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#but as a memento: have this
dollypopup · 1 month
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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taitavva · 11 months
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Phantom Thief Looking At Black Mask
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sketchy--akechi · 1 year
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crazy how they deleted this scene from the mementos mission manga 😳 😳 
(disclaimer because some people on twitter actually fell for it, this is fake, I drew that second page lol)
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poorly-drawn-mdzs · 6 months
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Gearing up for the stat boosts
MDZS Disco Elysium AU Part 3 (Part 1 - Part 2 - Part 4)
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skitskatdacat63 · 22 days
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Okay now where's the Seb teddy bear so I can make them kiss each other!?
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rakkuntoast · 9 months
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they give the silliest fights to the strongest warriors
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calamarispiderart · 4 months
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heres the pieces i did for cjs memento mori cover! enjoy B:]
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kadextra · 11 months
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“Cucurucho give me my enderchest!! You stupid- fluffy monster!! I’m gonna flipping kill you, you took away my memories! You took away the one thing that I had to remember all the eggs who are gone! This is it Cucurucho, this is your final sayonara, you’re going. rip rip potato chip. I will literally sign onto the code thing’s army, it took my son’s (life) from me but you took away my memories- You know what? No! Forget that! I HATE YOU BOTH!
I’m making it my mission. Cucurucho, the code entity, you’re both dead. I’ll take both of you out, I’ll kill both of you. This is how I solve my problems! I solve my problems with death- cause I’m the flipping grim reaper-!”
I just had to transcript q!Bad’s huge rant at the end of stream it was so funny and also pretty darn good to contextualize his character more
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spoiledmilks · 6 months
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It has been 3 years since my favorite youtube channel has been deleted
Quickly sketched this for the death-anniversary
Memento mori, unus annus 🖤🤍
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asleepinawell · 4 months
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can't have shit in the upper river
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haunted-xander · 8 months
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Another thing that fucks me up about Thancred & Ryne's relationship through most of shb is that Thancred KNOWS hes messing up he KNOWS hes making tons of mistakes with how he deals with Ryne. He knows full well but doesn't do anything about it. He knows he should reassure her but he doesn't, and he probably doesn't even think he can. Because he knows it won't be completely genuine (and Thancred doesn't even know how to be genuine to begin with) and Ryne is too smart to not see that. And because Ryne already has such a low view of herself she'd never accept his words even if they WERE genuine. Because she still knows that Minfilia means more to him than she does.
And Ryne knows that he's fucking up the entire time too. She knows that he's stressed and grieving but she also thinks she knows his feelings better than she does. Ryne assumes a lot about Thancred, she fills in the blanks between everything he doesn't say or do, but she always fills them in negatively. To her, the default is ALWAYS going to be people wishing she was someone she wasn't, because that's all she's ever know (Vauthry saw her as just "the Oracle" and Ran'jit saw her as just another "Minfilia"). She knows Thancred knows she's not Minfilia, but she thinks he wishes she was (and she's not really wrong, but it's not correct either).
And Thancred is scared to say anything, because he doesn't want to decided her life for her, because he knows Ryne's life is her's to do with as she pleases, but in doing so he inadvertly pushes her towards the option no one really wants. Minfilia doesn't want to come back at Ryne's expense, Ryne doesn't want to just be "Minfilia" for eternity, and Thancred doesn't really want to lose Ryne either.
It's only as the final decision is at hand that Thancred really shows that he DOES care about her as an individual person. It's only after Ryne has already decided to take her life into her own hands that she gets to understand, just a bit, of how he really feels.
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kiyrian · 5 months
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I think i might be into something. just don't ask me what
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doodleodds · 1 year
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Me? Uploading a Halloween comic on November 18th, almost four whole-ass weeks late???? Yeah that’s uh. yup. yeah
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Thanks for reading! :) <3
#persona 5#p5#akira kurusu#OUGH OH MY GOD ITS FINALLY. DONE. I AM LOSING MY MIND#if you've been following me for long enough: yes! this IS in fact the comic i mentioned that i was making last year.#Fun fact! This is also! The Third Draft of said comic!!! i have redrawn this thing THREE FUCKING TIMES#as a result you may notice that i uh. a) gave up on coloring this thing. no way in HELL am i coloring 30 pages. im not...strong enough#you will settle for simply having monochrome colored panels and you will LIKE IT!!!!! >:OOOOO#and b) gave up on backgrounds! yeah fuck that lmao. i am never drawing people in the monabus again and mementos can kiss my ass!!!!!#i just want to draw my silly little characters & not their environments#and you may also say: sophia. by halloween they are already in Sae's palace. why isn't goro with them and where's haru?#and to that i say shhhh suspend your disbelief. akechi is in mementos carving pumpkins to avoid trick or treaters.#and also haru isn't there because i cannot draw 6+ people in a cramped space yet!!! my art skills are Just Not There Quite Yet :(#so she's staying home and handing out fullsized candy bars to kids. that's where she is while this is all going down#'does akira know it's akechi down there?' :) that's up to you! but i WILL say that I was thinking about Akeshu when i wrote this so. :))))#ANYWAY if you read this far in the tags im so sorry lmao. thanks for sticking around! Hope you had a happy halloween :)#hopefully i won't disappear for long this time. idk im just gonna start uploading other bullshit art in the interim between comics i guess#probably some fire emblem shit. we'll see. we'll see. anyway bye!! till next time!
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vanhelsingapologist · 2 months
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To all things housed in her silence.
From "Memento Mori,” a fanzine organized by @curseofsergei.
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capfalcon · 4 months
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SCREAMING elementary is literally the perfect show for platonic relationships i LOVE i LOVE it i am obsessed
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