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#i have lots of thoughts
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Something something inheritances
Jason, half dead with the league, still flipping the way Dick taught him
Tim throwing punches the way he learned watching Jason on shaky phone footage he obsessively watched as a kid
Damian smiling Dick’s robin smile, having learned it at Dicks side
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kiinghanalister · 2 months
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“It is too dangerous for me to put these things into words. I am afraid they might then become gigantic and I be no longer able to master them.” - Erich Maria Remarque, All Quiet on the Western Front
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cutie-lumi · 4 months
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Every femstars artist I've seen draws Mugi with big boobs and I'M NOT COMPLAININGJFKSNGK I just love how she has the biggest boobs and then nat is like.... Flat.. I feel kinda rude saying thatdbsknf😭 I love them so much ❤️❤️
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I LOVE WHEN PEOPLE DRAW THEM LIKE THIS!!!!!!! it's my ultimate hc for their bodies ever since I?? started shipping them ig?? Fem!Tsumugi not caring about her looks yet being well endowed while Fem!Natsume is like. always looking super pretty, but being flat as hell (and a little bit jealous of mugi's overall body proportions)? SIGN ME UPPPPPPPPPPPPPPPPPPPPPPP IT'S MY FAVE SHIP DYNAMIC. I EAT IT ALL UP ALL THE TIME. I love seeing other artists having this as their hc as well!! Imo it suits them so much OUGHHHHHHH i need to thank all the artists who also draw them like this bc you're the reason why im so well fed. thank u for your service.
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soupienova · 7 months
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designing shadybug: so what if we made her really badass and cool and make her super edgy and evil lookikg ‼️
designing clawnoir: ok so whatbif he looked like a fucking idiot
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absolutebl · 6 months
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I Feel You Linger In the Air
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You ready for this?
The quickest of quick thoughts: I loved this show and hated the ending, but not for the reason you think.
This is gonna be one of my big meta beast-sized posts, skip to the end for the final review.
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Some Historical Context for I Feel You Linger In The Air - Thailand 1925-1932
I love history and so here's some info that any Thai watcher would likely know, but the rest of us might not... ready?
The Historical Stage:
Burma (now Myanmar) to the west is occupied by the British.
The French hold Vietnam to the east.
Everyone is bickering over what would become Cambodia & Laos.
China occasionally gets involved from the North (also, lots of immigrants from China at this time accounting for a large percentage of the merchant/middle class)
Eventually, Japan would invade during WWII.
In part, The Kingdom of Siam was kept a "neutral" party because none of the surrounding colonial powers wanted to risk offending any of the other players in the area.
Siam re-negotiated sovereignty in 1920 (from USA) and in 1925 (from France & Britain). But during the time of this show (late 1929) it was back to it's customary type-rope balancing act of extreme diplomacy with the allied western colonial powers that surrounded it.
Recognizing that Thailand was never colonized (although it was invaded), it's boarders were constantly nibbled at and it was "ambassador-occupied" off and on by westerners whose military backing and exploitive business concerns simply outmatched the monarchy, especially in the technology department (as well as by reputation on the global stage at the time).
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In other words, the farang in this show (James & Robert) were always gonna be both the baddies and the power players of the narrative. (Farang is the Thai word for non-Thai's of European descent, the word means guava.)
The king of Siam at the time (Vajiravudh AKA Rama VI) was initially somewhat popular but also regarded as overly extravagant since Siam had been hit by a major postwar recession in 1919. It should also be noted that King Vajiravudh had no son because he was most likely gay (which at the time did not much concern the Siamese popular opinion, except that it undermined the stability of the monarchy leaving it without an heir).
He "died suddenly" in 1925 (age 44) with the monarchy weakened and succession handed off to his younger brother.
In 1932 a small circle of the rising bourgeoisie (all of whom had studied in Europe, mostly Paris), supported by some military, seized power from the monarchy in a practically nonviolent Siamese Revolution installing a constitutional monarchy. This is mentioned in IFYLITA in the last few episodes but did not (apparently) appear in the original novel.
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Siam would then go through:
dictatorship,
WWII,
Japanese invasion,
Allied occupation,
democratic elections,
military junta,
the Indochina wars,
communist insurgency,
more democracy and popularization movements,
multiple coups,
more junta,
more monarchy,
eventually leading us to the somewhat chaotic insanity of Thai politics we have today. (Which is, frankly, a mix of monarchy, junta, democracy, egocentric popularism, and bribery.)
The Filming of I Fell You Linger in the Air
The director if this show, Tee Bundit (Hidden Agenda, Step by Step, Lovely Writer, TharnType), has never particularly impressed or offended me as a director. I would have called him simply "workmanlike" in execution: not offensive, serviceable.
