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#i am going to be emotionally destroyed if they get enough seasons to complete the vecna arc
natp20 · 1 year
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feeling super Chill and Normal about them
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tellnotalespod · 22 days
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TNT S1 E1 - Not For Long came out on 2nd May 2022, which means Tell No Tales turns two today!
(and if we're being honest, TNT being in the terrible twos explains a lot about how emotionally fraught it's been recently)
Going ahead with this show is the best decision I've ever made, and it changed my life for the better. I'm so incredibly grateful for this community for welcoming me in 💜
I got a little nostalgic and found an old voice note (from almost three years ago!) that's posted under the cut. I sent this to Michaela (one of our ghostie VAs) almost immediately after having the idea for the show. It's edited a lil to keep it down to a reasonable length, because much like Leo Quinn, I sure can Yap.
[Image ID: A whatsapp voice note sent by me, followed by another message by me that reads "oh I think I've decided the name of the main character is going to be Leo, bc hell if I'm going to do this completely self-serving project for no other reason than the enjoyment of creating it then I'm damn well gonna use the name I'd use if I ever decide to change to a more masc sounding name." The following messages sent by Michaela on 4 July 2021 are sent in quick succession, "omggggggggg yesssss" "I want to listen to thisss" "I am 100% happy to help" "I love this idea" "so much" "pls do it" /.End ID]
Note: audio quality changes around a lot because I was, I think, dyeing my hair at the time
Voice note transcript:
 I have a… an idea. And it might be really stupid and it will probably never come to anything. However, I'm really excited about it. So... hear me out (LAUGHS). My idea is, uh, I want to write a podcast about an ex-employee of a ghost hunting company, and the- the basis of the podcast is... I literally just had this like half baked thought like five minutes ago, so bear with me while I talk this through. This character works for a quite renowned institute, company, whatever, organization that hunts ghosts. Uh, they destroy the ghosts whenever they're called to it, but the main character is starting to get suspicious of the fact that some of the ghosts that they're called to don't necessarily seem violent, and some of them are completely harmless and they just want to exist and so they have been working on a recording system that can capture the voices of ghosts. And they start off as an assistant to like the head of this company, but they're already starting to feel complicit in what they're becoming kind of more and more aware is potentially a very evil operation. And it's gonna alternate between like their their notes and the recordings of interviews with ghosts that they are sent to hunt, but don't. They sit down and they get their life story instead and then either leave them be or try to help them move on peacefully or whatever. And there's gonna be a bit of a, like a, an overarching plot in that the organization that they work for is corrupt, but not in the way that they think. And I'm thinking the main character is trying to, like, capture enough evidence, basically, before they can quit this organization- t hat's, that's, that's their intention, is they want to make sure that this recording system is completely functional. They want to capture enough evidence of completely harmless ghosts. They want to have like a huge backlog of stuff to use against the head of this company, and to do that, to have access to ghosts and all of that kind of stuff, they have to continue working for it, which they hate, but that's the only way that they see themselves being able to achieve good in the long run. So, the first season is going to be them, like, trying to work on this project in secret while you get glimpses of the boss doing some, like, shady shit. And like... who's to say that I need to finish my novel this month anyway? You know?? But fuck it, this is... I'm really excited about this, so I'm gonna give it a shot.
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booasaur · 2 months
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This ask has no spoilers!! just general thoughts lol. Your idea of saving The Ray Show Hightown to binge was absolutely correct. I was disappointed in the ending but would’ve been more annoyed had I been a weekly watcher. Not sure if you’ve seen the finale but the ending was so emotionally and narratively removed from the first and second season that it makes me wonder what exactly the plan for Jackie was… it was just so dismal and bland. I feel like I get where they were going if I’m being generous, but none of it landed for me at all. If you’d asked me how this show would’ve ended even in s2 this wouldn’t be it. So hollow.
Ah, thanks for being so careful about spoilers! Always appreciate the thoughtfulness.
I actually did end up checking out just the finale and mostly just skipped around to Jackie's parts, so I was like, oh, okay, I guess things are going well for her again??
I would have liked to see Ray's comeuppance on screen and it was sad that Renee seems to have been completely dragged down by him, but despite everything, I'm glad Jackie got to be okay at the end. That was probably about as good as could be expected for her, given the issues she's been dealing with so recently.
That scene with Leslie seemed a bit of a sop given the reaction at the end of season 2, it was so brief and so (too??) emotionally intelligent for them but... I"m always of two minds when it comes to Safe f/f storylines or endings, where you can tell they don't care enough about the relationship to actually give them plot-impacting conflicts and story, but they also want the credit for the rep, and it's like, I mean, yes, I do want more, but I am also grateful for no BYG or completely written off characters?
I mean, if I'd watched the whole season, especially weekly, I'd probably be more pissed but I feel like I said my goodbye to the show already so Jackie getting her okay ending with even a hint at maybe a reunion with Leslie and also Ray being destroyed from two directions...as a season, eh, but as an ending, I'll take it.
Also, my girl Charmaine stayed winning. :D
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frazzledsoul · 2 months
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So Matt Czuchry has been making the promo rounds recently because apparently he's still alive on American Horror Story this most recent season and the season was split in two parts.
Apparently he was on The Talk two days ago and he was accused of ruining the love lives of teenage girls for decades
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First of all, I am sick of the knee-jerk misandry that claims that any man Rory Gilmore dates is not good enough for her, because she's such paragon of fidelity, moral character, and good behavior. Has anyone asked if Rory is a good girlfriend and if these guys deserve her? She cheats on or with all of her boyfriends (with Dean and Logan, she's done both), she pits these guys against each other often, she frequently lies and misleads them about her intentions (this goes along with the cheating), she very rarely is repentant about any of this, and she also has the nerve to play the martyr (hello, bridesmaids: hello, being pissed at Jess for not waiting for her in season 3) when her track record does not call for it. I'm not saying she's always awful, but I think the only seasons where she was fair to whoever she was dating were season 1 and season 7. The rest of the time her record....is not good.
Furthermore, Dean and Jess seemed to struggle for a bit after Rory leaves their lives for good and then they get considerably better without her. Dean had at least one kid by 2011, so I'm assuming he was married and settled by then, which is really all he wanted in life (hopefully he got some therapy first). Jess is an author, co-owns a business, and is accepted in a community of his own by 2006 (and is emotionally stable enough not to hold Rory manipulating him into more love triangle bullshit against her). Logan never really gets a break from any of this in the canon we see (and is just as big of a cheater as she is in AYITL) but even he is personally and professionally stable by that era while Rory spends most of AYITL throwing epic tantrums and destroying any professional opportunity she gets.
Why should the boyfriends, who actually exhibited considerable character growth, should be forever declared "toxic" and perpetually morally inferior to Rory when they became more mature (okay, Logan has a mixed record, but Adult Logan works and he gets along with his dad, so we'll take it) and she did not? Why isn't anyone asking if the way Rory treats other people is behavior we want young girls to emulate, instead of only holding the boyfriends to account for what they did wrong?
Yeah, yeah, I know. This is the perils of being a main character written by Amy Sherman Palladinos: you leave her orbit and your life gets better offscreen. But Rory holds a lot of blame for why these relationships didn't work, especially since she keeps doing the same thing over and over. She should be held just as accountable for the things she did wrong as her partners are.
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Honestly, Czuchry is being a lot more gracious than the situation calls for here. He showed up to promote his most recent project and a random Tik Tok was waved in his face accusing him of ruining the love lives of young women for years, because of what his character on a TV show did LITERALLY DECADES AGO. Why are y'all mad at him? He didn't write this. He had zero control over any of this. Why is this his fault? This ain't why he's there. Go yell at ASP if you're still mad and leave the actors alone. Credit goes to him for not trying to play Team Logan and be diplomatic because I don't really think he signed up for this discourse here.
This isn't an issue that is isolated to Czuchry: Milo also made the Interwebs mad when he asked to defend Jess's behavior on a talk show a while back (promoting a completely different project) and he pointed that Jess was literally a child when he was a main character on the show with a lot of childhood trauma. But hey, let's get pissed at the actor for pointing out literal facts again.
And Czuchry is right here:all of these characters were flawed, none of them behaved perfectly, and you should not model your real life relationships on any of them. This is not a tale of evil men ganging up on a helpless damsel. There's plenty of bad behavior to go around for all of them.
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negative-speedforce · 2 months
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like most of our Western holidays, Earth-63 doesn't really celebrate Christmas, how would your OCs introduce my Earth-63 OCs to the holiday season?
Siv: Locks Eoland, Savitar, and Mallorie in the hall closet with Christmas movies playing on a loop, takes everyone else ice skating
Jay: Decorates trees with everyone (yes, including Eoland)
Hailey: Massive snowball fight (look she's a ghost she can just go intangible instead of getting hit with 50 speedster snowballs)
Cassandra: Makes everyone sit down and watch Yule Log while she does paperwork
Ember: Takes everyone caroling (no, Eoland, you're not getting out of this)
Arya: Pushes Eoland, Savitar, and Mallorie into a snow bank and then runs off with everyone else to build snowmen
Esme: Makes the strongest spiked eggnog imaginable and gets everyone wasted
Gina: Invites everyone to a choral concert (her having multiple solos is DEFINITELY not her motivation)
Cat: Makes everyone else sit down and watch Elf while she doxxes the President
Max: Invites the more morally grey inhabitants of E-63 to go act out A Christmas Carol with him and go scare some billionaires right out of their fortunes
Kyle: Assigns tasks to everyone to help set up the massive light display outside his house to keep them out of trouble
Eric: Gives everyone armloads of evergreen boughs to hang on the walls for Yule
Jacob: Ropes everyone in to a massive ritual to celebrate the return of the sun (this might possibly freak some of the E-63'ers out a bit if they're not used to magic)
Khalil: Just starts doing facepaint for everyone while his dads research how to send everyone home. After all, Eoland can't destroy anything if he's painting intricate snowflake-themed eyeliner on her, right?
Antonio: Makes everyone come to Midnight Mass with him and his family. The E-63'ers are very confused.
Rania: Does not celebrate any winter holidays, so she hands everyone off to Eobard. In hindsight, this was not a good idea.
Reggie: Takes everyone out to go build a snow fort together. This soon turns into a massive snowball fight, complete with potential bloodshed. Oh well, Reggie. You can't win 'em all.
Ameerah: Emotionally manipulates everyone to be more docile, then leaves them all at home with some paper snowflake materials and some dreidels and gelt while she goes to work. Hopefully, Ameerah's powers worked well enough and Eoland won't kill anyone over a game of dreidel.
Meredith: Punches a hole through time and space to send everyone back. She's not spending Hanukkah with a bunch of potential psychos.
Director Hawke: Just nukes everyone with her magic. This is the one time I am rooting for Eoland and Co, because if they survive her initial attack, maybe Hawke can get the ass-whooping she deserves.
Cory: Takes everyone out to the big New Year's Eve powwow with them, and shows off his amazing jingle dance skills.
Kelsie: Gives everyone a few bags of sand to make rangoli with. Hopefully that'll calm them all down enough so she can use her therapist skills on them
Torryn: Uses their Exorcist powers to negate everyone's superpowers, then makes them all sit down and watch It's A Wonderful Life together.
Onnie: Sends everyone over to Pippa. The holidays don't really mean much to them anymore, not since she accidentally killed her best friend.
Jessi: Performs a Christmas concert for everyone, while secretly attempting to hypnotize them, since she can tell they'd be useful assets.
Pippa: Takes everyone door-to-door caroling. The second one of the evil speedsters tries to step a toe out of line, Pippa reminds them of the fact that she too, in fact, had a corruption arc and will not hesitate to smack a bitch into next Tuesday.
Hyun-Ki: Assigns everyone tasks to keep them busy while he cooks dinner for Lunar New Year
Liah: Doesn't really celebrate any winter holidays, but she promises to have something great set up if they come back for Eid.
Qiara: Doesn't celebrate any human holidays, but she offers to send them back to Earth in the 1980s so they can experience an all-American Christmas like she's seen in the Hallmark movies she's obsessed with (yes, the omnipotent space god likes Hallmark movies)
Marie: Assigns everyone tasks to help her prepare for Lunar New Year, and threatens anyone who ruins it for her with assimilation.
Soraya: Doesn't celebrate winter holidays, and she has no idea who these people are or why they're on her ship, so she has them all locked in the brig.
Athena: Doesn't celebrate any holidays altogether, since there's not much time for that when you're growing up as a street urchin in the slums.
Laila: Doesn't celebrate any holidays, but asks them to teach her their traditions, since she doesn't really have any hobbies outside of stabbing people (and, if their traditions suck, she'll stab them)
Thalia: Forces everyone to sit down and watch that godawful Life Day special that the Rebel higher-ups made when they all tried Spice for the first time.
Reyna: Introduces everyone to her home planet's winter solstice festival, El'Esteen, which is a celebration of the return of their matriarch goddess, Este.
Pyrrha: Puts together a really clumsy celebration of El'Esteen, since she was raised away from her home planet and is only just starting to reconnect with her culture.
Samira: Doesn't celebrate any winter holidays, but she cooks dinner for everyone and tells them to come back for Eid.
Aldrich: Teaches everyone rare carols from the 1800s, since that was really the last time he interacted with human society.
Sohelia: Doesn't celebrate any winter holidays, but she helps Matt with his Hanukkah presentation.
Matt: Sits everyone down in a circle, like a group of preschoolers with a latke for everyone, and reads them the story of Hanukkah.
Vanessa: Makes everyone help her make crafts for Christmas, under threat of her vampire friends eating their faces off (they will not actually do this. it is an empty threat)
Dolores: Hands everyone off to Matt or Vanessa. She does not want to deal with this.
Victorie: Hasn't celebrated any holidays for at least 200 years, so she just has everyone help decorate the Christmas tree while she reads up on modern holiday traditions
Kayla: Tells everyone she's bringing them somewhere for Christmas, but instead just releases Eoland and Co in the HYDRA base to cause carnage. Have fun dealing with that, Alexander Pierce.
Dori: Probably does the same thing as Kayla, but takes everyone ice skating after as a reward for being so helpful.
Ellis: Sings like their previous position as part of the heavenly chorus and becomes an unspeakable eldritch being that drives all but the most mentally strong insane. They still don't really understand the holidays.
Gabi: Makes tamales for everyone and has everyone wear Santa hats and sing Christmas karaoke
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deyadee · 3 months
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It Doesn’t Sink In Until You Actually Look in the Mirror
I feel like recently once been doing better compared to past years. I’d say I only have a complete breakdown like once a week to a month depending on how things are going. Though there’s still always a feeling at the back of my mind no matter what I’m doing air where I am that’s always scratching and clawing away at me. I have nothing to look forward to. I distract myself day to day with whatever mini arch’s going to get some comedy for the people who are still watching this late into the series, after the quality’s severely gone down and the plots are just getting reused from previous seasons. I don’t really know what kind of job I would want to do because I get bored of things so quickly, and any job I find that I do like I usually leave because I think I can do better money-wise. Though I never save up to move out. What’s the point? To speedrun my fucking depression? Because I know the second I’m completely out on my own for like a week I’ll blow my brains out. I try to pretend like I don’t need people, and I’m pretty introverted so it’s not like I always feel like I need to be around people- but that tends to make me spend what feels like weeks holed up in my room and slowly dying since there’s so little time to spend with the few people around me anymore. Parents are always working. Sisters have their own million things to do. The one friend I have I don’t have any money so I don’t want to bother if I can’t pay for anything that I would wanna do. So I wait for a time when something can happen, and I’m disappointed because everyone’s too tired and busy. I don’t blame them. For my last job I couldn’t do a lot because I was working a lot of the time. So now I dig my face in my phone and try to get through the day. I clean toys, fix my collection. I got a TikTok account and started making videos but now I’m just addicted to watching the numbers slightly go up. I knew I shouldn’t have gotten it but I fucking did with the excuse that there’s more MH videos on there or whatever. Still a fucking hypocrite as always.
But anyways- I know that once I leave my parent’s house there’s nothing for me out there. I feel bad for leeching off of them this long but I don’t have the money and I know on the little times I’ve been truly alone I’ve come seconds away from being another body bag. What is there out there? Exploration that I don’t want to do? Finding a job that ranges from hating it but gets enough money to get by or a job I like where I get paid like I work at McDonald’s? Wasting my time searching for some magical fucking unicorn of a girl to not think I’m repugnant and take me as her like fiftieth option only for us to end in loveless marriage where she’s fucking my friend because I have nothing to offer, if I CAN EVEN FIND A WOMAN? Maybe ending up in a loveless hetero marriage where I’m used as a fucking toy to some manchild before I gut myself? Having kids that I’ll want to strangle after having that little fucker destroy my body even further than I already have before they grow up to be a crack dealer before killing me and taking my last sixteen bucks? Building a collection that just gets me a small hit of dopamine for spending like $50 a day, only for some scum of the fucking earth to break in and steal it all? Care about politics for every single fucking brain-rotted 900-year-old to stroll up and pick the dumbest fucking decisions possible and send everybody back to the fucking Stone Age? Eat myself to death to get that last shred of dopamine? Care about my appearance for it to just continually get worse until I fit perfectly into everyone’s favorite little trailer trash trope? WHAT IS THERE TO FUCKING LIVE FOR?! If this is supposed to be the goddamn peak of my life both physically and emotionally and I’m sitting here staring at a screen and praying that I get 100 fucking people to sit and watch me play with dolls?
