#how all the characters(YES EVEN JAMES) demonstrate this

[rollercoasterwords]

ugh!!! different anon but i just read your thoughts about everything r is thinking and feeling and i canttttt, and it also hurts bc from s perspective, the feelings and developments he thought they had for so long were a ruse!! so on both sides we have them fighting their feelings and denying the reality of their connection :(((

one follow up question i have is, how does r (and really the whole gang) reconcile this initial distrust and subsequent shock (that s is Becoming Good) with the existence of reg? bc like on the one hand yes s represents so much evil shit to them, has done so much evil shit, but his redeemed brother is right there as well. so i’m curious about how these characters marry those feelings

yeah <3 i mean 2 clarify it's not so much that r thought s was like. actively tricking him like he believes what s was feeling was real too it's just that s knew before they kissed etc. that he was going 2 be obliviating himself so the idea that those feelings could become something was, at that point, a lie, and that's where r feels betrayed.

and that's an interesting question!! re: reg (and re: s) all 3 of them have v different perspectives. like for james reg chose on his own 2 betray voldemort, and even tho reg kinda dismisses the idea that he was rebelling 4 some noble reason etc james still like...kinda gives him that credit & sees him as someone who organically came 2 this position that was at least somewhat aligned w the values & goals of the order, whereas s did not do that; hence, james cuts him way less slack. s was also a lot more active in the d.e. & actively harming order members + allies in ways that reg was not, which also makes james like him less to begin with. but james has also grown up pretty separated from broader society, so even tho the d.e. have always been his enemies, he hasn't been like...quite as subjected 2 their reign in his daily life the same way r has, and bc james has been raised as like a soldier in a war he views voldemort as his ultimate enemy & the d.e. as like enemy soldiers, so there's overall less of like...this personal hatred 4 them as individuals. which makes it easier 4 him 2 accept that people like reg & s can grow & change if they demonstrate they're willing 2 side w the order + work towards order goals.

for lily a lot of this is similar 2 james--she views reg as having made his own decision 2 leave the d.e. + s as being forced, so trusts him less 2 begin with, etc. but lily, unlike james, has spent even less time actually like...directly interacting w d.e. like she's spent most of her time in order bases + hq working behind the scenes on potions etc, so she's even further removed from the personal aspect of all this & has an easier time accepting that both s + reg can become good people (tho at first she dislikes reg bc james is tutoring him + flirting w him lmao). lily also sees a lot more gray area than james, who tends 2 view the world in black & white terms (if you're fighting for the d.e. ur bad, if you're fighting for the order ur good, etc). for lily, everyone has the capacity 4 both good & evil, and a person's life is largely shaped by conditions outside their control, so her worldview + relative distance from the whole conflict makes it easier for her 2 accept that reg + s can change.

but remus has grown up as a werewolf under voldemort's government for most of his life, not in order bases, and so he has a very acute sense of the ways in which individuals make up + perpetuate these systems of violence, and is not particularly forgiving towards them even if he recognizes that yes, people can change and yes, that's probably a good thing--it doesn't undo the hurt they've done and it doesn't mean he's going to forgive them. this is why r + reg aren't friends, even tho lily + james are friends w both of them; r didn't really like reg from the start & basically just avoided him as much as he could, which wasn't hard bc he was out doing work 4 the order + reg was working in potions labs w lily. so even tho r could recognize that like, ok i guess it's good we got a reformed d.e. working 4 us, he never had 2 go through like a personal struggle of actually feeling friendly towards the guy & basically just kept disliking him lol. so not only does he already hold these grudges (understandably!), he also doesn't think of evil in the same way as the others--whereas james views voldemort, the figurehead of this entire system, as the Ultimate Evil, and lily can understand how people born into these violent systems would perpetuate them but thinks that's usually more from being misguided than ill intent, remus views this as a structural issue in which people like s, who (from r's pov when they first meet) think of themselves as generally 'good' people, still justify their role in these systems of violence because it benefits them, which is much more insidious and infuriating than someone like voldemort, who is just pretty straightforwardly a Bad Guy. and that's what i mean when i say r views s of representative of like, everything wrong w society--bc the vast majority of people in society are like s, who view themselves as good people and blame all (or at least most of) the bad on figureheads like voldemort without recognizing their own role in structural violence. and his whole relationship w s & feelings for him just make it way more difficult 4 him to watch s change + grow & to accept that that's possible, even though, theoretically, he should want it 2 be possible, bc there's this more personal level of pain...someone who views themself as a good person hurts u & u want 2 go "hey!! ur not a good fucking person!!" but then they actually become a good person (or at least a better one) so then what do u do w that hurt, y'know?

anyway. this got v long but yeah have actually spent quite a bit of time thinking about these 3 characters & how their different worldviews + experiences shape their attitudes towards the black brothers!

#ask #wfrau

[rachetmath]

Aura

 I’m sorry but I feel this needs to be said. Aura is by far the most under-used source in RWBY beside dust. Look I get it aura is used to make barriers and fuel semblances but that's it. I mean the semblances are sometimes horrible at best. Especially when they’re passive. Oh my, the worst semblance to me is sadly Qrow’s because anything could happen. You could be enjoying your day and something bad happens because you're there. But that’s minor.

Now some semblances are good. We got semblances that can stop time. We got some that can erase memories. We even got some that can create clones and summon creatures. Too bad summoning things is only in the Schnee department but still. However some of them can be both imitated and surpassed by other characters. For example, Adam, Yang and Tock. Adam creates a wave projectile to slice his enemies. Yang can build and store energy every time she takes damage from enemies and dish it back ten fold. Tock can literally take no damage until her timer goes off. Guess who can copy these abilities? Five characters; Ren, Blake, Fox, Qrow and yes, even Jaune can do it.

Four of these characters have managed to replicate Adam and Yang’s semblances. Blake and Qrow manage to create slashes in the air to launch at their opponents before. Though theirs are not strong as Adam’s they still performed the same function. Fox and Ren can do the same like Yang. I mean, in volume one and two, Ren and Fox made Grimm’s bodies explode. And the sad part about it is Jaune can do all this because of his aura reserves and his semblances. And this is why aura control is needed.

We need characters who are better skilled in aura. I understand semblances are supposed to be unique and tied more to the user but if you were a hunter and you never unlocked your semblance or if you did but it’s not as helpful as you hope, what would be your best source to fight with? Your aura, because so far semblances have been more of let down due to being similar to others. Examples are Harriet and Neon, both being fast characters. Or where it's just in their names. Like Vine with extended limbs; Elm being rooted to the ground; or Clover having good luck. But if you understand the basics and learn more ways to use your aura you can basically do anything. The prime demonstration is Hazel. Nora said herself, Hazel can recharge faster than most people. This means no matter how much damage they dish out Hazel will recover and still keep going.

(Bro I need to say this. Man I’m sorry but in my opinion Hazel is the strongest male character in the RWBY series. Bro, think about it, James was scared of Hazel more than he was of Cinder. And when we saw him fight Salem,… oh my god, these kids were lucky he didn’t really want to fight them because if he did they would all be dead. Like Hazel is the best example of both aura and dust users. He should have stayed alive. Maybe then the kids can finally have a functioning adult in their lives. Hazel solos.)

Okay, after explaining all this, how else can aura be used? Well other than being barriers, slash waving projectiles and a healing factor, it can also be used like haki, chakra or for this show like it was before Salem screwed the world over, magic. But only maidens have magic right? Well let me tell you why I disagree with that statement. But first let's talk about dust.

Dust is the second most under-used source in RWBY. The reason I say secondary is because at least it’s visible in the world. Not only that it is used in weapons, machines, and as ammunition. It is really a natural resource but no one ever uses it in its rawest form. No one except Hazel and maybe Weiss. And what makes it better is they are Remnants of magical elements. Dust in rawest form is more powerful than a gun. And if used properly you can rival maidens.

Maidens are supposed to be special due to them being able to control the elements without the need of dust. However, their power might as well be that of a semblance considering it requires aura to even use. I mean think about it Cinder and Raven. They have used the maiden powers which not only exhausted them as well decreased their aura to the point they break. Not only that they were able to be defeated or in Cinder’s case almost die multiple times. And to prove my case further, Salem is a magic user yet Hazel still killed her multiple times. Hell, Penny was able to beat Cinder even without maiden powers. Basically, the sad truth is the maidens are just keys. If Cinder crossed the wrong person she would be dead. Never mind that if Hazel, Watts and Tyrian wanted to, they actually would have killed her themselves. Especially if she keeps messing up they're plans.

So how does dust increase the use of aura? Well dust is part of the world. And so is the aura. So wouldn’t having more of a connection with the world increase aura and dust efficiency. I mean Vine said aura can be extended. So using the environment itself is good. Just like chakra, if you extend the aura enough to spread across an area enough while using gravity dust you can increase the pressure to keep opponents down. With plant dust trapping your enemies to a certain extent. Heck if you learn to control your aura and merge it with the element you can throw projectiles, create weapons, increase your speed and/or damage output. Effectively uses your whole body as a weapon.

Aura can even be used even without the need of dust. Like with haki it can harden your body against attacks. Extended to where you can locate upcoming enemies. Or when released all at once ,can be used to knock out enemies without engaging in combat.

Look, I am sorry. Please, forgive me but after thinking about this it made me ask this question, “What is a hunter?” Like really what is a hunter because so far this show has disappointed me on the term. We have seen hunters die whether be by non-hunter groups or Grimm who are arguably not that much of a threat. If anything, ordinary people can fight and kill them. Even semblances are starting to become nothing but excuses to why characters act the way they do, like with James who was determined to blow up Mantle because of his ability. Or having basic abilities that other characters should possess like Tyrian’s aura breaking ability. It’s sad really, aura is supposed to be this source of power but it's not as weaponized as I hoped it would be. But that’s my opinion.  

#rwby #lie ren #rwby fox #adam taurus #yang xiao long #qrow branwen #harriet bree #clover ebi #rwby vine #Tyrian Callows #hazel rainart #rwby salem #Jaune Arc #weiss schnee #cinder fall #raven branwen #rwby maidens #rwby aura

[sothischickshe]

OMG did you finally watch Derry Girls???!! 😱😱😍😍😭😭👀👀💖💖🙈🙈💜💜💞💞💕💕

What did you think? Did you love it? Did you??? Tell me EVERYTHING 😘😘😘😘

Hey sweetie! I hope you're doing well 😘😘😘😘😘😘😘😘😘😘😘😘😘

& yes, I did finally watch derry girls!

I did end up loving it actually, though it was a bit of a slow burn for me! I warmed fast to the characters/tone/setting/comedic style etc, but it felt like the (earlier) eps had a habit of ending just as they were getting interesting??? Idk, maybe it's partly personal preference or expectations, but they often felt v cliffhangery, only without being picked up ever again??

Classic example would be the first ep where everyone's accusing the girls of killing the old nun, which just kinda ends & I don't think that's ever mentioned subsequently? see also: stowaway jumps into the next car's boot WITH the tent James has been put in charge of in hand, or the hash scones are about to be eaten by the whole family (an extremely egregious example to me haha, you can't tease an everybody must get stoned conclusion and not demonstrate it! 😢), or even Erin writing 'parents' on the board a smile is shared...run credits.

I don't even like plot ha, and I'm def into it just meandering along in the bg while the focus is on the characters, & maybe these endings were supposed to emphasise that vibe, but I don't think it quite worked for me. Contrast with say the ending of the take that concert ep which feels like an ep ending!! <3

I do think the eps mightve benefited from being a little longer (or perhaps the writing mightve benefited from knowing how to write to that length ♻️) generally, & the s1 finale in particular was kinda dampened for me bc I don't think the resolution to the clare-Erin fight feels entirely earned? I totally respect the show choosing to not make Clare's sexuality a source of dramz (& the fact that it won't be amongst their milieu is kinda foreshadowed by everyone's disappointment @ everyone else re their supposed homophobia twds James), but I think this ep needed a liiiiiiil more space for the topic considering how dismissive erin is to clare immediately. (plus, doesn't erin kinda out clare to others eg Mary in discussing this...?)

I feel like the writing got a lot more intricate as the show went on tho! 🤩 eg I remember being struck by the haunt-y ep where James gets hit by the van & clare panics at all the plant pots & throws a rock through the window -- which seem like classic highjinks... And they are, but also they're respectively: a reason the girls are frazzled so end up inadvertently breaking into the wrong place, & a sign they're at the wrong house (the instruction to find the key under 'the' plant pot initially seeming humorous, but actually being a well hidden Reveal). Or ciaran assuming Sarah's broken it off with him to become a nun in the hallowe'en ep?? Impeccable!! Or how the storylines in the train ep (backpacks switcheroo; Mary and sarah running into an acquaintance they can't place) neatly dovetail. The third season really impressed me overall, and particularly that final lengthy special!!!

So I do think my experience of watching this show is strong evidence for my theory that waiting for the whole thing to be out and watching all in one go can be the best way!! Like yes you do miss out on the live fandom screeching experience & can easily run the risk of being spoiled but I got to watch the writing improve in this compressed fashion!! Plus there were certain things where I was reserving judgement to see how they were handled going fwds, and s3 (so good!!) really delivered! Eg clare getting a love interest, michelle/'s family backstory, some discussion from Clare's parents re her sexuality, the girls developing better music taste lol, a bit more interrogation of Mary & gerry's relationship.

As u know I'm a bit of a hard sell on media/stories abt young ppl (to start with there's way too much!), but I really like the tone & setting of the show -- the sort of black comedy vibe, the 90s nostalgia -- and def enjoyed how much the grown ups were present too!! The performance of Tommy tiernan as gerry in particular really stood out to me, he didn't always get many lines, and often the ones he had were quite clipped, but the acting gave it a lot of depth. Plus I love that the mums got their own flashback ep!

I think the erin/James romance was foreshadowed really well + had the exact right amount of focus (ie not a huge amount) + was resolved exactly the right amount (ie fairly implied but open ended); he was an aspiring filmmaker she was an aspiring writer can I make it any more obvious should be more of a trope too sffgddfg. I feel like a lot of shows abt teenagers are either aggressively puritanical abt sex or substances or w/e, or lean hard the other way and instead try to glam up & sexualise boring children, and this did neither! The fact that it didn't focus almost exclusively on romantic pining and/or relationships or get into the partner shuffle game was really refreshing for a ~teen show, & I love that the focus stayed on the group/dynamic.

