i think i’ve learned a lot when it comes to not applying my own values to the media i consume
for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.
and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.
all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.
HE IS NOT A GOOD PERSON.
if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.
you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.
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I just . Repeating "characters are tools" you end up erasing so much about arashi's character and motivations and interactions with other characters if you avoid using her pronouns aka avoid showing she's transgender. It's on the same level of frustration with the translators i had when i saw they had Mika speaking standard English, there's a LOT that gets lost if you don't show those little things.
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the good ol "i dont see my child as an individual with their own mind, thoughts, opinions, and unique needs, and instead i see them as an object that i can control and make plans and set up expectations for for without problem or consideration, and if they aren't in the narrow boundaries of what i want them to be, i will act like they have died and talk about how hard this is for ME" special
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oughhhhh eris and kiran thoughts…
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Then I looked to the North and behold! Five beasts stood there. One was like a dog, fiery but not burning. One was like a yellow lion, another was like a pale horse, another was like a black pig. But the last was like a grey wolf.
- Hildegard von Bingen, 1163 AD
.
Bastian - The Second Son
It is the moment of Creation. The Lord God reigns in Heaven. Beneath him are stars and seraphs, the grace of gravity and the dance of the planets. These bodies know their place.
It is 1348. King Philip IV reigns in France. Beneath him are barons and dukes, counts and knights. These worthies know their place.
It is November of that darkening year. The Duke of Burgundy, lord of the most powerful noble house in the realm, has three sons.
His oldest, ill and pious, knows his place.
His youngest, free of responsibility, delights in his.
(but the last)
(but the last was like)
The other is Bastian. Second son, rival to no one, notable to a point, rendered a contingency by dint of his conception. Not passed over, for who passes over a second? Present. Reliable. Seething.
Imprisoned by the chain of order, from father to king to the One who set the stars in motion, Bastian sees his shackles, and the heat from his skin threatens to melt them into slag. He is more. A vibrating, black-curdled, hungry certainty: so much more than this.
--
(There are high, locked gates in many worlds. There are strange and secret peoples trapped within. One has a golden crown in her hand. She sees a man -- second son, seeded with the end -- who may prove worthy of it.)
(She sees a way out.)
--
Bastian knows his place. And he will break the back of the cosmos to rise above it.
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it fics where maggie & wentworth are abusive to richie just know that you’re causing me both emotional and psychic damage what the fuck are you doing!!!
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"oh hey a real person followed me, I should look at their blog"
soon
"...perhaps I should listen to Eskew."
oh boy you caught my blog after an exciting weekend lmao
I absolutely recommend eskew! I don't have a lot of coherent thoughts, since I got into it over a very physically and mentally draining summer job and have yet to relisten, but it left an impression for sure. I will say what there is of an overarching narrative felt a bit jolty to me in places, for lack of a better term— I think you get the vibe of a show that’s figuring itself out somewhat as it goes, however the ideas are very interesting and I could make a long list of moments that really really affected me. my recent posts probably give a good sense of what I liked most abt it; david ward is just. endlessly interesting as a character imo. the writing’s good— there's a kind of.. ironically humorous edge to a lot of my favourite episodes, something I’d have to relisten to properly articulate. there's a tic of referring to one-off characters by a title instead of a name— the correspondence editor, the architect, the witness— that scratches something in my brain. in contrast with the slimy fleshiness of much of the horror, the sound design is just nice, actually— the rain never stops in eskew and the tone of the narration stays pretty level no matter what’s being described. there are only two narrators and I found both of their voices pleasant enough to close my eyes to on the subway after a long day. very solid show
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As a long time mutual and a short term snap subscriber, I cannot stop stroking myself to you. Just every day.
