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#i have a whole post about how they both think of themselves as having an older-sibling role
toastandjamie · 1 day
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I like thinking about how the trauma of the series effects the Ta’veren boys and the Wondergirls- but like- have we considered how absolutely messed up, feral and dangerous Olver will be as an adult?
This kid spent his formative years participating in an active war zone. He rarely spent time with his peers instead spending time among a bunch of soldiers- not even just soldiers, mercenaries- many of which were barely adults themselves and had zero experience with raising children. His main caretaker is a dude who up until this point has not matured a day past sixteen and liked it that way. Despite Mat’s best efforts, none of them had a clue what they were doing. Now if Olver was just a little socially stunted from trauma and lack of friendships with peers that would be one thing- but this kid has also been taught an eclectic number of skills most of which are related to violence.
We are told directly that Mat and the other men in the band have taught Olver how to use: crossbows, longbows, swords, spears, and throwing knives. Kid has a whole ass arsenal he can use. He was given ample practice with both horse riding and care. Thom was teaching him to play the flute and juggle. Cards, dice, flirting with women, dancing, stones, the basics of daes de mar- stealing horses. This kid was raised as a soldier, a thief and a noble.
That’s just what we get in the books- let’s say Olver stays with Mat post-canon and is raised in Seanchen occupied Ebou Dar alongside Mat and Tuon’s child. Any skills Olver learned among the band would only perfected among the Seanchen blood.
Olver states multiple times his intention to go to the tower of ghenji and seek the Finn’s answers and gifts- now let’s say Olver manages this without Mat catching him and keeping him from doing this- the amount of possibilities for what Olver could attain from the Finn of he survived the trip is astounding. He is also fueled by a desire for revenge against the Shaido for killing his father and driving him and his mom from Cairihan resulting in her death. And famously having a revenge motive in fiction is a flashing Danger sign.
Olver and Tuon have a lot in common, small and unassuming on the surface but we’re raised to be dangerous. Raised to always be alert and ready for anything. They are both trained killers from the time they were young. Their formative years spent learning that the world is cruel and the only way to survive is by being smarter, faster, and stronger than your opponents.
This isn’t even considering any specialized training he may receive, from groups like the deathwatch guard or even warders depending on the circumstances. Or the possibility of Olver being a channeler which is always a possibility. Olver would be exceptionally dangerous as an adult- and depending on how the others in his life care for him post tarmengedon he could be a genuine threat to the dragons peace of he decides that All Aiel are guilty for the actions of the Shaido. He could also follow in Mat’s footsteps however and dedicate himself to protecting those in his life currently. The possibilities- my brain is whirring
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secretgamergirl · 1 day
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When Complete BS Becomes "Common Knowledge."
Someone told me they stopped paying attention to someone who reviews movies after one too many mean-spirited jokes about trans people, and it was one of those cases where the reviewer in question definitely had the vibe of someone who'd go around doing that, but I couldn't think of any real flagrant examples. Cut to me watching a movie the other day, remembering that oh yeah, I skipped that one guy's review of it because I wanted to go in blind, and sure enough, that review has this big long crappy 5 minute aside of an out of left field "DID YOU JUST ASSUME MY GENDER!?" routine. So that's a shame.
Now this particular guy rather famously Does Not Get Out Much. Pretty sure he hasn't really have any exposure to a single trans person, or to any real die hard transphobes, and most likely what happened here is he saw I dunno, an episode of South Park or a facebook post from some bigoted aunt, or some Tiktok video, something like that, and just blithely assimilated it into his world view.
But you know, the reality is... to the best of my knowledge no trans person has ever actually said this, or anything similar to this, and we sure as hell don't live in a world where anyone would have the back of someone who did? But you know, here we are.
Now I want to be clear, this isn't some kinda thing where trans people can't take a joke or anything. Literally while I was typing this, some cis guy just tossed this out, and this is a real tired old hokey one, but I cracked a smile, because oh yeah, the whole "programmer socks" bit really is a weirdly accurate stereotype.
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And there's plenty of other trans jokes I'll laugh at. Ones directly at my expense. Some real dark ones even. You wanna go off on trans women all having the same like 10 names and them all sounding like we were born in the 1800s, go for it. Other stuff about how we all dress? Coping mechanisms? Low standards? Being too into pickles and sriracha? There's plenty.
But "DID YOU JUST ASSUME MY GENDER!?" and while we're at it, "I identify as..." don't even have the vague shape of something you're ever going to encounter in reality. Like if I didn't know the context of where these came from and hadn't had them posted a thousand times or so by people with swastikas for avatars and such, these probably would get a laugh from me the first time I heard them, because they sound like weird surrealist humor. Like, "don't you hate how every time you go to the laundromat, you have to play chess with the dragon before they let you in?"
But, again, I know the context. And the context is a bunch of fascists want people like me dead, and they're both too scared to pick up a gun to do it themselves and too incompetent to know who to point it at or where to find them. So they sit around with each other and go "hey, what sort of person does everyone hate? Let's all say trans people talk like them!" And because they haven't spoken to a single human being besides each other and the rich parents they're sponging off since getting banned from the Something Awful forums in the 90s/punk bar in the 80s/whatever, they settled on "rich white person calling the cops on somebody for walking down the street" and "didn't I first get into being a hatemonger because I was stupid enough to think that time I saw someone roleplaying he really thought he was a big scary dragon?" Which has honestly worked out weirdly well for them when you stop for half a second to appreciate just how absolutely ridiculous it is to ever imagine cops coming to the aid of trans people.
Like... here's a situation that actually plays out in reality. I have a bad tooth. Dentist says I need a root canal, and she doesn't do them. Refers me to another dentist like an hour and a half away. I walk in, write my Victorian sounding name on some paperwork, fill in all my various medications, wait a bit, hop into the big dentist's chair, so far so good. This dentist busts out the pick and the mirror about to have a look, and goes "hey, so I noticed on your medications you're taking a ton of something called divigel? What is that?" I say "oh, yeah, I'm trans, so I'm on supplemental estradiol." She almost drops the mirror, stares at me like she just realized I'm Venom and if she bent down to look at my teeth I was about to swallow her whole head. She stands bolt upright, says, "your teeth are fine, get out." I'm a bit confused, but I can read a room, so I say "well that's weird, but OK..." and start to leave. I get a "have a nice day SIR!" shouted at me. And then I go out, call the cab company to say my appointment ended early, and get told too bad, it's coming when it's scheduled, and someone snickers. See, at some point in having to take cabs to all my appointments, a driver worked out that this woman he'd been picking up from this address for the past year has a similar voice to and maybe vague family resemblance to who he'd been picking up from that same address the year prior, and after getting the courage to ask me, guess who's constantly having cabs show up late, or not at all, or on time with a driver staring angrily into the rear view mirror while blaring AM radio with someone shouting about all "the gays" needing to be rounded up so they can burn in hell. And I just need to suck it up and live with it. I'm sure as hell not going to pick a fight over it. I'm just gonna stand out in the cold (fortunately with nice warm knee-high socks) waiting for this cab for an hour because I sure as hell can't stay in this lobby.
But again, the whole weird myth here posits a world where trans people are all-powerful and control the government and stuff. And the basis for that is like... sometimes people refuse to pass ridiculous laws to stop trans people from doing things we only do in bigots' imaginations at great taxpayer expense, and SOMETIMES someone is responsible enough to double check what's up before they allocate the funds. Like... hell, you know what's exactly as completely divorced from reality and honestly the same people doing to same crap? That wild BS about "schools keeping litter boxes in classrooms because all this acceptance of trans people means we also have to accept kids who think they're cats!" Like... how the hell can anyone actually be stupid enough to believe that anyone else could be stupid enough to believe that they're actually stupid enough to believe such an OBVIOUSLY made-up narrative? Like... lawmakers bring that one up and try to get bills passed on it. Everyone else in the room is socially obligated not to laugh and ask whether they also want to pass legislation against Bat Boy and UFO abductions. This is Ralph Wiggum tier absurdity.
