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yamayuandadu · 3 days

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What is your opinion on the article "Mesopotamian or Iranian? A New Investigation on the Origin of the Goddess Anāhitā" by Alireza Qaderi?

He proposes that Anahita is possibly the syncretism of an Iranian Water goddess with Annunitum, and while it largely makes a lot of sense to me, especially with how it points out that we can't treat the Avesta as we know it as identical to the Avesta in Zarathustra's time, it also assumes the Central Asian goddess Ardokhsho comes from Aredvi Sura instead of Arti, and everything else I've seen just says Ardokhsho comes from Arti, although I haven't seen much literature on either deity tbh

Sorry it took me a few days to answer this ask even though it’s basically laser focused on my interests. I had some other stuff to read and unpleasant work duties to perform and couldn’t properly go through the recommended paper.

My feelings about the paper are mixed. I think anyone who remembers Annunitum was a distinct deity as early as in the late third millennium BCE deserves at least some credit. The notion of interchangeability of goddesses still haunts the field, fueled by Bible scholars, Helsinki hyperdiffusionists and the like. Overall the author shines in the sections dedicated only to the evaluation of the broadly Iranian material, but as soon as the focus switches to Mesopotamia things fall apart, sadly. More under the cut. Hope you don’t mind that I’ll also use this as an opportunity to talk about Annunitum in Sippar in general. I've been gathering sources to improve her wiki article further (don’t expect that any time soon though).

The Iranian material

Criticizing the vintage attempts at equating Anahita with Sarasvati is sound and sensible. Same with stressing that she is distinct from Nanaya and Oxus. The criticism of theories depending on lack of familiarity with the historical range of the beaver was a nice touch too, it demonstrates well that the author wanted to cover as much previous literature as possible. However, I also have no clue what’s up with “ΑΡΔΟΧΡΟ has an ambiguous relationship with Arədvī Sūrā”, I’ve also only ever seen this name explained as a derivative of Ashi/Arti save for a single paper trying to force a link to Oxus which was met with critical responses. It’s entirely possible this is an argument I simply haven’t seen though, I’m also not really familiar with this matter.

Overall the arguments against seeking Anahita’s origin in the east are perfectly sensible, and line up with the evidence well - no issues at all with this part of the paper. Following a more detailed list of Anahita’s easter attestations from Shenkar’s Intangible spirits and graven images. She appears on some Kushano-Sasanian coins, but this seems to reflect importing her from the west relatively late on since she appears in neither Kushan nor Bactrian sources. The coins are even exclusively inscribed in Middle Persian, with no trace of the local vernacular.

For unclear reasons Anahita caught on to a degree even further east in Sogdia, but attestations are limited to the period between fourth and sixth centuries. Since they’re largely just generic theophoric names, it is hard to call her anything but a minor deity of indeterminate character in this context, though. I’ve seen the argument that the popularity of Oxus in the east might have been the obstacle to introducing her. Oxus was a bigger deal in Bactria than in Sogdia so it could even explain why Sogdians were slightly more keen on her, arguably, even if they and Bactrians came into contact with her cult under similar circumstances.

Back to the article, the section dealing with the western attestations starts on a pretty strong note too. The need for reevaluation if it’s fair to talk about Achaemenid rulers as “Zoroastrian” is a mainstay of studies published over the past 10-15 years or so. I can’t weigh on the linguistic arguments because I know next to nothing about that.

I’m not sure if I follow the argument that it makes no sense Iranian population wouldn’t need a royal order to start worshipping a new deity as long as they were Iranian, tbh - linguistic or cultural affiliation doesn’t come prepackaged with automatically updated list of deities one is obliged to instantly adopt as soon as they pop up into existence. Following this logic, why didn’t Sargon’s Akkadian speaking subjects in Syria just adopt Ilaba before being obliged to do so? You will find literally hundreds of cases like this, it’s a very weird argument to me.

The Mesopotamian material

The biggest problems start once the coverage of Mesopotamia begins. The rigor evident in the strictly Iranian sections of the article just… vanishes and it’s incredibly weird. Herodotus as a source is… quite something. The phrase “ a goddess with a Semitic character” is… well, quite something too (Reallexikon generally advises against defining anything but languages as “Semitic” in Mesopotamian context - Mesopotamian is a perfectly fine label to use, and accounts for the fact that Sumerian, Hurrian and Kassite are not a part of the Semitic language family). It keeps repeating later and admittedly I’m not very fond of this. Especially when it pertains to the west of Iran, where deities originating in Mesopotamia were worshiped since the late third millennium BCE - they were more Elamite than Mesopotamian by the time Persians showed up, really. The matter is covered in detail in Wouter Henkelman’s Other Gods who Are with Adad in the Persepolis Fortification Archive as a case study.

Cybele was by no means Mesopotamian (with each new study she keeps becoming more strictly Phrygian, with earlier Anatolian, let alone Mesopotamian, influence becoming less and less likely) so I'm not sure what she's doing here, Nanaya’s associations with lions is almost definitely an Iranian innovation and not attested before the late first millennium BCE; despite earlier sound arguments against ascribing strictly Avestan Zoroastrian sensibilities to people in the late first millennium BCE, that’s basically what happens here. Lions were evidently viewed favorably by at least some Persians and especially Bactrians and Sogdians.

The less said about the part trying to link evidence from Palmyra to Inanna and Dumuzi (what does a marginal spouse deity like Dumuzi, entirely absent from Palmyra, have to do with Sabazius, a veritable pantheon head equated with Zeus?), the better. Frazerian bit, if I have to be honest.

I’m not sure about the enthusiasm for Boyce’s argument that it makes little sense for Anahita to simultaneously be a river goddess and to bestow victory in battle. The latter characteristic lines up well with her elevation to the position of a deity tied to investiture of kings, which in turn is something which boils down to personal preference of a given dynasty. The character of deities isn’t necessarily supposed to be one-dimensional and having distinct spheres of activity because of historical factors is hardly unusual.

Stressing that it’s not possible to treat Anahita and Ishtar as interchangeable is commendable. However, I don’t think it’s possible to claim continuity between the religious beliefs reflected in the relief of Anubanini and first millennium BCE Media. The argument is not pursued further, to be fair, but it’s still weird.

The next huge issue is the treatment of the late “Anu theology”. A good recent overview of this matter can be found in Krul’s 2018 monograph (shared by the author herself here).

For starters, it’s completely baffling to declare Anu had no spouse at first; Urash and Ki are both attested in the Early Dynastic period already - and the former appears reasonably commonly in this role in literary texts and god lists. Even Antu might already be present in the Abu Salabikh list.

Attributing Inanna prominence in Uruk and in the Eanna in particular to identification with Antu is utterly nightmarish and one of the worst Inanna takes I’ve ever seen; the fact it’s contradicted by information of the same page makes it pretty funny, admittedly. Inanna’s ties to the city go back literally to the beginning of recorded history (some of the oldest texts in the world are demands aimed at cities under the control of Uruk to provide offerings for Inanna ffs), and probably even further back. Meanwhile, Anu for most of his history was an abstract hardly worshiped deity; Krul stresses this in the beginning of her book linked above. I’m not a fan of ancient matriarchy takes which are often lurking in the background when the cases of earliest city goddesses like Inanna, Nisaba and Nanshe are discussed but I do think the need to downplay Inanna’s prominence and elevate Anu which pops up every few years in scholarship is suspect and probably motivated by sexism, consciously or not, tbh.

Trying to make the “Anu theology” which developed in the late first millennium BCE an influence on the entirety of Mesopotamia and beyond is puzzling. Sabazius appearing in Palmyra with a spouse is tied to Anu, somehow? The fact that deities had spouses is? Atargatis ties into this somehow? I’m sorry, but I’m not following. Also, Uruk was no longer a theological center of the Mesopotamian world in the first millennium BCE. Babylon was, and before that Nippur. There is no need to speculate, there are thousands of texts to back it up. The late sources from Uruk in particular show that Babylon was somewhat forcefully influencing the city, not the other way around.

The Anu theology was a display of local “nationalism” of Uruk and had a very limited impact. There is evidence for some degree of late theological cooperation between Uruk and Nippur, and possibly Der as well (Der itself despite being located with certainty has yet to be excavated, though, so caution is necessary), but nothing of this sort is to be found in the late sources from other locations.

Annunitum = Anahita?

Finally, let’s look at the core idea behind the article.

Right off the bat I feel it’s necessary to stress Annunitum generally wasn’t regarded as an astral deity. In the Old Babylonian period, the Venus role was evidently handled by Ninsianna in Sippar; later on they aren’t even attested there but the regular Ishtar is. Seems doubtful it would actually be Annunitum who got to be an astral deity there at any point in time.

This claim is also highly dubious. There is no evidence that Antu was ever worshiped in Sippar, let alone that she was equated there with Annunitum; she doesn’t show up at all in Jennie Myers’ 2002 thesis The Sippar pantheon: a diachronic study. Paul-Alain Beaulieu stresses her lack of importance all across Mesopotamia save for first millennium BCE Uruk here. There is also no evidence that the late Anu theology impacted Sippar in any capacity. Shamash retained his position in the city until the death of cuneiform. Even in Uruk, Annunitum in the late sources appears only in association with Ishtar and Nanaya, not Anu and Antu. I will repeat how I feel about the need to assert Anu’s importance where there is no trace of it. Overall it feels like unrelated Mesopotamian and adjacent sources from different areas and time periods are used indiscriminately; which is ironically the criticism employed in the article wrt the treatment of Iranian textual sources by other researchers. The Assyriological sources employed leave a bit to be desired, too. In particular Abusch’s Ishtar entry in the Dictionary of Deities and Demons in the Bible is a nightmare (he’s good when he covers incantations but his broader “theological” proposals are… quite something), here are some quotes from it to show how awful it is is a central point of reference:

Of the other authors cited, Jacobsen is Jacobsen and a lot changed since the 1960s. Roberts was criticized right after his study was published by researchers like Aage Westenholz. Langdon’s study from the early 1900s is an outdated nightmare, I guess we know what’s up with the Dumuzi hot takes now. Beaulieu is great but his papers and monographs aren’t really utilized to any meaningful extent, I feel.

Other criticisms aside, I’m unsure if Annunitum was important enough in the fifth century BCE to be noticed by Artaxerxes II as postulated here, especially since Shamash was right next door and definitely retained some degree of prominence. Most if not all cases of Mesopotamian deities influencing Persian or broader Iranian tradition reflect widespread cults of popular deities - Nanaya, Nabu (via influence on Tishtrya), Nergal (in the west, around Harran) - as opposed to a b-list strictly local deity. And it’s really hard to refer to Annunitum differently. Let’s take a quick look at her position in the twin cities of Sippar - as far as I am aware, the most recent treatment of this matter is still Myers’ thesis, and that’s what I will rely on here.

Annunitum is first attested in Sippar in the Old Babylonian period, during the reign of Sabium, though as a deity already locally major enough to appear in an oath formula alongside Shamash. In the Early Dynastic period Sippar-Amnanum was likely associated with an enigmatic figure designated by the logogram ÉREN+X who doesn’t seem to be related to her. When and how exactly the tutelary deity change occurred is not presently possible to determine and admittedly of no real relevance here.

Evidently Annunitum’s cult in Sippar was influenced to some degree by the Sargonic tradition she originated in, her temple was even called Eulmaš just like that in Akkad. It’s not impossible it was even originally founded by one of the members of the Sargonic dynasty, but in absence of pre-OB evidence caution is necessary. There is no shortage of later rulers who wanted to partake in the Sargonic legacy, after all. By the earliest documented times, it was the second most important temple in the Sippar agglomeration, and the only one beside the Ebabbar to have its own administrative structure. Annunitum was even referred to as the “queen of Sippar” (Šarrat Sippar; note that by the Neo-Babylonian period this title came to function as a distinct goddess, though). In Sippar-Amnanum there was a street, a gate and a canal named after her. A bit over 6% of the inhabitants of both cities bore theophoric names invoking her, also. Sippar-Amnanum was abandoned for some 200 years after the reign of Ammi-saduqa, but it seems the clergy simply moved to the other Sippar next door. Next few centuries are very sparsely documented at this site, but supposedly Shagarakti-Shuriash rebuilt Annunitum’s temple (the matter is discussed in detail here).

Inscriptions of Tiglath-pileser I dealing with the conquest of northern Babylonia affirm that Annunitum continued to be viewed as the goddess of Sippar through the Neo-Assyrian period. According to an inscription of Nabonidus her temple, and Sippar-Amnanum as a whole, were razed by Sennacherib (he also blames “Gutians” for it though by then this is a label as generic as “barbarian”). This might be why her cult had to be relocated to the other part of Sippar again. In the Neo-Babylonian period it returned to Sippar-Amnanum under Neriglissar, though her temple was only rebuilt by Nabonidus. It survived at least until the reign of Darius, though it was only a small sanctuary (É.KUR.RA.MEŠ) like those of Adad and Gula.

There is very little evidence for popular worship of her so late on: only two theophoric names have been identified…. For comparison, Shamash appears in 208 (out of 823 theophoric names, out of a total of 1243 total). Nergal, Gula, Adad and even Amurru are all more common. Aya is also absent, but unlike Annunitum despite her prominence in earlier periods she was actually never common in theophoric names, save for the names of naditu; and naditu ceased to be a thing after the OB period.