A random thought, but I rewatched Spirit: Stallion of the Cimarron recently. It’s been one of my favorite movies since I was a kid but I don’t watch it often so I don’t get burnt out on it, so when I rewatched it the other day it felt like I was watching it for the first time. I was legitimately crying at the end because I love that movie so much. I pretty much never feel anything after watching a movie besides “Oh that was pretty good” or “That was bad.” This feeling I got in that moment was pure fucking bliss. I for once felt like life was worth living, like the world could be beautiful and people could make art so powerful that it actually changes you. I know, I know, it’s stupid. But my heart was soaring and I felt like humans weren’t actual hell for once. Life is precious and worth it and you can find the most brilliant amazing beautiful things in places where most people might not. I loved a lot of movies before, and I’ve always loved this movie but this time it felt like it hit me just perfectly. I’ve seen movies that made me feel a certain way, but I was full-on bawling afterwards out of joy for once. I couldn’t stop crying and smiling.
I still don’t know why I felt so happy after it.
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tumbling-darkling · 3 years
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Miraculous Ghosts
Danny and friends visit Paris and come across trouble, as well as the cities local superheroes.
Lately, Hawkmoth has been recycling villains. There are only so many people in Paris and not everyone gets emotionally vulnerable strongly enough or long enough to be akumatized. Those that do, and commonly like Mr. Pidgeon, usually had a certain fixation that was easy to exploit. The thing was, both Marienette and Chat Noir already knew their weakness, the items that would most likely get akumatized, the whole schtick. So the battles were really fast and easy.
A new face always had to be met with caution, the lack of knowledge regarding the person was dangerous and if the pair wasn’t careful, they could end up losing the battle. And their Miraculous.
With the start of summer came tourist season, and tourists could be victims of akumatization. Which seemed to be the case within the first week. 3 villains, all new faces, but the pair had gotten lucky with the similar powers that the heroes had faced before and the three were all defeated in a timely manner.
There was a short week of nothing happening.
And then all hell broke loose.
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Marienette knew the start of the tourist season had begun just based on the filled streets of strange faces, sunglasses, cameras, and the use of foreign languages. This also was noticed based on how busy her parents' shop had become, and how rarely she was managing to escape outside to enjoy some of summer's freedom. The good thing was she was able to brush up on some of her English, since the tourists usually spoke the common American language and the experience was always welcome to help boost her grades in the upcoming year. Even if it was a few months away.
She’d figured out the best way to sneak off during any attacks was to ‘use the bathroom’ or ‘accidently’ make a mess and excuse herself to clean up. It had worked during the first week and she didn’t have to do anything the past week since Hawkmoth seemed to take a break. She finished serving a young pair of Americans, a tall girl with orange hair, and a lanky boy nearly the same height with raven black hair.
She had to admit, some Americans had a certain charm, but the bustle of the kitchen quickly caught her attention as she was back to serving the next person in line.
Just as Chloe waltzed in, basically knocking the american boy over as she strutted to the front of the line, causing people to cast glares in her direction. The boy hissed when he fell, the American girl offering to help him up in English as he shook his head and stood up, dusting himself off as Marienette went to deal with the walking form of pure rich privilege. “Urg, Dupain-Cheng’s dingy little cafe? Of course she works here, it just smells like burnt bread.” She huffed.
Marienette bristled, but put on her customer service smile, noticing the poor Americans victim to Chloe leaving the shop. She was hoping to offer them a replacement after dealing with Chloe but it was a little late now. “Ma’am, unless you are here to pick up an order, you will have to wait in line like everyone else.” She strained.
“Ma’am? I am Chloe Dubois! I don’t need to wait in line like some sort of peasant! Just give me whatever you didn’t make.”
Marienette had to swallow down any returning insults and put down one of their most expensive items, handing it over with a clearly strained smile, “have a nice day.”
Chloe huffed with her baked goods in hand but left as soon as she appeared, allowing Marienette some relief. Very little damage. A little annoyance but nothing worthy of an akuma-.
An explosion was heard from outside, and Marienette groaned internally.
She just had to jinx it.
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Ladybug dove off to the side as the villain shot out a ray of white, plasma-like energy. Adrien, fighting as Chat Noir, and his partner were having a hell of a time with this dude. He spotted the chaos on the news, the villain calling himself ‘Black Hole’ and giving his poor Lady a hard time. When he finally arrived on the scene, he wasn’t able to do much either.
The villain was basically a godly powerhouse, floating in the air, shooting burning rays of heated plasma, or even ice! Ice and plasma! Sometimes he MIXED the two beams to create an even WORSE beam! Whenever either of the heroes got close enough to land a hit, their punches and kicks would go right through him. Then he would DISAPPEAR. REAPPEARING AND LANDING ANOTHER HEAVY BLOW. He would fly around like gravity was non-existent, and these abilities didn’t stop there. Every so often, he would yank out this thermos looking thing and shoot out these wormholes. Or… possibly black holes. Calling them black holes felt wrong though… since they glowed green and swirled before disappearing after a few moments.
The villain's outfit was a change of pace too. It was impossible to figure out his age since he was completely covered in a thick fabric material that reminded him of space suits. Yet looked a lot less bulky than actual space suits, thin yet sturdy metal covered his forearms, and formed a backpack that was attached by a wide metal collar that spread to his collarbone and slightly covered his shoulders, as well as a metal strap that wrapped around right under his chest. A plated, metal belt circled his waist with a clip for the green black hole thermos, and thigh high boots with a similar fabric to his suit covered most of his legs, thick plastic looking platform soles attached at the feet. Black bands wrapped around the ankles of the boots. A helmet covered his entire face, a metal frame covering the bottom half like a muzzle while the top was a tinted glass dome following the shape of his head, the inside of it entirely black except for the eerie glow of a single, left eye. The helmet had a tube on the back of the helmet that connected to his backpack, but neither he or Ladybug could figure out if it was essential or for decoration. His entire colouring was monotone, much bleaker than their previous villains. His suit was black, the boots, forearm cuffs, belt, backpack and collar were all a middle shade of grey, the only flash of colour being the glow of the single toxic green eye amongst the darkness of the helmet.
The dude was disturbing. He didn’t make any sound, in fact he seemed to ABSORB the sound around him. Like they were in space.
Paris was getting destroyed more and more by the second and the two didn’t know what to do. The Lady’s lucky charm turned into a thermos, which she didn’t have a clue how to use in the situation in front of them. Maybe it was a hint? A clue about soup? Or getting the villains thermos?
The problem with the last idea was that neither he or Ladybug could TOUCH this villain. And each of them were getting worse and worse for wear by the second. He could tell Ladybug was getting ready to get some sort of help, but who could make something untouchable… touchable? Chat even tried to use cataclysm on the villain's thermos while Ladybug had distracted him, but he twisted at the last moments and grabbed Chat's hand, draining cataclysm before he tossed him aside like it was nothing.
Another blast of plasma sent the two tumbling away from each other, and then a blast of ice caught Chat off guard. Cold shot up his arm as his muscles convulsed, a scream caught in his throat as the ice trapped his arm in such a tight and sturdy prison. He twisted to try and use his free arm to claw the other out of the ice, a shadow in the corner of his vision causing him to twist and jolt in surprise as the villain stood right in front of him. The glowing green eye was cold as it bore into him, and the villain grew closer and closer, drifting off the ground and absorbing every noise around him, the air around them dropping to freezing temperatures. Chats breath formed in front of him as gasps, panic clear in the quick breaths, fear intensifying as the only thing he could hear was his own heartbeat and blood roaring through his veins.
The villain's hand shot out and grabbed his free one- the one with his miraculous.
Chat heard Ladybug cry out as the villain gripped onto the ring, a quick glance showing she too was trapped.
That she was next.
Chat tried to keep his fingers curled, but he was battered and weak, and the villain hadn’t even broken a sweat during their fight. Prying open his fingers was easy, the ring vulnerable. This was it. He used cataclysm too soon and now he was powerless. He couldn’t escape. He couldn’t save anyone. He was a failure. This was the end of Paris.
They lost.
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Fucking. Vlad.
This entire trip had Danny on edge and it was all because of Vlad.
At first, he thought maybe, for once, Vlad wasn’t being a piece of shit when offering the family a fully paid trip to France for two weeks. He was suspicious. He probably just wanted the family out of town to do some shady shit. But a two week trip to France wasn’t the WORST thing a man could do. Especially in comparison to kidnapping and cloning.
But then his parents got sick. A common flu. Right before the trip. And they wanted Jazz and him to experience Paris. Then Vlad offered to be a chaperone.
It was all a play to get Danny alone for two weeks and try and manipulate him.
He did manage to get Tucker and Sam to tag along, something about friends being his family and the two unused tickets his parents left behind. But Vlad knew how to separate the group. How to corner Danny at the worst moments and whisper annoying remarks in his ear as he tried to get away.
He survived a week. He only had one more week to go. Tucker and Sam were off checking out some places for lunch while Jazz and Danny went to pick up sweets for everyone to share after their meal.
Vlad was off doing who knew what so Danny had put him to the back of his mind.
The cafe they found was… well it smelled incredible. There were so many baked goods on display and the air was filled with the warm and sweet smell of the goodies. He let Jazz do most of the talking, she wanted to practice her French and Danny had recently discovered that being dubbed the ghost king meant that now he had a natural grasp on all verbal languages, including the dead ones. This meant his speech in French was almost flawless, and his understanding was like he was listening to someone speak English. He couldn’t read other languages though, just speak them. He was told though by a few locals he had an odd accent. It wasn’t an american one, just… odd.
So Jazz ordered the treats and the pair was headed out to meet Danny’s friends.
Then some blonde girl with way too much make-up basically knocked him to the ground, not even sending him a glance that indicated she knew what she did. It was annoying, but he dealt with bullies on a daily basis back at Amity Park. Well… used to. But he knew better than to waste any thought on some jerk like her. He sadly looked at the ruined cat paw shaped cookies, the icing ruined and the cookies crushed under his weight when he fell.
Standing up with the help of Jazz, they left the shop as Danny insisted on finding somewhere to wash off the icing stuck to his shirt. He liked this shirt too… he hoped it wouldn’t stain too badly. It was better than ectoplasm at least, that stuff needed to be burned out, there was no such thing as washing out ectoplasm.
Jazz asked to help, but Danny brushed her off, telling her he could easily clean himself off by himself.
And then Vlad chose that moment to corner him.
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“Hello Daniel.”
Danny splashed water wildly as he spun around to glare at the older Halfa, hissing out an ‘Ancients!’ in surprise. “What the hell, Vlad?” He spat, “sneaking up on a kid in the bathroom? I should just call the police and tell them about all that stalking you like to do.”
“Aren’t you tired of this childish game?” He hummed.
“Not really, seeing as I’m a child and I love games,” Danny sneered.
“I’m older, more experienced, and stronger. I am also patient, little badger. And it’s easy to wear you down. By the end of this trip, you are going to be begging to be my-.”
“Son? Pet? Little slave that does everything you ask? Sorry, Vladdy, but I ain’t the type to listen to crazy fruit loops. How about you go enjoy the company of your French rich friends like that Agreste dude instead of stalking me and trying to get with my mom and kill my dad. Might do you some good to make more friends than just your cat.”
“Oh Daniel, you throw your petty insults but I know ways to break you even further. You know, a lot of accidents happen in Paris. Terrible things.”
Danny felt his eyes flash as he spun on his heel, “listen to me, if you even consider-!”
“Not to mention your brand new ghostly responsibilities as… the ghost king? Imagine that. A child as the king. You don’t even know everything about ghosts.”
“Neither do you!” Danny spat.
“Oh but I know so much more. And I could easily teach you-.”
“Just shut up!”
“When you mess up, when the ghost zone begins to fall apart, you will wish you took my offer, but I may not be as forgiving when that happens.”
“I said shut up!”
“And we both know the moment the ghost zone falls apart, so will this world. All because a boy became king and didn’t take help he was so graciously offered.”
“SHUT THE HELL UP!”
Something inside him shifted, and Danny suddenly felt his mind cloud, a deep voice echoed his mind.
“A cruel man harassing a young teen that wants nothing to do with him. A shame when someone can’t take a hint.
Black Hole. I am Hawkmoth. I can give you the power to show this old man that he never should consider looking in your direction ever again.
All I ask is for Ladybug and Chat Noir’s miraculous. Do this for me, and Vlad Masters will never be an issue for you ever again.”
Danny’s clouded mind and building rage smirked at the offer, his voice echoing as he glanced up at Vlad who was giving him a confused look. “Yes, Hawkmoth.”
Darkness engulfed him and then his memory began to fail him.
—————————————————————
A boomerang slammed into Black Hole’s head, causing it to jerk to the side and a small crack formed on the glass that was hit. The metal boomerang dropped to the ground and Black Hole slowly looked down at it as a robotic voice cried out from it, “ghost detected!” And then a recorded voice spouted out, “take that, spook!”
Black Hole’s head slightly tilted at the noise it made, a hand subconsciously rubbing the crack it left behind. Then he twisted his gaze back to Chat Noir, going back to taking the hero’s miraculous.
Then a shout came from behind Black Hole and Chat caught the eyes of a teenage girl yelling and holding a bat over her head. Black Hole twisted, his body turning that transparent look whenever Chat or Ladybug had tried to hit him before, and Chat knew that it was useless. “No! Stop! Get out of here-!” He screamed at the citizen, but stopped when the bat connected with the villain's head and sent him flying into a wall.
Chat was at a loss for words for once in his life, watching the villain slowly pry himself from the wall from being hit by a baseball bat when he and Lady couldn’t land a single hit. He looked back at the citizen and shrieked as she raised the bat above her head and swung down at him, flinching and squeezing his eyes shut. She hit something, causing it to shatter and then- his hand was free!
He opened his eyes and looked at his hand in awe and then back at the girl, “who the heck are you?”
She huffed, dropping the bat casually on her shoulder, “Sam Manson. Friend of the idiot that didn’t do his research before taking a trip here. I’m surprised this didn’t happen earlier.”
Chat blinked, “you- you know that’s your friend? And knew this would happen?”
Sam shrugged, “the booo-merang is never wrong. And yeah, my friend there is not exactly the most emotionally stable person on the planet. Sorry it took us a while to get here. You guys really do move fast.”
Chat just opened and closed his mouth a few times, then yelled as she suddenly swung the bat again and smacked the villain in the gut as he got close during their exchange, knocking him sideways but not down like the first time. Black Hole turned again, making a snarling sound before he was blasted by some sort of green ray and sent flying sideways, rolling along the pavement before smashing into a car. Another teen jogged over with Ladybug behind him, dropping his hands to his knees as he wheezed, “I have ran… way too much for this to be considered a vacation.”
“M’Lady-, what is going on?” Chat asked.
“This is Tucker, and his friend Sam, and they know how to help,” Ladybug quickly explained, glancing back at Black Hole. “We need to draw his attention and get that thermos off of him, then Sam and Tucker can use this,” she held up the thermos from her lucky charm, “and we can get his akuma.”
“Akuma is in the thermos, knock it off,” Chat summarized. He heard his miraculous beeping, a sign he was close to his limit.
“Let’s end this fast.”
—————————————————————
Ladybug held the booo-merang in one hand as the two teens and Chat drew Black Hole’s attention, the teens equipped with weapons that seemed to get past some of Black Holes abilities.
She narrowed her gaze, waiting for the perfect moment, then threw the weapon, watching it arch in the air then knock the thermos off of the villain's waist. The thermos clattered to the ground and drew his attention, he quickly twisted and dove to try and retrieve it, which was when a bright beam erupted from the polka dot thermos Ladybug had given the teens. The beam caught the villain's legs and he was tugged back, his form pulling towards it like taffy as he twisted and a horrid scream of anger burst from him. He tried to escape it, flailing and reaching for anything to hang on to, but in a matter of seconds he was pulled into the canister and Sam slammed the lid shut. The screaming stopped and Ladybug made her way over to Black Hole’s thermos, stomping on it and crushing it, releasing the Akuma hidden inside. With a flick of her wrist her lucky charm turned back into its original form, dumping Black Hole onto the street, then the butterfly was caught and purified, and another click of her miraculous, she let the little bug flutter away harmlessly. With a shout, ‘Miraculous Ladybug!’, everything around them was engulfed in black and red as the damages were undone around them.
At last, the villain's form was released of Hawkmoth's influence and it left a lanky teen laying on the street. He slowly sat up with a groan and a hand to his head and she then realized it was the same teen as from the shop. So once again, this was Chloe’s fault. She turned her attention to the two teens that helped her, noticing Chat let out a hasty farewell and thanks and disappeared around a corner. “Thank you, both of you. Without your help… well, without your help we may have lost that battle. But how in the world did you do that?”
“What the fuck just happened?” The teen groaned, “I feel like the booo-merang smacked me in the head like… fifty times.”
“That’s because I may have smacked you a few times with the fenton creep stick,” Sam shrugged as she helped her friend up who gave her wide eyes in return.
“You fucking what?”
Tucker took a step forward to answer Ladybug’s question, “let's just say back in our town, we have very specific supervillains that have abilities that make it hard for regular attacks to land. So we have specialized gear. Sam and I did a bit of research before heading here and figured if any of us got Akumatized, we may reflect some of those traits.”
“I… see…” Ladybug hummed, “and where did you say you were all from?” The three cast a few glances between each other, but before any of them could answer, her miraculous beeped angrily as she quickly realized she was out of time. “Thank you again for your help, if we could meet again to exchange some of that tech to make sure this never happens again-,” she quickly tried to set up a meet up before Sam held up a hand.
“This won’t happen again. A lot of what happened here is very unique to Amity, so once we finish our vacation, you won’t see this kind of thing ever again.”
Ladybug only had more questions but the angry beeping only forced her to nod and bid a quick farewell before getting out of sight to let Tiki take a rest. Marienette held out a few macaroons for Tiki as her thoughts swirled in her head. The questions about the odd American trio and how they knew how to deal with a villain as unique as Black Hole.
She may be able to corner them later. They did say they had to ‘finish their vacation.’
And in the meantime, it was time to do some research on this place called ‘Amity’.