But like... what do you do about this sort of thing, really? As the person ultimately has to deal with the dentists who think I'll bite their heads off, ask to speak to their manager, and drop trou over a sandbox the state mandates they keep in the middle of the room, I'm... not in the room when this BS gets concocted, or discussed, or shared in Minions meme some film critic sees and imitates to try and be relatable and relevant. Can someone else start grabbing all these people by the lapels and shake them and shout questions about how they can be this stupid, maybe invite them back to reality for me?
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jerejerejere · 1 day
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I absolutely love Lintu's analysis off kot kot!
(Thanks for giving a platform for additional thoughts ♡ i ended up typing so much that i thought i should also put this in a separate post 😅 i'm just curious what you all think!!)
Idk why it hit different when listening to the whole song but i almost ascended with the first couple of seconds it was so good. Even though i've heard it before. Maybe i was distracted then, who knows.
I'm so glad he teasered both elements of the song before the release because i would have died on impact with the kot kot part. Other than that i have nothing to add to lintu's thoughts - perfect. It's wild and chaotic but still somehow balanced and it doesn't feel like trolling but really sincere even in it's goofyness. The lovely moodyness! Totally!
The song adapts really well with every listen. You feel like you don't want to like it (as much as you do) but here you are replaying it a fifth time, a fifteenth time. Like a taste combination you're not sure you like so you have to go in a second time. And before you know it, you're hooked.
(I still don't love the kot-kot part but that's because i somehow just don't like the word, it's so dry idk.)
I love both parts - the rapping and the singing equally although i will say that i don't vibe with the autotune (it's autotune, right?) that much. (I want to hear your real voice Jere :') even if it's not 100% there yet) I love his voice so much. The high-pitched ''missä'' was a special treat 😫
I love the distorted metallic beats under the rap parts a *lot* lot.
Lintu's analysis of the lyrics is so interesting, i haven't thought of it that way - that this is not a song about the now but a projection into what the future could possibly look like.
Also interesting that the voice on the phone was both Finnish and English 👀 (a hint to friends in other countries and the distance they have?)
I really wish the song was longer. I had the same with ruoska, where it felt like the song was over as soon as you got really into it - blip! Over. (but maybe i'm just slow?) I also wish the 2 elements themselves lasted longer - there's no way you can get into them and really *enjoy* them before they end. And then i was like ... waidaminute! This is intentional! Time confetti! He doesn't get to enjoy his fame and/or private time long enough so neither do we get to live in these elements for too long. It leaves you a little rattled and disoriented. As someone else said - it's like edging 😅 it is! Without resolve. Because that would have been my other point - the song feels like working up to a really good climax but then - bok bok.. 😅😭 That sly little gremlin 😫💚
Also every time i caught myself thinking - hm, that's very commercial 😅 the song kicked the legs out from under me right away 😂 So good for him.
Which brings me to my next hard agree with Lintu - i soooo hope it's a concept album! I don't need to love every song but boy do i love when he experiments. I end up liking those later on mostly. So it's a delayed reward treat idk how to describe it better.
Lastly.
None of this, absolutely none of this, implied sexy poledancing. He just did that. 🙏🏽😫❤
So thank you Jere.
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bumblingbabooshka · 1 month
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[Tuvok & Janeway: Control, Distance, Duty & Connection.] Sources: St Voyager Transcripts / Mitski 'First Love Late Spring' / Disco Elysium
#web weaving#star trek web weaving#st voyager#Kathryn Janeway#Tuvok#be the change you want to see in the world - make a long post about Tuvok & Janeway's similarities <- angel on my shoulder#I feel like a lot of people see them as 'opposites attract' sort of friends where Janeway is unhinged & Tuvok reigns her in#but in reality I think that while there is that element in there (exacerbated HEAVILY by their delta quad circumstances)#what I see most in their relationship is how they both value loyalty and duty above all and are extremely rigid with themselves#and the people around them. How they both have to maintain distance from others bc of their positions as captain & vulcan#I hate when people dismiss Tuvok as not being remotely interested in Maryana or Noss - it erases an interesting struggle that he and Janewa#both share - their desire to stay loyal to their spouses vs the 70 years of loneliness that that loyalty demands of them#But they BOTH triumph and they BOTH remain loyal (Tuvok until he returns to T'Pel and Janeway until Mark informs her that it's over)#and for both of them it's a little bit insane for them to do that.#Isn't it more interesting that Janeway and Tuvok both have feelings for people other than their spouses but don't give in#to that temptation?#They're both people who live very fastidiously by codes. Either written codes or moral codes - they very rarely if ever do things because#it's what THEY want to do. I'd say they're the least emotion-driven members of the crew and yes I'm including Seven because Seven#has a very...how to describe? It's a blunt and insular selfishness. She does what SHE wants to do and doesn't really care about others.#To me that's emotion-driven. Or...personal desire-driven? Not a bad thing at all but very different from Janeway & Tuvok who#are always more 'this is logical' or 'this is for the crew' rarely do they think 'this is what I want' bc they can't afford to#for different reasons (captain & vulcan)#they both also are in the most 'caretaking' positions on the ship from my POV. Security and Captain - both are directly in charge of#ship and crew safety.#Janeway & Tuvok#star trek voyager#st voy#when I say caretaking I'm NOT saying they're everyone's mom and dad or whatever - I'm saying they're in positions where they always#have to think about the greater good and the crew as a whole and how much danger is acceptable etc etc.#Janeway is always killing herself for the crew but Tuvok is right there beside her
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yunmeng-jiang · 3 months
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that man does NOT think of wei wuxian as his gege
#jiang cheng#wwx#twin prides#i have a whole post about how they both think of themselves as having an older-sibling role#but even if that wasn't true jc still always calls him by his full name and the one time wwx tried to call him shidi jc yelled at him#their relationship is not that simple! it's a huge thing that wwx occupies a weird in-between role in their family!#he's definitely not a servant but also definitely not a full member of their family and that's super important to the story!#even if jc WANTED to think of him as his older brother he would need to get past seven layers of trauma to even realize he wanted that#and then he would have to admit it to himself and then work up the courage to admit it to someone else#and even then he probably still wouldn't say it to wwx's face#sure yanli calls wwx her didi but things are much simpler from her point of view#plus she's one of those people - like lxc - that can hold an opinion deep inside herself and be at peace with it even if it conflicts +#+ with what the world says and what she's been brought up to believe#jc is not like that. he internalizes way more from the outside world and if he feels conflicted he just kind of implodes#he's spent his whole life being told that wwx is not his equal and is someone to compete against#and also secretly believing that wwx is eventually going to abandon him because he doesn't think anyone truly cares for him#plus wwx treats him like a bff who is also a liege lord rather than a beloved younger brother#he would Not form a secure attachment to wwx lmao#it also really annoys me that when people write/conceptualize him as someone who thinks of wwx as his real gege +#+ they tend to completely erase jyl and minimize her importance to jc. he HAS an older sibling who he trusts unconditionally and confides +#+ in and takes comfort from! that person already exists! and they ignore her in favor of the protagonist#it also really bugs me when they have him mourning wwx those whole 13-16 years but don't put in a single word about yanli#this kind of turned into a rant about jyl... i have a lot of feelings about her especially since i'm the oldest sibling in my family#anyway. that man does not think of wwx as his gege#haterade#(kind of)
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mariathechosen1 · 1 month
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Was Anyone But You a good Much Ado About Nothing adaptation? No, not at all, but fuck it was fun!