Offering lists complicate the matter further. From the reign of Nebuchadnezzar, Annunitum started to lose ground to a duo introduced from Dur-Kurigalzu: a manifestation of Nanaya associated with this city and Ishtar-tashme. Why they suddenly appeared in Sippar and why they overshadowed Annunitum is uncertain, perhaps Dur-Kurigalzu just failed to recover from decline after the end of the Kassite period and eventually the decision was made to start transferring local deities to other nearby major urban centers. The process reversed during the reign of Nabonidus, who ordered an increase in offerings made to her. This might’ve been motivated by his general concern for Sin and any deities considered members of his immediate family - essentially, a display of personal devotion. This elevation is still evident in offering lists from the reign of Cyrus, though.

Overall the paper is quite convincing - outstanding, even - when it comes to the Iranian material alone, and between mediocre and nightmarish once the author shifts to Mesopotamia.

#mesopotamian miscellanea #hinadoll39

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navree · 1 year

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How can you humanize Maegor , if you will make a show about him?

It depends on how far back you're willing to go in his life, because really up until he takes the crown, you can do quite a bit to humanize him and make him someone people want to engage with, without woobifying him or trying to excuse the truly heinous things he does. Starting backstory onwards, there are lot of ways to do this. There's a lot of room to play with in his childhood and the interpersonal relationships that should be his strongest tethers to humanity, but aren't: his relationship with his brother, his relationship with his mother, and his relationship with his father.

Aenys and Maegor are a relationship that was doomed to fail since birth. For one, while the age gap isn't huge, five years is still pretty significant in terms of differences in development as children, which definitely got in the way of any bonding. For two, they also appear to have largely grown up separately, with Aenys spending most of his time by Aegon's side in King's Landing, and Maegor being raised on Dragonstone with Visenya, before the two essentially switched places with Aegon at Dragonstone and Visenya overseeing the construction of the Red Keep in King's Landing. For three, there's also the external factors, such as their incredibly different personalities and viewpoints on basically everything, as well as the fact that, when Maegor was born, Aenys was only very recently removed from the complete breakdown he had due to his trauma over his mother's sudden death, and likely still wasn't in a state to be trying to forge new bonds with anyone who wasn't Quicksilver (and Aegon, but Aegon's grandfathered in by being his literal dad). So Maegor, who we know wasn't making friends on Dragonstone and just in general was probably really isolated from kids his own age due to it being Dragonstone (not unlike how we see with Shireen Baratheon) also isn't getting any kind of connection from anyone close to his own age throughout his entire childhood.

Really, the only person Maegor is close to in any capacity is his mother, Visenya. She's the parent he grew up with, his primary caregiver and his closest relationship not just in childhood, but likely throughout his entire life. In the nature vs nurture debate on childrearing, she's the one who was providing the nurture. Nearly everything about Maegor, his personality and his view of the world and his personal philosophies and his love map in his brain, among many other things, all of that was shaped by Visenya and her influence on him and her care and devotion for him. And with no one else really around to provide him any sort of companionship that he might have needed, and with his other parent being incredibly distant and barely a parent, Maegor likely latched onto her incredibly strongly. I think, if asked, Maegor would say that, should he be found capable of love, Visenya would be the person he loved the most in his life (I'm of the opinion that his relationship with Tyanna was him trying to find a significant other that most reminded him of his beloved mother, not entirely dissimilar to the way that Henry VIII felt that an ideal wife would be one who was almost identical to Elizabeth of York). And we know that this is something that persisted long after childhood, into his adulthood Visenya was his strongest supporter and Maegor relied on her a lot early in his reign, and was publicly devastated when he learned that she had died. His mother was the only parent he ever really knew as a parent, certainly the family member he loved most, adored even, especially in such sharp distinction with Aegon as a distant father. And speaking of that distant father...

I love Aegon, he's one of my absolute favorite Targs, but he was practically just a parent in name only to his second son. And that's going to do a number on someone, no matter who they are. Maegor's father doesn't much care for his mother, certainly doesn't seem to care for him at all personally, and despite the fact that Maegor is probably far more like Aegon, and a far worthier successor, than Aenys, Aegon still dotes on his eldest while barely spending any time with Maegor. And it's not because of anything Maegor's done, or even anything Aenys has done: it's entirely because of Aenys's mother. Aenys is Aegon's favorite, his precious son, not because of anything Aenys has done to earn that, but simply because he is the son of Aegon's beloved Rhaenys, and that his very existence is a way of having Rhaenys still with him after her disappearance/death. We know that Aegon was forever incredibly affected by what happened to Rhaenys and that he never stopped loving her, given that he openly wept when he held Rhaena and was informed that she was named after her grandmother. Meanwhile, there's Maegor, whose own mother's relationship with his father was never very good (marriage of duty for them vs the Aegon/Rhaenys marriage of desire) and had become incredibly cold and distant by the time that he was born, and you can very easily see how that might ultimately affect a kid. He's watching his mother be completely ignored by his dad just for being the wrong woman, he's dealing with himself being completely ignored and passed over in love and affection just because he's the son of the wrong woman, because his mother isn't the lost ghost that Aegon loved and won't ever be able to stop loving. How much of Maegor's prowess in fighting, not to mention the unchecked aggression he showed during training, was borne of trying to impress his martially skilled father and being upset when it didn't work? How much of his continued presence in tourneys and melées was to show Aegon that he was a much better son than Aenys, that he deserved the love Aegon was freely giving his brother just as much? Was there ever a time when he resented Visenya for being his mother when that was enough to make Aegon uninterested, and did he ever hate himself for blaming the wrong person, or blaming anyone at all? How much did he internalize his own feelings about it as the relationship never got any warmer? How did he feel when Aegon finally noticed him enough to knight him himself, and make him the youngest knight in the realm at that? Did Maegor ever want to talk to him about it once he was a young man, did he ever want to try and forge a stronger relationship on his own merits as an adult, did he ever even try?

There's also the matter of Balerion, which is as much its own relationship as a subset of anything that can be played with as it pertains to Aegon and Maegor. For one, we know that Maegor point blank refused to claim any dragon because he felt that Balerion was the only one worthy of him. And you can take that at face value, but you can also go deeper into it, into the ideas that Maegor might not be consciously aware of. Maybe he wants to try and connect with his father on some level through the dragon bond. Maybe he looks at how Aegon gives Aenys so much, his companionship and his throne and his sword and his love, Hell he even gives Aenys a Valyrian bride (Alyssa Velaryon) but demands that Maegor settle for a simple Westerosi, as if he's lesser than and not the blood of old Valyria. And still he waits to see if maybe Aegon will give him something. Maybe once Aegon is too old for dragonriding, he'll give Maegor Balerion, or at least give Maegor the opportunity to try, to prove himself as Aegon's son, to have that connection. And when Aegon doesn't, when it's still Aenys getting everything Maegor might not even realize he wants, that's just another disappointment for him.

But Maegor does get Balerion anyway, once Aegon dies. He finally gets a connection to Aegon that's his alone, and it's after Aegon is already dead and likely after Maegor was already hardening into the man he would ultimately be remembered as. Not to mention, even on its own, Balerion and Maegor's bond is a good way to show a human element to the man. I've always maintained that, when it comes to Targaryens, the most unconditionally loving and the most openly affection and emotional we should see them should really be with the dragons. With their magic and their Valyrian blood and old world roots and just everything about them, even if you don't subscribe to Targaryen exceptionalism, they are pretty far removed from the place they actually live; culturally and ethnically and socially, they are not Westerosi and certainly in Maegor's time, don't see themselves or are seen by others as Westerosi. The dragons, products of Valyria's heyday, are the closest living beings that Targaryens can relate to, and this is doubly important when it comes to Balerion, who was born during the reign of the Valyrian Freehold, who was alive before the Doom. Balerion is a living cultural heritage, and for someone as isolated as Maegor is (and, as we see in his actions re: his marriages and the Faith, as divorced from Westerosi customs and standards as he is), having that connection is probably the deepest one he'd have, bar maybe his mother, and even then, despite that closeness and love, their mutually cold personalities probably made it hard to be open in any deep affection once Maegor started growing up. Dragons and their riders are practically one being, they feel each other's pains and pleasures and angers and grudges and triumphs, and Maegor having something like that, along with the connection to a father he never really was connected to, adds a human element to the man that he was, despite the fact that he used Balerion to do terrible things.

You can also do a lot with Maegor's actions before his own kingship, specifically the reign of his half-brother Aenys. In spite of their differences and distances, in spite of the shadow of Aegon and the relationships he had with his sisters that affected his relationship with his own sons in turn, Aenys does embrace Maegor with open arms. He gives him Blackfyre, another possession of Aegon's that Maegor must have coveted, and he promises that they'll rule together. They're both adults now, and Aenys seems emotionally sensitive enough to have realized that Maegor probably has some deep rooted issues borne out of things that were set in motion before he was even conceived. And while Visenya might have scoffed at the gestures Aenys made for Maegor, Maegor appears to have taken them really seriously. He personally crushes a rebellion against Aenys in the Vale, and makes huge showings of his loyalty by fighting really hard for his brother against his foes. When Aenys makes him his Hand, Maegor takes that responsibility really seriously and is willing to obey Aenys as his Lord and King, as well as protect him. This seems to have been loyalty that was reciprocated, since it's noted that, when Aenys exiles Maegor for his bigamy, he does it because he felt he had no other option than to be mad at Maegor for what he did, due to the huge public outcry, and even then he still offers Maegor a way out. He only exiles him because Maegor refuses to set Alys aside (another way to humanize Maegor, he takes Alys as a wife despite it being a big taboo for most Westerosi and in spite of her being from a pretty minor noble House, and he refuses to leave her even at the cost of losing his home, he keeps her by his side and he refuses to give her up when there were likely a shitton of better options to deal with his childlessness, to say nothing of women from greater Houses with more potential for him politically, but he CHOSE Alys), since Aenys felt that this was the only choice left to him. And Maegor abides by the exile. Yeah, he takes Blackfyre even though Aenys asked him to leave it, but he still goes into exile, and he stays in exile. Aenys rides Quicksilver and Maegor rides Balerion, the two dragons literally go toe to toe with each other and it's so massively onesided because Quicksilver doesn't stand a chance. If Maegor wanted to, he could have very easily repudiated his exile and decimated Aenys if he tried to enforce it. But Aenys told him to go, so he did, and he stayed gone until Visenya came to fetch him back with the news that Aenys was dead. He respected Aenys's word as king, his sovereign authority as liege lord and as the elder brother, and even if he might not have entirely thought the man worthy of what he had, that does speak to a sort of deference in spite of the complexities of their upbringing, and a willingness to obey Aenys despite everything about their personalities.

So, by the time Maegor comes back from Pentos to usurp the throne, there's a lot that can be used to humanize him and make him a compelling protagonist. A close but somewhat stilted relationship with the only parent to have ever tried with him, an unfulfilled, desperate need for approval and affection from a parent who couldn't give that to him due to circumstances entirely outside his control, a brother he didn't know well in his youth and might not have thought worthy of what he had and certainly been jealous of but that he still respected as king and fought hard to defend and that he deferred to even when he didn't have to, at least one marriage that, in spite of what little it offered him and the clusterfuck it caused, he valued enough that he refused to set aside, and an intense bond with a fearsome dragon that you can make him value more than almost anything or anyone. All of that set up can then be used for an extraordinary fall from grace, to watch the potential and nuance slowly grow darker and darker and darker as Maegor does increasingly horrible things, treats the people in his life increasingly badly, descends further and further into the tyranny and madness that will utlimately kill him. There's bright spots that can be used as well, like the fact that he does have Jaehaerys as his heir and doesn't seem to have had him or Viserys treated that badly, even though they were prisoners, and that he didn't actually set out to kill Aegon the Uncrowned at all until Aegon decided to take back his throne and amass an army. Then, as we've watched Maegor slide further and further down, we can watch with a sinking dread as he annihilates Aegon beneath God's Eye, as he turns on Alys and extinguishes her family, as he has Viserys literally tortured to death to punish Alyssa and Jaehaerys and Alysanne for their escape from Dragonstone. So that, by the time we get to shit like the completion of the Red Keep and the Black Brides, we see that Maegor is incredibly far gone, and we can only watch as all the complexities within him are swept aside by the monster he's become, so foul and loathsome that the eldritch abomination that is the Iron Throne finally kills him to stop the madness.

It's not about woobifying Maegor or excusing him. It's about providing a reason for the audience to look back on who he was as he becomes what he was always going to be, to give explanations for why he does the things that he does (how much of his initial militarism and violence and heavy-handedness, before he went doolally, was borne out of not just his martial prowess as a kid but also watching Aenys's version of ruling not work, for instance), and to get people to understand and feel his initial motivations so that the later stuff also makes sense, and so that you're watching something akin to a doomed fall when he becomes Maegor the Cruel. These are, at least to me, some of the most important and influential ways you can humanize Maegor as a character if you're planning to center him in a proper narrative story, without filing down his edges and keeping him as the kind of person he is. Extrapolate on why he is the way he is, and then show him how he is throughout his lifetime and what he does, along with the how and why of what he does.