—————————————————————
Danny didn’t remember a lot of what happened while he was the villain, Black Hole. It was like a dream, he kinda remembered the feeling, vague details, but nothing specific.
What he wished he remembered was whatever he did to Vlad. He must have done something because his memories cut out right after Vlad harassed him in the bathroom and after the event, the froot loop avoided him during the entire trip. Even refused to make eye contact!
What he would give just for a few seconds of that memory! Or for someone to have recorded it!
For now though he got to reap the rewards, flashing his eyes green when Vlad would glance over and causing the man to flinch. Oh man, he was going to abuse this newfound intimidation ability till the bitter end.
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kittydemon9000 · 3 years
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SO MERLOPIAN KAI PART 2 ELECTRIC BOOGALOO
So, with Kalmaar, he ofc immediately goes to his parents about his feeling, slightly placing his revenge on hold. They are...dubious about it, but Maya raises the point of how there has never been a human/merlopian hybrid before, and from what Ray has told them about having two EM parents it’s possible for Kai to have some water abilities himself, which could be what gave Kalmaar his feeling. So, they agree to look into it.
Moving on..... Uh. Kai doesn’t have a fun time in S6, as briefly as he’s there. You see, Nahdakahn knows exactly what buttons to press and is able to get Kai into a panicked state where he, on the verge of a panic attack and mental breakdown, just says “I wish that I could just be normal! I wish I could just go home! I wish I could be with dad and mom and father and Kal and Bentho and Nya!!!”
The “normal” comment comes from how they weren’t able to completely hide Kai’s heritage since yeah, there were other people on the boat who saw him. That and he also tried a lot less to keep it hidden. And because some humans are assholes, he has to deal with that.
So ofc, Nahdakahn interprets it in the worst ways and as two wishes. Kai is now a full human yes….but was also sent to where the fish fam currently were……which just so happened to be at the bottom of the ocean.
So yeah, double trauma for both groups. Kai got to experience what drowning felt like, and his fam was essentially forced to watch him die since there was nothing they could do. They were too far under to take him to the surface and too far from the palace to take him there.
But dw, it gets even worse.
You see, the whole reason Nahdakahn is being this malicious about Kai’s wishes is because he learned that Kai was the reason the Preeminent was destroyed, thereby destroying Djinjago.
Nahdakahn is then able to do a “oh? Is this not what you wanted? I thought you wished to be normal.” Which ofc sounds really bad since it’s in front of his family. “But, I understand. You grow tired of the stares in the street, how they whisper behind you back about what you are. Not human, not merlopian, not normal. Just a freak masquerading as one of them.”
This ofc supremely pisses off the fam. Like, weapons drawn ready to commit murder.
But then Nahdakahn stop them with a “ah ah ah, I wouldn’t do that if I were you. After all, I am the only way your son has a chance at living. So go ahead. Make a wish.”
Trimaar ends up being the one to do it, and is smart enough to know this uh will twist it in anyway he can so says. “I wish for Kai to be sent safely to the surface without harm done upon him.”
Blah blah blah, your wish is yours to keep, Trimaar realizing “wait there’s a lot that could be interpreted” but too late BAM now Kai’s kinda stuck on the Misfortune’s Keep.
And he....generally has a pretty bad time. Think Jay but this time it’s personal.
However, Kai’s appearance had Trimaar get the Merlopian army and start heading to the surface. The remaining ninja have a brief moment of “are you kidding me two enemies at once” before learning that this is Kai’s lost family and they’re here to help.
So now the ninja have a whole ass fish army to help them, plus a very protective, very angry fish family.
But for the rest of canon, the only difference is that when they’re leaving Tiger Widow Island, Nya gets snatched along with Jay(who was taken because he hadn’t used his wish yet) and they aren’t stuck on the island, and then later that Kai gets sucked into the sword when the ninja launch their rescue mission.
But yeah, it gets all Un-Happened by Jay’s wish(which at seeing Kai physically hurt and being emotionally torn apart at his baby sister dying, wished that none of this ever happened and that Nahdakahn was never found), only like canon Nya and Jay still remember what happens.
Nya is now firmly on team Kai Is Alive and tells her parents everything about what happened and the wish Jay made, and more importantly where Kai is.
Unfortunately, they need to take some time and prepare. Trimaar and Maya have been doing their best over the years to open the populace possibly making bonds with the humans, but now it’s finally happening. They can’t just go up there out of no where, since from what Nya has told them 1) most humans don’t even know they exist and 2) in the past few years they have been subject of many attacks, mostly from non-humans, so they need to make sure the humans understand they don’t mean any harm.
So DotD happens, then the beginnings of S7 :)
Right out, Kai never liked the museum curator. Up to that point he’d only ever caught fleeting glimpse of him but something about him Kai just despised. As a result, he also visited the museum as scarcely as possible, and thus didn’t notice a very interesting painting containing a two very strange figures.
When he learns his name was Dr.Saunders.....things don’t go well.
It happened when Kai brought the helmet with his dad’s symbol on it. As much as he disliked the curator, he was the most likely to be able to recognize what kind of helmet it was.
Then in his anger he gets himself captured.
He’s taken to a special cell lined with vengestone and has guards around the clock, and Krux takes extra care to make sure Kai doesn’t know where Ray is.
ofc it’s around this time that the Merlopians arrive and express their wishes for a possible alliance between their two races. Unfortunately they showed up at literally the worst time, and double unfortunately the people in charge of diplomacy decide to bring some of the ninja in as an extra precaution because of the villains have been running around.
So the people who join the meeting are Lloyd and Jay from the ninja(they would’ve brought Kai but he hasn’t returned from his missions yet and isn’t answering their calls) as well as some police officers and from the Merlopians is the whole royal family plus a few guards.
Both Jay and Nya have a silent moment of staring at each other since “I know and I’m not sure you know but I think you know but I don’t want to say anything since you might not”
And just as they’re about to start, The Time Twins attack. Because why the hell not.
They’re actually able to hold them off for a while, but unfortunately there are too many Vermillion. Then Kalmaar whips out his Water Powers which causes him to get kidnapped since they need both Fire and Water masters for the blade.
While they’re recovering, Lloyd then gets a panicked call from Zane saying that he checked the museum footage and Kai has been captured. The gets overheard by the royal family, and then Lloyd asks why they looked so upset at which they learn(sans Jay since wish) that Kai is royalty. The eldest son actually, and thus first in line for the throne, as well as being presumed dead for the past five years.
So basically Krux has kidnapped the King and Queen’s husband, the crown prince, and the second in line prince(if anyone knows a more fancy term for this please let me know)
Maya, Trimaar, Nya and Benthomaar are not happy. Not with the Ninjagian people, no they’re fine, but they’re bout ready to murder Krux, and they don’t even know about Ray yet.
So they offer any help they can.
Zap back to how Kai and Kalmaar are doing.
Kalmaar is….kind feral tbh. Like, he’s biting, clawing, trying to strangle them with his tentacles, and before they got vengestone cuffs on him was trying very hard to drown anyone.
Ofc, this does little to the Vermillion and soon Kalmaar finds himself in the cell right next to Kai’s. He’s overjoyed to see his brother again, albeit upset that this is why.
They both reluctantly come to the conclusion that there isn’t much they can do at the moment, and there are many Vermillion guards right outside their cells, so they decide to start catching up.
And for pretty much the rest of the season canon is pretty much the same, just shuffle around the characters a bit and add a protective Fish Fam. 
Though their little trip back in time is quite sight for the Past EMs, especially because of how Kalmaar is using his powers, which leaves Kai mostly stuck in his Fish Form. This time they don’t even bother trying to explain, just give instructions on how to defeat the Vermillion and jumping into the battle. 
And I mean just imagine that from the EMs perspective. An enemy you thought you defeated just returned with a giant metal creature and an army of snake things that don’t look like any kind of Serpentine they’d ever seen. Then a shark person and squid person??? show up and not only do they know how to fight the snake things but they also seem to be Elemental Masters???? Despite the fact Ray is very much alive and they didn’t even know there was a Water EM. Then the two not only summon dragons but they also fuse their dragons into an even bigger one with two heads.
And then all of them disappear into the sky without a trace.
W i l d
But yeah, after that it calms down quite a bit. Kai spends the time skip before S8 reconnecting with his family and his dad, and through some tech courtesy of Borg they're able to bring Ray with them :D
And Kai actually goes to meet the Jade Royal Family since y’know. He’s the crown prince. He’s kinda important and legitimately forgot about it. Luckily Kalmaar is able to help coach Kai through it, but is also a bit smug about how he finally has something to teach to his older brother. Kai was actually the one who suggested asking the ninja for help protecting the mask.....but we know how that inevitably ends.
Bentho, Kal and Nya were actually on the ship for this particular adventure, and then Nya and Bentho were dragged along when they got sent to the First Realm. Bentho, despite being the youngest sibling and to the surprise of literally everyone, was actually really good with kids and spent the most time with Little Wu, right behind Cole.
But yeah S9......Nya and Bentho have a really bad time in the First Realm beause of the heat, but at least they don’t get captured. Kai on the other hand....
Yeah at some point he gets accidentally splashed with water and well.....it definitely doesn’t help with the Oni accusations. The Dragon Hunters decide to burn him along with the Wind Dragon, which moves up their Build Our Own Dragon time table.
After they escape Faith is actually pretty chill about the whole fish thing, but she does ask a lot of questions. 
And then S10..... kinda the same. They end up dropping off as many people as they can with the Merlopians since the smoke can’t reach them.
I might make a Part 3 for the rest of the seasons, but yeah. this is where we’re at.
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south-park-meta · 3 years
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why do you think cartman is abusing stan? they get along ok
I think Cartman's abusive towards everyone with Kyle and Butters getting the worst of it. But I have come around more to the way Cartman's abusive to Stan than when I made my initial analysis of their relationship. I said there that Cartman attacked things that mostly Stan's not bothered by, and some of that's true. Like, attacking him for caring about animals isn't something that affects him very often.
But with that said, there IS a core of attacking Stan for (lacking) masculinity and that actually does seem to be something he's anxious about...just not to Cartman directly. Cartman regularly calls him a pussy, gay, weak, seeming like a girl. The Cissy is probably the best example of the name-calling because it encompasses basically all of it
Do you know your girlfriend's going around tellin' everyone that you're gay?! [Stan looks around] Oh yeah! She's got the whole school believin' that she's attracted to girls, but she's dating you! So what does that make you, Stan?! A girl! STAN-AN'S A GIR-RL! You'd better curb your dog, Stan! You'd better curb your dog before people start ripping on you!
He tells Stan he's too weak to control his girlfriend, that he's gay, and that he's a girl all at once. Stan actually has a reaction (looking around, looking nervous, and he does end up talking to his dad and Principal Victoria. Cartman GOT a reaction, just not one he wanted).
The thing is, Stan's masculinity IS the thing he's most defensive of, and is his 'weak point' in relation to Kyle being Jewish, Kenny being poor, Butters being naive. He gets nervous about seeming gay and has to overcome it. He does get ripped on/ name-called/dismissed for not being manly enough or seeming gay by both his uncle, who he looks up to, and his dad, who he does (for most of the show) have a mutually loving relationship with. MOST of the 'Stan has a moment of character growth in the way of accepting who he is' comes down to him being okay with shirking stereotypical masculinity. Cartman is a master at honing in on weaknesses and he ABSOLUTELY has Stan's down.
So, then, why doesn't Cartman really tear the shit out of him more?
The thing is that Stan doesn't rise to the bait in angry outbursts. Kyle does. Kenny does, sometimes, too. Butters is specifically dismissed as a Kyle punching bag replacement because he doesn't. But Cartman also can't just casually abuse him constantly the way he does Butters, or put Stan's dick in his mouth while he sleeps, or give him a poop moustache, because Stan would up and leave the friendship, or actually physically beat him up. It has to be a verbal or emotional, non-physical attack. Stan doesn't get ripped on by Cartman more because he doesn't tend to take the bait in a way that would be fun and would let Cartman continue to feed off of it and really tear him to pieces.
So why doesn't Stan take the bait? Is he not upset by it?
The thing is he DOES get upset about this kind of thing. He just tends not to confront it directly. Instead he tends to want to compensate for the accusations. He tries to force Sparky to be straight. He doesn't play along at the wild west show because Wendy's there. He shoots and kills Skuzzlebutt. He becomes hypercritical of Gary and chews him out for Mormonism. And in each and every one of these cases, the best choice is consistently for him not to worry about seeming like anything except what he is. I think The Cissy is a step forward for him in, instead of outright denying who he is, he just sits down and questions it instead. Personally I think there hasn't been another comment on it since he came to the conclusion he is a boy (I know there're nb headcanons for him and I won't pick at it too much because I don't think it runs contrary to his character per se, I just don't agree with it. I see it as more of another masculinity introspection than really specifically a gender one), but I think it's a step forward for his character growth. He has multiple times gone through an arc of 'hide who you are, then realize who you are is really an asset', and sometimes that gets to a point of 'fuck what people think' but often it just kind of is what it is and he doesn't really do anything with it. He still cares about not being manly enough, and often the lesson of it is 'yeah you ARE kind of a pussy but it's fine, people will like you anyway, or being a pussy is beneficial to helping people'. While the recent seasons have made Stan more depressed and miserable, he's also FINALLY starting to get to a point of-- instead of worrying what makes other people like him, what makes him an asset to other people-- 'What makes me like myself? What makes me who I am?'
ANYWAY with all that said, the reason Cartman doesn't get much out of moments like this is that Stan often doesn't have a reaction, period. Sometimes it's because he probably literally doesn't care. He doesn't always value Cartman's opinion, and he does seem able to let a lot of comments go as just being bullshit. The other thing is that if it actually gets to the point of GETTING a reaction, it's not one that would be fun for Cartman. Literally the only thing that's ever come out of Stan reacting to the insecurity that Cartman harps on (whether because of Cartman or not) is that he either suppresses or questions it, and decides he likes himself more as he was to start with. Like he very consistently has improved himself through being criticized on this very point.
So does he have a point that Cartman can hurt him on?
Absolutely, and that point is Kyle.
Stan consistently has stronger, more hurt, more violent reactions to Cartman when it's Kyle that Cartman's going after. When Cartman makes a comment that Kyle's going to die, Stan tells him not to say things like that (even though people regularly die or talk about death around them). When Cartman's treating Kyle unfairly and Kyle can't do anything about it himself, Stan rights it. Even when Stan and Kyle aren't getting along, multiple seasons after Stan told Kyle that he was destroying the last thread of friendship they had left by siding with Cartman in the GOT arc, he still takes tit-for-tat revenge on Cartman in Band in China for Kyle's sake.
The way to get Kyle to respond in a fun way is for Cartman to attack Kyle.
The way to get Stan to respond in a fun way is for Cartman to attack Kyle.
I think it's noteworthy that when Cartman checks out on the 'broship' it's after Stan has checked out on Kyle, and pointedly stayed out of Kyle's fight with Cartman even after Kyle asked him to get involved with it. It's not worth keeping Stan tied in to the group because he's not coming to Kyle's defense, so there's no fun to be had in Stan hanging around. It's ALSO noteworthy that Kyle is equally blindsided by both of them.
But, okay, Cartman is nice to Stan sometimes. He's probably nicer to him than he is pretty much any other character. I think Cartman was playing a balancing act and lost.
He wants Stan and Kyle to be friends, because their friendship is important to get them both riled up. But he wants himself to be the most important to both of them, and that means he HAS to knock them down a peg in each other's opinions. They need to be friends with each other, good enough friends that Stan wants to defend Kyle when Cartman's mean to him and Kyle can't defend himself. It's no fun if Kyle's literally defenseless and Cartman gets jack for a reaction. But they have to be best friends with Cartman, because Cartman has a massive ego. This is a pretty damn hard line to walk.
But here are some nice things that Cartman's done for Stan:
-He came and hung out with him on Tegridy, and had solo activities bonding with him through board games and things like that.
-He helped Stan with the drug ring in Hummels and Heroin
-He saved the pangolin
The first two things are a clear spit in Kyle's face. Kyle is the core group who seems most disconnected from what's going on on Tegridy. Cartman is very clearly trying to take Kyle's place as Stan's go-to. Around(ish, keeping in mind the show's internal timeline) the same time, through the GOT arc, he is focusing his attention on bonding with Kyle.
Likewise, Kyle tells Stan outright he's not going to help with the Hummels problem in the second case. Cartman gets involved because Stan says he 'needs' him. He's willing to help because it puts him in direct competition with Kyle; he's helping Stan when Kyle told him to figure it out himself. He is weasling in on the best friend role.
In the last case, I think it's because he still wanted the 'broship' to work, and like I said I think he did up until Stan gave up on his friendship with Kyle. Stan's having a complete mental breakdown, which would cause issues and not be enjoyable on Cartman's end, so he'll give him a bone and let him maintain his sanity so Cartman can keep having fun pitting Stan and Kyle against each other while being besties with them both. He just flew too close to the sun and lost with it because Stan was teetering on the edge for the friendship since YGO and the next episode pushed him over.
In conclusion, Cartman's actions with Stan are 100% meant to manipulate him and emotionally destroy him. It just happens that Stan takes attacks on himself pretty internally and might even come out stronger for it. So for the most part if everything else is going fine, he's a tough nut to crack. The stuff that really fucks him up and tears him apart mentally is attacking Kyle, or attacking his friendship with Kyle.
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Text
Jackady: The importance of the father-son hug scene
One of my favorite Adrien-Gabriel moments to this day is still the ending scene of "Jackady" but I have seen more confusion for it than clarity in the Fandom so here is my analysis on it for why I love it so much. Because as the seasons go by this moment sustaines so much more significance that I simply HAVE to talk about it!