Other thoughts: Sister George Michael extremely iconic obvi! I really enjoyed James as a device (ppl needing to explain the ~setting to him), I think more shows should do that (espec in place of bloody voiceovers, way too many of those these days, so I loved the lampshading of that trope too); his deployment in the funeral ep (english ppl vs acknowledging the concept of death) really sung for me! And I lovvvve how uncle colm was used (espec in s3)!! I generally really like how Sarah & orla were portrayed/treated by the show also. And the music was done v well -- both in terms of songs chosen and how they were used! Some very iconic guest stars too, although omg i didn't even recognise ardal o'hanlon which is WILD given I slogged through a fair amount of my hero for him back in the day 😅

Anyhow yes I did love it, excellent rec, and I think it would be fun to rewatch. I'd be curious to hear/read more abt the writing actually, and particularly re when character details were decided (eg Michelle's brother backstory) cos stuff generally did seem to hang together well overall 😊

....ok, that enough thoughts for ya? 😆

#Derry girls #TV #Is “the eps are too short” a barely more sophisticated version of “the seasons are too short”?....mayhaps! 😅🤷🏼‍♀️ #But I do feel like the writing got noticeably better as the show went on... Which isn't strange tbf! #Something

[streettealee]

Not to out myself as PB Choices: Stories You Play trash because I've been in a love/hate relationship with that app since I was like 13 and began with The Crown & The Flame (I feel like we should count online visual novels as able to shape the stories we write because somehow Choices has), buuut the way Prince Aerin in Blades of Light and Shadow reminds me of James Herondale fucks me up. My guy is literally a major antagonist of the first book and, admittedly, I did not spend the diamonds to track him down and bring him to Whitetower prison, so now I'm hoping he turns up later in the game (alive), AND IF HE HAS A REDEMPTION ARC AND THE ROMANCE THAT WAS AVAILABLE IN THE FIRST BOOK COULD PICK UP AGAIN, I WILL NOT COMPLAIN. Except maybe about how I committed myself to romancing Tyril and so then I'd feel awful about pursuing Aerin, but then if Aerin is available... IDK what I'll do. It's like he was designed to be the guy that worms into my heart. He has honey golden brown eyes, the most lovely dark mess of curls, godforsaken pale vampire skin, and he's a nerd and I truly believe he was once a good man with good intentions before the Shadow Court got to him.

Anyway, I hate the direction PB has gone with most of their books and it's why I wasn't on the app for ages again (always a dry spell). Someone's probably already said it but they really went from having diverse genres coming out all the time to leaning heavily into the NSFW category (as a genre rather than simply an element of another genre if you paid diamonds for those extra choices in romantic moments). I think they're just following the trend though of smutbooks in general and which of their books have been most popular (if I have to see any more The Royal Romance promotion, I'm going to kick a man) but even that wasn't NSFW in genre, just cheesy romance. But it's no secret booktok trends favour the spicy books traditionally published and so it makes sense why PB writes their own. I mean, they literally have a spicy fae one now (I played The Cursed Heart, yes, but for diamonds so I wasn't spending on the actual NSFW scenes that the book intends readers to indulge in).

I replayed Endless Summer and I will forever be mad that Kele was only a romance option for Quinn and not MC. Jake is my love and I adore Estela (but honestly female!Lancelot in Guinevere (a book I became obsessed with) made me well and truly fall in love with the muscly-woman-with-long-dark-hair-and-stoicism character type that I think they both share) BUT KELE. HE IS SO CUTE. WE WERE ROBBED.

Anyway, Endless Summer demonstrates I have a history of falling for the character that shows up halfway through books/series, and it does not help that Aerin's appearance reminds me of James Herondale, my greatest fictional crush. I don't know what to do. Hell, I'm tempted to replay Book 1 so that I can get that scene with Aerin in Book 2 Chapter 2 that I saw someone else had. For now, my fingers are crossed and I'm hoping to see him again later on in the updates.

#tyril starfury #prince aerin #pixelberry #choices #endless summer #I'm so embarrassed of the fact I have this app for no reason because I promise you some of these books are so good #the crown and the flame #I have recommendations for anyone curious #ranting about a somewhat niche interest #90% sure no one in my primarily tsc and tlh corner knows about this #don't get me started on how I've fallen down the baldur's gate 3 rabbit hole after I saw clips of astarion #I have more interests than I know what to do with #I collect stories like a magpie

[bills-bible-basics]

Are You Cautious and Compassionate? I am sure that we can all agree that we need to be on guard against the scammers, spammers, get-rich-quick schemers and porn star wannabes who invade the social networks on a regular basis. Many of us have already had to deal with questionable accounts where very little info is available on the user's page. Maybe there is no cover image or profile pic. Or maybe no posts have been made yet. Or maybe you sense something else a bit unusual about the page. All of these things can result in raising our suspicion, oft times with good reason. In such cases, we should listen to that inner voice, and proceed with caution. However, at the same time, I would like to add a degree of balance to our perspective here. While we need to exercise caution, at the same time, we also need to demonstrate a little bit of patience, wisdom, compassion and understanding in regards to those people amongst us who may not be as computer-literate as we are. Sometimes we tend to forget that, years ago, we all started out knowing nothing, or at least very little. We were all newbies at one time. If there is one thing I have learned after being on the social networks for eleven years, it is that there are a lot of people joining the social networks who are elderly -- and even more advanced in age -- who have little to no computer experience whatsoever. They hear about how they can keep in touch with their families and loved ones via the Internet, and they decide to have a go at it, oft times at the encouragement of their younger family members. However, so many of these elderly people are completely lost once they get online. What you and I may consider easy to figure out and be rather obvious, may pose as a major problem and a huge hurdle to some of these older people. Even the simplest thing such as adding a cover image or a profile pic may befuddle such people. For example, since I joined some of the social networks, I have come across a number of member pages where the privacy settings were not set properly. As a result, nobody was able to see that person's timeline; yet the owner of the page was not even aware of this fact until I pointed it out to them. In some cases, I was able to contact some of these people via private chat, and I was able to help them to fix their privacy settings, for which they were very thankful. I could have just written them off as suspicious characters, but I didn't. So again, let's exercise caution in our online activities, but let's also exercise some patience, mercy, compassion and understanding with those amongst us who may need it. Let me leave you with a few verses for your consideration: "But let patience have her perfect work, that ye may be perfect and entire, wanting nothing." James 1:4, KJV "And be ye kind one to another, tenderhearted, forgiving one another, even as God for Christ's sake hath forgiven you." Ephesians 4:32, KJV Thanks for taking the time to read this. https://www.billkochman.com/Blog/index.php/are-you-cautious-and-compassionate/?feed_id=62089&_unique_id=64576cc00e826&Are%20You%20Cautious%20and%20Compassionate%3F

#All_Posts #Science_Technology #articles #bible #bill_kochman #bills_bible_basics #cautious #challenged #christian #compassionate #elderly #graphics #king_james_version #kjv #old_people #poetry #scriptures #series #technologically_challenged #verse_lists #verses

[im-the-punk-who]

Can I ask your opinion on Woodes Rogers?

Oh boy. Oh boy, howdy. I mean you can.

So, uhhhh the first time I was really thinking about Woodes Rogers as a character besides just being a little bitch boy was after I read Sage Street’s meta where he talks about the ways in which Rogers mirrors James in the early seasons/pre-series. And that’s pretty much how I see him. 

(On a side note, while I don’t agree with everything he has to say, I highly highly recommend Sage’s meta because it brings up some really interesting parallels and scenic cues, and particularly the meta on the S3 finale just....makes me scream a lot. Some of the painting stuff can get a bit reachy because as someone who works in theatre and has friends in film, some of the parallels is likely more ‘the set designers thought this would be cool’ than a directorial choice but like, it’s still awesome to see.)

But back to Rogers. So, personally, I think he’s a little bitch boy, but that has more to do with the fact that the show sets him up as the upholder of civilization and oppression, in direct opposition to Flint - who seeks freedom and an end to persecution based on society’s morals and whom I personally vibe much more with. Character wise I actually think Rogers is pretty interesting in that, like all the Black Sails villains, he is a complex character. He is sometimes humorous, sometimes charming, and sometimes straight up unwilling to listen to anyone’s voice but his own - hello, Eleanor! (And, yeah, I’m aware that’s how a lot of people describe Flint. It’s purposeful.) While I don’t like him, I appreciate that about him.

He has a backstory that makes it clear what his motivations are and how he reacts when faced with adversity - he hates chaos and wants order and is willing to compromise his own civility if he thinks it will bring an end to those things. In my personal opinion the reason he wants so badly to bring Nassau back in line could be that he thinks it will help him get over the loss of his brother - who died in a random act of chaos and cowardly violence. (And whose name was Thomas....) Like Flint, he is fighting in the memory of someone he idolized. 

The show underlines the similarity between them when Rogers says “All I have done here is finish what you began. I am now what you were then. And without you there would be no me.” 

Here, he is setting himself up as the continuation of James McGraw. Which is super hella rad, since we know that Flint views himself as at least partially a wholly separate persona from James McGraw. And that we’re led to believe that ‘James’ died or was buried when Thomas was taken. While I don’t think Rogers knows the full story I think it’s likely he has a pretty good picture. I’ll direct you to this post where I bring up the fact it’s likely he and Peter were working together on the pardons(and also because I assume Eleanor told him about James being McGraw as she found out during the Charlestown plotline).

Also:

“Everyone is a monster to someone. Since you are so convinced that I am yours, I will be it.”

“If you insist on making me your villain, I will play the part.”

Rogers!! Stop!! Get your own lines!!

I know a lot of people like to compare him to Thomas, and while I think we were meant to see the parallels(hi, they’re both put in green!), I disagree he is meant to mirror what Thomas would have been. In fact, if anything, he is Thomas’ foil, even as he mirrors James. 

Flint even points out this difference: 

“No one is being hanged. No one’s even being tried. Just as you wanted. Just as Thomas Hamilton wanted. So what is it that you’re fighting for that I’m not already offering?”

“Thomas Hamilton fought to introduce the pardons to make a point. To seek to change England.”

Aside from the classic “I want my Thomas back you sonofabitch.” vibe of Flint’s full answer, this is the difference between Rogers and Thomas. While it would ultimately have the same effect as Rogers’ actions - to bring Nassau back to heel - I think it’s important to recognize the intentionality of both characters as it illustrates not just who Rogers is, but also Thomas.

The reason Thomas wanted to offer the pardons was to make a point that pirates are still men deserving of forgiveness. To “offer forgiveness to any man who would seek it.” He is not coming from a point of control, but of freedom. To offer to these men a way forward.

Rogers is offering the pardons as a way to bring Nassau and the pirates back into civilization but we never actually hear him offer a suggestion of what they’re to do afterwards. And indeed, with how he runs Nassau when he has it, it seems he’s much more concerned with keeping control than in offering any meaningful change to the people he governs. 

Rogers is, in essence, exactly what James was talking about all those years ago when he said “Put a man on an island, give him power over other men and it won’t be long before he realizes the limits of that power is nowhere to be seen. And no man given that kind of influence will remain honest for very long.”

This is underlined in so many ways, from his scene with Berringer about ‘dark men’ to where he wants to accept the pearls he knows are from the Spanish gold, to when he straight up threatens Madi with the death of someone close to her in order to try and force her into surrender.

So, I think he’s a really cool character in that he underlines things about so many of the other characters.

However, Rogers is also a little bitch boy and I hate him because he’s is both a little confused and does not have the spirit. :) 

He is everything Thomas and James were fighting against instilling in Nassau - the very thing Thomas realized isn’t the way a good leader should act. Rogers falls very much under that Hobbesian view of The Social Contract - that a monarch or person in power has absolute sovereignty without needing to give value to individuals needs or wants(literally every interaction he has with Max, hi!), whereas Thomas falls much more in line with John Locke, who says that in supporting the needs of the individual, we support the state by default.

(And I can and will go on another whole tangent about this view of Locke vs Hobbes and how it’s a theme throughout the whole show, I can, I will, please don’t let me.)

Rogers is a fantastic villain for S3 and S4 because he illustrates all the ways that civilization puts down revolution and keeps people in line - right up to how his actions ultimately cause Silver to betray the cause and sell out his own friends for a personal safety that is only marginally implied - and still leaves those on the outskirts oppressed! 

Wow! Black Sails! Stop!!

And even though he as a character was eventually defeated, Rogers’ motives and ideas were actually instilled by the very rebel leaders who fought against him! It’s his treaty Rackham and Silver get the maroons to sign! It’s his version of civilization that is imposed on Nassau and the Maroon island even as he himself is ‘defeated’. 

And isn’t that a kicker? 

That Rackham in particular thinks he’s victorious because they’ve defeated the bad guy, but then he goes ahead and uses his plans, proving that it wasn’t the revolution or freedom or Charles’ idea of living free he was supporting at all but his own personal narrative of victory! What a sellout! What a direct parallel to how even progressive-seeming leaders will almost always sell out the ideals of their constituents for their own benefit! Boy, howdy!!

And I know fandom likes to throw him under the bus as all that is wrong with civilization - call him a little bitch boy and cheer his defeat. I know that he and Alfred Hamilton(and Peter, to an extent) get to be the villains in the narrative so our ‘heroes’ Silver and Rackham and even Flint can be put in opposition to them but like - that’s not the point. That’s not the point, that’s not the point, that’s not the point!

The point is that these men were tools of the empire - tools that were incredibly effective! They succeeded! Rogers succeeded in bringing civilization to Nassau. And in doing so he forced the pirates to choose between their own loyalties - he divided the camps until victory seemed hopeless and that is exactly how history generally works in terms of continued oppression. 

Hell, that’s exactly how current political events are happening right now. It’s a tried and true method of oppressive governments to pin things on one particular person (Woodes, or, y’know, Trump?) and say ‘if you defeat this person, your revolution has been successful’ while silently just going ahead with the plans of those people’s ideals anyway. It’s not the people who are the villains. It’s the ideals they perpetuate. 

All this is to say that I don’t feel particular malice towards Rogers other than that I feel towards all the characters who ultimately uphold oppression because I think Rogers is another great commentary by Black Sails on how we get so distracted fighting for what feels good that we can ultimately end up becoming exactly what we thought we were fighting against. 