#personal #answered #anonymous #maegor targaryen #maegor the cruel #yeah i've got a lot of thoughts about the conquerors and the dragon's peace and the sons of the dragon #anyway remember what i said about rhaenys being the glue that held the family together?#rhaenys's death being the reason that everything starts to fall apart?#rhaenys being the figure that looms large over the early reigns of the targaryens?#rhaenys being the ghost that haunts this entire family and won't ever leave them until all the people that both knew her #and were affected by her are dead? yeah i stand by all of that #it's why i'd want a sons of the dragon show to be preceded by a conquest show #so that the intense shift in dynamics and characters once she's gone makes sense #so that the very essence of the story changes when she dies #but anyway i've got Feelings #@ hbo come on guys!!!!!!#i'm right here i'm willing to work for very little money on this!!!!#(and then once i get y'all raking in cash through my correct opinions about the conquest and the sons of the dragon)#(you let me make the augustus show)#hope some of this makes sense i've been thinking about these characters a lot #so sometimes it's hard to organize it all into a cohesive essay

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sciderman · 1 month

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I swear I have read your big post regarding Peter Parker's neurodivergence and why it is best to avoid labelling him, but he definitely has a weird brain

Can't find it and feel kinda sad about it cuz I deeply related to it

i know exactly which post you're talking about and i can't find it either! i've raked through my archive, and it's just - nowhere to be seen. i think tumblr eated it (it happens.)

really, tumblr's search functionality is so so useless, i don't know what to tell you. there are plenty of keywords i can search to find it that post, but the search functionality actually just does not work!

undiagnosed audhd-addled peter parker, my darling, my light, my life, my everything.

i think peter parker's such an interesting creature to write, because a lot of people will point to a certain behaviour about him and say "this is an autistic thing, right?" but a lot of those behaviours are actually, in my head, tied to certain traumas in peter's life too.

people say "oh, the food thing, peter's a picky eater because he's autistic" and yes, absolutely. but also it's tied to his trauma with his parents.

peter gets overstimulated, and yes, it's an autism thing, but also he was bitten by a radioactive spider and his senses are dialled to 11.

it's a similar case i've found for myself, too – where a lot of friends i have kind of diagnose me because i have autistic traits, but actually - i'm hesitant to claim the label or pursue diagnosis because, actually, i know where these certain behaviours come from, and they come from certain traumas. there are events i can pinpoint in my life and say "yep. that's where this behaviour comes from."

so - i think there's a lot of overlap between trauma and autistic traits. the brain is very complex! i think the reason for that overlap is maybe as simple as the fact that people with autism and people with trauma are both doing the same thing - developing behaviours to protect themselves or soothe themselves. so - i think it's nice to be able to see a character like peter parker, who may or may not be autistic, but recognise behaviours in him and see yourself in him.

people who go undiagnosed for whatever reason - people who are really good at masking - so good, in fact, that they have no idea they might be on the spectrum - everyone and anyone at all can look at peter parker and recognise themselves. because i think we discredit the thought that every single brain does the same thing! develops certain behaviours in order to survive. every brain has that same software - we've just all been faced with different hardships that we need to overcome, and that's were all the differences come in.

autism is a spectrum, i guess - everyone falls into it to some degree. and i think events in your life probably push you along on it. but i don't know, i didn't study brain science. probably what i'm saying is very stupid and uninformed. of course there's brain chemistry involved. but i know people in my life living with autism and certain events in their life have exacerbated certain behaviours or made coping with it a lot more difficult. so maybe trauma is a catalyst.

#a lot of my traits have been exacerbated lately and i remember it was much easier for me before #and some of my friends have said “oh it's because you've been masking too long and now you're facing autistic burnout.”#and that made sense to me i think.#but then i found out about the stress thing. me overproducing stress hormone. and that's a very physical thing.#and that explains why i've been overstimulated more than usual lately. and why everything feels like too much.#and i wonder how many of these traits of mine are going to subside once i have lamar removed #and it makes me wonder a lot of things. and it's so weird how much your brain is tied to your biology.#i wonder how much i'll change. i wonder how i'll feel. i wonder if i'll still feel like me. i wonder how much me is me right now.#and how much of me is being altered by weird freaky hormones. who am i?? who will i be??#i'm almost looking at this as like. a superhero origin story of some sort. like this is my spider-bite moment. maybe.#will i be different? will i cope with things differently?? now that my body isn't fighting something anymore??#maybe i'll be normal. i don't know. i don't know.#i don't know what it'll mean for me.#but all of these things mean i relate to peter parker in a certain kind of way #i don't think you have to be diagnosed with autism to recognise and empathise with those traits i think #i think everyone can see themselves in peter. and i think that's the benefit of having characters that aren't diagnosed.#because there's so much overlap in the human experience. and certain feelings aren't exclusive to just one group of people.#peter has such a rich identity actually. it's an autistic thing. it's a queer thing. it's a jewish thing. it's a trauma thing.#there are so many overlapping parts of peter's identity that inform who he is and how he behaves and it's never just one thing.#it's a product of all of his things.#just like me! just like everyone.#so me? i guess i can be a million things. you can explain what i am in a million different ways.#a hundred different psychologists can all come up with different ways to explain why i be the way i be.#i don't think it's something that can be simplified.#sorry wow. i'm really going off here in the tags.#i hope people don't think i'm stupid. i don't know brain science. i'm just philosophising as usual.#sci speaks

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tofixtheshadows · 1 month

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So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

#Dungeon Meshi #Dungeon Meshi meta #Mithrun #Milsiril #Kabru #btw I'm working with the only translations I could find sorry #so keep that in mind #like it just seemed WEIRD to me #that gloomy introverted Milsiril #who left the life of a Canary behind #decided to do this Canary-adjacent work of helping this guy #maybe the queen made her do it because so many people died and they needed more Canaries idk!#but why would anyone pick Milsiril as a life coach? I really think it was her own choice #it's so interesting how we get these hints of a downright sinster Milsiril #I really like the complicated relationship she and Kabru have #struggling to fully humanize him from her elven perspective #but still taking him seriously wrt: his fears over being a monster or his desire to go to a party!#crazy stuff there #everything about Kabru and adjacent to Kabru is insane what a character #musings with Dea

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blluespirit · 2 months

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Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

#zuko #sokka #katara #aang #yue #iroh #zhao #azula #ozai #jet #koh the face stealer #wan shi tong #hei bai #natla #avatar the last airbender #atla netflix #avatar netflix #jack talks #live action series

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lackadaisycats · 2 months

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Why does Fablepaint draw such mean spirited art of Rocky. Is it a personal sense of humor kind of thing? Or does disturbingly mean spirited art the only way for FablePaint to draw this character. Is it possible for some more lighthearted and optimistic stories regarding Rocky to show up anytime soon? I’m not saying this to try to be offensive or aggressive, I just think the world’s depressing enough, why make the fictional world sad as well. I do love the comic, I just wish it was happier.

I don't think Fable's art of Rocky is especially mean-spirited. At least no more so than mine has been. Rocky has always been a character with a knack for getting himself into trouble. I do know that Fable likes Rocky and finds various aspects of Rocky's personality and circumstances pretty relatable. I think a lot of what you're seeing actually comes from a place of affection, and maybe even a little bit of vicarious self-deprecation. I will tell you from my own experiences, this is very common among creators (myself included). A character may not be an intended self-insert of any sort, but you inevitably still end up with bits and pieces of yourself reflected therein. And in many ways, you're also inevitably sorting out some turmoil close to your own heart through the character and the story they inhabit.

-----------------

About the broader topic of sad things in fiction... Yeah, the world is harsh, cruel, and unfair even at the best of times, but I don't think art that fully disregards this does much service to anyone. The most fluffy, pastel-colored, marshmallow-mild media will still tend to present us with some conflict, because that's how a story manages to resonate. It's hard to convey something meaningful about human resilience, or abiding love, enduring friendship, confronting inner demons, triumph over injustice, or about the absurdity of living without acknowledging the darkness. Even if you're just writing something to make light of the implacable dark, it must be there for you to laugh at.

I think it's fine to use fiction as a temporary retreat from your own real life concerns. And I think it's fine to have comfort characters who you turn to when you need some uplifting. There are a lot of really sweet and lovely fan-works featuring Rocky out there that are much gentler with him than Fable or I will be. You can stick with those! That's okay! But canonically, he's part of a story about a tumultuous time in history, and a tumultuous time in his own troubled life. He's a flawed character surrounded by other flawed characters. He's willfully taken on the role of a violent criminal, in fact. And though I don't think the story of Lackadaisy is without happy, silly, lighthearted aspects, it's not only that. I can't change that without undoing everything I've been working toward. I hope that's understandable.

#lackadaisy #lackadaisycats #q&a

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grandline-fics · 7 months

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hi! i just read all of your oneshots and they’re perfect, i’m in love. hoping it is okay to request something with zoro having a soft spot towards reader? he doesn’t even realize it a first, but since reader is somehow quiet and gentle (not weak though!) he starts to take note of small things to do/don’t do or notice their actions (ex: taking care o the crew) a lot more than others. thank you. <3

DESCRIPTION: Who knew you were Zoro’s soft spot? Apparently both of you are the last to know

WARNINGS: none, just pure fluff

CHARACTERS: Zoro

WORDS: 856

A/N: Thank you for your kind words and for this request! I hope it's to your liking. I've been feeling a little under the weather these past couple of days so some fluff was needed <3

MASTERLIST

*REQUESTS ARE OPEN*

It’s tiny things; little, practically meaningless things that are so easy to miss but they’re there. When you first joined the crew, your presence fell into the likes of his and Robin’s; strong but relatively quiet and easily looked passed if you wanted. You didn’t see the point in wasting energy needlessly and knew the value in waiting until letting yourself be known. Zoro unknowingly enjoyed that kind of calm you naturally brought and found himself gravitating towards it because it seemed even when he was in his own space you were still in his eye-line. In the beginning he found it a little strange that it kept happening, he knew you weren’t following him. Hell most of the times you were on the other side of the ship or talking with someone else so he cleared it as coincidence and thought nothing of it. As time went on, there was a lot he was putting down to mere coincidence.

When you were all exploring new islands it was purely happenstance that you two walked side by side. Neither of you were the type to bound about and race ahead without a cause for urgency. He found he didn’t get lost as easily when you were close. You always seemed to know the way to go. On one trip Brook had commented to Zoro how lucky he had been that you were there to talk to him at the right moment otherwise he would have kept walking towards a path that would have taken him towards a ravine. Because of your voice suddenly pulling him into conversation he’d kept the right track and avoided possibly injuring himself and getting a lecture from the others. Lucky right?

It was also luck of the draw that when eating or drinking off the ship, Zoro was sat at the table in such a way that his back blocked you mostly from view from any unwanted stares. It was never in a subconscious way to keep you from interacting with others but it was like another sense he had that he was able to tell when you just wanted to sit with the crew and enjoy your meal. It seemed to go both ways too in that regard. If women tried to approach and flirt with him you effortlessly had a way of making a joke to dissuade them and steer them in Sanji’s direction. Was any of it done out of jealousy, possessiveness of the other’s attention, or an overwhelming need to protect? Not in the least, it was just doing what needed to be done to help out a friend and fellow crew-mate.

On the Sunny it’s no different. It’s not even a second thought, his body just reacts without thinking. In the early, barely waking hours when he’s finished his night watch and is about to grab a quick snack before training he always pulls out a specific mug from the cabinet and sets it on the counter. It’s never for him and like clockwork you appear just as he’s finished drinking a glass of water. Rubbing the sleep from your eyes and stifling a small yawn you always offer him a small smile and greeting that is returned. You both pass each other, your only motivation is caffeine to see you through the last of the watch before everyone else is awake while he goes to the crow’s nest to train.

After all this time it’s never occurred to you to question why your mug is waiting for you when you rise. You don’t know why but it’s something that immediately makes your morning a little bit brighter. It’s also routine now that an hour or so after breakfast, you and Zoro both nap; him to rest between his training sessions and you to grab another couple hours after your night watch. Nami occasionally glances up from her charts to shake her head at your sleeping forms. Robin finds it adorable while Brook chuckles, nostalgic over youth and love’s first stages.

“Jeez they’re both so clueless.” Sanji grumbles, he’s accepted long ago that he doesn’t have a chance with you but is so infuriated that nothing has actually happened. He lost you to the swordsman who hasn’t even thought to make a move. Usopp grins and watches as you stir slightly in your sleep which in turn makes Zoro react before his body relaxes again. Currently he’s lying on his back with one hand tucked behind his head. While the other that’s draped over his chest, his fingers almost touching yours that are curled by your head as you sleep on your side.

From his spot on Sunny’s head, Luffy grins. “I don’t know. I think they do know, in their own way.” It’s the little, insignificant things that you both do for each other that are easy to miss and while a lot of little things add up into something bigger, none of it compares to the way that you and Zoro unknowingly look at each other at any given chance. Because that is something so big that no one else can ignore.

#one piece #one piece x reader #one piece x you #zoro x reader #zoro roronoa x you #roronoa zoro #zoro roronoa x reader #one piece fic #one piece imagines #one piece fanfiction #one piece scenario #one piece fluff #one piece requests

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jupiters-galaxy · 7 months

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I've seen some people criticize how quickly Peter and Steph fell for each other (to the point of being the thing they treasure most), and while I do understand some of the criticism, I think there are a few key things that some people aren't picking up on.