So much so that I spent some time hunting for info on IFYLITA's cinematographer (who remains uncredited on MDL) because this one, of all Tee's pantheon, is ultra stylish. It, frankly, felt too good for him.
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Specifically, there is a repeated visual motif in intimacy scenes of either Yai or Jom being filmed from behind a screen/drape/curtain making them seem more translucent, like a ghost or spirit. While the other half of the pair is filmed with sharp clarity. In the first half of the series this is more likely to be Yai (an unknown and mysterious element), as the show progresses, it's more likely to be Jom (the person outside of place and time, destined to vanish all together). This cleverly conveys story, tension, and foreshadow (future shadow?)
Occasionally we shift over so they both become obscured and then clear again.
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This stylized version of dirty framing and filters is used to foreshadow and then constantly remind us about that Jom slipped (and is slipping) through time and the disconnect that causes to his sense of reality and purpose, and to his burgeoning relationship.
For example, the scene where Yai is drunk and asleep in his bed. The first time Jom is sitting in a chair drawing him. Yai is blurry behind the screen while Jom is solid and sharp.
This filming technique combined with dirty and peekaboo framing is being used to give the watchers the impression of looking at something we maybe shouldn't, like we are being creepy and intruding on their private time. After all, they can see EACH OTHER clearly, it's only us who have the visual impairment.
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This gives us a sense of doom and discomfort and slight sensation that we shouldn't be there. We shouldn't be watching. But ALSO that we too are outside of time, filtered by the future.
In other words his sense of displacement is being used to trigger ours visually.
It's all quite clever.
It's both beautiful and atmospheric and discomforting and touch stressful. Meaning that it is ALSO a visual vehicle to drive narrative tension. As effective as scary music, perhaps more so in this show (since I personally found the musical motifs and refrains somewhat overused.)
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Linguistic corner
The word for reflection and shadow is the same in Thai.
Note on the por/phor/phô honorific in Thai
I have not encountered it before in BL. I am indebted to @embraceyourfandom for the following information;
Phô is a paternal honorific, luang phô is used for respected monks. It basically means father. And is oft seen as male honorific for village elders. It's also used as a male prefix in the names of several occupations like:
พ่อครัว phô khrua (khrúa= kitchen -> chef)
พ่อค้า phô khá (khá= trade -> merchant)
พ่อมด phô mót (mót= person of occult knowledge -> wizard)
พ่อบ้าน phô bân (bân =house -> butler) - most relevant
So, Yai's use is probubly foreshadowing that Jom will be a butler for his house, and is primitively referring to him with this title.
All that said, phô can also be used by a "man who is older/higher on hierarchy to refer to a younger/lower on hierarchy man with intimacy and/or affection."
I think all this has to do with Jom's demonstration of education. Yai figured out early on that one of the reasons Jom doesn't belong and cannot fit in with the servants is that he is more educated than a peasant (of this time period), which for Yai adds up to him being originally from a higher status and possibly wealthy family, especially since Jom speaks English and has travelled (he has a non-northern accent).
There is very little Thai middle class at the beginning of the 1920s since trade is being dominated/dictated by the West, or Chinese merchant operations, and Siam is a monarchy. So for a nationalize Thai citizen educated means military, landed gentry with trade operations (like Yai), royal/political/diplomatic connections, or... none of the above. This changes, especially in the south, throughout this decade (as it did in other parts of the world). So there is a rising bourgeoisie going on in the background but it's not that obvious in Chang Mai at this time.
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What Jom's educated lack of status means to Yai is that Jom's family either got wiped out or politically disenfranchised possibly as part of the 1912 attempted coups (or even WWI)? This would be mystifying for Yai because Jom doesn't act like he comes from a military family at all. So his background and status is very confusing for Yai, but Yai does know one thing...
Jom is NOT lower class by the standards of Yai's temporal worldview and existence.
For a young man to be educated and yet entirely alone is very dangerous and suspicious. Also, let's be clear, Jom doesn't look or act like a laborer. He red flags "cultured" all over the place.
Yai is paternalistic and caring towards Jom out the gate because Yai has a big ol'crush but also because he recognizes "his own" is trying to survive while isolated and scared.
Yai wants to rescue Jom. Yai is an ineffectual 20 year old gay intellectual. But poor thing sure tries.
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Let's Talk About How I Felt About I Feel You Linger in the Air
The historical aspect was great.
I adore historical romances and we almost never get them in BL. I was always gonna be biased towards this show. (As indeed I am towards Nobleman Ryu's Wedding, Tinted with You, and To Sir With Love.) Aside from some classic Thai BL production issues (less than normal, this is very high production value for Thailand) and my issues around the sound track and repetitive repriens (which frankly were more noticeable because I binged the last half) I have no complaints on that score (heh heh).
