin charlie#vaggie#hazbin hotel vaggie#vaggatha#hazbin vaggie#charlie x vaggie#vaggie x charlie#hazbin#chaggie#rainbowmoth#varlie#fallenstar#its always the wlw ships too. like wdym yall d ride mlm??? it be the 12 yr old girls too 😒 /hj#charlie ass? yes pls. also yes i gave charlie a tail. i always give random characters tails if i think they deserve it#i think..... i think im getting better at anatomy guys 😨 (im delulu)#definitely better than my first chaggie posts if yall remember that 😭 oh how i have improved for real... maybe ill make a improvement post#i jst wanted to draw ass bro. i know thats not how psnts work#i want tjem both to be so in love eith eachother that it makes me sick. genuinely please let them be such freaks rhat it makes ne bleed#also can i jst saw how annoying those shoulder pads are?? WHY DO ALL THE MEN + CHARLIE HAVE THEM. MAKE HER DIFFERENG SHES THE MC???#omg i just noticed it looks like shes grinding on her knee. ignore that. but maybe she is who knows?? 😝#dynamic pose test. i think its alroght but i still have stuff to improve... im practing 😈#ugh i just want more charlie being madly in love with Vaggie. not you guys. you guys are doing great mwa mwa /p but i mean the show! like#wheres charlie being lovey to vaggie?? shes literally the embodiment of love why cant she show idk... MORE to vaggie? i 💜 chaggie but... ☹️#gay people make me sick /j#yes. charlie IS lovey to Vaggie.. but.... idk its not to the life sacrificing extent like vaggie does? idk maybe i want fan service like 🤨#OH like charlie going demon mode for vaggie. FINALE DONT COUNT. she already was demon mode. i need vaggie almost DEAD and char swoops in id
136 notes · View notes
moodlesmain · 1 year
Text
Hi. Look at this.
Tumblr media
I just spent two days straight making a digital conspiracy board trying to piece together my favourite genre that isn't really a genre and more just a very particular niche which doesn't really have a name.
If you want to look I reccomend downloading and zooming in on the image to read everything LMAO, I want to try and convert it to a page on my neocities at some point so its easier to view but for now you guys just get a big ol' jpeg. You're welcome :)
Tumblr media
783 notes · View notes
sunny-and-the-flowers · 3 months
Text
Another thing that I find very interesting about Boomer, it's how his self-esteem is low. This is how he reacted when he was under the influence of the fear toxin:
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Also, it's so funny how he's so scared of peekaboo.🤣
Tumblr media Tumblr media
Special mention to this one 🤣:
Tumblr media
208 notes · View notes
lorephobic · 6 months
Text
literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
338 notes · View notes