-Treasuring each other IS NOT strictly romantic. While it's true that Peter is in love with Steph, and Steph with Peter, it goes deeper than their repressed love story. They ARE friends. They do genuinely like spending time together, although their connection is relatively new. They care about each other as people first; neither of them seem like they NEED to be in a relationship with the other. They seek each other out even when they're just friends.

-It's also important to remember that the lords in black only want treasured things in the metaphorical sense: they can't give up OBJECTS. It presumably has to be a person or a concept.

-It's important to remember that both of them have been through an unbelieveable ordeal. Peter's closest friends were murdered. Stephanie lost her DAD, and although they weren't close, that can't have been easy to stomach. I cannot stress this enough; Peter and Steph quite literally have no one else left. Peter has no other friends. It logically tracks for him to be attached to Stephanie, as she is someone who experienced the same traumas as him. From Stephanie's angle, she doesn't really like her friends, and since objects are out of the question, Peter is the only person who she feels truly knows her. He's really the only option for her, even if her feelings are confusing.

-I also want to point out that you can really kind of feel them falling for each other, although it is admittedly subtext. Peter is weak to Steph as early as the opening number. He does out of character things to make her happy; a compliment from her makes his day amazing; he faces his biggest fear in hopes of seeing her at Pasqualli's. Stephanie cares for him from the first day they meet, although her care is a lot more ambiguous. She teases him about how he's into her, but at the same time, she's protective of him, feeling horrible that he got beat up and wanting to stop it. Even beyond that, she's inclusive towards him, inviting him to hang out with her simply because she likes his company. Her attraction to him makes sense: we know that Steph has a thing for funny and smart guys, and Peter's geeky snarkiness ABSOLUTELY fits. Their relationship is one that just makes a lot of sense!

-Their relationship is actually portrayed really realistically near the end. They're not intense about their love, nor are they overtly sexual. In NPMD, they don't even kiss! The furthest they go is dancing close together and having conversations, cautiously stepping into a new relationship that they mutually want. Despite the heavy nature of their confessions in As Cool As I Think I Am (Reprise), the payoff is not drastic. The confessions were likely only so heavy because they both thought Peter was about to die. Of course he would go out detailing how he loves her, and of course she would say it back; their last memories together should be good ones. When faced with normalcy, they progress as most teens would.

-At the end of the day, they're two traumatized teenagers who already liked each other before the trauma. It makes sense that they feel like the other is the most important to them; after all, Grace is the only other survivor from their group, and they're thinking about her in a less than favorable way past Richie's death, if not sooner than that.

This is not to say they're perfect, but I think their portrayal was really sweet and a joy to watch. I think the implications are extremely interesting idk!! I love Peter and Steph, I think they're more nuanced than they're getting credit for. I love to see cringefail nerds getting badass and amazing girlfriends, let me have this!!!!!

Anyways yeah that's my hot take. One of many. NPMD is consuming me someone help

#nerdy prudes must die #team starkid #starkid #starkid npmd #npmd #peter spankoffski #stephanie lauter #lautski #npmd spoilers

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infamous-if · 2 months

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Besides the obvious (G and Vic) are any other characters willing/happy to be in a poly relationship? Not as in, 'will we get that in game' or if they would have a poly with other ROs. But, if they found the right person and MC (or any other partner) brought it up, would any of them be in a poly relationship? Or are all of them monogamous? Hope I made sense! Love ur game, hope u are having a lovely day <3

I would say August and O. I think O could thrive in a poly, especially since they believe they have a lot of shortcomings and they'd be relieved that their partner can find what O is lacking in someone else without it being perceived as a bad thing on O's part. That's relevant to their route as well. In terms of what kind of poly relationship, a V-poly (where O is only dating the one) would be ideal for them. But just not in this story. (Too many relationship threads to write already haha)

I've been asked about Sev sorry to break some hearts but Seven is monogamous in my head. IDK I think they have a lot of love to give which would make them perfect for a poly but they are also someone who wants to give all that love to one person and the person do it in return. I can't imagine them being in a polyamorous relationship but who knows !

Hope your day is lovely as well!

#inbox #infamous cast #august pierce #o quinn #seven lawless

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slayingfiction · 1 year

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How I push through writing when I don't feel like writing.

Here are some of the techniques that I use to help me write more often or more consistantly when my laziness/depression/anxiety starts to take over.

I watch TV. I don't do it with the purpose of zoning out though. I watch something popular and well-liked such as the LOR or Harry Potter to get new ideas on how I can develop my story and apply their in-depth world-building ideas to help develop mine. Without plagarizing of course!!!!

Zoning out and daydreaming. As I have mentionned before, daydreaming is a huge part of my story outlining and world-building process. I'll stand in the shower, or take a walk and think about how my charcaters would act/react/behave in situations, mundane or not. Doing this gives me a better sense of my characters, and sometimes gives me ideas for scenes I use later on.

Work on writing related projects. These work well at keeping me distracted while still being productive on my writing goals. Example, I have one story I am working now, I made a new language (alphabet and numbers included) to include as a cool and fun component for the book. So, at times when I don't wan't to write, I continue creating the dictionary (very fun, 8/10 would recommend). Also, for the same book, my characters don't work off the Georigian calendar and 24 hour clock, so I've been working at creating a new calendar (harder than it seems, 2.5/10 dont recommend). These are side projects that help my story, without having to write.

Reading. You saw this one coming, I know. Reading is great, especially when you're editing, your writing style will unconsciously change to be more similar the author you were just reading. Also, most importantly, I'll be reading and think, "this story is really good, but you know what story I like even better? Mine." then change to writing.

This one is my biggest life saver!! I learnt about a year ago that sometimes I'll get bored of writing a story, and have difficulty keeping on track. That's why I finished my first book in 2016 and just started editing the first draft last week. The solution for me was to work on multiple projects at once, because it was much harder to be bored of multiple stories. I stick to 2, but will sometimes add a third. This is easy for me, because I have a list of over a dozen series I want to write. Don't abandon one project for another, use them as a distraction/ motivation for each other, so you're always furthering at least one project. I've never heard someone say, "oh no, i accidentally worked on this other writing project for three months instead of the other writing project I was doing. Dammit." No, we're just happy we have written something. Be sure to have well outlined story lines before starting, don't just start writing randomly or you'll reach a point where you don't know where to go from there.

Author/ writer projects. Maybe this is building a following, or community to share your projects and engage with. Tumblr, Insta, Reddit, whatever it is. My hope this year is to start up my website to offer publishing services (editing, graphic design, short writing courses) and build a following as a writer. (See what I did there? Never a bad time to self-promote ;) ) Having your own projects like this will help you in the future when you're going to try to publish and sell your books!

Talk with friends and a writing community. Never underestimate the passion that will burn inside you when talking about your story, or when others are talking about theirs. Surrounding yourself with a positive writing community can be the best thing for you as a writer.

Write or read (your story) every day. I'm not going to be one of those people that say you need to write 1000 words a day, that's a lot. But maybe try for 100? That could maybe only take 5 minutes, and at the end of the year that's still over 36 thousand words of a novel. Or just read your story, and I've always found it helped me get in the creative mood.

Make a playlist of songs that remind you of your characters, your story, or just puts you in the mood to write. Then play it ONLY when you're having trouble writing. Playing it while writing will not help, you'll get annoyed with the songs.

Just really can't do it today? That's okay, take a break. You deserve it. There's always tomorrow.

Does anyone else have ways they push themselves to keep writing? Let us know in the comments!

Happy Writing!

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steppedladder · 7 months

Text

The fate of A Modest Renaissance

My latest art post was hinting at it but by this point I should just say it outright: A Modest Renaissance will no longer be an MCYT AU. More info under the cut.

Wait, it's ending?

No. If I stopped making content for AMR I think my brain would boil over.

What does this mean?

Characters and the story have changed. Some, like the one I posted today, underwent minor design changes. Other unposted characters got a major rehaul, and with them storyline alterations. In short, this story will now be populated by original characters.

Why?

I talked a little about it before on my twitter, but I got burnt out on MCYT content. I love the community and the people I've met in the fandom but I'd lost interest in most of the CCs and their stories by Doomsday, and by then had only been watching Techno's streams anyway. He was the reason I got back into MCYT with his Skywars videos. When he left, it made sense that I would too.

But I had a whole story plotted out for this blog. Since I hadn't been watching other CCs/drawing heavily on their plots in the first place, as I continued to work on AMR the characters started to resemble their origins less and less. So eventually I was faced with the choice to:

keep AMR a MCYT AU and rarely post art, squirreling away the "real" AMR in drafts, or

convert all of AMR into original content and (psychologically) give myself total creative freedom, but risk losing my audience.

The choice was clear, so I decided I should do what I want.

What about content already posted on this blog? Is it still canon?

A lot of characterization and plot stayed the same through the transition, especially regarding posted content. Think of it like a beta version of the story.

Now what?

I guess introductions are in order for my new(ish) characters. You've already seen Loume by this point, but I'll post new characters as I finish up their designs.

Whether you choose to stick around is up to you. Thank you for everything, and I hope you enjoy the story.

#spem et alium #a modest renaissance #sanya #(formerly technoblade)#i hope you all have enjoyed the story so far as much as i have making it.

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lincolndjarin · 6 months

Text

Best Kept Secret

chapter twenty six : crucifixion

ao3 link ✿ series masterlist ✩ main masterlist ✧

pairing : bodyguard!Din Djarin x afab!princess!reader

rating : 18+ mdni

word count : 12.7k

summary : judgement day.

warnings: major character death, above canon typical violence, very brief references to suicide, torture, body horror (briefly), feelings of despair, blood, wounds, general kodo grossness, vomit (reader vomits several times, it is never described in detail), language, angst, brief smut, pregnancy, death, reader is not doing well in this like she's at a breaking point, i may have missed some so feel free to let me know.

a/n: please read the warnings on this chap! it's the most serious of the bks updates, definitely a bit more intense than the rest. gonna work on getting 27 out within the next few day. i've been terrified of releasing this chapter since i started writing it so once i post this i'm going to dig a hole and sit in it and hide for a while lmao.

i changed my editing style so if there's spelling errors lmk!! apologies in advance!!

“My room is too big.”

He bursts into genuine peals of laughter and you gently smack his arm.

“Don’t laugh, it’s a serious issue! My room is enormous.” You’re giggling along with him now, it’s the hardest you’ve ever heard him laugh. You both just laugh for a few minutes, as if each other's company is the most amusing thing in the world.

Once your giggles fizzle out you wait another moment before breaking the silence.

“Where did you grow up?” You can’t see him but you can sense where he sits in the darkness, you crawl forward so you’re sitting between his legs, your own legs wrap around his waist. “I’m just curious.”

“Aq Vetina.” You can’t recall anything about the planet. You aren’t even sure you’ve heard of it.

“Do you remember your parents well? You don’t talk about them very much.” You put your hands on his shoulders, ever so slowly moving them up to his neck until you’re cupping his face.

“I’ll never forget them.” He whispers.

“I’m sorry.”

“Don’t be. We can’t change the past.” You rub your nose against his, bumping them together as you hum and nod. “My mother loved ships. We didn’t travel, we never had a reason to, but she would take me outside and we’d watch ships fly past. I could never comprehend how she knew the name for all of them, it blew my mind.” You wrap your arms around his neck, staying silent in hopes that he’ll continue, he so rarely speaks so much. “My father worked a lot but he always made time for us, he was always home in time to say goodnight to me. He was always around when I needed him, he always provided for us. On his day off he’d spend the whole day cooking, I’d sit on the kitchen counter and tell him what my mother and I had done that week. When she’d come home we’d all eat dinner together.”

“You sound like you were a happy child.” You can’t help but smile.

“I never had reason to be otherwise.” He says it so matter of factly that you don’t doubt it for a second. He was loved. It only makes you smile wider.

“What were you like, as a child?”

“Well behaved.” You immediately begin laughing once more.

“I find that hard to believe.”

“Believe it. My mother homeschooled me, she always made sure I had manners. I wasn’t particularly athletic or talkative so I didn’t play with other kids a lot. It was just me and mama.” He sounds far away, it makes you want to hold him close and never let him go.

“So what did you do all day?” Your tone has softened significantly.

“I would sew.”

“Be serious.” He’s the one who laughs now at the disbelief in your voice.

“I am! I would sit with my mother after my lessons and we’d sew.” His fingertips dance along the back of your neck as he reminisces.

“What kinds of things?” You don’t tease. When you really think about it you suppose such a hobby is fitting for him. A task that requires precision and care.

“I would help her make clothes and blankets that she would sell most days. On the weekends she’d let me do whatever I wanted so I would practice my embroidery.”

“My heart is actually about to explode out of my chest, you’re so cute.” You put on a mocking tone but the thought of such a thing really does make your heart clench. “Little Din Djarin stitching his name into his clothes.”

“You’re a cruel woman.” He leans forward, knocking his forehead against yours, almost as if he were reprimanding you.

“What sorts of things would you embroider?” Your tone goes back to genuine, you could listen to him talk about himself for days and you’d never get bored.

“Whatever my mother wanted. I would ask her what I should do and then I’d stitch it onto her blanket or the hem of her skirt. Mostly flowers, she loved daisies.” You’re pretty sure one of your ovaries literally popped at the thought of a little boy with dark curls and big brown eyes sitting beside his mother and embroidering a daisy onto her skirt. Your heart flutters a bit as you think of the necklace he got you. The silver outline of a flower you now realize is a daisy. “If he was ever gone for more than one night for work my father would bring her daisies, one for each day he was away.”