The surrounding support cast were all quite good and we even got us some lesbians!
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The emotional and narrative tensions were excellent.
Any issues I had with pacing came from focus on characters that didn't interest me, but probubly did interest others. I wasn’t wild or particularly interested in the family drama or the side characters/couples, but they were necessary to make this a fully fleshed story with historical context and to give Yai much needed characterization. Also this use of a ensemble cast is very close to Thailand's lakorn heart, even thought this one had way less scenery chewing ludicrous soapy drama (thank heavens).
I was delighted that external threat, stressors, and conflict drove this plot. That's refreshing in BL.
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I have no arguments with the chemistry and kisses and sex scenes were tasteful and lovely, occasionally even heart-wrenching, and it's nice to see Thailand especially use physical intimacy to drive plot, and not the other way around.
I love historicals partly because every tiny touch can have such lingering significance, they're very elegant in their chaste physicality. This show didn't need to move into higher heat, but I'm grateful it did because even that was very well done. Thai BLs can often feel clumsy around intimacy, but not this one.
The final sex scene before Jom and Yai separate forever utilizes the ubiquitous director's-favorite-romantic-moments-flashbacks (required of all Asian romance dramas) but with acceleration and tension driven by the noises of sex, which I've never seen/heard done before. In other words: climax of sex = climax of the romance story, I see what you did there, Tee. Clever. Very clever. Bit on the nose… erm… on the… well you know what I mean.
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Like all Thai BLs this wasn’t perfect, but for me this is as close as Thai BL gets to high quality romance and that’s what I want the most from my drama watching experience (if not necessarily my Thai BL experience).
But... and you knew the but was coming didn't you?
I absolutely hated the ending.
It wasn't sad, don't worry, but it also wasn't good.
There is a long drawn out separations sequence and then Jom returns to the present, drowning from a car accident. Jom is "rescued" by an moustachioed iteration of Yai from the distant past (who we met once before) and then wakes in hospital. Some time later, Jom returns to the house in Chang Mai where Yai turns up and they reunite.
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The end.
There is a stinger featuring Jom once more hurled back in time, only further, meeting the warrior mustache Yai once more.
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Okay, that's all I knew and all I saw.
Confused? So was I.
If this had been a regular time travel romance: Yai would have been the EMT or doctor attending Jom when he woke up and their "this time period" romance would commence. With either shared memories, or not.
Had this been set up for audience comprehension in line with the original novel, we should have had flashbacks from both Present Yai (he's not the same one, as it turns out) and deep-past Moustache Yai interwoven throughout the series. Preferably with some focus on Present Yai's quest for reunion with Present Jom AND Present Yai's own experience with visions and memory of his past lives.
A full explanation of the ending is here. This explanation of the 3 different Yais makes me like our ending more. But I shouldn't need to read Cliff's notes from some random y-novel reading fan on Tumblr to understand what's going on in a series!
There is supposedly a special happening with Jom + Present Yai.
There was unquestionably a failure in adaptation in the finale of this show.
As a fan and watcher, what I actually felt was deeply confused and hurt.
I also felt that this was a disingenuous un-earned throw away happy ending, since I had no idea who this new Present Yai was and no investment in his character. I simply didn't believe he was the same Yai (Bright is too good an actor, he was clearly a different older personality).
So the fact remains that past Yai, our Yai, the 20 year old boy we grew to understand and love, is abandoned in the past to suffer alone for the rest of his life. And THAT is an unhappy ending for one half of my beloved pair. Yes Jom gets a new Yai in the present day, but it's not the same Yai. They have no developed relationship, and Jom is doomed to leave even this new Yai and slide into the past once more. That's barely even happy for now for Jom's character.
As a result of my deep sadness for 20-year-old Yai in particular, I'm not going to be able to rewatch this show. The whole thing was rendered not just confusing but the opposite of comforting by the final 15 minutes. I'm tempted to dock it two whole points - one for the ending and the other for the lack of rewatch potential.
But the first 11.5 eps were SO GOOD.
This is one of the only times where I am actually hoping for a second season, while simultaneously being wary of the screen writing and production team's capacity to give us a satisfying one.
Industry wise? I honestly don't think we can hope too hard for a full season 2. This was an expensive show with flawed/limited distribution and little sponsorship. I don't see how they'll get funding for a second season. Unless we see this show up on like Netflix or Viki, I urge you not to hope too hard and be disappointed.
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In all honestly?
I started typing up this blog post thinking Thailand was finally, after 5 years, going to earn another 10/10 from me but I just can't in good conscious give it that. It's been days and I'm still upset about that last episode.