(”A man casts his vote for the same reason he does anything in this life. Because it feels good.”)

And finally, he’s definitely a little bitch boy for how he treats my girls Eleanor and Madi (and Max) and I would absolutely cross the street to punch him for that alone. :)

#someone: asks a question they think might get a two or three paragraph answer #milo: writes an entire fucking essay oh my god please shut up #black sails #woodes rogers #black sails discourse #long post #honestly god this is so long i have so many more thoughts too like #could write literal essays on how black sails illustrates #EXACTLY how revolutions fail #and why power is so easily shifted towards oppressors #how all the characters(YES EVEN JAMES) demonstrate this #GODODDDDDDDDDDD STOP #many thoughts head full #and this isnt even BRINGING UP his interpersonal misogyny and bullshit with eleanor lmaooo #Anonymous

[artemisia-black]

Sirius Black is emotionally and academically intelligent

To celebrate the start of Scorpio season and in honour of our bestie, I have planned 3 metas about what I think are common misconceptions around his character. And here is number 2.

A common mischaracterisation of him is that he’s not very clever and when at school he needs to copy homework from other people.

1.0 Sirius at school

When recounting Sirius’s school days, several characters mention how clever/brilliant he was. In particular, queen Mcgonagall says:

‘ Precisely,” said Professor McGonagall. “Black and Potter. Ringleaders of their little gang. Both very bright, of course — exceptionally bright, in fact.’ PoA

McGonagall never gives praise lightly and in fact at this moment she thinks Sirius is a mass murderer. Even when she appears to be fond of a student, she’s very realistic about their academic ability and in HBP she says the following to Neville,

‘“But the problem is Transfiguration. I’m sorry, Longbottom, but an Acceptable’ really isn’t good enough to continue to N.E.W.T level. I just don’t think you’d be able to cope with the coursework.” HBP

So calling Sirius and James, ‘exceptionally bright,' is not Hyperbole.

Furthermore, during the fire-call Remus says,

“Look, Harry, what you’ve got to understand is that your father and Sirius were the best in the school at whatever they did — everyone thought they were the height of cool — if they sometimes got a bit carried away . ” OoTP

Yes Remus is a biased source, but it can be strongly inferred that Sirius was indeed a very high-achieving student, even if his behavioural record had much to be desired.

Also quick note- these dorks enjoyed amateur cartography ‘height of cool,’ is a little strong.

2.0 Sirius is arrogant about his intellect

This view of his intellect is also held by Sirius himself and this is demonstrated by several things during Snape’s Worst Memory:

He’s long finished his OWL exam and is just sitting there looking hot.

“Well, I thought that paper was a piece of cake,” he heard Sirius say. “I’ll be surprised if I don’t get Outstanding on it at least.” - homeboy is so confident that he thinks the exam board might make a new grade for him

He doesn’t need to read the transfiguration book, not because he’s barely literature and only cares about his hair, but because,

“I don’t need to look at that rubbish, I know it all.”

Indeed, Sirius is so sure of his own intelligence that he attempts to outsmart Voldemort and James trusts him to do that. I know some of this trust is rooted in their bond as brothers, but James must have had to greatly respect Sirius’s intelligence to risk the lives of his wife and child.

3.0 Sirius Post-Azkaban

Sirius is still very clever, despite having been in prison for 12 years and being in various states of starvation and mental ill health:

In PoA He conjures manacles with another wizard’s wand, despite being 13 years out of practice.

In GoF he immediately recognises that Harry’s scar hurting is a bad sign,

‘ I’m flying north immediately. This news about your scar is the latest in a series of strange rumors that have reached me here. If it hurts again.’ GoF (this quote also ties in with my previous meta about him being a mature guardian).

He remembers how to deal with dragons, despite having probably not opened a book during his 12 years in Azkaban and one year living rough,

‘I was going to suggest a Conjunctivitis Curse, as a dragon’s eyes are its weakest point.’ GoF

He pieces the majority of the plot together, while half-starved in a cave and scrounging newspapers. Indeed, he is frustrated at himself for not being able to fully figure it out:

‘Sirius stared at the cave wall, then made a grimace of frustration.’ GoF

He understands Priori Incantatem immediately,

‘.....The Reverse Spell effect?” said Sirius sharply.’ GoF

In OoTP he studies his hand with interest (which is a nice nod to his curiosity) when he gets bitten by something and immediately fixes it,

‘ Sirius sustained a bad bite from a silver snuffbox; within seconds, his bitten hand had developed an unpleasant crusty covering like a tough brown glove.

“It’s okay,” he said, examining the hand with interest before tapping it lightly with his wand and restoring its skin to normal, “must be Wartcap powder in there.' OoTP

He heals the injury that Kreacher inflicts on Buckbeak

Despite being 13-14 years out of practice, he easily matches with some of the ‘best’ death eaters,

‘Now Sirius and Dolohov were dueling, their wands flashing like swords, sparks flying from their wand tips. ’ OoTP

Dumbledore describes him as,

' A brave, energetic and clever man.’

4.0 Sirius is also emotionally intelligent

Sirius understands emotions and is able to verbalise them. One of the key scenes that demonstrate both his emotional and intellectual intelligence, is the scene in the Shrieking shack where he is describing how he survived Azkaban,

‘ I don’t know how I did it,” he said slowly. “I think the only reason I never lost my mind is that I knew I was innocent. That wasn’t a happy thought, so the dementors couldn’t suck it out of me’

In this quote, he is demonstrating an understanding of the nuances of his emotions. Because yes he is innocent, but it’s not a happy thought because James, Lilly and 12 muggles are dead. So he understands that it’s not a thought that can bring him joy or hope, but a thought that has enough nuance to also not be bad.

' so when it all became . . . too much ... I could transform in my cell . . . become a dog.’

In this quote, he’s showing awareness of his mental limits and he also shows this during OoTP when he withdraws during his more intense periods.

‘ Dementors can’t see, you know. ...” He swallowed. “They feel their way toward people by feeding off their emotions. ... ‘

Here he is showing his intellect and how well he understands how Dementors work. And both types of intelligent merge in the next part of the quote,

‘ They could tell that my feelings were less — less human, less complex when I was a dog.’

He clearly understands the nuance and degrees of feelings and how some feelings are more surface level whereas others have caveats.

During the rest of the series, he shows his emotional intelligence in numerous ways,

By providing Harry the Hogsmeade slip and allowing Harry to feel like a normal child who has a guardian who cares for him.

During GoF, he allows Harry to talk despite having broken into a house and needing to talk to Harry about the task,

‘ I’m — ” For a second, Harry tried to say “fine” — but he couldn’t do it. Before he could stop himself, he was talking more than he’d talked in days. ’ GoF

And to be a good listener, you have to be emotionally intelligent.

3. He sends Harry a muddy pawprint as a good luck gift for the last task as he understands that Harry appreciates knowing that he’s thinking of him.

4.On the dark side of this, he’s able to deliver such cutting insults because he understands people so well. This is demonstrated by IMO is the only time he’s a bad godfather and I will never defend him for this,

‘You’re less like your father than I thought,’ He said finally, a definite coolness in his voice. ‘ The risk would’ve been what made it fun for James.’ OoTP

Here Sirius is demonstrating his understanding of how much Harry’s masculinity is rooted in his idealisation of James, so he goes for it.

In conclusion, Sirius Black is cannonically very emotionally and intellectually intelligent.

Note: I am happy to have a debate about this, but any ranting/abuse will be ignored :D

#sirius black #hp meta #harry potter #marauders

[aiweirdness]

Depixellation? Or hallucination?

There’s an application for neural nets called “photo upsampling” which is designed to turn a very low-resolution photo into a higher-res one.

This is an image from a recent paper demonstrating one of these algorithms, called “PULSE: Self-Supervised Photo Upsampling via Latent Space Exploration of Generative Models”

It’s the neural net equivalent of shouting “enhance!” at a computer in a movie - the resulting photo is MUCH higher resolution than the original.

Could this be a privacy concern? Could someone use an algorithm like this to identify someone who’s been blurred out? Fortunately, no. The neural net can’t recover detail that doesn’t exist - all it can do is invent detail.

This becomes more obvious when you downscale a photo, give it to the neural net, and compare its upscaled version to the original.

As it turns out, there are lots of different faces that can be downscaled into that single low-res image, and the neural net’s goal is just to find one of them. Here it has found a match - why are you not satisfied?

And it’s very sensitive to the exact position of the face, as I found out in this horrifying moment below. I verified that yes, if you downscale the upscaled image on the right, you’ll get something that looks very much like the picture in the center. Stand way back from the screen and blur your eyes (basically, make your own eyes produce a lower-resolution image) and the three images below will look more and more alike. So technically the neural net did an accurate job at its task.

A tighter crop improves the image somewhat. Somewhat.

The neural net reconstructs what it’s been rewarded to see, and since it’s been trained to produce human faces, that’s what it will reconstruct. So if I were to feed it an image of a plush giraffe, for example…

Given a pixellated image of anything, it’ll invent a human face to go with it, like some kind of dystopian computer system that sees a suspect’s image everywhere. (Building an algorithm that upscales low-res images to match faces in a police database would be both a horrifying misuse of this technology and not out of character with how law enforcement currently manipulates photos to generate matches.)

However, speaking of what the neural net’s been rewarded to see - shortly after this particular neural net was released, twitter user chicken3gg posted this reconstruction:

Others then did experiments of their own, and many of them, including the authors of the original paper on the algorithm, found that the PULSE algorithm had a noticeable tendency to produce white faces, even if the input image hadn’t been of a white person. As James Vincent wrote in The Verge, “It’s a startling image that illustrates the deep-rooted biases of AI research.”

Biased AIs are a well-documented phenomenon. When its task is to copy human behavior, AI will copy everything it sees, not knowing what parts it would be better not to copy. Or it can learn a skewed version of reality from its training data. Or its task might be set up in a way that rewards - or at the least doesn’t penalize - a biased outcome. Or the very existence of the task itself (like predicting “criminality”) might be the product of bias.

In this case, the AI might have been inadvertently rewarded for reconstructing white faces if its training data (Flickr-Faces-HQ) had a large enough skew toward white faces. Or, as the authors of the PULSE paper pointed out (in response to the conversation around bias), the standard benchmark that AI researchers use for comparing their accuracy at upscaling faces is based on the CelebA HQ dataset, which is 90% white. So even if an AI did a terrible job at upscaling other faces, but an excellent job at upscaling white faces, it could still technically qualify as state-of-the-art. This is definitely a problem.

A related problem is the huge lack of diversity in the field of artificial intelligence. Even an academic project with art as its main application should not have gone all the way to publication before someone noticed that it was hugely biased. Several factors are contributing to the lack of diversity in AI, including anti-Black bias. The repercussions of this striking example of bias, and of the conversations it has sparked, are still being strongly felt in a field that’s long overdue for a reckoning.

Subscribers get bonus content: an ongoing experiment that’s making me question not only what madlibs are, but what even are sentences.

My book on AI is out, and, you can now get it any of these several ways! Amazon - Barnes & Noble - Indiebound - Tattered Cover - Powell’s - Boulder Bookstore

#neural networks #pulse #upscaling #bias #plush giraffe #kylo ren #superresolution #ai bias

[bffhreprise]

Best Friend For Hire Reprise, 382

 “Slow down!” exclaimed Iris.  “Turn left just up ahead.”

 I nodded and complied.  She knew where her boss lived better than any of us, having never visited this suburb befored.  I probably would have missed the break in the endless fence had she not warned me, especially when I was trying to guess the cost of having a large amount of land next to a park in a pricey suburb.  To my surprise, the gate opened for us immediately.

 “He doesn’t care much for security, does he?” I teased, looking around to see if there was some sort of guard who would have opened the gate for us.

 “Mila watches everything, so there’s no need.  There are sensors and cameras all over the yard that let her know if anything is disturbed.” explained Iris matter-of-factly.

 I nodded, but my eyes were locked on our destination in the distance, barely visible through all of the rain.  I had considerably underestimated the size of this place.  I very much doubted that I could even afford to maintain the yard for very many years and could only guess that the property tax had to be immense.

 As my sons grew excited about the bushes, I looked over and stared for several seconds.  Every single bush along the long driveway had been carefully sculpted into characters that I recognized from video games my kids enjoyed.  I could only imagine the amount of time and number of people involved in such artwork, leading me to believe James spent even more on his yard annually than I originally had guessed.  Even the fountain—an immense, two-story affair that was very elaborately sculpted—was immaculate, showing no signs of wear or neglect.  James certainly knew how to make an impression.

 When we stepped inside, passing past two sets of double doors that opened for us, James was descending down one of the staircases which curved up to a balcony on the second floor.  “James!  Thank you for having us.  This is quite a place you’ve got here.  Sorry if we brought the storm.” I told him, gesturing to the weather outside.

 “There’s plenty to see.” he politely agreed.  “Thank you for accepting the invitation.  I thought you might be interested in seeing a little more about my company than most, since you seemed curious during the game.  Mick was supposed to stop by a while ago but apparently didn’t get the time.”

 “This place is awesome!” exclaimed Matt.

 “Sorry, James.” muttered Mick.

 “No need to apologize.  We’ll just review with your family today what I wanted to tell you before.” replied James, smiling at us.

 I suddenly found myself floating as a soft breeze blew at me from inside the mansion.  Looking to my sides, I saw that my family, save for my daughter, were also floating.

 Before I could do more than exclaim in surprise, James spoke up, telling us, “Magic is real, and your family can use it.”

 I stared at them, my mind trying to figure out how he was doing this.  Was this some elaborate prank using a new technology?  “Wh-What…” was all I managed to say before we were gently lowered to the ground.

 “You wanted to know what I was feeding my employees.  I train them physically, mentally, and in magical arts.  We didn’t use spells at the baseball game, but we have numerous advantages that are completely unfair.” explained James.  “For example, I can physically lift your family’s van, though using spells is easier to ensure I don’t compromise the frame.”

 I swore, feeling like I had been had, before my better judgement kicked in.  My family was currently at this boy’s mercy.

 James’ smile broadened as he said, “If you don’t mind coming out back, I’ll ask the wonderful gardener to demonstrate something people tend to grasp more easily.”  Not hearing any argument from us, he motioned for us to follow him and started telling us  “Mirabella and Mike can’t create the electrical discharges like the rest of you.  She has a different heritage, and Mike took after his mother.”

