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#i fucking love it when sisters
bamsara · 1 year
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being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now
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have we ever thought abt the fact that zuko is literally azula's older brother. like she's his little sister. that's his little sister. throughout a big, big part of atla plot, he was actively running away, scared of his little sister killing him because he KNEW she would/could. can you imagine that? your little sibling, wanting more your father's approval than your companionship to the point of death? every time they fought, zuko was fighting his baby sister. azula was fighting her big brother. this is making me so sick. they were 16 and 14 years old.
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mickeym4ndy · 2 months
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Sometimes I think about how Mickey & the Milkovich’s very first storyline is centered around them getting revenge on someone who they think hurt their little sister.
Mickey was just scouring the south side with a bat prepared to do ANYTHING for her without any question or need for proof, clearly so protective of her & his family. And the way no one’s even surprised by it shows that this isn’t the first time the Milkovich boys have gone after someone they think has fucked with Mandy.
They grew up in a house of horrors where all they had was each other, it almost seems like if they couldn’t protect each other from Terry, then at least they could do whatever they could to protect each other from everyone else.
And then that side of their dynamic which was set up as such a core element of their family was just forgotten about and never really explored again after, but I WISH we could’ve seen more of it.
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comradekatara · 16 days
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sokka, katara, and the paradox of “the gifted child”
something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.
while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.
moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.
katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.
katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.
and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.
i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.
so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.
when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.
moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.
when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.
sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.
one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.
sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.
katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.
however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.
unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.
of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.
so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.
thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.
both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.
#analysis#sokka#katara#katara&sokka#hakoda#kanna#kya#hakoda&sokka#kanna&sokka#kya&sokka#kanna&katara#whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me#like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal#but simultaneously dehumanized etc etc#but also the fact that like. zuko treats her the same way katara treats sokka#he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor#when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE#katara and zuko are like ‘let’s put azula in her place’ and high five#and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet#so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf#but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times#so there’s rly no need to argue that#whereas katara loves calling sokka an idiot so i do believe that some clarification is in order#but like. yeah there’s no way sokka was dismissed or neglected as a child#he’s dismissed and neglected by the world at large#but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye
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infinityinakiss · 2 years
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michael: we can't use the elevator, it's guarded. there's no way we can make it past that many men.
beatrice : hold my cloak.
*ave maria plays while she plows through 20 guards by herself*
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simplykorra · 1 year
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beatrice + every episode - episode 6: "isaiah 30:20-21"  
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shima-draws · 9 months
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I started watching Bluey and when I say I was absolutely fucking ENLIGHTENED.
Me: Bluey’s such a popular show and even my adult friends like it…but why?? Isn’t it just a show for preschoolers
Me, after watching one (1) episode: OH….I UNDERSTAND NOW…..
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clownjacket · 8 months
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So apparently this was Elias the rest of their childhood together??????
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artaintfartwarriors · 5 months
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seraphicalsuccubus · 9 days
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omg guys I just found my beautiful, hardcover, illustrated, deluxe 30th anniversary edition of The Princess Bride and I forgot how fucking stunning this fucking book is 😭😭😭
I thought it was so gorgeous when it was gifted to me for Christmas several years ago from my mother that I never even opened it up long enough to read any of it because I fucking cherished this copy of one of my all time favorite book and film adaptions so so so much, I didn’t want to mar the book at all by reading it because it’s just so beautiful that I packed it away, in a separate box, cushioned by my own shirts since I don’t have a bookcase anymore, and just kept it safe there and, UGH !!! it still looks pristine now that I’ve taken it back out !!! 🥺🥺🥺
but now I have the urge to actually open it and read it, because I haven’t read the book in like 20 years now and it was one of my favorites the first time my mom let me borrow her copy when I was 7-8 years old. and then when I bought my own hand me down falling apart ass paperback version I found at the library for like $2 during one of their like book sale things when I was 10, and read it over and over again until it was missing pages. like, that’s how much I love this book. I read it to DEATH. like. that book was so loved that I read it until it couldn’t be pieced back together anymore. and even though it was in rough shape when I got it, I didn’t care. I loved it because it was finally MY copy. and now I have this just absolutely gorgeous copy to replace that old falling apart book I had lost ages ago and was devastated about, and it’s one of my most prized possessions.
I’m going to be much more careful when reading this version, seeing as it is a deluxe anniversary edition that was gifted to me, and has quite a lot of beautifully illustrated pages and even some extra chapters. and because, eventually, I want to pass it down to my kids so they can read their mother’s favorite book, from her own copy of it (if I ever have any kids, that is), like my mother did by letting me read her copy and just fall in love with the story. which is a big part what instilled my love for this book/film at a very young age, that connection over it that I had with my mother, because her and I have never really connected on much so this book holds a lot of sentimental value to me. and I want to one day pass that down to my children for them to read (not keep, just read and decide if they want their own copy so I can go buy them an edition of it, like my mother did by gifting me this edition when it released even though it was years and years after I’d first read the book and fell in love with it, she just remembered how enamored I was with the story and the characters that she wanted to surprise me with a brand new, beautiful copy of my own). so I’ve def gotta keep it in really good condition. that’s my drive to not ruin this book and read it to death like my poor old paperback version I had, lol 🥺🖤
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lunamond · 1 month
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I just adore the way Paul's visions are presented in the new movies.