“Do you still know how?”

“I used to fix Grogu’s clothes when he ripped them but I haven’t done much else since I was a boy. He says it with finality but you carry on, not wanting him to stop talking.

“What were their names? Your parents?”

“Clara and Arin Djarin.”

“Those are pretty names.”

“What was it like for you? You said you had seven siblings right?”

“Eight actually.” You think of them now. There were eight of you and your parents' love for all of you combined wasn’t even a tenth of how much Din’s parents loved him.

“Do you like having a big family?” He lifts you off of his lap, laying you back down as he crawls on top of you, laying against your chest.

“I love it. I miss my siblings everyday, do you think we’ll be able to visit them someday?”

“If it’s safe to, of course we will.” He tilts his head, if you weren’t in darkness he’d be looking at you.

“I wish they had visited here. They would have loved you.”

“You think?”

“Are you kidding me? The younger ones would adore you.” You tangle your finger in his hair, scratching his scalp. “Kids just naturally like you.”

“They just haven’t learned to fear me.” You frown when he says it like a fact.

“I think it’s more than that.”

“Yeah?” The hopeful tilt to his voice has you leaning down to press a kiss into his hair.

“Kids are intuitive, they can sense that you’re a good person.” He tenses up as you tell him he’s a good person. You know exactly what he’s thinking about now, how he punched your husband and then refused to leave.

Neither one of you wants to talk about that though, not today.

“What kind of room would you want? Since your current room isn’t to your liking.” He’s quick to change the subject and you let him.

“In all honesty, I like the cabin, I wish we could just live there.” You run your fingers through his curls as you think about it, gently pulling through any tangles.

“My cabin?” His voice is full of uncertainty as he pulls back a bit.

“It’s nice.” You feel a bit defensive, you consider the cabin to be the closest thing you have to a home. “Can you imagine getting to stay on Naboo? We could spend our mornings walking the market.” You rest your hand on the back of his neck now. “We could get jobs in the city, and then at night we’d come home.”

“To the cabin?” He still sounds rather skeptical of your hypothetical future.

“I’d cook dinner, you’d do the chores.”

“The cabin’s a bit small for us.”

“We’d make it a bit bigger, add a few bedrooms, we don’t need that much space.”

“A few?” He turns his head, his lips brush against your collar briefly as he kisses you there, freezing up when you speak again.

“At least two, one for us and then some for any little Djarin’s who might need space.” With that he sits up entirely, his legs straddle your stomach.

“Little Djarin’s?”

“And Grogu, he would come live with us as well.”

“You’d want him to live with us?”

“Of course, he’s a little Djarin.” Your hands rest on his thighs now as he seemingly ponders above you. He hums to himself in silence for a moment and you can’t help but grin at how seriously he’s taking all of this.

“How many?” He finally speaks again and you laugh at the bluntness of his question.

“Kids?”

“How many would you want?”

“You go first.” You haven’t ever talked about this sort of thing so you want to gauge his answer first so you don’t scare him too much with all the kids talk.

“Maybe five? Or six.”

“Six?” Your voice pitches up immediately and you feel a rumble in his chest as he laughs.

“Or five.”

“How about two, counting Grogu.” Turns out you didn’t need to worry about scaring him off.

“How about three?” Three is manageable.

“Counting Grogu?”

“Counting Grogu.” He seems satisfied with that.

“I suppose we could have three, you’re the one who has to build all the extra bedrooms.”

“I don’t mind.”

“I’d work at the library and you’d work in a shipyard, we’d take turns staying home with the kids.” You pull him back to you, taking his hands and dragging him to lay his head on your chest once more.

“I’ve got enough savings, neither one of us has to work if you’d like.” It sends a twinge of pain to your heart how real this conversation has become, knowing that this exact dream isn’t possible.

You could always make parts of it real.

Someday.

“I’d want to work, to get out of the house, but you could stay home if you’d like.”

“When they’re still ik’aad, at least for the first few years I’d want to be with them.” He’s going to be a wonderful father.

“Then I’d work, not long hours, just enough to get me out of the house, when I come home I’d give you a break, you could do the shopping and I’d watch the little’s.”

“We’d go as a family, I wouldn’t want ‘a break.’”

“You’d want to wrangle three kids in the markets?” You scoff in disbelief but he continues to sound completely serious.

“They’d be well behaved.” You seriously doubt that.

“What about either one of us makes you think our children will be well behaved? Is Grogu well behaved?”

“We’ll manage.”

“They’ll be wild.” They will, not they would.

“And smart.” He sits up again, hovering above you to give you a quick kiss.

“And happy.” There isn’t a doubt in your mind that your children would be happy with Din as their father.

“You’d really want to live here? I could build us a house anywhere.”

“I like Naboo, at least everything outside of the castle. I don’t even mind the castle, I just don’t care for the people inside it.” It’s true, somewhere along the way this place grew on you immensely. You love the city and the people in it. “And they’d get to play in the garden.”

“I would build you a cabin anywhere you wanted, and I’d plant you a new garden.” He kisses along your cheeks and forehead as he speaks.

“You wouldn’t need to plant me a garden if we lived here.” You insist.

“We can’t live here, mesh’la.” He rubs a small circle with his thumb against your cheek. “This is too serious now, we’re supposed to be relaxed today.”

“When did we agree on that?” You muster up a weak laugh.

“It was a silent mutual agreement.”

“I’m plenty relaxed.” You mumble. He buries his face in the crook of your neck, his stubble tickling you as you let out an airy giggle.

“I’m actually very tense and I think we should take a break from all this talking and take care of that.” He mumbles against your shoulder.

“Oh?”

“Mhmm.” He emphasizes his point by pressing his erection against your hip, you hadn’t even realized that this is where he was going with that.

“How long have you been waiting to jump me?”

“When we started talking about the five kids I was gonna put in you.” He continues to nip at your neck and shoulders as he speaks.

“Skipping the agreed upon three and going straight to five already? You’re not even going to attempt to negotiate for four?”

“So you’re open to four?” He pulls back and you can hear his smile.

“Let’s start with one and go from there.”

“Right now?” His hips stutter down a bit against yours.

“Maker, you’re insatiable.” You both burst into another fit of laughter.

“What’s the worst thing that could happen?”

“I could get pregnant, and considering the lack of sex I’ve had with my husband I’m sure that might raise a few eyebrows.”

“It would never get to that point, when we’re in the clear with this whole Kodo mess I’m getting you out of here.”

“Like… actually leaving Naboo?”

“Exactly like that. I’m gonna take you far away from here when this is over, gonna keep you all for myself.” His hands move down, giving your hips a squeeze.

“I’m already yours.” You laughed, rolling over to be on top of him. He’s right, if you’re going to leave anyway then what’s the worst thing that could happen?

You never talked about that night after that.

When everything sorted itself out you realized how crazy your fear had made you. You couldn’t just leave. At least that’s what you’d told yourself, now you feel like an idiot for not holding him to his words. It wasn’t realistic, you both knew actually leaving would take so much more preparation than a few whispered ideas during a time where neither one of you was in any position to be making such promises.

It was just talk.

Lysa came to get you from the dining room.

After everyone left you had no motivation to move, you just stood there, frozen in time. After a few hours she found you, she had taken your hand and walked you back to your chambers. She held your hand, she kept you upright when you threatened to crumble. And when you felt a wave of nausea ripple through you she rushed you to the fresher, a hand on your back as you threw up all over again.

You sat breathlessly on the tile, Lysa rubbing your back.

“Gods, I’ve been nauseous since the wedding. Even before everything fell apart.” It’s the first words you’ve spoken since they took Din, your stomach is still churning. “This has never happened before.” You groan, you’ve had many moments of upset throughout your life, but none that made you physically ill. Lysa looks almost painfully worried.

“Ma’am… is there a chance you might be…”

Kriff.

You never talked about that night after that.

Maybe you should have.

You both did a lot of things during those days. You had been so angry, and he had done everything in his power to ease that anger, to keep both of you as happy as someone could be in your situation.

You shouldn’t have used that as an excuse to be reckless.

“I’d like to go to bed.”

“Of course.” She helps you to your feet, walking you back to your room, you turn to her one last time before you close the door.

“I’m sorry. Elaine never should have gotten involved in all this.” You’d trade places with her in a heartbeat if you could.

“It’s not your fault.” She truly seems to believe that.

Except it is. Elaine never would have found herself in this situation if she hadn’t so often been helping the two of you keep your secret.

“Goodnight, Lysa.”

“Goodnight, princess.”

You lay on the bed, unable to bring yourself to sleep in the closet.

It’s cold. Colder than Hoth, as you stare at the ceiling in your far too big bed in your far too big room. Even bigger now that it’s just you.

You let your hand roam down your torso to rest on your stomach.

Just you, hopefully.

☆

You’re now having nightly dinners with Kodo.

You don’t get any respite from him, you just want to stay in bed. You’re nauseous and tired and your head hasn’t stopped spinning since that night. A million thoughts a minute.

Where is he?

Is he okay?

What the fuck can I do about it?

Mostly that.

The worst part is your lack of a plan. If the roles were reversed Din would have already rescued you and you’d be living happily ever after.

But that isn’t how your story is going. Instead you are alone, with no scheme on how to get to him. It’s only been three days but it’s driving you insane, you have never known such hopelessness, it’s maddening. To sit alone in your room all day, staring at the ceiling until Lysa comes to dress you for dinner. Neither one of you ever speaks, afterall, what would you say to each other?

“I’m sorry the love of your life had been sentenced to die?”

How morbid.

Not that you’re above being morbid.

You think about it often. How easy it would be to drive your dinner knife into Kodo’s throat. You’re seated beside him now at dinner, both of you at the head of the table, joined by the rest of his family.

The thought of killing him is the only thing that brings you peace these days. You’ve never once in your life been violent until now. Din is good. He’s a good man. In every way he is the opposite of your husband yet Din is the one locked away, Maker knows where, while Kodo is being rewarded.

It doesn’t make you mad, it makes you furious.

It makes you want to poison his wine.

But you don’t have poison.

And you can’t put yourself in danger. Because you feel fundamentally different, and even if you refuse to think that such a thing is possible you know you wouldn’t just be putting yourself in danger. There’s more at stake now.

That’s what you tell yourself to stay calm, a feat that is getting harder by the minute as you’re sat beside Kodo who is currently bragging about how he defeated a Mandalorian.

“They aren’t as strong as you think they are. Under the armor they’re weak, pathetic.”

It took six battle droids to keep him down. You didn’t even get near him.

“Some people just need to be taught a lesson, don’t touch what isn’t yours.” He sneers and the rest of the table erupts into laughter. “I certainly taught that horned bitch a lesson as well, you all should have seen what they brought me last night.”

You perk up, this is the only thing they’ve said in days that truly matters to you. You’ve heard nothing about the current state of either of them until now.

“What did they do to Elaine?” Everyone’s head turns to you, all their expressions look as if you’ve announced something treasonous but Kodo smiles as if he were explaining something to a child.

“She was properly punished, the way someone who observed such a crime with no intervention should be.” He puts his hand over yours when he says it.

You don’t ask for any follow up.

You don’t think you could stomach it, so you stay silent for the rest of your meal. When you’re finished you stand, the rest of the table is starting to pour more drinks but you simply lean down, mumbling something about being tired before giving Kodo a quick kiss on the cheek and dismissing yourself.

You’re waiting for the night where he joins you in your chambers, after all his father is dead, but it has yet to happen. He had told you that once he was king he would be in need of heirs but he seems happy enough with his pleasure houses and you’re more than grateful for the women you entertain him so you don’t have to.

So you return to your chambers alone, peeling off your gown before burying yourself under the covers.

Sleep evades you as you toss and turn. You aren’t even tired, there’s too much going on in your mind, there’s no room for exhaustion. After about an hour you manage to drift in and out of unconsciousness, earning a brief reprieve from your anxieties until a sharp knocking has you jolting upright.

You don your robe, rubbing sleep from your eyes as you rush to the door, you’re too tired to wonder who might even be bothering you at such an hour as you pull the door open.

Lysa?

“We have to hurry, ma’am.” She grabs your arm, frantically tugging you into the hall.

“Lysa? What are you doing? Are you okay?”

“I am fine, but we don’t have much time.”

“Surely you have enough to tell me where we are going.”

“Do you want to see him or not?”

Din.

You nod, taking her hand as he rushes onward, stopping at each hall to peer around the corners until you make your way to a servants stairwell, skipping several steps in your descent until you run out of stairs. You’ve never been down here, you didn’t even know there were dungeons until recently.

It makes your stomach twist in knots the moment you stare into the darkness.

“Are there no guards?” You whisper, squeezing her hand.

“Not for the next hour, I’ve made sure of it.” She begins walking down the poorly lit corridor, pulling you along behind her.

The stone floor is damp and it smells of mildew. Your bare feet are already freezing after just a few steps.

Every cell you pass is lit from the outside with a hanging lantern, they’re mostly empty, but you catch glimpses of movement out of the corner of your eye every now and then. In all honesty you’re doing your best to take in as little as possible, you don’t want to think about Din being down here in such a place, but there’s one element you can’t ignore.

The wailing.