#y’all know I have many thoughts about this play and these characters#but even though the movie didn’t completely live up to my expectations as an adaptation#I still really enjoyed it!#and I really despise all those people making posts about how sydney sweeney can’t act#idk it seems a little rude#my main problem is how they messed up the benedick and beatrice characterization and dynamic#I love that they played up the ex lovers thing (which is left up to interpretation in the play)#and i love love queer Hero and Claudio!!!#but their hatred of each other didn’t really pack the same punch as in the original#I suppose I wish they weren’t afraid to make the characters bigger assholes?#ya know- give them more flaws?#because right now the enemies part doesn’t really feel believable for big parts of the movie#They really could have leaned more into making Bea a bit of a cold and snappy mess (as she is in the original)#and Ben more of…ya know…actual human disaster who can’t commit#both of their characters in the play are driven by their desire never to marry and their distrust for the opposite sex#They included this a bit with Bea (her not believing in true love and all that)#but her break up with Jonathan (because he was too nice???) didn’t really convince me of it#They also keep insisting that Ben is a fuckboy but we never really see it demonstrated?#I personally don’t mind the fact that they changed up the whole ‘convincing them that the other secretly loves them’ bit#especially considering this is only loosely based on much ado#but I do think they made it a bit messy considering they included the gulling scenes but only as a joke#I wish they’d either leaned fully into the much ado plot or ditched it#I think what a lot of adaptations get wrong is that they’re either too afraid of leaning into their og media#or too afraid of seperating themselves from the og media#oh god I’ve reached the tag limit help#anyways- rant over#anyone but you#maria talks about things#much ado about nothing#beatrice x benedick
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bekahdoesnerdshit · 9 months
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When Cog summons her wings, they come to her easy as breathing. The shadows around her gather at her back and unfurl into feather-light, barely corporeal raven wings- black as night and held together by magic. Cog asks for her wings, and they materialize for her.
Acedia's wings rip from her back, tearing open the skin between her shoulder blades and sending rivulets of hot blood running down her spine. Her back hunches, her shoulders jerking, and as the wings unfold it's clear that every moment of it is intensely painful. The wings themselves are a mockery of a willowy tree, once draped with vines and moss, now skeletal branches.
Cog's wings are a gift from a god who grew to love her like a daughter. They're a part of her, just like the rest of her magic.
Acedia's wings are everything she's perverted and betrayed, a pointed reminder of her place from the god she sold her soul to.
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prokopetz · 28 days
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In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:
In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.
The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.
A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.
Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.
Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.
At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.
This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.
Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".
(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)
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msfcatlover · 1 year
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Thinking back to that one post about how every batkid needs to pick a persona they get to swear in. I would like to expand it.
Dick swears all the time, but he does it in other languages. He picks a language for each persona to swear in and sticks to it. He did still do his whole “Aw, fiddlesticks!” routine as Robin, mainly just to watch everyone’s faces when he did it. (But everyone remembers the time Robin’s leg was broken and he just screamed “FUCK!” so loud that the entire battlefield turned around in shock.)
Jason knew that thanks to classism, people would assume he swore even if he didn’t. So like, why bother restraining it any more than he absolutely had to? As Robin, he didn’t swear even when he really wanted to, though sometimes he slipped up when caught off-guard or when chatting with someone who knows him in both identities. (On one very memorable occasion, Robin got so mad he actually shoved his fist into his own mouth to muffle the screaming rant of obscenity he needed to express.)
(As the Red Hood, Jason doesn’t really give a fuck, but he still falls back into his old habit of cleaning up his language when in costume. It’s very funny to hear him say something like, “Well, golly! You’ve gotta be shitting me.”)
Tim Drake is a proper young man who doesn’t swear, even when he’s hurt (he has totally stolen that biting-my-fist move from Jason.) Robin swears like a fuckin’ sailor all day every day, to the point where not a single goddamn hero in the entire caped community that has ever worked even adjacent to him has not heard, “Ask me if I fucking give a shit,” muttered under Robin’s breath directly into the com line when someone tries to correct him on something. He will switch languages to insult you in the one you best understand, too. His friends have a running bet about how many of those languages Robin actually speaks, versus how many he just learned how to cuss people out in (when asked, Robin just smirks and says, “How fucking many do you [always a swear from a different language, usually one they haven’t heard before] think?”)
Damian mostly sticks with old-timey faux-Shakespearean insults, mainly because it’s very funny when adults can’t figure out what to punish him for when he sasses them. As Robin, Damian likes using animals in place of swears, and just telling people to go fuck themselves—it keeps them on their toes.
Steph does not fuckin’ care.
Duke canonically swears both in & out of costume, and I love that for him.
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koolades-world · 1 year
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Demons and Humans not understanding each other
Inspired by several other posts I read about this same thing <3 honestly even if the brothers insisted it was safe, I would consult Satan, Lucifer or Barbatos
this is mostly mammon freaking out
Humans think the deadliest things are like, adorable, like Cerberus. Mammon especially does not understand why Mc wants to run towards the very dangerous, very mad three headed dog. A few times he has had to throw Mc over his shoulder to keep them from staying behind
“MC CERBERUS BEING THE BEST BOY DOES NOT JUSTIFY HIS ACTIONS HE WANTS TO KILL US”
“But he’s so cute! He just needs a snuggle buddy”
Humans can also be very stubborn if they’re too hot or cold but refuse to admit it. It’s fine with Lucifer does it because he’s one of the most powerful and therefore resilient demons in Hell, but not so much when Mc does it. Beel and Mammon love playing in the Devildom snow, but given that it’s the Devildom, it’s definitely a lot colder than it is in the human realm. Even after ten layers, Mc is still freezing but refuses to admit it.
“Mc, are ya shivering? I thought ya would be too warm under all that”
“I’m sweating with this one jacket”
“I’ll live! Let’s go back to the snowman”
“no I don’t think you will”
On the same note, sometimes demons forget humans can’t withstand crazy temperatures. Asmo will invite Mc to a popular bathhouse, sauna or hot springs, forgetting that the temperature would literally boil Mc alive
“Hey Asmo this is the place you wanted to go, right?”
“Yes! Isn’t is cute?”
“Everything except the part where I boil alive”
“what!”
Some foods can kill humans just by being near them so imagine how the brother would feel when they learned this, it’s giving that lunatic pudding incident with Diavolo from that one card
“Mc! You’ll love this. Open wide!”
“Asmo I feel funny”
“DO NOT FEED MC THE TAKEOUT LUCIFER SAID ITS DEADLY FOR HUMANS IN LARGE AMOUNTS”
“FUCK NOT AGAIN”
In retrospect, humans probably sleep a lot compared to demons. Some demons probably don’t sleep at all, except Sloth demons. Setting aside about eight to nine hours of the day just to sit idly might not make sense to them until they learn they will shut down without it
“How are you feeling about the exam we just took? Exam week is finally over.”
“Mc? Mc, Satan is talking to you. Why are you on the floor”
“MY HUMAN IS DEAD”
“No, I think they’re just asleep idiot”
“oh. wait, THEYRE ASLEEP IN THE MIDDLE OF THE HALL lucifer is gonna kill me”
I’d say both demons and humans are social creatures, but humans will go insane without social interaction. Yeah a demon would probably be upset if they didn’t talk to someone for thousands of years but I don’t think a human could last more than ten without losing grip on reality. Humans tend to copy each other, which is probably bizarre to demons. Humans don’t even understand yawning so demons definitely won’t
Going back to the food thing, demons can probably go ages without eating, besides Gluttony demons. Humans need to eat so frequently compared to them
“So you’re tellin’ me that if Mc doesn’t eat for a whole week, their insides start to eat themselves?!”
“Yes. But, Mc ate a few hours ago.”
(Mammon was already gone when Satan turned back around)
Demons probably also play game that would definitely kill humans. My brother and I used to play crazy games when we were little (our favorite game didn’t have a name but we would put Barbies in the toy train tracks and see what would happen when different Thomas and friends character would hit her. The train tracks would glow in the dark! I did not let him put my favorite doll in the train track and he had to listen since I was the older one, she was not a barbie and had bendy feet? that’s not for now) but we never seriously got at each other throats. I cannot imagine what games demons and demon children must play. Satan was born fully grown but imagine if he was born little and the brothers had to play his favorite games with him. I feel like they would find the Barbie game I played a little weird too. Like, they would probably tell me that I should’ve done it in real life since that would be better experience or something batshit like that
“Aww, Satan, do you remember all the times we played “Five minute eye stab” with Lucifer? You were so cute. Sometimes I think Luci let you win.”