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I would give an arm to he able to enjoy something. One. Thing. Without hearing some political ass moral ass complaints Jesus fuck can y'all pls go touch some grass like y'all are taking it too far
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george michael, who died seven years ago today, spent his life making private donations to organizations fighting AIDS, homelessness and poverty, including a donation to omwabini in west kenya that helped it grow to new heights. one story alleges he overheard a stranger in a cafe speaking of her debts and had a waitress give her a check he wrote for 25,000 pounds after he left. he anonymously volunteered at homeless shelters. he held a free concert for NHS nurses for his gratitude for his mother's care during her battle with breast cancer. sali hughes stated that he once tipped a barmaid five thousand pounds to help with her debts. he facilitated a trip for 250 disabled and terminally ill children to take a holiday vacation to lapland. when doing press for his big album drop for "older," he gave the exclusive to big issue, a paper devoted to helping unhoused people make income. he donated thousands to two separate women who he saw on television trying to pay for IVF -- one of them found out she was pregnant the day he died. radio dj mick brown said george quietly donated 100,000 pounds every easter to Help a London Child to support poor children.
these are only a few of the charitable acts he did. he did many of these things anonymously, intentionally so. but the thing is when you do so many things that touch so many lives, they tend to outlive you long after you're gone. i think of him every Christmas, and i wish he was still with us. but i'm glad we had him at all.
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no, actually, where is the whimsy?
my ex had a best friend named larry who asked me once: what do you think comes after irony?
we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.
earnest positivity, i said, while my ex said, art self-destructs.
i stared at my ex. he stared at me.
his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!
it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.
and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.
my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.
which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.
but here's the thing: i wasn't wrong either.
the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.
so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.
and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.
where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.
it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.
this knowledge: where he said nothing comes after, my only instinct was what comes after is love.
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Yandere Head Canons:
Sacrificial Bride
Yandere Dragon Shifter x Princess Reader
TW: Yandere behavior, manipulation, Somniaphilia (suggested), delusional yandede, complacency, etc.
Feroc the Ferocious was the kind of dragon who would bring any silly knight to their knees. The kind of dragon that inspired legends and stories to be written in books. The kind of dragon that was larger than any castle human like could ever dream to build. The kind of dragon that could decimate a kingdom with a single breath of his fiery flames if he was angered… the dragon that your own people sacrificed you, the princess, to in order to save themselves from his wrath.
And so they bound you up and threw you before him. Your own father on his knees as he begged the great dragon for mercy in exchange for his own flesh and blood… the kingdom’s most prized beauty in exchange for peace. An offer Feroc quickly accepted before the king could utter another word!
Dragons collected beautiful treasures! Dragons hoarded their treasure in caves and abandoned castles fad from prying eyes… and unbeknownst to you, Feroc found you to be rhetorical most beautiful
For dragons, a sacrificial spouse was an ancient tradition and this was the first time he’d been offered such a perfect bride! How could he refuse you? Especially when your own people begged him so prettily? Would you beg for him just as beautifully one day?
And so you were scooped up in his ginormous talons and carried away in the sky to a lone tower deep in the mountains. Your new home… your home with Feroc.
You could recall how scared of him you used to be. You’d heard from many people of how this giant scaled beast before you was a man eater. Of how he swallowed many knights in his time… yet this dragon seemed so shy from your experience so far. Skittish even.
Feroc often brought you various jewelry and fine silks from his daily raids. There wasn’t a day that went by that he didn’t bring you a gift of some kind. His molten eagerly studied your form despite his persistent silence. Feroc’s company disturbed you as much as it comforted you.
It took a month for him to speak to you. His accent was heavy from the olden tongue he spoke but he knew the same language you spoke. His voice was booming and low, it could easily strike terror in others… but for some reason, his voice calmed you. Perhaps loneliness has finally crept its fangs into your heart? You weren’t sure…
Feroc would bring you anything you wanted to eat. Within means, of course. He’d bring you delicacies he’d likely looted off some poor caravan if you said you wanted sweets. There was no extremes he wouldn’t go to for you, which was odd since he was a dragon who’s been around for hundred of years… why did Feroc have such an interest in a human princess?
One day, you had a nightmare of a man standing in the corner of your room. Your scream in the night quickly alerted your guardian who peaked his large eye in your room in worry.
“Princess? What’s wrong?”
“I just had a nightmare… I thought there was a man in my room.” You wiped the sweat from your forehead while Feroc clicked his tongue.
“No man could ever scale his tower. I’m the only one who can enter. I’d never let anyone harm you.” The red and black dragon grumbled, his molten eyes glanced you once over. “Why? Do you… want a human companion?”
“I do get lonely sometimes.” You admitted to Feroc . His eyes now filled with hurt. “I do enjoy your company but… I miss being able to touch another human.”