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While it isn't the only Adrien-Gabriel scene that does it, I adore this scene because it shows perfectly that in the beginning their little, broken family could have made it out of this tragedy stronger and maybe even better but the reality that Adrien and Gabriel are also Chat Noir and Hawkmoth not only hinders those chances, it actively drives them further apart into destruction
Maybe one day I'll give all my thoughts to the entire scene and just go on a rambling post about it (because I love EVERYTHING about this scene) but for now, let's just focus on the main aspects that really sell it to me.
I give Gabriel alot of shit on my blog for obvious reasons. I refuse to generally give him the same positive and conciderate treatment as Adrien, Marinette and the other kid characters because unlike them HE is an adult, a father and the villain of the show. The adult and villain part I'm not taking too personal because those are "just" the traditional aspects of his character type. But what is incredibly unique about him is the fact that even if he is this evil villain type he still gets to be the realistic type of abusive and (truly) bad father with sympathetic moments like this:
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This moment of shock and fear is not something you would normally see in a family cartoon from an evil parental figure the child longs to bond with without setting the parent up for redemption. But as we now know by s3, Gabriel is only getting increasingly worse and more abusive and Adrien is starting to let go of his father to move on without him and defying his will. It's quite clear now that their future will not be anywhere near good, "Chat Blanc" showed us what's to come.
And this is exactly why I love this scene. Because, yes, this family will go up in flames and never truly reconcile ever again (Gabriel went WAY too far for that in the way he abuses/will abuse Adrien) but the show doesn't shy away from showing us the transitional phase in between which really not alot of media dares to. Normally when they stay enemies or their situation doesn't end in an at least somewhat forgiving way this transition is simply mostly skipped to not having to let the bad parent have realistic and sympathetic moments in their downfall into madness/villainy (especially with their victim).
Miraculous does and it's beautifully tragic because you can just... SEE the situation unfold and understand where the eventual fate of the family comes from.
The pure misunderstanding between these two in this scene, the way they just talk RIGHT PAST each other because the other one can not understand the problem cuz they don't know the secret identity of the other one is... brutal!
This moment here could have worked for them. It could have been a genuine step forward in their relationship and saved their family but it got completely CRUSHED by their secret identities as Chat Noir and Hawkmoth.
Let me show you what I mean:
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THIS is a moment I AM giving Gabriel genuine credit for, because you can turn it any way you want it won't change the fact that, for his situation, THIS was the right question to ask his son. But at the same time it's just such a... horrible thing to say here oh my GOD.
And that's the ugly, UGLY beauty here.
If Gabriel weren't Hawkmoth (if someone else were Hawkmoth so the situation would still have happened) he would not have reacted to the fucking ring. He would have thought nothing of it and had remained focused on Adrien, because that was his original intention (problematically executed but that's beside the point now).
After Gabriel got himself in life threatening danger because he didn't listen to Adriens concerns, he went to him to hug him as apology. THIS is Gabriels way of apologizing and trying to make up for his faults. He's obviously not good at verbalizing his feelings properly and at normal interpersonal dynamics in general. So what he does is trying to make his feelings known in a... "material/physical" way. This does not only show through Gabriel just buying the best things for Adrien without ever being there for him, it also shows in the way he physically interacts with his loved ones when he genuinely wants to show his love. Because for how seriously antisocial and unreachable as he normally is, he also gets... quite touchy.
The shoulder touch thing Adrien does as well to show his affection for someone, him hugging Adrien both times he got a wake up call and literally everything thats happening between him and Natalie at this point lol.
Him hugging Adrien here is just as much of a big deal as Adriens expressions make it seem to be
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But the father-son moment couldn't last because the villain-hero alter egos interfered. Gabriel being Hawkmoth rightfully stopped the moment here, because reacting to even the slightest chance of your own child being the hero you try to destroy is undoubtedly the right way to handle this (even if the way he did it wasn’t ideal, that's not something I would expect from any character in that situation), but nevertheless it still utterly crushed the moment.
Cuz just because it is the right thing for HAWKMOTH to ask his son Adrien who he fears COULD be Chat Noir, doesn't it mean that it is anywhere close to okay for Adrien/Chat Noir to hear this very question in that moment from his father who he thinks as a normal civilian in this.
And Adriens expression once again makes this perfectly clear
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(You know the offense just reached an other dimension when the kid, who is already well aware and used to their fathers emotionally painful ways, makes a face like THAT)
Cause here is the thing. We all know by now that Adrien has some serious self esteem issues and that while he tries to over play it (especially as Chat) he just doesn't hold himself in high regards or even likes himself very much. Hence why he goes all out on the acting as Chat Noir and doesn't defend himself much.
But just because he doesn't like himself that much doesn't it mean he still doesn't want that very validation and appreciation from his father. Just like all of us and everyone on earth, Adrien wants to be loved for himself, even if he doesn't/can't do it himself. Thats normal and is something that can deeply damage you when you don't get it from your own parent/s.
So tell me, do you see why Adrien was so CRUSHED when in probably the first time since his mother's disappearance Gabriel gave him the genuine and all present love he wanted for so long, just for Gabriel to cut their moment short and FOCUSE ON THE RING?
The one thing on Adrien that makes him become "someone else" so he can escape from having to be himself for a bit.
And for Adrien it now seems like that in his own fathers eyes this ONE thing Gabriel shouldn't even know could be anything special about if he weren't Hawkmoth, is the ONLY thing worth noticing about his own son so it catches his eyes.
It tells Adrien right to the face that nothing Adrien was and did to make his father happy up to this point measured up with Gabriels expectations. All of Adriens efforts, his patience and his hopes of earning his fathers love and happiness if he only does well enough, literally in vain. It wasn't enough. It's wasn't enough for Gabriel to notice in comparison to the ring apperently.
From Adriens view you can interpret it two ways:
1. Since earlier Gabriel also took a closer look at Chat Noirs ring Adrien now thinks correctly that his father is seeing his new ring as a sign that he could be Chat Noir. This would mean that in Adriens eyes Gabriel would have cut their moment, an action of validation and love Adrien has longed, worked and patiently waited for so LONG, short and basically forgot all about Adrien himself because there is a SLIGHT possibility that Adriens ring means he COULD be Chat Noir. His own father literally choosing his secret identity over his civilian one as Adrien, the son Gabriel had for 14 years, is beyond crushing. And while it seems strange for Adrien to take offense in this because, well, he IS Chat Noir so what the big deal? The big deal here is, again, that as Chat Adrien is literally trying NOT to be himself. He uses the opportunity of being an anonymous hero to escape from having to be Adrien Agreste in every way he can. Gabriel throwing aside the son who is literally standing in front of him and who did his darn best to be there for him in his own time of grieving his mother to basically only focus on Chat Noir (a person Gabriel in the end of the day shouldn't and doesn't know) possibly being his son, is such a fucked up scenario to throw onto Adriens already low self esteem what the actual fuck.
Or 2. That Adrien simply takes his father choosing to focus on his "simple" new ring out of all things as a clear "I see nothing else worth noticing in you, so to keep this conversation up I have to grasp at straws so I guess I'll be taking about your new ring".
No matter how one chooses to interpret the moment, it's equally as much of a "fuck you" either way. I know Gabriel could have said worse here, but honestly, the list isn't that long.
So when after this Adrien reacts like this:
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It should really not come by any surprise. Although, no, it is kind of surprising. Surprising that Adrien didn't react alot worse than this. What Gabriel just threw at him is like the verbal equivalent of a loved one reaching out for you with a hand so they can caress your cheek but the moment you lean in they follow it up with a punch to the face.
It shows just how well Adrien has his emotions under control and is able to stay level headed under such great offense that THIS is the level of irrationality and anger he expresses after basically being out right disregarded by his own father (which should be of no surprise either, as Chat Noir Adrien has to put up with a whole lot of disrespect as well and there he for literally 95% of the time has to shrug it off as well).
But no matter how bad Gabriels line here was, it has nothing and I mean NOTHING on the awful way Gabriel then decides to react to Adriens appropriate but still very mild response.
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Because THIS is the moment that sets up Gabriels betrayal and downfall as both a person and especially as a father. Up to this point Gabriel was a horrible person as well, no question. The entirety of s1 he already worked as Hawkmoth, manipulating people, putting them in great danger and planning the demise of two teenagers with sadistic glee. But still one has to acknowledge the difference in these two situations.
In one Gabriel is hiding in a secret lair, manipulating people he thinks beneath him to do the dirty work for him and fight two anonymous heros he just wants to get rid of to reach his goal. Gabriel is taking so much pleasure out of terrorizing Paris and it's people because he legitimately doesn't give a single fuck about them or holds any kind of personal connection to them either. He never goes outside and is very antisocial so these people and their city mean nothing to him because they ARE nothing to him. His (self chosen) isolation and lifestyle pretty much disconnected Gabriel from real life and a normal way of expressing and receiving human emotions. So when there are no emotional stakes for him personally, he sees no reason to not satisfy his villainous desires as Hawkmoth.
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So as odd as it may seem to say, him terrorizing Paris prior to this is not the point of crossing the line for his character. For that it's simply to impersonal.
No, the point of crossing the line happens here with Adrien. With Gabriels character things will always come back to Adrien at its core. Adrien (not Emilie, Natalie or anyone else) is the person Gabriel temporarily truly gave up being Hawkmoth for and Adrien is the one person Gabriel has his most human moments with. Not even in his bonding moments with Natalie does he show the same deep and true (misguided) love and affection as he gets to with Adrien in those rare moments (its close no doubt but something about Gabenath is not as deep and true as this father-son pair and I can't imagine it ever will).
This marks the point of no return for Gabriel because it's the first time he chose to deliberately abandon Adrien in the crossfire and decides to be the villain towards him instead of staying there to talk things out with him. It's the first time Adrien truly had Hawkmoth as his father. And Hawkmoth is Chat Noirs ememy so Gabriel fell into that role without Adrien knowing why.
And there is a solid reason for that.
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One of the best things of this show is that no matter how horrible things get between these two, things are always much more complicated than a simple "evil father doesn't love his good son" situation. Gabriel calls Adrien "the image of perfection" in this very episode, that's sure as hell not hate or dislike in any way. That's love, that's adoration. This man ADORES his son. And this is were the deep rooted problem lies.
Gabriel loves and adores his SON. The ideal and perfectly perfect son Adrien could become when Gabriel is done forming him into it by suffocating any "imperfections" with an iron fist. It's just that these "imperfections" are always the characteristics that make Adrien ADRIEN. Gabriel may truly love his son but I'm not even sure if Gabriel even so much as LIKES Adrien himself.
And this is perfectly showcased by Gabriel turning away from Adrien in this very scene here.
Because even though Gabriel literally disrespected, shut down and belittled his son for the entire episode he still came to see and hug his Adrien afterwards because he loves him. But HIS Adrien, the perfectly perfect Adrien Gabriel wants him to be, wasn't the Adrien he met up with in his sons room. Instead he got an Adrien with a ring on his hand that could be Chat Noirs, making him possibly one of the two enemies he's trying to destroy.
Adding salt to the "wound" Adrien even backtalks him in a way that undoubtedly reminded him of Chat as well since Gabriel pointed out Chats temper in this very episode.
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So Gabriel was very directly confronted with the possibility that Adrien could INDEED be Chat Noir and that naturally comes with the implications that Adrien deliberately disobeyed Gabriels orders accepting that ring, sabotaging Gabriel reaching his goal and in general doing everything his father DOESN'T want him to do BY CHOICE.
And here Gabriel made the decision that marks the point of no return, setting up the devastatingly horrible way this man is treating and will treat his son in the future.
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Because this is the moment Gabriel SHOULD have chosen Adrien over his mission. The sheer possibility, no scratch that, even the SLIGHTEST TRACE of a possibility of Adrien being Chat Noir should have immediately made Gabriel take action to save and protect him. Because it's not like Chat hasn't been constantly in dangerous, life threatening or even situations that ended up in DEATH. If Gabriel would truly love ADRIEN his quest would have ended right here, stopping the upcoming horror this family will face before it could have really begun (hence why this was shown to us in an episode of s1, the season where Hawkmoths identity was still unknown. If Gabriel had stopped here not even WE would have known, leaving Gabriels name untainted of Hawkmoths crimes as the Agreste family finally moves on and Hawkmoth dissappeares as suddenly as he appeared.)
because Adrien and his health and life should not be a price Gabriel is willing to risk paying for his goal.
But Gabriel didn't do that.
Because instead of Adrien Gabriel chose the potential perfectly perfect son he wants and turned his back on the one standing right in front of him. Cuz remember what Gabriels goal IS. He wants to change the past, so non of this ever happened in the first place.
Meaning Gabriel turning his back on our present Adrien doesn't mean that Gabriel outright hates Adrien now by the next second cuz he dared to disobey his orders like that. But it means that Gabriel is choosing to separate these two Adriens in his mind, making endangering, hurting and working against THIS Adrien more of a collateral damage than actually hurting his own son. THAT son, the one Gabriel convinces himself he is fighting for, is waiting for him in the past alongside Emilie.
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This separation was probably always there since Gabriel started trying to change the past hence why he justifies Adriens unhappiness and the way he abandones him as necessary sacrifices.
But the real separation started HERE, this marks the first time Gabriel just left Adrien behind in a position of complete and deliberate endangerment, knowing that the possibility of Adrien being Chat is still there but choosing to say: "if he indeed is, then that's an obstacle I will have to overcome."
This separation has been developing slowly but steadily through s2 and 3 right to "Chat Blanc" which tells us the future. Me elaborating on this "separation development" though became longer than I want to put in this post, therefore I will go into more depth about it another time.
So let me continue with this:
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Adrien is like... Genuinely not even angry. More deeply sad.
He was appropriately and truly hurt when Gabriel only started talking about the ring but once Gabriel turns around and walks away? He looks after his father but more in a way as if he is waiting to see if Gabriel would actually take so much offense in him backtalking him to legitimately LEAVE like this. And Gabriel does.
Adriens intentions wasnt to make his father leave, When he talked back at him it was more of a hurt call out for Gabriel to say more, SOMETHING ELSE, but not to LEAVE!
Adrien then does something very common for people in a fight who wait for the leaving person to turn around again but have to realize that they hope in vain and the other person actually is done with this moment.
His face and body relaxes, he turns completely to the door and seems to... take it in.
Especially in the way Adrien does it here its like he is processing and accepting that what he thought of his father was wrong. Adrien thought Gabriel cared enough for him that he would want to stay even if he backtalks him for example. Adrien expected a conversation here but now had to realize that his father isn't gonna put up with him at all or their differences in an upfront way if Adrien isn't "behaving right". Gabriel will just cut the moment short and deflect whatever conversation with him he doesn't like.
All in all what Adrien took away from this moment with his father is even if Gabriel may care for him (enough to come and hug him as an apology) this care and affection is tightly bound to the way Adrien himself then reacts. If he reacts in a way Gabriel doesn't like he will very quickly deem Adrien undeserving of his affection and take it (and his entire presence) away again.
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The way Adrien looks then at his ring also makes me think that he definitely blames himself for how this moment ended. That he "shouldn't have overreacted" and taken such personal offense by his fathers attempt to reconnect with him even if Gabriel hit one hell of a sore point.
This is of course BS. Even if Adrien wasn't Chat Noir the way Gabriel just straight up deflected the conversation to the ring right after the hug, where one normally starts to explain oneself and truly TALK, would have been seriously hurtful even under non-miraculous circumstances.
But it shows how Adrien by instinct immediately starts to invalidate his own feelings to look for the faults in himself. A self-hurtful coping mechanism that unfortunately only gets deepened as the dynamic between these two continues on. 
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And lastly it also marks the first time that the ring is truly associated with something bad. Normally (especially so early in the show) the ring stands in association with Adriens freedom and spending more time with people outside, him getting to let loose a little and how he can spend time with the girl he loves. The ring began to loose these positive associations more and more from s2 onward but the first time was here.
It's the object which ruined the moment that could have ended this tragedy before it truly began in both of their eyes and in the viewers. Sure Gabriel being Hawkmoth is the true cause of it and nothing will ever change that but it's Adriens ring, not Gabriels brooch, that sets their separation further in motion. Further as Gabriel initially intended to.
It's the factor Gabriel overlooks Adrien himself for, which is truly brought home by the end scene of "Gorizilla" which serves as a mirror to this one here.
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Whereas in "Jackady" Gabriel lost sight of the son right in front of him because of the ring and what its implies, in "Gorizilla" Gabriel thinks he finally received the evidence that Adrien isn't his enemy. So for the first time Gabriel completely disregards the ring, Chat Noir out of his mind, sees ADRIEN for himself and genuinely smiles at him. He can and does make a TRUE attempt at reconnecting!
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Which is of course exactly what Adrien wanted for so long, what he hoped Gabriel would do if hes just patient enough with his father. He accepts Gabriels genuine attempt gladly, reassuring his father that he and his efforts are noticed, appreciated and wanted even after everything that happened so they can hopefully go on to a better future.
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This is what would have saved this family back in "Jackady" if only Gabriel had chosen the right priority. But as I said before, this moment here happens in s2 after Gabriel crossed the line in Jackady, so this positiv moment can not save them anymore. Both Gabriel and Adrien are already too far in and influenced by their alter egos and the miraculous. So the brief reconnection couldn't last and everything continues to only further fall apart ever since.
And it all began with this beautiful, heartbreaking and tragic moment in "Jackady" these two will never ever be able to truly come back from again.