And Now My Quick Pitch Review
I truly loved this time travel romance. IFYLITA is an exquisite BL, from filming techniques to narrative framework (much like Until We Meet Again). Steeped in history and family drama it edges into lakorn (but no as much as To Sir With Love and with way less scenery chewing). This is an elegant and classy BL... from Thailand which normally doesn't even try for classy. The main couple (both as a pair and individuals) were excellent, particularly Bright (Yai) whose eye-work acting style is a personal favorite of mine. Pity about the ending. Oh it wasn’t that sad but it wasn’t good either. This show should easily have earned a 10 from me except that it fumbled the… erm… balls. Argh. Whatever. 9/10
(source)
This post is also in My Drama List as a review.
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sugarbear2001 · 3 months
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Fits fem Usopp would wear
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lasagnaeatsu · 4 months
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Anyone be open to hear abt ninjago movie au but with Arin, Sora, and Wlydfyre?
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Well its more a bunch of ideas rn but STILL AN AU‼️
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zukkaart · 5 months
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As someone who’s indigenous I have lots of questions about Sokka but I think the one the consumes me the most is
How did he get two fish hooks stuck in his finger?
Like I have actually gotten a fishhook stuck in my finger before (don’t ask) and the LAST thing I would have done would be to use another fish hook:
They’ve usually got at the very least one barb. So the best course of action is to apply pressure at the tip, pull sharply (depending on how deep it’s buried) and pray.
The only instance in which I could see this happening is because the first time this happened was after the men left- because Sokka never went fishing on his own before. He always had someone making sure he didn’t get hurt. And therefore never learned how to tend to his own wounds
Katara likely wasn’t there. And depending on what time of year it was he might now have wanted to risk taking off his gloves, and if he didn’t then he was risking the fabric of the gloves getting caught in the hook could have caused more damage.
And if he didn’t want to take off his glove that means he got the hook stuck in his finer through the glove. Which is very hard to do on accident.
So I could picture Sokka trying to asses his materials- likely only fishing materials. And deciding which one to use so that he can keep hunting instead of just going to ask for help, because he’s the leader now - he should be able to take care of himself.
Hmmm fishing line? Maybe. Net? No. Knife? Definitely not. Food? Tasty but unhelpful. Hook? … that could work.
The only way my mind can make sense of this is if his gloves were already off. Therefore he hooked the second one through the first one in sort of an “x” shape. And either slipped or pulled the entirely wrong direction- leading him to have to pack up his things with one functioning hand, and return to the village (presumably empty handed) to get help.
And yeah this is all “haha funny” and it’s poked at in the show. But I just think about how important providing is to my people.
And a man’s first solo hunt is a huge thing because hunting on your own is extremely dangerous. Of course fishing isn’t the same thing and doesn’t come with all of the same risks but I could see how Sokka would see it the same way. It’s not about hunting, it’s about providing.
And in his mind, he not only failed to do that but also injured himself in the process. He covers it up with humor (as he does with pretty much all his trauma) but that was probably his first taste of what he perceived to be a real failure to care for his people.
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asmodeusstahl · 3 months
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So, I have a lot of problems with the latest (sixth) episode of Percy Jackson and the Olympians. I’m just going to start from the beginning and work my way through the episode to the end.
Firstly, the episode title is “We Take A Zebra to Vegas.” Do we *see* a Zebra? For all of two seconds. That’s it. So much for a plot-relevant episode title. It’s a nitpick, sure, but if you’re going to make something an episode title, it should have SOME relevance to the plot. I understand that that’s the only chapter where we see the Lotus Casino, so it makes sense to use that chapter title as the episode title. But is it *really* that much more effort to add a scene featuring Percy and/or Grover chatting with the Zebra? There’s certainly run time and almost certainly budget for it.
Then we get to the casino itself and, as loathe as I am to admit it, the movie did it better without question. Even the smallest of details — like the look and vibe of the casino are done so much better in the movie. The casino is designed to trap children, so it’s filled with water parks, roller coasters, and all that makes a kid lose their mind. We see that in the movie. In the show, it’s just a regular old casino filled with a bunch of adults of all ages. There’s only like 2 or 3 shots where you really see groups of children. And that’s not even mentioning the exterior architecture of it. It’s a nitpick, but the show version doesn’t even look Greek-inspired. In the movie, it’s basically a knock-off Caesar’s Palace with Greek Columns and everything. It’s great. The giant Lotus Blossom with a roller coaster coming out of the side just… isn’t.
Much like with Medusa, all the suspense was just thrown out the window. Once they enter, Grover does the whole “wait, Percy, did your mom read you the Odyssey?” shtick and the trio figures out it’s the Lotus Eaters that Odysseus faced. Consequently, Percy and Annabeth do not lose themselves in the casino. They stay sane the whole bloody time. What annoys me even more about this is that Percy even says as they enter the casino “what if we just chilled here and played some games for a bit.” It got my hopes up that we’d actually see a competent drug trip scene — I was wrong. Annabeth immediately shuts him down and he’s like “yeah, no, I was joking.”