Feroc didn’t understand your sentiment. He was a might dragon! The strongest of his kind! Feroc has proven himself to be the best of mates to you and yet you were still displeased? Was it because he was a dragon? Would you be happier if he showed you his other form?
“I’ll figure something out then… get some sleep.”
Feroc now snuck in your bedroom when you slept. He ghosted his clawed fingers over your oblivious form in wonder. His clawed fingers were too sharp, he’d have to dull them more… he didn’t want to cut up his pretty princess!
Feroc’s gentle touches progressed when he noticed how heavy of a sleeper you were. His desire to see what made you human drove him to insatiable heights. No area was left unexplored with his eyes. He needed to be perfect. Feroc had to be compatible with you. You and him were going to have young one day, after all! Feroc didn’t want to harm you in the process!
Feroc was able to mold his body into a perfect man. Once that was the perfect size for you, yet still immense so you’d know it was him. Feroc now stood at a massive seven feet tall rather than the hundred feet of his dragon form.
Yet there was a constant fear within him that you’d die of old age or of natural causes… Feroc knew humans were fragile creatures so he did what he had to. Feroc shared half of his heart with you while you slept. It was a simple spell and a painless procedure for you. One that would benefit the both do you in the long run!
If one of you died, the other would! You’d never age! You now shared a lifespan with him. Feroc couldn’t wait to tell you once the two of you made everything official!
It took another month for him to reveal this perfect form to you. Feroc had to let the excitement die down from sharing his heart with you so you didn’t freak out! Humans were such finicky creatures, after all! And he’d be an awful mate if he frightened you with a subject you had no knowledge on…
All you needed was to see this devilishly beautiful form of his and you’d be bewitched.
“Look at us… we’re so beautiful together.” Feroc whispered into the skin of your shoulder as he admired your reflection beside him. “I think I’ll find you more gold to decorate you with, my treasure.”
“Feroc, I don’t understand.” You jump when Feroc dragged his forked tongue across your exposed shoulder.
“You accepted all of my gifts and you’re the only one who suits me.” Feroc hissed his obsidian eyes flashed a bright gold. “Wouldn’t you rather be by my side than in my stomach?”
You gulped and obediently rested your head on his chest which made him purr in contentment. His muscular arms wrapped around yours as his wavy black hair tickled your skin.
“I’m joking, I’d never eat you.” Feroc smiled before he pressed a soft kiss to your cheek. “You’re my bride, after all.”
You didn’t need to know about how many knights he’s killed over the last few months for you. Feroc would take care of you until the day the both of you died. Every heinous act he’s ever committed over these last few months were all for his beautiful, blushing bride.
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— cute things they do unintentionally
including wriothesley, zhongli, neuvillette, diluc x gn! reader
꒰ genre ꒱ — fluff, established relationship, neck kisses, lots of physical affection
— wriothesley + always walks closest to the street
in the early stages of your relationship, wriothesley has shown the first, out of the many following, indications of his overall protective nature towards you— and do not misunderstand him, because obviously he wasn't making it somewhat overbearing.
he knows you are capable of doing things on your own, but he wants to be the one who does them for you instead. it fills him with joy, and the duke finds himself squeezing his eyes shut, indulging in the memories and thoughts and hope that they would never cease to invade his newfound paradise.
so to speak, it's sort of a way to show you his love in a contrasting kind of sense other than telling you his affection through words or physical touch— with his heart-melting gestures and tender warmth, wriothesley will stop to walk for a split second before softly pulling you farthest from the street as he walks closest.
it was silly— and romantic, and there's a drop of silence before you hear him hum in merriment, his eyes sparkling like the stars.
full of feeling, your cheeks were poignant of a flaming prickle, your whole body burned like fire at his touch as you eagerly listen to what story your boyfriend was telling you about, his smile bringing you the most lustrous light when you entangle your fingers into his arm to press his frame against you.
and suddenly, your lips are tingling with the desire to kiss him, his lips as pink as pink delights. what's the sweetest part about it all was that wriothesley wasn't doing any of this intentionally— in fact, it had always come down to the way he has been all of his life, protective and sheltering, benevolent to the people closest to his heart.