“Do not talk to me Asmodeus.”
“I’m sorry, you played what?”
“One time we gave him an actual knife by accident and since he was good, he ended up stabbing Lucifer’s eye.”
“You’ll be next if you don’t shut up and let me read”
“HE WHAT”
“Oh he’s fine now, clearly. Only took him a few hundred years to regain normal eye functions”
“Can we not talk about this anymore?”
Babe it is a miracle Mc is still alive
6K notes · View notes
taexoxosgf · 4 months
Text
DO IT AGAIN
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PAIRING brother’s best friend!park jisung x fem!reader
WORDS 3.7k
SYNOPSIS your brother’s best friend can never get you alone. that’s why he won’t miss an opportunity— even if your brother’s on the other side of the walls.
WARNINGS reader is tyong’s sister, jealousy, vaginal fingering, unprotected sex, creampie
NOTES this smut is actually from a super long fic i posted on my old account! i’m not sure if i’m gonna post the whole thing because i’m cringing rereading it lol
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“So, how’s your big bro’s parties? It’s better than frat parties huh?” Taeyong dangles the red cup charged with alcohol in front of your face just for you to swat away in annoyance. “No musty bathrooms and paint peeling off the walls! Woooooooo!”
You’re going to have to have a jolly time cleaning his vomit in the morning. “Stop drinking you little shit. I’m not gonna take care of you tomorrow, just so you know.”
He does a little dance that has you suppressing a laugh, “The night is still young! Loosen up a little! Won’t stop until you’re having as much fun as me!” Your brother is so out of it, that he bumps into a million corners of the home and an attendee urges him to the couch.
“Actually… I’m not feeling so good,” he shushes the person helping before running out of the main room.
“Oh my god,” you pinch the sides of your nose bridge, unable to understand how Taeyong’s motto is always all or nothing.
You're nothing near Taeyong's level of intoxication, and whether it's the devil on your shoulder or the drink, you want Jisung. Excruciatingly so. Whoever claimed that drinking made you act like a bitch in heat wasn't kidding. It's more than true now that you know he's nearby– wanting to look for Jisung because if he wasn't going to make a move tonight, you would.
“Y/n?” a familiar voice calls you, prompting you to turn around.
“Hyuck? Oh my god! How are you?” you’re already bringing your arms out for a hug and he’s quick to immediately accept.
You both went to high school together before he left for university thousands of miles away. He still texts you now and then, but due to the time difference, you never had the opportunity to properly catch up.
“Not doing too bad. It’s so good to finally talk face-to-face babe, holy shit,” he chuckles.
“How’s the East Coast? Did you find a girlfriend at Columbia yet?”
“Nah, you know me. Girls there are way too preppy for me. Plus, I can’t stand another minute of freshmen thinking they’re living through Gossip Girl,” he pretends to gag, swaying his body from side to side.
“Hey! Don’t hate. That show was ahead of its time,” you comment, brows raised.
“It IS! But I’m talking about the people acting as if they were a part of the show themselves. Like come on, you were probably five when it came out!” he exclaims.
​​"Fair enough," you nod. "You know who you should go for?" an idea flashes across your mind as you speak.
“Who?” he shifts closer, genuinely curious.
You wave towards you as another way of telling him to step even closer and cup your hand behind his ear before whispering, “Yuna.”
“What?! There’s no way!” he steps away, not expecting you would say your best friend’s name.
“Come on! You guys would look so hot together! What’s so ‘no way’ about that idea?”
Your old friend momentarily pauses, like he didn’t know what kind of question you asked. “She’d never go for me.”
“What? She used to have a crush on you! You were always around different girls so she never made a move,” you affirm. “You know how she was in high school,” you remind him of the girl who was once afraid to step out of her comfort zone.
“Are you serious? There’s no way that’s true! You’re straight up lying to my face right now,” he groans, looking as if he was going through a mental crisis due to the news.
“I swear on my Loubitons that it’s true! Just talk to her,” you point to the back door. “She’s in the backyard. I’m sure she would love to catch up.”
He brings a hand to his chin, soothingly rubbing with his index, “You do love those shoes…”
“More than myself, so come on! The times ticking!” you press him further, and his eyes light up when he realizes the words you’re feeding him might actually be true.
“You know what, fuck it.”
“That’s what I like to hear! Acting like a true alpha male!” you jump up and down, probably with more excitement than he has.
He chuckles at your words, “Okay. Okay. Let’s hang out and catch up this week. Let me know when you’re free.”
“Okay now go!” you try not to hold him back longer than he needs to be.
“I”m go-”
Before you can properly bid goodbye, you feel a hand wrap around your wrist, pulling you away towards the narrow hallway of the home.
You see it’s Jisung after checking, and he’s definitely on a mission by the way he doesn’t utter a word. Instead, he drags you through the hallway and finally halts his steps at the sign of your bedroom door.
“Jisung, what are you doing?”
He doesn’t answer, he doesn’t let up on your wrist, and definitely doesn’t spare you a glance until you’re both in the room with the door shut behind your back. It’s almost pitch black in the room, and the only light source is the hallway lights illuminating underneath the crack of the door. Jisung finally lets go of your wrist when it’s just you two in your own space, and he brings that same arm above your head to anchor himself.
“Jisung.”
“Y/n,” his voice comes out hoarse, more playful. This was just what you wanted. He’s right here on a silver platter and you hadn’t even come close to building up the courage to approach him first.
Too bad you love to act dumb for the hell of it.
“What are you doing?” your eyes were slowly adjusting to the darkness, noticing how close his face was to yours. It was the perfect opportunity. Taeyong was probably passed out along with the loud music all throughout the house. There’s no way anyone could hear a thing from inside the room.
“Just wanted you to myself,” he comments. You can smell the alcohol on his lips, assuming it was the reason behind his impatience– but don’t think he’s drunk due to his coherent speech and careful movements.
“You have me to yourself now. So what is it?” you gloat, acting as if you don’t notice him struggling to control himself.
“Sorry, I took you away from your little boyfriend. Look’s like you guys were having fun,” you can hear the slight anger in his voice, jaw clenching following the statement.
You roll your eyes in order to suppress a grin, the alcohol influencing you to play games, “Hyuck isn’t my boyfriend, just an old friend. Remember him?”
He notices the hint of playfulness in your eyes, wanting to just fuck it out of you. But he’s waited too long to do this, and there have been too many interrupted moments, so he leans into patience for resolve. “Oh, I must have missed something babe.”
You shift your face closer to him to prove your point once again, “He calls everyone that! Go up to him, he’ll literally call you babe.”
“Hmm,” Jisung hums. “Should I call him Hyuck too?”
Your eyes shoot to his plushy lips, his jealousy turning you on, but you don’t back down just yet, “If you heard that, then you must’ve heard the part where I told him to go for Yuna.”
“I checked out the moment you were calling each other pet names, baby,” he leans his hips against you, eyes evident with desire even in the darkness.
“Well, it’s definitely different coming from you,” you give him what he wants to hear, but it’s ultimately the truth.
Jisung pulls back just to lean down against your ear, “Different, how?”
It’s like he knows the power he has over you when he’s using that tone, including the fact that you feel him between your legs only slightly hard. It’s definitely bigger than you previously thought, the excitement shooting to your core, “I’m not spelling it out for you, baby.”
The name has him bringing his face back to where it was before, cocking a brow. “Don’t do that.”
“Don’t do what?”
“Play games. Don’t fuck with me because if you are, I’m gonna lose it,” he seethes, all control he previously displayed being lost in an instant.