Anyway, they go to look for Hermes. I’m not sure why the fuck Hermes loves hanging out in this casino. The show’s explanation is that he just likes chilling there and nothing more is said on the matter. It feels weird to be that an Olympian would just be chilling in a casino run by monsters without a care in the world. Whatever.
Once they enter, Annabeth decides Grover should split off so they can cover more ground. Um, hello, if you’re trying to cover more ground why not have EVERYONE split off, not just Grover? So Grover goes off on his own, finds a Satyr that used to know his Uncle Ferdinand and starts talking to him about the Search for Pan. The Satyr is like “oh, yeah, Pan. I think I found him here. Come follow me.” Grover follows and eventually forgets who he is (and ends up playing VR). Sure, great, one of the trio lost it, but that doesn’t account for the other two and we really didn’t need to shoehorn more Pan stuff in just for the sake of getting Grover to split off from Percabeth.
Meanwhile, Percabeth have found Hermes and he takes them aside to chat after they mention they’re friends of Luke’s. There’s a few things here that annoy me. Firstly, Hermes lore dumps all of the trauma that is May Castellan — something which doesn’t appear until the 5th book. We could have — and should have, imo — gotten the backstory behind Luke’s failed quest to the Garden of the Hesperides to steal a Golden Apple. The quest he failed when Landon gave him the scar on his face. The quest *Hermes himself* assigned to him. There’s plenty of resentment for Hermes that comes for that — we didn’t need May Castellan. Not yet.
Turns out, Hermes is just stalling them because he doesn’t want to help. Fucking dick. So, Annabeth goes invisible and steals his car keys — which Hermes absolutely knew about. They rescue Grover after a brief spell of forgetfulness. Annabeth reasons that they didn’t lose it like Grover because they were together and it’s harder to forget when you’re with someone. Sure, great. How do you explain the DiAngelos? I highly doubt that Bianca would willingly let Nico wander off on his own. It just doesn’t make any sense to me.
I really hate that the movie casino somehow managed to include Disco Darrin — the kid from the 70s that triggers Percy realizing something is fucked up — and that the show doesn’t. Darrin really helps reinforce the idea that the casino is full of kids out of time, which helps set up the reveal that the DiAngelos were in the casino for 70ish years and didn’t age at all. I hate that the movie did something better, I really do. But it’s just unavoidable when comparing these two scenes.
The trio then “steal” Hermes’ cab, which just so happens to have a letter addressed to the trio that supposedly tells them a back way into the Underworld. We’ll see how that turns out next episode, but I will be UPSET if we don’t get DOA Recording Studious and all that jazz. As soon as Percy (shoddily) drives the trio out of the parking garage, Hermes’ travel magic transports them to the beach in Santa Monica. That’s the one redeeming thing about this episode for me. That’s actually a really cool application of Hermes’ powers as the God of Travelers.
What I do have a problem with, however, is Percy’s experience in the ocean. Instead of meeting Poseidon, as was promised to us, we meet the Nereid from St. Louis. She tells Percy that “surprise, the summer solstice already happened. Poseidon waited for you as long as you could, but now he has to go marshal his forces for war. Go home now, your quest is done.” Um, what? The summer solstice passing makes no sense to me as a creative decision. The solstice is the reason that all the gods were on Olympus when Percy returned the bolt. You can’t expect the gods to just be chilling on Olympus 24/7 especially when war is about to break out.
Plus, you cannot tell me that Zeus wouldn’t have immediately started fucking shit up. His symbol of power was stolen — allegedly — by Poseidon. He’d want that back ASAP. In the book, it’s stated in no uncertain terms that, if Percy+Co. failed, Zeus and Poseidon would be fucking up the weather. Massive storms and natural disasters everywhere. The sky and the sea would be at war with each other. It would be like Armageddon. There’s 0 sign of that. At all.
Then, before Percy leaves, the Nereid gives him *four* pearls. Not three. Four. This takes away Percy having to sacrifice Sally for the sake of the world (even if she comes back eventually). This change just doesn’t make any sense to me. The explanation in the show is that Poseidon cares about Sally. But that makes 0 sense because there’s been an overarching narrative that All Gods Are Bastards. Additionally, even in this episode, Hermes mentioned that it was Poseidon’s advice to stay away from the lives of demigods/their mortal parents. That it’s awful watching them struggle and feel powerless to stop it. Why does Poseidon suddenly have the power to help Sally now? It just… doesn’t make any sense to me.