— zhongli + kisses your forehead whenever you meet
"hello, my love," zhongli's face lights up the moment he sees you, and it's a lot more personal by how particularly he smiled at you— because before catching your frame in midst the busy streets of liyue, his facial features were stern and a little frozen, although when he finally finds you, he smiles and it takes away his cold instantly, a slow upturn of his mouth revealing small dimples around his sides.
"i missed you," he admits, and zhongli moves closer before capturing your cheeks in his warm palms, planting a subtle kiss on your forehead as he presses you against his chest firmly— his golden eyes bright enough to make even broken glass glow and shimmer like a treasure on its own again.
you mumble out through a chain of muffled words at the slightly tight embrace of your boyfriend, "i missed you too," and listlessly wrap your arms around his waist, "in fact, i missed you more," you tease as he presses dozen of little kisses on your head.
as much as zhongli would love to hug you for what he sought out to be eternity, he knows he cannot remain like this forever, at least not while being crowded by the people of liyue— although pondering about it more deeply, he figured that theoretically speaking, he could be able to hug you from day to night without letting you go, but people might start looking at you both so that'll be a negative and turn things uncomfortable.
"you know it's impossible for you to miss me more?" he slowly pulls you off his chest before pinching your cheek, "i long for you day and night," as his grin shines in tandem with the dancing joy of his eyes, unable to tear their focus away from you.
— neuvillette + can't stop worshipping you
after a long, arduous day consisting of responsibilities, you plopped onto the giant, comfortable bed you shared with neuvillette before you felt the mattress slightly dip under the added weight of his body as he climbs over to lean one arm around your frame.
as he does this, his face instantly burns into the nook of your neck before he begins to caress it— obviously in those moments he was content with you, starting with a handful of soft, warm kisses until he could feel you smile, or notice your body heat raise.
it's pretty clear his senses were sharp, you cannot hide anything from your boyfriend, even if you tried.
you yawn out, opening your arms for his body to properly nestle in before wrapping your limbs around his frame to keep him close, "what did i do to deserve this?" you whisper sarcastically, squeezing him a little tighter into you, "is something the matter?"
neuvillette hums deeply before smothering one hand from your chest to your hips, his lips stretching into a lazy smile, creating a swirling haven on his handsome face, "nothing at all, everything is fine," he assures you with another kiss, his hot breath fanning over the dampened skin on your neck.
basking into the comfortable engage of your arms around his frame, he continues, "i have simply missed what's mine, that is all,"
"and you deserve this," you hear him mumble, "each and every day to be admired and loved,"
he places a kiss on your shoulder, the softness of his lips compelling, "i want to give you this," as he slowly continues to slide his lips over your collarbone, full of passionate crescendos.
your skin trembles and goosebumps arise on your neck as you unwind to his skilled. tender interludes, precisely in neuvillette taking care of you, shooting you a gentle smile before he searches for your lips next.
— diluc + likes to hold your hand all the time
it doesn't matter where the both of you were or what activity you participated in, because for neither diluc nor you this was something out of the ordinary anymore and began to become a necessity— like breathing, he required your touch, and his heart fluttered every time he felt your energy invade his.
your laugh was his favorite sound and your voice was the last tune he needed to hear before he'd close his eyes, always awaiting the flicker of longing in your caress.
but before you have found each other in this relationship, the master of the dawn winery has never considered himself to be an overly touchy individual, in fact, he was everything else but pleased whenever someone would become way too comfortable with him and overstep any boundaries.
what's funny about love is that how fast it can change things in someone— beyond looks, touches or shared smiles, there were feelings that only you two were able to understand.
diluc hadn't realized how easy and effortless it can be the moment you meet your soulmate, it's transparent and pure and you cannot get enough of them, it's useless to even try and you want to feel them again and again, until their warmth swathes through your skin and intertwines like dancers in a ballet.
in the beginning, it had started with quick and easy placements of his palm on your back or around your shoulders, but after a while, diluc wanted to turn it a little more intimate— he didn't say anything or mention it to you, but one day at a silent night in mondstadt, when he looked at you, really looked at you, he held your hand, his thumb tracing your knuckles in a silent confession of love and affirmation.
to diluc ragnvindr, the act of falling in love was the acknowledgement that he was in the presence of someone so special that it aches his heart, a journey with unexpected twists and turns— for the first time and in that moment, he knew that you were deserving of love to the fullest, without holding back.