 “How could you possibly know that?” asked Mike in surprise.

 “My secretary ran a background check on Iris prior to her being hired, and she’s so thorough that I feel like she knows everything.  You wouldn’t believe how long she takes to brief me on things.” explained James as he glanced back at my son.  “My concern with Mick is that he and Iris tended to play games with their ability, which caught enough notice for my secretary to file it in the report.  There are some out there who prey on those with abilities such as yours, so being a little more cautious tends to be wise.”

 That sounded far too believable.  I probably should have chewed those two out more often, but I had never believed anyone would have noticed their antics.  “You claim you can lift cars, and you can obviously lift us.  What else can you do, James?” I asked, wanting a firmer handle on whom I was dealing with.

 “So many things, Dad.  James is like a wizard combined with an overly strong fighter from some fantasy novel.” insisted Iris from behind me.

 I glanced back at her, surprised at how serious she looked.

 “I’ve also learned to make a great cup of tea.  My wife can be picky.” insisted James.

 “What’s that smell..?” questioned Mike longingly.

 Now that he mentioned it, I didn’t recognize the smell either, though I was certain it was food.  My mouth was already watering.

 “We’re almost to the kitchen, and Marco’s making you quite the treat.  I’m sure he won’t mind us passing through.  Just be prepared for a few samples.” encouraged James.

 The kitchen was as large as was fitting a house this size, and even there the fanciful engravings didn’t yield.  Every cabinet was beautifully carved, as were the very large table and chairs.

 Marco, the chef, was extraordinarily eager for us to sample “a few things” before we moved onward, despite assuring us that dinner would be ready soon.  Only when James pointed out there was more for us to see before dinner did Marco give way, giving us permission to pass through his kitchen into the garden beyond.

 The rain didn’t reach us as we followed James outside, hitting some invisible barrier and sliding away.

 “I don’t suppose you worry about getting struck by lightning.” I commented as I watched the sky.

 “Worried, no, but I didn’t find that to be pleasant either.” he told me sincerely.

 I stared at him, my eyes searching for any sign that he had ever been struck, but I found nothing, save for how confident he seemed.  

 “If your magic were stronger, you’d actually be able to guide a lightning bolt around you.  Iris has practiced enough that she could knock an assailant down with just the shock.” he commented, making me glance back at my daughter.

 “You can?” questioned Mick excitedly.

 She nodded, grinned, and said, “Yep, though I could take you in a fight without one.”  

 “All trained up now, are you?” questioned Mark, my eldest son.

 Iris laughed, shaking her head.  “You wouldn’t believe the standards here.”

 “I take it that James is the strongest, being the boss.” suggested Mike.

 James shook his head and said, “Not even close.”  Then he pointed to a fortress in the distance and asked “Do you see the keep over there?”

 I nodded along with a couple of my sons.

 “The strongest best friend created that with a stray thought.” claimed James.

 “What!?  No way!” exclaimed Mike.

 Nodding, James said, “She showed up in my office to tell me that she ‘oopsed’ a second after.  She’s been training recently to avoid that type of mistake.  I imagine she’ll be capable of creating a large city in a day on a whim within a few years.  I’d probably spend at least a week on a small town, and that’s if I collected the resources ahead of time.”

 I found the idea mind-boggling.  James seemed humble as he claimed that he could create a small town in a week.

 “You’d take at least a month, man-sla-... er… boss?” announced Emma, turning the statement into a question at the end.  “You get too distracted.  I could handle a village in an hour!”  She was soaked, but grinning.

 Before my eyes, the water soaking her clothes drifted away to join the rain outside.

 “Emma, I’m sure you remember Iris’ father, Grayson.  This is her mother, Mirabella.  From oldest to youngest, her brothers are Mark, Mick, Mike, and Matt.  Everyone, this is my gardener, Emma.”

 “Shouldn’t I be your favorite gardener?” she asked teasingly.

 “Sure.” he conceded.

 “Hear that?  I’m his favorite!” she exclaimed proudly.

 “Do you create villages with a stray thought?” questioned Mike.

 “Nah.  I do this.” she replied, watching us all.  After a couple seconds, wooden buildings rose out of the ground between the garden and the keep.

 “Mine would have functional electricity, plumbing, and the other luxuries people expect these days.” argued James with a smile.

 She stuck her tongue out at him.  Then she said, “My plumbing would work if I created a water tower.  Plants can be very good at guiding water.  As for electricity, I’ve been talking with Jarod about ways to generate a current with plants.  We have plans and stuff!”

 “You mean he had a crazy idea and chatted your ear off.” suggested James.

 “I thought the idea was cool and agreed to try eventually!” she insisted.

 “The idea was actually Maxine’s.  She has some experience with bioengineering from when she considered creating a cyborg army.” corrected Mila, who had discretely joined us without me noticing.

 “You can create cyborgs!?’ questioned Matt excitedly.

 “There has been some tech created here which could be used toward that end, but we’re not experimenting on people.” explained James.

 “I didn’t know you were in the tech industry.” commented my wife.

 James smiled at her and diplomatically told her “My company dabbles in many things to help prepare our best friends for a very large variety of jobs.”

 Grinning, Emma said, “He means to say ‘Yes.  Yes, we are.’  Mua ha ha ha ha!”  She drummed her fingers together while obviously attempting to look like some comic book villain.

James sighed and said, “Emma, mind getting rid of your starter village and showing the Storms how you help the kitchen?”

 “Fiiiine,” she begrudgingly told him, “but I might use some buildings to compliment the topiary when I change things up again.”

 “Sounds fun.” he agreed.

 From there, she started demonstrating how she could make the plants grow, revert to seeds, or provide as much food as she wanted.  She could also force plants to grow beyond their normal proportions and control them as easily as she controlled her own limbs, which led her into demonstrating how she had produced the bats her team had used for our baseball game.  Before she seemed remotely ready to quit demonstrating her abilities, Mila announced that food was ready.

 Instead of eating at the long table in the kitchen, we were taken to a large dining hall with an even more elaborate table.  There were already carts of food waiting nearby, and Mila urged us to help ourselves, since no one here would hesitate when they arrived.

 As we ate, we were entertained with more demonstrations of magic from those who had joined us.  James’ wife, Alma, created elaborate displays of fire and ice.  Ai and Mai created a sort of play with tiny figures made of water acting out their parts just above the table.  Jemal fetched more food for the particularly hungry using nothing but his magic, causing whatever was requested to float through the air.  James himself demonstrated illusions, making us see whatever he wanted while assuring us the magic the others had used was real.  Whether because I had felt myself being lifted earlier or because he had no reason to lie, I believed him.  Iris’ boss was the most interesting, and perhaps the most dangerous, man I had ever met.

#Best Friend For Hire Reprise #Best #Friend #For #Hire #Reprise #Jovial Times #Jovial #Times #Fantasy #Fiction #Story

[sniper-childe]

Hello! I’d like to share some of my notes if I were to Beta-read the most recent Archon Quest. I will be going through what worked, what could be taken out, and what could’ve been better. Note that I’m looking at this through an editor’s lens so I’m going to try NOT to change the plot we were given no matter what my opinions are about it BUT some of the said opinions may slip out.

Also, a bit of a disclaimer: I know that Genshin isn’t an actual literary work but miHoYo is known for its writers’ great storytelling and I’ve always loved their work so it really came as a surprise as to what happened to the mess that is Inazuma Act 3. So yeah.

Contains:

1. What was foreshadowed about the characters and why the payoff of their portrayals felt cheap.

a. About Kokomi and the rebellion.

b. About the Fatui, the James Bond villain wannabe.

c. About Ei and the Raiden Shogun.

2. How Chapter 2, Act 3 could have been the turning point that would have us, as the Traveler, cement our perceptions of the Archons and Gods of Celestia OR what I think the death of Signora was supposed to be but was undermined by this one tidbit.

BONUS: I wrote this before Kokomi’s story quest was released but decided to wait for it before posting. And guess what? I think Kokomi’s Story Quest works better as an Archon Quest. At least, some parts of it.

miHoYo teased us this intelligent leader of the resistance that is well-versed in the Art of War. The end of Ch2: Act 2 showed us a powerful Kokomi. So why was she sidelined all throughout the act?

I actually like the idea of the resistance asking the Fatui for aid. But miHoYo chickened out and made it so that they did it unknowingly. To which I say: how? If Kokomi was so smart she should’ve known better. I figured it was the Fatui within a single sentence, so why didn’t Kokomi?

They should’ve stuck with the concept of the underdogs – or in Kokomi’s words, the little fish – of war in an act of desperation. They could’ve shown a calculated Kokomi “making a deal with the devil” and will do anything to win the fight against the Shogunate.

In her Character Teaser, she was willing to burn the enemies’ supplies – to starve the enemy. She can be ruthless, that’s why Kokomi actively giving Delusions to her foot soldiers would have made much more sense to cause the Fatui to be involved rather than the whole “the Fatui orchestrated everything” schtick.

Which brings me to my next point: when did the Fatui turn into a James Bond villain? I hate that trope so much. It’s like the Deus Ex Machina of villainy. It’s lazy. And it doesn’t even fit the Fatui’s modus operandi.

In the prologue, the Abyss Order corrupted Dvalin and the Fatui was just there waiting to steal Barbatos’ gnosis while the Knights are distracted. Morax decided to retire one day so the Fatui swept right in and offered a test of Liyue in exchange for his gnosis.

The last two locations had their own story to tell while the Fatui was just in the background like the opportunistic antagonist that they are.

It also would have been a stronger plotline to have the already set lore – like the tenuous relationship between Watatsumi and Narukami – be the driving force of the Inazuman Civil War.

The prologue and chapter 1 also delivered what we are told we’re going to get in the Story Preview. That’s why they are satisfying. However, with chapter 2, the way it ended turned out to be more about the Fatui rather than “what do mortals see of the eternity chased after by their god.”

Sure, we got the consequences of the war in the World Quests and some of it in the second act. But making the Fatui the Big Bad in the end takes value away from the actions of the characters that are supposed to be the main feature of this chapter.

How much of the Eternity the Raiden Shogun is pursuing is directly from Ei? How much of it is its own understanding of eternity, coupled with Ei’s memories, and its own response? How much of it is the Fatui’s influence?

I have to say though, I’m fine with the puppet actually. Believe it or not. I have had kinda figured that out with the weird shifting of emotions in and out of the puppet. And the dead glowing eyes. So kudos to the design and animation team for that foreshadowing.

It was also said that the current Electro Archon lost someone dear to her and, while I didn’t think it was a twin, I did figure that the current Electro Archon wasn’t the real Electro Archon. So the whole Baal and Beelzebul backstory didn’t really surprise me. So I guess that was foreshadowed too? But my friends didn’t feel the same way so I don’t know. I’m not touching that.

But I do agree that all of the new lore got info-dumped to us by Yae rather than have us find out about them. To be honest, I would have wanted the backstory of Ei to be in her story quest rather than it be in the Archon Quest. A World Quest could work too.

I just feel like the 2.1 Archon Quest ended up cramming so many themes and subplots when it should’ve been focusing on what was promised: the darkness that is brought by their god.

They already had set up the Visions are people’s motivations/ambitions and that taking them away also takes away their agency.

Then they could’ve played with the idea of the people of Watatsumi looking up to Kokomi as their pseudo-god in-place of Orobashi and so with her actively giving Delusions could fit well in the said theme.

They could’ve made Ei and Kokomi character foils of each other and have the final showdown be about them.

And then it’ll all, of course, end up with the people of Inazuma learning how to work without their “gods” or something like that, which is the overarching theme of the whole series if you think about it.

But as I said, my opinions about the plot shouldn’t matter and I’m only here to make what was already written better.

So let’s talk about something that the puppet has done which didn’t make any sense on the surface level but could’ve been clever if it was done right. Killing La Signora.

Okay. So there is a pivotal moment at the end of the first arc of a three-act story where the main character experiences something that will leave them no choice but to move forward. This usually is a physical thing like Alice falling down the rabbit hole. But it can also be a mental or emotional situation.

Over at Honkai, the first arc ended with the death of a beloved mentor and a shattered world (both external and internal). The characters had no choice but to step up and “to stay alive, bravely” (yes, I won’t stop using this line ever). It was so very well done and even after so many years it still hurt no matter how many times you reread/rewatch the scene.

This reread value is what shows how much a twist is well written.

And that is what miHoYo is known for. So I had high expectations with the plot twist (technically this pivotal moment is called a plot twist because it twists the feel and/or pace of the story). Chapter 2 is the perfect spot to end the first act of a seven-chaptered story. So I’m really preparing myself for the inevitable twist.

But then we ended up with Signora’s death.

Okay. So. They could have used that to show us, as the traveler, how Archons and Celestial beings are unfeeling and not to be trusted. We were told this repeatedly by Dainsleiff and by the Abyss Twin. But it is only textbook writing 101 to show NOT tell.

And Signora’s death could have been this portrayal. Although, to be honest, it would have been more impactful if the one who died is a friend of the Traveler.

Them seeing someone die at the hands of an Archon could have their idea of gods shift. Because there is no turning back once you see the proof right in front of your eyes.

But instead, the puppet did it. So what was the point of Signora’s death if not just a power demonstration? We already knew that the Raiden Shogun is powerful. So why did Signora have to die?

Sure, one can argue that the puppet was enacting the Ei’s will so maybe there was a point. But! In Ei’s story quest, we were told that the puppet would have no hesitation when it comes to killing whereas Ei can show mercy.

Which begs, again, the question: how much of the Raiden Shogun’s actions is a reflection of Ei’s will, and how much of it is a logic response of an artificial intelligence from Ei’s memories?

Honestly? I don’t like that they killed off Signora. It doesn’t feel right. I would’ve taken Beidou’s death over Signora’s no matter how much I love Beidou. There was just no build-up to it and it feels weak. I… didn’t feel anything besides confusion. The anger only came later because of the wasted potential.

But overall, I do think they could’ve made it work if it were actually Ei doing the killing.

--

So I just did Kokomi’s Story Quest and man. The soldiers wanting to continue the war is what they really should have made the motivations of the actual war rather than have it as a post-war response and then have Kokomi fix their mess.