You began narrowing the gap between the two of you even more, your noses brushing against each other. Jisung falters slightly as you do so, his hand landing on your hip. He's noticeably less in control than when he initially encircled you in the room, taking in every inch of you as you jut your hips forward.
He groans, struggling to keep up with what you've been doing.
"I'm not fucking with you," you say, holding his chin with your thumb and index finger, tilting his head and maintaining eye contact. "Just giving you what you want."
Jisung doesn’t know how you tempt while looking so innocent. If he’s being honest with himself, he never holds a sliver of command when you’re present. “You’re hot as fuck,” he mutters, trying to maintain a normal breathing pattern.
"You're hotter," your lips nearly touch at the movement. You're grinning ear-to-ear, but it's short-lived as Jisung grabs your nape and presses his lips to yours. This kiss is nothing like the previous one, and you want to drown in him. You press your mouth even harder on his, and he responds by positioning his entire weight against your body. You’re actually somewhat sober this time around and take notice of the piercing at the corner of his lips. The silver metal grazing over your lips provides a cold sensation to the hot atmosphere, and you push down a moan at the feeling.
He’s such a good kisser, it surprises you but doesn’t at the same time. The boy you used to know was so different than the one in front of you now.
When you set your arms around his neck to play with his locks, he grabs a hold of your waist. You're drowning, arching your back to relieve the tension in your body as the kiss deepens. Jisung licks your lips, and you easily accept his tongue, lips fighting against his. His tongue dances with yours, getting sloppier by the minute, ready to rip each other's clothes off.
He taps the back of your leg with his hand, signaling for you to jump. You do so without breaking contact with his lips, and he smiles against yours. The taste of alcohol in his mouth ignites something within you, along with the scent of his washed hair intertwined with the cologne he’s wearing.
Jisung slowly sets you down against the mattress, slotting himself between your legs before he pulls back for air. “You look submissive as fuck right now. Is that what you’re into? Being dominated?” he purrs, fingers playing with the waistline of your pants.
“Only if you like to dominate.”
The switch in his head flips, and he uses one hand to unzip your jeans to slowly run his fingers over your clothed clit. Your toes curl at the sudden pressure to your sensitive core that's been begging to be touched. The thin material of your panties doesn’t do much to shield his touch, but one thing’s for sure, if it feels this good, you can’t imagine how it’d feel when it’s not just a tease.
“Fuck,” you pant, moving your hands underneath Jisung’s shirt.
“What?” he asks, moving down to your neck. The sensation of his warm tongue against your neck has your skin igniting goosebumps all over. “I can’t hear you. Already falling apart?”
“N-no,” you stutter, knowing damn well that anything done to you will be the actual end. It seems like he wants to win the moment he brings his red and swollen lips back onto yours, sparing any niceties. He’s smothering you, ruthlessly kissing you to no end. But when you become lost in his lips once again, Jisung slips his hand underneath the band of your underwear to touch your pussy head-on.
“Jisungg,” you say against his mouth.
Of course, he doesn’t let up, circling your bud, knowing exactly where to touch you even though this is the first time you’ve done this with him. It’s nothing, but feels like so much, your thighs attempting to close around his hand.
He’s still attacking your mouth with his, fingers trailing in an up-and-down motion between your folds. It surprises you, and you moan against his mouth, unable to maintain the same pattern with your lips. “Fuck, you’re already so wet,” he lets go of your mouth with a pop, groaning at the arousal coating his fingers.
“Please, Jisung. I need you,” you whimper, unable to take any more of the mere seconds of pleasure he’s giving you. You don’t even look down as he slides your pants off along with your panties in one motion. He tsks, lowly enunciating a small, “So impatient.”
Without anything in the way, he doesn’t waste time plunging his fingers into your pussy, groaning at the way the muscle tightly clamps around his fingers– and it shoots straight down to your core, never getting enough of how deep his voice is.
The pleasure you’ve been trying to grasp is finally reached, a gasp spilling from your lips once he curls his fingers inside you. Your hands have found their way to his back, fingers digging deep into his skin and he hisses at the slight pain.
“Tell me you want this,” he murmurs against your ear while his fingers begin to speed up in pace. You’re bucking your hips up, wanting to meet him halfway in order to reach euphoria. “I w-want it,” you cry.
“Want what?” he asks, voice too soft for the motions he’s enacting.
“Want you. Want you so bad,” you moan, throwing your head back when he hits a certain spot. It feels too good to stop, and every part of your body tingles at the pleasure.
You want to sob at the feeling it brings you, his fingers, mercilessly driving in and out of your cunt, while his thumb circles your clit. Your stomach feels tight from all the stimulation, and his body pressed against yours makes you feel hot all over. What you don’t notice is Jisung’s watching every movement on your facial features, loving the way your brows scrunch and how your pretty lips open up every time he hits a certain spot.
The band in your lower abdomen is on the verge of snapping, and the fact that he's above you doesn't help. Jisung's hair still falls perfectly, occasionally brushing the tip of his nose. He’s so fucking hot, you can’t hold back. You can't stop the orgasm from reaching your body simply by the way he feels on your body and looks above you.
“P-please,” you beg.
At the feeling of your pussy tightening around your fingers, he digs into your cheek, bringing your face back towards his. “Come on, you can do it. Cum,” he demands.
“F-fuck! I-I’m gonna–” you scream, body convulsing as your orgasm washes over you. He doesn’t stop his movements until you’re whining for him to stop. Pulling his coated fingers out, just to bring it to his lips.
As the climactic high wears off, your body becomes limp, but the image of Jisung bringing his plump lips to wrap around his fingers leaves you wanting more. You nearly squeak when he groans at the taste, letting go of his fingers with a pop. "Mmm," Jisung moans. "You taste so good."
“Here, have a taste baby,” he smirks, bringing those same digits to swipe motions at your core. You whimper at the sensitivity, the buzzing feeling still present. “Open,” he commands.
You listen, sticking out your tongue for him to insert them into your mouth. The wet muscle swirls around his fingers, finally closing around them, and you gag when he presses further into your mouth, teasing your throat. “Good girl.”
It’s so arousing that you intend to get up from your original position beneath him, but he catches your wrists and pins them over your head to keep you in place. Maybe it's the unfulfilled horniness from all the other times he’s tried to get you under him, but it's got you whining and squirming beneath him for his tolerance. “Fuck, it’s like you knew this was gonna happen,” he murmurs, not taking his eyes off your body.
His hot breath fans against your face, “Did you?” He begins to trace the contours of your body, slipping underneath your shirt on his way up. “No,” it’s a weak response, body twitching when he starts massaging your breasts. You had just experienced an unearthly orgasm, but everything Jisung does just causes your cunt to clench around nothing, and it’s only once out of a million times since he walked through the door.
“Just fuck me,” you plead, feeling his thick cock prodding at the side of your thigh.
“You sure?” he asks once more for confirmation.
“Yes, now hurry,” your whine turns into a pout, and he chuckles at your impatience.
“Do you have a condom in your room?”
“Fuck no, I’m on birth control.” He groans at the information, already quick to tug his cock out of its confines.
And just like that, Jisung slowly inches his cock into you. “Oh,” you cry at the fullness. He’s stretching you out so well, and the slight burn just adds fuel to the fire.
“Holy shit,” he sighs. “You’re so tight,” to ease the tightness, his fingers are already making their way back to your bud, circling in slow motions, “Relax for me pretty.”
You nod, eyes rolling back into your head when he slowly begins to move. “Fffuck,” he curses, his grip moving to your waist the moment your legs instinctively wrap around his. He feels so fucking good inside you and you regret with every ounce of your being you both didn’t do this sooner. You should’ve jumped him when you had the chance because fuck. How are you going to stop now? “You feel so fucking good,” he groans at the sensation.