©2024 anantaru do not repost, copy, translate, modify, claim as your own
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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT
Hi! Long answer alert. Once a chatterbox, always a chatterbox.
When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.
I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.
Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.
For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.
Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.
The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!
It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.
I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).
Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)
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REMEMBER.
minors dni. 2.6k words.
smut. daryl dixon x fem!reader. protective daryl. hint of size kink. strength kink.
It's easy to forget his strength when his touch is always so gentle. When you're safe, he lets you forget everything he's capable of; the reason you've both made it this long.
Safety lets you forget.
And then—when it inevitably all it all goes to shit again—you remember.
"Get in!" he calls through the wall of bodies separating you. He keeps the attention of most of them, but there's a few stumbling in your direction—too many for you to handle alone. "Now!" he shouts as he takes another growling walker down.
It goes against every instinct you have—to leave him to fight this alone. But this was his domain. This was when you did whatever the fuck he told you to do. It was how you survived.
You drag the door of the container open, grunting as the heavy metal fights back. It's a makeshift prison cell, one that was supposed to be filled with live bait for the walkers. It would be if it weren't for Daryl. He was almost single-handedly dismantling whatever fucked up enterprise you'd both stumbled upon.
One of them reaches you before you'd manage to push the gate open enough to slip through.
One is fine. You can handle one.
Turning around to deal with it gives you a split second to check in on Daryl. He's making a dent in the mass of bodies, but it's not enough. Not with the shouts of the living making their way closer.
You kick the walker you've knifed back into the mass of bodies approaching, giving you just enough time to slip through the crack you've made in the sliding door and slam it closed behind you.
Locking it is another story.
You have no hope of accomplishing that.
Still, it's enough for now. It's enough to let Daryl keep his focus where it needs to be as you deal with as many as you can through the bars.
Then one gets shot down. Daryl, is your first thought. But then two are shot down at once. And then the voices reach your ears. Voices are bad. Walkers you can handle. The living was another story. Nothing stoked the fear constantly simmers in your gut like the voices of the living.
They shout over each other, calling directions as they pick off the mass with a spray of bullets. You can't see Daryl anymore. He's either dead or hiding.
Hiding. Hiding. Hiding.
You shift back into one of the dark corners of the container as the shouts draw nearer.
“What the fuck happened?! Don't shoot them you dumb fucks! Get any you can back into holding!”
Any second now... any second they'd find Daryl and your world would end. The living were different. The living were monsters of a different kind.
"They're bunched up around this one!" someone shouts.
You hold your breath.
"Well check it out then!" another demands.
Oh, fuck. You grip your pistol. Your aim was decent. You could take one out, maybe two. But there's a whole group... and they were coming for you.
You scramble to the other far corner as the last of the walkers are cleared from the entrance, hoping to take advantage of the darkest shadows. Daryl would be watching... waiting. Any extra moment you could give him could be vital.
"You better come out now," a man calls from outside. He's just out of your sights, prepared for you to be armed and ready to fight. You'd hoped to have the element of surprise. "I ain't asking."
You know what'll happened when they find you. It's the same thing each time. You're prey to people like these—something to hunt in a world without consequences for that kind of thing.
Your silence buys you less than a minute before the first of them are dragging the metal gate open. If you shoot, they'll shoot back. It's not something you'll survive cornered like this. So you bet on them being the same as the rest. You let them know you're prey.
"Please," you call, as meek and afraid as you can manage—vulnerable. Not a threat. "I'm—I'm unarmed."
Then a bright light blinds you.
"What the fuck?" one of them exclaims. Then, "Where'd the fuck this little thing come from?"
There it was. Little. Thing. You were nothing. You're not a threat. You'd bought Daryl more time.
"Come on out, girl. Come on." They call you like you're a dog, something less than human. That's how they see you. Something to use.
You take a small step forward, still blinded by their flashlights. Daryl was alive. He was alive and hiding and he was waiting for something.
You just had to stay alive.
"What do you... want with me?" you ask, still taking tiny steps towards the light. Weak. Vulnerable. No threat.