Seriously. While it was really interesting to see the usual trauma response of soldiers who had only known war their whole life, they wasted this idea, man.

Before doing the Archon Quest I had thought that the Watatsumi had a hand on the Vision Hunt Decree. Because if I were a tactician, I would have made something to anger the people of my enemies and have them have their internal issues. And while the Shogunate is weak, that’s when I will strike and claim Inazuma for my people and my god.

Then Orobashi will rise once more.

Yep.

Obviously, I really wanted Kokomi to be a more active character in the Archon Quest.

Anyways. If you reached the end, thank you for reading this ~1.5k words of musings. Tell me what you think. Or don’t. You do you.

#genshin impact #genshin spoilers #genshin 2.1 #baal #sangonomiya kokomi #genshin fatui #la signora #genshin analysis #fatui harbingers #genshin baal #genshin impact 2.1 #archon quests #genshin quests #genshin archon quests #genshin story analysis #genshin lore #genshin criticism #idek what to tag this as ahsajadghhtjj #kokomi #genshin kokomi #genshin signora

[itsclydebitches]

The post about how characters don't connect to the setting is one of the reasons why the beginning of V7 frustrated me so much. James gives this plan of telling the world about Salem, Weiss rightfully points out their will be panic everywhere and NO ONE connects that with the very real fear that this plan could put all their families in danger. Nor does anyone get excited about the Amity project potentially allowing them to call home. Ruby's been away for A YEAR. Doesn't she miss her dad at all?

Exactly! This isn't a bad faith criticism where we're demanding the show do a ton of emotional work that there just isn't time for in the fighting focused plot; a claim that it's awful because it's not functioning as one genre (like a drama, soap opera, etc.) over another (action/adventure, fantasy, sci-fi)... I mean we get nothing in regards to this issue. Not even crumbs. And these connections are, supposedly, at the very heart of the "trust love" narrative. I think it's easy for people to forget what happens between volumes — especially given the "Only the latest volume is canon" mentality — but we literally had Ironwood announce to Ruby that he'd need to use his army to keep the grimm attacks at bay once the Salem secret was revealed and then a volume later Ruby reveals the Salem secret (along with a whole lot else that is scary, horrifying, and generally negative-emotion educing) after she's cut all ties with Ironwood and his army is fully engaged in keeping Salem at bay. There is no discussion, let along concern and worry, about how many people she just got killed for an announcement that the show has failed to justify. Why is telling the world about Salem worth the casualties it will cause? What is the world going to do against the immortal witch? Ruby doesn't know. That's her whole dilemma this volume: wanting easy answers and then crumbling when she can't think of any. Problem is, she endangered the whole world before admitting, "Oh, I have no idea how to stop all this awfulness."

I mean, I understand on an emotional level why the hypocrisy of Ruby's lies and secrets don't land because most people in the fandom dislike, or outright hate, Ozpin. That's really going to color any reading there, when suddenly the beloved hero is mirroring someone you despise — you'll do whatever mental gymnastics are necessary to keep them separate. But Ruby has no evil contrast here. This is all her. We watch her make a decision that she knows will endanger the entire world, including her loved ones, and it's never even raised as a concern. The same way no one raises concerns about going to Vacuo. Yes, supposedly escaping was the only option available (I say "supposedly" because the plot did a terrible job of convincing us that evacuation was still necessary with Salem currently exploded and it having been established that she's only after the Relic on Atlas), and in a crisis situation they aren't necessarily thinking about long-term survival (that's my own stance regarding Ironwood's desire to rise high: he's not thinking about how to live there indefinitely, just how to survive the next few hours), but why send them to the Kingdom they know Salem will attack next? The Crown is hidden. You have the Lamp and the Staff. You know Salem is after all the Relics, so of course she's going to Vacuo. And so you dump however many refugees there, in the city she's gunning for next, intentionally setting up the next Fall of Atlas? Yeah, we all know it's because structurally the story hasn't been to Vacuo yet, but in-world it makes the characters look incredibly stupid. Why dump an entire Kingdom's worth of people in the most hostile environment, with the most wary citizens, a place you know the Big Bad is heading to next, when you could instead split them up and send them to safer Kingdoms that aren't currently in Salem's path? "Oh, it's because Vacuo still has huntsmen and they need huntsmen to combat all the grimm." There wouldn't be a massive grimm problem is Ruby hadn't told the whole world about Salem!

And this problem of not thinking through actions in a way that demonstrates real care for the world is just compounded over and over on a personal level. It's the same way Ruby doesn't care about what happened to Qrow until she hopes he can fix everything. The same way she doesn't react to Yang "dying." The same way Yang didn't mention Summer for five volumes. The same way Jaune, Yang, and Nora rejected Ren until he fell in line. The same way Blake is trying to inspire Ruby when they've barely exchanged a handful of sentences since Beacon. The same way, as you say, no one has made mention of the family they've left behind, let alone considered how building a communications tower might be a way of reconnecting with them, especially when at least two of them — Ruby and Oscar — left completely out of the blue. Are they presented as caring about how that inevitably hurt their care givers? Nah. The fandom gives Tai so little slack, but at least the story showed him watching Ruby's message and being upset at the danger she's in. When was the last time the girls mentioned Tai?

... have they mentioned him since they left home?

The show has done a terrible job in the last couple of years of showing that these characters actually care for one another, beyond a superficial level, especially when all the cute friendship moments that function as filler are obliterated the moment one of them disagrees about something (see: Ren). There's no sense of place and little sense of real family, from Weiss doing multiple 180s with Whitley, to Blake being the only one who reacts to Yang's "death." It all rings so hollow. I'm supposed to believe that Ruby is still the one to inspire the world towards unity when she, at the point of her speech, still hasn't even tried to reconcile with Ozpin, has been betraying Ironwood this whole time, insta-turned on the Ace Ops for trying to make her face consequences for the crimes she knows she committed, fought her way into the kingdom because she didn't like the peaceful solution Cordovin offered (send Weiss), hasn't made mention of her father, collapsed over hearing her mother's name only to get over it seconds later, at this point in the volume barely interacts with her sister, and is leading a team whose attitude ranges from "Glares at Marrow for daring to suggest she works with anyone other than Yang" and "Points a weapon at her baby brother because she, apparently, can't even manage to work with a minor civilian family member." This is the team who is going to inspire Remnant to unify against Salem, the group who keeps not unifying with everyone they need to work with? There is a serious disconnect here. You can't tell the audience to "trust love" while failing to show basic love and support among the cast, and you can't try to make Ruby the poster child for unity when she has, since Volume 6, has consistently failed to unify with anyone: not Cordovin, not Qrow until he agreed to stop questioning her, not Ozpin, not Ironwood, not the Ace Ops, not even Robyn considering that was all Yang and Blake. Ruby's struggle right now is an inability to work with people who don't agree with her 100%, her biggest flaw is an all or nothing attitude, and the writing is failing to see how that might just be a problem when she's telling everyone else to put their differences aside to work together. Having Ruby actually try to connect with people more, worry about them, express love for them, etc. — both family and allies — would at least help soften this issue, but without it her characterization has severely tanked in terms of the compassion the show wants us to believe is still there.

#rwby #rwde #salt #mymetas

[rebornthestage]

[2021.08.22] Kitamura Kento (Hibari) 17LIVE livestream

(I live translated his stream, so there may be details I'm missing/misheard.)

Starting remarks:

He wants to play Hibari more

He usually has great memories of the plays he's worked on, but not quite for this one; It doesn't feel like it ended yet.

He feels like they can do the play again, do the future arc again

His little bro is a big fan of Amano's works, especially KHR, so he's very familiar with this series

His brother is babysitting in the US, so he sends him clips of the play lol

It's only been half a year since he started Twitter and he appreciates all the support (likes, RTs, replies)

His faves are Dino and Primo in the manga. He loves their visuals. He thinks they look cool.

He actually wants to play as Primo lmao

Was excited when he heard James was playing Dino; he's worked with him in at least 3 plays (?, Hakuouki SSL, Hataraki Saibou); Met the first time in a while thanks to this stage

Q&A Section:

Q: Why do you have so many Hibird photos in your makeup area?

A: They're from Yamamoto Ryosuke! Ryosuke receives a Hibird photo from the production team every performance, so he gives them all to Kento since he's Hibari after all. He has around 8 of them. Sometimes Ryosuke forgets to give it to him and he feels unnecessarily disappointed lmao

Q: Thoughts on receiving Hibari's role A: First he wondered a lot about how he'd portray Hibari's fighting style, and tried to portray his cloud-like, untouchable feeling. Kento was set on fighting with "pauses" and "urgency" for Hibari. Hibari's the fastest in thinking and acting, like that time when everyone was panicking about Byakuran's attack, while Hibari immediately left to check on Namimori since that's where the attack landed.

Hibari can also be misleading. When the Real 6 Funeral wreaths landed at Namimori, he was first to speak. However, just when you think he was going to propose a plan, he just states that one of them landed in Namimori, which makes you wonder just how much he loves the place haha.

That unexpectedness makes him interesting to the viewers. He tends to speak, pause in the middle, and then change his tone/aura when he continues his sentence.

Q: Thoughts on Hibari before and after playing him A: He talked about this in his blog post. After playing him, he thinks of other people more than you'd expect. He acts to protect Namimori, and as a result, saves people.

Q: Have you planned the curtain call interactions with Ryohei and Lambo beforehand? A: Nope. That was all thanks to Kimeru adlibbing, and Kento has no idea when Ryohei will jump in lol.

On a tangent, but he very much admires Kimeru for perfectly playing his role. He has already perfected the role even when they just started rehearsing. He has the formula for Lambo down pat. This makes it easy for someone to copy and stand in for him during rehearsals.

Q: Can you share more info on the action parts? A: Every week he gets the stunts instructor to teach him something new, then he practices it on his own for the rest of the week.

Apparently, he practiced while facing a tree at the park, haha. A lot of people commented, saying they want to be the tree. He was like, "No way lol". There were so many people wanting to become trees that he said they were going to turn into a forest lol.

He then talks in detail about how to do a roundhouse kick properly lmao. The left leg/standing leg is important apparently lmao. He repeats this sentence a couple of times and demonstrates it with his fingers.

Sometimes he got tired after doing it so many times. However, when he started doing 1 hour stretches everyday, it became a lot easier.

Does aftercare? (Is that the right term to use here? haha) after practice because it's a lot of strain on his left leg and arm.

Q: What are your similarities with Hibari? A: He likes to do things on his own. Hyperfocused on what he likes. Is stubborn.

He likes to have a lot of preparation before taking something on...

He'll leave when he feels like leaving, lol

Q: Thoughts on Tsuna and Hibari's relationship, and your relationship with Takenaka Ryohei A: Tsuna is an important person in Present and Future Hibari's life.

Takenaka Ryohei is amazing. He has a different reaction to Present Hibari and TYL Hibari and he can really see and feel it... Ryohei's act really contributes to Kento's own acting. It's because Ryohei reacted that way that Hibari seems even more fearsome.

Ryohei can portray Tsuna's fear of TYL!Hibari, but then also show a different reaction when he stops Present!Hibari during Choice.

Usually, it should be the protagonist who would do something proactively while everyone else reacts. As the protagonist, but it's hard to give large reactions. However, in KHR, it's often Tsuna who reacts. It's because Tsuna reacts in a certain way that you can figure out what type of person the other character is. Ryohei is amazing for being able to do that role.

Q: Was it you playing as Alaude's silhouette? A: Yes. Yamamoto also played as Ugetsu.

Random tidbit: At the part where Deisy gets caught with the huge handcuffs, they didn't have those huge handcuffs until they were at the venue lol. So they've been practicing without it until then.

That's why his actions during that scene slowly started to change, since he began to have ideas on what else he could do at that scene.

Q: Thoughts on the Hibari switch scene A: He asked viewers when they realized it wasn't Kento as Hibari onstage? On their first watch? During the stream?

Daiki tried really hard to copy Kento's Hibari, like his walk so people wouldn't catch on. Was really happy when it was decided Daiki was the one who'll be his body double. He actually thought it would be an ensemble doing it, until 2 weeks (?) into rehearsals

Q: Happenings onstage? A: He doesn't really want to talk about it... However, after he turned 25, he's become more open to his mistakes so he can talk about this now haha.

When wearing suits, he wants to look suave and used to wearing them. Having the box in his pants pocket ruins the silhouette of the suit, and so would placing it in his chest pocket, even though the latter seems cool. He talked with the costume designers to add some sort of leather pouch (?) at his waist.

However, after putting the box in and out of the pouch so many times, the leather pouch worse out and became looser. In one performance, the box dropped to the floor sometime without his notice. ("Roll rolled." LOL)

During his fight with Genkishi, he stuck his hand in the pouch while talking and realized it wasn't there. He was like, Oh Shit, lmao. Then clumsily tried to hide the fact that he has no box by taking out his hand and only showing the back of it to the audience, lmao.

He watched a clip of that performance afterwards and learned that the box fell while he did a roundhouse kick.

Also, during the fight with Deisy, he can't see anything. The lights were so bright. When he twirls the handcuffs, it has to face a certain side so that the cuff would close, but sometimes it ends up facing the wrong side, so he has to twirl it back. However, it's hard to figure out if it's facing the right side or not because of the light, so he accidentally dropped the handcuffs once.

(There were actually a few fan reports saying that Kento seemed to drop his props often lol)

Q: Thoughts on Hibari unbuttoning his suit before fighting A: When raising your arm while wearing suits, the middle part scrunches open and he doesn't like that. He wants Hibari to look flawless, so he tried to make it part of the act to unbutton the suit.

He doesn't do this for the part where he trains Tsuna, since he doesn't want to make it like Hibari's doing it for appearances. He tries to make it seem like it's an act Hibari does when he expects a good fight.

Q: Any special training? A: He has a lower center of gravity because he played ice hockey seriously for 9 years. He's jealous of actors who took karate and dance since they are useful skills as an actor. He believes that playing ice hockey and balancing on ice skates really contributed to doing action scenes.

Q: Do you do any weight/muscle training? A: He used to go to the gym, but stopped because of covid. He apparently started classic ballet recently. He likes gaining strength without getting too bulked up. Before he hated wearing tight clothes, but now he has embraced it lmao

Q: Any KHR weapons he would like to try? A: He likes Japanese swords, so he likes Yamamoto's sword style.

