Tumgik
#i don't think that it has been discussed on the fandom..?
peachpitfics · 3 days
Text
Don't Blame Me
Fandom: Bridgerton
Summary: Daphne Bridgerton is your closest childhood friend, her eldest brother, Anthony, is the love of your life. After avoiding each other for years, you both finally lose control.
Length: 3.2k
Pairing: Anthony Bridgerton x fem!reader
Content Warnings: Unprotected sex, sex in public, penetrative vaginal sex, orgasm, 'caught in the act' vibes, best friends brother.
Bridgerton master list (tag list)
Tumblr media
Like many other close family friends of the Bridgerton’s, their home was always a beacon of safety and comfort, especially for you. You were Daphne Bridgerton’s first friend, and you had remained close well into adulthood, she wrote to you still from her new life with the Duke. Unfortunately, Daphne would not be able to meet you in Mayfair this season, the Bridgerton’s playing host while your mother and father were out of the country. It was your third year out; you had a few hopeful matches in mind, not realizing how difficult the season might be with unobtainable love staring you in the face.
“We are so glad to have you this year, y/n. It has been so long since we have seen you around the Ton” Violet Bridgerton was as much your mother as your own.
“Father’s responsibilities have been consuming these past few years. Mother and I hardly made it to the season last year. I am glad to be here, spending some time in familiar places” You smiled, linking arms with her as she escorted you to the ballroom. Your parents had entrusted your match to you, however, had requested the viscountess to keep a watchful eye.
Waltzing into the drawing room, just like old times, Benedict and Colin, discarding their playing cards, exclaimed with joy, rushing to greet you as if a long-lost sibling had returned. There was nothing as lonely as being an only child, deep in the countryside. Eloise was fretting in the corner, fingers agitated, tapping the outside of a book. This was to be her coming out year.
Anthony entered from the far side door, his feet skidding to a halt at the sight of you.
“You arrived” Anthony said flatly, turning on the ball of his foot, and exiting as quickly as he had come in. Embarrassed, you frowned, smiling chastely praying no one would notice his strange behaviour. It had been a year since you had last seen each other.
“I apologise, he is so bizarre in the mornings lately” Violet squeezed your shoulders, leading you over to a table laden with treats. Sitting on the settee with Hyacinth and Eloise, eating small cakes and discussing the books being read amongst you were some of the precious things you missed about living in the city.
In an unsuspicious amount of time, you excused yourself from company to find the washroom. Anthony stood outside the drawing room, leaning against the wall, unblinking and mind drifting elsewhere. You ignored each other walking past, which felt a lot like tiny shards of glass embedding into your heart. Locking yourself in the washroom, trying desperately to keep tears at bay, you looked into the mirror and told yourself it did not matter. You were going to find love this year, somewhere else. 
When you opened the door, Anthony had moved, he was nearly pressed against the door, waiting for you to come out. He stuffed himself into the washroom with you, closing the door as silently as he could.
“Why are you here?” He asked. He looked different from a year ago, he had changed quite a lot more than you were expecting. He had shortened his hair and filled out into his body. His hands looked the same, the same ring on that damned finger, flexing in distress and awkward guilt.
“It is the beginning of the social season. I am here to find a husband.” You stated plainly.
“A husband?” He scoffed, charming disdain painted across his face.
“Yes, it is what young ladies do in polite society. Was that unclear?” You asked. Your lack of facial expression and tone seemed to startle him, he had no idea what you were thinking.
“Why are you acting this way?” Anthony stuttered forward, getting uncomfortably close.
With the melancholic drop of your shoulders, and a heavy exhale, you pushed past Anthony and made your way back to the drawing room. It was so like him to put the narrative back on you. Anthony should have asked himself why he was acting this way – after all, it was he who decided not to court you. It was he who decided to kiss you beside the carriage that night. It was he who decided the two of you should not speak any longer. It was he who broke your heart.
The remainder of the evening was free of Anthony, filled with laughter at the dining room table over a delectable dinner. The Bridgerton’s sense of family was everything to you – even if Gregory and Hyacinth were bickering for most of the meal, it still felt as it was meant to. Violet showed you to the guest room, it had not changed much over the years, it smelled the very same.
“I am sorry Anthony could not join us for dinner” Violet’s voice echoed with somber searching. Perhaps she had heard the two of you in the washroom?
“Do not be,” You said quickly, “His time is his own, he does not owe me anything” Violet bowed her head, words fighting against her lips. She instead pursed them into a smile and closed the door behind her. Those shards of glass moved again, every second in this house, nausea held you hostage, terrified of running into him in the halls.
Daphne was the only other person alive who knew what had happened between Anthony and yourself. She had been disappointed in him, angry with the way he had handled everything. While she promised there would never be a change to your friendship, it had never really been the same. You tossed and turned far longer than normal; your mind flooded with images of the past. Thrusting yourself out of bed, it was clear you were not going to be sleeping tonight, you decided that a distraction may be best. In your nightgown, candle in hand, you remembered your way to the study.
The study was clear of any inhabitants, it was tidy, and the few cases of books loomed high over you, reaching the ceiling. Nothing in the Bridgerton house seemed to change, except Anthony, and it was perpetually for the worse in your opinion. You selected a book randomly from the nearest shelf and perched yourself on the seat closest to the window, looking out over the square. Lounging sleepily, you read in the low candlelight, only disturbed by the creaking of the door, an unexpected sound, making you jolt.
“I knew you’d be in here” Anthony said softly, entering the room with caution as your emotionless face watched him. “You were always in here when we were children. No one could ever find you” His smile was humorless.
“You did” You waited before responding, wondering why he was here, speaking with you, “Why are you here, right now, Anthony?” You demanded.
Anthony moved to the seat across from yours, sitting gingerly, holding eye contact in the hopes you would not tell him to leave. You allowed him to sit, his hands folded in front of him.
“I don’t know” Anthony rubbed desperately at his forehead, “I just got up, and felt myself pulled here, some unknown force, dragging me to you” Anthony admitted. You had always been attracted to each other, always gravitating towards one another.
“I did not choose to come here; my mother asked a favor of yours. I would never have chosen to be this close to you. You destroyed me, Anthony” Tears welled to your eyes, “We cannot be near each other – you made that it very clear, you took what you wanted of me, and cast me aside” Hands pressed down on your knees, you pushed off, making for the closest exit. Anthony dashed around in front of you, placing his body between you and the door for the second time today.
“Goodnight, Viscount Bridgerton” You curtsied formally, hoping the rules of social engagement were enough for this man to understand the dangerous position he was putting both of you in, yet again.
Anthony’s hand trembled, reaching out, taking yours into his. His fingers tangled between yours, his grip strengthening when he realized you were not pulling away. His thumb affectionately circling the skin on wrist, the sound of his swallowing resounding across the empty room, his anxious tongue flicking over his lips. If anything was clear, it was the internal battle that seemed to be always happening inside Anthony’s mind.
His touch, the supreme legacy of your existence. His unsteady breath, captivating your common sense. The thrilling space between you slowly closing, heads bobbing forward as if intoxicated and unable to control oneself, meeting together in the middle in an exhilarating kiss, just like you had remembered it.
His lips were shamelessly enthusiastic, as if made for this very purpose, just for you. His forceful hands weaved into your loose hair, pulling you deeper into every kiss. You were overcome, that old bold, need for him to find its way out of the labyrinth you had designed for it. Anthony’s fingers pressed to your hips, his teeth nipped eagerly at the skin on your neck, softs sighs of delight followed.
It was when his hand moved sensually to your breast that you broke free of the enchanting dance you had found yourself in so many times before with him. Your body did not reflect the same pleasures, you took his hands from your body and laid them at his sides, and stood tall and stepped back.