“Ji–sung,” you moan, “Faster.” Your walls clench around his hard cock dragging against your walls, speeding up in pace and you fully lose it. The lewd sounds of skin slapping echo through the bedroom, and Jisung just swallows your pour of moans. He eventually listens to your request, practically nailing you into the mattress. It feels so good, the sounds coming from him, the feel of his cock pulling out, leaving the tip, just to roughly thrust back inside. You don’t know how much more you can take.
The thin silver chain he always wears around his neck dangles right before your eyes, and even in your fucked out state, you can’t stop looking at Jisung. The sweat on his forehead causes the front pieces to stick, the glow of sex already peeking through. “This is what you get,” he spits, but you can tell he’s slightly holding back. “This is what you get for all the times you fucking ran away. When I could’ve fucked you dumb like you want.”
Jisung’s name was the only thing coherent as he drills into you, squealing at a particular thrust of his hips. He’s so deep inside you, tip faintly against your cervix. “You’re cock’s s-so big,” you gasp, tears blurring your vision. The higher the tension builds in your stomach, the more Jisung continues to destroy you. “Jisung, fuck!”
“You like it hard huh? Want me to make your pussy mine?” His dirty words only have you holding onto him tighter, digging the heel of your feet into his spine. It’s too bad you can’t respond, your brain a puddle of mush at this point, cock going too fast for you to think about anything else. The bed frame knocks against the walls as the bed shakes but there’s no room to worry about that. Especially when he’s hitting every spot inside you perfectly.
“Answer me,” he grunts as your moans grow higher in pitch, unable to take it much longer.
“Y-yes, it’s a-all yours,” your body jolts after every movement, carving pleasure all over his skin. The thread that holds on for dear life is on the verge of snapping, and you wail before your second orgasm can send you crashing down.
It was so easy for Jisung to slide in and out of your pussy, your dripping arousal coating his cock perfectly. “Ji–” you attempt to warn him, but he already made his way back to your clit, pressing rough circles. You begin to babble random sounds, unable to form coherent words when he’s impaling you.
“Yes!” A shriek tears itself from your throat at your orgasm, and your toes curl at the high that takes over you yet again tonight. Your body spasms, and your mind stuck in a haze when he continues stuffing your achy cunt with him.
“Holy shit,” it’s almost impossible for Jisung to keep going when you’re clamping down on him like a vice, keeping him from completely being able to leave.
“Inside, cum inside, Jisung,” you plead when his hips begin to stutter. After a few more thrusts, he fully moans, painting your insides. “Fuck,” It feels even more full than before, if that was even possible and you whimper from the overstimulation from the last few movements. After his orgasm is at its resolution, he slumps into your form, not bothering to pull out.
You’re both just lying there trying to catch your breath, and it’s somewhat serene. The music combined with the vague sound of murmurs could be heard from outside and that’s when you remember that there were indeed a bunch of individuals present too. Maybe they heard you guys fucking, and Jisung seems to have similar thoughts when he raises his head to murmur something. “I forgot to lock the door.”
Your eyes shoot wide open in response, “What? Are you serious? Someone could walk in to you butt-ass naked!”
You’re actually alarmed, but he just stares back at you, his mouth turning into a wide grin. “Nah, I’m just playin',” he laughs.
You chuckle along with him, playfully slapping his shoulder because of his unseriousness. “You’re so annoying.”
“Get used to it baby, I’m not going anywhere.”
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boiohboii · 6 months
Text
The Royal Way 《Pt.2》
(Leclerc!reader x Prince of Monaco!oc)
After his older sister marries into the Monaco Royal family, Charles knew he would be treated differently, to his surprise (and his sister's disappointment) his F1 team, ferarri, treated him the same way.... and that did not sit well with the new princess of Monaco
or
in which YN Leclerc uses her new familial connections to fuck up ferarri just like how they fucked up her baby brother's hopes and dreams.
N.B: so, this was supposed to be longer and the last part, but it's currently 3 AM and I have classes at 8 AM thus me splitting this little fic into a trilogy. Hopefully, I will have time tomorrow to post the third and final part! Thank you for reading and let me know what you think!! WARNINGS: NOT REALISTIC AT ALL!! if you are looking for a realistic revenge sort of plot, it is not here, I tried as best as I can to search up what the whole electronic system does and it's relation to the DRS, BUT I AM BY NO MEANS AN EXPERT NOR HAVE ENOUGH KNOWLEDGE, SO EXCUSE THE POOR RESEARCH. The car designs are from Pinterest... Some swear words (fuck, bitch, etc...) Let me know if I missed anything else please!
Faceclaims:
yn leclerc --> anya taylor joy
Prince Thierry --> louis partridge
Masterlist // part 1
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Liked by ferrariisdone, charlesthefrench, leclercfam and 716,920 others
F1_updates_live: Prince Thierry and Princess YN Leclerc heading into the Ferrari motor home in LA. Neither of the Royals look ecstatic to be in this position and it's no doubt to do with the statement released by Ferrari's Formula one media team, where they had essentially blamed the newly wedded Princess, YN Leclerc and their own driver, Charles Leclerc, for his DNF in the previous GP.
username: let them cook
username: the amount of bodyguards they have is insane
username: they do not look happy
username: yeah, no shit sherlock, ferrari basically said that it was yn's fault that Charles is distracted
username: ferrari blaming everyone but themselves
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LEAKED AUDIO FROM LAS VEGAS GP, FERRARI'S MOTORHOME: tensions rise in the Ferrari garage as the young royals of Monaco, Prince Thierry and Princess YN Leclerc, threaten Fred Vasseur of taking him to court after buying out the rest of Charles' contract with Ferrari.
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(Princess YN Leclerc,Prince Thierry, Fred Vasseur)
"It has been proven time and time again that the team is so incompetent! Why won't you do any changes?"
"Do you think that it's easy? These are people's livelihoods we are talking about"
"You do realise you are talking to a princess, right? She is well aware of how to run a business and a team, unlike you."
"I am just saying that I can't just fire people because Charles can't manage the car!"
"CAN'T MANAGE THE CAR? Are you out of your fucking mind mr. Vasseur? There is evidence, very strong evidence for your information, that the problem was from the electronic system. Do you have any idea how fucked up your engineers and strategists have to be to send out a car with failed electronic system?"
"Correct me if I am wrong my darling, but don't the electronic system control the DRS?"
"Mmhhmmm"
"And if the DRS opens in a corner it might result in a crash, am I correct mr. Vasseur?"
"The DRS was fine, there was-"
"My husband is asking a yes or no question Fred."
"Yes."
"So basically, Ferrari's Formula one team had, intentionally and with their knowledge, put a member of the monegasque royal family in direct danger."
"But Charles isn't a member of the royal family! He is only YN's half brother!"
"PRINCESS YN MR VASSEUR! YOU WILL DO WELL TO REMEMBER THAT!"
"Charles is my brother, and you dare put him in harm's way. I am princess YN Leclerc of Monaco, I can and I will hold you accountable as the principal of this team."
"You can't do anything! Carlos had the same car-"
"Carlos did not have the same car and you know it!"
"We already know Fred, we have had professional inspections done on both cars, it's quite deceiving really, telling a driver that he's the priority and still disappointing him every single time."
🔊 a thud is heard 🔊
"This is the amount of money to buy Charles out of Ferrari, but don't spend it Fred, we will be getting it back in court."
"YN WHAT WE-"
"PRINCESS YN FRED! *sigh* it seems like no matter what you are still convinced that you and your workers did no wrong, we will see about that."
"There is only one race left, there will be no team to take in Charles now!"
"Oh, we are not looking for a team to take him in, we made a team for him."
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{Taglist: @phillydilly @f1ln4dr3cl16mv33 @omgsuperstarg @formulas-bitch @brakingboundaries @kyuupidwrites}
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unbidden-yidden · 6 months
Text
I'm not 100% sure how to articulate this, but something that has been bothering me about I/P discourse (especially in the last month, it's gotten so much worse) that I haven't seen talked about in a productive way is the "yoking" effect that the extremist ugly takes create for the good-faith people just trying to talk about their issues. And I see it on both sides, and have felt compelled to act this way myself.