When Chrome was handed the Devil Lens, he wondered how one would fight with it? How do you make it look like you use it often? Do you twirl it like a pen?

He's seen James' whip skills live during Secret Bullet and was very impressed that James was able to use them to the fullest. It's a weapon you can more easily hurt yourself with after all.

During rehearsals, there wasn't a center door to come out from, so he had to wait at the sides while Dino and Deisy were fighting. Hibari often comes out from the center door, so he calls Hibari a "Center Door Guy", lol.

Q: Judging from how fast you changed into the yukata during curtain call, are you the type of person who changes clothes fast? A: He has to change from suit to yukata in 1 minute and 30 seconds and be careful not to make Hibari look sloppy, so he was really worried about it... That's why you'd see him touching his collar from time to time.

Final Words

He asks fans to answer the Reborn! The Stage questionnaire and request for a rerun of the Future arc stage plays. They were able to change the future in Future arc, so he believes we can change the future in real life as well. A rerun isn't impossible in his opinion.

He'd love to livestream again sometime with others, like Daiki-kun (Glo Xinia/Dino), and Daiki-kun, and Daiki-kun.😂

#katekyo hitman reborn #khr #reborn the stage #episode of future #kitamura kento #translation #livestream #kento is part of the primo gang lol congrats #also the staff was the one who took his photos for him apparently #but the idea on the poses and stuff was all him #lol in hindsight i shouldve done a couple of screenshots but i was too busy typing #i actually have some summaries for kohei and daikis streams that i never posted here oops #tho my notes on koheis were messy since i hadnt planned on writing an actual summary

[teawaffles]

There's No Business Like Show Business: Chapter 1

T/N: Takes place after the Phantom of Whitechapel arc (Chapters 25-29 of the manga).

Where there is light, there is shadow. Behind Britain’s glorious prosperity, lay a dark side.

In the capital of the British Empire, one place that embodied these disparities was situated to the east of the City: a slum called the East End. [1]

Here, the buildings were densely packed due to poor urban planning. Complicated alleyways crossed one another like the mesh of a net, serving as prime hideouts for criminals. For better or for worse, its residents were full of raw vitality, and prostitution and barbarity were rife.

In the East End district of Whitechapel, situated northeast from the Tower of London, walked a lone woman—— no, a man.

He had a slender physique, and his shining golden hair added a vivid colour to the grey city streets. With a mole under his eye, and a smile overflowing with confidence, he was a charmingly exquisite beauty.

This man — James Bond — walked forward with grace, paying no heed to the dangerous atmosphere around him.

When they had visited Whitechapel during the Jack the Ripper incident, Bond had heard that William’s birthplace was somewhere nearby. With the incident resolved, in order to understand William’s character better, Bond was now exploring the slum alone.

However, contrary to his dignified steps, a vague depression bloomed deep in his heart.

——As expected, with at least ten years having come and gone, it seemed that nothing related to Will-kun was left……

Bond had carefully searched the district. He even visited the place where a book rental shop once stood; William mentioned he’d lived there with Louis, but just as Moran said, it had already gone out of business.

Dusk was beginning to fall, and he had no more leads to follow regarding William’s past. Dejected, Bond headed towards the main street to make his way back.

“……Oh?”

As he passed by a small, vacant plot, Bond saw something curious.

In the middle of the square were a few young children surrounding a single red-haired girl. Thinking that he’d stumbled onto an incident of bullying, Bond drew nearer to stop them. But as he did so, the girl in the middle spoke up with vigour.

“That’s right. Today’s New Year’s Eve.”

She said so while rubbing her hands together, as if she were in the scene of a play. “Ssh—,” she murmured, then mimed the action of picking something up with her fingertips, and raised that hand into the air.

Going along with the flow, the other children around her each began to make their own strange movements. “Bwoo— bwoo—,” one hummed as they waved their hands above their head, while another went “Honk— honk—” as they flapped both arms like wings.

Watching from the side, this could be seen as a mysterious game played within the unique worldview of a child, but Bond continued to stand there and watch the children’s movements with fascination.

These actions could only be from “The Little Match Girl”.

The girl in the middle of the plot was the matchstick seller, the main character. Then the other children were the visions she saw within the flames of the matches she lit. In other words, they were acting out one of Hans Christian Andersen’s famous fairy tales.

A performance—— In that instant, something from his past began to stir up within him.

James Bond had formerly been Irene Adler, a renowned actress who was also a member of the Warsaw Imperial Opera. However, he had stolen secret documents which would have shaken the country to its core. With his life threatened by the British government, it was then that William and the others had rescued him. After which, he became agent number seven of MI6, and joined the Moriarty brothers’ cause.

Now for all intents and purposes, the woman known as Irene Adler was dead. It then stood to reason that he had stopped his acting work as well. However, even as he pushed forward with his undercover missions, he never once forgot the passion he had for the stage.

The children’s play had piqued Bond’s curiosity, and he was watching on with a smile when they seemed to notice his gaze.

“……Mister, can we help you?”

The girl who acted as the matchstick seller directed her question to Bond. Hearing that, the other children stopped their movements and looked in his direction as well.

He was a little flustered by the unexpected attention, but maintained a mild expression as he apologised.

“Sorry. It seemed interesting, so I couldn’t help but watch. Was that ‘The Little Match Girl’?”

“Yeah, that’s right. But how did you know?”

“I was watching your actions.”

Then Bond pointed to each of the children in turn.

“You would be the main character, the little girl. Then you were the iron stove that appeared in her first vision. You were the delicious goose from her next vision. And you were her grandmother, from her last——“

Bond named each and every one of their roles correctly, and the children beamed.

“That’s amazing! Are you a detective?”

“Detective……”

That word brought to mind a certain man whom he was indebted to.

Bond chuckled. “No, I’m employed at a certain mansion. I was just passing through while on a quick errand.”

“Hmm—”

Without particularly doubting his answer, the girl continued.

“Hey, mister. What did you think of our act?”

Bond pondered over his response. Since they were children, one should probably just give some suitable praise and end it there. But his pride and love for acting which once allowed him to reach the rank of prima donna took over, and the words spilled out.

“It was a splendid performance. ……But I think it would be even better with a little more expression.”

“Ex—pres—sion?”

The girl made a puzzled face, and Bond knelt down to meet her eyes.

“For example, at the start, you wanted to show that you were ‘cold’, yes? You did well back there, but to show that you are cold, you wouldn’t just rub your palms together, ……”

He paused mid-sentence, then made his shoulders shake as he rubbed both palms together, blowing on them as if to warm them up. Somehow, it seemed as though even the colour of his face had changed — a realistic impression of being ‘cold’.

At his exquisite acting with the skill of a former actress, the children began to clap in unison.

“Wow mister, you were amazing!”

Bond took a small bow as he was bathed in applause.

“By learning how to do a few tricks like this, you can make your performances even more entertaining.”

“I get it — can you do any more?” asked one of the children. He nodded readily, then made his hands into the shape of small wings and imitated the sound of a goose honking. The quality of his voice could have easily be mistaken for that of a bird, and the children were once again astonished.

“That’s a goose!” They clapped their hands in glee, requesting other impersonations as well.

Bond humoured every one of them. Without realising it, he had gone from appreciating the children’s make-believe play, to joining in and becoming the centre of attention. But while he was delighted to entertain them, their surroundings were beginning to grow dark, and he was now thinking of hurrying them home.

Just then, the girl who had spoken up at first pointed outside the vacant plot.

“Ah, onee-chan!” she exclaimed, waving her arms vigorously.

Bond turned to look in that direction. There, stood a young woman with a look of disbelief on her face.

She came back to herself as soon as Bond turned around, then rushed over to the children. The girl ran over and hugged the young woman’s knees.

“Onee-chan, welcome back.”

“I’m back, Mae,” she said to the girl with a smile.

Then, she turned fearful eyes towards Bond. The young woman’s chestnut-coloured hair had been tied back; and although she seemed to have a dark atmosphere surrounding her, her features were clean-cut. She appeared not too far removed in age from him.

“Um…… and you would be?”

“Ah, my name is Bond. James Bond,” he introduced himself simply.

“Uh, Mr… Bond?”

But her reaction was slow. Her understanding of the situation definitely had yet to catch up, he thought. A handsome young man playing with children on a dimly-lit vacant plot — indeed, the scene before her was baffling.

Even so, she didn’t seem to be giving off any sense of suspicion or alarm. Just as Bond was beginning to think it strange, she hurriedly bowed her head.

“S—Sorry, I forgot to introduce myself. I—I’m her sister. My name is Maya.”

“Miss Maya, I see. Pleasure to meet you…… or rather, I’m sure you must’ve been confused to find your sister playing with a stranger. To start off, I would like to sincerely apologise for that.”

Saying that, Bond also bowed his head. He then explained the series of events to Maya, who was bemused by his friendly yet gentlemanly manner.

“——And that’s how Mae and the others invited me to join them.”

“And he’s really good at doing impressions!” boasted one child. Then, along with the other children, they started imitating the voices of the people and animals that Bond had showed them. He’d initially wanted to teach them about acting, but as they went along, the lesson had somehow morphed into a demonstration of mimicry. Well, as long as they had fun, he had no qualms about that.

Maya studied his face as she asked him a question.

“U—um…… Actually, I’d been watching your performance for some time earlier, Mr Bond…… Um, perhaps, you have worked in theatre in the past?”

“Uh……”

For a moment, Bond was lost for words, but he gave a roundabout answer to avoid revealing his true identity.

“That’s not too far from the truth. Well, you could say that I have a personal opinion when it comes to acting.”

“I—I see,” she replied automatically. Her gaze wandered restlessly before she spoke up again, in a cautious tone.

“Um…… Mr Bond. A—Actually I’m, part of a small, theatrical company, with some friends.”

“Really? So you’re an actor too, Maya.”

“Yes, and it really pains me that, you were asked to do impressions so crassly, upon our first meeting, but having seen your acting skills, um, I’d like to ask a big favour from you.”

“……A favour?”

Maya paused for a beat.

“We will soon be putting on a play at a big theatre, s-s—so we would be grateful, if you could watch our rehearsal, Mr Bond,” she said, as if she’d made up her mind.

Then she quickly bowed her head.

“Watch, your rehearsal? Me?”

Bond pointed to himself, surprised at the sudden request. Looking apologetic, Maya continued.

“We’ve been practising as much as we’ve could; but we’re a small theatre company that could close down at any moment, and we’ve never performed at such a large venue before…… With your knowledge of acting, Mr Bond, if you could appraise our performance…… and, if possible, give us some advice…”

“I see,” Bond understood.

According to the Theatres Act of 1843, ‘theatres’ in Great Britain were places where plays could be put up under the purview of the Lord Chamberlain. Moreover, in order to perform certain genres of work, the script had to be submitted for review, and approval had to be obtained.

However, owing to a loophole in the legal system, plays could avoid censorship if they incorporated music. Hence, a good number of informal theatres operated in this manner. In addition, as their audience was mostly comprised of laypeople from the working classes, many of these theatres performed the type of song-and-dance spectacle popular with such a crowd.

From the way Maya talked about her company, he gathered that they had probably been performing musical numbers at unregulated venues like these as well. Hence they had no experience staging an actual play at an officially-licensed theatre, and that was why they were asking him to evaluate their performance.

Having grasped her situation, Bond asked a question that had been niggling at him.

“Just out of curiosity, your theatre company should have a director, right? Wouldn’t they be offended if I were to come in?”

“I’m taking on the direction of the play. B—By the way, I’m also the chairperson.”

Bond was rather surprised at what she said. In truth, it didn’t occur to him that such a timid and seemingly weak-willed person would be in charge of a theatrical company, even if it was a small one.

However, although Maya had tended to keep her eyes downcast throughout, they betrayed no doubt. From that, Bond knew her request was genuine.

“Um…… I suppose it is too much to ask?” she enquired, in a fearful tone.

“——Alright.”

“Wha?”

She had not expected him to agree so easily.

“I’ll take on your request. I’m partly self-taught, but if it’s alright with you, I would love to watch you and your company perform.”

Maya immediately perked up and bowed her head, speaking loudly for the first time.

“T—Thank you so much!” she cried, jumping for joy along with the other children.

Footnotes:

[1] The City refers to the City of London, which is the historic centre of modern London (Wikipedia)

T/Ns:

The sisters’ names could equally have been Maia and May respectively, but I chose Maya as I think it reads better, and Mae to differentiate the two of them more easily.

I had to use onee-chan since Maya specifically introduces herself by name later on.

#moriarty the patriot #yuukoku no moriarty #yuumori #english translation #forbidden games

[snapeaddict]

I was fairly certain Remus did regret his actions though. He literally tells Harry that he often stood aside and watched it happen without saying anything, and that he wishes he had. In the Prisoner of Azkaban, whenever Snape gives a dig at Lupin or insult him and Harry tries to stand up for Lupin, he repeatedly excuses Snape's actions. Hell, even when Snape tries to reveal Lupin is a werewolf and eventually causes his loss of job, Lupin never hits back, or even tries to defend himself.

I’ll divide my answer into three parts. 

1 - Repentance vs Regret 

So, you are right. I do think Lupin regrets some of his past actions - but the thing is, it seems to make you think he understood the seriousness of his actions/has grown up/is now a better person. And I strongly believe it is not the case regarding the subject of bullying. 

“In repentance, there is a retrospection of the past mistake and a search for a better way so as to not commit the mistake if such a situation arises in the future. In repentance, there is a commitment towards change. Thus, repentance is an act that intends to make one a better person. If you are repenting, it means you are learning from your mistakes and willing to change to become a better person.”

This, does not apply to Remus. We know from the books he never understands and/or refuses to acknowledge what he and his friends did wasn’t justified or deserved; he doesn’t address it as bullying as I explain in this post. Lupin’s behaviour pattern is quite clear throughout the saga: he never or only partially acknowledges his faults and they are always someone else’s doing for the most part. 

“Regret is a feeling of remorse that is a negative emotion as it leads one to think continuously about his past action or behaviour and causes more shame, guilt, anger, disappointment etc.

On the other hand, repentance is a positive emotion as it makes one learn about his mistake, and he vows not to repeat it in the future.”