“I am here to secure a husband, for my future” Tears found their way back to you.
“Y/n…” Anthony shook his head, stepping forward, trying to hold onto you again.
“If you cannot give me what I seek, please, stop hunting me down. I want a life with you, Anthony. I will love you until my dying breath… But you, you will never grow up” You said finitely, again, pushing your way past him and fleeing back to your room.
~
Most of the next day was spent in tired indifference, you remained in your room, preparing for the first ball of the season. Tears had stained your pillow the remainder of the night, each knock at the door struck a chord of hope in your heart, wishing for Anthony.
Eloise and Violet helped you into your gown, the ladies’ maids fixing your hair and face. Violet ran a motherly thumb under your puffy eye, her compassionate heart shining through her eyes and tender smile. You gave a little nod, knowing there was never anything you could hide from her – she knew everyone in the Bridgerton house better than she let on.
The Viscounts escorted Eloise into Lady Danbury’s estate, greeting the Queen and Lady Danbury ahead of you. Violet linked arms with you in solidarity, following Anthonys actions and proceeding into the ball.
“Who will you be accepting dances from this evening?” The Viscountess asked quietly.
“I am not restricting myself to names, I will dance with any eligible man who asks” You answered politely.
Violet gave your forearm a squeeze, “That is very sensible” She nodded, releasing you, sending you off into the lion’s den. You met up with Eloise, taking a short turn about the room to appear social, greeting the other young ladies who you’d met years previous. There were several older men who seemed to take an interest in you as you moved about the room with your friend. No one really stood out to you, no true love at first sight, much to your dismay.
Retiring to the wall with a glass of lemonade in hand, you watched the gorgeous young women excited to dance with suitors and recalled how that was never an experience you had.
Soon enough, one of the suitors who had shown interest in a season previous approached, positioning himself next to you. Lord Harlan Grahame was intelligent, considerate, and not entirely horrible to look at.
“Lord Grahame” You curtsied, a familiar smile finding its way back onto your face.
“Miss y/n, I do hope your mother and father are quite well” He remarked, having known them for many years now, he had noticed their absence.
“They are in abroad, my father has business to conduct in Greece and my mother only saw fit to tend to him during this time” You explained, “I am being hosted by the Bridgerton family. How is your family?” You asked in politeness.
“Fantastic, Mother has moved herself to the country and hopes to get yet another dog soon” He laughed, clearly happy to be free of her in his home. Laughing along with him, you spied Anthony, discreetly looking on from across the ballroom. The conversation between yourself and Lord Grahame was easy and hardly uncomfortable. He was charismatic enough that you could see yourself becoming quite fond of each other in no time at all. He made small jokes at no one’s expense, he offered refreshments frequently and complimented you in kindness. You could see and accept a perfectly happy future with the Lord.
Across the ballroom, sheer asperity brewed live in Anthonys eyes for all to see. He was known to have a temper amongst society. With a final twitch of his left eye, Anthony’s feet picked up under him, carrying him in your direction. Violet watched on, fear and embarrassment ready and willing in her chest.
“I apologise” You mumbled preemptively to Lord Grahame as Anthony arrived to interrupt your conversation.
“Miss y/n, may I have this dance?” Anthonys eyes were terrifying, filled with rage and jealousy. You paused, contemplating antagonizing him, forcing his hand, backing him into a corner. But relinquished, excusing yourself from Lord Grahames company, taking Anthony’s hand as he swept you off to the dancefloor.
You did not meet his eye, your nails dug into the skin on his hand in resentment. You said nothing to each other for the first several minutes of the dance.
“You cannot marry him” Anthony muttered in quiet, helpless indignation.
Giving him a great look of disbelief, “Who are you to tell me who I can marry? I do not answer to you, Viscount” You growled into his ear as he pulled you in tighter.
Anthony finished the dance, bowing to you, holding onto one of your hands with unbelievable force. He walked swiftly from the dance floor, conspicuously pulling you along behind him, and into a room down the hall.
“You cannot blame me for acting this way!” He yelled, “If I have to see you speak to another man this season, if I have to witness another man watch as you walk by – You have driven me to the brink of insanity” He heaved, frantic energy filling his body.
“What would you have me do? Spend my life in loneliness, a Spinster? Would that be convenient to you, Anthony?” You parried.
His hands ran through his hair stressfully, at a loss for words, unable to express himself in the way he wanted. His intention had not been to yell when he sequestered you away to this side room.
“I was fine! You left Mayfair, and I was well. Now, here you are – and God help me, I am intoxicated every second we are in the same room. Your presence is the most decadent drug, forcibly hypnotizing me. I am powerless to you” Anthonys words were like honey, carried on the end of a bee sting.
“You made your choice!” You yelled back at him, hoping the music was loud enough outside.
“I was young, y/n! I made the wrong choice!” He retorted, his words shaking, and unfiltered for the first time in a long time.
There was a second of unblinking silence between you before magnetic energy pulled you into each other, deranged nipping at each other’s lips ensued. Hands grabbed and grasped at skin and hair, trying to force your beings into one person. There was a white-hot craze that seemed to come over the both of you, and you had felt it before, a few times.
Anthony sucked your bottom lip into his mouth, biting and kissing in a spontaneous fire.
“Someone will hear” You moaned into his ear, as his teeth moved their way down your neck. Anthony did not seem to care, his mouth on your chest, fondling and sucking on your breasts, still sitting pertly in your dress. He was simply uncontrollable, his behaviour now inherently superior compared to when he had been speaking.
Anthony maneuvered your body across the room, hands comfortably held in places of control, his left on your lower back, his right splayed across your throat like the prettiest necklace. You reached the door, his hands twisting your hips to face it. Your palms met the wood, bracing as Anthony bent you slightly, kicking your feet apart with his. Anthony hiked up your gown, undoing his pants in the same instant and buried himself inside of you.
You mouth gaped silently, aghast at the entire situation, but thanking God above for the opportunity.
“Oh my god,” Anthony gnarled into your ear from behind, “Just like I remember it” He moaned, sinking deeper and deeper it felt like. Every thrust led with intense and vicious primality, his hands wrapped around each of your upper arms, for leverage. He was right, it was just how you remembered – overwhelming, devastating, unforgettable. You had thought about your secret affair with Anthony every day since you had moved away. The pleasure Anthony elicited from you sent you into a familiar haze, deep and indefensible. Every movement, every sound from him made you feel greedy, always wanting just a little more.
The way he pounded into your smaller frame rattled the wooden door you were leaning on. “Anthony! They are going to hear!” You squealed in a whisper back to him.
“Let them” He panted, “If anyone asks, I’ll tell them I’m fucking my future wife” Anthony’s hand found its way into your hair, pulling your back sharply for a profound, wet kiss. Anthonys fingers sunk into the flesh of your hip, painfully pleasant as his nails clambered for an anchor. Your body arched back involuntarily, Anthony powering through fast, harsh thrusts as he found his inevitable end, placing sloppy kisses on your shoulder as he slowly finished moving inside of you.
You both leaned on the door in exhaustion, bodies heaving in unison. Anthony placed a gentle hand on your shoulder, stepping backwards and rebuttoning his breeches, fixing your dress behind you. You turned to face him slowly, knowing he could very well go back on every word he had said not moments before.
The softest smile enriched his face, his eyes lit in such a way that you had never seen them. His arm dashed out, pulling you into a grinning embrace, smooching dear kisses upon your lips.
“Loving you causes me delirium, y/n” He nipped at your nose, your foreheads planted together, eyes closed in tranquility.
As you stood, the doorknob gently turned and Violet Bridgerton slid her head through the gap, assumingly checking on the both of you; you had been in here for a little while longer than societally acceptable for two young single people.
Her hand flew over her heart, “Oh thank God!” She exclaimed, smiling ear to ear, a sense of pride glistened in her eyes.