Another issue I have with this is that if the Nereid is telling Percy to go back to camp, why is she giving him *four* pearls? Assuming a retcon that the pearls transport the user to CHB, there’s no need for four. If Percy is supposed to return to CHB immediately, he doesn’t go to the Underworld to rescue Sally and therefore does not need a fourth pearl. If that isn’t a plot hole, I don’t know what is.
The episode ends with Percy being like “no, I’m seeing this quest through to the end.” Which is great and all, but the teaser for next episode worries me with how much it includes. We’re going to see Crusty’s Water Bed Palace, the Underworld, AND the fight on the beach with Ares. I don’t know how they’re going to fit that all into like 35 minutes of show time (accounting for the “previously on” segment and credits taking up 5 minutes of the 40 minute runtime). Crusty was the obvious cut from this episode so that it doesn’t feel rushed, but it *wasn’t* cut and that worries me.
And, furthermore, I think Crusty is going to have to be heavily modified for the screen. I see no way Disney allows Percy to go full medieval torture and stretch Crusty to death. Which is disappointing, if I’m being honest. It’s really the first indication of how Percy acts when he’s snapped/in the zone. Stuff like summoning hurricanes while fighting or overwhelming the weather barrier at Camp also falls into this category. That’s a nitpick, sure, but whatever.
Look, I didn’t want to be a hater. And I still don’t. I would love to love this show, but the problem with it is the marketing and the writing. It was marketed by Rick and the critics as a “faithful adaptation.” This is not that. This is a rewrite of the book that’s honestly worse than some fanfics I’ve read. Which says a lot because the PJO fanfic community is not known for having well-written works.
And the trio themselves just aren’t clicking as their book counterparts for the most part. Percy, especially, just doesn’t act like Percy. We’re missing his sarcasm and biting humor. It’s not Walker’s fault — anyone who’s watched The Adam Project” knows he can pull it off. Annabeth has lost most of her character development and had that screen time given to Grover. I was alright with it last episode with Ares, but it just did not work with Augustus this episode. The trio just doesn’t feel like the trio and I don’t think it’s the actors’ faults.
Like I said earlier, Walker can absolutely pull off Persass. The script just isn’t letting him do that and that disappoints me. I watched Leah in Beast and absolutely could see the Annabeth in her, but all of her moments and character traits are either being given to Percy and Grover or cut entirely. Taking away our knowledge from the books, we know the least about Annabeth’s character out of the trio. The script just isn’t making her click in my mind as Annabeth like the script in Beast did. I can’t really say much about Aryan, since I haven’t seen him in other works, but I do like that he’s being elevated above comedic relief. So… that’s a good thing, I guess.
Overall, I have a lot of issues with the show. Especially with this episode. I also have a lot of fears with the direction this show is going for the final two episodes and I’m nervous to see where Rick and the writers take this. Thanks for coming to my TED Talk.
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sapphire11 · 1 year
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The scene where TK learns about Carlos' secret marriage really displays his growth and is actually something really beautiful. It says something about the way he stays and communicates even in the face of news that is shocking and upsetting. It says something that he is able to take the space he needs, but doesn't run, doesn't fight. He just sits with it and listens and talks.
On the other side, this whole situation gives us the opportunity to explore and allow Carlos to grow, because so far (if we ignore plot holes) the Carlos that didn't tell TK the truth until THIS moment, is the same Carlos we met in season 1. He is the same person we watched avoid the issue of introducing TK to his parents in season 2 AND the same person who didn't tell his parents about the break up in season 3. Who he is with regards to confronting these uncomfortable situations and being open with the people who are important to him at risk to making himself or others uncomfortable has not changed.
Here's to opportunity for some true character development and growth for Carlos as a character. Hopefully the writers can do it justice by really allowing for this storyline to give us some moments for Carlos.
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spacedlexi · 3 months
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absolutely need you to keep posting essays or rants about twdg
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you dont need to tell me twice
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love-3-crimes · 7 months
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The glory of Him who moveth everything
Doth permeates the Universe, and shine
In one part more and in another less.
Within that heaven which most his light receives
Was I, and things beheld which to repeat
Nor knows, nor can, who from above descends;
Because in drawing near to its desire
Our intellect ingulphs itself so far,
That after it the memory cannot go.
Truly whatever of the holy realm
I had the power to treasure in my mind
Shall now become the subject of my song.
I used to really like this one poem, the Divine Comedy. It's a weird book (it's…basically bible fanfiction and a self insert story) but high school me thought the concepts were cool (i even bought a physical version!). The story follows the author, Dante, and his journey through hell (Inferno), purgatory (Purgatorio), and heaven (Paradiso). He also describes what happens to the souls in each area, from pure torture in the 9 circles of Inferno, to elation in Paradiso.