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yoditorian · 3 years
Text
lacuna - part 9
din/reader
well shit guys,,,,this is the last one.
this has been a labour of love and i just want to say a huge huge thank you to everyone who’s commented and reblogged and sent me asks and even just lurked and read it. seriously, from the absolute bottom of my heart, thank you. i’d also love to extend a special thank you to @keeper0fthestars and @chatterbean for consistently cheering me on throughout this fic. and an extra extra special thank you to @bee-dameron for being the most incredible sounding board, and without whom this fic literally would not exist. this was really my first jump back into writing fic properly and i couldn’t be more grateful for the love its received. it might be the end for the main storyline, but it’s definitely not the end of this universe 💛
series masterlist // main masterlist
word count: 4.9k
warnings: angst angst angst, rebel is healing, din is having the worst time of his life (all of season 2), swears, yes i am referencing That Monologue
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He can’t stop hearing it. 
How you pleaded with him, how you begged him to stay, how you cried when he left. Din’s sure it’s a sound that’ll haunt him for the rest of his life.
Din has been staring out at the swirling lights of hyperspace for hours when the kid clambers up into his lap, his stomach lurches when he notices three little green fingers curled around a corner of your old blanket. The kid leans over to frown at the second passenger seat. Empty.
“I know, buddy. It’s my fault, I’m sorry.” His voice is wrecked, the sound of it so harsh through the modulator that even he flinches. 
Din’s still not completely sure that the child understands him, but his little ears droop down at the apology and he wraps himself up as best he can in your blanket. Five minutes and you’ve charmed the little thing. Din isn’t sure why he’s surprised, you did the same to him all those years ago. 
The kid settles back down to sleep in his lap, curled up in the thinning fabric, and one of Din’s gloves hits the floor before he even realises that he’s slipped it off. The wool is a little stiff with age under his fingers, but it’s been well loved. And been well loved on if his memory serves. He wonders if it smelt of him afterwards. If you spent nights curled up in it, trying to inhale the last memento you had of him before he saw you again, the same way he spent so many nights wallowing in his own memories. He used to wish he had something physical with him to keep close, the cruel irony of your forgotten blanket doesn’t go unnoticed now. 
Part of him wants to bring it back. A peace offering, maybe. He wants to let you get to know the kid better, to help him on his quest to find his home. Or maybe just to stay, like you asked. But he fucked it all up. You’d probably slam the door of your little home in his face now. Honestly? He’s pretty sure it’s the least he deserves. He wouldn’t be surprised if you pulled a blaster on him with all the ways he’s hurt you. 
It feels like grief. The way the sorrow settles on your chest, curling it’s cold hands around your lungs and squeezing. You hope it chokes you, if only so you don’t have to feel like this anymore. You curl up on the kitchen floor, the cold tile freezing through your clothes, and wonder if this is it.
Kes finds you there, hours after the door was slammed and the sun has set. 
“Is there something wrong with me?” You can’t help but ask, you can’t help but wonder. Because even through the pain and the silence and the arguments, you still love Din. Maybe you always will. But you’re not sure it matters anymore. Kes looks at you, confused, and you press on.
“I mean, I laid out how I feel so many times and all he ever did was push it away but- but I know that if he walked in that door right now I’d let him back in.” 
“I think that’s love, kiddo.” He sinks down to join you on the floor, and if the chill of the tile raises goosebumps on his arms, he doesn’t mention it. 
“Love is stupid,” You pause when he shoots you a look, “No offence to you and your ridiculously happy marriage, but this sucks.”
You sound like a child, you know that. Just like you know that things with Din were always going to end the way they have. You’ve always known you came second to his creed, so much so that you can’t even bring yourself to be angry about it anymore. The alternative is to cry until you lose your voice, so childish seems like the way to go.
“What?” You huff. Kes is watching you carefully, in that pensive way that he does when he’s about to call your bluff in sabacc and take the game. Like he always does. 
“I’m not sure you really think that.”
He’s right on the money yet again, the fucking asshole. 
A fresh wave of tears stings your eyes. thankful at least that Kes has found a spot on the floor to look at instead of turning those big sad eyes onto you. You’re not sure you could take it. It’s frustration at yourself, mostly, instead of just the heartbreak of being left behind so willingly. So angrily. What is it about you that made the idea of sticking around so repulsive, so disgusting, that he left without a second thought. You thought he loved you, you really did. But you’ve been wrong about things before. However much you hate it. 
“I can’t stay here. I can’t.”
“I know.” Kes’s eyes lift from the floor finally, settling uncertainly on yours. 
“I’m sorry, it’s not that I- I want to be close to you guys but,” You flounder for a moment, desperate to think up a reason, “I just can’t be here.”
He understands, you know he does. You’ve all lost enough people, physically and emotionally, to know when a place is no longer welcoming. And you do, genuinely, love the little house on the edge of their land. You love the way the sun hits through the kitchen window in the late afternoon, you love the way you can hear the birds in the trees when you wake in the morning, you love the way any of them can drop by anytime they want to. But it’ll always be the site of the last time you loved Din, the last time he kissed you. Ground zero of your relationship. If you could even call it that. 
“I’ll be alright. I’ve been without him before.”
You have, you’ve been without Din. You’ve spent years without hearing the comm you gave him so much as click. You’ll be alright. In time. 
Only, there were never arguments before. All those times you left, or he left, he’d never shouted at you the way he did. You’d never felt the rage he keeps so carefully locked away, not with you in the crosshairs anyway. It sends your stomach churning, remembering the way he denied you so easily. 
You eye the pouch of credits on the table, just visible over the top of Kes’s head. Why would he leave something like that behind? The Crest is falling apart, he’s got the kid to think about now, why would he forsake a payday for someone he’d so readily abandon.
The dam breaks, and your brave face along with it.
“It’s okay, it’s okay.” Kes shuffles over to sit closer, to draw you into his arms and let you cry it out on his shoulder. So, in turn, you let yourself feel it. Properly. Sobbing until you’re half asleep, breath hitching every now and again, and the sun starts to rise. 
You don’t know why Din left the credits there, and it feels odd to think about using them when he’s the reason this house isn’t a home anymore. But he could never give you much, and despite everything you know he’s never been a heartless man intentionally, maybe this is his way of making up for that. A clean slate.
The first thing he thinks of as Din comes to, only seconds after the e-web cannon explodes in his face, is you. Of course it is. 
You with your feet up beside you on the passenger seat and the child in your arms, wrapped up and snoring softly. No idea of what was coming. It’s that image that stays at the forefront of his mind, even through the pain of being dragged across the ground into the almost safety of the destroyed cantina.
That’s the view he wants, regardless of however futile it is to realise that now. Regardless of the fact that he’s dying and you’re not here. You don’t even know. Maybe you wouldn’t care if you did. He wouldn’t be surprised. 
But he gave it up for what? For this? Denied himself and the kid safety and a life just for both of them to die on the grotty floor of the cantina on Nevarro. Stupid. Stupid, stupid, stupid. Maybe he always has been, for refusing you at every turn, refusing to let himself give in and reassess and have the life he’s so desperately wanted with you for years now. Who is he, without his creed? 
Yours. He knows that now.
There’s something profoundly wrong about you not being there as the blood trickles down the back of his neck and soaks into his clothes. As he hands off the child to the people he’s come to think of as his friends and trusts them to do the one thing he can’t.
“Take him to Yavin,” He tells them, desperately, “Find the little house at the end of the farm track.” 
You’ll take care of the kid, despite everything. You’ll take him in without a question, in a heartbeat. The same way you so effortlessly ingrained Din into your life when you first met. Even if it was accidental on both sides.
Din can’t stop himself, as the IG unit lifts his helmet, from remembering the way you did the same. This feels so clinical, mechanical. There’s nothing of the warmth and reverence that had been in your touch. Even this close to death, it’s like his bones themselves are calling your name.
“What do you think?” Your voice echoes in the empty space. The smell of fresh sawdust is strong in your nose, but you don’t mind. It’s oddly comforting, as though the shop was built just for you. The sound of little footsteps pound over the upper floor and a messy mop of curls appears over the top of the railing.
“I love it. Can I live here too?” Poe grins cheekily.
“Your parents might have something to say about that, buddy.” 
He thunders down the stairs beside the little back office and comes to a skidding halt in front of you, kicking up a little dust in his wake. You catch him easily, whirling him around in a circle as he laughs. The way the sound fills the space starts to stitch the edges of your heart back together. Maybe this is what you need to do, fill a new space with light and laughter and the people you love. Somewhere to exist, somewhere to grow. The workshop seems like a good place to start.
A child of The Watch.
What does that even mean?
His covert, his family, it’s- it’s not a cult. It can’t be. The way she talked about it, like even the thought left a bad taste in her mouth, sends a shot of anger down his spine. He is not a religious zealot. But, would he know if he is?
Is he?
Din’s never had cause to doubt his creed, or his covert. They saved him, rescued and raised him. They taught him to fight and to protect and to provide for the covert. Foundlings are the future, right? Would he be less, maybe, to those born on Mandalore? To people like Bo-Katan who wear the armour from generations past, who fought to defend their homeland and their clans. Din doesn’t wear ancestral armour, but has he not defended his family with his life? Ancient way or not, it seems like the kind of thing that would be important in any kind of Mandalorian culture. Traditionalist or otherwise. 
No one has seen his face since he was a child. And yet, he still took off his helmet, every time, for you and believed he was breaking his creed. Sure, you never saw his face, but does that matter? Is it not the principal of the thing? Then there’s the glaring evidence that there are Mandalorians who can remove their helmets. What does that make him, if he’s neither followed the letter of the creed or whatever rules Bo-Katan has. 
With the kid safely tucked away and snoring in his little hammock, Din pulls the helmet off and glares at his distorted reflection in the curve of the visor. He can feel your hands on him like you’re there, smoothing over his shoulders and curling around his waist. And as all the tension melts from his body, he knows what you’d say. That he is himself. Din Djarin, and it’s up to him what he wants that to mean. Whether it includes Mandalorian or not. Whatever he wants to be is what he is and you’d never love him less for it.
Love him.
He scoffs at himself. There’s no way you feel like that about him now.
“Can you reach right up in that corner?” 
You’d let Poe pick the colour for the walls of the main attic space, and so he and his dad are flecked in bright orange paint as they swirl brushes over the wood they’d primed yesterday.
Kes has him on his shoulders, fully in charge of the high up sections as he’d so politely asked, while you and Shara are screwing together the fittings for the kitchen units. A pastel blue this time, also chosen by Poe. Although Shara had kindly guided him away from the neon purple cupboard doors that had caught his eye with a quick wink at you. Maybe giving a small child free reign over your interior decorating was a bad idea. But he’d proven to have quite an eye on some things. 
The four of you had travelled all the way to an inner rim market to find your furniture, deciding on a deep red fabric couch that fit all of you comfortably and takes a considerable amount of effort to rise from. It’s been pushed back against the half wall that hides the attic living space from the workshop floor. Your bedroom furniture is brand new as well, all light polished wood and soft bedding. The credits Din had abandoned had gone a long way, almost long enough that you can forget where they came from. Sometimes. 
It hits you again, cross legged on the floor as Shara hands you another piece to slot into place, that there should be an extra pair of hands. Pulling more pieces out of crates or rearranging the layout in the bedroom or hanging lampshades. It’s nice to be making this new house into a home with your family, but there’s still a gaping hole where there should be someone else. 
A warm hand settles on your knee, breaking your focus from where it’s settled at the top of the staircase. Shara. You turn to her with a smile, and blink back a wave of tears when she returns it. You have your family, right here, you don’t need him. You don’t need him.
“Get down!” Shara calls, just as a shadow looms over you.
Poe’s feet swing over your heads and he laughs when Shara just misses grabbing his ankle, Kes lifting him deftly out of the way at the last second. This is what your life is supposed to be, definitely. The sound of everybody else’s laughter lifts the weight off of your shoulders just enough for you to breathe, to laugh along with them. For a little while.
Din loses everything in a matter of moments. Everything.
Methodically searching through the ashes of the Razor Crest, of the only home he had left, is the final barrier between him and the guilt about the child. About Grogu. The kid’s become his, undeniably, and he couldn’t do the one thing a father is supposed to do. Gideon has him at his mercy, has Din at his mercy now. Whatever the Moff and Dr Pershing have in store, it’s not good. The kid might not even survive. 
All he can see is his little face, his little arms reaching out as the droid climbed higher and higher towards the cruiser. What kind of a father is he, to just let his son be taken from him? No man who would so willingly see the child in his care delivered to his doom deserves to be called such a thing.
Din kicks the dust at his feet in frustration, all too aware of the new eyes watching him. Grief is a difficult thing in and of itself, it’s even harder when it’s observed. He feels like an exhibit. Sure, the two of them stayed and defended the child without even being asked to, but that doesn’t mean he wants them sitting and watching as he sifts through the ruins of his life. 
Fitting, really, that the one way he always thought he would keep you in his life went up in flames, exploded in much the same way your relationship did. That was his fault too. 
But it’s all gone now. The Razor Crest, his home, Grogu’s bed, your old blanket. Grogu and you. Maybe for good, maybe this is his life now, he doesn’t know if he’ll ever get either of you back. Maybe he’ll launch a rescue mission only to find his son dead and hitch a ride to Yavin only to be turned away at your door. Maybe that’s what he deserves. 
“Thanks!” You call as the couple stroll out of the main doors and into the sunshine, newly repaired pit droid trotting after them.
“Which one goes to this one again?” Poe catches your attention, waving the motor over his head. He’s sitting on the desk in the back office, little eyebrows furrowed in confusion. You’ve been teaching him small mechanic things here and there on his days with you. How to wire a basic console, how to program a droid, how a hyperdrive motivator works. You’d taken him out with you on a call once, so you could show him the different engine parts of a ship that his mother doesn’t treasure. Today, it’s hotwiring lessons.
Kes and Shara had pretended to disapprove when you asked them what they thought about it, and they still would if Poe was the one to bring it up. But the larger community on Yavin still sleeps far too lightly, still sleeps far too little. The kids are learning their history and their life skills, but alongside basic combat and strategy lessons. The older kids can enroll in weapons training and piloting lessons. The war will never fully leave this moon so long as it stands. 
“Which one do you think?” You ask, settling down into the chair with your datapad and a mountain of forms to fill out. Poe ponders for a moment, glancing between your expectant expression and the dead motor in his hands. 
“This one?” He touches the exposed wires together carefully, huffing when nothing happens. 
“No, wait! This one!” The little motor whirrs to life the moment the wires make contact, and subsequently dies again when he drops it to throw his arms up in celebration. You catch it before it can hit the floor and burst into pieces, your own smile wide enough to make your cheeks ache. 
You’re living. For the first time in years you’re living, without watching over your shoulder for the Empire, without wondering when you’ll see Din again. You’re spending time with your best friends’ kid and making a living as the town mechanic. You have regular customers and people who drop by just to say hi, and things don’t seem so bad anymore. Even though there’s a gap inside of you that aches and misses him, you’re starting to be at peace with it.
He doesn’t know why he was so stupid as to think the facial scan might work with the fucking helmet on. And now the terminal won’t stop beeping and he’s pretty sure people are looking over at him and there’s only one option left and- fuck it.
Din’s hands shake as he lifts the plastic helmet off, the habit of a usually much heavier one makes the movement almost too forceful, and he sets it down. 
This is wrong. It feels so wrong. The first time any living being has seen his face since he was a child and it’s a room full of Imperials. The organisation that took his parents from him, that massacred whole planets and drove his people underground, that you have spent your whole life fighting against. He feels sick.
It was supposed to be you. He’s thought about it a lot, since the first time you took him to that little house on Yavin. He envisioned standing in the bedroom, curtains thrown open to soak up the last of the afternoon sun, and you’d smile at him in that way you always did. He would pull you close to press his forehead against yours, he would take your hands and bring them up to close around the lip of his helmet. He’d tell you it was okay, and you’d lift it off together. You’d smile, maybe a stray tear would linger in the corner of your eye, and you’d finally get to see him. You’d trace your fingertips along his cheekbone and press a kiss on the little spot on his jaw where the hair doesn’t grow. You’d tell him you always thought he had brown eyes. He’d tell you you’re beautiful. And then he’d kiss you, and you’d let him. 
The terminal beeps again and Din pulls the drive from the port, just in time to turn and face an Imperial Officer. 
Your head is in an engine hatch when you hear one of the wide metal doors at the front of the shop creak open. 
“We just closed up, but you can swing by in the morning if it isn’t an emergency!” You call, and hope your voice carries to whoever is standing in your doorway. You don’t really have the time for a customer, this speeder repair is already a day late because you were watching Poe last night, but Yavin is a community. 
However long it took you to get used to after being back on the station, it’s almost like being a part of the rebellion again. Everybody works together to make things a little easier for everyone else. You hear a shuffle of footsteps, slowly edging closer to you, and you’re about to call out again when they say your name. 
When he says your name.
You hit your head on the hatch as you pull yourself out of it. 
“No.”
You can’t do this. You can’t. 
All the work you’ve done to piece your broken little heart back together starts to unravel, just seeing him standing in your workshop. Every staple and stitch and strip of tape loosens until there’s nothing left and that gap inside you, the one that sits right under your heart, starts to ache something fierce. 
How dare he.
How dare he think he can walk into the one place that you have, the one place in the whole galaxy that doesn’t stink of betrayal and heartache and him. How dare he think he can disturb the life you’ve begun to build without him, however much it hurt. There are nights where you don’t think of him now. Nights where you don’t wake in the middle of dreams of his touch and his voice and his kisses. And now he’s here and all of your work was for nothing. 
“Please-” 
“No. No, you don’t get to do this. You don’t get to come back and undo everything. You can’t.” At least your voice is steadier than you feel, as you square your shoulders and plant your feet in a vain attempt to stay upright. Or to stop yourself running right back into his arms. 
“I know.”
No, that’s what breaks the final piece of your heart off. The heart that belongs to him anyway. It always has, even when you didn’t want it to. He sounds so broken.
“Did you leave the baby on the ship again?”
You don’t miss the way his shoulders tighten, just barely, or how his fingers twitch nervously. 