“I cannot wait to write Daphne” The viscountess cheered quietly, finding it hard to contain her excitement. “I knew that you would find each other” She chuffed, slipping out, closing the door. Your foreheads knocked together again, never having a minutes peace in such a large family – you stood there a moment longer, relishing such a long awaited and monumental confession of your love.
-------------------------------
tag list: @cringycat24 // @blckbarbiedoll // @freyagallileaevans // @junkie05 // @rosabeetroot // @flamewriterr //
If you would like to be tagged in Bridgerton fics, please let me know!
761 notes · View notes
sgiandubh · 1 day
Text
From barf bag to pity party
The whole 'Kick in the hornets' nest' involuntary series was started by this Anon, received by the de facto leader of the Disgruntled Tumblrettes yesterday evening (in Europe):
Tumblr media
The next morning, another Anon chimed in, on the same page, with what prompted the First Kick: S has a child with 'a woman', but God forbid, not with C 🤣🤣🤣.
And then, one of their group felt the need (then the clearly irritated urge) to come back and comment on the above Anon. No less than 5 (five!) long and plethoric comments were written, prompting my Second and Third Kicks - as you all know, the woman practically begged for them.
I feel it's time to show some mercy and draw the line here.
This blog is read (and trusted) by many. Comments were received. Very interesting, matter-of-fact submissions, to say the least. You know: FACTS (🤣🤣🤣). People who have rich and full and loving lives, people who travel. People who don't even agree on many things, yet spontaneously concurred on what things very probably looked like, on that Palm Sunday morning.
Exhibit 1: Mom and Traveler #1 (a mom I am not - but I was a child, unbelievable as it might sound, and I absolutely confirm every single bit of it)
Tumblr media
I am not yet ridden with dementia, and I remember very well waking everyone up at ungodly hours and refusing my mandatory afternoon siesta (a very bad habit we have in Southern Europe). I wish I would still have that same insane energy now. I also wish I would have kept my 3 year old fashion model food quirks - but that is another story.
However, I am a dog slave (not owner) and as such, I am taking Baby out for his short (but excruciating) morning routine at 7:30 AM. Come rain or shine. Beg him to finish his business with grace and dignity. He never listens. Labs are a charming, addictive handful and my Greek boy is no exception:
Tumblr media
Exhibit 2: Mom and Traveler #2. Who happened to be in GLA on Palm Sunday, March 24, 2024 (for the thick people at the back!):
Tumblr media Tumblr media
All that trip was abundantly documented on her own page. I am reasonably sure she might be reblogging this with her own pics from that day.
And now, for the real questions at stake:
Why make such an unbelievable fuss over an Anon with no pic, that I was reluctant to publish myself?
Why have a cosmic meltdown, in public nonetheless, if you do think this is such a pile of unbelievable nonsense crap? (*imagine the freakout in DMs, if this made the headlines!)
How many times has/have S (or C, or SC) been seen by Antis in GLA in similar postures, without a word being uttered in public?
Why would such an occurrence be An Event, outside of this (help me, I have no words) fandom?
Why insist with your crappy arguments, when it is plain to see you have got all your facts dreadfully wrong?
Why mention 'central Glasgow', when it is public lore (and included in Waypoints!) that S does not live there anymore? (* I blacked out the exact reference, which makes total sense - the least thing I would like to see happening is freaks like you stalking them)
One last time, you insist - comments 6 and 7 (wow, girl!):
Tumblr media
First comment is a lie and if you read my Anon (and you know you all did and discussed it to oblivion) you'll have also read this:
Tumblr media
Which part of 'he didn't approach' you don't get, in plain English, madam? I am lousy at drawing, but hey - for the cause (open in separate page, questionable humor included):
Tumblr media
Second comment, I won't even get into it. God only knows what the hell you meant. I am Romanian and we tend to be a very sarcastic bunch - especially the Southerners.
You posted those at about 2:45 AM, local time (if you are, indeed, a Scot). That's 4:45 AM my time.
I am a lifelong sufferer of insomnia. You, madam, you are mad wae it, as they say in Glasgow.
Don't drink and post, seriously. It makes for a very #sorry hangover show.
And with this, I am done with you. All of you, in that corner. You showed me more than enough. You know there is substance to that Anon, despite the lack of a picture - hence the collective freakout.
From barf bag to pity party. Who knew?
[Later edit:] re-reading the sixth comment, I think she wants to imply it was the 'other child' - I was literally blind with sleep when I first saw it. Well, there is no evidence of whatever she is trying to explain (has she contacted The Climber? between midnight and 2 AM, local time?). Also, a 5 year old child is not a toddler anymore: kids are considered toddlers up to 3, only. That boy, as we all know (and I am sorry we do), has dark hair - where is the resemblance Anon noticed?
Desperate, grasping at straws, lying through her teeth and mad wae it, all the way.
@pamalissou, thanks for bringing us a third mom's POV in your reblog.
86 notes · View notes
ecoamerica · 2 months
Text
youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
17K notes · View notes
anghraine · 2 days
Text
thatinsufferableb-st-rd said:
@anghraine so i have read the books multiple times and am an avid fan of the movies. I enjoy both for what they are. I think the main difference is that Peter Jackson was very open about what they chose to cut and why from anything I've ever seen. They even have Sam give a nod to the book readers by saying "by rights we shouldn't even be here". No I'm not happy about what they did with Faramir and Glorfindel got jipped, and I would have lover to have seen Elronds sons but at the end of the day there were acknowledgments of what and why. Rings of Power to me has always come off as hiding from any criticism by using the shield of "well if you don't like it it's because you don't like POCs in it". To which I genuinely could not give a fuck less, like there are so many branches of elves that went different ways so that could make sense within what Tolkein established. But don't hide behind that when your writing is just "Sauron is evil. We know. And we know she knows. But we have to make it seem like she's the only one who Has A Clue so we must all try to shoo her off to make a plotline"
@lesbiansforboromir has already correctly and politely pointed out that you are doing the very thing we were criticizing in that post—intruding on ROP fan discussion to unfavorably contrast the show to the Peter Jackson films, while also applying a degree of scrutiny to ROP that the Jackson films are rarely subject to in a remotely comparable way and could not bear. Frankly, @lesbiansforboromir is nicer and more restrained than I am about this, but you chose to tag me as well, so I'll also respond.
We (lesbiansforboromir and I) were talking about being excited about costuming in S2 of ROP and disliking the fandom meltdowns over ROP's costuming looking (somewhat) different from the films' aesthetic. Since it had already come up in their discussion, I added that I'm not convinced by the anti-ROP contingent framing their seething hatred of the costuming and design as just caring so much about fidelity to Tolkien's vision. I pointed out that Tolkien fandom broadly cares far more about their preferred, film-influenced aesthetics than Tolkien's actual descriptions and gave some specific examples of this.
There's been a lot of talk, for instance, about how the universally long, flowing hair for Elves preferred by the fandom and used in the films is actually totally canon according to Tolkien even if it's rarely mentioned in LOTR proper. This is inaccurate. Galadriel's brother Aegnor is typically depicted in the fandom/film-preferred style rather than per Tolkien's description of his hair as "strong and stiff, rising upon his head like flames" (indeed, in general neither Aegnor nor anyone else is ever depicted this way, and this description rarely shows up in the lists of "no it's about ethics in adaptation" Tolkien hair quotes).
Tolkien repeatedly describes Elvish, peredhel, and Dúnadan women as wearing their hair bound up in braided coiffures with jeweled hair pieces/nets rather than loose and flowing à la the films and the fandom. Nobody cares, any more than they care about Tolkien's description of Arwen's clothing as soft, grey, and noticeably devoid of ornamentation apart from a belt and netted cap (i.e. the opposite of her highly elaborate film costuming and typically loose, unbound, uncovered hair in the films and most illustrations).