The way it is never quite clear if they are symbolic, if they show possibilities. Both? Neither? Do they all come true?
The way that the people shown in them aren't even necessarily representing themselves.
Like how many of the visions in Part 1 later on in Part 2 get flipped around.
There is the obvious one with Chani taking Paul's place in the fight sequence from his vision, but there are so many more:
Chani holding the bloody knife vs. Paul after the duel with Feyd
Chani leading him through the desert and showing him the coming battle vs. Jessica leading him through the desert towards death and destruction (both wearing flowy white gowns)
Chani whispering his name vs. Alia doing so post water
Kinda interesting how much Chani, his lover, ends up being a stand-in for either his mother or sister.
Jamis killing Paul and holding his hand as he dies vs Paul being the one to kill and comfort Jamis
Chani stabbing Paul/betraying him vs. Paul being the one to betray Chani
Chani being exposed to a nuclear blast, and her face being severely burnt vs [redacted]
It makes them disorienting and confusing, and they are meant to be, Paul is also never quite sure what they mean for most of the movies.
But all of this changes once he drinks the water of life.
Prior to the water, they were always accompanied by an orange-gold glare and intercut with brief flashes of various imagery (fire, a bloody hand, expanding shadows, etc).
But as the visions themselves tell us: to see the future clearly, he needs to know the past.
So, once he gains access to his ancestral memory, his visions become clear.
They are no longer undercut with flashes of other images. Both the vision of the ocean in the desert and the memory of baby Jessica and the Baron are shot in a way that is undistinguishable from the rest of the movie. Before this, either the editing, the flares, etc. sth was always helping us differentiate between vision and reality. But from this point, they appear as real as the present.
Also, the fact that Alia is both the first person he sees after the water and the first to actively talk to him through the visions. She is also the first one (since Leto) who doesn't seem to put conditions on her love.
All of this makes me super excited to see how Denis is going to approach Paul's visions in Dune Messiah, knowing how important his experience of them are for his character.
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miss-ute · 2 months
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chrollohearttags · 5 days
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it’s so funny when I defend lgbtq+ in front of my family and then we go out somewhere and it’s littered with the most yt liberal, pretentious group of ppl I’ve ever seen and they wanna scream “there goes one of ur friends” lmao girl get the fuck out my goddamn face with that.
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duckthevillain · 4 months
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Sonic prime season 3 spoilers
ALSO GUYS GUYS CAN WE TALK ABOUT THE RUSTY ROSE VS NINE'S METAL AMY???
THE WAY RUSTY ACKNOWLEDGED THAT SHE WAS OPPRESED AND LIED TO
AND THEN SHE ADMITED THAT HER FEELINGS DIDN'T COME FROM BIRDIE (WHO SHE THOUGHT OF AS THE HEART AND THE SOURCE OF HER POWER) BUT FROM HERSELF??? HER FEELINGS ARE HER OWN AND HER OWN ONLY??? CAGED BIRDIE REPRESSENTED HER OPPESSION AND THEN SHE LET IT GO??? HELLO???
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AND THEN SHE PROCEEDED TO KICK ASS
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For a kids' show her character is so well written I'm-
Also will someone draw the last pic she deserves some recognition
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moeblob · 19 days
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Karen has four older brothers and this is Ross! He's the second oldest and he looks rather polite and smiles a lot and when he's at work he can behave most of the time... but he really has such a foul mouth it puts Right to shame.
And Karen when she was a kid couldn't pronounce S's and they sounded like Z's. So when her brothers would be leaving for school she would say "enjoy zool" and just. Could NEVER say Ross's name correctly so he told her to just call him Oz. And it stuck but only with Karen. She's the only one to use it and no one else is allowed.
#my characters#also fun fact she has decided to legally rename him for when shes mad at him#so instead of yelling his full proper name#she will yell OSWALD THOMAS WILSON which is the fake first name but actual middle/last#and its just thats a guy that she wouldnt want to admit to knowing if she saw him in public#hes actually p short so yeah hes a short king#the oldest bro and the second youngest are both taller#the middle middle is basically the same height as him so karen really is just the wittle bab#and all her brothers are super protective of her bc thats their baby sister#she does however have a strong sense of I GOTTA PROTECT THE MIDDLE GUY#so she is kinda used to standing up for older guys just bc of he#but it comes into being a problem when she meets rick and is like fuck it he may be older but#he is too kinda for this world and also theres no way i can love him hes basically a baby brother#and she will pick on him but also would absolutely throw hands for him#and and i know the tags are long as is but eventually karen and rick move past the whole youre like a brother vibe#and they become very good friends - still zero romance involved - but she starts to treat him less like a family member#and it makes him feel less awkward and in turn he feels more open to joke sometimes#cause for a long while rick is just this is really awkward and i wish we would stop matching on dating apps but she wont leave me alone#so its rude to turn her down when she offers a friendly drink to check up on me#but its actually karen being protective older sister mode despite being the youngest of five#this is the most i have managed to draw in like two weeks i think#now im super tired bye
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thaliasthunder · 1 year
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nico manspreading breathe if u agree
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