“The ship’s gone. So is- so is the kid,” Din takes a shuddering breath, “I lost everything.”
Everything? What does that even mean? Your stomach flips at the thought of what he might mean, that the kid is gone. You’re almost afraid to ask. And you hate the painful tug in your chest when his knees give out and he hits the concrete floor with a thud. There’ll be bruises in the morning.
“He’s with a Jedi, he’s with his people but-” He gestures vaguely, and you know what he means. You felt the same way every time he left you. If the kid’s a Jedi, he probably should be in the care of people who know what to do. But you can’t imagine how it must have felt to just hand the baby over. 
“He’s where he belongs.” You’re trying to stay cold, you really are. 
“Is he?” 
It’s hard to be cruel to a man who’s just given up his kid. To a man you love. 
He says your name again, softly, tearfully. The shudder of a sob ripples through his body and he heaves a deep breath at the same time you do. You can feel it creeping back, every uncertainty you had the day he walked out of your old house. Every bone in your body screams for you to reach out to him, to comfort him the way he should have comforted you when he left you crying for him on your kitchen floor. He can’t be here. You have to make him go. 
“Mando-”
“My name, please use my name.” He interrupts you, desperately. He doesn’t mean to, but he can’t hear you call him Mando. It never sounded right, not the way his real name does when you roll it around on your tongue. He needs to hear it.
“Din, you can’t stay.”
It’s so hard to hold steady, to keep your voice even, to not just throw it all away and gather him into your arms the way you want to. The way you need to. You were right, all those months ago, when you told Kes you’d take him right back if he walked through the door.
“You’re home, you know that? It’s you.” 
You say nothing, for fear your words will crack and give you away. 
“And- and every time I left or you left it just, nothing felt right. Not until we were together again, and it scared me. And I hurt you because of it, that’s my fault.” He sighs, defeated, but continues on when you stay silent.
“I’m so sorry, my love. I- it’s inexcusable. I don’t know how to- how to fix it. I don’t know if I can,” Din hangs his head in shame, “You should hate me. I do. I pushed you away and hurt you, when all I ever wanted was you. Just you.” 
It’s not enough to soothe the scars in your heart, the ones that settled deep and angry and split open time and time again. The ones he put there. But maybe there’s room to make a start.
“I don’t hate you,” You press on even as his head shoots up in surprise, “Against all my better judgement, I love you. Pretty sure I always have.”
It’s quiet for a long time. And you think this is when he tells you he’s not good enough for you, that he never will be, and he leaves for the very last time. You know you won’t see him again if he does, but he’ll take your heart with him anyways. 
“Cyar’ika.” He breaks the silence. Again. But it’s softer than the last time you were in this position. 
“You’ve called me that before.”
“I’ve called you that a lot of times, you were only awake once.”
“What does it mean?” You’re almost afraid to know the answer.
He lifts his hand to his shoulder, to a pauldron with an unusual skull welded to it, and detaches the mechanism. It clatters to the floor, but Din’s gaze remains firmly locked on yours. He does the same with the other and lifts the bandolier over his head. That too is abandoned on the ground.
“Sweetheart.” His vambraces, this time. One, two clang as they hit the floor, followed by his thigh plates.
“Darling.” The chest plate. 
He’s kneeling, surrounded by his armour, by the definition of the man you thought he was. All but the helmet. You love him, you can’t deny that. He’s baring himself to you in ways he never has before and you know what it means to him to do this.
“Beloved.”
Your brain stops working. You were so ready to shout and scream and punish him for what he put you through but suddenly none of it matters. Because he’s here, he’s finally here, and he’s telling you he loves you and that’s all you’ve ever wanted. 
“Take it off, please?”
And so you do.
Your feet are moving towards him before you can even register what they’re doing and you haul him up off of the ground. Din winds his arms around you automatically, without a second thought, until there isn’t a breath of air left between your bodies. No armour, no barriers, just two people who have done far too much damage to each other to ever know anyone else the way you do. 
His eyes. Oh god, his eyes.
“You’re beautiful.” You whisper, careful not to disturb the peace that’s settled. Finally, finally.
“That’s my line.” He chuckles as you smile, as you feel that gap in your ribs quiet after all these years. An unfilled space, no longer.
Din kisses you, and you let him.
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kittyprincessofcats · 3 years
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She-Ra S5 E08 - Shot in the Dark
There might be spoilers for the rest of the season in this post!
I absolutely LOVE this episode, and at first, I couldn’t really put my finger on why I liked it that much. And then Noelle tweeted this:
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And yeah, that’s what it boils down to. This is the first *happy* Catra episode since... basically since “Once Upon a Time in the Waste” - and back then, the happiness didn’t last long.
(I also just think that story of AJ being so worried about Catra and Noelle reassuring her with every script is so adorable. I love to see how much they all care about these characters.)
Now let’s get into the episode!
- “Why does space hate me so much?” Yeah Glimmer, as I’ve said before, your powers don’t work in space because otherwise things would be way too easy and this show would be over way too quickly.
- “So, your plan is to, what? Ram through an armada of ships?” “No! ...Maybe!” 😂 I love Adora.
- The way Catra’s hands are shaking when she tells Adora they’re going to get caught... oh, baby 😢. And how Adora suddenly looks so worried... gosh, these two.
- Catra and Adora playfully arguing over whether or not Catra ‘defeated’ them in the past is so cute. I love this kind of ‘former enemies’ bickering and it’s why I was so glad they didn’t wait until the very end of the show to redeem Catra.
Bow: “Adora, Catra’s right.”
[Everyone’s eyes go wide.]
Bow: ... “That felt weird to say.”
😂 Brilliant. Absolutely brilliant. Bring on all the ‘former enemies’ bickering, please!
- So, is this just because Wrong Hordak’s “brains were scrambled”, as Bow put it, or do all the clones randomly blurt out that Horde Prime has a weakness whenever they hear someone ask about it? I’m going to assume it’s the former. Also, the way he keeps blurting out more and then denying that Krytis exists is super funny.
- I like how they set Krytis up before with Catra having visions of it back in Taking Control - still pretty convenient that just hearing the name lets her make the connection, but I’ll take it. (Is it meant to be some lingering effect of being connected to the hivemind that she’s having visions of it again now, or is it just her remembering what she saw before?)
- I love the detail that Darla’s information on Krytis is locked and they need administrator clearance to access it. Shows again that the First Ones aren’t that different from Horde Prime - they were also ashamed of their failure to conquer Krytis and tried to hide the information on it.
- “In- In- In- Incorrect. It is located nowhere, because it does not exist, because Lord Prime destroyed it.” I honestly think this line should be a meme. When you want to hide something from someone (but you know it does exist), just quote that exact line (kind of like “There is no war in Ba Sing Se”). I once said it to my sisters when they asked about certain fanfics I wrote as a teenager. (“Nope, they are located nowhere, because they do not exist, because Lord Prime destroyed them.”)
- Changes in the opening: Micah, Spinnerella, Scorpia and Mermista are now standing mind-controlled around the Heart of Etheria in the villains’ shot. They’re also all missing from the final heroes’ card. In that final shot, Perfuma and Sea-Hawk both look sad now, and Netossa looks angry.
- Catra touching her neck when she sees the spire on Krytis... 😢. I’m here for the angst, but I also just need Catra to get lots of love and comfort after everything she’s been through.
- Can we talk about how absolutely ADORABLE her space suit is, though? Bow is absolutely right to coo over those ears. And when she tries to take it off with her foot? And Adora laughs about it? And Catra smiles when she sees her laugh? ❤️❤️❤️
- Wrong Hordak still denying that Krytis exists while currently being on Krytis is absolutely hilarious to me. It reminds me of flat-earthers or anti-vaxxers, or people who try to deny Covid exists (while others are currently dying from Covid) - not that any of those are funny, of course. I just mean that wrong Hordak nicely demonstrates how ridiculous they can sound.
- Catra calling out the Best Friend Squad on how dumb their plan is and then reacting with “Honestly, what did I expect?” is absolutely iconic. They really were missing her as the team’s braincell all along.
- Bow and Glimmer teasing Catra about her “first mission”, Catra grumbling that she’s going to kill Adora’s friends, Adora responding with a really calm “Please don’t” - everything about this is perfect. 🤣
- Also, small detail, but I love how Catra has a hard time walking in her spacesuit because she’s not used to wearing shoes.
- The remaining rebels looking around the destroyed camp is really sad. Frosta immediately trapping Castaspella in ice and checking her neck is great, though. That’s what they should have been doing all along. Why didn’t they also check Shadow Weaver’s neck, though? I know she’s intimidating and all, but there was no way of knowing if she’s chipped.
- “How did the rebellion lose so many of our finest members and yet we’re still stuck with you?” Castaspella’s asking the real questions! I like how literally no one in the rebellion likes Shadow Weaver. (Though honestly, I’m also glad she’s not chipped. Imagine how hard fighting a chipped Shadow Weaver would have been.)
- “But if you try anything, I won’t hesitate to strike you down.” Castaspella said ‘I won’t hesitate, b*tch!’
- Every single part of Wrong Hordak’s existential crisis (and Entrapta’s handling of it) is absolutely hilarious. I’m not going to quote all of it here, but pretty much every line of it is comedy gold. My favourite moment is probably “It seems Wrong Hordak has begun to question the meaning of life” (and everyone’s annoyed expressions at his crying) 😂😂. (On a more serious note, though: As much as it’s played for laughs, Wrong Hordak turning his entire worldview around in such a short amount of time is also pretty epic.)
- Catra just cutting through that door - damn, she’s strong! And I love Adora’s blush! (Yeah, the door was probably just an illusion, but my point still stands. She’s at least strong enough that it doesn’t seem completely weird that she'd be able to just cut through a door like that.)
- “You have an arrow that turns into a magnifying glass? I can’t believe we were losing to you guys.” 🤣🤣 Catra realizing the people she was fighting are actually idiots will never not be funny.
- It goes hand in hand with Bow realizing Catra is actually a cute kitty with an adorable sneeze. Good stuff. And the way her tail gets fluffy when she insists she’s not cute? D’awww. (Bow saying “The angrier you get, the cuter you are” reminded me of that scene in Steven Universe where Peridot loses her limb-enhances at the beginning of her redemption arc and Steven calls her cute and “an angry little slice of pie”.)
- Castaspella’s cape getting stuck in tree branches and the like is pretty funny, ngl. This is why Edna Mode said “No capes”.
- Shadow Weaver saying that her gifts are “far subtler” than mind-control is very fitting. Her thing is manipulation, after all. She doesn’t need to control people’s minds when she can just manipulate them and raise them in a way that’ll make them do what she wants. It’s scarier than mind-control in a way because it’s far more realistic. Mind-control doesn’t exist in real life, but manipulative parents (or just manipulative people) who will mess someone up emotionally? Very realistic.
- I like that you can tell that something’s off about Entrapta’s voice this time if you pay attention to it.
- “Seriously? How have you guys stayed alive this long?” Yup, the people you were fighting are idiots and you’re the braincell of the team now, Catra.
- I love the creepy music when Entrapta tells them it’s the first time they’ve talked since the last floor.
- Also, I love how Catra’s first instinct is to just launch herself at Melog, even though you could tell she was terrified just a moment earlier.
- I really like the moment where Glimmer realizes there’s magic on Krytis, especially since she doesn’t have her other powers right now.
- Melog bonds with Catra because they have the same sneeze ❤️❤️
- “Are you... are you petting the thing that’s been trying to kill us?” I love this whole moment 😹. I also love how Adora is so protective of Catra and immediately yells “Get away from her!” when Melog seems to get angry.
Catra: “I’m sorry. I got angry. It’s something I’m working on.”
Adora [with sparkling eyes]: “Aww, you are?”
Catra: “Yes! Now can you please...” [deep breath] “Yes. I am.”
I love everything about this. Catra genuinely working on her anger issues, Adora being so touched about it (remember back in Taking Control where she wished that Catra would ‘at least try’?), Catra having to hold back her anger because she realized Melog responds to emotions - perfect. ❤️😂👍
- Catra is so sweet when she calms Melog down. And the moment where they form their bond is really nice.
- So, can Catra understand Melog because of their bond, or because they’re both cats? I’m assuming it’s because of their bond?
- Melog’s backstory is really sad. But Adora offering to take them to Etheria is a really sweet scene.
- I like the parallel between the Best Friend Squad realizing that magic is Horde Prime’s weakness (and that the only planet he ever failed to conquer had wild magic) and Shadow Weaver telling Castaspella that the First Ones weakened Etheria’s magic and they have to set it free.
- “Stop me if I try to take the power for myself.” I’m not sure how I feel about that line. I like how SPOP has very much written Shadow Weaver as ambiguous so far. She’s not a good or nice person by any means, but is she at least on the side of the good guys and really trying to help now or is she still only after her own selfish goals? I very much did not want Shadow Weaver to get any sort of redemption or forgiveness, and I’ve always interpreted her as still being power-hungry. So, I have mixed feelings about this line. I like that it canonically acknowledges that Shadow Weaver is still tempted by power and might actually try to take the magic for herself, but asking Castaspella to stop her if she tries makes her look more selfless and like she’s taking precautions against it. (But then again, could Castaspella even stop her if she tried? I’m pretty sure Shadow Weaver is the stronger one of the two. So, you could still read this as Shadow Weaver being a master manipulator and only saying this so Castaspella will feel more inclined to trust her and go along with her plan - while knowing full-well that she could easily defeat Castaspella if it ever actually came down to it.)
Glimmer: “So, just to make sure I get it - We’re going to go running through a Horde blockade while relying on the magic of a creature we just met?”
Catra: “That about sums it up, yes.”
You know what this means - Catra’s a part of the Squad now!
- “Punch it, Darla!” I still love that the ship’s name is Darla. Also, all of their expressions when they fly through the blockade should be a “draw the squad” meme.
- Catra holding Adora’s hand and getting embarassed about it ❤️❤️ (while Adora is dumb and doesn’t even notice).
- I did not expect us to get a Glitra cheek kiss this season, but I’m not complaining! Also, Catra complaining while Glimmer and Bow are hugging her is such a cat thing; I love it.
- “We made it. We’re home.” Correct me if I’m wrong, but I think this is actually the first episode this season that ends on a happy / hopeful note and not on some kind of cliffhanger. And I really like that. This is where the “space arc” of season 5 offically comes to and end and I’m glad it has its own little happy ending. (And as much as I like the final episodes of the season, the space arc is still probably my favourite half of it.)
I love this episode, mainly because of what it means for Catra. She’s finally happy, she saved the day, she’s bonding with Bow and Glimmer and constantly flirting with Adora, and she has an amazing therapy cat now! I loved all the bickering between her and the others and how she’s starting to open up to them. Also, Wrong Hordak was absolutely hilarious in this episode and I commend Entrapta for having the patience to deal with his existential crisis. This was a really nice way to wrap the space arc up and bring the Squad back to Etheria.
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jerepars · 3 years
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Back again lol. Even though the writing just hasn’t been the best this season, I’m not really that mad about the way they’ve portrayed Jeresa. Just looking at this logically, I feel that they gave us 5x02 as our Jeresa episode early on and there really was a lot of sweet moments. Now, inevitably we had to have angst in between. But it’s been constantly cemented that James is in love with Teresa, and strongly implied that she loves him too. They can’t just build that up and leave it unresolved. Plus, with TV shows in general, a couple being together early on in the series just leaves it open for unnecessary conflict and the ship just loses its intrigue. If they give us the Jeresa ending we’re hoping for then it makes sense to have not got them together any episode earlier than the final 2. And despite everything, I think the writers have been a hell of a lot better than others in keeping their ship alive and not causing a irredeemable issue between them. I probably shouldn’t defend them before seeing the next two episodes, but I am hopeful. All that being said, there most definitely should have been more scenes and dialogue between them. We should’ve had a Tony moment between them (I’m so mad about this, especially since the writers acted like it was such a pivotal part of the season and then only showed Pote’s ‘grief’). I’m very sorry for rambling, just wanted to hear your take.
Oh, yes hello, back again, I see. Your ask made me sigh because I think it opens me up to be honest and critical of this season’s writing, and that kind of opinion may not always be favored around here, and also because it requires a response of essay length. But I’ll do it for you, anon, I will. Okay. So you want my take on the portrayal of Jeresa in season 5. Here we go. After the jump:
Let me preempt this by saying the show isn’t too serious (try and tell me this is still a serious show after the kerfuffle that season 5 has been), so you shouldn’t take this too seriously either. I have an opinion but I’m just…me. I encourage everyone to stick to their guns about what they feel about QOTS; what you like about it, what you love about it, what gets you excited, what you think has been done well, what is worthy of praise, etc. etc. etc. I go in pretty hard on the show in the next several (LOL, yes, really) paragraphs. But I am in no way the ultimate authority on all things QOTS.
I don’t think Jeresa would have unnecessary conflict and I don’t think the good ship Jeresa would lose its intrigue. In lieu of conflict, we’ve gotten…*crickets* nothing. No conversations of real value, no meaningful exchange of ideas, no arguments, nothing. If anything, the conflict between Teresa and James that is necessary had been absent. In seasons 1-3, there were always disagreements between Teresa and James. There was never a point reached where it created too much conflict, or unnecessary conflict. It created tension, which is like the very essence of Jeresa, and it showed the dynamic they have that made so many of us fall hard for Jeresa as our ship, as our OTP. I don’t think making them a couple or having them together early on in the season would create unnecessary conflict. I think it could’ve created different conflict than what we’ve seen before, and wouldn’t that be a beautiful thing, to have seen them evolve and deal with each other in ways we haven’t seen before?