Meanwhile, my fave Faramir's hair is nowhere near long enough in the films or most art to mingle with Éowyn's as Tolkien describes. It's usually also depicted as blond, reddish, or brown rather than black as in the book; in Tolkien's LOTR, all described Gondorians have dark or black hair, with the only difference in coloring being that some Gondorians are dark-skinned and some are pale. Again, almost nobody in the fandom cares about this when they're going on about costume design and casting to reflect Tolkien's vision, and male Gondorians are overwhelmingly depicted with short or shoulder-length hair in the films and in Tolkien illustrations.
Popular depictions of Gondor, including the Gondor of the films, very rarely reflect Tolkien's description of Gondor's aesthetic as similar to ancient Egypt, the Byzantine Empire, and the Roman Empire. Film Gondor has, at most, extremely vague allusions to Byzantine architecture amidst the general and deliberate westernization of Gondor's design—as just one example among many, Tolkien's explicitly Egyptian-based design for the royal crown of Gondor is converted to a generically western European-style crown in the films and overwhelmingly in the fandom.
I then pointed out that it's been very noticeable that ROP haters tend to have a powerful double standard wrt fidelity when it comes to the Jackson films. For over 20 years, most film fans have been constitutionally incapable of tolerating even slight criticism of the films without jumping in to defend their greatness and condescendingly explain the most basic elements of adaptation. (Yes, we know film is not the same medium as text, we know changes are part of adaptation to another medium, we all know that, we all know that a word-for-word adaptation would suck and never be made, this is not new information and does not make the PJ films' every choice a good one.) Yet most film LOTR fans who vocally despise ROP display none of the charity towards ROP that they demand for the films (demand even from someone like Christopher Tolkien, a dead man the entire fandom is deeply indebted to, whose dislike of the films still leads to regular attacks on his character from Jackson film stans).
This hypercritical yet hyperdefensive tendency in the fandom is neatly illustrated by the fact that you responded to a conversation about the double standards in evaluations of ROP's costuming vs the films' to go on about how ROP is objectively bad for reasons entirely unrelated to costuming, how you're totally not racist (something nobody was talking about), and to quote you directly, "Like the show was just Bad." Truly, an incisive critique. Meanwhile, your concessions with regard to the Jackson films are mainly about extremely minor and defensible omissions like removing Glorfindel and the sons of Elrond rather than the serious and fundamental problems that lesbiansforboromir and I have with them, or even the ways they do pretty much the exact same things you're lambasting ROP for.
I mean, if we're going to talk about action hero Elves in ROP vs the Jackson films, what about the action hero-ification of Legolas in the films? He was described by Tolkien himself as the Fellowship member who accomplished the least, so super badass battle-skateboarding Legolas hardly represents fidelity to Tolkien's vision. Why should that get a pass while film-stanning ROP haters seethe about ROP!Galadriel being too special, even though Tolkien described her as one of the most special Elves to ever live and specifically as remarkably athletic and insightful?
Meanwhile, film Gimli is reduced to comic relief, the only dwarves taken seriously are conventionally hot ones in The Hobbit films, and Frodo's expressions of strength and fortitude are consistently removed to glorify other characters. Film Gondorians were deliberately designed to seem like useless tin soldiers (which they are in the films, as well as whiter and blonder than Tolkien wrote them) rather than the physically imposing and highly effective fighting force of the book. ROP imagining Elvish rituals upon approaching Valinor that aren't based in Tolkien canon but don't directly conflict with it is absolutely trivial compared to the films' handling of Denethor and Faramir.
The point is not that you, personally, are not allowed to like the films or dislike ROP despite all this. Many people do love the films, including most of my followers. They do have their strengths, though they are extremely racist and few film fans will acknowledge this without soft-pedaling it in some way (esp, since you brought it up, given the context of the truly unhinged degree of racism that has accompanied much of the broader discourse around ROP).
The point is that film fans who hate ROP are constantly showing up in our conversations to be "well actually ROP is just objectively bad, unlike the films, because the show has failings that are also in the films but it's totally different there because of the contents of Peter Jackson's soul" or whatever. The point is the absolutely glaring and obnoxiously hypocritical double standard of defensiveness about the films and obsessive nitpicking of ROP that leads to ROP haters continually going on rants to ROP fans that are unwelcome, uninvited, and usually (as in this case) irrelevant to what was even being discussed.
62 notes · View notes
sageistrii · 3 days
Text
I remember someone asking why namjoon picked a song like come back to me for radio promotion also I've seen a lot of people me included wondering at some BTS members choice of title tracks despite the fact that they seem to want chart success. I had an answer for that when cbtm was released but I wanted to wait until the full album drop to say what I wanted and now the discussions surrounding him taking inspiration from Tyler the creator proves me right.
Certain members of BTS release songs that obviously do not have the potential of becoming big with the hope that it does become big because just like scooter did with jk, over the years some members of bts have tailored their artistry after other popular acts.
Members like namjoon and tae especially continue to release these boring lifeless music even if they know the fandom wouldn't like it because
° They can't do anything else
° They see artists like mitski, joji, Billie, Tyler the creator, frank ocean, Daniel Caesar artists that have been able to create a name for themselves with alternative music/alt rap/ alt rnb and have decided that this is what they want for themselves. "If they can do it, I can". They forget that these artists have a certain something that prevents their music from falling flat or being perceived as boring.
They enter the studio with a particular artist in mind and they decide that this is who they want to emulate with this record. They have these artists on their moodboard, replicate their aesthetic, employ artists who have worked with these people in their quest to replicate their success.
They don't want to have to make radio friendly music to find success because they can't (for example tae's vocal tone is a huge limitation and I think it's one of the reasons why he's stuck with alternative RnB) and because they have decided that they're going to follow in the path of these alternative artists forgetting that 8 times out of 10, these artists are only able to get a hit song because one of their songs suddenly goes viral on social media, they don't get huge numbers right off the bat.
Alternative music can be fun as we have seen with artists like Billie, but if you decide to release alternative or rnb songs that fall flat, when you're still dependent on a fandom who are fans of pop and upbeat songs, don't act disappointed when you don't get the same success as these artists you're imitating.
How about market your music to people who are fans of these alternative artists instead of dropping these songs without marketing them to it's target audience all because your group has a huge fandom.
And I don't even think it would be so easy to get an audience for these songs because as a huge fan of RnB and alt music, I have not liked any of taehyung's songs in chapter two, also only liked the title track of rpwp. So instead of making music in an attempt to replicate someone else's success and art, how about make music for you without having any specific artist in mind.
There's nothing wrong with choosing to do a specific genre and taking inspiration from other artists, just make sure it doesn't fall flat in your attempt to replicate exactly what they've done in the past.
Just because Tyler found success with "earthquake" doesn't mean "lost" would have that level of success, and just because "glimpse of us" by joji was one of the biggest songs by an Asian act, doesn't mean it's songwriter will give you the same hit, just like working with mhj did not guarantee a successful or memorable debut album.
Last time I fully enjoyed a namjoon album was mono, and even indigo was better than rpwp.
Way too much singing, not enough rapping, and all the songs seemed disjointed and not in a fun way, about 4 songs sounded more like interludes than actual music.
28 notes · View notes
Text
Fandom has come up with a lot of theories:
There is The Couch Theory, The Color Theory, The Invisible String Theory, and more. I love how creative and fun this fandom is.
I was wondering if I can pose one more. The Food Theory.
I'll place the maniacal rambling behind a cut.
So I was thinking about how the station let Eddie Diaz near the kitchen in last night's ep. We all know that is dangerous. I don't care if it is in a fire station.