All that to say…Paradiso inspired me. Kinda? I've always wanted to do something with Dream (the song) and I was looking through the Divine Comedy a couple of days ago and thought it would be cool to combine concepts! Something about how Soul sees Whole as something to rise to, something he yearns to be, and how Paradiso represents a soul's ascent to their God.
The caption comes from Canto 1 of Paradiso, and it's Dante writing about how he can't even describe what he saw when he first went into Paradiso, as the concept of it was too powerful for human comprehension.
Idk, I just think that giving the HMS religious concepts is cool (in a sort of messed up way, you know?) and it’s something I think about a lot, even though I’m not religious anymore. 
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aceofnace · 9 months
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Nace is truly my biggest ship loss. I was baited into watching this show for them and they have only 1 real kiss and might not even get together until the last minute. 0/10 would not recommend.
Hey, Anon, I feel your pain! I'm not counting it as a total loss just yet, because who knows what the remaining 4 episodes have in store for us, but I do understand the urge to consider them a loss. Why? Because think of all the things we could've had with them and most likely never will:
-Slow dances. Nancy's had them with two love interests, Park and Tristan. Ace had one with Laura. Slow dances are a staple for any good ship. They can be romantic. They can be angsty. They can be tension-filled. They can just be sweet and cute. And Nancy and Ace have danced together zero times in the four years we've known them (about only 7 or 8 months for them). Now, am I hoping there will be a flash-forward epilogue scene in the finale of Nace on their wedding day slow dancing with each other as newlyweds? Or maybe dancing together on their first trip to Paris during a sunset? Absolutely! Do I think we will get either one of those? Of course not!
-Dates. Could you imagine how AMAZING Nace dates would've been? Just the two of them out to dinner. Or having a nighttime picnic under the stars like Carson and Kate. Or hell, even just them sitting in the front seat of Florence while on a midnight stakeout trying to catch Chunky Velez. Nace dating era would have SERVED.
-Fun, flirty moments. Quick—name the last time Nancy and Ace flirted with each other. Or, rather, name any time Nancy and Ace flirted with each other. They never have. But had we gotten to see them in a relationship, they would've been flirting all the time. I could just picture Nancy sitting on Ace's lap while he's hacking. Or her lovingly teasing him over every little thing he does. Or the two of them acting so over-the-top in love with each other in front of George to annoy the hell out of her. I would've loved to see flirty Nace, because it would've involved lots of smiling and them being HAPPY.
-Kissing. Lots of kissing. I can see why Nancy referred to her kiss with Ace in 4x03 as the best kiss of her life. It was EPIC. When Nancy and Ace's lips meet in a kiss, they are both ALL IN, whether it be in a dream or real life. Those two certainly know how to kiss, but mainly just each other. After observing them kissing their other LIs throughout the seasons, you can see a major difference in how they kiss others vs how they kiss each other. And while I'm certain they will have one more kiss, maybe even two, before the end, it won't be enough. Because as much as I love epic kisses (and I think their last ones will be that), I also love the simpler ones. The forehead kiss. The "see you later" peck on the lips kiss. The kiss on the cheek. The kiss on the chest before getting out of bed to go get breakfast. I would've given anything for a whole season of Nace kisses as they tried out every single kind. How sweet would that have been?
I could keep going, but I won't because I'm making myself sad. We could've had it all, but instead we'll be left with next to nothing in the end. And it breaks my heart. Now, whoever "baited" you into the watching the show I'm sure had no idea things would end up this way, so definitely don't blame them! I've been with this ship since the day the show premiered in 2019. And personally? I don't regret loving them, no matter how their story ends. I do think you should wait 4 more episodes before giving it your final "recommend" rating, but sadly it probably won't make much of a difference. Nace will most likely be rushed at the very end. We'll collect our endgame but have very little to show for it. I'll still always love them, though, and they will continue on after the finale to live a long, happy life together in my head, and that's gonna have to be good enough for me.
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lttl3babybug · 9 months
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Something nice and sweet with Pippin perhaps? He’s my favorite 🥰 sorry if this isn’t that specific
PIPPIN!! AHHH!! Pippin is my favourite Hobbit!! Idk if you’d noticed but my blog is pretty Pippin centric :p But I’m gonna do some headcanons for him as a regressor and caregiver bc I see him as both!! TY FOR THE PIPPIN REQUEST!!
Flip!Pippin Took Headcanons!