So, related to what I said about different conflict, as far as intrigue goes…I don’t think presenting Jeresa as a couple or in a relationship would ever make them flat or boring. When I think back to season 3, when we got Jeresa in 3x05 and 3x09, I wish we’d been offered the chance to see them succeed and see what happened with them if they tried. Like I said, it’d be a different kind of conflict, a different kind of challenge for them to face and have to face together. That sounds so opposite of lacking intrigue to me, anon. That’s a side of Jeresa I would have loved to see.
You’ve pointed out that, in general, on TV shows, getting a couple together too early usually means doom and gloom and failure for them. One of my favorite shows ever was Veronica Mars, the first two seasons especially. When the showrunner, Rob Thomas, has talked about the first kiss Logan and Veronica have, he refers to it as being earned. For QOTS, and for Jeresa, I really felt that when they shared their first kiss in 3x05. It took so much and they went through so much to get to that moment. It was earned. So, with that idea—of the earned kiss, of the earned get together, of the earned relationship—in mind, to me, there is no point in season 5 that would have been too early for Jeresa.
Talking about TV shows and how they usually go in general leads me to my next point: as a viewer, is that what I want and is that what I should expect, to be given more of what’s typical? Maybe the writers and critics and people much smarter than me will tell me it’s my fault, I’m the fool, for wanting to critically engage in media that’s not meant to be consumed that way. Maybe I’m just supposed to accept and enjoy and be happy with what I’m given. No one claimed this wasn’t going to be typical. So okay. It’s on me. It’s my bad. But here’s the thing. If I’m supposed to accept and enjoy and love this as it is…well, give me something to love. I’m not asking for a revolution or anything life-changing here, just something I can appreciate (and this season, in my opinion, has really lacked things that I can hold on to and appreciate). So as for typical TV…I’m not down with merely accepting that because things usually go a certain way, that’s how they always have to go.
Why do Jeresa have to fail if they got together earlier in the season? Why is it so out of the realm of possibility that they might succeed together? Are they so emotionally stunted, do they lack so much compassion and understanding of each other that it would be impossible for them to listen and move forward together? What if they could discuss their issues, tell each other how they feel, stop hiding, and try? Who says there wouldn’t be angst and tension between them as they try to work through their issues? What if they’re actually supposed to be together and it would make them stronger—individually and as a couple?
Now, forget everything I just said. LOL. Let’s say we have to go by TV in general and typical TV rules. Let’s assume if Jeresa got together early on, then we’d see them struggle and fall apart and break up. Fine. Okay.
Here’s how Jeresa could have played out after the first two episodes:
5x03 banging honeymoon phase, probably
5x04 arguments and frustration with each other as T embraces being the white queen
5x05 J finds out about T’s coke usage and has to walk away from the relationship because he can’t stand to be complicit and stand idly by while she destroys herself
5x06 classic Jeresa angst and tension
5x07 KG’s death leads to T’s breaking point and J is there to support her
5x08 honesty hour, where it’s made clear that these two mean so much to one another and they’re running out of time to let each other know that, so they tell each other
5x09 one last united mission + they hatch the plan to get out and be free + a farewell with the promise and intent to see each other in another life
5x10 reunion in another life
Are these all headcanons? Of course they’re headcanons. Of course I would never expect the show to go exactly how I thought it would or with my own ideas. My point is that if they would’ve gotten together early on and we’d been given a glimpse of what that would be like, even if they failed, it doesn’t mean it would’ve been impossible for them to ever find themselves together again before season’s end.
“There’s not enough time,” the writers said. “It’s an action packed season,” the writers said. Okay. Why? There was enough time to spend on backstory of minor insignificant characters. There was enough time to introduce characters, tell us a bit about them, only to see them dead by the end of the episode. There was enough time to focus on Kote’s story, over multiple episodes, with not just a baby plot but a kidnapping one as well. So why? Why was there no time for Jeresa? Forget about them getting together and kissing and sex. If that was what it was (and it was) they wanted us to not have, then fine. Some of my favorite Jeresa moments were in the first two seasons, when Jeresa getting together was very much not a thing, when tension was high. So if it was just the portrayal of them not being together, if we still got the scenes of tension and them having no choice but to communicate, that would be completely fine. Like I said, I know I’m never going to get exactly what I want, my headcanons are mine, so that’s okay. Oh. But…no. Oh no. There was not even enough time for Jeresa to have more than short, throwaway, blink-and-you’ll-miss it conversations? Well. It’s the writers’ decision. They wanted it that way.
“It’s a Teresa-centric season,” Dailyn claimed. Like I’ve said before, James is a big part of Teresa’s journey and story. If you’re going to have a Teresa-centric season, it’s hard to accomplish that without shedding more light on James and Jeresa. This isn’t a Teresa-centric season. This has become the Kote show. Teresa is the main character but her journey has been pushed aside, diminished, and downplayed in order to make way for Kote ultrasounds and Pote grunting and Kelly Anne thinking “positive” and hopeful that Marcel will come to a party at the safe house. Instead of getting conversations that would offer insight into Teresa’s relationships with those in her family, we got an extended deep dive into the most chemistry-lacking relationship we’ve ever seen on the show. Well. It’s the writers’ decision. They wanted it that way.
“It’s Queen of the South, not Jeresa of the South,” the writers will insist. If by that they mean it’s Kote of the South. Imagine for a second that it actually was a Teresa-centric season but they were adamant about keeping James in this minor capacity. Okay. It would still be different than it is now because we’d be in tune with Teresa. We would’ve gotten a glimpse into her thought process. Was this not, at some point, meant to be a story about a strong woman? I can even extend that question to Kelly Anne. Was this not, at some point, meant to be a story about strong women? Then why do we keep seeing them make asinine decisions? Why are their most extreme actions in reaction to what the men have done?
Moreover, if this show is about the people in the cartel, in Teresa’s inner circle, rather than just the Kote side plot becoming the main plot, there’s no way this is the James we would be getting. James, our beloved reluctant assassin…who we know nothing about. He can’t even get a backstory on a show on which he is supposedly one of the main characters. Five minutes—five seconds—couldn’t even be spared on James and how he came to be who he is, how he got where he is. But Isidro Navarro? By all means, I need to hear his life story. Who’s Isidro Navarro, you ask? Right. Exactly. Apparently we don’t deserve backstory and explanation and conversation and introspection from our protagonists. But a character who is there for ten minutes or less on a single episode and will never be heard from again in any significant manner? Of course he needs his screen time. Well. It’s the writers’ decision. They wanted it that way.
“This is not a romance show,” the makers of season 5 said. Honestly? Fuck that noise. Fuck that sentiment. Fuck that ignorance. When has Jeresa ever been about romance? Where do the people who make this show get off saying something like that as if we are so stupid we don’t know that? A romance story and a love story are not the same thing. Jeresa is love. God forbid Jeresa ever experience love within a successful relationship. God forbid Teresa and James ever become mature enough to use love as strength rather than weakness. But pile on all the Kote. Focus on them and emphasize how Teresa and James can barely even look at each other. Well. It’s the writers’ decision. They wanted it that way.
So now here we are, on the cusp of 5x09. We got a spoiler in the last promo trailer. We know, after 7 episodes since their last conversation that actually meant something, after the writers missed the mark and didn’t have Jeresa interact in a way that was significant and necessary over the course of the season, that there is at least one kiss. They might even have a conversation. They might even share more than one kiss that leads to more (but also, don’t be surprised if we get a mere few seconds of a kiss and nothing more before fade to black). This is going to make us so happy because finally, finally, they’re giving us what we wanted. And then what? What does it mean if those things are true? Is everything forgiven? Is the instant gratification of seeing our ship sail for a scene or two enough? Does it make up for the character assassination of the characters we love? If we somehow get the ending we want, or at least one close to it, is it even believable anymore? Is what has been broken all season so easily fixed?
Listen, I already know the counter argument. I’m going to be told I’m crazy, that Teresa has to be on her own, that it wouldn’t be interesting, that it would diminish the payoff for Teresa and Jeresa in the end. I get it. Typical TV rules, right? We have to go with what people know, what they’re used to. But what have we gotten, really, to preserve these ‘rules’ for TV in general? Teresa has been dumbed down and is now lacking a lot of the intuition and street smarts she had before. She makes bad decision after bad decision and she doesn’t see what’s coming. The actions she takes are in reaction to those bad decisions. James hates so much of what he’s been made to do but for some reason he keeps going along and carrying out Teresa’s orders; he’ll just stew over it quietly in a corner without saying anything. Teresa and James don’t talk to each other, at least not about anything important, and when they do talk, they give each other heart eyes but never scratch the surface—how could they when they talk for like 10 seconds at a time? So. Has this been a good portrayal of Jeresa? You tell me. If it’s fine with everyone else, then I guess it’s fine. I’m probably the wrong person to ask.
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OBEY ME! LESSON 49 DETAILED SUMMARY + THEORIES
One locked lesson
Mammon, Luke & MC are visiting Diavolo’s hotel. Mammon talks about wanting to book a suite and have a party, Luke says he doesn’t like the devildom opening businesses in the human world cause he’s scared they’ll take it over completely. Barbatos says that Diavolo is only interested in coexisting in peace & if he’s gonna snitch to Michael he should tell him their actual intentions. Luke says he’s not a tattletale Mammon vehemently disagrees with that. Barbatos reveals that Diavolo & Levi have started staying up till dawn gaming together (I’m so happy they’re friends!). Mammon said he never knew that Levi previously had issues against Diavolo. When Luke asks where Diavolo is Barbatos tells him he’s out on a date with Lucifer. Mammon asks about Barbatos’ choice of human clothes and MC says he looks really good in it. He says the look he was going for is ‘tea leaf importer’. In a private lounge Barbatos serves them fairy ring tea which surprises Mammon & Luke. In the Devildom on rare occasions small sparkling golden flowers grow in a ring rather than the more usual mushrooms, and the teas is supposed to smell like those flowers. He says despite what the ring is made of there’s a legend they form when fairies dance in a circle. Luke says the tea smells and tastes amazing and MC asks if fairies are real. Barbatos says fairies in the human world are supposedly extinct and us humans are really fucking up the ecosystem huh
Mammon seems really disappointed by that and when MC asks why he says that treasure can be found near fairies, leprechauns are also related to fairies btw. Barbatos says there’s still a chance there are fairies somewhere in the human realm – there are rumours about fairy rings made of flowers in the human realm which can only be caused by fairies whereas mushroom fairy rings have a scientific explanation. And that there are rumours that those flowers can be used to make a rare sweet. Obviously Mammon & Luke are excited about finding fairies for their own reasons (AND is this gonna be a Mammon & Luke lesson!??? I desperately need that) and MC says lol good luck with that anyway byeeeee~ Mammon & Luke immediately strongarm MC into coming along. Barbatos tells them to bring some flowers back and he’ll make tea for them out of it. Luke & Mammon briefly argue about whether they’re after sweets or money, and Luke wonders where they might even start looking. Mammon suggests going to a library to find out what they can and Luke is surprised Mammon suggested that to which Mammon gets annoyed.
Mammon suggests splitting up to be more efficient and Luke is surprised ‘efficient’ is part of Mammon’s vocabulary. MC can go with either of the boys. With Luke; they find books about angels and demons, including a picture of Michael but nothing about fairies. Luke says the picture doesn’t capture how amazing Michael really is. MC can say A.) that Luke seems to really love Michael. He says everyone loves Michael before remembering the brothers and saying they’re the only ones who don’t (no offense but everything I hear about Michael has made me highly suspicious of him too – I’ll get into that later). B.) MC asks how Michael’s been doing lately and Luke says the way they worded it made it sound like they know him personally. But he says it’s understandable that they’re curious when Michael’s the greatest angel to exist (how can you say that when Simeon is literally raising you!?). He says Michael is till sad about what happened with the brothers and seems to regret it and that though their portraits are no longer in the Celestial palace you can find Michael standing and staring at the empty spot looking lost time and time again – that though he doesn’t say it, he misses them (I’LL GET INTO IT). Luke says that the brothers are happy in their new home and have forgotten the celestial realm and Michael and that after meeting them Luke acknowledges that they have a FEW good qualities but whenever he remembers Michael standing under that empty spot and how the brothers don’t even stop to think about how Michael feels or to look at things from Michael’s perspective he gets pissed off (do…do you think Luke knows about Lilith…..I – I highly doubt it because the circumstances behind her death and everything we’ve seen and heard about the celestial realm so far makes me feel like the brothers were completely justified to leave it all behind). With Mammon; He finds a book about Angels, Demons, Fairies and their worlds – though it’s mostly about angels and angel!Lucifer. Mammon asks where the part about him is and MC says they’d love to hear about his time as an angel. He says he was really talented and that Lucifer recommended him to be a Cherubim (so the others as angels said that angel!Mammon could do anything he set his mind to and we’ve seen that despite what his brothers say Mammon actually has a pretty vast array of skills and can really step up and be the responsible big brother when it’s needed so am I the only one who feels like Mammon’s that ‘gifted’ kid in highschool who got burnt out and then said fuck it and decided to stop trying? And now everyone looks at him shakes their head and asks wtf happened to him? Solmare gave me a blank canvas of a character to project on to and instead I go and choose Mammon :))) I’m in pain). Michael & Raphael treated Mammon like he was a problem child but Lucifer saw his potential (GIVE ME THEIR BACKSTORY!). MC can ask A.) If he was sad to leave the Celestial Realm. He looks surprised and then thoughtful and distant and says he never thought about it. He says dwelling on the past isn’t his thing but if he had to pick he’d say he didn’t miss it. But he doesn’t hate it and or like he never wants to go back and that he doesn’t hold a grudge (okay so usually during a Mammon centric lesson I write this after I finish the whole lesson instead of one by one after each chapter like I usually do and I’m gonna tell you things happen that show that he might’ve been unconsciously lying about the grudge thing). He says he doesn’t know how his brothers feel and that they maybe less happy with the celestial realm than he is (calling back to the grudge thing we know Mammon tends to bottle things up emotionally, specially when it’s things that hurt him, we also know that right after they fell Mammon was the one who took care of everyone so I think it’s very likely while the others had their emotional fallout about Falling and Lilith and being Demons and Satan’s birth Mammon just never got the chance as he was taking care of their well being and I have this whole fic floating in my head about it let’s see if I put it into words). He says even if they wanted to it’s not like they could go back )  B.) If he loved Lucifer back then. Mammon goes Loved!? LOVED!? -ED!? PAST TENSE!? I still love him and fjeodkkfnak BABY! (love that angel!Mammon refused to admit he loved Lucifer while demon!Mammon was like fuck yeah I love him what’dya think!?). Mammon then blushes and then tells MC not to tell Lucifer cause he’ll get a ‘I knew it’ look and grin like he was self-satisfied. Given how happy Lucifer became the last two times Mammon admitted to caring about him and how in the recent lessons Lucifer said he didn’t think his brothers love him I really want them to tell Lucifer. In the end they don’t find anything. Mammon wants to quit. Luke doesn’t want to, he wants to see Michael’s face when he eats one of the Legendary sweets. Mammon gets annoyed saying that Luke’s always going on about Michael and asking if he’s worth it (NO GRUDGE HMMMMMM?!) Luke gets really pissed in return. Mammon laughs and tells him to cool down and that despite being a demon he’s being honest and asks why a ‘goody-two shoes angel’ so pissed (no grudge huh? I mean it’s miniscule rn but everything’s way too complicated for Mammon to be just over it). Solomon interrupts them and tells them to stop shouting. Okay so first off starting from S2 Michael’s being brought up a LOT and I’m pretty sure MC spoke with as well and nearly met him and he said he’ll have to meet them on a later day. S3’s going into depth about the Celestial Realm and Michael’s getting way more mentions and they’ve started bringing up Raphael as well and at this point I’m 100% sure they’re gonna actually introduce them as new characters? Maybe by the end of the season? And I’d love this cause I need new dynamics and to learn more about the brothers’ past and the celestial realm but it also sucks cause I have such a clear vision of what they look like and ik solmare’s gonna destroy that. ANYWAY I don’t think they’ll introduce “bad guys” to the story given that this is a dating sim at the end of the day and Michael & Raphael will probably wanna bang MC too but with what they’ve given so far the Celestial Realm and the higher up angels seem very morally dubious? We know that Michael as an angel gave out punishments that were worse than Lucifer as a demon – Mammon saying he still shakes when remembering them thousands of years later. We know they were against mixing with humans and demons – enough that they were willing to kill off an angel for healing a human. We know they supported the war with the demons and were not actively looking for a peaceful end to it unlike Diavolo (to the point that even Lucifer one of the highest angel in ranking was surprised by the notion of peace). We know their rules were much more strict than that of the Devildom and Raphael acted as somewhat of an enforcer and he considered human parties immoral. We know they highly looked down on the demons and considered them pure evil & below them despite not really knowing anything about them. And sure all of these facts are things that happened when the brothers were still in the celestial realm and I bet they’ve changed after thousands of years and are more open minded, but have they changed enough? The way ‘Michael’ spoke to MC when he called the brothers wicked despite not really knowing what they are like as demons, despite the fact that ‘wicked’ doesn’t cover what the brothers are at all and that there are probably humans who are worse people than them, that he thought MC would be wicked too just because the brothers liked them, the fact that Luke still had these beliefs that all demons were evil and terrible despite having never met a demon, which were the same beliefs angel!Lucifer had when he met Diavolo thousands of years later, the fact the angels still have a very strict idea of what exactly an angel should be like and enforced those ideas on the brothers during the angel event to the point that after they were back to normal they all freaked out. All makes the angels seem highly…..um? questionable. Also luke said Michael missed the brother, but does Michael actually miss them or does he miss the perfect angel versions of them? We know in the celestial realm the brothers had to repress a lot of their urges, likes and even small parts of their inherent personalities to be accepted/to not be threatened to be kicked out (ex: Mammon supressing his pranks/more playful/mischievous side in the celestial realm vs being comfortable enough to fully express that side despite Lucifer’s punishments in the devildom) to the point that they had a secret room they’d escape to just so they could skip work/hang out/relax, we know angels still see demons as evil beings and probably don’t still accept them despite the peace, we know that Michael’s view of the brothers as ‘perfect angels’ completely strips them of any identifiable characteristics even if you were to compare them to what they were like when they were really angels. So when luke says Michael misses them I feel like he doesn’t miss them he misses them as these perfect angel versions of themselves that never really existed. If this season is about getting MC’s stars will next season be about getting Michael and Raphael to accept the brothers for how they truly are? More interdimensional therapy sessions? Does this make sense? Talk to me
Solomon says he doesn’t know what happened to the fairies but that they’d have more luck finding them if they went out and looked deep in places free from human influence than looking for info in a human library. Mammon says Solomon should change his name to the “not so wise” & Solomon says it’s not like he came up with his nickname in the first place. Luke has the idea to ask Crowe for help. When Mammon asks Levi about his falling out with Crowe Levi says though they aren’t friends anymore he’s still useful. MC asks crowe where they can find fairies and they find out about rumours near Lake Io Lanthe. Though they can only get there and back within a day with a private jet. Mammon says it’s not like they can use their own wings to fly in the human world either and I’M!!!!!!? would Mammon have had to carry MC? Have they seen the brothers flying in the devildom? Has anyone carried them and flown? In the end they decide on an overnight train ride. Levi says the “kids” should probably first get permission from the “adults.” MC who’s a fully independent grown adult doesn’t need permission.
