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sothischickshe · 4 minutes
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Idiocracy (2006)
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sothischickshe · 18 minutes
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but Thank God Annie finally realised what Noah did… 
Oh shit I’m dying to see what she is gonna do next. I love Mae and I wanna see her on an emotional, hardcore scene so I can also feel the things I felt with Retta and Christina tonight.
I mean, I Always feel for her charater but to be fair the writers were soft on her character ths whole time.. C’ mon writers, give ma girl something!
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sothischickshe · 34 minutes
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sothischickshe · 48 minutes
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sothischickshe · 1 hour
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Beth the bad bitch tilted that tile on purpose, she stared right into the mirror so it’s probably really behind it eff off Turner
That’s a good point!
I swear I thought (still kind of do) that she hid the book behind the mirror - that was my first reaction.
But I can totally see Beth adjusting the tile to throw Turner off. And if she did hide the book in the ceiling, you bet that she’d be far more careful than that. Beth isn’t the type to overlook a detail like that.
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sothischickshe · 1 hour
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alessia ❤️❤️❤️❤️
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sothischickshe · 2 hours
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something so disconcerting to me about how community wasn’t moved to peacock immediately because it was NOT a successful show for nbc - but now it’s going there because nbc sees the monetary value in capitalizing on having both community and the movie on it’s platform. so not only did they basically leave community on netflix initially because they didn’t want it, but only chose to take it for their own once they saw they could profit off of it, EVEN THOUGH THE LAST SEASON ISNT EVEN AN NBC SHOW god i fucking hate capitalism sometimes can we all just live in the woods maybe
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sothischickshe · 2 hours
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Rio when Beth was like “Are you hungry?” “Want me to make you a sandwich?” Lol so this how we seducing people now?
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sothischickshe · 2 hours
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So I know most of you are only thinking about friendlies this international break but my national team Iceland is actually being forced to play Euro playoffs against Israel in a few days. Israel is the “home” nation for the match but Iceland refused to go there so Hungary will host on behalf of Israel. Unfortunately the Icelandic team has kind of sucked recently, but I really hope they have a rare moment of brilliance on Thursday, Israel has absolutely no business going to the Euros this summer!!
Iceland’s manager enraged Israeli media and sports personalities with this:
“UEFA takes care of all the rules in this and we are part of UEFA. If we don’t play we will be banned and risk further punishment by not playing another member nation. But if you ask me personally, I would hesitate to play Israel, as it stands now. Because of what is going on in Gaza, and because of what they have done to women, children and other innocent citizens. It shouldn’t be done, and we shouldn’t be playing this game if you ask me. But we have to play because the consequences would be so great for Iceland if we didn’t.”
I thank him for not staying silent and wish him and his team the best of luck on Thursday 🙏
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sothischickshe · 2 hours
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Vampire Appreciation Week 2022  Day Two: Favorite Vampire/Vampire or Non-Vampire Dynamic ┫Damon Salvatore & Elena Gilbert
You are, by far, the greatest thing that ever happened to me in my 173 years on this Earth. The fact that I get to die knowing that I was loved, not just by anyone, but you, Elena Gilbert. It’s the epitome of a fulfilled life. It’s never gonna get any better than this. I peaked.
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sothischickshe · 3 hours
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Stan is the best!
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sothischickshe · 3 hours
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Gabriel Jesus 🔥
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sothischickshe · 3 hours
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“i like money.”
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sothischickshe · 3 hours
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I’m dying at Stepford Beth stealing a chapstick😂that repetitive song and slow mo😂😂😂😂😂😂
That scene might be one of my favorites of this episode. When Beth starts to realize that this is the life she’s signed up for when she’s standing in the aisle debating paper plate patterns. You can see it start to sink in, and to break out of that, she takes the chapstick.
And I love that we see her using the chapstick later on! I think it acted as a sort of reminder of the thrill committing a crime gives her.