Someone is weeping, a low, sorrowful song filling the vast maze of halls and you realize quickly you’re heading in its direction, Lysa tenses beside you as you continue on. You’re about to turn one more corner when she abruptly stops, turning to face you.

“He needs to eat.” She removes a fistful of rations from her apron pocket, shoving them into your hands.

“He hasn’t?” He’s been down here for three days.

“He won’t… let me.” You pause, cocking your head to the side and she gives you an apologetic look when she turns. “He won’t let me uncover his face.”

Oh.

“I’ll feed him.” You nod slowly, tucking them into your own pockets before turning the corner. The contents of the cell immediately on your right have you stumbling backwards but Lysa is not swayed, pulling a key from her pocket, unlocking the door quickly before handing it to you.

“He’s two cells down, on your right.” She doesn’t look at you as she rushes in, pulling a roll of bandages from her dress. “Shh… it’s okay, I’m here.” Her voice goes soft as she kneels beside Elaine. You can’t help it as you step into the entryway of the cell.

Well, you’ve found the source of the wailing.

She’s sat on a cot, curled in on herself as Lysa carefully peels back a series of soiled bandages from her face.

“I’ve got you, it’s just me.” She continues to make an attempt to sooth a rather hysterical Elaine as she peels back the final layer of bandages and your stomach flips. “You’re okay, love, I need to change these.” You don’t know how Lysa is so calm, even in the darkness you can see the extent of her wounds. Now you know what they brought Kodo last night.

Both eyes.

“She was properly punished, the way someone who observed such a crime with no intervention should be.”

Oh gods.

You’re worried you may collapse as you watch Lysa tend to her with no hesitation, cleaning them with a careful hand before she begins to redress them. You can’t bear to watch any longer as Elaine begins sobbing once more. You try desperately to force the sight of your mutilated friend from your mind as you count down two more cells before quickly fumbling for the lock, letting it hit the floor as you take the lantern outside the door off its hook, bringing it into the dark room.

It isn’t like Elaine’s cell.

There’s no bed or interior light, it’s terribly dark and fetid, his cell running deeper than her’s. It takes a few steps for you to finally illuminate the room enough to see him.

Maker.

What have they done to your Din?

You don’t hear Elaine anymore, there isn't a single thing that could distract you from the scene in front of you. There is nothing but the sight of your kar’ta. There’s too much for you to worry about, you don’t even know where to start, you’re frozen in place, a small part of your brain refuses to recognize the man before you as Din at all. He shouldn’t look like this.

Armorless.

They’ve stripped him of any clothing you recognize, the thought alone makes you nearly lose your dinner.

They took his helmet, replacing it with a linen sack.

Did they see his face?

You briefly have to shut your eyes, taking a deep breath as you take in the rest of him. His clothes are too thin, he must be freezing, they’ve dressed him in a cotton tunic and trousers that end just below the knee. You can see just how beaten and bruised he is. Unlike Elaine he’s in chains, kneeling on the floor with his hands shackled, taut above his head. You swallow the lump in your throat and finally crouch down in front of him, setting the lantern down beside you as you reach out to place a hand on his chest.

“Din…” Your voice cracks and the moment you come in contact with him he flinches back. Suddenly you know how Lysa held it together so well with Elaine, she just had to. You can’t fall apart, who would care for him now if you did? “It’s me, just me. Just me.” You whisper and place a hand over his heart but withdraw it quickly when he trembles under your touch. You ache at the sight of it but more than anything you’re confused, it only takes a moment for you to realize the issue.

He doesn’t have his helmet. They’ve not only left him here blind, but deaf, of course any touch would frighten him.

He assumes you're here to harm him.

You lean in, careful not to come in contact with him as you speak clearly and loudly.

“Din?” His trembling stops instantly. You find it a bit troublesome how much worse his hearing seems to have gotten in such a short time, you’re half tempted to reach under the bag to make sure he still has his ears.

“Sarad?” Oh, Din. His voice is terribly small and it sends you forward, wrapping your arms around him as you pull him into an unreciprocated embrace.

“I’m sorry, I’m so sorry.” You make sure to speak loud enough for him before pulling back, placing your hands against the fabric covering his face.

“Are you okay?” He coughs a bit as he asks and you almost laugh at how ridiculous the question is considering the state he’s in. Are you okay?

Technically no.

But far better than he’s doing.

“I’m perfectly fine, what can I do for you? Are you hurting?” You feel his face through the bag as you look down across his body. It doesn’t look like there’s been any permanent damage outside of a pretty nasty cut on one of his legs.

“Don’t worry about me.”

“Now’s not the time to play the hero, Din.” He flinches a little and you calm your tone immediately. What the hell did they do to him? “Just let me help.”

“How’d you get down here?”

“Lysa, she says you aren’t eating.”

“She’d have to lift my- the bag to do it.” He sounds apologetic, as if you could ever fault him for following his creed.

“It’s okay… may I?” You bring your hands to the hem of the bag but his head turns sharply.

“I- I don’t want you to look.”

You have no response. He’s always wanted you to look.

“I just, I don’t think you wanna see the condition I’m in. I don’t want your only memories of my face to be this.” He whispers when you don’t respond.

You should have looked when he asked you to. You should have done a lot of things differently.

You shouldn’t have waited so long to look.

You shouldn't have waited so long to tell him you loved him.

You should have just let yourself love him. Why did you fight it for so long? It seems silly now. If you could do it all again you would have just taken his helmet off the first night you met him and you would have married him right then and there. You would have left Naboo that night.

And you would never keep any of it from him. You would tell him how important he is and how loved he is, you wouldn’t make him wait.

Even now you can’t help it though, censoring yourself out of fear. Do you tell him about how nauseous you get every morning? About the way Lysa stares at your belly when she does your makeup?

No.

It wouldn’t do either of you any good, not when he’s in this situation.

You take hold of the edges of the bag once more, gentler this time.

“I’ll close my eyes.” You lift the fabric completely off of him, setting it in your lap as you simultaneously shut your eyes. You keep one hand on his face, using your thumb to find the corner of his mouth as your other hand fumbles to open a ration bar. You feel him part his lips as you feed him. He’s barely chewing, eating quickly and swallowing most of it whole. “Have they fed you at all?” You whisper as he finishes the first bar in a matter of seconds, his teeth lightly scraping against your fingers before you withdraw them, tearing open another bar.

“No.” His voice is still soft as you go to feed him once more, opening each package until he’s eaten them all.

“Are you still hungry? I could see if Lysa has more.”

“I’m okay.” You let your head fall forward, resting your forehead on his.

“What else can I do for you?”

“Nothing. Being here is enough.”

If you had felt helpless before it was nothing compared to this. This is more than helplessness, it’s despair.

“I’m sorry.” You pull yourself further into his lap, wrapping your arms around him in the process.

“Hey… none of this is your fault.” It certainly feels like it is. Why does he keep comforting you when he’s the one shivering and alone down here?

“Please, there has to be something I can do to help you.”

“There is one thing.” You almost open your eyes, you're so relieved, you just want to ease his pain.

“Anything. I’ll do anything.”

“I need you to promise me you won’t look.”

“Won’t look?” Your eyes are already closed, you couldn’t look any less if you tried.

“When they do it. I don’t want you to see it- it won’t be pretty.”

When they separate his head from his body.

“I won’t.” You can’t deny him this, you’ll give him anything he wants. “Do you know how much I love you?” You whisper before leaning forward another inch to kiss him.

The question is genuine. It terrifies you to your core to think that he may not know just how much you love him.

“Of course sarad.” He murmurs against your lips until you let your head rest on his shoulder, fighting back tears.

What do you say now?

What do you say to a man condemned to death?

“I love you.” You mumble into the thin fabric of his tunic.

“I love you too.” After a moment more with him you hear metal jingling as Lysa locks Elaine's cell once more. You quickly pull back from him, pulling the bag back over his head, once you know he can’t see you anymore the tears flow freely. Lysa steps into the cell and you remove your robe, wrapping it around him, immediately he begins to protest.

“Mesh’la, you can’t leave this here.” His voice is strained and it makes you sick to think he started crying once he was out of sight as well.

“Please, y-you’re gonna freeze.”

“They’ll know you were here, sarad’ika.”

“Din…” You’re practically babbling as Lysa removes your robe from his shoulders, an apologetic look on her face as she grabs your arm.

“Ma’am, I’m sorry, but we need to go.” Tears sting your eyes as Lysa urges you to hurry but you don’t want to leave him, you want to stay, no matter the consequence. You pull away from her, wrapping your arms around his torso.

“You need to go.” His voice is urgent through the fabric as you cling to him tighter.

Would it be easier to just stay? Get caught and join him at the executioners? You’re genuinely considering it when you feel your stomach churn once more and you’re reminded of the exact reason why you can’t stay. Before you lose your nerve and shatter completely you lift the bag, just enough to give you an eyeful of his split lip and bruised jaw as you gently lean in and kiss him one more time.

Doing everything in your power to remember exactly what it feels like.

The curve of his lips and the shape of his chin, the overgrown stubble brushing against your skin as you press your face harder against his, desperation taking over as you taste salt on his lips. You hold him as long as you can, until you hear Lysa urging you to make haste once more.

“I love you.” You press your forehead to his through the fabric, feeling the familiar shape of his face against yours.

“I’ll always be yours.”

That was the last thing he was able to say before you let Lysa drag you out of the dungeons.

☆

It’s like everythings suddenly back to the beginning.

You wake up alone, you go to bed alone, and you wander the castle alone.

There is no plotting or scheming to free Din.

Even if you were a trained killer or bounty hunter, it would be more than difficult to get him out of the dungeon and on a ship off Naboo. It would be even harder to do so when you’re one of the most recognizable people on the planet.

He is buried deep beneath the ground and there is nothing you can do about it.

After all, you're just a doll.

You don’t know when it happened but all your clothes are blue again. Every dress Lysa fetches from the closet is a different shade of blue and all your nightgowns are the color of the sky. A personal brand put on you by Kodo. It’s clearly more than just a preference now, it’s a reminder to you and everyone else that you’re his.

And time blends.

You know a date was set right around the time you visited him. One week until Kodo’s coronation and two until the execution. His first public event after being crowned king will be a death sentence, how fitting.

So you wake.

And you sleep.

And you walk.

Kodo never replaces Din and you haven’t seen Leo since that night, so you’re completely alone. It’s like he’s rubbing in the fact that you’re powerless. There’s no need for you to have a guard, you can’t leave. If you tried you’d be escorted back in an instant.

You tried to convince Lysa to let you see him again last night.

“Please, just a few minutes-“

“I’m sorry ma’am, it’s just not possible. The only reason I was able to get you down there the first time was because the guard that usually lets me in was working nights, he won’t be working nights again until next month.”

Din won’t live to see next month.

“Is he eating?”

“He won’t let me-“

“You need to insist. Tell him I insist, and tell him you’ll close your eyes.”

She pins back a bit of your hair, leaving half up and half down. You both bask in the silence for a moment.

“I’ll make sure he eats.”

“Thank you.”

That had been the last conversation you had with Lysa.

She doesn’t come to dress you in the morning. You think nothing of it and dress yourself in the gown she’d laid out last night. It’s a bit difficult, putting your coronation gown on on your own but eventually you manage, when you’re fully dressed in the obscenely decadent blue fabric you begin to worry.

You have no reason to assume that everything is fine. It would actually make sense for this to be a worst case scenario situation, everything else in your life is right now.

You’re about to leave in search of her but you decide against it. Sitting at the vanity and doing your makeup as quickly as possible, the last thing you need to do right now is give Kodo a reason to be upset with you, you have to be presentable. You smear the shimmering blue eyeshadow across your lids before rushing out of your room.

The halls are full. Servants move quickly from room to room, cleaning every inch as you carefully push through the crowds, making a beeline towards the dining room.

Kodo is seething when you push open the large doors.

He stands at the end of the table, shoving an armored guard as the veins in his neck jut out in his rage.

“Where could she have possibly gone? She’s blind. You’re telling me some blind bitch outsmarted my entire guard?”

Your heart flutters at the thought.

They escaped.

Your hope is shattered the moment Kodo begins speaking again.

“At least we still have the Mandalorian… I want security tripled, guards stationed outside his cell at all times.” He continues grumbling for a moment until he realizes you’re there. “Happy coronation day dear wife! I’m afraid we’ve had a rough morning here, somehow in the night the Togruta girl escaped, do not fret, we’ll find her.”

God's you hope not.

Even if things are worse than ever regarding Din there is one flicker of light in that darkness. Lysa got Elaine out. Knowing that almost puts you at ease.

“Happy coronation day.” You actually manage a smile when you look at your husband, it’s weak but it’s genuine. You want to be mad that they didn’t help Din escape but you just can’t be. You know they most likely tried but if the roles had been reversed and you could only get one of them out you wouldn’t hesitate.

So there is no animosity. Just a flicker of happiness for them.

They got out.

☆

You were under the impression that a coronation was a happy event. Yet when you step out onto the castle steps it seems to be quite the opposite.

They look miserable.

All of their faces are sullen and dejected. How shocking, no one is excited about Kodo being crowned king. He didn’t have any of the outside of the castle decorated or made presentable in any way. No one reacts when Kodo reads from an ancient looking book until a crown is placed on his head.

A moment afterwards you’re instructed to kneel and a tiara is placed onto your head.