Then I thought about food and kitchens have been themes throughout the series.
When Gerard was in charge, Hen and Chim were ostracized at meals. Yet, when Bobby took over, feeding his family was his love language. When Buck arrived for his first day, what happened? Bobby teased him then had him pull up a chair to sit down and eat.
Buck was hopeless in the kitchen, yet Bobby patiently taught him everything from the basics up. I think back to the scene with Buck having Bobby taste the chili. As the child of an amazing cook, I know the elation hearing something is delicious from a proud parent who is a master in the kitchen. Buck was the same. They became surrogate father and son over food and in that station kitchen.
When Bobby wants his family close, he organizes dinners and barbecues. He and Athena cook for each other. They have had many important conversations in kitchens.
Abuela and Pepa kept Eddie and Christopher fed. Why? They love their boys and, again, the food is symbolic of love and care and family. When Pepa was speaking to Eddie about being single, did you notice where they were?
I believe we've even seen Hen and Karen sharing homecooked meals. When homecooking is involved, it is always in the context of family.
Chimney and Maddie had their little food dates every week. They bonded over food.n
When Marisol and Eddie have been around food, it's takeout or in a restaurant. The same goes for Kim. Ana cooked for Christopher and Eddie, but he didn't return the favor. When breaking up with her, he pointed out the mess her cooking left, which could be a metaphor for the relationship itself. Ana was giving it her all and cared about Eddie and his son, but he was such a mess it was never going to go anywhere.
Now we get to what triggered this line of thought. Tim has stressed that he must choose what makes the final 43 minute edit every week. So things that don't matter are cut.
Then why in 7x9 do we spend time focusing on the spread at the ceremony? Buck and Ravi even go so far as to bring attention it, Ravi using the food as an excuse to show up on his day off so he doesn't have to admit he is really there to see his colleagues be recognized. We know he wasn't really there for the food. How? During Bobby's flashback, we see Bobby mentoring Ravi. That means Ravi is a part of the 118. Ravi, in Bobby's mind, is family.
Food has been central to Buck and Tommy's scenes. Their first date was at a restaurant. They got back together over coffee. Buck was seriously uptight over the sliders at the bachelor party. At the award ceremony, the food was even a focal point. I think Buck's comment was loaded, too, but that isn't a part of this.
Buck, after he gained culinary skills, spent many days cooking for Christopher and Eddie. Remember the lasagna he made at least three times to get it right last season? The one he and Eddie discussed couches over?
Buck didn't cook for Abby.
Buck didn't cook for Ali.
Buck didn't cook for Taylor. You all have to remember the frozen waffles, right? That was just sad. I mean, damn, you can't take her to breakfast after she gives it up?
Buck hasn't cooked for Tommy.
The writers have said before that everything is deliberate.
During the the station kitchen scene in 7x9, of all the possible combinations, we have Eddie, who can't cook, working next to Buck and the camera highlights that. They have a discussion about Eddie's issues in Eddie's kitchen.
Now, some people will point out that Buck and Tommy had their first kiss in Buck's kitchen. That is true, but the context wasn't familial or familiar. Tommy was there to fix things between Buck and Eddie. It almost sounded like he was...giving up on something. His monologue had that tone someone has when they realize that no matter what they do, whatever they are hoping happens or are trying to make happen is not going to happen. Then he was shocked by Buck expressing interest. His kissing Buck was clearly impulsive. It couldn't have been premeditated because Tommy had no clue Buck's attention was on him.
Tommy hasn't been in Buck's home, canonically, since the first kiss. Buck is always going outside the home to be with Tommy.
Since that kiss, Buck has watched Christopher, whom he cooked for. I know you all remember how that shirt and apron stretched over that chest. I am look respectfully. 👀
Many major events in the show happened in kitchens or during a meal one of the characters cooked.
Just putting that out there. Food for thought.
(I chose not to tag anything related to BuckTommy or Tommy Kinard, even though both are mentioned. While I support, and have since day one, that Buddie and BuckTommy can coexist peacefully, I limit my use of any tags related to that ship and character to maintain peace.
Please do not add any tags related to or utilized by that sub-fandom. Thank you.)
22 notes · View notes
asackofpotatoes · 8 months
Text
Okay but can we all think about a Herakles who follows the "stage" of mourning during his mother death. Grew of hair,self destruction,black clothing,stop washing etc.
24 notes · View notes
ecoamerica · 2 months
Text
youtube
Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc
The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!
18K notes · View notes
descendant-of-truth · 10 months
Text
Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity
Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.
But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works
In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED
21K notes · View notes
egophiliac · 19 days
Note
Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !
Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)
I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!
someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)
uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE
Tumblr media
#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 4 spoilers#twisted wonderland book 7 part 4 spoilers#mel is so cute but mal fits with the rest of the draconias better#eng version no you were supposed to save me not make things MORE confusing#anyway raverne huh#that uh. that sure feels like it's supposed to evoke raven doesn't it.#what does it mean WHAT DOES IT MEAN#hold on i'm going to flail around embarrassingly about anime character theories now#(okay first a disclaimer: i do think we need to sit down as a fandom at some point)#(and have a discussion about exactly what is actual canon versus meta speculation versus jokes)#(because i think there has been. some confusion. over that re:crowley and raverne specifically)#(but i do feel justified in being like THEY ARE PROBABLY CONNECTED SOMEHOW RIGHT?! right now)#like i really don't think it's as simple as crowley being raverne but with memory loss or something#(and if they pull that on us i'm going to need an EXTREMELY good explanation to go with it to justify that)#they've gone out of their way several times now to make a point about them acting and sounding different and it feels very intentional to m#(and once again: i super 100% absolutely do not believe that lilia wouldn't recognize him with the top half of his face covered)#i just think the contradictions are a lot stronger than the connections right now but there ARE some connections and i'm 👀ing at them#to be fair the connections are mostly meta like crowley being diablo/raverne being evocative of raven#also the general 'raverne mysteriously disappeared and apparently had distinctive eyes' thing#versus 'crowley's past is unknown and he never shows his eyes'#(i will argue that crowley DOES seem to have some kind of canon connection to briar valley)#(since he is clearly some sort of fae and the masks are a briar valley thing)#and that is kinda it right now isn't it#okay hold on i had to delete some tags because i used too many (thanks tumblr for letting me know and not just vanishing them OH WAIT)#so tl;dr: i'm in the 'crowley is connected to raverne somehow but it's more complicated than just him being in disguise' camp personally#but that will probably change as we get more info and also don't take this as an anti-speculation thing because i love theories HOORAY
1K notes · View notes
aha-chuu · 1 year
Text
Alhaitham and Kaveh's dynamic is interesting, because I've seen a lot of people say either "oh my god Kaveh is so mean" or "oh my god Alhaitham treats Kaveh terribly". But, quite importantly imo, in this quest Paimon remarks that she "doesn't know which one of them is more problematic".
I think when considering their relationship you need to look at intention. Do Hoyo want to villainise one of their popular husnandoes as a toxic asshole? No. Even the "villain" playable characters like Childe and Wanderer are nice/funny on occasion. Kaveh and Alhaitham's interactions are intended to be humorous, to make you gasp and say "oh wow I can't believe he just said that!".
Like, during the most recent story quest, for example. Kaveh accusing Alhaitham of having no empathy when he's clearly pretty emotionally stunted and decently moral is mean. But saying "At least I'd be a fungus with empathy!" Undercuts that - it's clear neither Alhaitham nor the player are suppose to take those words seriously.
Alhaitham dismissing Kaveh's field of work with "you work yourself to death just for a smile" is so belittling, but it's a retort to Kaveh saying his scribe job is at "rock bottom" in the Akademiya. Alhaitham isn't lashing out or trying to demean Kaveh in front of others (this interaction happens after the player has "left"); he's just continuing their verbal sparring match. I think people take this jab so seriously because it can be seen as a jab at a lot of people working out of passion, but in the context of the dialogue we're not supposed to regard it so deeply.