Lupin gives the image of a kind, understanding and mature person who knows how to put into question is own behaviour when necessary when he tells Harry and Sirius he knows he should have prevented them from tormenting Snape (Chapter 29 of OOTP). But then, as the conversation continues, if you closely analyses his thoughts - he keeps indulging into self-beating and talking about his own behaviour. He is completely self-centred and cares more about the image he gives than about the consequences of his actions and this clearly is the way he functions:

- He is willing to risk Harry’s life by not telling Dumbledore Sirius is an animagus rather than confess he betrayed his trust as a teenager: he cares more about what the headmaster thinks of him than about the consequences of his actions.

- He finds the time to acknowledge he should have behaved better - what a mature reaction - but never acknowledges Snape’s trauma or the seriousness of what was done to him. He thinks of it as a “rivalry”. 

- He puts a lot of effort into burnishing his and his friends’ image by justifying bullying with “rivalry”, “jealousy”, and agreeing with the fact “it was a mutual hate and those are things that happen” rather than admitting they behaved terribly.

So yes, Remus regrets his actions. But it is clear to me he firstly regrets them because it gives him a bad image in front of Harry and Dumbledore, and to himself; he never learns from his mistakes nor can make sure to not repeat them in the future, because he simply refuses to acknowledge them and put his energy into minimising them or making them, for the most part, Snape’s own fault. I find Remus to be a self-centred and cowardly person, and this behaviour goes along with it. 

However, I am not saying this makes him a bad man and understand this is directly linked to the fact he is a werewolf and giving a positive image of himself is nearly vital for him. But clearly, the fact he regrets his actions means nothing besides what I just explained, in my opinion, because Remus refuses to acknowledge what they did. He never repents and we must not mistake regrets for repentance. Remember that being critical of a character doesn’t make him less interesting or likable and has nothing to do with your personal liking of him. Snape isn’t a saint either, it’s actually interesting to have characters with layers. However, Remus was written kindly and “loved” by the books’ narrative and POV; Snape was not.

2 - He still behaves, in his thirties, like a bully

...which shows he does not repent or feel sorry for what was done to Snape and their other victims. I had the chance to discuss this with @ottogatto and she was very helpful and gave me a very interesting insight on Remus’ behaviour as we see it through Harry’s eyes in the books. 

As she explained, nearly every time the subject of Snape is brought up, Remus will subtlely put the fault on him. “He was jealous”, “Your father was more popular than he was and he hated it”, “He was jealous of James’ talent for Quidditch”, “Sirius and James were good at everything and everyone loved them, unlike Snape” are embedded quotes from HP5. Why was Snape furious against him at the end of HP3? “Because he wanted the Order of Merlin”; not because Remus had nearly killed him again as well as three students, just as he had done when Snape was younger. He keeps dismissing the consequences of his actions and justifies (to both Harry and the readers), the abuse Snape went through at the hands of the Marauders. He uses a florilegium of excuses commonly used by bullies that are both very vicious and even pervert in their aims (pervert = lead someone away from what is considered acceptable. Distort or corrupt the original meaning or state of things. Exactly what he does repeatedly). This is still the behaviour of an abuser. If @ottogatto finds the post she made about it, you may like to read it as well. Remus refuses to acknowledge Snape is right to act in the way he does regarding the bullying he went through and thus deepens the hate that already exists between Harry and Snape.

From the (wonderful) @ottogatto: You see, when you tell people how your target is jealous of you, it demonizes them in a shameful way. It tells how they are a pathetic person attacking you wrongfully, oh poor innocent human that did nothing wrong. Jealousy, after all, is a fault that remains completely on the jealous one. It gives your listeners the image that your prey is a mistrustful person while putting you in the position of someone who can be envied -- supposedly for your goodness. Because that prey is framed as mistrustful and ill-intentioned, it allows people to doubt whatever accusation your target might have: either "they're lying", or "exaggerating", or "making things up". Only those who are versed in the mechanisms of bullying -- the easy or the hard way -- will spot the problem. Otherwise, people will find a pretext, a rightful excuse, or an innocent, well-intentioned goal, to keep your prey alone, weak, and "punished".

3 - It is absolutely normal Lupin doesn’t defend himself or hits back when Snape reveals he is a werewolf

...because he is in the wrong. Snape doesn’t even cause his loss of job and you may want to reread the books while not taking Harry’s perspective for the unbiased truth. Dumbledore is obviously the one who asks Remus to resign. Remus just nearly killed three students and a professor, and roamed freely onto both Hogwarts grounds and Hogsmeade as a werewolf, risking many deaths and infections because he forgot the potion Snape had been brewing for him (he depended on Snape, another reason not to fight with him). Dumbledore just learns it isn’t the first time he betrayed his trust and he did the same for two years as a teenager, risking Hogwarts’s closure and reputation and his position as headmaster, breaking the promise he made to him when he was accepted as school. The worst thing is, it is Sirius who tells Dumbledore. Not Remus. Remus clearly demonstrates he is dangerous in spite of himself - Dumbledore learns as well he hid a very important information from him (Sirius being an animagus) during the year, supposedly risking Harry’s life. Dumbledore doesn’t apologize for Snape’s behaviour when he tells him goodbye and it is reasonable to suppose it is because he is fine with Lupin’s identity not being a secret anymore. 

I understand Snape’s decision (and certainly Dumbledore’s as well, as read in Snape: A Definitive Reading and various clever posts on Tumblr) may seem cruel and negatively impacted Remus in a society full of prejudices; but I understand Snape’s decision as well. Lupin was a walking danger and had proved it countless of times, nearly killing him: I’ll always argue his decision wasn’t a bad one but you may disagree. I’m sorry for Lupin and what happened to him- but I also am lucid and acknowledge the fact he continuously risked people’s lives and was a danger to society at this point (because said society didn’t help him in any way, don’t get me wrong). But to come back to your main point, Lupin was the only one who caused his loss of job, and he had no legitimacy to call out Snape for revealing his true nature to the public, because clearly only this knowledge would prevent him from doing harm in the future. It’s a complicated situation that goes deeper than Remus and Snape’s relationship. 

Lupin could also be deemed as dangerous on another level: he spreads around pro bullying rhetorics and makes it look okay if it was "deserved". He makes bullying less serious if the victim isn't likable. He makes bullying less serious because he is likable. And this is very wrong both in and outside the books.

#Snape meta #Severus snape meta #Marauders meta #Remus Lupin #anti remus lupin #Sirius black #James Potter #anti james potter #Anti Sirius Black #Pro snape #Bullying #Snapedom #Snape community #Severus snape #Harry Potter #Hogwarts #marauders era #Ask #Snape ask

[bluejayblueskies]

storge

n. familial love, born out of familiarity or dependence; a natural, unforced, instinctual love

Words: 3.3k

Fandom: The Magnus Archives

Relationships: Danny Stoker & Tim Stoker, Sasha James & Tim Stoker (background)

Characters: Tim Stoker, Danny Stoker, Sasha James, Minor OCs

Additional Tags: AU - No Supernatural, AU - Everyone Lives/No One Dies, Internalized Acephobia/Arophobia, Implied/Referenced Arophobia (minor), Aromantic Character, Asexual Character

Summary:

Danny finished the last slice of the pizza they’d ordered, stared at the credits scrolling across Tim’s television screen from the cheesy Valentine’s Day rom-com they’d just finished watching, and said with feigned casualness, “I don’t think that’s for me.”

Tim, who had wanted that last slice of pizza, thank you very much, rolled his eyes and said, “Well, then I’m picking the pizza toppings next time. Maybe then we won’t have a pizza that only tastes like jalapeños.”

“Oh, absolutely not. Last time you put pineapple and pepperoni on it, which is grounds for termination from topping-decisions for life.” Danny paused, and then he took his eyes away from the television, looked at Tim, and said, with distinctly less casualness, “I meant the movie. Um. The romance part, specifically.”

Read on Ao3

Or, read below (additional warnings below the cut):

Additional warnings: - character forcing himself to stay in a romantic situation even after he becomes uncomfortable - character mentioning the possibility of forcing himself to have sex with someone (doesn’t actually occur)

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So here’s the thing: Tim is terrible at giving gifts. It doesn’t matter how long he’s known someone or how many of their favorites he can list off the top of his head—he still always ends up getting them something so incredibly, horribly generic because he just can’t do it. Sasha’s never going to let him live down the time he got her the exact same mug she keeps in the archives because he panicked, okay? And it was the only thing he could think of that wasn’t just candles or soap.

 (“I honestly would have preferred soap,” Sasha said as she covered her mouth with one hand to stifle her laugher, the other still grasping the mug. Tim was significantly less amused.)

 The one silver lining to the whole thing is that it’s never been a problem with Danny. Not because Tim is necessarily any better at getting gifts for him, but because Danny treats each and every gift from Tim like it’s something incredibly special and unique. Once, Tim got him a six-pack of plain black socks—just to test his theory that Danny was just being nice, or maybe just as a joke (or possibly both)—and Danny said, with a million-dollar smile, “You know, I was just thinking the other day how cool it would look to pair a patterned sock with a black one. This is great, Tim!”

 Yeah, Tim’s pretty sure that Danny’s just fucking with him at this point. But honestly, Tim doesn’t really mind. It takes a lot of pressure off him during any of the traditional gift-giving seasons because he knows that whatever he gets Danny, Danny will just smile and thank him like it was what he’d always wanted.

 Maybe that’s why Danny does it, Tim thinks as he stares at the dozens of tabs open on his computer, each for a different online retailer. To relieve the pressure.

 If so, then Tim’s really ruining the whole thing now, isn’t he? Because instead of doing that follow-up Jon requested two days ago, Tim’s been agonizing over whether to get a mug or a shirt or a pin, or maybe something more personal like those sunglasses he’d seen the other day, or—

 Or maybe something from the million other terrible ideas Tim’s had. With a long, drawn-out groan, he pushes back from his desk, stands with a too-loud pop of his back that has Sasha glancing up from her paperwork with a grimace, and makes his way to the breakroom.

 He needs coffee.

 As he waits for the pot to brew—because he’s the only one who drinks coffee in the archives (and yes, Sasha’s intricately named espresso beverages are technically coffee, but he doesn’t deign to count them)—he closes his eyes and tries to convince himself, yet again, that there’s a good reason he’s putting himself through this, and that no, it is not a stupid idea that has a ninety-nine percent chance of backfiring horribly.

 It had gone like this:

 Four months ago, Danny had finished the last slice of the pizza they’d ordered, stared at the credits scrolling across Tim’s television screen from the cheesy Valentine’s Day rom-com they’d just finished watching, and said with feigned casualness, “I don’t think that’s for me.”

 Tim, who had wanted that last slice of pizza, thank you very much, rolled his eyes and said, “Well, then I’m picking the pizza toppings next time. Maybe then we won’t have a pizza that only tastes like jalapeños.”

 “Oh, absolutely not. Last time you put pineapple and pepperoni on it, which is grounds for termination from topping-decisions for life.” Danny paused, and then he took his eyes away from the television, looked at Tim, and said, with distinctly less casualness, “I meant the movie. Um. The romance part, specifically.” Then, with a disarming smile: “I’ve got the comedy more than covered, after all. I told you I got that wedding gig, right? Maybe I can try some of my jokes on you.”

 Danny opened his mouth again, clearly ready to launch into a demonstration of his latest vocational pursuit, but Tim’s brain had finally parsed Danny’s words enough to say, maybe a bit too abruptly, “Hold on, hold on. Let’s go back to the romance bit, yeah?”

 He really, really hoped the statement had come off less accusatory and more encouraging. It must have worked because Danny’s smile faded into an expression that didn’t look afraid, only nervous. Still, Tim felt the need to add, with the edges of his words sanded down into something softer, “Obviously, you don’t have to tell me anything you aren’t comfortable with. But I’m all ears.”

 “Mm, they are pretty big,” Danny quipped. “Only going to get bigger, too.”

 Tim just sat back on the couch, crossed his arms, and waited. The credits on the screen continued to roll, the peppy pop music that accompanied them disrupting what might have, in any other situation, been an awkward silence. It still felt like an awkward something.

 Then, Danny sucked his bottom lip between his teeth, worried it for a few seconds, and said, “Okay, so- you remember telling me about when you figured out you were ace, right?”

 “Right,” Tim said.

 “Right,” Danny echoed. He fiddled with the silver ring on his left thumb absently, like he always did when he was nervous or when he had a million things racing through his head and he was trying to decide which thread to pull that would make them all come together into a neatly-stitched pattern. “Well, I guess all the stuff you said about liking sex but not wanting it with anyone in particular got me thinking about things that I like. And, uh. Things that I don’t.”

 There was another pause. The television screen had gone dark and the silence that stretched over them didn’t feel awkward anymore. Just heavy. Danny gave the ring on his finger another twist and said, “It had never really occurred to me that I could like to do something but not with anyone in particular, you know? Like- okay, so I enjoy flirting. I think all those stupid, cheesy pickup lines are hilarious, and seeing how people react to them is really fun. I mean, sometimes people laugh, sometimes people get annoyed, and sometimes people blush. But I never want anything out of it, you know?”

 Danny stared at the blank screen; the profile of his face showed a smile, but the lines of his forehead and the creases around his eyes were tight. Wordlessly, Tim moved closer so that his shoulder pressed against Danny’s, light enough that it wasn’t oppressive but a grounding presence all the same. From the way that Danny relaxed slightly at the touch, Tim decided that it was a good move.

 “One time, actually, someone offered to buy me a drink. You would have liked him, Tim—he had this really strong jawline, little bit of a five o’clock shadow, bright red hair. So I got the drink, and we talked, and even though he was funny and I had to stop sipping my drink because I kept choking on it when he would tell another joke, I just had this itching underneath my skin, like I just couldn’t get comfortable. But,” Danny said with a tight smile, “I ignored it. I told myself, You flirted with him first, Danny Stoker, and this is what happens when you flirt with people. Sometimes, they flirt back. So I had my drink. And then another, you know, because drinks are like potato chips, you can’t have just one.

 “He didn’t ask me to- to come back to his place or whatever, which was- god, I don’t know what I would have done.” Danny bit his lip, leaned more heavily into Tim’s shoulder. “Probably would have said yes? And I don’t need you to tell me that that would have been stupid. I know.