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Regressor Pippin
🥞Regressor Pippin is either a handful or not a bother at all
🥞Considering the fact that Pippin is the youngest of the 4 Hobbits I imagine he’d probably regress to the youngest out of them as well
🥞I’d say he’d probably be more of a toddler regressor than a baby regressor but if he’s had a rough day he’ll happily be your little baby boy
🥞Give him like a regression range of 1-6
🥞Mud. That’s a whole point. Expect this little one to come back covered in mud after playing out with Merry all afternoon
🥞He’s very clingy, if you got out in public and he regresses he will not let go of your hand at all
🥞Try and put him down for a nap, I dare you. He will bite
🥞Then he’ll cry about biting you because he feels super bad that he hurt you
🥞He’s a very loving little one (when you’re not trying to put him down for a nap), he’ll draw you pictures and let you cuddle his beloved stuffies
🥞Speaking of stuffies he has thousands upon thousands. He kicks them all off his bed in his sleep other than his favourite one
🥞He takes this stuffie everywhere with him. Everywhere.
🥞Sometimes when Pippin does eventually go down for his naps he gets bad nightmares about what happened during his adventure.
🥞He’ll wake up with tears following down his cheeks as he calls out for you while clutching his favourite stuffie
Caregiver Pippin
���Pippin as a caregiver is a little hectic
🥞He’s not irresponsible but he’s not exactly responsible
🥞Can be cook for you? No. Let’s be real no he cannot. Will he bribe Sam into cooking for you? Absolutely
🥞Pippin may not be the most practical Caregiver but he’s a great playmate!
🥞You want to read stories? He’s totally down to sit and help you sound out the words
🥞You’re having a stuffie tea party? Count Pippin in, he loves the taste of your imaginary tea
🥞Playing outside? He’s already covered in mud and ready to join you
🥞As childish as he is he does very much care for you, he loves you after all, if you get hurt he’s rushing to your side to comfort you
🥞If you bumped your head on a doorframe or something like that he’ll tell off the doorframe for hurting his precious baby
🥞He’ll cuddle you until you’ve stopped crying and ask him if you can continue playing now
🥞He loves every picture you colour in for him, keeps all of them. Your favourite ones go on the fridge because he can’t pick a favourite, he loves them all
🥞Merry often helps Pippin look after you, he’s over a lot, he watches you while Pippin bribes Sam into helping him cook
🥞Merry Will also happily play in the mud with all of you, he loves holding you and telling you stories of how brave Pippin was when he was on his adventures
🥞Pippin sees taking care of you as a way to prove that he is responsible, he went months with being called a fool and being underestimated so taking care of you is proving that he’s not a fool and that he can be responsible
🥞If he’s having a bad day, he’ll still try his best to take care of you but might not be as enthusiastic about everything. He’s happy to just sit and watch you though!
🥞Don’t think just because Pip is having a rough day he won’t do his best to look after his little one
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ofgalaxiesandstars · 7 months
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Quietly thinking about how in the Age of Calamity timeline, since the Champions didn’t die (at least I don’t think they did, I remember the future guys coming to the rescue) they would be there when Ganandorf awoke if TotK plot happened after the calamity as well
Would they be there for Link losing his arm? How horrified would Mipha be when she realizes she can’t heal him? Would the four of them become the new sages instead?
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smtsmtblablabla · 1 year
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Maybe with time, their wings weren't the only thing they lost. Fairies are magical beings after all and they might have looked more otherworldly than just shiny eyes and wings.
Ligth fairies with skin that glowed, under any ligth, a eternal glittering complexion that went with their powers. Their image naturally flickering whith the light, like a mirage.
Earth fairies with leaves growing in their hair, flowers on their cheeks and eternal earth under their nails. A flora of their own. How they seemed to mold themselves to the woods, becoming part of the ecosystem.
Fire fairies with their hair on fire, eternally burning in the ends. Some occasional smoke coming out of their noses, indicating that their powers weren't just external, they were burning inside too. Burned footprints behind them.
Water fairies with skin that not only seemed always wet, but also that the water seemed to be eternally running. A natural river over flesh. Did you noticed how they seemed to connect themselves with the water so well they almost became part of it?
Air fairies with static hair, lightning scars all over their body and seemingly endless electrical feeling in their touch. Always in favor of the wind, their words a ever going echo.
Mind fairies are tricky tho. Humans fear them the most because they look the most like them. But do not let appearances fool you, look for the signs. The colorful eyes that seem to stare into your soul and all of your past lives, the silky mouth saying what you want to hear, the memory loss after. The way all of them always seem to be on edge. Lost stares into nothing. Their silence ( mind fairies are light on their feet, quiet, noiseless). They might look the most like a human, but they act the least like one. They know too much, hear too much, see too much, feel too much.
And of course, all of them have wings. Butterfly, dragonfly, moth, anything. Fragile and breathtaking, lightning up when they use their powers in great scales.
( they have a wildness in them too, all of them. Too magical to be anything other than free)
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