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sothischickshe · 4 hours
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sothischickshe · 4 hours
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do you have advice on how to write genuine dialogue? i have a very severe case of when getting into the mindset of writing, and specifically writing dialogue, i only regurgitate whatever i have heard/seen from other media. it just seems unoriginal, ingenuine, and for aesthetic value only (i end up writing something out of a poem and not real people conversations). please help 😞
Writing Dialogue That Sounds Natural/Genuine
1 - Know Your Characters Well - One of the most important elements of writing natural/genuine-sounding dialogue is making sure you know your characters well. If you don't know who they are... their personalities, their experiences, what they care about, what they know and don't know... then you can't accurately envision what they'd have to say in a conversation. See: Making Personalities Unique and Keeping Them Straight
2 - Flesh Out Character Voice - "Character voice" is how your character's background, experiences, and personality affect what they say and how they speak. This isn't about quality of voice... it's about vocal personality. See: Giving Your Characters a Unique Voice
3 - Know What They're Going To Talk About - There's nothing that sounds more unnatural and inauthentic than characters having a conversation that has no relevance to anything. That said, it's super important to understand why you're writing this dialogue scene... what are you trying to accomplish with it? How does that move the story forward, move character development forward, or deliver important information to the reader? What needs to be said and why? Being clear on this can help you craft dialogue that sounds natural and genuine because it's relevant and serves a purpose.
4 - Balance Exposition, Action, and Dialogue - Overall, we want our stories to have a relative balance of exposition (explaining things), action (things happening), and dialogue. We want a relative balance of exposition, action, and dialogue in our scenes, too. What I mean by "relative" is you generally wouldn't want a scene that's all dialogue, very little action, and no exposition. (And I say "generally" because there can be exceptions... short scenes, scenes that serve a unique purpose, scenes with unique requirements, etc.) So, it's important to really think about the needs of your scene, what you're trying to accomplish, and make sure you've got a relative balance of dialogue, exposition, and action (as long as it works for the scene.) See: Exposition, Action, and Dialogue, and How to Pace Your Story
5 - Write Dialogue with Sensory and Emotional Depth - We never want our dialogue to be just words batted back and forth between two or more people. Dialogue needs to have depth, and we give it that depth in two ways.
-- Sensory Details in Dialogue -- Sight: what are the characters doing as they talk? What is their body language? Facial expressions? Hand gestures? How do they physically interact with their environment and others in the conversation? Sound: quality of voice (when characters voices get loud or soft, when a voice is gritty or raspy, when the speaker has an accent or speaks with a particular tone or cadence) as we as sounds like coughing, clearing the throat, or sighing... and sounds resulting from the character's interactions with the environment or others. Smell: bad breath or alcohol on the breath... or good breath... the smell of the speaker's perfume or body odor, the smell of a cigarette they're smoking, or a food they're eating.
Taste: there aren't many opportunities to include taste in dialogue, but possibilities would be tasting bile due to something awful someone said in the conversation, tasting food or drink sampled during conversation, or even "tasting" a smell associated with the environment during the conversation.
Feel: again, this will be more environmental... feeling a "chill" in the room when something cruel or scary is said. Noticing things felt due to the environment or interaction with the environment/others. Internal physical sensations felt during conversation.
*** And, it's important to note that I'm not suggesting that you include every sense or lots of sensory details. It's just adding a few that make sense can add depth and authenticity to the dialogue.
-- Emotional Details in Dialogue --
You also want to be sure to explore the emotional impact of the conversation as well as what characters are thinking as they participate in the conversation, and what they feel about what others are saying. As mentioned above in the "feel" portion of sensory details, you can explore the internal sensations caused by emotions felt as a result of the conversation. Stomach turning due to something unpleasant being said. Butterflies in stomach due to something exciting being said. Chill up the spine due to something scary being said. You can also explore emotions through visual emotional cues, which brings us back to things like body language, gestures, and facial expressions. Letting us know what characters are thinking and feeling (emotionally) during the conversation--or what they appear to be thinking and feeling if they don't say or we can't be inside their heads--adds depth and authenticity to the dialogue scene.
Happy writing!
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sothischickshe · 4 hours
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CHRISTOPHER “RIO” MARTINEZ in every episode:
↳ 3.04: “Dave”
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