The audience is silent and you feel shame when you stare out at them.

Even if you don’t have very much power you still feel as if you’ve failed them. The feeling follows you when you’re directed to the dining hall with Kodo.

“I have a couple gifts for you, wife.” His twisted smile makes your stomach turn as you enter the dining hall, now decorated with blue and gray banners.

“A gift? You shouldn’t have, my king, I- I didn’t get you anything.” You feign remorse as you take a sip of the wine in front of you on instinct before spitting it back up into the cup.

“That’s more than okay, you’re my gift, sweet wife, all mine.” The thought of such a thing makes you sick, you smile despite yourself.

“That’s very kind.” You’ll only ever be Din’s. No amount of blue fabric and faux smiles can change that. He snaps his fingers and a large box is brought to you by a servant, they set it directly in front of you on the table. You look at Kodo who nods, sitting back in his chair as you stand, the box is wrapped in checkered blue paper, a large bow adorning the top. Your hands tremble a bit as you take hold of the edges of the ribbon, tugging on them until the bow slips free, much to your surprise the entire box falls open, the sides collapsing giving you an immediate view of the contents.

The silver, shimmering contents.

Din’s helmet.

Polished like new, it sits before you, and the room suddenly empties. It’s as if you are completely alone, despite all the eyes that are most definitely pinned on you right now. Your hands continue to shake as your fingers wrap around the beskar steel, like you would when you held Din’s face, lifting it to glare into the visor.

Empty.

You can’t help but stare at your own emptiness reflected back at you.

You want to hold it close, press it to your forehead but you’re snapped back to reality by the grating sound of Kodo’s voice breaking you from your focus on the helm between your hands.

“That’s only one of your presents, open the next one.” He hisses gleefully.

You set the helmet down, realizing there was another, much smaller box underneath it. Silently you scoop it up and cradle it in your hands. It’s a larger than a ring box, it just barely fits in your palm as you ever so gently open it, swinging the top open as if it were a tiny treasure chest.

Huh.

It takes a moment.

You aren’t exactly sure what it is you’re looking at at first but when it registers your entire body tenses up, your grip tightening on the gift box.

Bloody and pink, a tongue.

Of course you know better than to assume Kodo would give you any old tongue. This is a special someone’s tongue.

No, no, no, no, no.

You had loved his tongue before anything else.

He can’t do this, he cannot do this to you.

You had fallen for his sharp wit first, it was what drew you into him. His sweet words had won you back, his declaration of devotion.

Now you hold all of that in the palm of your hand.

“What do we say?” His nasally voice breaks through your mental anguish.

No.

“Come on, where are your manners?”

Please.

“Thank you.” Your whisper is nearly silent as you struggle to keep down the scream bubbling in your throat.

“What was that?”

You clear your throat.

“Thank you.”

He makes you take it with you. You don’t bother telling him you won’t be attending the coronation ball in a few minutes, it’s not like you’ll be missed.

In one arm you’re cradling his helmet, in the other the little blue box.

You set each one down carefully onto the bed, even if it’s a bit demented these are the only parts of him you have left. You stare at the little box.

You have never been hateful.

Kodo made you into this. You are full of hate, for most things at this point. You hate your husband, you hate your room, and most of all you hate the little blue box on the bed.

And the music starts.

It must be deafening in the hall for you to hear it from your room but it’s there, loud and demanding of your attention.

You’re moving before you even have a chance to think about it, in a few quick strides you’re standing beside the vanity, your hands gripping the top of the mirror as you pull it down in one swift motion, the contents spill everywhere and the glass shatters in an instant, shards splattering the floor but you take no time to process it.

You move on to the next thing.

You yank each drawer from the dresser, throwing them to the floor, clothes strewn about until it’s light enough for you to push the entire dresser over. In your frenzy you go about the room toppling every stupid fucking table over. So many fucking end tables in one room, and you throw everyone to the floor, trinkets and vases clattering to the ground as you destroy the room. You get a rush of adrenaline as you lift one of your nightstands and throw it against the wall leaving a small dent but more importantly the force of it makes anything hanging on the wall tumble to the floor, glass frames shatter.

Your chest heaves as you stare at the carnage.

And it isn’t enough.

Your face is wet with tears and your hands with blood from cuts you didn’t feel upon your skin as you tear open the closet door, the pile of blankets mock you from the floor, you grab them, your vision now blurry with tears as you pull them out of the closet, throwing them onto your bedroom floor. When you return to the closet you’re in a frenzy, you tear at the fabric before you, yanking each and every dress off their hangers, ripping what you can.

There is nothing else for you to do, so you destroy everything you can get your hands on until the only thing left untouched is your bed, left in pristine condition as you let out a small sob.

Maybe you are a hateful person now.

You feel as though you have every right to be at this point.

You step over the shard of glass, giving your bloody hands a glance before wiping them on your gown.

Happy coronation day.

You sit on the bed, your trembling fingers wrap around the helmet, now that you’re alone you waste no time to hold it against you face, until your body just gives up, too tired to stay awake anymore.

☆

A guard wakes you in the morning, knocking on your door, when you answer it they tell you Kodo requires your presence in his chambers.

You dress in a blue gown that you don’t look too closely at. Stopping at the fresher on the way, rinsing the dried gore from your palms, wincing as you clean your wounds. None of which seem too deep.

You want to cut Kodo’s tongue out, to make him feel it. But you know that sort of thing would be an impossible task. So you daydream about it as you walk. You’re more than displeased when you open the door and are greeted by Leodall. You hadn’t seen him since that night and from the looks of it he wasn’t expecting you. He swallows loudly when you step inside Kodo’s room.

Normally you’d be curious, you’d probably take a look around but your eyes refuse to focus on anything but Leo as you scowl at him.

“Why’d you do it?” You don’t hesitate to ask, you have no idea how quickly Kodo will be joining you.

He simply stares at you, shame apparent on his face.

“You owe me an explanation at the very least.” You cross your arms in front of your chest as he clears his throat.

“I thought he’d reward me.”

You laugh. A harsh dry sound

“What could he have possibly given you that you couldn’t have just asked me for?” Your gaze never softens and you’re practically seeing red as you stare at him.

“I thought he’d give me a lordship.”

You can’t help it as another crisp and pained laugh slips past your lips.

“You thought Kodo would raise your status? I thought you were supposed to be smart.” Is he an idiot? “He doesn’t see servants as people, if you wanted such a thing you could have asked me, maybe I could have done something.”

A glimmer of something similar to hope flashes through his eyes.

“Would you- would you consider doing so now?”

“You cannot be serious-” Your expression goes from fury to disbelief as you stand.

“It seemed worth asking.” He puts his hands up defensively as you storm up to him, poking a finger into his face.

“You slimy little weasel, it should be you on the chopping block, not him. If it were up to me I’d have them put your head on a spike.” The words pour out of you like venom.

“I would be nicer to me if I were you.” He sneers and your incredulity only grows. You can’t help it, you scoff in his face.

“I would rather die.” A part of you really means it.

“You might if you aren’t careful, I saved your life by letting Elaine and your Mandalorian take the fall, I could have told the king that you were a willing participant. I saw the two of you together, I read your little rules. He never forced himself on you. I wonder what Kodo might think about that.” You aren’t a fighter, you’ve never so much as thrown a punch in your life but you grab him by the collar of his shirt and slam him into the wall, the back of his head hits the stone and you don’t feel an ounce of remorse as you do so.

“Do it.” You tilt your head to the side, almost as if you’re taunting him. “Tell him.” Any of the confidence he briefly had is gone in an instant. “The moment you do I’ll tell him that you’re covering your tracks, and that you made a pass at me. I wonder how Kodo would reward you for trying to touch what’s his?” Leo’s head turns as you both hear Kodo’s piercing voice in the hall. You release your grip on his shirt, brushing off your gown as you turn towards the door. Kodo and three others make their way into the room as Leo coughs behind you.

“Dear wife, I have another gift for you.” He takes a step to the side, gesturing at a line of three people you don’t give so much as a glance. He doesn’t even seem to notice the obvious tension in the room. “A new staff!”

“I don’t need a new staff, I’m fine on my own.” You abandon the pleasantries. You’re in such a state of upset right now, what's the point?

“You’re the queen now, staff is required. These three will replace the ones you've lost in a week, until then Leodall will be training them intensively to tend to your every need. Two guards will also be assigned to you but I promise they will be much less loathsome than your Mandalorian.”

All five of them will be trained to keep an eye on you. To report back to Kodo, after everything with Din you should have known he’d keep you on a shorter leash.

You barely look at them.

You hate them.

You shouldn’t, they’ve done nothing wrong, but you hate them.

You give each one a quick up and down, naming them in your mind.

A BD-3000 droid commands the most authority just based on how she stands so you mentally note her as Elaine's replacement. You’ll call her new Elaine.

New Lysa is a pasty young blonde woman with rosy cheeks. You truly wonder how well informed she has been on your circumstance. She’s smiling from ear to ear and seemingly couldn’t be happier to be here.

And new Leo is somehow even more nervous looking than actual Leo, practically shaking like a leaf at the sight of you. The bags under his eyes are worse than your own. A lanky thing with messy brown hair.

There’s no reason for you to fight this, Kodo always gets his way so why bother. So you nod. You don’t pretend to be grateful this time, instead you shove your way past all of them, content to return to your room and never leave.

☆

The morning of the execution comes before you’re ready for it.

Of course you didn’t sleep last night, how could you?

You dress yourself, apparently your new staff isn’t starting until tomorrow, not that you mind another day to yourself. You manage to find something that isn’t blue, a gray dress trimmed with gold, the closest thing you’ll find to funeral attire. No one else will dress with any respect for him but they can’t stop you. Your vanity is destroyed so you don’t bother with your hair or your makeup, you simply don’t care enough.

For the most part you feel nothing when you open the door, only emptiness until you look down.

Someone left you a small vase of flowers.

You pick them up, taking a closer look but your heart skips a beat when you do so.

Daisies.

After a few short breaths you throw the vase into the wall across from your door, tiny shards of porcelain fly everywhere as two servants at the end of the hall give you a look of horror. Your shoes crunch over the remains of it as you make your way down the hall and to the entryway of the castle.

Kodo insists that the two of you get to see him first.

You’re sweating wildly out on the steps as you wait.

Long before you’re ready for it they bring him out.

A shivering skeleton of a man with a linen bag over his head, immediately bile rises in your throat. Kodo is grinning ear to ear when his legs are kicked out from under him and he’s forced to kneel.

Kodo himself reaches forward and tears the bag off, too excited for any decorum or finesse.

You gasp as you stare down at the broken man before you.

In all honesty he isn’t at all what you envisioned.

His eyes verge on being hazel; they're such a light brown. You’d always pictured them to be nearly black. It doesn’t matter what color they are though, when you see the tears forming in his lash line you flinch, clutching the ring on your necklace to silently let him know silently just how much he means to you.

He’s a mess.

You don’t like looking at what those weeks in the dungeons did to him and the last thing you need to do right now is empty your stomach on the palace steps.

He’s too thin. Far, far, too thin, it’s like his entire being has shrunk down. He’s hollow.

Your breath hitches when Kodo grabs a fistful of his dark hair, forcing him to turn and stare at the crowd. They must have cut it while he was down there it’s a mess, jagged edges and shorter than you’re used to.

“This man has committed an act of treason against the crown.” His voice is loud and booming as the city goes quiet. “For such a crime he shall face the proper punishment.” He yanks him downawards, you watch in horror as Din’s head hits the stone, an incoherent mess of sounds pour from his bloody mouth and you have to look away.

He didn’t want you to look.

You remind yourself to try and calm your breathing. You can hear the scuffle as they drag him to the guillotine, placing his neck into the wooden divot, your heart threatening to beat out of your chest as you turn to look. His eyes are everywhere but on you as he looks at the people around him, desperately pleading for his life. Not a single person so much as glances at him, afterall, it’s just nonsense, no one can understand him without a tongue.

You can’t stand it, you almost cover your ears but you manage to resist as Kodo puts an arm around your waist, pulling you close to him.

“You’re welcome, sweet wife.” He whispers, his breath hot and wet against your ear.

Fuck it.

You don’t suppress the shudder in your spine as you shoot him a look of disgust. In a matter of moments everything you care about will be gone, why pretend any longer.

A bellowing chime plays from a nearby clock tower and you know it’s time, you straighten up as you stare at the guillotine in abject horror.

This is it.

Your chest rises and falls in sharp short bursts as everyone prepares themselves, a hush forming among the crowd on the street.

And it begins, a chain reaction that you cannot stop now that the executioner has his ax raised above his head.

You had expected more. More time.

A part of you thought that time would slow, that you’d have a chance to stop it.

But no.

There is no epic fairy tale moment where the sun glimmers off of the blade and the executioner raises his ax, giving you this perfect moment to run to him, to shield him from the inevitable, to beg them to take you with him.

That moment never comes.

You barely have enough time to close your eyes like you promised him. In one unbroken motion the rope is cut, the blade falls and boom.

Just like that, he’s gone.

When you hear the metal slicing through the air you squeeze your eyes shut, hearing only the wet crunch as it cuts through flesh and bone. A soft, squishy thud when his head hits the stone.