 “Instead, he gave me his number on one of those fancy business cards—I don’t really remember for what company, I threw it away as soon as I got home—and told me to call him. And I knew, as soon as he said that, that I wasn’t going to. That it- it wasn’t fun anymore, because there was this expectation to deliver.” Danny’s forehead creased, and he shook his head slowly. “No, that’s- that’s not quite right. An expectation to reciprocate, maybe?

 “The thing is, the idea of romance and dating and all of that sounds interesting in theory, and sometimes I can even imagine myself doing it—albeit not with anyone in particular, just like as a thought exercise I guess. I tried, a few times, to put a specific face to whoever I was going on lovely Italian wine tours with or- or hand-feeding grapes to on a bed on some island. Tim, don’t make that face, wine tours and grape feeding are peak romance. Uh, I think.

 “Anyway, anytime I tried to imagine dating someone instead of just dating, I got that same itching feeling under my skin. And I thought, well, I’m just not picking the right people. It’s got to be someone I really like, you know, someone I care about. Clearly, red-haired guy had not been the one.

 “And then… I found someone. Her name was Ash and she was just everything I ever could have wanted. She was funny and brave and did this little thing with her nose when she laughed that made me laugh, and she was a much better rock climber than me but I was better at rappelling because she could never trust herself to lean back unless someone guided her down, and I really, really thought that it could be her, you know? I knew that I loved her, and even though most of my standard lines bounced right off her, a few stuck. If I tried, really tried, I even thought I could picture it: every single corny, cheesy date I’d ever imagined, with her face cut and pasted into the image. It was a bit like a bad Photoshop edit, you know, where the edges clearly didn’t fit? But I ignored it because it fit well enough, and she made me happy.”

 Danny took a long breath and let it out just as slowly. Tim thought of a million things to say, a million reassurances, that he eventually let sink to the back of his mind and dissipate. Instead, he fought back against the instinct to break the silence with a laugh or a word or just a noise and instead leaned further back against the couch. Patience was not his strong suit, but he could do it for Danny.

 Finally, Danny continued, “And then one day, she… she asked me out. I guess I must have looked pretty shocked because she laughed and said that she’d been flirting with me for weeks, just like I’d been with her, and so there was no need to look so surprised. The thing is, I hadn’t even noticed. Every time she’d made some joke and I’d laughed, I’d thought that was just normal. Being friends, you know? Maybe that’s stupid, given that I’d been flirting with her too. Maybe not. I don’t know.

 “I said yes. And spent the next four days regretting it. I just couldn’t stop thinking about it. We were planning on going out to dinner that Friday, and the entire night before I got maybe an hour of sleep? I just kept thinking, you know, is she going to want to hold hands? Is she going to want to kiss me? Is she going to want to do more than kiss? What about other things, the wine and the grapes and rings and weddings and kids and—”

 Danny cut off with a sigh, pressing the heels of his hands into his eyes. “Yeah, so I called her an hour before I was supposed to meet her at the restaurant and said that something had come up and I couldn’t make it. Which was a lie of course, and I’m pretty sure she could tell because instead of asking what was wrong or what had come up, she just said okay. In a voice that sounded like it very much wasn’t okay. And when she hung up, I realized we hadn’t scheduled a new date. And it filled me with so much relief that I just felt guilty, because I still loved her, you know? And I just couldn’t understand what I was doing wrong, why I liked to flirt but felt so uncomfortable when it actually worked, why the idea of dating didn’t bother me until it became a reality, why every single ‘crush’ I had just felt so forced even if I cared about the person so much it hurt.

 “And then you told me that you were ace, and you talked about how it felt to be ace, and I just couldn’t stop thinking about Ash. I didn’t think that your situation was the same as mine, but it just—it felt close? So I finally thought to look up how I felt. And I’m still not one-hundred percent sure what label fits or whatever, but just knowing that there’s labels at all, that there are people out there who feel the way that I feel and that I’m not just- just doing it wrong—god, it was just this huge weight lifted off my shoulders.”

 Danny laughed, a bit harshly, born more of a release of nerves than of humor. “Is it a bit weird that I still really like to flirt? Maybe I should give a disclaimer before every pickup line: Hello, I’m Danny Stoker, I’m some flavor of aromantic and asexual, this flirting is purely platonic. Hmm, that’s a bit wordy.”

 Then, a smile cracked Danny’s face in two, tinged with more than a hint of devilish teasing. “Maybe I’ll make a business card.”

 Finally, Tim broke his vow of silence with a snort. He nudged Danny’s side with his elbow and said, “It can be a family venture. Stoker and Stoker, aspec brothers in crime.”

 Danny’s smile softened into something subtler, and he said, with an unusual amount of sincerity in his voice, “Thanks, Tim. I… I mean, I didn’t think you would react badly, but still. Thanks.”

 And Tim’s heart broke just a little, and he pulled Danny to his side and wrapped his arms around him tightly. “Never,” he said firmly. “I’m really glad you told me, Danny. Really, really glad.”

 So yeah. Tim can’t mess this gift up, because Danny had trusted him with this part of himself, and Tim really, really wants to support him in every possible way. Even if that way involves cheesy novelty mugs striped with the colors of the aromantic flag.

 Ugh.

 Tim grabs his distinctly not cheesy plain black mug of coffee and makes his way back to his desk, entirely absorbed in a swirling mess of thoughts filled with blacks and greens and whites and purples. Which is why he doesn’t notice Sasha sitting at his desk until he nearly sits on top of her.

 “Christ,” Tim says, jumping back so quickly he nearly spills his coffee. Sasha barely acknowledges him; she’s too busy typing away at something on his computer, and when Tim looks over her shoulder, he realizes with a sickening horror that she’s closed all but a few tabs on his computer. Tabs that he’d carefully curated. Tabs that he needs.

 (Tabs full of indecision and terrible, terrible ideas. But he needs them all the same.)

 “I hope,” Tim says with a voice that’s only slightly on the saner side of panic, “that there’s a perfectly good reason why you’ve thrown a wrench the size of a small house into my gift planning process? Because otherwise, I am three seconds away from freaking out.”

 Sasha waves a hand at him, still not looking away from the screen. “All your gifts suck, Tim.”

 “Hey!”

 This time, Sasha does look at him, something apologetic in her eyes. “Sorry. But they do.”

 Sullenly, Tim says, “Danny doesn’t think my gifts suck.”

 Sasha sighs and turns back to the computer. “Danny loves you a lot more than he loves your gifts. But that’s not the point.” She types something on the keyboard, navigates through a few windows without even taking the time to look at their contents. “You’ve been scowling at your screen all day, Tim. And I know it’s not because of that Remmier case that Jon assigned because I finished that yesterday.”

 “Oh. Thank you?”

 “Yup. You owe me coffee.” Sasha types a few more things, squints at the screen, then makes a noise of triumph. “There. Get him that and thank me later.”

 Then, Sasha’s out of his chair and back at her own desk, leaving behind only a warmth that Tim can feel as he takes his own seat and finally gets a good look at what’s on the screen.

 Huh.

 Tim orders it. And a few days before Danny’s birthday, he has an idea. Maybe the only good gift-giving idea he’s ever had.

 So the next time he’s at the shop, he picks up some supplies. And for someone who majored in anthropology and doesn’t know the first thing about graphic design, he’s quite happy with the final product.

 And when Danny unwraps the box on his birthday, sat on Tim’s couch with empty boxes of Thai takeout in front of them, the first thing he sees are the cards, set right on the top. It’s a silly little design, a set of two mountains striped with the aromantic and asexual colors, and next to them:

 Stoker & Stoker, Inc.

Aspec brothers in crime

Where the flirting is platonic, NOT erotic!

 Underneath the cards, there’s a new climbing rope, striped with greens and whites and greys and blacks, and a matching set of metallic purple carabiners, something that Tim absolutely never would have thought of but that’s perfect nonetheless. Danny takes a card in one hand, runs the thumb of the other over the edge of the climbing rope, and looks at Tim.

 And Tim thinks he gets it, then. Why people put so much time and effort into giving people thoughtful, meaningful gifts. Because Danny’s expression isn’t fucking with him or relieving the pressure or just being nice or even this was what I’d always wanted. It’s something truer, something softer, something that sits in the pit of Tim’s stomach and burns softly, warming him gently from the inside out

 Yeah, Tim’s never going to be able to go back to generic gifts after this. He’s going to need a much larger coffee budget.

 (This conviction lasts, at least, until later in the evening, when Tim confesses that Sasha helped him with the gift and Danny laughs and says I figured, before saying in a quieter voice that the climbing equipment is great but the cards were Tim. That the black socks and novelty mugs and vanilla candles were generic but that they were Tim as well and that Danny had made it a game to try and guess what Tim was going to get him that year, keeping a bet with Sasha on how long it would take Tim to accidentally give him the same gift twice.

 Hey, Tim says, but his mouth is twisted into a smile. He ruffles Danny’s hair in that way he hates and says that he’ll stick to the basics from now on, then, and they put on some shitty comedy that Danny insists on watching and eat ice cream until their stomachs hurt.

 And if Tim sees Danny glancing at the business card every so often, wearing a smile so soft it’s almost melting, he certainly isn’t going to mention it.)

#tma #the magnus archives #tma fic #the magnus archives fic #aspecarchives #tim stoker #danny stoker #sasha james #my writing #my fic #internalized acephobia // #internalized arophobia // #acephobia // #arophobia // #aroace danny stoker #asexual tim stoker #sex-favorable tim stoker #i am once again on my stoker brothers bs

[tepkunset]

New Mutants #14 (2020) Review

New Mutants #14 marks the change in writing hands from Ed Brisson (derogatory) to Vita Ayala (affectionate), and I can wholeheartedly say I found more enjoyment from this single issue by Ayala than all the writing thus far by Brisson, combined. (Actually, that goes for anything I’ve read by Brisson... Yes, I am still salty about him somehow managing to write an X-Force series that’s so boring it was a chore to get through.)

The very first page immediately captured my attention, opening with a flashback to 16th century Egypt. It’s a setting that any well-read X-Men fan can immediately associate with the Shadow King; one of the creepiest and most formidable foes the New Mutants have ever faced. He is also a villain that is an especially significant source of trauma for Karma, having stolen her body for months before finally rescued by her teammates and released from his control. With the flashback immediately followed by Karma and Dani discussing Karma’s nightmares, it certainly reads like a set-up for a connection between these nightmares and the Shadow King’s return. This has me hopeful that Ayala will take the opportunity to give Karma some time to be the centre of attention for a change, as she is so often pushed to the sidelines. This is going to be a personal matter for her, and she deserves the spotlight.

The (intimate?) moment between Karma and Dani was so sweet, too. They were never particularly close in the classic original series—Karma kept on popping in and out of the series, after all. But in vol 2 when they both took on the role of teachers at Xavier’s school, their friendship really grew, and it’s a relationship I love to see...

…I also feel they have a lot of romantic chemistry together. And boy, I sure felt that with the close-up Karma timidly brushing her hair back out of her face, followed by the close-up of Dani’s hand before she takes it, and they hold their gazes...

Exploring Karma’s nightmares reveal she’s dreaming about her twin brother, but doesn’t remember him. I’m wondering what this has to do with the Shadow King? Because I’m currently theorizing it does, somehow. But even more so, I’m wondering how it is she doesn’t remember Tran. Xavier altering her mind seems the likeliest, but just what does he think he’s doing? The way Ayala presents these nightmares vaguely but with enough substance to theorize on and anticipate more is so good.

The little fight demonstrating how the characters’ powers can make combo attacks was very cool, and I think a really creative way of breathing some new life into their established abilities. I also really, really, REALLY appreciated Ayala remembering Dani’s primary power is, you know, mirages, and having her use those in battle just as much as her psychic bow. Dani’s illusion powers were always so cool to me. It did make me unreasonably sad to see James inside a Warlock suit of armour, though. Damnit, it almost felt like Warlock cheating on Cypher... #TeamSurpreme #TeamFuckOffBeiBloodWhatever

In terms of characterization, as a whole I think Ayala did a good job establishing their knowledge of those on the team. I especially appreciate that Illyana is written as the brash rebel who still cares I know and love her as, and not the one-dimensional show-off asshole she’s been portrayed as in a lot of comics lately.

But there is one thing that still annoys me: The fact that Illyana is still being used as the leader, when Dani is right there. It feels even more out of place than it’s been up to this point, with Ayala taking the New Mutants in the direction of mentors to the younger mutants. Of the current group, Dani, Karma and Rahne have all been teachers and mentors. Illyana has never had any interest or experience in teaching. Unless you want to count the time she took the Academy X kids on a fieldtrip to Limbo, where David got his heart ripped out, Anole lost his arm, and she took a piece of Pixie’s soul. So why is Illyana the one taking the lead in instructing the kids?

The moment that really made my mouth drop, was something I was not expecting: Gabby asking about the apparent no-clone rule on Krakoa. I was honestly convinced we would just never have that acknowledged, after it was practically a throw-away line in Hellions. The whole scene is done really well in my opinion, with Gabby also raising extremely an good point about Mr. Goddamn Sinister on the Quiet Council, and how hypocritical that is on multiple levels. I think it’s also an opportunity for Gabby to get some character growth, if it’s something followed up on. Given the New Mutants don’t seem so convinced of their own reassurances, I’m not ruling it out.

The cliff-hanger revelation that the Shadow King is on Krakoa was wild, and I can’t wait for details of just how in the goddamn fuck that bastard is back, on the island, and I suppose manipulating all those kids? He must be in some way, because I can’t imagine that not even Anole, who’s no newbie, wouldn’t question who this guy is. Certainly he would have at least heard about the Shadow King by now, if not taught about him at some point.

I hope that Reis sticks around for a least a little while, as I’m still very much enjoying his artwork. It so suits a series like the New Mutants, with the saturated colours and a painting-like quality. It’s very distinctive, but also in a way reminds me a little of Sienkiewicz’s work in the classic New Mutants? Which I also love.

I’m not sure if this was part of Ayala’s script or an initiative Reis took on his own, but I love the ongoing gag of Warlock mimicking the others in the background of different panels. I may be reading into this too far, but my interpretation is he’s feeling lost without Doug, and so he’s really clinging hard to his other friends as people to follow.

All in all, Ayala has proven they know their stuff, and I am very excited for more. It feels like the New Mutants are truly back!

#new mutants #marvel comics #meta