It's also fairly clear that nobody in game takes them seriously either. Tighnari says Kaveh is "as pent up as an anemo slime" in his Alhaitham voiceline - another funny quip - and Collei details how hard it was to suppress her laughter when Kaveh was talking about Alhaitham. Nobody thinks they're genuinely bad for one another, or that getting them separated is all that crucial.
Even the interactions in this story quest are just so silly and domestic: Kaveh can't get the painting straight, Alhaitham buys ugly furniture, they're arguing about rent and drink tabs, Kaveh is doing an unfair amount of housework and Alhaitham fucks off without entertaining his own guests. it's funny, or at least it is clearly intended to be.
I've heard that in the other dubs the VAs tones are different and it makes the lightheartedness clearer. Personally I've thought since their first interaction in the AQ that Alhaitham is having fun during their quarrels, and Kaveh is just melodramatic enough to act traumatised even if he isn't truly offended.
Then when it comes to whether their dynamic is supposed to be read platonically or romantically... Well Hoyo won't do anything canon, but it's hard to argue that there is no intentionality in how their relationship is portrayed. What other character(s) has an idle animation directly referencing their relationship with another character? How many other voicelines explicitly reference two characters as a pair? Nahida's Kaveh voiceline, Collei's, Tighnari's - I'm sure there are more. "Roommates" "senior & junior" "academic rivals" -> certainly there's a case to be made that they're just very close, but Kaveh and Alhaitham getting fifteen minutes of epilogue interaction in two different quests (where none of the content is related to either quest) says something. Fanservice, quite possibly.
Also Kaveh's line "We used to be friends, but not anymore"; I've seen plenty of people interpret this as "oh we're not friends, we're dating*". I think this is fun in fanon, but on a canon level it's basically a promise by Hoyo to fix (or explain) their current dynamic. Hoyo, for all their many faults, are detail orientated enough to follow up on such a line. Perhaps it will just be in Kaveh's voicelines/character stories, but I anticipate a future event or Kaveh hangout in relation to their bond. Nothing explicit, but more exploration. It's fairly clear Alhaitham and Kaveh are popular enough characters to warrant it.
All this to say: I have lots of thoughts. I have seen people call them toxic and (while idm the drama of that in fanon shipping) that isn't really the intended case in canon. Or, at the very least, the intention is not to to take their squabbling so seriously.
905 notes · View notes
monstersinthecosmos · 8 months
Note
As a fellow Marius lover, I always find it kind of disheartening how most of the content/fandom talk about him (meta, fic, fanart, etc.) revolves around m/m ships (Marius/Armand in particular but I’d even go as far to include Marius/Daniel here) when, in my opinion, Marius is like the one male character in the VC universe whose relationships with women are far more interesting than his relationships with other men (the only other character might be Lestat but even then it’s pretty 50/50). They’re so monumental and so full of complexities and pain and so much love and they define him and inform his character in ways that I think, his relationships with men simply do not. Interesting/hot under the right circumstances? Sure but like ARE YOU GUYS SEEING THIS MAN??? AND HOW HE RELATES TO WOMEN??? It’s one of the best things Anne ever wrote and I can never get enough of it and it makes me sad how little content there is of it and I feel I can never say this out loud because I would never want to make people feel bad about what they ship (truly not my intention here) but ugh SO MUCH potential there for life changing discourse and meta about Marius and the women he’s loved and lost and have shaped who he is and there’s like… nothing.
Tl;dr the reason I’m sending this ask is because I’m a firm believer that you must be the change you want to see in this world and because YOU get it! And every time you post or write about Marius/Pandora (or Marius/Akasha! Or talk about Marius/Bianca) an angel gets its (black) wings. You are seen, you are loved and appreciated tysm <3
OKAY FIRST OF ALL THIS WAS SUCH A DELIGHT TO GET IN MY INBOX, SECOND IM GOING TO BE COMPLETELY HONEST AND ADMIT I FEEL TOO INCOHERENT TO TACKLE THIS TOPIC HAHA. I don’t feel articulate enough to do it justice. And I don’t say that to be obnoxious and self deprecating but like in all honesty idk how to synthesize it neatly but I think you’re sharing some GREAT IDEAS. 
I have to say this in bullet points because I don’t feel equipped to string this into a cohesive post:
Tumblr media
Marius was based on Anne’s husband, and Marius/Pandora was based on their marriage!!!!! And I think it explains a lot about why their relationship feels so fuckin POTENT to me, like it’s so genuine!!!!!!! And like knowing that I think it makes sense why she wrote him so HOT lol. Like she’s just writing thirsty stuff about her husband right? LOL
Also like insofar as there’s a lot of genderfluidity in VC there’s also something vaguely misogynist about it at times. And Anne Rice was a mega feminist and her work had so much womens lib in it!!!!! So I don’t think it’s intended as misogyny at all vs. Anne having conversations about gender and maybe her own relationship to gender. I think enough characters have said vaguely misogynist stuff that it makes me think it’s an Anne Problem vs being Watsonian. (This is also a historical/time period issue and we can discuss another time if and when vampires are supposed to break out of that when they transcend humanity and social constructs even when they’re still saying weird sexist shit at their big ages.) But I say that to say all VC characters are a tad sexist, even if perhaps she was writing with the intention of her own male power fantasy/male superiority/penis envy. AND THAT MAKES MARIUS VERY INTERESTING. 
Cause like really the three main ladies in his life (Akasha, Pandora, Bianca) DO define him so much! And we don’t see him pine for Armand the way he did for any of them! Why!!!
Like there’s that aspect of sexism where women can be infantilized by men who don’t think they’re being unkind and it makes me wonder, especially when the author is a boomer, like where is that line between condescension and respect? I don’t have an answer here, this is too big-brained for me LOL but like he is SO devoted to the women in his life and I just wonder like if he sees them as creatures unlike himself, you know? 
This is headcanon territory but I bet he’s such a fucking sub to Pandora lol and it just thrills me that he spent 2000 years begging Akasha for affection and she ignored him the whole damn time wow. And he continued to simp!
AND ALSO LIKE, I think people DO NOT DISCUSS THIS OFTEN ENOUGH, but did we forget that he chose Armand because he needed a Bianca rebound? He was absolutely TORTURED by his love for Bianca and picked Armand because he didn’t want to kill her oh my god. Oh my god!!! HE KEPT HER LETTER IN HIS POCKET OVER HIS HEART OKAY??? HE DIDN’T WANT TO DRAG HER INTO HIS COLD AND FATAL DOMAIN????? Fuck lol
It’s so fucked up that he didn’t go after Armand but spent like actual fucking millennia trying to find Pandora. HE KNEW EXACTLY WHERE ARMAND WAS AND LEFT HIM THERE LOL BUT PANDORA HAUNTED HIM EVERY NIGHT OF HIS LIFE FOR CENTURIES.
After everything he wound up spending like 200 years with Bianca or something and ?????? CORRECT because Bianca was the fledgling he actually wanted!!!!!!!!!!!!!!!!!!!!!!!!
But it’s odd, I know I’ve said this 337589235 times, but Marius like. Has an idea of the person he wants to be and he tries SO HARD to live by logic & reason and he just can’t reconcile with the fact that he has EMOTIONS. And so like part of the person he wants to be like, open/empathetic/wise and he begs his lovers/students/fledglings to CHALLENGE HIM when he’s not actually healed enough to be challenged? And to me there’s something kinda like, extra spicy about it when you’re in Rice World and you’re a lil sexist; how much that burns EXTRA when it’s Pandora or Bianca sticking up to you or AKASHA FUCKIN IGNORING YOU. 