Simeon happily agrees as long as they can find someone to cover Luke’s shifts in the café. Luke asks MC which of the brothers they should ask, there are 6 options and for each the 3 of them imagine the scenario that would take place. 1.) Levi; Simeon getting steadily more and more irritated while Levi tries to win a game instead of working till black-purple smoke is rising out from Simeon even as he smiles sweetly and calls Levi. 2.) Lucifer; looking deeply disappointed with crossed arms says “So, are you going to tell me your order or not? Hurry up. I don’t have all day. I have (list of café related chores) French chocolate cake with hot cocoa? Are you insane? Who in their right mind would pair chocolate cake with hot chocolate?” why is this so funny!?? 3.) Satan; Fully serious “Simeon, table two wants an earl grey. And a pretty kitty special to go with it.” Simeon, “WTF is a pretty kitty special!?” The pretty kitty special is paw shaped pancakes and Simeon thinks they’re cute. In this universe no customers or Levis are harmed. 4.) Asmo; Asmo starts almost instantly hitting on the customer. “You know I don’t usually do this but how about I sit down with you for tea?” Luke says while bright red, “ABSOLUTELY NOT! He’ll turn the Angel’s Halo into a different sort of place.” And umm Luke buddy what exactly were you thinking of here… 5.) Beel; Simeon: Hey have you seen the BLTs? Beel: *actively munching away* No. Can’t find them? Want me to help? Simeon: …Nevermind 6.) Belphie; Orders food for himself from Simeon during a lull in the customers and takes a nap before Simeon even gives it to him. In the end they decide on Satan.
They find Satan at the pizza place watching his tab with a serious expression, Luke wonders if he’s learning new things about the human world (languages, the economy, etc) Mammon says that’s the face he makes when he watches cat videos. When Mammon tries calling him he pretends he doesn’t know them until Mammon’s yelling his name and he can no longer ignore them (Wonder how humans feel about some buy yelling ‘SATAN’ in the middle of a diner). Satan immediately refuses to work at the café cause he’s busy (watching cat videos) until MC lies through their teeth and says that Simeon wants to turn the café into a cat café. Luke jumps on board instantly and starts supporting MC’s claims further adding that as a cat lover they need Satan’s advice and that working part time at the café will give him a better understanding to how the business is normally run. He then agrees to help. (Luke none of that lying seems really angelic…). At the café Satan immediately goes “okay, so… let’s talk cats”. And Simeon’s like????????
At home Lucifer’s still not back from his date & they tell others about their plans for the trip. Asmo says if he had a choice he’d like to meet Narcissus… Mammon tries to play off the fact that he’s nervous about asking permission from Lucifer and Belphie tells them to watch out for Banshees – a type of fairy - when they get there (I first heard about banshees as a little kid and they freaked the shit outta me, gave me way more anxiety than I already had). Satan says there are lots of types of fairies including those that make you fall in love. Mammon is way more interested in them than in Banshees – Asmo tells him he’s being a pervert. Lucifer arrives after dinner and they follow him to his room. Lucifer says a quiet lake might give Mammon the chance for some self-reflection and personal growth (pretty sure Lucifer needs that too ngl) and it’ll give Lucifer some peace and quiet but also who the fuck’s gonna pay for you huh!? Mammon tries to play the “my favourite older brother” card. Lucifer disagrees and they decide to gamble on it – if Mammon wins he gets to go and if Lucifer wins Mammon gets bathroom cleaning duty for a week. Lucifer says Mammon’ll just cheat so MC volunteers to play and Mammon gets really happy that they’d do that for him, saying he feels like crying. Lucifer agrees except if they lose BOTH of them get bathroom duty. MC has to guess if the card Lucifer draws is odd or even. Even’s correct and they get to go without a fuss. If they pick even they lose.
If they lose the next chapter starts with Mammon crying in MC’s room about MC and Luke being allowed to go and not him and how with MC gone bathroom duty is all his, MC says they’ll do anything to get him to forgive them and he blushes and asks them to stay with him till he allows them to leave and that means they’re gonna be at it all night…. ALL RIGHT ANYWAY Luke then texts them saying he’s impressed that they managed to convince Lucifer to let Mammon go and that Lucifer had actually sent Luke three tickets for “Mammon’s journey of Personal Growth” and Lucifer’s such a good dad sometimes I can’t deal with this BS. Mammon immediately runs off to thank Lucifer and you can then hear lucifer screaming at Mammon to get out and stop hugging him cause he’s in the shower and I love them both so much I NEED them being soft to each other more and the only reason Mammon ended up being the avatar of greed is cause Lucifer probably spoilt him rotten growing up *cough*Lucifer’s B’day Present To Him*cough*. If they win the next chapter starts in Mammon’s room where he’s asking crowe, who’s apparently been borrowed from Levi, how much money he could make selling fairy ring flowers, he then asks MC to ask crowe something too. They can ask crowe about tomorrow’s weather or tease Mammon by either asking crowe how to control Mammon or asking if they’re compatible with Mammon. Mammon blushes but Crowe says they’re fairly compatible and if they can control Mammon’s self-destructive tendencies and how he puts money before everything they may last – mammon says all of that is wrong (I mean we have seen that he actually puts MC before money and material goods quite a few times so yeah…). He says they already know how well they work together better than anyone in all the 3 worlds and they don’t need anyone to tell them that and MC kisses him. Mammon blushes and says “yeah ik Luke’s gonna be with us but let’s try and get our own room to share cause this is the one chance to get time alone away from the others so we can have all kinds of fun. Though we can still have plenty of fun rn” and then he calls them closer and the screen fades to black :) It later opens to screams being heard from inside the house somewhere.
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yunsoh · 3 years
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s3 episode 3 thoughts and oh boy!!! trio time. disaster siblings + yuki time.
- man have i missed the student council. just wow have i missed them 
- tbh my first thought is just how cute kimi is at the start of this ep. also i love that she and yuki have this same problem with the seniors suddenly confessing their love/trying to ask them out before they graduate and while yuki’s sitting here like “i can only hurt their feelings :(” kimi’s straight up like “let them throw a pity party!! whatever” queen
- and of course “what makes a guy attractive is his bank account 💖” fave. and kakeru agreeing with “true facts” god the two of them. mhm.
- the way that kimi decimates nao’s entire life and career in one fell swoop. get his ass. also i find it endlessly funny that nao has a crush on minagawa of all girls because she is point blank the most obnoxious girl in the whole school. like it just seems like he wouldn’t have the patience for her at all LMAO but i guess crushes just do that to your brain sometimes
- the girls calling machi scary for knocking over a bunch of chalk while being dead fuckin silent on haru literally destroying their classroom. actually not even dead quiet the girls literally cleaned up after him. hot privilege. 
- i’m endlessly curious about how this rumor about machi trying to kill her little brother even got around like. i have to assume it was something that slipped from either her parents or kakeru’s mom to other parents of kids who go to the same school/adjacent schools. because obviously it did not come from kakeru and he’s the only other person who knows yk.
- kakeru: *sulks*
- machi: *trots*
- ugh man it’s machi’s parents just continuing to put her own feelings in her mouth and never once letting her have control over her own personhood, down to displaying her thoughts or emotions. “you’ll be more comfortable alone.” also her dad saying that he assumed that machi might try to hurt her brother and treating that as the truth because she’s never had the space to become an individual to them separate from what they project onto her. how much can you hate your child actually.
- also find it interesting that kakeru has never fully questioned whether or not machi actually tried to kill her brother. when he says it to yuki, he says “what those girls said is pretty close to the truth.” and when yuki says he finds it hard to believe, kakeru says he “may be right,” since it’s just the version of the story he heard from his parents. but all things considered i don’t think he’s necessarily ever believed it to be true; he’s just never been able to see machi’s side of the story because she’s been fully closed off to confiding in him, which is mostly because she feels as though she won’t be listened to or understood anyway thanks to the treatment she’s had from her parents.
- that said. kakeru go to jail
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- it’s about yuki feeling comfortable enough to engage in physical acts of friendship without so much as thinking about it. yeah :)
- i do find it interesting that kakeru remembers this moment of machi making footprints in the snow when they were younger. it’s something that would probably be easily forgettable but it stuck with him because even he found something a little off about it.
- this whole minute is just such a whirlwind. the little arrows pointing to yuki. machi trying to slam the door on them. kakeru dragging yuki in to the point that he’s tripping over his own feet. yuki calling it the sea of decay with sincerity but machi has no idea what the context is. the bra. machi about to throttle yuki. kakeru finally fucking leaving after getting hit and still being a shit. this all happens in like forty seconds.
- her best quality: her squiggles 
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- oh this visual of her having to walk this tightrope with her mom. interesting
- also interesting how young machi sounds in this scene where her mom is talking down on her to another person. i know she must be in her first or second year of middle school (just because kakeru was in middle school when he finally got out of the inheritance situation) but it really drives home just how young she was.
- also heartbreaking because this is a moment where machi is trying to stand up for herself and asking why her mom is saying those things about her when she’s the one who shaped her this way, and she’s just so thoroughly shut down by her that she can’t cope.
- i thought this shot was adapted well, although i think the scene itself is kind of confusing -- in the manga, it’s insinuated that she has this breakdown moment right after this conversation with her mom, and that it’s the first time she reacts this destructively (in the manga her outfit is the same between shots, and it doesn’t appear that she’s in her own apartment yet -- it’s more ambiguously just a home office). here though they change it so that it’s a more recent event -- more like she’s reacting this way because she’s remembering this conversation, rather than reacting directly after it. the outfit she wears in this scene is the same one she wears when her parents are accusing her of trying to hurt her brother, too; it’s also reasonable to read this as her having a breakdown after being left alone in her apartment for the first time. to the team’s credit her window is also broken in the season 2 ep where we see her apartment for the first time, so we can assume that they made this change deliberately.
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- yuki is so genuinely kind as usual, but it’s also because he does have a thread of personal understanding of where she’s coming from. he also suffered from being held to an incredibly high standard and was similarly emotionally neglected because of this, but it’s also something he’s come to terms with and has started to heal and move on from. so he’s at a place where he’s able to give her some comfort. even just the simple act of praise for still being here, and just being herself, is something that is so desperately needed.
- kakeru listening in..... boy take ur notes
- literally yuki is like the epitome of being machi’s senior like this moment is just sooo gentle but also protective i think. like he’s really just taking the helm where kakeru has been unable to all this time. he’s her mentor in a way. 
- kakeru’s goofy fucking ringtone and the animation that goes with it. love that
- the chalk-breaking scene did change the game. yuki is just completely on for her to the point that he doesn’t even stop what he’s saying to consider it. he’s just really looking out for her :’(
- rest of the ep under the cut because i know this is gonna be about minagawa lmfao
- oh this new scene is cute? love kyo actually helping out + uo and hana just fucking chilling. also uo hana and yuki only giving a fuck about tohru while kyo falls from like eight feet up.
- yuki literally only coming in for that second lmfao king
- i knew that this would be the minagawa ep and yet when yuki said he had an appointment i was like...... are you....... going to the doctor’s for some reason....... this is a weird reboot addition..............
- the beginning of this scene is weeeeeird what a weird transition to minagawa. also this feels super jarring and i knew this was coming?? like there’s no setup for this being a goodbye to minagawa she’s just suddenly sitting there getting super nostalgic 
- i am grateful though that they didn’t split the time these chapters got completely 50-50. minagawa only getting like five minutes of screentime before gong away forever feels apt.
- minagawa really is just here to say “thank you yuki for being the center of my harassment campaign on the general student body here for these past two years” before bouncing. this isn’t even a point of character development she literally didn’t learn anything.
- the pacing of this feels so WEIRD like. on the one hand, glad it’s only five minutes. on the other hand why was it included at all. it really dampers the rest of the ep and just feels super distracting.
- the dramatic music....... the dramatic flashbacks......... i mean it tracks for her but i just cannot take it seriously lmaooo
- wow the way this is delivered just makes this scene with minagawa feel extra undeserved. like even more so than in the manga. that’s pretty incredible.
- am i going to sit here and make mental parallels between the fact that neither minagawa nor machi actually know yuki personally. like they’ve both been observing him from afar this whole time. like is that the parallel i’m supposed to draw this episode that both of these girls have crushes on him but he hasn’t actually divulged anything personal to either of them. idk. like i know the answer is no and that it’s more fodder for him having a romance plot and whatever but. idk!
- what is happening what is happening what is happening
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- this departing song + the shots of the empty school feels so fucking weird. we’re saying goodbye to minagawa and takei. what is being imparted emotionally does not match the actual narrative we are receiving. also feels weird to put a scene with this much “goodbye” emotion in the third episode?
- did i just fast forward through this nao and minagawa scene. maybe.
- oh that’s right we also get hiro at the end of this chapter too. and kagura talking about rin. this pacing is weird
- it still baffles me that rin was able to graduate how tf did she manage that
- wow i really wish these last parts of the ep were moved to the next episode or something. they feel really out of place squashed into the end here. this rin bit definitely deserved more time to let the weight sink in.
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vijinxx · 2 years
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hello! :) just wanted to say that i read "monsters in the night" and i loved it, you captured vi and jinx's dynamic so well and i can't wait to read more of your fanfic in the future!!
also, hope you don't mind if i rant a bit in your inbox since you're one of the few vijinx shippers i'm aware of.
i only finished arcane a few days ago and, being completely emotionally destroyed from it, decided to search out as much fan content as possible. i liked the cait/vi dynamic well enough in the show, but it was really jinx and vi's relationship that drew me in, that i was the most emotionally invested in, that was the most well-written imo.
i've never shipped anything taboo before, actually, and of course i don't condone incest in real life. but something about vi/jinx is just really fascinating to me?? it's not like i ship them bc they're sisters and i like incest, but more because their dynamic is just so complex and twisted that i can't help wanting to see more of them together even if they happen to be sisters, i hope that makes sense? like idk i think i would still ship them even if they were just close childhood friends and their relationship was still written the exact same way.
anway, although i doubt vijinx would ever really be 'canon,' i am slightly worried about how vi's character and her relationship with jinx will change in upcoming seasons due to caitvi? i like how vi is the most important person to jinx and in turn, jinx/powder is the most important person to vi, and i really don't want jinx to just be replaced with cait. i really hope vi doesn't give up on her sister and i hope she doesn't just completely change her ideals and beliefs because of the time she spent with cait. i've heard that in lol (which i'm not familiar with) vi becomes an enforcer with cait? which seems completely opposite her character? like i don't want her to just forget about the atrocities that topside has committed against the undercity, how the problems that exist in zaun were caused by systemic mistreatment by piltover's government, the classisim/class warfare, etc. so i just hope that if arcane goes that route (which i assume will happen) it will be a natural progression of vi's character that doesn't lose who she is in the process.
i guess for me, the ideal arcane progression would still be vi and jinx utterly devoted to each other as sisters, even if vi and cait are dating in the background.
thank you sm for this lovely ask!!
i get where youre coming from completely, and dont ever apologize for shooting me things in my inbox. i really identify w where youre at rn and from one taboo connoisseur to another (jokes) i can agree w the fact that its more layered than it makes itself out to be.
i also don’t condone incest irl. i feel like there is a separation you have to establish to yourself — and even more so publicly — when you start appreciating tricky dynamics in fiction like this. arcane wasn’t my first rodeo w fictional incest i.e sibcon i.e siscon (wlw version), i’ve been quietly enjoying content like this for roughly four years but had never outwardly expressed this except to Very confidential (internet) friends until last month to save face.
precisely what you said ab the dynamic being captivating bc it’s twisted is why i think it works. i don’t go searching for content to consume just bc they fit that niche of taboo, but i do find myself appreciating stories like that just bc of the forbidden love aspect of it (and the whole can’t stop type of thing. and the descending into mania is chefs kiss)
finally someone who agrees w vi’s story as an enforcer. i think it might be too hard to swallow personally? there’s so much opportunity for an amazing story to be told in regards to vi & jinx’s dynamic— and i’m NOT saying that just bc i ship them. i mean narratively— and i hope the writers don’t squander it in the name of fan service even if it is representation.
pls pls pls shoot me a dm or join the server if you wanna talk more — or, continue to send me lovely asks like this one 🤍
(also. don’t be repelled by the scary hate comments lmao. i only promote/respond to them bc i love clout and making people look moronic)
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