You get muffled laughter in response. Guards down. Distracted.
"What do we want? We want a little fun, honey. That's all. Just a bit of fun."
They're flash lights drop as you approach the entrance. They've pulled the gate all the way across.
Five. You count five. If you kill two...
"Why is she alone?" one of them questions. He's younger, a little less distracted.
The rest ignore him. Then one of them has you by the arm, dragging you the rest of the way out of the makeshift cell. They're hands send a wave of repulsion through your body as they grab at you, pulling you around and shoving you in front of them. They may as well be the undead the way their touch feels against your skin.
The young one doesn't move out of the way when you reach him. Instead he stares into you, suspicious and angry. "Who are you with?" he asks. Even then, his gun is lowered. Even to him you aren't a threat.
"Get the fuck out of the way," the man gripping your arm says, clearly irritated and impatient.
"But—"
"Now."
His eyes narrow, but then he steps aside—his back pressed to the wall to let the rest of the men past. It's now that you get a look down into the pit of walkers, the one's they've managed to recapture rather than take out. They reach up towards you, hands grabbing for you.
Then, only a few steps later—you're stopped. The man with his hand wrapped around your elbow leans over your shoulder, his rancid breath invading your nostrils as he speaks. "You alone?" he asks. "You tell me right now."
You blink away the burn threatening to pool tears in your eyes. Were you alone? If you were...
The man's grip tightens, the only warning you get before you're forced to your knees and staring down into the pit of hungry walkers. "Speak," he demands, nails carving into your skin. "I'd hate to waste you like this."
There's two other men behind you. Three surrounding you in total. You could take one out for sure. They hadn't even searched you for weapons. They expected nothing out of you at all.
But then there'd be two, only counting the ones in reaching distance. How long would it take the other two further away to aim their guns in your direction?
You were dying tonight if Daryl was dead, that was certain. Your only hope was that he was waiting and watching... but what would he be waiting for...
Your pistol sits at your hip, a comfortable weight.
You take a deep breath. You could wait to die. Or fight now and hope that's the moment he's waiting for... if he's waiting at all.
The man holding you drops to one knee behind you. He leans over to speak in your ear. You wouldn't need to rely on your aim for the first kill, only any that followed. It was a headstart you weren't likely to get again. You reach for your pistol and before the man can open his lips and taint your senses with his rot once more, you shoot him through the underside of his jaw.
Your ears ring as his body drops. But you were ready. The men behind you aren't.
You were nothing. Prey.
The few seconds that affords you are priceless. You manage to shoot one more through the head before he can get hands on his own weapon.
The third is another story. His gun is pointed at you for what must be milliseconds. They drag though, those moments with an enemy weapon pointed at your head always do.
But then Daryl is there, strangling the man with a rifle and shoving his body into the ground with a force that reverberates through the metal. It's only when he snaps the man's neck you spot the bodies behind him.
He'd been waiting for you.
You watch him stand, hair hanging in his face and his chest rising and falling with his deep breaths.
Then his eyes are on you.
Then his hands.
Those hands... the same ones he'd used seconds earlier to break a man's neck. His fingers are feathers across your skin as he brushes the hair back off your face. "Okay?" he asks, soft and a little shaky.
You nod.
"You did good," he says, that deep gravel back in his voice. "So good, sweetheart." His hand makes a trail down to your neck, gentle and slow over your pulse point to rest at your clavicle. "We gotta go," he says. "Stay close for me, yeah?"
—————
The first time after is always the same—after you're forced to remember. It adds something to the way his gentle hands feel as he reaches over your hips to dip between your legs. To the way his body feels pressed up behind yours.
His thick fingers slip between your slick folds as he holds you tight against his chest. Heat. It's an overwhelming heat. He crowds you, practically curled around you.
"You like that sweetheart?" His voice is almost sweet as his lips graze your ears and his long hair tickles your skin. "Huh? You like that?"
You nod with a small whine, pressing your hips back into him—desperate.
He sighs, finger prodding over and over at your swollen entrance—a teasing little hint of what's to come. He dips in slightly, his calloused fingertip pressing into your slippery, spongy entrance just enough to have you whimpering his name.
"Fuck," he grunts. "You need me here? Huh? You all fuckin' empty?"