Just really incredible that this person who is like the epitome of a patriarch has such fucked up relationships with all the women in his life. And like he underestimates these women, like the way he tries to manipulate Bianca and she leaves him! PANDORA AND AKASHA ARE UNAVAILABLE TO HIM AND BIANCA FUCKIN LEAVES.
akasSHA JUST IGNROING HIM!! JUST STRAIGHT UP FUCKIN IGNORING HIM FOR 2,000 YEARS!!!! HE'S OBSESSED WITH HER!
Tumblr media
Anyway Enkil is ignoring him too but he doesn’t give a shit about that guy tbh lol 
Also the amount of space he gives Eudoxia and Zenobia in his book like there’s more here too but tbh it’s midnight and I can’t start unpacking. I just think like, in 2000 years it’s interesting how Eudoxia wound up having such a lasting impact on his life. 
I did just peek at the Eudoxia part and I’m dying, he goes “Her face was small, oval, and as close to perfection as anything I've ever beheld, even though she bore no resemblance to Pandora who was for me perfection itself.” CERTIFIED WIFE GUY.
What kinda mommy issues are we dealing with here? HIS MOTHER WAS A SLAVE THAT DIED IN CHILDBIRTH AND HE INHERITED HER GENES AND LOOKED LIKE HER AND DIDN’T LOOK LIKE HIS FATHER & BROTHERS? AND HE’S SORT OF AN OUTCAST AS A HUMAN LIKE ? THE STIGMA HERE? AND THEN HE SPENDS 2000 YEARS WORSHIPPING HIS NEW MOTHER??? PERHAPS YOU COULD SAY ENSLAVED TO HER? IDK MAN. 
IS THIS ALSO WHY HE WAS SO OBSESSED WITH LOSING PANDORA?
The irony too, and something I think a lot of people miss, is that he DIDN’T WANT TO MARRY PANDORA LOL. He wanted to be betrothed to a child so that he could FUCK OFF and NOT get married because she wasn’t old enough to get married! He fucked off! He went exploring! He said this is not for me! 
AND TO GO OUT INTO THE WORLD AND BE MURDERED BY HIS MOTHERS PEOPLE???? IDK. 
I’m not sure how these last two points tie into anything but I just wanted to mention his complicated relationship with Pandora and his own heritage lol. And then Akasha like DELIVERS Pandora to him because she’s like “wow this guy needs somebody lol and I am not emotionally available” — Akasha who was famously a violent genocidal radfem and who would not approve of his relationship with Armand but explicitly allowed him to have Pandora and Bianca. IDK WHAT DOES IT ALL MEAN! 
Did Akasha approve of these women because she knew Marius was completely pussywhipped and would worship them and she wanted to see someone mommydom the fuck out of him and she knew that Armand would never be that person? 🫢
And again I want to say like, taking the author into consideration!! Anne Rice had a HORRIFIC relationship with her mom so you see these themes pop up occasionally in her work. DESPITE ALL OF THAT SHE IS STILL A FEMINIST AND WRITES ABOUT MATRILINEAR FAMILIES like The Great Family or the Mayfairs. But thinking about Mothers in Anne Rice Works makes me think a lot about this like, the damage they can do and the voids they can leave even when you’re a feminist and love women! You see a TON of this with Gabrielle and I always think that Lestat & Marius are such similar characters that you can do a lot of extrapolating or backwards engineering to ask questions about them and how they work, since we get SO MUCH Lestat POV in this series to work with and how we can zoom out sometimes and ask like, what is common across her entire body of work and what is more specifically common between Lestat & Marius and WHAT EVEN MORE INTERESTINGLY is a result that they were both based on her husband in their inceptions. 
Like how much of this has to do with Marius’s actual feelings towards men vs women on purpose, or how much was subconscious author bias, how much was simply that Anne Rice based him on her husband and she was THIRSTY, idk. It’s always hard to say in VC because Anne was such an intuitive and self-indulgent author and the stories are so weird!!! So your mileage may vary!
But I agree with you that these are FASCINATING relationships!!!!!!!!!!!!!!!!!!!!!!! And I like Marius/Armand too (I recently made a post about how I didn’t “””””ship”””” them but then I spent 2 months working on a M/A fic every day and now I think I’ve corrupted and converted myself LMAO) but yeah like. There’s such a lack of substance between them in the end. He treats Armand like he’s temporary, fucks up and moves on, and it’s such a departure from how DEVOTED he was with all his other partners. 
Wow I didn’t think I had a lot to say, sorry about that. !!! EVERY TIME I BROUGHT A POINT UP I THOUGHT OF 5 MORE POINTS GOSH I COULD TALK ABOUT MARIUS ALL DAY.
41 notes · View notes
moongothic · 7 months
Note
I love the crocodad theory a lot but I fear that the fandom will start misgendering him or respect the character less because of transphobia.
Oda have written queer characters before who are respected by the fandom such as Bonclay but for Crocodile its another story. He is their alpha male badass character and adding queerness to his character might make them mad. Not that I care about those bigots feelings but its already not easy to navigate this fandom without queerphobia being thrown in your face.
Ppl can digest a queer character who fit in the stereotypes but once they dont, its another story.
Same, people are weird as fucking hell and gross about Crocodile maybe being trans already, we can be sure it would get worse if him being trans was confirmed in the story, there would be absolutely no avoiding it
But at the same time...
Transphobes are gonna be transphobes regardless, and I don't want that to become a reason for any storyteller to not create trans characters. I don't want Oda to bend over backwards to please the transphobes when they're the ones in the wrong. If anything, I want Oda to just go all the way with the message of queer liberation and freedom in One Piece. Like it's not perfect, but it's already there, but it's so subtle many queerphobes have been able to ignore it this whole time and I don't want Oda to let them ignore it anymore. I want him to rub it into their faces so hard they'll start complaining about "Oda going woke"
And like, let's be real. If Crocodile was trans and Oda pulled it off just right (without falling into certain pitfalls that he's be stumbling with this whole time with queer rep), that could unironically be like. Great not just trans rep but trans masc rep in particular
Like maybe it's just the media I've consumed but trans masc rep is typically very non-existant and/or very much like Yamato, who, while valid as hell, might not be how many trans masc people want to be seen as by others (as in, "confused girls")
We've known Crocodile as a character for 23 years at this point, and for the first 8-9 years of that he was very much seen as A Manly Cis Man (like you said) without a hint of a doubt (until Impel Down). If it turned out he had been trans this whole time, that would force people to rethink how they view trans people.
As just regular fucking people
That person you knew for years turned out to be trans? So what? What does that actually change about them? It's still the same person deep down. Those are the things Oda could force people to think about.
And honestly? If that helped convert even just a single transphobe, or educate someone without an opinion on trans people, to just letting trans people live their lives in peace, I think it'd be worth it
But like, yeah. The transphobes are gonna be loud regardless. It fucking sucks, and I hate the fandom for it. But, damned if you do, damned if you don't, there's no avoiding it. And I think the potential positive impact would outweight the already festering negativity.