Essentially, when I talk about antisemitism (especially the significant spike in the last month), my goal is focused on educating people about the antisemitism and urging them to do something about their own behavior, help groups that are working on it, and/or become part of the people working on advocacy to that effect. I just want to talk about the antisemitism, and have that stand as a topic on its own terms. But the problem is, I'm a Jew and extremists on both sides have made it so that anything I post about this requires disclaimers that I also support the rights, freedoms, and care about the lives of Palestinians also. And I do! But that's not the point. The point is that Jews facing antisemitism should be able to talk about this without bringing in a whole separate topic to prove we're worth listening to. And I saw this with Israelis trying to talk about the grief they were feeling after the Hamas pogrom; they couldn't do it without either including some kind of statement about wanting peace, separating Hamas from Palestinians as a whole, etc. or face relentless antisemitic abuse.
And this effect comes both from outside people [supposedly] supporting Palestine being awful unless the Jew in question attaches sufficient disclaimers, as well as [supposedly] pro-Israel people who couldn't help themselves from spouting off dumb racist shit in their posts on otherwise valid topics.
But as I've watched things play out, and Western outsiders become more and more antisemitic in their [supposed] support of Palestine, I've noticed Palestinians and their not-antisemitic allies having to couch their [valid] criticisms of Israel with caveats about how antisemitism is not okay, or else face harassment when talking about their legitimate issues - even ones that aren't about Israel at all.
That's what I mean by "yoking" - this inability to talk about ourselves and our own issues without bad faith actors coercing us to address the other and "prove" that we're worth listening to. It's dehumanizing, because it means that our legitimate issues are always and only ever able to be discussed in the shadow of the other. They aren't allowed to stand on their own without risking harassment.
Anyway, I think the reasons we got here are complicated, but I lay most of the blame at the feet of uninvolved westerners using this conflict as a proxy for their own problems. I don't know that there's a way to fix this at this point, either, because the discourse has become so unbelievably toxic. I think the closest thing I've got is just the suggestion that if you see a Palestinian (or ally) talking about Palestinian issues and not being antisemitic about it, don't derail what they're saying even if they don't specifically denounce Hamas outright and/or antisemitism in their post. And if Jews (including and especially Israelis) are talking about antisemitism and/or legitimate issues and aren't being racist or Islamophobic about it, don't derail what we're saying even if we don't offer caveats denouncing the Israeli government and/or Islamophobia/anti-Arab racism in that specific post.
We can support each other in the face of danger and want peace without having to constantly be forced to talk about other issues and divert focus from our own issues.
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almalvo · 9 months
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About An Official Spiderverse Artist...
Please do not just scroll past this post; read it.
If you guys follow me on twitter, you probably already know.
But if you dont or still want to read this anyway - here you go:
I aint big, but I got a growing platform that I see as important for me to use as a force for things that matter.
So here I am.
And I got something to say about a certain "artist".
There are so many fucked up people who call themselves artists who are so heavily worshipped by us who both get and or dont get outed in the world for things they do and for their general piss-poor behaviours and persons.
Im here to talk about one in particular (and certainly wont be the last).
There is an artist that basically EVERYONE here has seen art from before, printed in the official Sony artbooks too.
If you have seen this:
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Then you have seen this artist before.
His name is Alberto Mielgo. He goes by @/pinkman_himself on twitter.
He is a HUGE part of the art direction and stylisation of the spiderverse movies, if that isnt already obvious. Because he was the former original art director of Into The Spiderverse.
Yes. Former.
Cuz he got "mYsTeRiOuSlY fiReD" from Sony 2 years into pre-production and completely removed from the project.
You may have also seen this character before:
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Yes. THAT asian character from Netflix's Love Death + Robots, from the episode "The Witness".
Familiar? Yeah. Because this episode was also made by the same guy, Mielgo.
I aint going to talk about what happens in that episode and hesitate to encourage anyone to watch it - cuz all it basically is is a megalo-misogynistic, assault "glorified for the sake of aRtT", racially fetishised showcase of this crazy makeup/haired bdsm stereotyped asian girl sex worker who essentially gets murdered over and over and over after running for her life completely naked through the city for all of us to see for some fucking reason.
BUt yeah anyways, you can see it in the first pic, but Ill put it here to show more clearly - this here is NOT the character from LDR. But I can understand why you might think so:
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Yeah. You read that name in the bottom right corner correctly. This is Peni Parker. His concept art of Peni Parker. A 13 YEAR OLD CHILD. Lookin suspiciously like and dressed as the adult person from LDR with ALSO the crazy hair, make up - WITH AN O-RING CHOKER AND BALL-GAG LIPSTICK (BDSM).
13. year. old. child.
This man only sees east asian women this way.
He likes them crazy, sexy, broken--
and young.
Cuz this man also wrote this on a now-deleted post on his website:
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Yeah. He, this whole ass middle-aged white cishet male spaniard thirstin for kids since he was 18 for 12 year old girls.
Cuz 12 year old girls are a fuckin "KNOCK OUT" when they grow up, when they ripen up into adulthood, to this man Alberto Mielgo, aka @/pinkman_himself, this creature.
And if auctioning NFTs isnt bad enough (cuz yes, ofc he does that too - its literally the first option on his website) -
His entire fucking portfolio is of drawing women he had sex with.
His fucking PROFESSIONAL PORTFOLIO is all of painting and drawing women in very compromising, questionable ways of the VERY SAME WOMEN HE HAD SLEPT WITH THROUGH HIS LIFE.
They look as creepy as they are.
But the scariest part?
While I myself had only just found out about this some days ago as of writing this, some of us have known about this man and his antics for years.
And he keeps getting greenlit by the industry, over and over and over; winning awards, getting respected, praised, admired, even by fellow at-home artists like many of you out there if you dont already do so.
And nothing will happen to him cuz he is a white cishet male artist who has money and a following and connections and influence and power.
So yeah.
I just wanted to talk about a certain official Spiderverse artist to just let yall know there are freaks everywhere, and that no matter how small it is, it's people like me and you who need to do what we can to keep up awareness and warn our communities and protect our most vulnerable.
My suggestion is to take heed of what I said, ask questions about everything you will ever see again from anyone around you, no less the industry, THINK for once, and actually give a fuck.
Keep away.
Do not support this man.
But the decision is ultimately yours.
Stay awake, yall.
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(His face, publicly available as his imdb profile):
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scary.
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inbarfink · 3 months
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So one of the cool and interesting ways ‘Steven Universe’ used to try and balance being both a series of 11-minutes episodes that each have their own satisfying emotional resolution and being an overarching story with complicated character arcs that take multiple seasons to resolve is the… I’m going to call it the ‘Not Quite Right Lesson’ episodes. Episodes where a character kinda learns a Very Important Lesson… but a more careful and retrospective look at the situation shows that what they learned is not Quite the Right Thing for them. They internalized something in that adventure which just ended up causing more Emotional Troubles for themselves farther down the line.
‘The Test’ is the most classic example. 
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As a standalone thing, it’s just a sweet episode about Steven learning to accept that his caretakers are also flawed and confused and figuring this shit up as they’re going along just like he is, and then doing a nice thing for their sake.
But looking back at this episode, it is quite obviously the nadir of Steven appointing himself as the Family Therapist and repressing all of his problems so he could better help the Gems’ with theirs. Like, there have been some early warning signs for this Complex, but this episode is the one that really cemented that idea in his mind and probably the reason it took him like the Entire Rest of the Show Including a Post-Finale Season to really untangle it.