"Yeah," you whine with a desperate nod. "Empty."
His grip around your ribs tightens for a moment before he's pressing you into the ground—cushioned by the few blankets you carry. He's rolled you onto your belly as he covers you completely, his warmth seeping into your skin from his calves to his hot breath on your neck.
"What do you need?" he asks. As if he doesn't know; as if he didn't always know.
"You."
"Hm?" he hums, sweet and coaxing. "How?"
You reach blindly to find his wrist, gripping it firmly. "Hold me tight," you gasp between jagged breaths. "Please... Please."
His weight is heavy over you as he drops his lips to your neck, a silent acknowledgement of your pleas.
Then he's scooping you up, lifting you and rearranging you exactly the way you want him to. Because he fucking knows.
He has you pressed to his chest with your tits against his skin as he lays back into the makeshift bed you've created for the night. His arms wrap around you, one across your shoulder blades and the other around your waist—secure and firm. His fingers press sporadically into your skin a little more than needed, like he's testing his grip on you; like he's testing he has you in his arms good and tight.
Then he hooks one leg under yours, a gentle guide to part your legs just the way he needs.
"You ready for me, sweetheart?" he breathes against your temple as one of his hands leaves you. It's temporary, you remind yourself. He'd be wrapping you up securely as soon as he'd buried himself deep; once his cock was guided safely into your throbbing cunt.
You nip at his neck in response, chasing with a delicate lick at his salty skin. "Please," you ask softly.
Then he's adjusting you against him a little, ensuring you're exactly where he needs you to be. "I got you," he says as his leaking tip prods at your entrance. "Got you," he repeats. He mumbles this way as he teases; as he plays. This was what he did: pushed you to the brink of desperate sobs as he guides his cockhead over your slippery, throbbing cunt... over and over.... and over...
Saying he liked you needy was an understatement.
Then, eventually, he slips inside. Just the tip.. and not far. Just enough so that he can wrap his arms around you again. Just enough that he can have you whimpering his name as he prevents you grinding down to take him deep inside.
This is when he gives you a hint of his strength. It's easy to keep you from your goal, his strong arms pressing you into his torso a little harder each time you attempt to resist.
He keeps you there, just with a taste of that fullness—a taste of having him as close as it was possible to be. "Kiss," he says, simple and a little croaky.
You obey, pressing your desperation between his lips. It's messy and interrupted by moments where you simply need to breathe, heavily—his lips chasing yours as you attempt to catch your breath.
"Daryl," you gasp eventually. "Now. Please."
His grip around you tightens a little as you drop your face to his neck.
Then he pulls you down to meet his cock, to fuck himself deep. It's hard, exactly like you need it—exactly the way he knows you want it. You bite into his neck weakly as he keeps you there, stuffed full—the thick throbbing length of him stretching you out so completely.
Then, "Like that?" he asks, that sweetness back in his voice—like he's offering you a gentle back massage instead of holding you down on his cock.
You nod weakly in response.
His fingers press into your skin moments before he's moving, fucking himself with your cunt as he pulls you down to meet his messy thrusts. You're completely pliant like this, all control relinquished.
He's got you.
His breathing is quickly transformed into uneven pants as he attempts to grunt broken sentences into your ear. "Sucking me in... sucking at my cock with your messy little cunt... aren't you, baby? Hm?"
One of his hands moves to your hair occasionally, a temporary and seemingly subconscious attempt to get a better grip—or just to hold you closer. His fingers tangle in the strands, never tugging hard—never hurting.
"My girl," he grunts. "My needy little girl."
It's only when he's nearing his end that he flips you onto your back and you get a real display. He grips your hips and tugs you down to meet him as he uses you, each thrust a slapping of skin and punching a helpless sound from your lungs.
Strength. Everything you've been forced to remember.
"Daryl," you gasp. "Daryl, fill me. Please."
His fingers dig a little more into your skin, his hair falling over his eyes. Then his lips part, a grunt... a broken, "Fuck."
He falls over you as he floods you, his cock twitching and pumping you full—just like you asked. But even then, even as he loses himself, he catches his fall—arms landing either side of your head to cage you in. "Got you," he gasps out between desperate lung fulls of air. "I got you."
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