#Moon posting#Sir Crocodile#CW Discussion of transphobia#Mind you this is assuming Oda pulled it off right#By which I mean he doesn't give Crocodile some stupid fucking excuse to why he transitioned#Like ''wanted to escape being a woman'' or ''because being a woman was weak'' or something fucking stupid#I don't think Oda knows what gender dysphoria even is so the idea of Crocodile transitioning to deal with that feels like a bloody pipedrea#But literally even just ''preferred being a man'' would be fine#The bar. Is so fucking low#My other thing is that I absolutely do not want to see him get detransitioned. At all.#Like a lot of people have been speculating that the reason we never see Crocodile use Haki might be because it could detrans him#And regardless of if that's canon or not-- I do not want to see him detransition. At all.#If we see him pre-t in a flashback that's fine#I just don't want to see him have to sacrifice his comfort for a dramatic scene where he has to ''go all out'' or something#(Especially because knowing Oda there is no way he would do that without sexualizing him for no good reason)#Honestly I am more concerned about Oda fucking it up than the fandom being gross#My bar is so fucking low and yet so impossibly high for Oda#Also what gets me about Crocodile is that usually the queer characters are young and/or amab#And this is true for literally all of the other queer rep in OP rn#Crocodile is almost a middle aged trans man and honestly would that not be like a breath of fresh fucking air#OP Meta
30 notes · View notes
sadbeautifutragic · 2 months
Text
.
11 notes · View notes
tricksterlatte · 5 months
Text
The Online Fandom 7 Deadly Sins
sloth: complaining about how no one writes the tropes or pairings you like and bashing what's already out there, while refusing to create anything you desire yourself
greed: zine and other finance-related scandals with zero remorse for those negatively affected
gluttony: spending rent money on merch, experiencing buyer's remorse, then repeating the same process next month
wrath: anon hate over literally everything under the sun, even harassing official writers and threatening them if they don't make your ship canon
pride: devaluing other's characterizations and ships to praise yours as better, whether through a canon perspective or a moral perspective, when neither matter in the long run when it comes to your own enjoyment
envy: trash talking others' fandom creations or saying you won't bother creating anything because it'll never be as good as them
lust: fighting over who tops or bottoms because of your personal preferences when one, both, or neither could happen, especially when most of these characters never even kiss canonically nor have most people fighting done any of these things irl themselves
#parker says things#i'm not exempt I've definitely done a few of the things listed#especially pride and envy god those really go hand in hand and it's sad#but seriously...guys does any of this matter in the long run#just have fun#if someone is having fun in a way that clashes with your own type of enjoyment just hit da bricks!#that guy's got horns! well not gonna ruin my day!#live like Yusuke guys#i've been afk because I'm dealing with some intense depression but fandom has actively hurt more than helped me#and I know plenty of ppl myself included think discussion of meta is enjoyable but I think things reach a point where it's only stewing#the inherent focus on adhering to a singular strict perspective is toxic to ourselves in the long run#have fun! be self indulgent#almost everything posted is gonna be ooc to some people even if it's 100 percent accurate to others#and just in general idk I think we should focus on fandom as a sense of fun instead of a marketing ploy#most of us are not here to make fanart or writing a career#I'm not really a community person and I've learned that the hard way over a decade and more#but i just hope people will find what sparks joy and enjoy themselves again#I don't think I'll be active in fandoms much anymore as I focus more on my personal life and recover from some things#but I wish everyone much love and hope for the best for people#even if we've had some bad interactions I do not wish ill upon anyone#i got off topic but these tags are just me saying I'll stick to lurking publicly and replying to my DMs and writing in private#will still post some things to my AO3!! maybe#anyways tag yourself I'm a recovering glutton/envy
11 notes · View notes
alexjcrowley · 2 months
Text
Btw not enough cryptid lover in the f1 fandom. What do you mean none of you has an au in which they're all different monsters.
3 notes · View notes
starlit-mansion · 5 months
Text
Watching F.D. Signifier's video on the social dynamics and media representation of interracial relationships really broke my brain open on how much i was prioritizing the interracial relationships in media i like or was very influential to me as more progressive, and more comfortable to me because of their proximity to whiteness. It's absolutely not the final word on the subject, but I personally found it very helpful
4 notes · View notes
dimiclaudeblaigan · 1 year
Text
ngl it's getting rly annoying seeing people say "remake of x game!" constantly. people are so obsessed with the idea of remakes lately. they don't wonder what the next new game will be like. they just want remakes (including in franchises that don't do those often. not every franchise is Tales, where they've been doing remakes actively throughout its lifespan and not just during this Uwu Remake Era).
with FE, remakes make me a bit eh bc they've all sold poorly or just barely made a profit. Marth's games' remakes on top of the failed Tellius sales almost sent FE into its grave. SoV is just... there. it happened and the fandom moved on, save for the Alm and Celica alts in Heroes.
but like, it was so annoying watching VA interviews and just seeing the word "remake" thrown around so much from the chat. people want "remakes" of games that just don't need them. updated ports is one thing, but entire remakes?
there's more to FE than remakes, but it's all people seem to talk about. I'd like Tellius ports as much as the next girl for people's accessibility (and specifically bc IS' lack of marketing destroyed those games' sales and now they're so rare they're super expensive), but a remake? it's not necessary. even with quality of life features added, those games only need ports. I play them very regularly and frankly have way more fun with them than I do with modern day Menu Emblem.
also, I don't want the fandom wank carrying over into remakes of games that never even had wank. the biggest wank Tellius ever had was the Ike vs Micaiah wars in the fandom, which were not only a fraction of what happens now post Fodlan games but also weren't anywhere near as aggressive.
idk I'm just tired of remake this, remake that. it's also because of the rampant remakes in the industry that I'm tired of it, but it's also tiring to see it constantly in this fandom. I'm glad that FE7 is coming back, but as a port on the Switch and still as a GBA game. FE4? super glad it came back as a port (JP eShop only). remakes though? too tired of the concept (especially when FE remakes have not only almost killed the franchise from lack of sales but were otherwise just mediocre and moved on from pretty quickly). I also don't trust the FE fandom with remakes at this point. character hate is so rampant in this fandom that for the life of me I don't even want Tellius ports if it's going to save me the headache and aggravation from people's lack of character comprehension. :') that shit will turn me into a hard stan and my blog will have to be painted in my blorbo just to keep haters away. :'''')
#DCB Comments#do not reblog (i don't want jerks whining at me for having thoughts/opinions on this and just need to rant a bit)#like no seriously you can't even talk abt Jugdral anymore without people whining abt remakes#instead of ppl discussing the games as they are (not just those two but any of them)#they always bring up remakes instead of enjoying what already exists. it makes it sound like#ppl don't actually /really/ enjoy what we have and won't until it's remade#remakes aren't even necessarily bad in and of themselves. Tales does really good with them usually#they've had a few bad apples or generally unpopular ones (Innocence R is the worst thing they ever did in that franchise tbch)#but they usually do a good job with remakes and the fandom wants some remakes but#I don't see the word used even half as much in that fandom as with FE#also remakes kinda worry me in FE bc like... they only come out on handhelds#(specifically to date they've only ever come out on handhelds so there's no history of console remakes to speak of)#and if they don't just totally bomb they don't do much for the franchise as a whole#while yes I think Jugdral remakes would end up with the games being more known and might sell well#the fandom wank is going to be insufferable and I've been through enough Jugdral wank /without/ remakes#I like when ports come out and the games are released again on moderns consoles but... remakes? eh#as far as FE goes remakes just don't work for me. I've heard FF has good remakes?#idk I don't play FF but it seems to get a good reception for remakes. Tales usually does#Hearts R is a mixed bag bc it was absolutely great but the loc was absolute dumpster garbage#they tried to be ~quirky~ and weird but only had JP audio so you'd get like#tiny sentences in English subs with a whole long sentence spoken in JP and you can tell how lazy they were with the loc#Hearts R is a remake and needs a remake just to fix what they screwed up so badly#Innocence R was just entirely a mistake that was a stain on Innocence itself and I refuse to acknowledge it (as do most fans)#other than that they've done tons of remakes and they do genuinely usually improve the games. FE though? yikes#also tho Tales' fandom is more sane than FE's and I don't even trust them with the GBA games let alone Jugdral/Tellius games#and like wanting remakes generally speaking isn't bad... but it's like ALL ppl talk abt anymore regarding ''the next game''
6 notes · View notes