But… also, I’ve been thinking a lot about the episode right after that, ‘Future Vision’. I think it’s also a very important ‘Not Quite Right Lesson Episode’ for the character of Garnet, and to some extent, the Crystal Gems as a whole. In many ways, it is to the CGs' character arcs' what 'the Test' is to Steven's.
So in this episode, Garnet reveals to Steven the fact that she has Future Vision. She hoped that telling Steven a little bit more about herself and being honest with him will lead to a greater understanding and a greater bond between them… but it backfired. It just led Steven to become a total paranoid, terrified wreck stuck in a total existential crisis.
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And it seems like the lesson Garnet learned is that… she should’ve never taken that risk at all. That it would’ve been better for everyone if she just kept Steven ignorant of the truth forever.
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Extremely reinforced with the ending of the episode, where Garnet chooses to once again hide an uncomfortable truth (that he just came very close to dying again) from Steven, for the sake of his own ‘peace of mind’.
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So, like, the Gems were already hiding uncomfortable truths from Steven since day one. “If you could only know what we really are” and all of that. But I think… With the actual truth of Homeworld encroaching on them more and more at this point of the story arc, this would’ve been a great time for the Gems to reconsider their attitude and actually Explain to Steven What the Hell is Going On. 
But instead, I think Garnet saw the events of ‘Future Vision’ as a reinforcement of the idea that there’s just some things Steven is Better Off Not Knowing. Actually being frank with him about Homeworld and the Diamonds and the War right there and then, that would have just overwhelmed Steven with fears and worries and would’ve ended up doing nothing but hurting him. And Garnet can’t accept that possibility, not again.
And so, Garnet, alongside Amethyst and Pearl, keep all these truths from Steven as long as possible. Only revealing bits of information when they have to. For Amethyst it’s about her emotionally-evasive attitude (also, she legit doesn’t know all of that stuff herself). For Pearl it’s about how she learned to romanticize Rose’s own fucked-up obsession with secrets. For Garnet, with her usually very direct attitude and preference for the most straightforward solutions, I think it’s very much the events of ‘Future Vision’ that were still playing in her head every time she had the choice to actually Explain something to Steven and decided not to. 
But that, indeed, was Not Quite the Right Lesson. While being bluntly and directly told by Garnet all about the Many Ways He Could Die caused Steven to go into an anxiety spiral and an existential crisis for an episode - the way the Gems have been consistently secretive and evasive with Steven ended up causing him so much more emotional grief to him in the long run. As all of these secrets ended up revealed to him in the most surprising, dramatic and traumatizing way possible.
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And the secretive attitudes ended up driving a wedge between Steven and the Gems. 
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Even after they promised to be more honest with him. Because the sight of Steven crying on the roof that day is one that Garnet can easily move away from. Because Garnet’s Not Quite Right Lesson was almost as difficult for her to unlearn as Steven’s own. 
But after the big confrontation at the start of the Zoo Arc, Garnet ended up being the most upfront about the Crystal Gems’ history. Almost overeager to share what she knows about the past.
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I mean also, again, Amethyst just has less to tell and Pearl is hiding secrets for reasons beyond her control - but I think it’s also important to consider from the perspective of Garnet’s arc.
Because the fallout of the Pink Diamond Reveal is very much centered around Garnet (or, well, Ruby and Sapphire). That was the Truth that was hidden from her 'for her own good'. And at the end of the day, despite all the grief that unveiling that truth has caused
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It has also brought them, all of them, a lot closer.
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There's a reason why 'the Truth' is Garnet's Final Missing Piece in the movie. It is as central to her character arc in the series as Lesbian AngstTM grief over lost love is to Pearl.
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And still, some remnants of the Trauma of 'Future Vision' remained...
After all, even the very last episode of 'Future' was centered around the Gems once again trying to hide things from Steven (at that case, their turmoil about him leaving) for his own sake
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Even though it once again just caused Steven a whole lot of grief.
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It's maybe notable that at the end of this episode, Garnet, once again, tells Steven what's waiting for him in his Future...
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transmascutena · 3 months
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some thoughts on photography and memory in utena:
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on the wall in nemuro memorial hall, there are pictures of real people. i'm not sure who they are, but i assume they're of people involved in making the show. either way, they're obviously not real; in the close-up shots of them, they change into pictures of the black rose duelists and other imagery from the show. i imagine it's there as a fun detail by the creators, but also to show how weird and inconsistent reality itself is in the black rose arc.
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as for the black rose duel images themselves, it's possible that they are literal as i've talked about in a previous post, but what i think is more likely, is that utena noticing them is a visual representation of her connecting the dots of what's really been going on in this arc.
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when mikage brings up the idea of memories and eternity, we see the picture on the wall behind utena, of her at her parents funeral. and behind mikage we see one of his own defining memories.
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a pretty clear line is being drawn between memory and photographs. in fact, memories are so important to mikage that photographs are his black rose duel symbol. it's the one he keeps of mamiya and tokiko, altered to look like anthy's disguise, just like his memories are. through mikage we see both how memories of the past can keep you trapped in it, as well as the malleability of these memories. let's look at everybody else:
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saionji has a framed photograph of him and touga as kids on his desk. he values their friendship, or at least the memory of how it used to be. he idealizes the time touga was less cruel (or maybe just the time saionji wasn't aware of his cruelty.)
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miki doesn't have any literal photographs of kozue or the sunlit garden, though his memories of them are often framed as such. he also keeps a picture of anthy amidst his sheet music. she is his idealized memory now.
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juri has the locket of course, inside of which is a cutout of shiori from a picture captured in the moment that ends up defining their entire relationship. is this the version of shiori that juri idealizes? not really, but she is fixated on her resentment of shiori's percieved cruelty, just not the cruelty of taking the boy away. juri keeps this photograph closer than anybody else does with theirs, but she also keeps it hidden. this could mean she treasures her memories the most out of everyone, and is also the least open about it, although i'm not sure i believe the first part.
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nanami has the photo-album of her and touga; she idealizes her relationship with him, as well as their childhood. when she makes the connection that touga is adopted, the photos are scattered all over her bed, probably to represent her emotional state.
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touga doesn't keep any photographs from what we see, which makes sense with everything we know about him. unlike the rest of the council, he doesn't have any idealized memories of his childhood. but he does use akio's camera, so let's talk about that.
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the camera is, much like the car, a tool that only akio is shown to own (although, wakaba does mention a photography club in episode 34.) like the car, it is used to facilitate his grooming (specifically of touga and saionji when he takes those shirtless pictures with them.) and, also like the car, he offers to lend it to touga, to make him feel more like an equal part of the whole thing. unlike the car though, touga accepts the camera.
the photoshoot scene in episode 37 has a transition where the camera shutter sound effect is played over the previous scene. over the shot of utena and anthy holding hands after confiding in each other about akio. i think it's to show that he's always watching, and that they can never truly be free of him as long as they're in ohtori.
i think it also shows the idea of akio framing the narrative of the show as a whole. he plays a sort of director role in it, in that he directs the events happening, as well as how they're portrayed. it's no coincidence that he is quite literally behind the "camera" in episode 33. like the car, a symbol of akio's power and sexual abuse (which is not-coincidentally also present in all of the photoshoot scenes,) his camera (his narrative, his biased framing of events) is ever-present.
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and then there's the most important photograph in the show, the frame it all ends on. the picture utena and anthy took together is, unlike every other photograph, used as a look into their future. the reason they take it in the first place is because utena realizes she has no photos of anthy, which distresses her, presumably because she worries that their friendship might not last forever, and she wants something to remember anthy by. this obviously comes with the risk of making anthy an idealized memory, like every other person put in a photograph in this show, but instead it ends up as a symbol for their love. akio may have set up the camera, but anthy (with the help of chu-chu) manipulated their positions so her and utena could hold hands. she also cuts akio out of the frame, much like she cuts him out of her life in the last episode. she doesn't want his presence to tarnish her and utena's memory anymore (although he isn't completely gone from the photograph either, as he will never truly be forgotten.)
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