In fashion with your decision to no longer hide your disgust from Kodo you vomit. Bending down you puke onto the stones, spraying your own, and Kodo’s feet. The triumphant smile on his face vanishes as he realizes what’s happened. You wipe your mouth on the back of your hand, refusing to look at Din’s limp body as you give Kodo one last look of detestation before turning around and running back into the castle, not caring what anyone thinks anymore.

The moment you’re inside the reality of it all settles in as you feel tears falling wildly as you run up the steps to your room.

☆

You have been good, and kind, and in return the maker rewarded you by killing the love of your life.

So when you stand in the center of your demolished room you do the only thing your body can do at this point.

You scream.

From deep within your stomach, you scream, loud and raw.

If anything was left unbroken in your room you’d be throwing it at the wall. But there’s nothing so you scream.

You shriek.

You howl.

And you wail.

You scream until there is no more noise. Your voice, like the rest of you, gives up.

You aren’t sure how late it is when you finally stop. You’re tired and it’s dark outside and your throat is raw.

And you lay on the floor. Because the bed is too big, and too cold, and the closet is so empty. So the only place left to sleep is there. You lay on the floor with no more tears to cry and no more sounds to scream as you stare at your bed, only from this angle can you see a rectangular shape under your bed frame.

You wipe your nose with a stray piece of fabric before slowly crawling over to it, you sit on the floor and when you retrieve the item a brand new lump forms in your throat as you stare down at the box Din had bought all those days ago at the market.

Your failsafe.

With quivering hands you open it, staring into the small space containing a mess of items but what catches your eye is a piece of folded paper with your name on it. You take it between your fingers, opening it, careful to not let your tears fall onto it.

Sarad’ika,

If you’re reading this then I’m afraid things aren’t going all that well for me. There are plenty of possible reasons as to why I’m no longer with you, but what’s important is that I plan on doing everything in my power to get back to you. There is only one thing in the galaxy that could keep me from your side, and if that is my fate then this box will ensure you’re taken care of.

The most important thing is for you to get off this planet. I have included a few possible plans for you, do what you have to to survive. Elaine will help you escape.

You can seek out Greef Karga on Nevarro. Tell him Din Djarin sent you, tell him what’s happened and he will see to it that you are cared for. Explain our circumstances and I am certain he will provide you with safe lodging.

Tatooine is also an option. You’ll find a Mandalorian there by the name of Boba Fett, he will not turn you away. You will be protected there, if you need to relocate for some reason after that he will help you locate the Mandalorian convert. Show the Mandalorians your ring and you will be cared for the rest of your life, the convert will protect you.

As an absolute last resort there is a planet located in the Outer Ring called Ossus. There is a school there, taught by a man named Luke Skywalker. I doubt he would be eager to take you in but you must insist. Bring the chainmail, they’ll know who sent you. Take care of each other.

In this box you will find enough credits to get you off planet and take care of you for several months, a year if you’re frugal, I suggest you take a few jewelry pieces to pawn off for extra credits as well. You will find a small chainmail shirt, and a necklace of mine.

And lastly you will find your vibroblade.

Protect yourself. You’re strong, and more than capable of doing so.

I have one request for you, please, I will only ask this one thing of you.

Be smart.

You are the smartest and kindest person I have ever had the honor of knowing. Be smart, take care of yourself. If the roles were reversed I know that I would go to extremes to either get you back, or find justice for you. And all I can do is ask that you do not attempt any such thing, the only thing I would ever want for you is safety and happiness.

So seek those things out.

Be safe. Be happy.

I was lucky to know you, and even luckier to be yours.

an ner kar'taylir darasuum,

Din

All my love.

You flip the paper over, desperate for more, more Din, but all you find is scrawled coordinates to each location. Your fingers sift through the items, everything he promised is found inside but you latch onto the blade. Laying back down on the floor you clutch it between your fingers as you think of Din.

Din, who was yours.

Din, who they took from you.

Who Kodo, took from you.

And your grip on the knife tightens.

☆

Two guards stand outside your door round the clock now.

They never follow you or come into your room but they’re there, silently watching as you direct all your anger at your new staff. As promised Leo trained them to be as persistent and infuriating as he was.

When the two new girls come to fetch you in the morning you can’t help it when you scream at them to leave you alone and to stop trying to clean the ever growing mess of things.

It doesn’t matter that it isn’t their fault, you can’t stand the sight of anyone.

All three of them try. New Elaine and Lysa show up three times a day, trying to dress you and squeeze their way past you into the room but after enough shrieking they always leave you be.

New Leo usually tries once or twice a day, you don’t even look at him. You always stare at the floor, when he tries to speak you give him the same treatment as the girls, screaming at him and slamming the door.

Why should you let them in? You know what they are. They’re here to spy on you, to be Kodo’s eyes while he’s busy being king. They’re easy to evade. When you leave to fetch yourself food or a book from the library you easily outrun them. The two girls are worse at navigating the castle than you were when you first arrived and new Leo has a bad leg, sometimes he’ll make attempts to limp after you but they’re always unsuccessful.

You think of nothing, day after day because there is nothing to think about.

Except for the fact that Kodo took your future away from you. He took everything from you.

If you thought time was blending before Din’s death nothing could have prepared you for now. You don’t track the days as well, you keep your curtains drawn and only leave when you get hungry or start to think of Din. The last thing you need to do is have another screaming fit so you keep him locked away in your heart, an ache that’s always there that you don’t address.

One day, in a fit of tears you took your knife and decided on a whim to kill Kodo. You didn’t care about the repercussions at that point you just wanted him to suffer but the moment you opened the door you nearly tripped, stumbling backwards the guards didn’t so much as glance at you.

Another vase of flowers.

You’re tempted to just kick them down the hall but you can’t help yourself when you lean down to pick them up.

A bouquet of blue lilies. Your nose twitches at the sight of them, out of the corner of your eye you see new Lysa and new Elaine approaching so you take the opportunity to slam the little glass vase into the stone floor. Glaring at them when you do before returning to your room.

☆

Maybe it’s been three days since Din died.

Maybe it’s been three months.

You aren’t sure.

You aren’t sure when you made plans to kill Kodo either but suddenly you have them. A fool proof way to get him alone.

And suddenly you’re dressed for the first time in, well, however long it’s been. In a baby blue nightie with a robe you march out into the hall. The guards watch in silence as you walk away, your bare feet scampering down the stairs until you find yourself watching the main entrance. Waiting for your loving husband to make his nightly trip to a pleasure house, a trip that is typically accompanied by guards.

You grip the handle of the knife in your pocket as you wait until you finally hear footsteps approaching.

“Kodo, honey?” You step out from behind the stone column, holding your robe closed as you bat your eyelashes at him. He stumbles around drunkenly until his eyes focus on you.

You’ve only used your voice for screaming for so long you sound meek, exactly as you want to right now.

“Wife?”

“I thought maybe you’d like to join me tonight…” You hold a hand out towards him, putting on a sickly sweet tone of innocence. His mouth twists into a grin.

“I knew you’d come around eventually.”

He doesn’t question where you’re taking him, he simply follows.

What a joke.

You pull him up the stairs, you know from hide and seek where to find an empty room so you guide him there in calculated silence until he trips a bit, laughing to himself as he stutters.

“I knew if I got rid of the Mandalorian you’d realize how much better I am than him.” The statement doesn’t sit right with you and he can see it on your face, even in his drunken state he can sense your confusion.

You both stop, you’re above him on the stairs as you turn and stare into his eyes.

“You- you knew?”

He simply nods, that sickening smile of his is plastered on his face. His icy blue eyes shimmer with delight.

“How long?”

“When Leo told me I remembered everything. That little altercation in the hall when your boy knocked me out came right back to me, from there it wasn’t hard to figure out.” Your eye twitches as he speaks.

He knew you loved him and he took him from you anyway.

Any hesitations you had are gone as you nod, pulling him onward until you reach the large vacant tower room. He’s so drunk you decide to just drop the voice, pointing at a spot on the floor.

“Lay down.” You mumble, reaching into your pocket once more.

He eagerly does as he’s told, laying down on the cold stone, you take a deep breath, in one swift motion you grab your knife, holding it behind your back as you toss your robe aside. He gives you a toothy grin as you ever so slowly walk to him, standing above him before sitting, straddling his waist.

You look him up and down, one last time.

Your loving husband.

One of his hands plays with the blue lace of your nightie as you collect yourself. You look up at the ceiling briefly.

I’m sorry.

Not for Kodo, but for Din. This is exactly what he didn’t want you to do.

You aren’t a killer. And you aren’t hateful, but a person can only be pushed so far before something breaks.

Be smart.

You think of Din’s note one last time before you bring the blade out in front of you and slam the blade into Kodo’s chest.

He makes a sickly wet sound, coughing as he stares at you in shock.

You remove the knife, the hot steel cauterizes his wounds, there isn’t so much as a drop of blood as your face twists with fury and you bring it down again into his stomach now.

How dare he look surprised by any of this.

After what he took from you? He deserves galaxies worse.

So you remove the knife.

And you stab him again.

And again,

and again,

and again.

Until there is no more shocked look on his face. You don’t have a snarky remark or a statement to commemorate your revenge, you’re all used up at this point, all you have is this, this stabbing motion.

He didn’t even have a chance to fight back.

You crawl off of his body, sitting on the stones as you toss the knife to the side, waiting for a rush of euphoria.

But it never comes.

It doesn’t feel as good as you thought it would.

Staring down at Kodo’s lifeless body. You let yourself crumble. Collapsing down onto the floor, gasping for air as you sob.

This was never going to bring him back.

You lay there on your hands and knees for quite some time, just wailing, because what else are you supposed to do right now? You realize far too late that this was never an act of malice, some demented and shattered part of you thought that this would somehow bring him back, that it would give you peace.

They won’t execute you.

You planned this exactly so they wouldn’t.

Kodo didn’t tell anyone about your relationship with Din in much detail, not enough for them to assume that you could be with child. Everyone will assume that it’s Kodo’s. They won’t kill you, they can’t.

Not if they think you’re carrying Kodo’s child. Now that Kodo’s dead, there’s no one to tell the royal family that you never consummated your marriage, your child is the most well protected person on the planet. The future monarch. It’s almost funny, you haven’t permitted yourself to think about the stirring within you as a child until just now, in this moment of weakness. A child, your child.

Who will most likely grow up without a mother because of the decisions you've made today.

You bite your fist, swallowing a scream as you sit back on your heels.

Your child will never know how loved they were. Your little one will never get to sit beside their mother while their father teaches them to sew. You put your head in your hands as you wail, no longer caring who hears. Your fate is sealed, what does it matter?

You don’t turn when you hear someone coming up the stairs. When they pull you into their arms you try uselessly to shove them away. Your vision is blurry and filled with tears as you stare up at the unfamiliar figure now holding you. They rub your back, drawing swirls and stars against your spine as they pull you closer.

“It’s okay, I’ve got you.” They mumble into your hair. You dry your eyes hastily on your sleeve, confused by the voice you’re hearing, it’s painfully familiar, on instinct you wrap your arms around their torso, pulling yourself into their lap as you both sit on the floor beside Kodo’s body. “You’re okay, I’m here.”

“I’m- I’m sorry.” You whisper against the stranger's shirt. You knew you weren’t hateful. You’re certain of it now because even though he took quite literally everything from you, you still feel bad when you look at Kodo.

A large hand cups your face, pulling you back to their chest so you can’t see the corpse anymore.

“I didn’t mean it- I- I didn’t mean to kill him. Well I did but I just-” You begin to ramble as a fresh flood of tears begin sliding down your cheeks.

“Hey- hey it’s okay. I know you didn’t mean it. We gotta get you cleaned up, okay? I’ll take care of this, I’ll fix it.” Their arms tighten around you, giving you a reassuring squeeze. You finally find the courage to look at your companion and it takes a moment for you to even realize who you’re looking at.

New Leo.

Why would he help you? You treat him like shit. When you look at him he looks like he’s about to cry and for the first time since Din was taken from you drop the walls you’ve put up and you let yourself feel bad for him. You show an ounce of kindness to him because in all honesty he’s the first person to make you feel safe since the night Din was taken from you.

A lighthouse while you sail through a storm.

So you hug him.

You pull yourself closer to him and you offer him a comfort you haven’t known for days.

“I’m sorry… for all of it, but especially the flowers, I should have told you, I just- you wouldn’t let me and the guards wouldn’t let me in without your permission and you just wouldn’t look at me.” He begins to mumble his own apologies, sending a surge of confusion through you.

You furrow your brows, pulling back once more giving him a perplexed look as you search his nearly black eyes for some kind of answer.

And it clicks.

All at once it snaps into place and you want to say his name, so desperately, but you’re terribly afraid of being wrong.

And then he smiles. A soft smile that makes you feel okay and you don’t even care if you’re wrong and you don’t care if it doesn’t make sense you just have to ask.

“Din?”

☆

a/n : yeah so uhhhhh yeah uhhhh this is the first chapter i've ever written where im actually very fond of the writing and nervous about the plot stuff so im gonna go hide?? and just vanish for a while lol

I don't have a tag list anymore !! follow @lincolndjarinnotifs for updates!!

#lincolndjarin #the mandalorian #best kept secret #bks #din djarin #the mandalorian x reader #the mandalorian fanfiction #the mandalorian x you #din djarin x reader #din djarin x you #din djarin fanfiction #mandalorian smut #din djarin smut #pedro pascal #din djarin/reader #din djarin/you

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